World War II

Progressive Interventionist Neoconservative Warmonger Senator John McCain — Let The NATO Nations Defend Themselves and Pay For Their Own Defense — Progressive Democrats and Republicans Have Given The American People The Warfare and Welfare State and Replaced The Constitutional American Republic With A Declining and Falling American Empire of The Two Party Tyranny — $20 Trillion in Debt and Unfunced Liabilities Exceeding $210 Trillion and Growing — A Day of Reckoning — United States Is Bankrupt — Steve Bannon and President Trump Know It — Videos

Posted on March 16, 2017. Filed under: Articles, Banking, Blogroll, Books, Business, Communications, Computers, Congress, conservatives, Constitution, Corruption, Culture, Demographics, Diasters, Documentary, Economics, History of Economic Thought, Investments, Macroeconomics, Microeconomics, Monetary Policy, Money, Non-Fiction, Technology, Unemployment, Video, War, Wealth, Weather, Welfare, Wisdom, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , |

 “It is our true policy to steer clear of permanent alliance with any portion of the foreign world”

~George Washington

 “Peace, commerce, and honest friendship with all nations-entangling alliances with none.”

~Thomas Jefferson

Image result for quotes george washington on steer clear of permanent alliancesImage result for quotes george washington on alliances

Image result for NATO map

Image result for NATO list of countries and date joined

Image result for NATO list of countries and date joined

Image result for NATO list of countries and date joined

Image result for NATO list of countries and date joined

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National Debt Clock

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Sen McCain on Sen. Paul: “The Senator from Kentucky is now working for Vladimir Putin.” (C-SPAN)

Rand Paul ‘John McCain is proof we need term limits’

[youtube3=https://www.youtube.com/watch?v=AGT4wCmKjas]

RAND PAUL VS. JOHN MCCAIN: RAND REACTS TO MCCAIN’S RUSSIAN AGENT CLAIM!!

Rand Paul: McCain ‘past his prime,’ maybe ‘unhinged’

Pence: Time For Allies To Pay Fair Share For NATO

Other NATO members need to pay their fair share?

Trump complains at NATO countries for not paying defense share

Congressman Ron Paul, MD – We’ve Been NeoConned

Steve Bannon Lays Out His AMAZING Political Philosophy

Published on Nov 18, 2016

Speech by Stephen K. Bannon (Steve Bannon), Donald Trump’s senior strategic advisor and architect of his winning 2016 election. In this speech delivered to the Liberty Restoration Foundation, Bannon layed out the poliitical philosophy both he and Trump embrace, and which appealed to the American people in the election. It is conservative, perhaps explaining why the political liberal left has resorted to evidently incorrect allegations of antisemitism or racism to try to derail his appointment. Bannon was a Hollywood producer who invested in the Seinfeld comedy TV series, and later became the chair of the Brietbart News Service, expanding it into one of the leading news sources nationally, as an alternative to liberal media outlets that previously dominated US media. He joined the Trump campaign in June 2016, leading him to victory and the White House. Do you think that Bannon is racist, as the democrats have alleged?

Deficits, Debts and Unfunded Liabilities: The Consequences of Excessive Government Spending

Uploaded on May 10, 2010

Huge budget deficits and record levels of national debt are getting a lot of attention, but this video explains that unfunded liabilities for entitlement programs are Americas real red-ink challenge. More important, this CF&P mini-documentary reveals that deficits and debt are symptoms of the real problem of an excessive burden of government spending. http://www.freedomandprosperity.org

III – Unfunded Liabilities

Rhett Talks – Is the United States Bankrupt?

Laurence Kotlikoff at MTSU November 5, 2015

‘US hides real debt, in worse shape than Greece’

Unfunded Liabilities: James Cox of Silver Bullion interviews Professor Kotlikoff

The Actual Fiscal Gap Is Approximately $210 Trillion Dollars With All The Unfunded Liabilities, The Average Person, Every Man, Woman, And Child Owes……$666,666.667

8 years ago, when Obama took office, the Debt Clock was at 9 TRILLION Dollars.
Today, the US Debt Clock at almost 20 TRILLION Dollars.
http://www.usdebtclock.org/

This is an 87% increase.

The actual Fiscal Gap is approximately $210 TRILLION Dollars.
with all the unfunded liabilities.

With the population of the US is over 315 MILLION People, this means that the average person, every man, woman, and child owes……$666,666.667

Where does this lead?
Look at Brazil, Argentina, Cyprus, Greece, Italy,……

Who ends up with the bill?
THE TAXPAYER!

http://investmentwatchblog.com/the-actual-fiscal-gap-is-approximately-210-trillion-dollars-with-all-the-unfunded-liabilities-the-average-person-every-man-woman-and-child-owes-666666-667/

17 Nobel Laureates and 1200+ Economists Agree with Ben Carson re U.S. Fiscal Gap

I cover economics, personal, national, and international.

Michelle Lee, a fact checker with the Washington Post, just posted a long and, to my mind, highly political column. Her column, read carefully, undermines Presidential candidate Ben Carson’s absolutely correct claim, made in announcing his candidacy, that the true measure of U.S. fiscal debt is not the $13 trillion our government reports as its debt. Instead, our true debt is over $200 trillion. Obviously, most of this true debt has been kept off the books by our politicians.

In this column, I’m going to defend Dr. Carson’s statement. But I want to point out that I don’t know Dr. Carson. I have never spoken with him. And I don’t yet know enough about Dr. Carson’s positions to have a view about his overall suitability for President. I am, however, impressed that out of the gate he is talking about the right measure of our nation’s fiscal condition.

I spoke at length to Michelle Lee prior to her writing her column. She told me she was a fact checker. But when fact checking turns into disguised political commentary, there’s a problem. Fact checkers are supposed to check the facts with experts. When it comes to economics, the experts are PhD economists, not political organizations or people, without real economics training, parading as economists, both of which she quotes in undermining Dr. Carson’s credibility.

Now let me turn to the substance. In referring to $211 trillion in unfunded mandates, Dr. Carson was referencing my calculation of the U.S. fiscal gap. As I explained in a NY Times op ed, the U.S. fiscal gap is $210 trillion. So Dr. Carson was off by $1 trillion – by less than one half of one percent.

The fiscal gap is the present value of all projected future expenditures less the present value of all projected future taxes. The fiscal gap is calculated over the infinite horizon. But since future expenditures and taxes far off in the future are being discounted, their contribution to the fiscal gap is smaller the farther out one goes. The $210 trillion figure is based on the Congressional Budget Office’s July 2014 Alternative Fiscal Scenario projections, which I extended beyond their 75-year horizon.

Dr. Carson referenced $211 trillion as the size of “unfunded mandates.” Michelle Lee correctly points out that Dr. Carson was referencing the U.S. fiscal gap, not the present value of mandatory spending. What she knew (because I told her), but failed to say, is that the present value of mandatory spending is far larger than $210 trillion because the fiscal gap is a net, not a gross number.

Michelle Lee is not a PhD economist. Nor is Bruce Barlett, whose truly absurd statement about the debt being an asset she quotes. Yes, it’s an asset, but it’s an asset that young and future generations must pay off. Social Security benefits are also an asset to their recipients, but again, they must be paid off by people who aren’t getting the benefits.

Michelle Lee apparently takes Bruce Bartell’s views more seriously than the views of 17 Nobel Laureates in economics and over 1200 PhD economists from MIT, Harvard, Stanford, Chicago, Berkeley, Yale, Columbia, Penn, and lesser known universities and colleges around the country. Each of these economists has endorsed The Inform Act, a bi-partisan bill that requires the CBO, GAO, and OMB to do infinite horizon fiscal gap accounting on a routine and ongoing basis.

https://www.forbes.com/sites/kotlikoff/2015/05/13/17-nobel-laureates-and-1200-economists-agree-with-ben-carson-re-u-s-fiscal-gap/#46c13e954d17

National Debt

What You’ll Find

Comprehensive and meticulously documented facts about the national debt. Learn about various measures of the national debt, contributing factors, consequences, and more. For example:


Citation Generator

Introductory Notes

In keeping with the practice of the Congressional Budget Office and other federal agencies that deal with budget policy, many of the federal debt, spending, and revenue figures in this research are expressed as a portion of gross domestic product (GDP). This is because debates about the size of government and the effects of its debt are frequently centered upon how much of a nation’s economy is consumed by government. This measure also accounts for population growth, some of the effects of inflation, and the relative capacity of government to service its debt.

However, the federal government does not have the entire U.S. economy at its disposal to service federal debt. The private sector, which produces the goods and services that comprise most of the economy, utilizes some of these resources, and local and state governments also consume some of the nation’s GDP. Hence, this research sometimes expresses federal debt as a portion of annual federal revenues. This is a more direct measure of the federal government’s capacity to service its debt.

In keeping with Just Facts’ Standards of Credibility, all graphs in this research show the full range of available data, and all facts are cited based upon availability and relevance, not to slant results by singling out specific years that are different from others.

Click here for a video that summarizes some of the key facts in this research.

Quantifying the National Debt

* As of March 1, 2017, the official debt of the United States government is $19.9 trillion ($19,920,418,771,289).[1] This amounts to:

  • $61,365 for every person living in the U.S.[2]
  • $158,326 for every household in the U.S.[3]
  • 106% of the U.S. gross domestic product.[4]
  • 560% of annual federal revenues.[5]
Debt as a Portion of the Economy

[6]

* Publicly traded companies are legally required to account for “explicit” and “implicit” future obligations such as employee pensions and retirement benefits.[7] [8] [9] The federal budget, which is the “government’s primary financial planning and control tool,” is not bound by this rule.[10] [11]

* At the close of the federal government’s 2016 fiscal year (September 30, 2016), the federal government had roughly:

  • $8.5 trillion ($8,542,000,000,000) in liabilities that are not accounted for in the publicly held national debt, such as federal employee retirement benefits, accounts payable, and environmental/disposal liabilities.[12]
  • $29.0 trillion ($29,038,000,000,000) in obligations for current Social Security participants above and beyond projected revenues from their payroll and benefit taxes, certain transfers from the general fund of the U.S. Treasury, and assets of the Social Security trust fund.[13] [14]
  • $32.9 trillion ($32,900,000,000,000) in obligations for current Medicare participants above and beyond projected revenues from their payroll taxes, benefit taxes, premium payments, and assets of the Medicare trust fund.[15] [16]

* The figures above are determined in a manner that approximates how publicly traded companies are required to calculate their liabilities and obligations.[17] [18] [19] The obligations for Social Security and Medicare represent how much money must be immediately placed in interest-bearing investments to cover the projected shortfalls between dedicated revenues and expenditures for all current participants in these programs (both taxpayers and beneficiaries).[20] [21] [22]

* Combining the figures above with the national debt and subtracting the value of federal assets, the federal government had about $84.3 trillion ($84,306,000,000,000) in debts, liabilities, and unfunded obligations at the close of its 2016 fiscal year.[23]

* This $84.3 trillion shortfall is 93% of the combined net worth of all U.S. households and nonprofit organizations, including all assets in savings, real estate, corporate stocks, private businesses, and consumer durable goods such as automobiles and furniture.[24] [25]

* This shortfall equates to:

  • $260,382 for every person living in the U.S.[26]
  • $670,058 for every household in the U.S.[27]
  • 451% of the U.S. gross domestic product.[28]
  • 2,370% of annual federal revenues.[29]

* These figures do not account for the future costs implied by any current policies except those of the Social Security and Medicare programs.[30]

* These figures are based upon current federal law and “a wide range of complex assumptions” made by federal agencies.[31] Regarding this:

  • The Board of Social Security Trustees has stated that “significant uncertainty” surrounds the “best estimates” of future circumstances.”[32]
  • The Board of Medicare Trustees has stated that the program’s financial projections “are highly uncertain, especially when looking out more than several decades.”
  • The Board of Medicare Trustees has stated that the program’s long-term costs may be “substantially higher” than projected under current law. This is because current law includes the effects of the Affordable Care Act, which will cut Medicare prices for “many” healthcare services to “less than half of their level” under prior law. Per the Trustees:
Absent an unprecedented change in health care delivery systems and payment mechanisms, the prices paid by Medicare for health services will fall increasingly short of the costs of providing these services. … Before such an outcome would occur, lawmakers would likely intervene to prevent the withdrawal of providers from the Medicare market and the severe problems with beneficiary access to care that would result.[33]

Causes of the National Debt

Spending and Taxes

Current Expenditures and Receipts

† To measure the entirety of government expenditures and receipts, “total” instead of “current” figures are preferable, but such data (shown in the next graph) only extends back to 1960.[34]

‡ In 2015, receipts consisted of: 97% taxes; 2% premiums, settlements, donations, fines, fees, & penalties; 1% interest & dividends.[35]

[36]

* Data from the graph above:

Year Receipts
(Portion of GDP)
Expenditures
(Portion of GDP)
1930 3% 3%
1940 8% 9%
1950 16% 16%
1960 17% 17%
1970 17% 20%
1980 19% 22%
1990 18% 22%
2000 20% 19%
2010 16% 25%
2015 19% 22%

Total Expenditures and Receipts

[37]

* Data from the graph above:

Year Receipts
(Portion of GDP)
Expenditures
(Portion of GDP)
1960 18% 19%
1970 18% 21%
1980 19% 23%
1990 18% 22%
2000 20% 19%
2010 16% 27%
2015 19% 22%

Spending Distribution

Current Expenditures by Function

† Social programs include income security, healthcare, education, housing, and recreation.

‡ National defense includes military spending and veterans’ benefits.

§ General government and debt service includes the executive & legislative branches, tax collection, financial management, and interest payments.

# Economic affairs includes transportation, general economic & labor affairs, agriculture, natural resources, energy, and space. (This excludes spending for infrastructure projects such as new highways, which is not accounted for in this graph.[38])

£ Public order and safety includes police, fire, law courts, prisons, and immigration enforcement.

[39]

* Data from the graph above:

Category Portion of Total Federal Spending
1960 1970 1980 1990 2000 2010 2015
Social Programs 21% 32% 45% 44% 54% 61% 63%
National Defense 53% 42% 26% 25% 19% 20% 19%
General Government & Debt Service 19% 18% 21% 25% 21% 13% 13%
Economic Affairs & Infrastructure 6% 7% 7% 5% 5% 4% 4%
Public Order & Safety 0% 0% 1% 1% 1% 1% 1%

Tax Distribution

Effective Tax Rates by Income

NOTE: This data does not account for 7% of federal revenues that could not be allocated to households by income group.

[40]

* Data from the graph above:

Average Effective Federal Tax Burdens (2013)
Income Group Household Income Tax Rate Taxes Paid
Lowest 20% $25,400 3.3% $838
Second 20% $47,400 8.4% $3,982
Middle 20% $69,700 12.8% $8,922
Fourth 20% $103,700 17.0% $17,629
Highest 20% $265,000 26.3% $69,695

* Breakdown of the highest 20%:

Income Group Household Income Tax Rate Taxes Paid
81st – 90th $147,100 20.7% $30,450
91st – 95th $201,400 23.0% $46,322
96th – 99th $326,800 26.3% $85,948
Top 1 % $1,571,600 34.0% $534,344

Consequences

* As detailed in publications of the Congressional Budget Office, the Brookings Institution, and Princeton University Press, the following are some potential consequences of unchecked government debt:

  • reduced “future national income and living standards.”[41] [42] [43]
  • “reductions in spending” on “government programs.”[44]
  • “higher marginal tax rates.”[45]
  • “higher inflation” that increases “the size of future budget deficits” and decreases the “the purchasing power” of citizens’ savings and income.”[46] [47]
  • restricted “ability of policymakers to use fiscal policy to respond to unexpected challenges, such as economic downturns or international crises.”[48]
  • “losses for mutual funds, pension funds, insurance companies, banks, and other holders of federal debt.”[49]
  • increased “probability of a fiscal crisis in which investors would lose confidence in the government’s ability to manage its budget, and the government would be forced to pay much more to borrow money.”[50] [51]

* In 2012, the Journal of Economic Perspectives published a paper about the economic consequences of government debt. Using 2,000+ data points on national debt and economic growth in 20 advanced economies (such as the United States, France, and Japan) from 1800–2009, the authors found that countries with national debts above 90% of GDP averaged 34% less real annual economic growth than when their debts were below 90% of GDP.[52]

* The United States exceeded a debt/GDP level of 90% in the second quarter of 2010.[53]

* Per the textbook Microeconomics for Today:

GDP per capita provides a general index of a country’s standard of living. Countries with low GDP per capita and slow growth in GDP per capita are less able to satisfy basic needs for food, shelter, clothing, education, and health.[54]

* In 2013, the Political Economy Research Institute at the University of Massachusetts, Amherst, published a working paper about the economic consequences of government debt. Using data on national debt and economic growth in 20 advanced economies from 1946-2009, the authors found that countries with national debts over 90% of GDP averaged:

  • 31% less real annual economic growth than countries with debts from 60% to 90% of GDP,
  • 29% less real annual economic growth than countries with debts from 30% to 60% of GDP,
  • and 48% less real annual economic growth than countries with debts from 0% to 30% of GDP.[55]

* The authors of the above-cited papers have engaged in a heated dispute about the results of their respective papers and the effects of government debt on economic growth. Facts about these issues can be found in the Just Facts Daily article, “Do large national debts harm economies?

Politics

Responsibility

* The U.S. Constitution vests Congress with the powers to tax, spend, and pay the debts of the federal government. Legislation to carry out these functions must either be:

  • passed by majorities in both houses of Congress and approved by the President; or
  • passed by majorities in both houses of Congress, vetoed by the President, and then passed by two-thirds of both houses of Congress; or
  • passed by majorities in both houses of Congress and left unaddressed by the President for ten days.[56]

* Other factors impacting the national debt include but are not limited to legislation passed by previous congresses and presidents,[57] economic cycles, terrorist attacks, natural disasters, demographics, and the actions of U.S. citizens and foreign governments.[58]


Current Policies

* In 2014, the Congressional Budget Office (CBO) projected the debt that the U.S. government would accumulate under current federal policies.[59] The projection used the following assumptions:

  • Unemployment will incrementally decline from 6.8% in 2014 to 5.8% in 2018 and 5.3% in 2027, where it will remain thereafter.[60] (For reference, the average of the previous 40 years is 6.5%.[61])
  • GDP growth will incrementally decline from an average rate of 3.4% above the rate of inflation in 2015 to 1.9% in 2021 and remain constant thereafter.[62] (The average of the previous 40 years is 2.9%.[63])
  • Federal revenues (i.e., taxes) will incrementally increase from 17.4% of GDP in 2014 to 18.0% in 2024 and remain constant thereafter.[64] (The average of the previous 40 years is 17.4%.[65])
  • Federal spending will incrementally increase from 20.4% of GDP in 2014 to 23.6% in 2025 and 31.8% in 2040.[66] (The average of the previous 40 years is 20.5%.[67])
  • Payments for Medicare services will undergo scheduled reductions that would likely cause “severe problems with beneficiary access to care.”[68] [69]

* Combining these projections with historical data yields the following results:

Revenues and Spending Under Current Policies

[70]

Debt Under Current Policies

† To measure the entirety of the national debt, it would be preferable to show “gross” debt instead of “publicly held” debt, but this data is not presented in this report. Nonetheless, it would make little difference because the excluded debt primarily resides in federal government trust funds that dwindle and become insolvent during the projection period.[71] Facts regarding why and how the federal government keeps its books in this manner are covered in the section of this research entitled “Government Accounting.”

[72]

* Per CBO, postponing action to stabilize the debt will:

  • punish younger generations of Americans, because most of the burden would fall on them.
  • reward older generations of Americans, because “they would partly or entirely avoid the policy changes needed to stabilize the debt.”
  • “substantially increase the size of the policy adjustments needed to put the budget on a sustainable course.”[73] [74]

* The following Ph.D. economists and political scientists have claimed that the level of national debt during World War II is a good reason to not be overly concerned about the modern national debt:

  • Paul Davidson, editor of the Journal of Post Keynesian Economics and author of The Keynes Solution: The Path to Global Economic Prosperity:[75]
Rather than bankrupting the nation, this large growth in the national debt [during World War II] promoted a prosperous economy. By 1946, the average American household was living much better economically than in the prewar days. Moreover, the children of that Depression–World War II generation were not burdened by having to pay off what then was considered a huge national debt. Instead, for the next quarter century, the economy continued on a path of unprecedented economic growth and prosperity….[76]
  • Douglas J. Amy, professor of politics at Mount Holyoke College:[77]
Conservatives are also wrong when they argue that deficit spending and a large national debt will inevitably undermine economic growth. To see why, we need to simply look back at times when we have run up large deficits and increased the national debt. The best example is World War II when the national debt soared to 120% of GDP—nearly twice the size of today’s debt. This spending not only got us out of the Great Depression but set the stage for a prolonged period of sustained economic growth in the 50s and 60s.[78]
  • Paul Krugman, Nobel Prize-winning economist and Princeton University professor:[79]
Right now, federal debt is about 50% of GDP. So even if we do run these deficits, federal debt as a share of GDP will be substantially less than it was at the end of World War II.
Again, the debt outlook is bad. But we’re not looking at something inconceivable, impossible to deal with; we’re looking at debt levels that a number of advanced countries, the U.S. included, have had in the past, and dealt with.[80]

* In the 40 years that followed the end of World War II (1946–1985):

  • federal spending as a percent of GDP averaged 42% lower than the last year of the war.[81]
  • publicly held debt as a percent of GDP decreased by 72 percentage points.[82]

* In 2010, around the time when the statements above were written, the Congressional Budget Office projected that under current policy and a sustained economic recovery over the next 40 years:

  • federal spending as a percent of GDP will average over 78% higher than in the four decades that followed World War II.[83]
  • publicly held debt as a percent of GDP will rise by 277 percentage points.[84]

Alternative Policies

* As alternatives to the CBO’s current policy projections detailed above, the CBO also ran projections for scenarios such as these:

1) Current law:[85]

  • Federal revenues will incrementally increase from 17.6% of GDP in 2014 to 18.0% in 2020, 19.9% in 2044, and 23.5% in 2084.[86] [87] At this point, federal revenues (i.e., taxes) will be 35% higher than the average of the previous 40 years.[88]
  • Federal spending on all government functions will incrementally increase from 20.4% of GDP in 2014 to 21.5% in 2020, and 26.0% in 2040.[89] At this point, spending will be 27% higher than the average of the previous 40 years.[90]
  • Payments for Medicare services will undergo reductions that will likely cause “severe problems with beneficiary access to care.”[91] [92]

2) Republican Congressman Paul Ryan’s 2014 budget resolution, called the “The Path to Prosperity”:[93]

  • Starting in 2024, Medicare beneficiaries will have a choice to enroll in private plans paid for by Medicare or remain in the traditional Medicare program.[94] Also starting in 2024, the eligibility age for Medicare benefits will incrementally rise to correspond with Social Security’s retirement age.[95] Compared to the projections under the current policy scenario, Medicare spending will be 0.5% lower in 2016, 2% lower in 2020, and 4% lower in 2024.[96]
  • Federal Medicaid spending will be converted to an “allotment that each state could tailor to meet its needs, indexed for inflation and population growth.”[97] The expansion of Medicaid manadated by the Affordable Care Act (a.k.a. Obamacare) will be repealed.[98] Compared to the projections under the current policy scenario, Medicaid spending will be 9% lower in 2016, 19% lower in 2020, and 24% lower in 2024.[99]
  • All federal spending related to Obamacare’s exchange subsidies will be repealed.[100]
  • Spending on all government functions except for interest payments on the national debt will incrementally decline from 18.9% of GDP in 2015 to 16% in 2025 before increasing to 16.4% in 2035.[101] (The average of the previous 40 years is 18.3%).[102]
  • Revenues will increase from 18.2% of GDP in 2015 to 18.4% in 2025, 19% in 2032 and stay constant thereafter.[103] (The average of the previous 40 years is 17.4%.[104])

* Combining historical data on the national debt with CBO’s projections for current policy, current law, and the Ryan plan yields the following results:

Debt Under Different Policies

[105] [106]


Public Opinion

* A poll conducted by NBC News and the Wall Street Journal in February 2011 found that:

  • 80% of Americans are concerned “a great deal” or “quite a bit” about federal budget deficits and the national debt.
  • if the deficit cannot be eliminated by cutting wasteful spending, 35% of Americans prefer to cut important programs while 33% prefer to raise taxes.
  • 22% think cuts in Social Security spending will be needed to “significantly reduce the federal budget deficit,” 49% do not, and 29% have no opinion or are not sure.
  • 18% think cuts in Medicare spending will be needed to “significantly reduce the federal budget deficit,” 54% do not, and 28% have no opinion or are not sure.[107]

* Other than interest on the national debt, most of the long-term growth in federal spending (as a percent of GDP) under the CBO’s current policy and current law scenarios stems from Social Security, Medicare, Medicaid, the Children’s Health Insurance Program, and Affordable Care Act (a.k.a. Obamacare) subsidies.[108]

* A poll conducted in November 2010 by the Associated Press and CNBC found that:

  • 85% of Americans are worried that the national debt “will harm future generations.”
  • 56% think “the shortfalls will spark a major economic crisis in the coming decade.”
  • when asked to choose between two options to balance the budget, 59% prefer to cut unspecified government services, while 30% prefer to raise unspecified taxes.[109]

* A poll conducted in July 2005 by the Associated Press and Ipsos found that:

  • 70% of Americans were worried about the size of the federal deficit.
  • 35% were willing to cut government spending.
  • 18% were willing to raise taxes.
  • 1% were willing to cut government spending and raise taxes.[110]

Congresses

* During the first session of the 113th Congress (January–December 2013), U.S. Representatives and Senators introduced 168 bills that would have reduced spending and 828 bills that would have raised spending.[111]

* The table below quantifies the costs and savings of these bills by political party. This data is provided by the National Taxpayers Union Foundation:

Costs/Savings of Bills Sponsored or Cosponsored

in 2013 by Typical Congressman (in Billions)

Increases Decreases Net Agenda
House Democrats $407 $10 $397
Senate Democrats $22 $3 $18
House Republicans $9 $91 -$83
Senate Republicans $6 $165 -$159

[112] [113]

* Click here to look up any member of Congress and see the annual costs or savings from the legislation he or she has sponsored or cosponsored.

* The table below quantifies the net agendas of the political parties in previous Congresses:

Costs/Savings of Bills Sponsored or Cosponsored in the First

Sessions of Congress by Typical Congressman (in Billions)

2011 2009 2007 2005 2003 2001 1999
House Democrats $497 $500 $547 $547 $402 $262 $34
Senate Democrats $24 $134 $59 $52 $174 $88 $15
House Republicans -$130 -$45 $7 $12 $31 $20 -$5
Senate Republicans -$239 $51 $7 $11 $26 $19 -$324
NOTE: Data not adjusted for inflation.

[114]


Presidents

* In February 2001, Republican President George W. Bush stated:

Many of you have talked about the need to pay down our national debt. I listened, and I agree. We owe it to our children and grandchildren to act now, and I hope you will join me to pay down $2 trillion in debt during the next 10 years. At the end of those 10 years, we will have paid down all the debt that is available to retire. That is more debt, repaid more quickly than has ever been repaid by any nation at any time in history.[115]

* From the time that Congress enacted Bush’s first major economic proposal (June 7, 2001[116]) until the time that he left office (January 20, 2009), the national debt rose from 53% of GDP to 74%, or an average of 2.7 percentage points per year.[117]

* During eight years in office, President Bush vetoed 12 bills, four of which were overridden by Congress and thus enacted without his approval.[118] These bills were projected by the Congressional Budget Office to increase the deficit by $26 billion during 2008–2022.[119]


* In February 2009, Democratic President Barack Obama stated:

I refuse to leave our children with a debt that they cannot repay—and that means taking responsibility right now, in this administration, for getting our spending under control.[120]

* From the time that Congress enacted Obama’s first major economic proposal (February 17, 2009[121]) until September 30, 2016, the national debt rose from 74% of GDP to 105%, or an average of 4.0 percentage points per year.[122]

* As of November 4, 2016, President Obama has vetoed twelve bills, one of which has been overridden by Congress and thus enacted without his approval.[123] This bill is projected by the Congressional Budget Office to “have no significant effect on the federal budget.”[124]

Government Accounting

Trust Funds and the Two Main Categories of Debt

* Some federal programs (such as Social Security) have “trust funds” that are legally separated from the rest of the federal government.[125]

* When these programs spend less than the federal government allocates to them, their surpluses are loaned to the federal government. This creates a legal obligation for the federal government to pay money and interest to these programs, thus adding to the national debt.[126] [127] [128] [129] [130]

* The federal government divides the national debt into two main categories:[131] [132]

  1. Money that it owes to federal entities such as the Social Security program.
  2. Money that it owes to non-federal entities such as individuals, corporations, local governments, and foreign governments.[133] Also, money owed to the Federal Reserve is classified under this category, even though the Federal Reserve is a federal entity.[134] [135]

NOTE: Just Facts has identified numerous instances in which politicians and journalists have used terms that technically refer to the overall national debt, when in fact, they are only referring to a portion of it. In order to clear up some of the confusion this has created, below are common terms for the national debt categorized by their proper meanings:

  • Overall national debt: gross debt, federal debt, public debt[136]
  • Portion of the national debt owed to federal entities: debt held by government accounts, government-held debt, intragovernmental holdings[137] [138] [139]
  • Portion of the national debt owed to non-federal entities: debt held by the public, publicly held debt[140][141]

* On September 30, 2016, the national debt consisted of:

  • $5.4 trillion owed to federal entities
  • $14.2 trillion owed to non-federal entities
  • $19.6 trillion owed in total[142]

* The federal law that governs the repayment of the national debt draws no distinction between the debt owed to federal and non-federal entities. Both must be repaid with interest.[143]

* The White House Office,[144] [145] Congressional Budget Office,[146] and other federal agencies[147] sometimes exclude the debt owed to federal entities in their reckonings of the national debt because this portion of the debt “represents internal transactions of the government and thus has no effect on credit markets.”

* Federal programs to which this money is owed, such as Social Security and Medicare, include this money and the interest it generates in their assets and financial projections.[148] [149] [150]

* In the 2000 presidential race, the Gore-Liebermann campaign released a 192-page economic plan that contains over 150 uses of the word “debt.” In none of these instances does the plan mention or account for any of the debt owed to federal entities.[151] The same plan includes the debt owed to federal entities in the assets of the Social Security and Medicare programs.[152]


“Deficits” and “Surpluses”

* During the federal government’s 2010 fiscal year (October 1, 2009 to September 30, 2010[153]), the national debt rose from $12.0 trillion to $13.6 trillion, thus increasing by $1.6 trillion.[154]

* The White House,[155] USA Today,[156] Reuters,[157] and other government and media entities reported that the 2010 federal “deficit” was $1.3 trillion.

* The difference between the national debt increase of $1.6 trillion and the reported deficit of $1.3 trillion is attributable to the following accounting practices:

  • When calculating the reported deficit, the federal government merges the finances of all federal programs into what is called the “unified budget.” Hence, the deficit does not account for the intergovernmental debt that arises when programs such as Social Security loan their surpluses to the federal government.[158]
  • When the federal government lays out money for programs such as TARP and student loans, the outgo is not fully counted in the deficit. The deficit reflects only what the government expects to lose or gain on these loans.[159] [160]

* PolitiFact, a Pulitzer Prize-winning project of the Tampa Bay Times to “help you find the truth in politics,”[161] has stated that there were “several years of budget surpluses” during Bill Clinton’s presidency. This same article cites the rise in “national debt” during the tenure of George W. Bush.[162]

* Using the same criterion PolitiFact applied to Bush’s presidency (change in gross national debt), the national debt rose every year of Clinton’s presidency:

Year National Debt on Inauguration Date†

(billions)

1993 $4,188
1994 $4,501
1995 $4,797
1996 $4,988
1997 $5,310
1998 $5,496
1999 $5,624
2000 $5,706
2001 $5,728
† NOTE: PolitiFact used the inauguration date for its debt baseline.

The national debt also rose every fiscal year of Clinton’s presidency.

[163] [164]

Ownership

* As of September 30, 2016, the national debt consists of:

Amount Owed To: Portion of Total
$14.2 trillion owed to non-federal entities (i.e., publicly held debt) 72%
$5.4 trillion owed to federal entities (i.e., intragovernmental debt) 28%

[165]


Debt Owed to Non-Federal Entities

* Ownership of publicly held debt as of September 30, 2016:

Debt Owed to Non-Federal Entities

* Data from the chart above:

Entities Amount (billions) Portion of Total
Foreign & International $6,148 45%
Federal Reserve[166] $2,462 18%
Other Investors $1,343 10%
Mutual Funds $1,315 10%
State & Local Governments $687 5%
Banks & Savings Institutions $547 4%
Private Pension Funds $540 4%
Insurance Companies $297 2%
U.S. Savings Bonds $172 1%
State and Local Government Pension Funds $164 1%

[167]


Debt Owed to Foreign Entities

* Per the White House Office of Management and Budget (2016):

During most of American history, the Federal debt was held almost entirely by individuals and institutions within the United States. In the late 1960s, foreign holdings were just over $10 billion, less than 5 percent of the total Federal debt held by the public. Foreign holdings began to grow significantly starting in the 1970s and now represent almost half of outstanding [publicly held] debt.[168]

* Ownership of U.S. government debt by foreign creditors as of August 31, 2016:

Debt Owed to Foreign Entities

* Data from the chart above:

Country Amount (billions) Portion of Total
China, Mainland $1,185 19%
Japan $1,144 18%
Ireland $266 4%
Cayman Islands $264 4%
Brazil $256 4%
Switzerland $238 4%
Luxembourg $220 4%
United Kingdom $205 3%
Hong Kong $192 3%
Taiwan $190 3%
Others $2,037 33%
Total $6,196 100%

[169]

* Foreign purchases of U.S. government debt increase the demand for this debt, thus putting downward pressure on U.S. interest rates. Conversely, foreign sales of U.S. government debt place upward pressure on U.S. interest rates.[170] [171]

* Per a 2008 Congressional Research Service report, a “potentially serious short-term problem would emerge if China decided to suddenly” sell its holding of U.S. government debt. Possible effects could include:

  • “a more general financial reaction (or panic), in which all foreigners responded by reducing their holdings of U.S. assets”;
  • “a sudden and large depreciation in the value of the dollar”;
  • “a sudden and large increase in U.S. interest rates”;
  • a stock market fall; and/or
  • “a recession.”[172]

* The same report states:

The likelihood that China would suddenly reduce its holdings of U.S. securities is questionable because it is unlikely that doing so would be in China’s economic interests. First, a large sell-off of China’s U.S. holdings could diminish the value of these securities in international markets…. Second, such a move would diminish U.S. demand for Chinese imports…. A sharp reduction of U.S. imports from China could have a significant impact on China’s economy….[173]

* During a visit to China in February 2009, Secretary of State Hillary Clinton said:

By continuing to support American Treasury instruments [i.e., buy U.S. government debt] the Chinese are recognizing our interconnection. … We have to incur more debt. It would not be in China’s interest if we were unable to get our economy moving again. … The U.S. needs the investment in Treasury bonds to shore up its economy to continue to buy Chinese products.[174]

* In August 2007 during a currency dispute between the U.S. and China, two leading officials of Chinese Communist Party bodies suggested that China use the threat of selling U.S. debt as a “bargaining chip.”[175]

* In February 2009 during a dispute over U.S. arms sales to Taiwan, a Chinese general made the following statements in the state-run magazine Outlook Weekly:

Our retaliation should not be restricted to merely military matters, and we should adopt a strategic package of counterpunches covering politics, military affairs, diplomacy and economics to treat both the symptoms and root cause of this disease. … [W]e could sanction them using economic means, such as dumping some U.S. government bonds.[176]

* One month later while appearing before China’s parliament, the head of China’s State Administration of Foreign Exchange said:

the U.S. Treasury market is important to us. … This is purely market-driven investment behavior. I would hope not to see this matter politicized.[177]

Debt Owed to Federal Entities

* Ownership of intergovernmental debt as of September 30, 2016:

Debt Owed to Federal Entities

* Data from the chart above:

Funds Amount (billions) Portion of Total
Social Security $2,843 53%
Civil Service Retirement and Disability $874 16%
Military Retirement $591 11%
Medicare $256 5%
Department of Defense Retiree Healthcare $213 4%
Postal Service Retiree Health Benefits $51 1%
Other $572 11%

[178]

Media

Budget Cuts

* In April 2011, journalists reported on a $38 billion federal budget cut agreement with the following headlines and phraseology:

  • “New Cuts Detailed in Agreement for $38 Billion in Reductions”; “deep budget cuts in programs for the poor, law enforcement, the environment and civic projects” – Los Angeles Times[179]
  • “Congress Sends Budget Cut Bill to Obama”; “cutting a record $38 billion from domestic spending” – Associated Press[180]
  • “Budget Deal to Cut $38 Billion Averts Shutdown”; “Republicans were able to force significant spending concessions from Democrats….” – New York Times[181]

* None of these articles reported that this figure of $38 billion in cuts was primarily relative to a portion of the budget called “discretionary non-emergency appropriations.”[182] Relative to the entire federal budget, this cut left a projected spending increase of $135 billion from 2010 to 2011. This equates to an inflation-adjusted increase of $49 billion or 0.1 percentage points of GDP:[183]

Federal Outlays

[184]

* None of the articles quoted above contains a budget-wide frame of reference for the cuts. A spending reduction of $38 billion equates to 1.0% of the estimated 2011 budget or 2.7% of the projected deficit:

Budget Cut

[185]


Bush Tax Cuts

* In February 2010, Fareed Zakaria of CNN stated:

Now, please understand that the Bush tax cuts are the single largest part of the black hole that is the federal budget deficit.[186]

* In 2010, the Bush tax cuts lowered federal revenues by about $283 billion.[187] [188] This was equivalent to 8% of the federal budget or 22% of the deficit.[189]

* Per the Congressional Budget Office (CBO), “Most parameters of the tax code are not indexed for real income growth, and some are not indexed for inflation.” Thus, if tax cuts are not periodically implemented, average federal tax rates “increase in the long run.”[190]

* In 2000, the year before the first Bush tax cuts were passed,[191] the federal government collected revenues equal to 20.4% of the nation’s gross domestic product (GDP), the highest level in the history of the United States.[192] Over the previous 30 years, federal revenues averaged 18.3% of GDP.[193]

* In 2000, the stock market “dot.com” bubble burst,[194] the NASDAQ lost 39% of its value,[195] and profits for nonfinancial corporations fell by 18%.[196] In the first quarter of 2001, the nation’s GDP contracted and a recession began.[197] [198]

* In June 2001 and May 2003, Congress passed and President Bush signed laws that implemented various tax cuts.[199] [200]

* After the Bush tax cuts were fully implemented, federal revenues were 17.8% of GDP in 2005, 18.5% in 2006, and 18.6% in 2007.[201] Average federal revenues for the 30 years preceding the Bush tax cuts were 18.4%.[202]

* The Great Recession began in December 2007,[203] and federal revenues declined to 17.7% of GDP in 2008.[204]

* In February 2009, Congress passed and President Obama signed a law that implemented various tax cuts.[205]

* Federal revenues declined to 15.7% of GDP in 2009 and 16.4% in 2010.[206]

* Federal spending rose from 21.0% of GDP in 2007 to 26.5% in 2010.[207] Average federal spending for the 30 years preceding the Great Recession was 21.8%.[208]


The “Do Nothing” Plan

* In April 2011, Ezra Klein of the Washington Post posted a graph of spending and revenue projections based upon CBO’s “current law” scenario and wrote that it:

shows what happens if we do … nothing. The answer, as you can see, is that the budget comes roughly into balance.[209]

* Klein’s graph and commentary omitted the interest and outcome of the national debt under this plan.[210] In the “do nothing” scenario, outlays were projected to exceed revenues every year through 2084, and the publicly held debt was projected to increase from 62% of GDP in 2010, to 74% in 2030, 90% in 2050, and 113% in 2084.[211]

* In the same commentary, Klein wrote that the “current law” scenario is “a pretty good plan” that contains:

a balanced mix of revenues, through returning tax rates to Clinton-era levels and implementing the taxes in the Affordable Care Act, and program cuts … in Medicare….[212]

* Under this scenario:

  • Certain elements of the tax code are not indexed for inflation or wage growth. Consequently, taxpayers are shifted over time into higher tax brackets.
  • According to the Congressional Budget Office, by 2020 revenues “reach higher levels relative to the size of the economy than ever recorded in the nation’s history.”
  • Revenues as a portion of GDP continue climbing through 2084, rising 69% higher than the average of the past 40 years and 47% higher than ever recorded in the history of the United States.[213] [214]
  • As a portion of GDP, federal spending without interest on the national debt rises by 2084 to 68% higher than the average of the past 40 years.[215]

Context

* Without mentioning the role of Congress in taxes, spending, or the national debt,[216] [217] PolitiFact (in the same article cited above) wrote that the national debt increased by $5.73 trillion “under” George W. Bush whereas there were budget surpluses “at the end of the Clinton administration.”[218]

* Below are the fluctuations in national debt organized by the tenures of recent presidents and congressional majorities:

Political Power

Dates

Average Annual Change in National Debt

(Percentage Points of GDP)

Bill Clinton with Democratic House and Senate 1/20/93 – 1/4/95 0.9
Bill Clinton with Republican House and Senate 1/4/95 – 1/19/01 -1.6
George W. Bush with Republican House and Senate 1/19/01 – 6/6/01, 11/12/02 – 1/4/07 0.8
George W. Bush with Republican House and Democratic Senate 6/6/01 – 11/12/02 2.3
George W. Bush with Democratic House and Senate 1/4/07 – 1/20/09 6.5
Barack Obama with Democratic House and Senate 1/20/09 – 1/4/11 9.3
Barack Obama with Republican House and Democratic Senate 1/5/11 – 1/6/15 1.9

[219]

* Other factors impacting the national debt include but are not limited to: legislation passed by previous congresses and presidents,[220] economic cycles, terrorist attacks, natural disasters, demographics, and the actions of U.S. citizens and foreign governments.[221]

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George Orwell — Videos

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George Orwell

From Wikipedia, the free encyclopedia
George Orwell
A photo showing the head and shoulders of a middle-aged man with black hair and a slim moustache.

Orwell’s press card portrait, 1943
Born Eric Arthur Blair
25 June 1903
Motihari, Bengal Presidency, British India
(now East Champaran, Bihar, India)
Died 21 January 1950 (aged 46)
University College Hospital, London, England, United Kingdom
Resting place Sutton Courtenay, Oxfordshire, England, United Kingdom
Pen name George Orwell
Occupation Novelist, essayist, journalist, critic
Alma mater Eton College
Genre Dystopia, roman à clef, satire
Subject Anti-fascism, anti-Stalinism, democratic socialism, literary criticism, news, polemic
Notable works Animal Farm
Nineteen Eighty-Four
Years active 1928–1950
Spouse Eileen O’Shaughnessy
(m. 1935; her death 1945)
Sonia Brownell
(m. 1949; his death 1950)

Signature Eric Blair ("George Orwell")

Eric Arthur Blair (25 June 1903 – 21 January 1950),[1] better known by the pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and outspoken support of democratic socialism.[2][3]

Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is best known for the allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949). His non-fiction works, including The Road to Wigan Pier (1937), documenting his experience of working class life in the north of England, and Homage to Catalonia (1938), an account of his experiences in the Spanish Civil War, are widely acclaimed, as are his essays on politics, literature, language, and culture. In 2008, The Times ranked him second on a list of “The 50 greatest British writers since 1945”.[4]

Orwell’s work continues to influence popular and political culture, and the term Orwellian – descriptive of totalitarian or authoritarian social practices – has entered the language together with many of his neologisms, including cold war, Big Brother, Thought Police, Room 101, memory hole, newspeak, doublethink, and thoughtcrime.[5]

Contents

 [show] 

Life

Early years

Blair family home at Shiplake, Oxfordshire

Eric Arthur Blair was born on 25 June 1903, in Motihari, Bengal Presidency (present-day Bihar), in British India.[6] His great-grandfather Charles Blair was a wealthy country gentleman in Dorset who married Lady Mary Fane, daughter of the Earl of Westmorland, and had income as an absentee landlord of plantations in Jamaica.[7] His grandfather, Thomas Richard Arthur Blair, was a clergyman.[8] Although the gentility passed down the generations, the prosperity did not; Eric Blair described his family as “lower-upper-middle class“.[9] His father, Richard Walmesley Blair, worked in the Opium Department of the Indian Civil Service.[10] His mother, Ida Mabel Blair (née Limouzin), grew up in Moulmein, Burma, where her French father was involved in speculative ventures.[7] Eric had two sisters: Marjorie, five years older, and Avril, five years younger. When Eric was one year old, his mother took him and his sister to England.[11][n 1] His birthplace and ancestral house in Motihari has been declared a protected monument of historical importance.[12]

In 1904, Ida Blair settled with her children at Henley-on-Thames in Oxfordshire. Eric was brought up in the company of his mother and sisters, and apart from a brief visit in mid-1907,[13] they did not see the husband and father Richard Blair until 1912.[8] His mother’s diary from 1905 describes a lively round of social activity and artistic interests.

Before the First World War, the family moved to Shiplake, Oxfordshire where Eric became friendly with the Buddicom family, especially their daughter Jacintha. When they first met, he was standing on his head in a field. On being asked why, he said, “You are noticed more if you stand on your head than if you are right way up.”[14] Jacintha and Eric read and wrote poetry, and dreamed of becoming famous writers. He said that he might write a book in the style of H. G. Wells‘s A Modern Utopia. During this period, he also enjoyed shooting, fishing and birdwatching with Jacintha’s brother and sister.[14]

Playing fields at St. Cyprian’s. Blair’s time at the school inspired his essay “Such, Such Were the Joys“.

At the age of five, Eric was sent as a day-boy to a convent school in Henley-on-Thames, which Marjorie also attended. It was a Roman Catholic convent run by French Ursuline nuns, who had been exiled from France after religious education was banned in 1903.[15] His mother wanted him to have a public school education, but his family could not afford the fees, and he needed to earn a scholarship. Ida Blair’s brother Charles Limouzin recommended St Cyprian’s School, Eastbourne, East Sussex.[8] Limouzin, who was a proficient golfer, knew of the school and its headmaster through the Royal Eastbourne Golf Club, where he won several competitions in 1903 and 1904.[16] The headmaster undertook to help Blair to win a scholarship, and made a private financial arrangement that allowed Blair’s parents to pay only half the normal fees. In September 1911 Eric arrived at St Cyprian’s. He boarded at the school for the next five years, returning home only for school holidays. He knew nothing of the reduced fees, although he “soon recognised that he was from a poorer home”.[17] Blair hated the school[18] and many years later wrote an essay “Such, Such Were the Joys“, published posthumously, based on his time there. At St. Cyprian’s, Blair first met Cyril Connolly, who became a writer. Many years later, as the editor of Horizon, Connolly published several of Orwell’s essays.

While at St Cyprian’s, Blair wrote two poems that were published in the Henley and South Oxfordshire Standard.[19][20] He came second to Connolly in the Harrow History Prize, had his work praised by the school’s external examiner, and earned scholarships to Wellington and Eton. But inclusion on the Eton scholarship roll did not guarantee a place, and none was immediately available for Blair. He chose to stay at St Cyprian’s until December 1916, in case a place at Eton became available.[8]

In January, Blair took up the place at Wellington, where he spent the Spring term. In May 1917 a place became available as a King’s Scholar at Eton. He remained at Eton until December 1921, when he left midway between his 18th and 19th birthday. Wellington was “beastly”, Orwell told his childhood friend Jacintha Buddicom, but he said he was “interested and happy” at Eton.[21] His principal tutor was A. S. F. Gow, Fellow of Trinity College, Cambridge, who also gave him advice later in his career.[8] Blair was briefly taught French by Aldous Huxley. Stephen Runciman, who was at Eton with Blair, noted that he and his contemporaries appreciated Huxley’s linguistic flair.[22] Cyril Connolly followed Blair to Eton, but because they were in separate years, they did not associate with each other.[23]

Blair’s academic performance reports suggest that he neglected his academic studies,[22] but during his time at Eton he worked with Roger Mynors to produce a College magazine, The Election Times, joined in the production of other publications – College Days and Bubble and Squeak – and participated in the Eton Wall Game. His parents could not afford to send him to a university without another scholarship, and they concluded from his poor results that he would not be able to win one. Runciman noted that he had a romantic idea about the East,[22] and the family decided that Blair should join the Imperial Police, the precursor of the Indian Police Service. For this he had to pass an entrance examination. His father had retired to Southwold, Suffolk, by this time; Blair was enrolled at a crammer there called Craighurst, and brushed up on his Classics, English, and History. He passed the entrance exam, coming seventh out of the 26 candidates who exceeded the pass mark.[8][24]

Policing in Burma

Blair pictured in a passport photo during his Burma years

Blair’s maternal grandmother lived at Moulmein, so he chose a posting in Burma. In October 1922 he sailed on board SS Herefordshire via the Suez Canal and Ceylon to join the Indian Imperial Police in Burma. A month later, he arrived at Rangoon and travelled to the police training school in Mandalay. After a short posting at Maymyo, Burma’s principal hill station, he was posted to the frontier outpost of Myaungmya in the Irrawaddy Delta at the beginning of 1924.

Working as an imperial policeman gave him considerable responsibility while most of his contemporaries were still at university in England. When he was posted farther east in the Delta to Twante as a sub-divisional officer, he was responsible for the security of some 200,000 people. At the end of 1924, he was promoted to Assistant District Superintendent and posted to Syriam, closer to Rangoon. Syriam had the refinery of the Burmah Oil Company, “the surrounding land a barren waste, all vegetation killed off by the fumes of sulphur dioxide pouring out day and night from the stacks of the refinery.” But the town was near Rangoon, a cosmopolitan seaport, and Blair went into the city as often as he could, “to browse in a bookshop; to eat well-cooked food; to get away from the boring routine of police life”.[25] In September 1925 he went to Insein, the home of Insein Prison, the second largest jail in Burma. In Insein, he had “long talks on every conceivable subject” with Elisa Maria Langford-Rae (who later married Kazi Lhendup Dorjee). She noted his “sense of utter fairness in minutest details”.[26]

British Club in Katha (in Orwell’s time, it occupied only the ground floor)

In April 1926 he moved to Moulmein, where his maternal grandmother lived. At the end of that year, he was assigned to Katha in Upper Burma, where he contracted dengue fever in 1927. Entitled to a leave in England that year, he was allowed to return in July due to his illness. While on leave in England and on holiday with his family in Cornwall in September 1927, he reappraised his life. Deciding against returning to Burma, he resigned from the Indian Imperial Police to become a writer. He drew on his experiences in the Burma police for the novel Burmese Days (1934) and the essays “A Hanging” (1931) and “Shooting an Elephant” (1936).

In Burma, Blair acquired a reputation as an outsider. He spent much of his time alone, reading or pursuing non-pukka activities, such as attending the churches of the Karen ethnic group. A colleague, Roger Beadon, recalled (in a 1969 recording for the BBC) that Blair was fast to learn the language and that before he left Burma, “was able to speak fluently with Burmese priests in ‘very high-flown Burmese.'”[27] Blair made changes to his appearance in Burma that remained for the rest of his life. “While in Burma, he acquired a moustache similar to those worn by officers of the British regiments stationed there. [He] also acquired some tattoos; on each knuckle he had a small untidy blue circle. Many Burmese living in rural areas still sport tattoos like this – they are believed to protect against bullets and snake bites.”[28] Later, he wrote that he felt guilty about his role in the work of empire and he “began to look more closely at his own country and saw that England also had its oppressed …”

London and Paris

Blair’s 1927 lodgings in Portobello Road, London

In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer.[29] In 1927 he moved to London.[30] Ruth Pitter, a family acquaintance, helped him find lodgings, and by the end of 1927 he had moved into rooms in Portobello Road;[31] a blue plaque commemorates his residence there.[32] Pitter’s involvement in the move “would have lent it a reassuring respectability in Mrs Blair’s eyes.” Pitter had a sympathetic interest in Blair’s writing, pointed out weaknesses in his poetry, and advised him to write about what he knew. In fact he decided to write of “certain aspects of the present that he set out to know” and “ventured into the East End of London – the first of the occasional sorties he would make to discover for himself the world of poverty and the down-and-outers who inhabit it. He had found a subject. These sorties, explorations, expeditions, tours or immersions were made intermittently over a period of five years.”[33]

In imitation of Jack London, whose writing he admired (particularly The People of the Abyss), Blair started to explore the poorer parts of London. On his first outing he set out to Limehouse Causeway, spending his first night in a common lodging house, possibly George Levy’s ‘kip’. For a while he “went native” in his own country, dressing like a tramp, adopting the name P. S. Burton and making no concessions to middle-class mores and expectations; he recorded his experiences of the low life for use in “The Spike“, his first published essay in English, and in the second half of his first book, Down and Out in Paris and London (1933).

Rue du Pot de Fer, on the Left Bank, in the 5th arrondissement, where Blair lived in Paris

In early 1928 he moved to Paris. He lived in the rue du Pot de Fer, a working class district in the 5th Arrondissement.[8] His aunt Nellie Limouzin also lived in Paris and gave him social and, when necessary, financial support. He began to write novels, including an early version of Burmese Days, but nothing else survives from that period.[8] He was more successful as a journalist and published articles in Monde, a political/literary journal edited by Henri Barbusse (his first article as a professional writer, “La Censure en Angleterre”, appeared in that journal on 6 October 1928); G. K.’s Weekly, where his first article to appear in England, “A Farthing Newspaper”, was printed on 29 December 1928;[34] and Le Progrès Civique (founded by the left-wing coalition Le Cartel des Gauches). Three pieces appeared in successive weeks in Le Progrès Civique: discussing unemployment, a day in the life of a tramp, and the beggars of London, respectively. “In one or another of its destructive forms, poverty was to become his obsessive subject – at the heart of almost everything he wrote until Homage to Catalonia.”[35]

He fell seriously ill in February 1929 and was taken to the Hôpital Cochin in the 14th arrondissement, a free hospital where medical students were trained. His experiences there were the basis of his essay “How the Poor Die“, published in 1946. He chose not to identify the hospital, and indeed was deliberately misleading about its location. Shortly afterwards, he had all his money stolen from his lodging house. Whether through necessity or to collect material, he undertook menial jobs like dishwashing in a fashionable hotel on the rue de Rivoli, which he later described in Down and Out in Paris and London. In August 1929, he sent a copy of “The Spike” to John Middleton Murry‘s New Adelphi magazine in London. The magazine was edited by Max Plowman and Sir Richard Rees, and Plowman accepted the work for publication.

Southwold

Southwold – North Parade

In December 1929, after nearly two years in Paris, Blair returned to England and went directly to his parents’ house in Southwold, which remained his base for the next five years. The family was well established in the town and his sister Avril was running a tea-house there. He became acquainted with many local people, including Brenda Salkeld, the clergyman’s daughter who worked as a gym-teacher at St Felix Girls’ School, Southwold. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life.[8]

In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin, who was as unappreciative of Blair as when they knew each other as children. Blair was writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic.[36] “His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents’ house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent.”[37] He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees, where he could “change” for his sporadic tramping expeditions. One of his jobs was domestic work at a lodgings for half a crown (two shillings and sixpence, or one-eighth of a pound) a day.[38]

Blair now contributed regularly to Adelphi, with “A Hanging” appearing in August 1931. From August to September 1931 his explorations of poverty continued, and, like the protagonist of A Clergyman’s Daughter, he followed the East End tradition of working in the Kent hop fields. He kept a diary about his experiences there. Afterwards, he lodged in the Tooley Street kip, but could not stand it for long, and with financial help from his parents moved to Windsor Street, where he stayed until Christmas. “Hop Picking”, by Eric Blair, appeared in the October 1931 issue of New Statesman, whose editorial staff included his old friend Cyril Connolly. Mabel Fierz put him in contact with Leonard Moore, who became his literary agent.

At this time Jonathan Cape rejected A Scullion’s Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber and Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested,[39] so that he could experience Christmas in prison, but the authorities did not regard his “drunk and disorderly” behaviour as imprisonable, and he returned home to Southwold after two days in a police cell.

Teaching career

In April 1932 Blair became a teacher at The Hawthorns High School, a school for boys in Hayes, West London. This was a small school offering private schooling for children of local tradesmen and shopkeepers, and had only 14 or 16 boys aged between ten and sixteen, and one other master.[40] While at the school he became friendly with the curate of the local parish church and became involved with activities there. Mabel Fierz had pursued matters with Moore, and at the end of June 1932, Moore told Blair that Victor Gollancz was prepared to publish A Scullion’s Diary for a £40 advance, through his recently founded publishing house, Victor Gollancz Ltd, which was an outlet for radical and socialist works.

At the end of the summer term in 1932, Blair returned to Southwold, where his parents had used a legacy to buy their own home. Blair and his sister Avril spent the holidays making the house habitable while he also worked on Burmese Days.[41] He was also spending time with Eleanor Jacques, but her attachment to Dennis Collings remained an obstacle to his hopes of a more serious relationship.

The pen name “George Orwell” was inspired by the River Orwell in the English county of Suffolk[42]

“Clink”, an essay describing his failed attempt to get sent to prison, appeared in the August 1932 number of Adelphi. He returned to teaching at Hayes and prepared for the publication of his book, now known as Down and Out in Paris and London. He wished to publish under a different name to avoid any embarrassment to his family over his time as a “tramp”.[43] In a letter to Moore (dated 15 November 1932), he left the choice of pseudonym to Moore and to Gollancz. Four days later, he wrote to Moore, suggesting the pseudonyms P. S. Burton (a name he used when tramping), Kenneth Miles, George Orwell, and H. Lewis Allways.[44] He finally adopted the nom de plume George Orwell because, as he told Eleanor Jacques, “It is a good round English name.” Down and Out in Paris and London was published on 9 January 1933, as Orwell continued to work on Burmese Days. Down and Out was successful and was next published by Harper & Brothers in New York.

In mid-1933 Blair left Hawthorns to become a teacher at Frays College, in Uxbridge, Middlesex. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. On one of these expeditions he became soaked and caught a chill that developed into pneumonia. He was taken to Uxbridge Cottage Hospital, where for a time his life was believed to be in danger. When he was discharged in January 1934, he returned to Southwold to convalesce and, supported by his parents, never returned to teaching.

He was disappointed when Gollancz turned down Burmese Days, mainly on the grounds of potential suits for libel, but Harper were prepared to publish it in the United States. Meanwhile, Blair started work on the novel A Clergyman’s Daughter, drawing upon his life as a teacher and on life in Southwold. Eleanor Jacques was now married and had gone to Singapore and Brenda Salkield had left for Ireland, so Blair was relatively isolated in Southwold – working on the allotments, walking alone and spending time with his father. Eventually in October, after sending A Clergyman’s Daughter to Moore, he left for London to take a job that had been found for him by his aunt Nellie Limouzin.

Hampstead

Orwell’s former home at 77 Parliament Hill, Hampstead, London

This job was as a part-time assistant in Booklovers’ Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman’s Daughter and Burmese Days for publication.

At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman’s Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O’Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master’s degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, a biographer and future translator of Chekhov, recalled Orwell and his friend Richard Rees “draped” at the fireplace, looking, she thought, “moth-eaten and prematurely aged.”[45] Around this time, Blair had started to write reviews for the New English Weekly.

Orwell’s time as a bookseller is commemorated with this plaque in Hampstead

In June, Burmese Days was published and Cyril Connolly’s review in the New Statesman prompted Orwell (as he then became known) to re-establish contact with his old friend. In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Orwell and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts.[46] Orwell was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers’ Corner.

The Road to Wigan Pier

At this time, Victor Gollancz suggested Orwell spend a short time investigating social conditions in economically depressed northern England.[n 2] Two years earlier J. B. Priestley had written about England north of the Trent, sparking an interest in reportage. The depression had also introduced a number of working-class writers from the North of England to the reading public.

On 31 January 1936, Orwell set out by public transport and on foot, reaching Manchester via Coventry, Stafford, the Potteries and Macclesfield. Arriving in Manchester after the banks had closed, he had to stay in a common lodging-house. The next day he picked up a list of contacts sent by Richard Rees. One of these, the trade union official Frank Meade, suggested Wigan, where Orwell spent February staying in dirty lodgings over a tripe shop. At Wigan, he visited many homes to see how people lived, took detailed notes of housing conditions and wages earned, went down Bryn Hall coal mine, and used the local public library to consult public health records and reports on working conditions in mines.

During this time, he was distracted by concerns about style and possible libel in Keep the Aspidistra Flying. He made a quick visit to Liverpool and during March, stayed in south Yorkshire, spending time in Sheffield and Barnsley. As well as visiting mines, including Grimethorpe, and observing social conditions, he attended meetings of the Communist Party and of Oswald Mosley – “his speech the usual claptrap – The blame for everything was put upon mysterious international gangs of Jews” – where he saw the tactics of the Blackshirts – “one is liable to get both a hammering and a fine for asking a question which Mosley finds it difficult to answer.”[48] He also made visits to his sister at Headingley, during which he visited the Brontë Parsonage at Haworth, where he was “chiefly impressed by a pair of Charlotte Brontë‘s cloth-topped boots, very small, with square toes and lacing up at the sides.”[49]

A former warehouse at Wigan Pier is named after Orwell

No 2 Kits Lane, Wallington, Hertfordshire. Orwell’s residence c. 1936–1940

The result of his journeys through the north was The Road to Wigan Pier, published by Gollancz for the Left Book Club in 1937. The first half of the book documents his social investigations of Lancashire and Yorkshire, including an evocative description of working life in the coal mines. The second half is a long essay on his upbringing and the development of his political conscience, which includes an argument for Socialism (although he goes to lengths to balance the concerns and goals of Socialism with the barriers it faced from the movement’s own advocates at the time, such as ‘priggish’ and ‘dull’ Socialist intellectuals, and ‘proletarian’ Socialists with little grasp of the actual ideology). Gollancz feared the second half would offend readers and added a disculpatory preface to the book while Orwell was in Spain.

Orwell needed somewhere he could concentrate on writing his book, and once again help was provided by Aunt Nellie, who was living at Wallington, Hertfordshire in a very small 16th-century cottage called the “Stores”. Wallington was a tiny village 35 miles north of London, and the cottage had almost no modern facilities. Orwell took over the tenancy and moved in on 2 April 1936.[50] He started work on The Road to Wigan Pier by the end of April, but also spent hours working on the garden and testing the possibility of reopening the Stores as a village shop. Keep the Aspidistra Flying was published by Gollancz on 20 April 1936. On 4 August Orwell gave a talk at the Adelphi Summer School held at Langham, entitled An Outsider Sees the Distressed Areas; others who spoke at the school included John Strachey, Max Plowman, Karl Polanyi and Reinhold Niebuhr.

Orwell’s research for The Road to Wigan Pier led to him being placed under surveillance by the Special Branch from 1936, for 12 years, until one year before the publication of Nineteen Eighty-Four.[51]

Orwell married Eileen O’Shaughnessy on 9 June 1936. Shortly afterwards, the political crisis began in Spain and Orwell followed developments there closely. At the end of the year, concerned by Francisco Franco‘s military uprising, (supported by Nazi Germany, Fascist Italy and local groups such as Falange), Orwell decided to go to Spain to take part in the Spanish Civil War on the Republican side. Under the erroneous impression that he needed papers from some left-wing organisation to cross the frontier, on John Strachey‘s recommendation he applied unsuccessfully to Harry Pollitt, leader of the British Communist Party. Pollitt was suspicious of Orwell’s political reliability; he asked him whether he would undertake to join the International Brigade and advised him to get a safe-conduct from the Spanish Embassy in Paris.[52] Not wishing to commit himself until he had seen the situation in situ, Orwell instead used his Independent Labour Party contacts to get a letter of introduction to John McNair in Barcelona.

The Spanish Civil War

The square in Barcelona renamed in Orwell’s honour

Orwell set out for Spain on about 23 December 1936, dining with Henry Miller in Paris on the way. The American writer told Orwell that going to fight in the Civil War out of some sense of obligation or guilt was ‘sheer stupidity,’ and that the Englishman’s ideas ‘about combating Fascism, defending democracy, etc., etc., were all baloney.’[53] A few days later, in Barcelona, Orwell met John McNair of the Independent Labour Party (ILP) Office who quoted him: “I’ve come to fight against Fascism”.[54] Orwell stepped into a complex political situation in Catalonia. The Republican government was supported by a number of factions with conflicting aims, including the Workers’ Party of Marxist Unification (POUM – Partido Obrero de Unificación Marxista), the anarcho-syndicalist Confederación Nacional del Trabajo (CNT) and the Unified Socialist Party of Catalonia (a wing of the Spanish Communist Party, which was backed by Soviet arms and aid). The ILP was linked to the POUM so Orwell joined the POUM.

After a time at the Lenin Barracks in Barcelona he was sent to the relatively quiet Aragon Front under Georges Kopp. By January 1937 he was at Alcubierre 1,500 feet (460 m) above sea level, in the depth of winter. There was very little military action, and Orwell was shocked by the lack of munitions, food, and firewood, and other extreme deprivations.[55] Orwell, with his Cadet Corps and police training, was quickly made a corporal. On the arrival of a British ILP Contingent about three weeks later, Orwell and the other English militiaman, Williams, were sent with them to Monte Oscuro. The newly arrived ILP contingent included Bob Smillie, Bob Edwards, Stafford Cottman and Jack Branthwaite. The unit was then sent on to Huesca.

Meanwhile, back in England, Eileen had been handling the issues relating to the publication of The Road to Wigan Pier before setting out for Spain herself, leaving Nellie Limouzin to look after The Stores. Eileen volunteered for a post in John McNair’s office and with the help of Georges Kopp paid visits to her husband, bringing him English tea, chocolate, and cigars.[56] Orwell had to spend some days in hospital with a poisoned hand[57] and had most of his possessions stolen by the staff. He returned to the front and saw some action in a night attack on the Nationalist trenches where he chased an enemy soldier with a bayonet and bombed an enemy rifle position.

In April, Orwell returned to Barcelona.[57] Wanting to be sent to the Madrid front, which meant he “must join the International Column”, he approached a Communist friend attached to the Spanish Medical Aid and explained his case. “Although he did not think much of the Communists, Orwell was still ready to treat them as friends and allies. That would soon change.”[58] This was the time of the Barcelona May Days and Orwell was caught up in the factional fighting. He spent much of the time on a roof, with a stack of novels, but encountered Jon Kimche from his Hampstead days during the stay. The subsequent campaign of lies and distortion carried out by the Communist press,[59] in which the POUM was accused of collaborating with the fascists, had a dramatic effect on Orwell. Instead of joining the International Brigades as he had intended, he decided to return to the Aragon Front. Once the May fighting was over, he was approached by a Communist friend who asked if he still intended transferring to the International Brigades. Orwell expressed surprise that they should still want him, because according to the Communist press he was a fascist.[60] “No one who was in Barcelona then, or for months later, will forget the horrible atmosphere produced by fear, suspicion, hatred, censored newspapers, crammed jails, enormous food queues and prowling gangs of armed men.”[61]

After his return to the front, he was wounded in the throat by a sniper’s bullet. At 6 ft 2 in (1.88 m) Orwell was considerably taller than the Spanish fighters[62] and had been warned against standing against the trench parapet. Unable to speak, and with blood pouring from his mouth, Orwell was carried on a stretcher to Siétamo, loaded on an ambulance and after a bumpy journey via Barbastro arrived at the hospital at Lérida. He recovered sufficiently to get up and on 27 May 1937 was sent on to Tarragona and two days later to a POUM sanatorium in the suburbs of Barcelona. The bullet had missed his main artery by the barest margin and his voice was barely audible. It had been such a clean shot that the wound immediately went through the process of cauterisation. He received electrotherapy treatment and was declared medically unfit for service.[63]

By the middle of June the political situation in Barcelona had deteriorated and the POUM – painted by the pro-Soviet Communists as a Trotskyist organisation – was outlawed and under attack. The Communist line was that the POUM were “objectively” Fascist, hindering the Republican cause. “A particularly nasty poster appeared, showing a head with a POUM mask being ripped off to reveal a Swastika-covered face beneath.”[64] Members, including Kopp, were arrested and others were in hiding. Orwell and his wife were under threat and had to lie low,[n 3] although they broke cover to try to help Kopp.

Finally with their passports in order, they escaped from Spain by train, diverting to Banyuls-sur-Mer for a short stay before returning to England. In the first week of July 1937 Orwell arrived back at Wallington; on 13 July 1937 a deposition was presented to the Tribunal for Espionage & High Treason, Valencia, charging the Orwells with “rabid Trotskyism“, and being agents of the POUM.[65] The trial of the leaders of the POUM and of Orwell (in his absence) took place in Barcelona in October and November 1938. Observing events from French Morocco, Orwell wrote that they were ” – only a by-product of the Russian Trotskyist trials and from the start every kind of lie, including flagrant absurdities, has been circulated in the Communist press.”[66] Orwell’s experiences in the Spanish Civil War gave rise to Homage to Catalonia (1938).

Rest and recuperation

Laurence O’Shaughnessy’s former home, the large house on the corner, 24 Crooms Hill, Greenwich, London[67]

Orwell returned to England in June 1937, and stayed at the O’Shaughnessy home at Greenwich. He found his views on the Spanish Civil War out of favour. Kingsley Martin rejected two of his works and Gollancz was equally cautious. At the same time, the communist Daily Worker was running an attack on The Road to Wigan Pier, misquoting Orwell as saying “the working classes smell”; a letter to Gollancz from Orwell threatening libel action brought a stop to this. Orwell was also able to find a more sympathetic publisher for his views in Frederic Warburg of Secker & Warburg. Orwell returned to Wallington, which he found in disarray after his absence. He acquired goats, a rooster he called “Henry Ford”, and a poodle puppy he called “Marx”[68][69][70] and settled down to animal husbandry and writing Homage to Catalonia.

There were thoughts of going to India to work on the Pioneer, a newspaper in Lucknow, but by March 1938 Orwell’s health had deteriorated. He was admitted to Preston Hall Sanatorium at Aylesford, Kent, a British Legion hospital for ex-servicemen to which his brother-in-law Laurence O’Shaughnessy was attached. He was thought initially to be suffering from tuberculosis and stayed in the sanatorium until September. A stream of visitors came to see him including Common, Heppenstall, Plowman and Cyril Connolly. Connolly brought with him Stephen Spender, a cause of some embarrassment as Orwell had referred to Spender as a “pansy friend” some time earlier. Homage to Catalonia was published by Secker & Warburg and was a commercial flop. In the latter part of his stay at the clinic Orwell was able to go for walks in the countryside and study nature.

The novelist L. H. Myers secretly funded a trip to French Morocco for half a year for Orwell to avoid the English winter and recover his health. The Orwells set out in September 1938 via Gibraltar and Tangier to avoid Spanish Morocco and arrived at Marrakech. They rented a villa on the road to Casablanca and during that time Orwell wrote Coming Up for Air. They arrived back in England on 30 March 1939 and Coming Up for Air was published in June. Orwell spent time in Wallington and Southwold working on a Dickens essay and it was in July 1939 that Orwell’s father, Richard Blair, died.

Second World War and Animal Farm

At the outbreak of the Second World War, Orwell’s wife Eileen started working in the Censorship Department of the Ministry of Information in central London, staying during the week with her family in Greenwich. Orwell also submitted his name to the Central Register for war work, but nothing transpired. “They won’t have me in the army, at any rate at present, because of my lungs”, Orwell told Geoffrey Gorer. He returned to Wallington, and in late 1939 he wrote material for his first collection of essays, Inside the Whale. For the next year he was occupied writing reviews for plays, films and books for The Listener, Time and Tide and New Adelphi. On 29 March 1940 his long association with Tribune began[71] with a review of a sergeant’s account of Napoleon‘s retreat from Moscow. At the beginning of 1940, the first edition of Connolly’s Horizon appeared, and this provided a new outlet for Orwell’s work as well as new literary contacts. In May the Orwells took lease of a flat in London at Dorset Chambers, Chagford Street, Marylebone. It was the time of the Dunkirk evacuation and the death in France of Eileen’s brother Lawrence caused her considerable grief and long-term depression. Throughout this period Orwell kept a wartime diary.

Orwell was declared “unfit for any kind of military service” by the Medical Board in June, but soon afterwards found an opportunity to become involved in war activities by joining the Home Guard. He shared Tom Wintringham‘s socialist vision for the Home Guard as a revolutionary People’s Militia. His lecture notes for instructing platoon members include advice on street fighting, field fortifications, and the use of mortars of various kinds. Sergeant Orwell managed to recruit Frederic Warburg to his unit. During the Battle of Britain he used to spend weekends with Warburg and his new Zionist friend, Tosco Fyvel, at Warburg’s house at Twyford, Berkshire. At Wallington he worked on “England Your England” and in London wrote reviews for various periodicals. Visiting Eileen’s family in Greenwich brought him face-to-face with the effects of the blitz on East London. In mid-1940, Warburg, Fyvel and Orwell planned Searchlight Books. Eleven volumes eventually appeared, of which Orwell’s The Lion and the Unicorn: Socialism and the English Genius, published on 19 February 1941, was the first.[72]

Early in 1941 he started writing for the American Partisan Review which linked Orwell with The New York Intellectuals, like him anti-Stalinist, but committed to staying on the Left,[73] and contributed to Gollancz anthology The Betrayal of the Left, written in the light of the Molotov–Ribbentrop Pact (although Orwell referred to it as the Russo-German Pact and the Hitler-Stalin Pact[74]). He also applied unsuccessfully for a job at the Air Ministry. Meanwhile, he was still writing reviews of books and plays and at this time met the novelist Anthony Powell. He also took part in a few radio broadcasts for the Eastern Service of the BBC. In March the Orwells moved to a seventh-floor flat at Langford Court, St John’s Wood, while at Wallington Orwell was “digging for victory” by planting potatoes.

One could not have a better example of the moral and emotional shallowness of our time, than the fact that we are now all more or less pro Stalin. This disgusting murderer is temporarily on our side, and so the purges, etc., are suddenly forgotten.

— George Orwell, in his war-time diary, 3 July 1941[75]

In August 1941, Orwell finally obtained “war work” when he was taken on full-time by the BBC’s Eastern Service. He supervised cultural broadcasts to India to counter propaganda from Nazi Germany designed to undermine Imperial links. This was Orwell’s first experience of the rigid conformity of life in an office, and it gave him an opportunity to create cultural programmes with contributions from T. S. Eliot, Dylan Thomas, E. M. Forster, Ahmed Ali, Mulk Raj Anand, and William Empson among others.

At the end of August he had a dinner with H. G. Wells which degenerated into a row because Wells had taken offence at observations Orwell made about him in a Horizon article. In October Orwell had a bout of bronchitis and the illness recurred frequently. David Astor was looking for a provocative contributor for The Observer and invited Orwell to write for him – the first article appearing in March 1942. In early 1942 Eileen changed jobs to work at the Ministry of Food and in mid-1942 the Orwells moved to a larger flat, a ground floor and basement, 10a Mortimer Crescent in Maida Vale/Kilburn – “the kind of lower-middle-class ambience that Orwell thought was London at its best.” Around the same time Orwell’s mother and sister Avril, who had found work in a sheet-metal factory behind Kings Cross Station, moved into a flat close to George and Eileen.[76]

Orwell at the BBC in 1941. Despite having spoken on many broadcasts, no recordings of Orwell’s voice are known to survive.[77][78][79]

At the BBC, Orwell introduced Voice, a literary programme for his Indian broadcasts, and by now was leading an active social life with literary friends, particularly on the political left. Late in 1942, he started writing regularly for the left-wing weekly Tribune[80]:306[81]:441 directed by Labour MPs Aneurin Bevan and George Strauss. In March 1943 Orwell’s mother died and around the same time he told Moore he was starting work on a new book, which turned out to be Animal Farm.

In September 1943, Orwell resigned from the BBC post that he had occupied for two years.[82]:352 His resignation followed a report confirming his fears that few Indians listened to the broadcasts,[83] but he was also keen to concentrate on writing Animal Farm. Just six days before his last day of service, on 24 November 1943, his adaptation of the fairy tale, Hans Christian Andersen‘s The Emperor’s New Clothes was broadcast. It was a genre in which he was greatly interested and which appeared on Animal Farms title-page.[84] At this time he also resigned from the Home Guard on medical grounds.[85]

In November 1943, Orwell was appointed literary editor at Tribune, where his assistant was his old friend Jon Kimche. Orwell was on staff until early 1945, writing over 80 book reviews[86] and on 3 December 1943 started his regular personal column, “As I Please“, usually addressing three or four subjects in each.[87] He was still writing reviews for other magazines, including Partisan Review, Horizon, and the New York Nation and becoming a respected pundit among left-wing circles but also a close friend of people on the right such as Powell, Astor and Malcolm Muggeridge. By April 1944 Animal Farm was ready for publication. Gollancz refused to publish it, considering it an attack on the Soviet regime which was a crucial ally in the war. A similar fate was met from other publishers (including T. S. Eliot at Faber and Faber) until Jonathan Cape agreed to take it.

In May the Orwells had the opportunity to adopt a child, thanks to the contacts of Eileen’s sister Gwen O’Shaughnessy, then a doctor in Newcastle upon Tyne. In June a V-1 flying bomb struck Mortimer Crescent and the Orwells had to find somewhere else to live. Orwell had to scrabble around in the rubble for his collection of books, which he had finally managed to transfer from Wallington, carting them away in a wheelbarrow.

Another bombshell was Cape’s reversal of his plan to publish Animal Farm. The decision followed his personal visit to Peter Smollett, an official at the Ministry of Information. Smollett was later identified as a Soviet agent.[88][89]

The Orwells spent some time in the North East, near Carlton, County Durham, dealing with matters in the adoption of a boy whom they named Richard Horatio Blair.[90] By September 1944 they had set up home in Islington, at 27b Canonbury Square.[91] Baby Richard joined them there, and Eileen gave up her work at the Ministry of Food to look after her family. Secker & Warburg had agreed to publish Animal Farm, planned for the following March, although it did not appear in print until August 1945. By February 1945 David Astor had invited Orwell to become a war correspondent for the Observer. Orwell had been looking for the opportunity throughout the war, but his failed medical reports prevented him from being allowed anywhere near action. He went to Paris after the liberation of France and to Cologne once it had been occupied by the Allies.

It was while he was there that Eileen went into hospital for a hysterectomy and died under anaesthetic on 29 March 1945. She had not given Orwell much notice about this operation because of worries about the cost and because she expected to make a speedy recovery. Orwell returned home for a while and then went back to Europe. He returned finally to London to cover the 1945 general election at the beginning of July. Animal Farm: A Fairy Story was published in Britain on 17 August 1945, and a year later in the US, on 26 August 1946.

Jura and Nineteen Eighty-Four

Animal Farm struck a particular resonance in the post-war climate and its worldwide success made Orwell a sought-after figure.

For the next four years Orwell mixed journalistic work – mainly for Tribune, The Observer and the Manchester Evening News, though he also contributed to many small-circulation political and literary magazines – with writing his best-known work, Nineteen Eighty-Four, which was published in 1949.

Barnhill on the Isle of Jura off the west coast of Scotland

In the year following Eileen’s death he published around 130 articles and a selection of his Critical Essays, while remaining active in various political lobbying campaigns. He employed a housekeeper, Susan Watson, to look after his adopted son at the Islington flat, which visitors now described as “bleak”. In September he spent a fortnight on the island of Jura in the Inner Hebrides and saw it as a place to escape from the hassle of London literary life. David Astor was instrumental in arranging a place for Orwell on Jura.[92] Astor’s family owned Scottish estates in the area and a fellow Old Etonian Robin Fletcher had a property on the island. In late 1945 and early 1946 Orwell made several hopeless and unwelcome marriage proposals to younger women, including Celia Kirwan (who was later to become Arthur Koestler‘s sister-in-law), Ann Popham who happened to live in the same block of flats and Sonia Brownell, one of Connolly’s coterie at the Horizon office. Orwell suffered a tubercular haemorrhage in February 1946 but disguised his illness. In 1945 or early 1946, while still living at Canonbury Square, Orwell wrote an article on “British Cookery”, complete with recipes, commissioned by the British Council. Given the post-war shortages, both parties agreed not to publish it.[93] His sister Marjorie died of kidney disease in May and shortly after, on 22 May 1946, Orwell set off to live on the Isle of Jura.

Barnhill[94] was an abandoned farmhouse with outbuildings near the northern end of the island, situated at the end of a five-mile (8 km), heavily rutted track from Ardlussa, where the owners lived. Conditions at the farmhouse were primitive but the natural history and the challenge of improving the place appealed to Orwell. His sister Avril accompanied him there and young novelist Paul Potts made up the party. In July Susan Watson arrived with Orwell’s son Richard. Tensions developed and Potts departed after one of his manuscripts was used to light the fire. Orwell meanwhile set to work on Nineteen Eighty-Four. Later Susan Watson’s boyfriend David Holbrook arrived. A fan of Orwell since school days, he found the reality very different, with Orwell hostile and disagreeable probably because of Holbrook’s membership of the Communist Party.[95] Susan Watson could no longer stand being with Avril and she and her boyfriend left.

Orwell returned to London in late 1946 and picked up his literary journalism again. Now a well-known writer, he was swamped with work. Apart from a visit to Jura in the new year he stayed in London for one of the coldest British winters on record and with such a national shortage of fuel that he burnt his furniture and his child’s toys. The heavy smog in the days before the Clean Air Act 1956 did little to help his health about which he was reticent, keeping clear of medical attention. Meanwhile, he had to cope with rival claims of publishers Gollancz and Warburg for publishing rights. About this time he co-edited a collection titled British Pamphleteers with Reginald Reynolds. As a result of the success of Animal Farm, Orwell was expecting a large bill from the Inland Revenue and he contacted a firm of accountants of which the senior partner was Jack Harrison. The firm advised Orwell to establish a company to own his copyright and to receive his royalties and set up a “service agreement” so that he could draw a salary. Such a company “George Orwell Productions Ltd” (GOP Ltd) was set up on 12 September 1947 although the service agreement was not then put into effect. Jack Harrison left the details at this stage to junior colleagues.[96]

Orwell left London for Jura on 10 April 1947.[8] In July he ended the lease on the Wallington cottage.[97] Back on Jura he worked on Nineteen Eighty-Four and made good progress. During that time his sister’s family visited, and Orwell led a disastrous boating expedition, on 19 August,[98] which nearly led to loss of life whilst trying to cross the notorious gulf of Corryvreckan and gave him a soaking which was not good for his health. In December a chest specialist was summoned from Glasgow who pronounced Orwell seriously ill and a week before Christmas 1947 he was in Hairmyres Hospital in East Kilbride, then a small village in the countryside, on the outskirts of Glasgow. Tuberculosis was diagnosed and the request for permission to import streptomycin to treat Orwell went as far as Aneurin Bevan, then Minister of Health. David Astor helped with supply and payment and Orwell began his course of streptomycin on 19 or 20 February 1948.[99] By the end of July 1948 Orwell was able to return to Jura and by December he had finished the manuscript of Nineteen Eighty-Four. In January 1949, in a very weak condition, he set off for a sanatorium at Cranham, Gloucestershire, escorted by Richard Rees.

The sanatorium at Cranham consisted of a series of small wooden chalets or huts in a remote part of the Cotswolds near Stroud. Visitors were shocked by Orwell’s appearance and concerned by the short-comings and ineffectiveness of the treatment. Friends were worried about his finances, but by now he was comparatively well-off. He was writing to many of his friends, including Jacintha Buddicom, who had “rediscovered” him, and in March 1949, was visited by Celia Kirwan. Kirwan had just started working for a Foreign Office unit, the Information Research Department, set up by the Labour government to publish anti-communist propaganda, and Orwell gave her a list of people he considered to be unsuitable as IRD authors because of their pro-communist leanings. Orwell’s list, not published until 2003, consisted mainly of writers but also included actors and Labour MPs.[88][100] Orwell received more streptomycin treatment and improved slightly. In June 1949 Nineteen Eighty-Four was published to immediate critical and popular acclaim.

Final months and death

University College Hospital in London where Orwell died

Orwell’s health had continued to decline since the diagnosis of tuberculosis in December 1947. In mid-1949, he courted Sonia Brownell, and they announced their engagement in September, shortly before he was removed to University College Hospital in London. Sonia took charge of Orwell’s affairs and attended him diligently in the hospital, causing concern to some old friends such as Muggeridge. In September 1949, Orwell invited his accountant Harrison to visit him in hospital, and Harrison claimed that Orwell then asked him to become director of GOP Ltd and to manage the company, but there was no independent witness.[96] Orwell’s wedding took place in the hospital room on 13 October 1949, with David Astor as best man.[101] Orwell was in decline and visited by an assortment of visitors including Muggeridge, Connolly, Lucian Freud, Stephen Spender, Evelyn Waugh, Paul Potts, Anthony Powell, and his Eton tutor Anthony Gow.[8] Plans to go to the Swiss Alps were mooted. Further meetings were held with his accountant, at which Harrison and Mr and Mrs Blair were confirmed as directors of the company, and at which Harrison claimed that the “service agreement” was executed, giving copyright to the company.[96] Orwell’s health was in decline again by Christmas. On the evening of 20 January 1950, Potts visited Orwell and slipped away on finding him asleep. Jack Harrison visited later and claimed that Orwell gave him 25% of the company.[96] Early on the morning of 21 January, an artery burst in Orwell’s lungs, killing him at age 46.[102]

Orwell had requested to be buried in accordance with the Anglican rite in the graveyard of the closest church to wherever he happened to die. The graveyards in central London had no space, and fearing that he might have to be cremated against his wishes, his widow appealed to his friends to see whether any of them knew of a church with space in its graveyard.

George Orwell’s grave in Sutton Courtenay, Oxfordshire

David Astor lived in Sutton Courtenay, Oxfordshire, and arranged for Orwell to be interred in All Saints’ Churchyard there.[103] Orwell’s gravestone bears the simple epitaph: “Here lies Eric Arthur Blair, born June 25th 1903, died January 21st 1950”; no mention is made on the gravestone of his more famous pen name.

Orwell’s son, Richard Horatio Blair, was brought up by Orwell’s sister Avril. He maintains a public profile as patron of the Orwell Society.[104] He gives interviews about the few memories he has of his father.

In 1979, Sonia Brownell brought a High Court action against Harrison, who had in the meantime transferred 75% of the company’s voting stock to himself and had dissipated much of the value of the company. She was considered to have a strong case, but was becoming increasingly ill and eventually was persuaded to settle out of court on 2 November 1980. She died on 11 December 1980, aged 62.[96]

Literary career and legacy

During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: Down and Out in Paris and London (describing a period of poverty in these cities), The Road to Wigan Pier (describing the living conditions of the poor in northern England, and class division generally) and Homage to Catalonia. According to Irving Howe, Orwell was “the best English essayist since Hazlitt, perhaps since Dr Johnson.”[105]

Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. Nineteen Eighty-Four is often compared to Brave New World by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In 1984, Nineteen Eighty-Four and Ray Bradbury‘s Fahrenheit 451 were honoured with the Prometheus Award for their contributions to dystopian literature. In 2011 he received it again for Animal Farm.

Coming Up for Air, his last novel before World War II is the most “English” of his novels; alarms of war mingle with images of idyllic Thames-side Edwardian childhood of protagonist George Bowling. The novel is pessimistic; industrialism and capitalism have killed the best of Old England, and there were great, new external threats. In homely terms, Bowling posits the totalitarian hypotheses of Borkenau, Orwell, Silone and Koestler: “Old Hitler’s something different. So’s Joe Stalin. They aren’t like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it … They’re something quite new – something that’s never been heard of before”.

Literary influences

In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: “The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is W. Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.” Elsewhere, Orwell strongly praised the works of Jack London, especially his book The Road. Orwell’s investigation of poverty in The Road to Wigan Pier strongly resembles that of Jack London’s The People of the Abyss, in which the American journalist disguises himself as an out-of-work sailor to investigate the lives of the poor in London. In his essay “Politics vs. Literature: An Examination of Gulliver’s Travels” (1946) Orwell wrote: “If I had to make a list of six books which were to be preserved when all others were destroyed, I would certainly put Gulliver’s Travels among them.”

Other writers admired by Orwell included: Ralph Waldo Emerson, George Gissing, Graham Greene, Herman Melville, Henry Miller, Tobias Smollett, Mark Twain, Joseph Conrad and Yevgeny Zamyatin.[106] He was both an admirer and a critic of Rudyard Kipling,[107][108] praising Kipling as a gifted writer and a “good bad poet” whose work is “spurious” and “morally insensitive and aesthetically disgusting,” but undeniably seductive and able to speak to certain aspects of reality more effectively than more enlightened authors.[109] He had a similarly ambivalent attitude to G. K. Chesterton, whom he regarded as a writer of considerable talent who had chosen to devote himself to “Roman Catholic propaganda”.[110]

Orwell as literary critic

Throughout his life Orwell continually supported himself as a book reviewer, writing works so long and sophisticated they have had an influence on literary criticism. He wrote in the conclusion to his 1940 essay on Charles Dickens,

When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens’s photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry – in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls.

George Woodcock suggested that the last two sentences characterised Orwell as much as his subject.[111]

Orwell wrote a critique of George Bernard Shaw‘s play Arms and the Man. He considered this Shaw’s best play and the most likely to remain socially relevant, because of its theme that war is not, generally speaking, a glorious romantic adventure. His 1945 essay In Defense of P.G. Wodehouse contains an amusing assessment of his writing and also argues that his broadcasts from Germany (during the war) did not really make him a traitor. He accused The Ministry of Information of exaggerating Wodehouse’s actions for propaganda purposes.

Reception and evaluations of Orwell’s works

Arthur Koestler mentioned Orwell’s “uncompromising intellectual honesty [which] made him appear almost inhuman at times.”[112] Ben Wattenberg stated: “Orwell’s writing pierced intellectual hypocrisy wherever he found it.”[113] According to historian Piers Brendon, “Orwell was the saint of common decency who would in earlier days, said his BBC boss Rushbrook Williams, ‘have been either canonised – or burnt at the stake'”.[114] Raymond Williams in Politics and Letters: Interviews with New Left Review describes Orwell as a “successful impersonation of a plain man who bumps into experience in an unmediated way and tells the truth about it.”[115] Christopher Norris declared that Orwell’s “homespun empiricist outlook – his assumption that the truth was just there to be told in a straightforward common-sense way – now seems not merely naïve but culpably self-deluding”.[116] The American scholar Scott Lucas has described Orwell[117] as an enemy of the Left. John Newsinger has argued[118] that Lucas could only do this by portraying “all of Orwell’s attacks on Stalinism [-] as if they were attacks on socialism, despite Orwell’s continued insistence that they were not.”

Orwell’s work has taken a prominent place in the school literature curriculum in England,[119] with Animal Farm a regular examination topic at the end of secondary education (GCSE), and Nineteen Eighty-Four a topic for subsequent examinations below university level (A Levels). Alan Brown noted that this brings to the forefront questions about the political content of teaching practices. Study aids, in particular with potted biographies, might be seen to help propagate the Orwell myth so that as an embodiment of human values he is presented as a “trustworthy guide”, while examination questions sometimes suggest a “right ways of answering” in line with the myth.[120][clarification needed]

Historian John Rodden stated: “John Podhoretz did claim that if Orwell were alive today, he’d be standing with the neo-conservatives and against the Left. And the question arises, to what extent can you even begin to predict the political positions of somebody who’s been dead three decades and more by that time?”[113]

In Orwell’s Victory, Christopher Hitchens argues, “In answer to the accusation of inconsistency Orwell as a writer was forever taking his own temperature. In other words, here was someone who never stopped testing and adjusting his intelligence”.[121]

John Rodden points out the “undeniable conservative features in the Orwell physiognomy” and remarks on how “to some extent Orwell facilitated the kinds of uses and abuses by the Right that his name has been put to. In other ways there has been the politics of selective quotation.”[113] Rodden refers to the essay “Why I Write“, in which Orwell refers to the Spanish Civil War as being his “watershed political experience”, saying “The Spanish War and other events in 1936–37, turned the scale. Thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written directly or indirectly against totalitarianism and for Democratic Socialism as I understand it.” (emphasis in original)[113] Rodden goes on to explain how, during the McCarthy era, the introduction to the Signet edition of Animal Farm, which sold more than 20 million copies, makes use of “the politics of ellipsis”:

If the book itself, Animal Farm, had left any doubt of the matter, Orwell dispelled it in his essay Why I Write: ‘Every line of serious work that I’ve written since 1936 has been written directly or indirectly against Totalitarianism … dot, dot, dot, dot.’ “For Democratic Socialism” is vaporised, just like Winston Smith did it at the Ministry of Truth, and that’s very much what happened at the beginning of the McCarthy era and just continued, Orwell being selectively quoted.[113]

Fyvel wrote about Orwell: “His crucial experience … was his struggle to turn himself into a writer, one which led through long periods of poverty, failure and humiliation, and about which he has written almost nothing directly. The sweat and agony was less in the slum-life than in the effort to turn the experience into literature.”[122][123]

In October 2015 Finlay Publisher, for the Orwell Society, published George Orwell ‘The Complete Poetry’, compiled and presented by Dione Venables.[124]

Influence on language and writing

In his essay “Politics and the English Language” (1946), Orwell wrote about the importance of precise and clear language, arguing that vague writing can be used as a powerful tool of political manipulation because it shapes the way we think. In that essay, Orwell provides six rules for writers:

  1. Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.[125]

Andrew N. Rubin argues, “Orwell claimed that we should be attentive to how the use of language has limited our capacity for critical thought just as we should be equally concerned with the ways in which dominant modes of thinking have reshaped the very language that we use.”[126]

The adjective Orwellian connotes an attitude and a policy of control by propaganda, surveillance, misinformation, denial of truth, and manipulation of the past. In Nineteen Eighty-Four Orwell described a totalitarian government that controlled thought by controlling language, making certain ideas literally unthinkable. Several words and phrases from Nineteen Eighty-Four have entered popular language. Newspeak is a simplified and obfuscatory language designed to make independent thought impossible. Doublethink means holding two contradictory beliefs simultaneously. The Thought Police are those who suppress all dissenting opinion. Prolefeed is homogenised, manufactured superficial literature, film and music, used to control and indoctrinate the populace through docility. Big Brother is a supreme dictator who watches everyone.

Orwell may have been the first to use the term cold war to refer to the state of tension between powers in the Western Bloc and the Eastern Bloc that followed the Second World War, in his essay, “You and the Atom Bomb”, published in Tribune, 19 October 1945. He wrote:

We may be heading not for general breakdown but for an epoch as horribly stable as the slave empires of antiquity. James Burnham‘s theory has been much discussed, but few people have yet considered its ideological implications – this is, the kind of world-view, the kind of beliefs, and the social structure that would probably prevail in a State which was at once unconquerable and in a permanent state of ‘cold war’ with its neighbours.[127]

Museum

In 2014 it was announced that Orwell’s birthplace, a bungalow in Motihari, Bihar, in India would become the world’s first Orwell museum.[10][128]

Modern Culture

In 2014 a play written by playwright Joe Sutton titled Orwell in America was first performed. It is a fictitious account of Orwell doing a book tour in America (something he never did in his lifetime). It moved to Off-Broadway in 2016.[129]

Personal life

Childhood

Jacintha Buddicom‘s account Eric & Us provides an insight into Blair’s childhood.[130] She quoted his sister Avril that “he was essentially an aloof, undemonstrative person” and said herself of his friendship with the Buddicoms: “I do not think he needed any other friends beyond the schoolfriend he occasionally and appreciatively referred to as ‘CC'”. She could not recall his having schoolfriends to stay and exchange visits as her brother Prosper often did in holidays.[131] Cyril Connolly provides an account of Blair as a child in Enemies of Promise.[23] Years later, Blair mordantly recalled his prep school in the essay “Such, Such Were the Joys“, claiming among other things that he “was made to study like a dog” to earn a scholarship, which he alleged was solely to enhance the school’s prestige with parents. Jacintha Buddicom repudiated Orwell’s schoolboy misery described in the essay, stating that “he was a specially happy child”. She noted that he did not like his name, because it reminded him of a book he greatly disliked – Eric, or, Little by Little, a Victorian boys’ school story.[132]

Connolly remarked of him as a schoolboy, “The remarkable thing about Orwell was that alone among the boys he was an intellectual and not a parrot for he thought for himself”.[23] At Eton, John Vaughan Wilkes, his former headmaster’s son recalled, “… he was extremely argumentative – about anything – and criticising the masters and criticising the other boys … We enjoyed arguing with him. He would generally win the arguments – or think he had anyhow.”[133] Roger Mynors concurs: “Endless arguments about all sorts of things, in which he was one of the great leaders. He was one of those boys who thought for himself …”[134]

Blair liked to carry out practical jokes. Buddicom recalls him swinging from the luggage rack in a railway carriage like an orangutan to frighten a woman passenger out of the compartment.[14] At Eton he played tricks on John Crace, his Master in College, among which was to enter a spoof advertisement in a College magazine implying pederasty.[135] Gow, his tutor, said he “made himself as big a nuisance as he could” and “was a very unattractive boy”.[136] Later Blair was expelled from the crammer at Southwold for sending a dead rat as a birthday present to the town surveyor.[137] In one of his As I Please essays he refers to a protracted joke when he answered an advertisement for a woman who claimed a cure for obesity.[138]

Blair had an interest in natural history which stemmed from his childhood. In letters from school he wrote about caterpillars and butterflies,[139] and Buddicom recalls his keen interest in ornithology. He also enjoyed fishing and shooting rabbits, and conducting experiments as in cooking a hedgehog[14] or shooting down a jackdaw from the Eton roof to dissect it.[134] His zeal for scientific experiments extended to explosives – again Buddicom recalls a cook giving notice because of the noise. Later in Southwold his sister Avril recalled him blowing up the garden. When teaching he enthused his students with his nature-rambles both at Southwold[140] and Hayes.[141] His adult diaries are permeated with his observations on nature.

Relationships and marriage

Buddicom and Blair lost touch shortly after he went to Burma, and she became unsympathetic towards him. She wrote that it was because of the letters he wrote complaining about his life, but an addendum to Eric & Us by Venables reveals that he may have lost her sympathy through an incident which was, at best, a clumsy attempt at seduction.[14]

Mabel Fierz, who later became Blair’s confidante, said: “He used to say the one thing he wished in this world was that he’d been attractive to women. He liked women and had many girlfriends I think in Burma. He had a girl in Southwold and another girl in London. He was rather a womaniser, yet he was afraid he wasn’t attractive.”[142]

Brenda Salkield (Southwold) preferred friendship to any deeper relationship and maintained a correspondence with Blair for many years, particularly as a sounding board for his ideas. She wrote: “He was a great letter writer. Endless letters, and I mean when he wrote you a letter he wrote pages.”[22] His correspondence with Eleanor Jacques (London) was more prosaic, dwelling on a closer relationship and referring to past rendezvous or planning future ones in London and Burnham Beeches.[143]

When Orwell was in the sanatorium in Kent, his wife’s friend Lydia Jackson visited. He invited her for a walk and out of sight “an awkward situation arose.”[144] Jackson was to be the most critical of Orwell’s marriage to Eileen O’Shaughnessy, but their later correspondence hints at a complicity. Eileen at the time was more concerned about Orwell’s closeness to Brenda Salkield. Orwell had an affair with his secretary at Tribune which caused Eileen much distress, and others have been mooted. In a letter to Ann Popham he wrote: “I was sometimes unfaithful to Eileen, and I also treated her badly, and I think she treated me badly, too, at times, but it was a real marriage, in the sense that we had been through awful struggles together and she understood all about my work, etc.”[145]Similarly he suggested to Celia Kirwan that they had both been unfaithful.[146] There are several testaments that it was a well-matched and happy marriage.[147][148][149]

Blair was very lonely after Eileen’s death, and desperate for a wife, both as companion for himself and as mother for Richard. He proposed marriage to four women, including Celia Kirwan, and eventually Sonia Brownell accepted.[150] Orwell had met her when she was assistant to Cyril Connolly, at Horizon literary magazine.[151] They were married on 13 October 1949, only three months before Orwell’s death. Some maintain that Sonia was the model for Julia in Nineteen Eighty-Four.

Religious views

Orwell regularly participated in the social and civic life of the church, and yet was an atheist, both critical of religious doctrine and of religious organisations. He attended Holy Communion at the Church of England regularly,[152] and makes allusions to Anglican rites in his book A Clergyman’s Daughter. He was extremely well-read in Biblical literature and could quote lengthy passages from the Book of Common Prayer from memory.[153] However, his forensic knowledge of the Bible came coupled with unsparing criticism of its philosophy, and as an adult he could not bring himself to believe in its tenets. He said clearly in part V of his essay, “Such, Such Were the Joys“: “Till about the age of fourteen I believed in God, and believed that the accounts given of him were true. But I was well aware that I did not love him.”[154] Of his regular Church attendance, he said: “It seems rather mean to go to HC [Holy Communion] when one doesn’t believe, but I have passed myself off for pious & there is nothing for it but to keep up with the deception.”[155]Despite this, he had two Anglican marriages and left instructions for an Anglican funeral.[156] Orwell directly contrasted Christianity with secular humanism in his essay “Lear, Tolstoy and the Fool“, finding the latter philosophy more palatable and less “self-interested.” Literary critic James Wood wrote that in the struggle, as he saw it, between Christianity and humanism, “Orwell was on the humanist side, of course—basically an unmetaphysical, English version of Camus’s philosophy of perpetual godless struggle.”[157]

Orwell’s writing was often explicitly critical of religion, and Christianity in particular. He found the church to be a “selfish … church of the landed gentry” with its establishment “out of touch” with the majority of its communicants and altogether a pernicious influence on public life.[158] In their 1972 study, The Unknown Orwell, the writers Peter Stansky and William Abrahams noted that at Eton Blair displayed a “sceptical attitude” to Christian belief.[159] Crick observed that Orwell displayed “a pronounced anti-Catholicism”.[160] Evelyn Waugh, writing in 1946, acknowledged Orwell’s high moral sense and respect for justice but believed “he seems never to have been touched at any point by a conception of religious thought and life.”[161] His contradictory and sometimes ambiguous views about the social benefits of religious affiliation mirrored the dichotomies between his public and private lives: Stephen Ingle wrote that it was as if the writer George Orwell “vaunted” his unbelief while Eric Blair the individual retained “a deeply ingrained religiosity”. Ingle later noted that Orwell did not accept the existence of an afterlife, believing in the finality of death while living and advocating a moral code based on Judeo-Christian beliefs.[162][163]

Political views

Orwell liked to provoke arguments by challenging the status quo, but he was also a traditionalist with a love of old English values. He criticised and satirised, from the inside, the various social milieux in which he found himself – provincial town life in A Clergyman’s Daughter; middle-class pretension in Keep the Aspidistra Flying; preparatory schools in “Such, Such Were the Joys”; colonialism in Burmese Days, and some socialist groups in The Road to Wigan Pier. In his Adelphi days he described himself as a “Toryanarchist.”[164][165]

In 1928, Orwell began his career as a professional writer in Paris at a journal owned by the French Communist Henri Barbusse. His first article, “La Censure en Angleterre“, was an attempt to account for the ‘extraordinary and illogical’ moral censorship of plays and novels then practised in Britain. His own explanation was that the rise of the “puritan middle class,” who had stricter morals than the aristocracy, tightened the rules of censorship in the 19th century. Orwell’s first published article in his home country, “A Farthing Newspaper”, was a critique of the new French daily the Ami de Peuple. This paper was sold much more cheaply than most others, and was intended for ordinary people to read. Orwell pointed out that its proprietor François Coty also owned the right-wing dailies Le Figaro and Le Gaulois, which the Ami de Peuple was supposedly competing against. Orwell suggested that cheap newspapers were no more than a vehicle for advertising and anti-leftist propaganda, and predicted the world might soon see free newspapers which would drive legitimate dailies out of business.[166]

The Spanish Civil War played the most important part in defining Orwell’s socialism. He wrote to Cyril Connolly from Barcelona on 8 June 1937: “I have seen wonderful things and at last really believe in Socialism, which I never did before.”[167][168] Having witnessed the success of the anarcho-syndicalist communities, for example in Anarchist Catalonia, and the subsequent brutal suppression of the anarcho-syndicalists, anti-Stalin communist parties and revolutionaries by the Soviet Union-backed Communists, Orwell returned from Catalonia a staunch anti-Stalinist and joined the Independent Labour Party, his card being issued on 13 June 1938.[169] Although he was never a Trotskyist, he was strongly influenced by the Trotskyist and anarchist critiques of the Soviet regime, and by the anarchists’ emphasis on individual freedom. In Part 2 of The Road to Wigan Pier, published by the Left Book Club, Orwell stated: “a real Socialist is one who wishes – not merely conceives it as desirable, but actively wishes – to see tyranny overthrown.” Orwell stated in “Why I Write” (1946): “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.”[170] Orwell was a proponent of a federal socialist Europe, a position outlined in his 1947 essay “Toward European Unity,” which first appeared in Partisan Review. According to biographer John Newsinger,

the other crucial dimension to Orwell’s socialism was his recognition that the Soviet Union was not socialist. Unlike many on the left, instead of abandoning socialism once he discovered the full horror of Stalinist rule in the Soviet Union, Orwell abandoned the Soviet Union and instead remained a socialist – indeed he became more committed to the socialist cause than ever.”[60]

In his 1938 essay “Why I joined the Independent Labour Party,” published in the ILP-affiliated New Leader, Orwell wrote:

For some years past I have managed to make the capitalist class pay me several pounds a week for writing books against capitalism. But I do not delude myself that this state of affairs is going to last forever … the only régime which, in the long run, will dare to permit freedom of speech is a Socialist régime. If Fascism triumphs I am finished as a writer – that is to say, finished in my only effective capacity. That of itself would be a sufficient reason for joining a Socialist party.[171]

Towards the end of the essay, he wrote: “I do not mean I have lost all faith in the Labour Party. My most earnest hope is that the Labour Party will win a clear majority in the next General Election.”[172]

Orwell was opposed to rearmament against Nazi Germany – but he changed his view after the Molotov-Ribbentrop Pact and the outbreak of the war. He left the ILP because of its opposition to the war and adopted a political position of “revolutionary patriotism”. In December 1940 he wrote in Tribune (the Labour left’s weekly): “We are in a strange period of history in which a revolutionary has to be a patriot and a patriot has to be a revolutionary.” During the war, Orwell was highly critical of the popular idea that an Anglo-Soviet alliance would be the basis of a post-war world of peace and prosperity. In 1942, commenting on journalist E. H. Carr‘s pro-Soviet views, Orwell stated: “all the appeasers, e.g. Professor E. H. Carr, have switched their allegiance from Hitler to Stalin.”[173]

On anarchism, Orwell wrote in The Road to Wigan Pier: “I worked out an anarchistic theory that all government is evil, that the punishment always does more harm than the crime and the people can be trusted to behave decently if you will only let them alone.” He continued and argued that “it is always necessary to protect peaceful people from violence. In any state of society where crime can be profitable you have got to have a harsh criminal law and administer it ruthlessly.”

In his reply (dated 15 November 1943) to an invitation from the Duchess of Atholl to speak for the British League for European Freedom, he stated that he did not agree with their objectives. He admitted that what they said was “more truthful than the lying propaganda found in most of the press” but added that he could not “associate himself with an essentially Conservative body” that claimed to “defend democracy in Europe” but had “nothing to say about British imperialism.” His closing paragraph stated: “I belong to the Left and must work inside it, much as I hate Russian totalitarianism and its poisonous influence in this country.”[174]

Orwell joined the staff of Tribune as literary editor, and from then until his death, was a left-wing (though hardly orthodox) Labour-supporting democratic socialist.[175] On 1 September 1944, about the Warsaw uprising, Orwell expressed in Tribune his hostility against the influence of the alliance with the USSR over the allies: “Do remember that dishonesty and cowardice always have to be paid for. Do not imagine that for years on end you can make yourself the boot-licking propagandist of the sovietic regime, or any other regime, and then suddenly return to honesty and reason. Once a whore, always a whore.” According to Newsinger, although Orwell “was always critical of the 1945–51 Labour government’s moderation, his support for it began to pull him to the right politically. This did not lead him to embrace conservatism, imperialism or reaction, but to defend, albeit critically, Labour reformism.”[176] Between 1945 and 1947, with A. J. Ayer and Bertrand Russell, he contributed a series of articles and essays to Polemic, a short-lived British “Magazine of Philosophy, Psychology, and Aesthetics” edited by the ex-Communist Humphrey Slater.[177][178]

Writing in early 1945 a long essay titled “Antisemitism in Britain,” for the Contemporary Jewish Record, Orwell stated that anti-Semitism was on the increase in Britain, and that it was “irrational and will not yield to arguments.” He argued that it would be useful to discover why anti-Semites could “swallow such absurdities on one particular subject while remaining sane on others.”[179] He wrote: “For quite six years the English admirers of Hitler contrived not to learn of the existence of Dachau and Buchenwald. … Many English people have heard almost nothing about the extermination of German and Polish Jews during the present war. Their own anti-Semitism has caused this vast crime to bounce off their consciousness.”[180] In Nineteen Eighty-Four, written shortly after the war, Orwell portrayed the Party as enlisting anti-Semitic passions against their enemy, Goldstein.

Orwell publicly defended P.G. Wodehouse against charges of being a Nazi sympathiser – occasioned by his agreement to do some broadcasts over the German radio in 1941 – a defence based on Wodehouse’s lack of interest in and ignorance of politics.[181]

Special Branch, the intelligence division of the Metropolitan Police, maintained a file on Orwell for more than 20 years of his life. The dossier, published by The National Archives, states that, according to one investigator, Orwell had “advanced Communist views and several of his Indian friends say that they have often seen him at Communist meetings.” MI5, the intelligence department of the Home Office, noted: “It is evident from his recent writings – ‘The Lion and the Unicorn’ – and his contribution to Gollancz’s symposium The Betrayal of the Left that he does not hold with the Communist Party nor they with him.”[182]

Social interactions

Orwell was noted for very close and enduring friendships with a few friends, but these were generally people with a similar background or with a similar level of literary ability. Ungregarious, he was out of place in a crowd and his discomfort was exacerbated when he was outside his own class. Though representing himself as a spokesman for the common man, he often appeared out of place with real working people. His brother-in-law Humphrey Dakin, a “Hail fellow, well met” type, who took him to a local pub in Leeds, said that he was told by the landlord: “Don’t bring that bugger in here again.”[183] Adrian Fierz commented “He wasn’t interested in racing or greyhounds or pub crawling or shove ha’penny. He just did not have much in common with people who did not share his intellectual interests.”[184] Awkwardness attended many of his encounters with working-class representatives, as with Pollitt and McNair,[185] but his courtesy and good manners were often commented on. Jack Common observed on meeting him for the first time, “Right away manners, and more than manners – breeding – showed through.”[186]

In his tramping days, he did domestic work for a time. His extreme politeness was recalled by a member of the family he worked for; she declared that the family referred to him as “Laurel” after the film comedian.[38] With his gangling figure and awkwardness, Orwell’s friends often saw him as a figure of fun. Geoffrey Gorer commented “He was awfully likely to knock things off tables, trip over things. I mean, he was a gangling, physically badly co-ordinated young man. I think his feeling [was] that even the inanimate world was against him …”[187] When he shared a flat with Heppenstall and Sayer, he was treated in a patronising manner by the younger men.[188] At the BBC, in the 1940s, “everybody would pull his leg,”[189] and Spender described him as having real entertainment value “like, as I say, watching a Charlie Chaplin movie.”[190] A friend of Eileen’s reminisced about her tolerance and humour, often at Orwell’s expense.[148] Psychiatrist Michael Fitzgerald has speculated that Orwell’s social and physical awkwardness, limited interests and monotone voice were the result of Asperger syndrome.[191]

One biography of Orwell accused him of having had an authoritarian streak.[192] In Burma, he struck out at a Burmese boy who, while “fooling around” with his friends, had “accidentally bumped into him” at a station, resulting in Orwell falling “heavily” down some stairs.[193] One of his former pupils recalled being beaten so hard he could not sit down for a week.[194] When sharing a flat with Orwell, Heppenstall came home late one night in an advanced stage of loud inebriation. The upshot was that Heppenstall ended up with a bloody nose and was locked in a room. When he complained, Orwell hit him across the legs with a shooting stick and Heppenstall then had to defend himself with a chair. Years later, after Orwell’s death, Heppenstall wrote a dramatic account of the incident called “The Shooting Stick”[195] and Mabel Fierz confirmed that Heppenstall came to her in a sorry state the following day.[196]

Orwell got on well with young people. The pupil he beat considered him the best of teachers, and the young recruits in Barcelona tried to drink him under the table – though without success. His nephew recalled Uncle Eric laughing louder than anyone in the cinema at a Charlie Chaplin film.[147]

In the wake of his most famous works, he attracted many uncritical hangers-on, but many others who sought him found him aloof and even dull. With his soft voice, he was sometimes shouted down or excluded from discussions.[197] At this time, he was severely ill; it was wartime or the austerity period after it; during the war his wife suffered from depression; and after her death he was lonely and unhappy. In addition to that, he always lived frugally and seemed unable to care for himself properly. As a result of all this, people found his circumstances bleak.[198] Some, like Michael Ayrton, called him “Gloomy George,” but others developed the idea that he was a “secular saint.”

Although Orwell was frequently heard on the BBC for panel discussion and one-man broadcasts, no recorded copy of his voice is known to exist.[199]

Lifestyle

“By putting the tea in first and stirring as one pours, one can exactly regulate the amount of milk, whereas one is likely to put in too much milk if one does it the other way round”

– One of Orwell’s eleven rules for making tea from his essay “A Nice Cup of Tea“, appearing in the London Evening Standard, 12 January 1946.[200]

Orwell was a heavy smoker, who rolled his own cigarettes from strong shag tobacco, despite his bronchial condition. His penchant for the rugged life often took him to cold and damp situations, both in the long term, as in Catalonia and Jura, and short term, for example, motorcycling in the rain and suffering a shipwreck. Described by The Economist as “perhaps the 20th century’s best chronicler of English culture“,[201] Orwell considered fish and chips, association football, the pub, strong tea, cut price chocolate, the movies, and radio among the chief comforts for the working class.[202] Orwell enjoyed strong tea – he had Fortnum & Mason‘s tea brought to him in Catalonia.[8] His 1946 essay, “A Nice Cup of Tea“, appeared in the London Evening Standard article on how to make tea, with Orwell writing, “tea is one of the mainstays of civilisation in this country and causes violent disputes over how it should be made”, with the main issue being whether to put tea in the cup first and add the milk afterward, or the other way round, on which he states, “in every family in Britain there are probably two schools of thought on the subject”.[203] He appreciated English beer, taken regularly and moderately, despised drinkers of lager[204] and wrote about an imagined, ideal British pub in his 1946 English Standard article, “The Moon Under Water“.[205] Not as particular about food, he enjoyed the wartime “Victory Pie”[206] and extolled canteen food at the BBC.[189] He preferred traditional English dishes, such as roast beef and kippers.[207] Reports of his Islington days refer to the cosy afternoon tea table.[208]

His dress sense was unpredictable and usually casual.[209] In Southwold, he had the best cloth from the local tailor[210] but was equally happy in his tramping outfit. His attire in the Spanish Civil War, along with his size-12 boots, was a source of amusement.[211][212]David Astor described him as looking like a prep school master,[213] while according to the Special Branch dossier, Orwell’s tendency to dress “in Bohemian fashion” revealed that the author was “a Communist”.[214]

Orwell’s confusing approach to matters of social decorum – on the one hand expecting a working-class guest to dress for dinner,[215] and on the other, slurping tea out of a saucer at the BBC canteen[216] – helped stoke his reputation as an English eccentric.

Views on homosexuality

Orwell was openly homophobic, at a time when such prejudice was not uncommon. Speaking at the 2003 George Orwell Centenary Conference, Daphne Patai said: “Of course he was homophobic. That has nothing to do with his relations with his homosexual friends. Certainly he had a negative attitude and a certain kind of anxiety, a denigrating attitude towards homosexuality. That is definitely the case. I think his writing reflects that quite fully.”[217]

Orwell used the homophobic epithets “Nancy” and “pansy” as terms of abuse, notably in his expressions of contempt for what he called the “pansy Left”, and “nancy poets”, i.e. left-wing homosexual or bisexual writers and intellectuals such as Stephen Spender and W. H. Auden.[218] The protagonist of Keep the Aspidistra Flying, Gordon Comstock, conducts an internal critique of his customers when working in a bookshop, and there is an extended passage of several pages in which he concentrates on a homosexual male customer, and sneers at him for his “Nancy” characteristics, including a lisp, which he identifies in detail, with some disgust.[219] Dr Thomas S Veale, in The Banality of Virtue: A Multifaceted view of George Orwell as champion of the common man, refers to Orwell’s “homophobia most probably based on the perceived weakness of homosexuals and their preferences’ betrayal of the natural order”. Stephen Spender, however, “thought Orwell’s occasional homophobic outbursts were part of his rebellion against the public school”.[220]

Biographies of Orwell

Orwell’s will requested that no biography of him be written, and his widow Sonia Brownell repelled every attempt by those who tried to persuade her to let them write about him. Various recollections and interpretations were published in the 1950s and ’60s, but Sonia saw the 1968 Collected Works[138] as the record of his life. She did appoint Malcolm Muggeridge as official biographer, but later biographers have seen this as deliberate spoiling as Muggeridge eventually gave up the work.[221] In 1972, two American authors, Peter Stansky and William Abrahams,[222] produced The Unknown Orwell, an unauthorised account of his early years that lacked any support or contribution from Sonia Brownell.

Sonia Brownell then commissioned Bernard Crick, a left-wing professor of politics at the University of London, to complete a biography and asked Orwell’s friends to co-operate.[223] Crick collated a considerable amount of material in his work, which was published in 1980,[82] but his questioning of the factual accuracy of Orwell’s first-person writings led to conflict with Brownell, and she tried to suppress the book. Crick concentrated on the facts of Orwell’s life rather than his character, and presented primarily a political perspective on Orwell’s life and work.[224]

After Sonia Brownell’s death, other works on Orwell were published in the 1980s, with 1984 being a particularly fruitful year for Orwelliana. These included collections of reminiscences by Coppard and Crick[137] and Stephen Wadhams.[22]

In 1991, Michael Shelden, an American professor of literature, published a biography.[26] More concerned with the literary nature of Orwell’s work, he sought explanations for Orwell’s character and treated his first-person writings as autobiographical. Shelden introduced new information that sought to build on Crick’s work.[223] Shelden speculated that Orwell possessed an obsessive belief in his failure and inadequacy.

Peter Davison‘s publication of the Complete Works of George Orwell, completed in 2000,[225] made most of the Orwell Archive accessible to the public. Jeffrey Meyers, a prolific American biographer, was first to take advantage of this and published a book in 2001[226] that investigated the darker side of Orwell and questioned his saintly image.[223] Why Orwell Matters (released in the UK as Orwell’s Victory) was published by Christopher Hitchens in 2002.[227]

In 2003, the centenary of Orwell’s birth resulted in biographies by Gordon Bowker[228] and D. J. Taylor, both academics and writers in the United Kingdom. Taylor notes the stage management which surrounds much of Orwell’s behaviour,[8] and Bowker highlights the essential sense of decency which he considers to have been Orwell’s main motivation.[229][230]

Ancestry

Bibliography

Main article: George Orwell bibliography

Novels

Nonfiction

https://en.wikipedia.org/wiki/George_Orwell

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Circling The Drain –The Blaze and Glenn Beck? — A Crash Course — The Inescapable Consequences of Personality Disorders — Get Help — If Beck Gets Help, He Will Comeback! — Progressive Liars Are Going Crazy — Videos

Posted on January 4, 2017. Filed under: American History, Articles, Blogroll, Books, College, Communications, Constitution, Culture, Documentary, Economics, Education, Employment, Family, Fiscal Policy, Freedom, Government Land Ownership, government spending, history, Illegal, Immigration, Inflation, IRS, Law, Legal, liberty, Life, Links, Literacy, Money, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Press, Programming, Psychology, Radio, Religious, Speech, Strategy, Taxation, Taxes, Unemployment, Video, War, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , |

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Charlie Rose interviews Glen Beck about the 2016 Presidential Campaign

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Biomedical Treatments: Crash Course Psychology #36

TO OVERCOME DEPRESSION | ANXIETY | HARD TIMES – Very Motivational

How to get rid of anxiety

Stop Anxiety & Panic Attacks

GLENN BECK’S THEBLAZE MAY FINALLY BE BURNING OUT

Glenn Beck’s Mental Disorder

Posted on March 2, 2016 by Robert Ringer

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I’ve written about Glenn Beck’s painful demise many times over the years, even giving my readers an early heads-up that his days at Fox News were numbered. “Hell hath no fury like a woman scorned,” wrote 16th century playwright William Congreve. And he was right, because when it comes to Beck, I feel like a scorned woman. I really loved the guy in his early days at Fox, then suddenly he turned on me, along with the rest of his viewers.

In his first year at FNC, I was awed by Beck’s raw talent and no-holds-barred disrobement of the radical left. The fact that he was the most hated man in America was de facto proof that he was a fearless truth-teller, because the people of the lie — those millions of chronically dishonest folks in both the radical-left and conservative-establishment wings of the Demopublican Party — harbor venomous contempt for anyone who dares to expose their lies.

But after Beck’s first year at Fox, it was all downhill. The first time the thought crossed my mind that perhaps he wasn’t authentic was when he held a rally in Washington D.C. and a half million people showed up. I was there, and I can honestly say that I didn’t know what the point of the rally was, but the half million people in attendance were clearly mesmerized.

It wasn’t until much later I realized that the only purpose of the D.C. event was to provide a forum for Beck’s followers to assure him how much they loved him. Really, there was absolutely no agenda other than “We love Glenn Beck!”

Once that chink in Beck’s armor was exposed, the second chink came when he started restricting the guests on his show to clergymen and no-name religious scholars like David Barton, whom he stunningly, and often, referred to as “the most important man in America.” It was such a ludicrous statement that it made me wonder if Beck was once again getting cozy with Jack Daniels.

But it got even worse when, in his dwindling days at Fox, Beck sat on the edge of his desk for the entire hour of each show and gave what appeared to be an extemporaneous monologue. I was amazed at his ability to talk for an hour without notes, but, even so, it became very boring after a week or two. Increasingly, he appeared to be a beleaguered and lost soul.

Finally, as I had predicted to my readers, Beck parted ways with Fox News and started a new media company that he said would make his enemies wish he were back at Fox where he was on the air only an hour a day. Unfortunately for him, it hasn’t worked out quite that way.

As Beck began to realize he had become yesterday’s news, he started popping up on “The O’Reilly Factor” and “The Kelly File.” His slobbering all over Bill O’Reilly and Megyn Kelly was difficult to watch. (Fortunately, I no longer watch Malevolent Megyn at all.)

Beck’s attempts at getting attention are nothing short of embarrassing. When he was still at Fox, he somberly announced that his doctor had told him he was on the verge of possibly losing his eyesight. It’s nice to know that that didn’t happen. Then, after he left Fox, he supposedly had a mysterious, life-ending illness, but that apparently disappeared as well.

Finally, there was what he described as “the most deadly decision of [my] career” — announcing that, in a show of compassion, he was going to send truckloads of food and supplies to the Central American refugee kids who flooded the southern border of the U.S. in 2014.

Beck’s personality reminds me of Jim Jones of Jonestown fame. Perhaps becoming a cult leader is his ultimate destiny, because he desperately needs people to follow him, listen to him, and adore him. He is a man in search of true believers who will follow him to the ends of the earth.

On to the next chapter: Just when Beck was almost out of ideas on how to get attention and regain his stardom, along came an unlikely new politician by the name of Donald Trump. It was almost too good to be true. Beck saw what he thought was a golden opportunity to make himself into a hero by focusing his attention on bashing the media’s newest version of the Antichrist.

It’s now become his fulltime job. He demonizes Trump all day, every day, and has literally pleaded with his audiences to vote for anyone but The Donald. He even joined an angry bunch of establishment losers (people for whom he had always expressed considerable contempt) by signing on to the National Review’sdesperation piece to stop Trump.

As one would expect, he has repeatedly warned his listeners and readers that Trump’s rise to power parallels that of Adolf Hitler’s. And speaking of Hitler, in a recent article on his blog, Beck even said that he would vote for Hitlary Clinton if it came down to her or Trump. He then took it over the edge by saying, “I’m warning you now, you will say after two years of Donald Trump, ‘I’d give my right arm for Barack Obama.’”

In truth, of course, Beck’s mental disorder has nothing to do with Donald Trump and everything to do with his psychopathic need for attention. The only other theory I can come up with is that he is — as childish as it may seem — insanely jealous of Trump for all the attention he’s been getting.

It probably brings back painful memories of his own glory days in the spotlight — before those nasty mental demons gained control of his mind. It appears Beck is trying to piggyback onto Trump’s fame in an effort to get noticed. Unfortunately, it’s not working, and he’s only succeeding in making himself look ever more pathetic.

I would hate to see anything bad happen to this once-great talent, but I truly believe that if those closest to Glenn Beck don’t get him some serious psychiatric help soon (Where is Keith Ablow when you need him?), he could end up as a face-in-the-gutter alcoholic once again — or, worse, he might even do harm to himself or others.

Having said all this, in fairness, Glenn Beck isn’t alone when it comes to Trump Derangement Syndrome. The fact is that his views are shared by millions of Trump haters throughout the world.

Putting Beck’s mental issues aside for a moment, the Trump phenomenon is not all that complicated. Thanks to the radical left — and the establishment right that carries the left’s water — people’s anger over their loss of freedom and the intentional destruction of their country has reached the pitchfork stage.

Even so, the D.C. Crime Syndicate remains in denial, and its members are hysterical at the thought that they are in the process of losing their stranglehold — not just over Washington, but over all of America as well. They see Trump as a threat to both their power and their monopoly on legalized theft.

But the truth be known, Trump haters like Beck give Trump far too much credit. There’s no question he’s a narcissist. There’s no question he’s an egomaniac. There’s no question he’s rude, crude, and nasty. No one disputes any of these unflattering Trump qualities.

What Trump haters don’t get, however, is that these are the very qualities that millions of people actually want in a new president, so he can take down the Washington establishment. The best way to think of Trump is as a wrecking ball that has a good chance of destroying the D.C. Crime Syndicate.

Simply put, the Trump phenomenon is nothing more than long-overdue blowbackfrom everyday Americans yet, amazingly, the delusional establishment still has no clue. What Trump actually does if he becomes president is almost secondary to those who support him. Right now, people just want the Washington power structure dismantled, and they figure that once that’s accomplished, they can sort things out later if Trump’s less than endearing qualities prove to be a problem.

In the meantime, in the event you’ve never read Glenn’s Beck’s The Blaze on the Internet, you should do so for a couple of days. His obsession over DT will take your breath away. I tell you, the man has a serious mental disorder, and I mean that literally. Sad … very, very sad.

https://robertringer.com/glenn-becks-mental-disorder/

Glenn Beck’s Blaze Circling The Drain

Published on Oct 5, 2016

Glenn Beck isn’t great at business or money management. Word on the street is The Blaze is about dead. They could really use a random billionaire bailout right about now. Cenk Uygur and John Iadarola, hosts of The Young Turks, break it down. Tell us what you think in the comment section below. http://tytnetwork.com/join

“Sources inside Glenn Beck’s once-mighty multimedia production company say that Beck is falling apart as his media empire collapses around him.

An employee of Beck’s flagship website TheBlaze.com told Huffington Post in an article published Wednesday that the few remaining staff are “looking for an exit” because they expect the site to be shuttered soon for good.

Huffington Post’s Michelle Fields said that TheBlaze.com is “suffering from a lack of editorial direction, staff attrition and internal discord” and that the mood among employees is “somber” as they’ve watched a 25-member editorial team get whittled down to six people — with more cuts expected.

“The few people who are still left are looking for an exit because they know The Blaze is over,” the source told Fields. “They haven’t told us straight up that they’re done with us, but all the signs point to it, and they’re not replacing people who are laid off or get out.”
Other employees report that their healthcare benefits were reduced over the summer and that in September, all of their travel and phone stipends were cut off. In June, the company closed its vast New York City newsroom and the remaining employees are working from home.”*

Read more here: https://www.rawstory.com/2016/10/the-…

[youtube-https://www.youtube.com/watch?v=eQS_mYXof8s]

Glenn Beck Rips Into Ted Cruz For Endorsing Trump

Glenn Beck Goes Bananas After Ted Cruz Endorses Trump

Glenn Beck’s ‘The Blaze’ Is Burning Down

Published on Aug 1, 2016

The Blaze is in a lot of trouble. Cenk Uygur, host of The Young Turks, breaks it down. Tell us what you think in the comment section below.

“Conservative television and radio host Glenn Beck has filed a lawsuit in Texas against the man who used to run his entertainment and news network, TheBlaze, according to sources close to Mr. Beck. The petition, obtained by LawNewz.com, was filed on behalf of Mercury Radio Arts, which serves as Beck’s production and operating company over TheBlaze. The complaint accuses Chris Balfe of breach of contract, general mismanagement, breach of fiduciary duty, and fraud. Balfe served as the COO of Mercury Radio Arts and was CEO of TheBlaze until he left in December 2014 to start his own company, Red Seat Ventures. Balfe had worked for Beck for more than 10 years, and was credited with helping to grow Beck’s business.

“I am embarrassed and saddened it has come to this. It is an ongoing legal matter so you will not hear me speak of this often but as always, I want you to hear it from me,” Beck wrote on his website on Monday.

Beck’s lawsuit comes amid reports of internal financial turmoil at TheBlaze. The complaint alleges between 2009 and 2014, Balfe’s compensation totaled in excess of $13 million.”

Read more here: http://lawnewz.com/high-profile/exclu…

THE FALL OF GLENN BECK!

Glenn Beck: ‘I Think People Think That I’m … Nuts’

Glenn Beck’s Secret Brain Trouble, How He ‘Fixed’ It Is Most Troubling Of All

How Glenn Beck Overcame His Serious Health Issues: “It Was A Miracle”

Glenn Beck Describes His Pivot Point, And The Support of His Wife

Glenn Beck’s Secret Brain Trouble, How He ‘Fixed’ It Is Most Troubling Of All

Glenn Beck’s Mystery Illness Diagnosed By Quack Doctor

The Young Turks Are Falling Apart

“Up/Down” Bipolar Disorder Documentary FULL MOVIE (2011)

Tomi Lahren | Final Thoughts 11/28/16

Aerosmith – Crazy

Paul Simon – Still Crazy After All These Years

Lyrics

I met my old lover
On the street last night
She seemed so glad to see me
I just smiled
And we talked about some old times
And we drank ourselves some beers
Still crazy after all these years
Oh Still crazy after all these years

I’m not the kind of man
Who tends to socialize
I seem to lean on
Old familiar ways
And I ain’t no fool for love songs
That whisper in my ears
Still crazy after all these years
Oh still crazy after all these years

Four in the morning
Crapped out
Yawning
Longing my life away
I’ll never worry
Why should I?
It’s all gonna fade

Now I sit by my window
And I watch the cars
I fear I’ll do some damage
One fine day
But I would not be convicted
By a jury of my peers
Still crazy after all these years
Oh still crazy
Still crazy
Still crazy after all these years

Report: Glenn Beck’s The Blaze ‘Falling Apart’

The Huffington Post reportson the continuing problems engulfing The Blaze founder Glenn Beck’s troubled media empire.

From The Huffington Post:

Glenn Beck’s website The Blaze is coming apart, suffering from a lack of editorial direction, staff attrition and internal discord, according to sources inside the news outlet.

The site, which Beck launched in 2010 to serve as the conservative counterpart to The Huffington Post, has dropped from 25 employees on its editorial side to just six. A source inside The Blaze, who requested anonymity for fear of retribution, told HuffPost that the mood among the rapidly diminishing news team is somber.

“The few people who are still left are looking for an exit because they know The Blaze is over,” the source said. “They haven’t told us straight up that they’re done with us, but all the signs point to it, and they’re not replacing people who are laid off or get out.”

Read the rest here.

http://www.breitbart.com/big-journalism/2016/10/13/report-glenn-becks-blaze-falling-apart/

VIA THE BLAZE

BAD BLOOD

Blazingly Mad Glenn Beck Sues His Fired CEO Christopher Balfe

The suit—in which Beck’s privately held company, Mercury Radio Arts, is the plaintiff and seeks a jury trial—alleges fraud, breach of contract, dereliction of duty, and various other misdeeds.

Lloyd Grove

LLOYD GROVE

08.01.16 5:45 PM ET

In what one former associate of Glenn Beck described as “the last gasp of a dying empire,” the volatile right-wing radio, streaming video, and cable television personality is suing his longtime former chief executive, Christopher Balfe, whom Beck fired in December 2014.

The suit—in which Beck’s privately held company, Mercury Radio Arts, is the plaintiff and seeks a jury trial—alleges fraud, breach of contract, dereliction of duty, and various other misdeeds.

“I feel terrible for Glenn and I hope he finds the help that he needs,” Balfe, who worked closely with Beck for nearly two decades before their split, said Monday in a statement to The Daily Beast.

“The lawsuit speaks for itself,” said a spokesman for Beck—the only comment provided.

Beck, meanwhile, told listeners and viewers Monday of his syndicated radio program, which is video-streamed on his paid-subscription site TheBlaze.com: “I am—[Beck’s wife] Tania and I—are both really saddened by this and saddened that it has come to this.”

The 16-page complaint was filed quietly Friday in Dallas County, Texas, District Court, and apparently leaked Sunday night as an “exclusive” to the Lawnewz.com website, with another account splashed on GlennBeck.com.

“There are articles that have come out today on apparently lawsuit websites. I’m not going to give them publicity,” Beck told his fans. “And you’ll see more articles, I would assume, over the next few days. It’s an ongoing legal matter. And you’re not going to hear me talking much about it.”

Then, despite his insistence on not giving publicity to stories about the lawsuit, Beck recited the web addresses of the articles in question.

He is, of course, well known for changing his mind—campaigning hard during the Republican primaries for former presidential candidate Ted Cruz, for instance, mere months after announcing with spectacular fanfare that he was leaving politics for good.

Beck’s lawsuit is sharply at odds with previous expressions of gratitude he made three months after Balfe, along with fellow ex-Beck executive Joel Cheatwood, left Mercury Radio Arts, where Balfe was chief operating officer, and its subsidiary The Blaze, where Balfe was CEO.

“Chris and Joel helped me build one of the industry’s first truly independent multi-media companies,” Beck declared in March 2015, after Balfe and Cheatwood, who had steered Beck’s cable television career at HLN and Fox News, announced their formation of a new digital media company, Red Seat Ventures, and took several more top Beck executives with them. “I am sad to see them go but they left our company with an incredible foundation.”

Balfe retained minority ownership in The Blaze after he left, according to the lawsuit, and two sources familiar with the arrangement told The Daily Beast that his deferred compensation agreement featured monthly payments to satisfy around a million dollars that Balfe is owed under the agreement for both his ownership stake and his pro-rated share of company revenues.

But in recent weeks, say these sources, The Blaze has experienced cash-flow problems and has been having trouble paying vendors, while the website’s online traffic has plunged from around 26 million monthly global unique visitors in January 2015, the month after Balfe was dismissed, to around 10 million currently, according to the measuring service Quantcast.

Several more key executives have departed in the past year, along with Beck’s longtime television agent, George Hiltzik, as well George’s son Matthew Hiltzik, who recently resigned as the outside publicist for Beck and his companies; New York PR maven Davidson Goldin now has that account.

In another blow to The Blaze’s financial stability, the cable television distributor Cablevision recently stopped carrying Beck’s programming—representing an annual loss to The Blaze estimated at more than $2 million in subscriber fees and advertising sales, according to the sources.

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These sources described Beck’s lawsuit as a pre-emptive strike.

They said that in June, after failing to receive his regular check, Balfe notified Beck’s company that if he wasn’t paid quickly, he would be exploring his options to obtain the money due him.

This none-too-veiled threat prompted Beck to file his own lawsuit claiming, instead, that Balfe actually owes him money—a portion of the $13 million Beck claims Balfe was paid as an executive between 2009 and 2014.

“This is a shockingly excessive amount that far exceeds appropriate compensation for companies of Mercury and TheBlaze’s size and financial performance,” the lawsuit contends.

But back in March of last year, when Balfe and Cheatwood were launching Red Seat Ventures, the 52-year-old Beck gushed: “I am truly grateful that we remain friends and am very excited to see what they do next.”

Their friendship didn’t survive, however, after Beck hired a little-known tech entrepreneur named Jonathan Schreiber, a diehard “superfan” of Beck’s syndicated radio program, who arrived in September 2014 from Israel via Miami, networked his way into Beck’s inner circle, gained the boss’s confidence and began accumulating power in the operations of both Mercury Radio Arts and The Blaze.

According to company employees, as The Daily Beast reported last February, Beck seemed to have become infatuated with Schreiber, who first showed up at The Blaze’s now-defunct Manhattan studios, and later had been regularly spotted in Beck’s expansive, glass-walled office at the rambling company headquarters in the Dallas suburb of Las Colinas—sometimes hugging his idol after a heart-to-heart.

Schreiber’s Orthodox Judaism apparently was in sync with Beck’s ardent religiosity as a Mormon convert, although staffers said Schreiber—who became president of Beck’s parent company—had an off-putting, arrogant manner with underlings, who gave him the nickname “Voldemort.”

Back in February, as Beck increasingly complained about Balfe and others who had helped orchestrate his career, Schreiber defended his own leadership to The Daily Beast.

“Glenn Beck, brilliant media mogul, realized he was unhappy in the direction his company was going so he brought in new blood,” he said in an email. “The goal being to put the company in the right direction. Through that process we separated with many people. Some will be missed, some less so.”

He added: “I am very proud of my work here, I am very proud of the culture we have created AND PROUD OF [his capital letters] the people WE have been able to bring in to the fold… No one likes to admit that they are not here because of themselves, it must be Voldemort.”

http://www.thedailybeast.com/articles/2016/08/01/blazingly-mad-glenn-beck-sues-his-fired-ceo-christopher-balfe.html

Glenn Beck’s Farewell Address to His 40 Laid-Off Troops… from His Pretend Oval Office

 

In a special video posted to his website today, Glenn Beck addressed news reports of the latest mass layoffs at his troubled media empire.

According to a report yesterday in the Daily Beast, Beck laid off 40 employees of his Blaze media organization “in order to satisfy the requirements of a multimillion-dollar bank loan taken out recently to keep Beck’s revenue-challenged enterprise running.”

As the Daily Beast noted, “This latest round of mass firings comes as no surprise to insiders at The Blaze and Mercury Radio Arts, which laid off dozens of employees last May on a day referred to internally as ‘Black Monday,’ around the same time that Beck was purchasing a private jetliner and a $200,000 Maybach sedan.”

In the video released today, Beck is seen seated at a replica of the Resolute desk in his mock Oval Office set delivering the opening monologue of his radio show.

Below is the transcript of his remarks.

***

I wanted to start there today because there’s a story that maybe you have read that came out yesterday that is talking about how yesterday my company, TheBlaze, laid off 40 people. And my media empire is crumbling. And part of it is because I’m traveling around with Ted Cruz.

Well, I want you to know, yes, I’ve lost a lot of money traveling around with Ted Cruz. I’ve lost about half a million dollars. That’s my choice. I believe in something.

Did that cause the 40 people to lose their job? No.

I want to talk to you today because we’re in a community together, and I trust you. And I tried to be trustworthy. And when I make a mistake, I own up to it. And I’m a trusting guy.

I think anybody on the show will tell you my biggest problem is I trust everybody, until they prove otherwise. And I try to live my life in a transparent way. And I try to surround myself with others that I believe are trustworthy.

And then I went on to build my own company with an authentic voice, a trustworthy company. And one of my main principles — and you heard me saying Isaiah it a million times: We take on no debt. Root ourselves in principles and people. Live within our own means.

And I trusted the people that ran my company, that they wanted the same things. And in the beginning, maybe they did want the same things. But a couple of years ago, I realized there were problems in my own company, and that even though the managers were all saying the right things to me, those things were never getting done. And you know this to be true. Because I would talk about things that we were going to do on TheBlaze and everything else, and then they never seemed to materialize. And I was losing credibility with you, but behind the scenes, I was a holy terror for about a year because I couldn’t find out what was going on.

Without saying anything bad about anybody because we just have different principles, the people I had moved down to Dallas and the rest was in New York and Los Angeles and Washington, DC — and we were working now towards being, I guess, a normal, status quo kind of media company, a big media company, and I didn’t ever want that.

But because our team was split from Dallas, Los Angeles — I think we had people at one time in Chicago, Washington, and New York — I didn’t know who really got the vision and who didn’t, who got it and who didn’t.

It was almost two years ago when we had a museum here at the studios in Dallas. And we invited you to come and just see the museum. And I bet there were 10,000 people here that came through — and I loved it. And everybody kept telling me, go home. Go home. Go home. And I wouldn’t go home. None of us did. Nobody on the show went home.

We were there and we spent that whole weekend with you because we love you. We love you.

But I noticed one thing about my company. Not one single person from the management team actually showed up that entire weekend. And I realized, they didn’t love the audience like I did. They weren’t connecting to the message like you did and I did. I’m not sure they were part of the culture of the principles. And I knew I had to get a hold of my company again, and that would mean making really hard choices.

First one was, are you going to stick to your principles? You going to be honest with yourself? Stand for what you believe in, or are you going to give into the status quo and go along to get along? Because these people were my friends, they were my partners, and I don’t know at the time, I thought maybe they were right. But I knew they weren’t in my gut.

And my gut and my spirit said, “Stick by what you know, even if it’s hard and even in the end if you lose.”

I had to start firing people, people that I counted as my friends, best friends, partners. And the process that I began was the hardest process of my life. Yeah, almost as hard as picking myself up off of that carpet when I was facing suicide, that carpet that smelled like soup. But this time I had something I didn’t have before: I had you. I knew you existed. I knew that you believed in the same principles I believe and that we — no, that I had made a promise to you. Our lives, our fortunes, and our sacred honor.

And so I kept going. This has been a really hard five years for me, but the last 18 months have been unbelievable. One thing I had to do was get everyone in my house under one roof so I could look everyone in the eye. Culture matters at a company.

I stopped telling you about the things that were coming on TheBlaze. It’s called the Phoenix project. We’ve been working on it now for about nine months. I haven’t talked to you about it, nor will I until we launch it. I’m tired of telling you the things that I think we’re going to do. I bet you are too. We’re just going to do them. Because I failed you too many times.

The reason the articles like the one that came out yesterday are coming out, part of it is political. Part of it is because Frank Sinatra was right, some people get a kick out of stomping on your dreams. They really do.

Some is, I guess, it’s news when somebody loses their job. Unfortunately, my media company isn’t the only place in America laying people off. My media company is not the only one that’s looking at their balance sheet and saying, “We can’t go into debt, or we’re going to lose all of the jobs.”

They said in this article yesterday — this has been claimed before that my business is failing. I will tell you, two years ago, it was. It was absolutely on fire. Because when I started to go into the books — I was a bad steward. And when I started going into the books and see what had been done to my company that didn’t ever take on debt, I was first told that we were, I think, $4 million in debt. And then it became $7 million in debt. And then when I got the final accounting, 18 months ago, my company that doesn’t take on debt was $13 million in debt.

If I’m going to tell you you shouldn’t have debt, how could I have a company that was $13 million in the hole? I made really hard decisions. And in 18 months, my company that is dying and struggling paid our debt down from 13 million to two.

A couple of months ago, we had a great sponsor of ours, about a 7-million-dollar-a-year sponsor go broke. I feel for that company because everybody that worked for that company, much larger than mine, went out of business. And they left us with a lot of debt.

You see, economies, it’s — it’s like Jenga. One person pulls one big thing out, and the whole thing could fall. But it definitely weakens. And the more pieces of stress or the more pieces that come out of Jenga, the weaker your house becomes. Somebody — Delco goes out of business because GM is no longer making their cars in Ohio, and so that hurts Delco. And then that hurts the grocery store down the street and the restaurants in the town.

We’re in this together. I’m not going to tell you that I’m not running a fail company because the proof is in the pudding. I will just tell you the old managers got us into $13 million of debt. And in less than 18 months, we’ve shaved that off by over $10 million. That doesn’t seem like a failing business. That seems like a business that is thriving and is doing its best to set its principles right.

But I want you to know, when you read TheBlaze, because I’m not happy with it — and I’ve quietly said that recently, over the last year or so. Not happy with it. But it’s changing. We just hired one of the guys who put together American Idol, Oreo cookies. We just hired a guy who was one of the main guys at Good Morning America and CNN. We just hired an HR person from Viacom. I’m rebuilding. And it will be a lot better for me honestly — honestly, it would be a lot better if I would have just filed Chapter 11. But I actually like Harry Truman too much. I don’t believe — Chapter 11, sometimes you have to do. Chapter 7, sometimes you have to do.

But I wanted to pay every single person back because it’s not their fault. It was my fault for not watching what people were doing underneath me.

One last thought and then I’ll move off: When I first put TheBlaze on the air, it was GBTV. And I won a hammer. It’s the Tribeca Disruptive Innovation Award. It’s a disrupter’s award. It goes to some of the best disrupters in the world. I couldn’t believe I was in the room when I won this award. That year, I earned that award because we broke television and we’re the first one to make it an app and put it online.

I haven’t earned this hammer a day since. But I will tell you this: Sometimes it takes a hammer to break what is broken so you can rebuild it. And in today’s world and economy, if you ever get fat and sassy, if you ever start to put profits over people, if you ever decide, “I really don’t need — I really don’t — I don’t care what the people say. Yeah, yeah, they’re customers. They’ll just keep coming.” No, they won’t. You have to innovate every day. You have to actually love your customer every day. You have to actually care about them and wonder, “How can I make their life better or easier?” And when you do that and you understand that by doing that you’re disrupting the entire system and you’ll go places that will scare the living daylights out of you, but you proceed without fear, that’s when you will win.

I’m not going to tell you we’re going to win. I’m just going to tell you, watch us. Watch us over the next year.

http://www.breitbart.com/big-journalism/2016/04/29/glenn-becks-farewell-address-40-laid-off-troops-pretend-oval-office/

PHOTO CHRIS KEANE/REUTERS

Head of Glenn Beck’s Media Empire Quits as The Blaze Burns Down

Kraig Kitchin will stay with the company, but resigned from the top job after friction with fellow Beck executive Jonathan Schreiber. A ‘mass exodus’ of staff may follow.

Lloyd Grove

LLOYD GROVE

01.29.16 5:56 PM ET

In what knowledgeable observers say is a sign of increasing turmoil in Glenn Beck’s troubled media empire, Beck’s longtime mentor and corporate executive, Kraig Kitchin, has quit as CEO of The Blaze.

Kitchin’s replacement, Stewart Padveen, a digital startup entrepreneur who joined Beck’s company last summer, will be the fourth leader of The Blaze since late 2014.

Kitchin, 54, who took over operations of Beck’s conservative-leaning subscription digital and cable television enterprise last June—after two previous CEOs abruptly left in the space of six months—is resigning along with two other senior executives: Jeremy Price, director of advertising sales, and Liz Julis, director of marketing.

Both are based in New York, 1,500 miles removed from corporate headquarters in the Dallas suburb of Irving, Texas.

Several other key employees, including at least two senior producers based in The Blaze’s shrinking New York operation, are expected to follow them out the door.

A source close to the situation predicted a “mass exodus” from the New York studios, which are housed in a largely unoccupied 35,000 square-foot space at Midtown Manhattan’s Bryant Park, previously rented by Yahoo, under a 10-year lease costing Beck’s privately held company an estimated $2 million a year.

Kitchin—who co-founded Premiere Radio Networks three decades ago and has worked with personalities as diverse as Rush Limbaugh, Ryan Seacrest, Whoopi Goldberg, and Beck—tried to put the best face on his resignation in a company-wide email sent out Thursday night.

He described his apparently self-imposed demotion as a result of outside business obligations.

“Our organization—The Blaze—deserves and needs an exclusively focused leader and that’s something I cannot provide, given existing commitments I choose to honor,” Kitchin wrote, adding that “I’m not leaving this company. I’ll stay with The Blaze, working every day as the Interim Head of Sales with a focus on finding the right person for that position, assisting in the transition, on advertiser growth, program development, and industry relations.”

But according to multiple sources, Kitchin’s announcement comes out of frustration after continual friction with top Beck executive Jonathan Schreiber, the recently named president of Beck’s 14-year-old production company, Mercury Radio Arts.

According to multiple sources, Kitchin—who commuted from his home in Los Angeles to Dallas and New York—took the CEO job on an interim basis with the condition that Schreiber would agree not to interfere in The Blaze, an agreement that Kitchin realized was continually being breached. According to people familiar with the situation, Schreiber’s alleged meddling in Kitchin’s operation ultimately became intolerable.

Schreiber didn’t respond to an email from The Daily Beast, and Kitchin declined to comment.

Named president in April 2015 of Mercury Radio Arts—of which The Blaze is a subsidiary, all of it majority-owned by Beck—Schreiber is said to have a penchant for interfering in areas beyond his expertise, namely the staffing and content of The Blaze’s news and opinion site and its television production operation.

The Blaze cable channel reaches an estimated 13 million households which subscribe to DISH, Verizon Fios, and other paid television carriers.

Schreiber’s alleged intrusion is said to have also figured in the departure in June of then-Blaze chief executive Betsy Morgan, an experienced digital media executive who previously ran CBS News’s digital operations, helped grow The Huffington Post, and built TheBlaze.com into a news and aggregation site that—in November 2014—attracted 29 million unique visitors per month.

But by November 2015—according to figures from the Web traffic measuring service Quantcast—monthly traffic for TheBlaze.com had dropped to 16.4 million unique visitors, and traffic for the associated website GlennBeck.com, had plunged from 4.4 million to 1.4 million uniques.

Morgan—ironically, according to sources—had recommended Schreiber to Beck and helped secure his initial position with the company, shouldering a vague responsibility for “strategy and special projects.”

A religious man who practices Orthodox Judaism, Schreiber quickly hit it off with Beck, a devout Mormon convert.

Morgan had replaced Beck’s longtime CEO Chris Balfe, who abruptly exited the company in December 2014, along with fellow exec Joel Cheatwood, as Schreiber was gaining more prominence and influence.

Balfe, who along with Cheatwood retains a minority ownership stake in The Blaze, left after more than a decade of helping Beck build his brand and become a media personality, and was instrumental in the soft launch of The Blaze six years ago while Beck was still hosting his short-lived but wildly popular 5 p.m. program on the Fox News Channel.

Stewart Padveen, Schreiber’s personal friend and “mentor” (as Schreiber describes him in a LinkedIn endorsement), will assume control of The Blaze effective Monday.

Padveen, who lives in Los Angeles, wrote in a staff email that he plans to visit Dallas “next week to kick off this process,” with a later trip planned to New York.

“2015 was a tough year for sure, but thanks to many of you, it was a profitable one,” Padveen wrote concerning this latest corporate shakeup.

“We all owe a debt of gratitude to Kraig for guiding us through some rough times. We still have some history to redress, but if we continue down the path of making solid business decisions, we can get past the past and into the future.”

Besides a period of staff layoffs and turnover that continues to this day, and despite claims of profitability, that “history” apparently includes taking on more debt than the company’s principal owner was comfortable with.

At a staff meeting in New York last February, Beck exhorted his employees to pinch pennies and said the company’s debt was too high at $3 million—a figure sources said later grew to $5 million or more.

“I know much of what has happened since December of 2014, but also much of it has been structural and behind the curtain,” Beck wrote in his own email, in which he thanked Kitchin for his service. “We were a company that was swimming in debt. With the hard work of Kraig, Jonathan, and now Misty [Kawecki, the chief financial officer] we will be debt free by summer. This is miraculous and takes all of the downward pressure off of us.”

Schreiber, a digital startup entrepreneur in his early forties, is a controversial and mysterious figure within Mercury Radio Arts. According to colleagues, he has referred to himself as a “diehard Glenn Beck fan” who, after years of living in Israel, relocated to New York, talked his way into Beck’s confidence, and showed up as a “trusted advisor,” as Beck has called him, in the fall of 2014.

“I want to thank Kraig for everything he has done to help bring the Blaze to the place it is,” Schreiber wrote in his own email, “and welcome Stewart to help bring the Blaze to the places it can go.”

In what a couple of Beck veterans considered ominous corporate-speak, Schreiber added: “All of us, leadership in BOTH companies, have worked together to help ensure that every person will be put into the right role at the right company with clear responsibilities and direction. This will continue to be a process and not an event.”

http://www.thedailybeast.com/articles/2016/01/29/head-of-glenn-beck-s-media-empire-quits-as-the-blaze-burns-down.html

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American PIE — Propaganda Indoctrination Entertainment — Luce and His Empire –Time Magazine Is Fake News — Circling The Drain (CTD) — Videos

Posted on January 3, 2017. Filed under: American History, Art, Articles, Blogroll, Business, College, Communications, Congress, Constitution, Corruption, Culture, Documentary, Education, Elections, Employment, Films, Freedom, Friends, history, Illegal, Immigration, Law, Legal, liberty, Life, Links, Literacy, media, Money, Music, National Security Agency (NSA), People, Philosophy, Photos, Political Correctness, Private Sector, Public Sector, Radio, Rants, Raves, Raymond Thomas Pronk, Reviews, Spying, Strategy, Success, Talk Radio, Taxation, Taxes, Technology, Unemployment, Union, Unions, Video, War, Wealth, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , |

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Henry Robinson Luce (April 3, 1898 – February 28, 1967), was a Chinese-American magazine magnate, who was called “the most influential private citizen in the America of his day”. About the book: https://www.amazon.com/gp/product/080…

He launched and closely supervised a stable of magazines that transformed journalism and the reading habits of upscale Americans. Time summarized and interpreted the week’s news; Life was a picture magazine of politics, culture, and society that dominated American visual perceptions in the era before television; Fortune explored in depth the economy and the world of business, introducing to executives avant-garde ideas such as Keynesianism; and Sports Illustrated explored the motivations and strategies of sports teams and key players. Counting his radio projects and newsreels, Luce created the first multimedia corporation. He was born in China to missionary parents. He envisaged that the United States would achieve world hegemony, and, in 1941, he declared the 20th century would be the “American Century”.

Nightly discussions of the concept of a news magazine led Luce and Hadden, both age 23, to quit their jobs in 1922. Later that same year, they formed Time Inc. Having raised $86,000 of a $100,000 goal, they published the first issue of Time on March 3, 1923. Luce served as business manager while Hadden was editor-in-chief. Luce and Hadden annually alternated year-to-year the titles of president and secretary-treasurer. In 1925, Luce decided to move headquarters to Cleveland, while Hadden was on a trip to Europe. Cleveland was cheaper, and Luce’s first wife, Lila, wanted out of New York. When Hadden returned, he was horrified and moved Time back to New York. Upon Hadden’s sudden death in 1929, Luce assumed Hadden’s position.

Luce launched the business magazine Fortune in February 1930 and acquired Life in order to relaunch it as a weekly magazine of photojournalism in November 1936; he went on to launch House & Home in 1952 and Sports Illustrated in 1954. He also produced The March of Time weekly newsreel. By the mid 1960s, Time Inc. was the largest and most prestigious magazine publisher in the world. (Dwight Macdonald, a Fortune staffer during the 1930s, referred to him as “Il Luce”, a play on the Italian Dictator Mussolini, who was called “Il Duce”).)

President Franklin D. Roosevelt, aware that most publishers were opposed to him, issued a decree in 1943 that blocked all publishers and media executives from visits to combat areas; he put General George Marshall in charge of enforcement. The main target was Luce, who had long opposed FDR. Historian Alan Brinkley argued the move was “badly mistaken”, for had Luce been allowed to travel, he would have been an enthusiastic cheerleader for American forces around the globe. But stranded in New York City, Luce’s frustration and anger expressed itself in hard-edged partisanship.[4] Luce, supported by Editor-in-Chief T. S. Matthews, appointed Whittaker Chambers as acting Foreign News editor in 1944, despite the feuds Chambers had with reporters in the field.[5]

Luce, who remained editor-in-chief of all his publications until 1964, maintained a position as an influential member of the Republican Party.[6] An instrumental figure behind the so-called “China Lobby”, he played a large role in steering American foreign policy and popular sentiment in favor of Nationalist leader Chiang Kai-shek and his wife Soong Mei-ling in their war against the Japanese. (The Chiangs appeared in the cover of Time eleven times between 1927 and 1955.[7])

It has been reported that Luce, during the 1960s, tried LSD and reported that he had talked to God under its influence.[8]

Once ambitious to become Secretary of State in a Republican administration, Luce penned a famous article in Life magazine in 1941, called “The American Century”, which defined the role of American foreign policy for the remainder of the 20th century (and perhaps beyond).

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CreditIllustration by Javier Jaén

Our new president is a private-jet-setting billionaire Ivy League graduate, a real estate tycoon, a TV star and a son of inherited wealth. But he is no longer, by his own calculations, a member of the “elite.” Nor are the men (and the few women) now joining his inner circle — 1-percenters and corporate executives, Harvard and Yale alumni, Silicon Valley entrepreneurs and Goldman Sachs bankers. The true elite apparently sits elsewhere, among those who, in Sarah Palin’s notable 2008 formulation, think “that they’re — I guess — better than anyone else.”

As an adjective, the word “elite” still conveys something positive, even aspirational: elite athlete, elite model, elite travel services. But as a noun, embodied by actual living people, it has become one of the nastiest epithets in American politics. “Elites have taken all the upside for themselves and pushed the downside to the working- and middle-class Americans,” complains Trump’s adviser Steve Bannon (of Harvard, Goldman Sachs and Hollywood). In this formulation, elites are a destructive, condescending collective, plotting against the beleaguered masses outside their ranks.

And in these attacks, the president-elect and his team are deploying one of the most effective partisan political stereotypes of the modern age. For most of American history, anti-elite sentiment was a matter of up versus down, not left versus right. But about half a century ago, the conservative movement set out to claim anti-elite politics as its own. That meant redefining the term away from class and toward culture, where the “elite” could be identified by its liberal ideas, coastal real estate and highbrow consumer preferences. The right-wing Club for Growth captured this type in a famous 2004 attack ad, instructing the Democrat Howard Dean to “take his tax-hiking, government-expanding, latte-drinking, sushi-eating, Volvo-driving, New York Times-reading, body-piercing, Hollywood-loving, left-wing freak show back to Vermont where it belongs.”

By the 1990s, bashing the ‘liberal elite’ had become a favorite blood sport of the American right.

Trump adjusted the formula for the hot topics of the 2016 campaign. “I was on the right side of that issue, as you know, with the people,” he boasted after Brexit, adding that “Hillary, as always, stood with the elites.” His complaints against “political correctness” conjure a world of absurdist campus politics, where overprivileged students squabble over gender pronouns and the fine points of racial victimization. “Media elites” come in for special attack, cordoned off in pens to be mocked and jeered at during rallies, labeled both liars and incompetents.

But Trump has also ventured beyond mere name-calling, turning the 2016 election into a competition between knowledge systems: the tell-it-like-it-is “people” versus the know-it-all “elites.” His campaign insisted for months that pollsters and technocrats and media would be proven wrong by his electoral success. The fact that he did win dealt a blow to an entire worldview, one in which empirical inquiry and truth-telling were supposed to triumph in the end. The question, now, is whether it’s possible to run an executive branch based on hostility toward experts and professionals of all political stripes — and how many billionaires and Ivy Leaguers Trump can appoint before this rhetorical pose begins to break down altogether.

The notion that distant elites might be conspiring against the people comes straight from the Founding Fathers, whose Declaration of Independence lamented the “long train of abuses and usurpations” inflicted upon ordinary Americans by an arrogant British king. From there on, United States history might be seen as a repeating cycle of anti-elite revolt. The Jacksonians rebelled against the Founders’ aristocratic pretensions. Northern “free labor” went to war against the oligarchical slavocracy. And the Populist revolts of the late 19th century adapted this story to modern capitalism, with farmers and laborers rebelling against robber barons, bankers, time-management experts and college-educated professionals.

The first historians to study those Populists described them as heroic crusaders, champions of the “people” against the “powers.” But by the middle of the 20th century, alarmed by the rise of fascism and homegrown demagogues like Senator Joseph McCarthy, a new generation of scholars took a more anxious view of the anti-elite spirit. In his 1955 book “The Age of Reform,” Richard Hofstadter dismissed the Populists as backward-looking, provincial anti-Semites, the latent fascists of their day. Eight years later, his “Anti-Intellectualism in American Life” documented a dangerous suspicion of “the critical mind” that seemed to course through the national culture. From his perspective, the 1952 election captured everything wrong with American political life, with Dwight Eisenhower’s “philistinism” winning over Adlai Stevenson’s “intellect.”

The question is whether it’s possible to run an executive branch based on hostility toward experts and professionals of all political stripes.

Hofstadter did not usually describe his ideal intellectually minded citizens as members of an “elite.” That word conveyed something different — a ruling class that held direct political and economic power. The most famous articulation of this view came from the sociologist C. Wright Mills, in his 1956 assessment of America’s “power elite.” “They rule the big corporations,” Mills wrote. “They run the machinery of the state and claim its prerogatives. They direct the military establishment.” In Mills’s view, these people were tied together not by culture or ideology but by their positions at the helms of large, ever-more-complex institutions. As individuals, they might be Republicans or Democrats, and might live in Ohio or California. The point was that they were in charge of things.

But that vision never gained much traction in mainstream politics, where a more partisan, targeted definition was starting to emerge. William F. Buckley Jr. carved out some essentials in his first book, “God and Man at Yale,” drawing a neat distinction between respectable Ivy-educated men like himself and the socialistic eggheads of the professoriate. Ronald Reagan chose the term “elite” to bring it all together in his famed 1964 speech, “A Time for Choosing,” delivered on behalf of the Republican presidential candidate Barry Goldwater. “This is the issue of this election,” he said: “whether we believe in our capacity for self-government or whether we abandon the American Revolution and confess that a little intellectual elite in a far-distant capitol can plan our lives for us better than we can plan them ourselves.”

Lyndon Johnson won that election in a blowout, but Reagan’s vision of a smug and detached liberal elite helped spark the oncoming “culture wars,” pitting a supposedly indignant Middle America against the liberal snobs of the coasts. By the 1990s, with the rise of right-wing media stars like Rush Limbaugh and Bill O’Reilly, bashing the “liberal elite” had become a favorite blood sport of the American right.

Despite all the abuse hurled their way, some “liberal elites” have accepted at least part of their detractors’ critique, particularly on the progressive left. It was during Bill Clinton’s presidency that the social critic Christopher Lasch published “The Revolt of the Elites and the Betrayal of Democracy,” which mourned that “upper-middle-class liberals” had turned into “petulant, self-righteous, intolerant” scolds, thoroughly out of touch with the concerns of Middle America. Since then, the torch has passed to a younger generation of writers, including MSNBC’s Chris Hayes, whose 2012 “Twilight of the Elites” called for rethinking the entire ethos of liberal “meritocracy” — a system, he argued, that tends to fuel self-congratulation and incompetence at the top while offering little but contempt and dim prospects for those at the bottom.

So as 2017 begins, we find ourselves in a strange and uncertain political moment. Antipathy toward a wealthy, preening managerial class seems to be gaining popularity across the political spectrum — and, oddly, to have helped elect a wealthy, preening incoming president. Meanwhile, both liberal and conservative “elites” are scrambling to figure out what happens if the president-elect continues to reject basic political norms and even routine intelligence briefings. Under a Trump presidency, such “elites” may have no choice but to attempt a radical redefinition of their role in American life. Otherwise, the man in the White House will do it for them.

http://www.nytimes.com/2017/01/03/magazine/how-elites-became-one-of-the-nastiest-epithets-in-american-politics.html?_r=0

Henry Luce

From Wikipedia, the free encyclopedia
Henry Luce
Clare Boothe Luce and Henry Luce NYWTS.jpg

Luce with wife Clare Boothe Luce, a famous playwright and politician (1954)
Born Henry Robinson Luce
April 3, 1898
Tengchow, China
Died February 28, 1967 (aged 68)
Phoenix, Arizona, U.S.
Occupation Publisher; Journalist
Political party Republican
Spouse(s) Lila Ross Hotz (1923–1935)
Clare Boothe Luce
(1935–1967, his death)
Children 3, including Ann Clare Brokaw (step-daughter)
Parent(s) Henry W. Luce and Elizabeth Middleton Root

Henry Robinson Luce (April 3, 1898 – February 28, 1967) was an American magazine magnate who was called “the most influential private citizen in the America of his day”.[1] He launched and closely supervised a stable of magazines that transformed journalism and the reading habits of upscale Americans. Time summarized and interpreted the week’s news; Life was a picture magazine of politics, culture, and society that dominated American visual perceptions in the era before television; Fortune explored in depth the economy and the world of business, introducing to executives avant-garde ideas such as Keynesianism; and Sports Illustrated explored the motivations and strategies of sports teams and key players. Counting his radio projects and newsreels, Luce created the first multimedia corporation. He was born in China to missionary parents. He envisaged that the United States would achieve world hegemony, and, in 1941, he declared the 20th century would be the “American Century“.[2][3]

Life and career

Luce was born in Tengchow, Shandong, China, (now Penglai) on April 3, 1898, the son of Elizabeth Root Luce and Henry Winters Luce, who was a Presbyterian missionary.[3] He received his education in various Chinese and English boarding schools, including the China Inland Mission Chefoo School.

At 15, he was sent to the US to attend the Hotchkiss School in Connecticut, where he edited the Hotchkiss Literary Monthly. It was there he first met Briton Hadden,[3] who would become a lifelong partner. At the time, Hadden served as editor-in-chief of the school newspaper, and Luce worked as an assistant managing editor. Both went on to Yale College, where Hadden served as chairman and Luce as managing editor of The Yale Daily News. Luce was also a member of Alpha Delta Phi and Skull and Bones. After being voted “most brilliant” of his class and graduating in 1920, he parted ways with Hadden to embark for a year on historical studies at Oxford University, followed by a stint as a cub reporter for the Chicago Daily News.

In December 1921, Luce rejoined Hadden to work at The Baltimore News. Recalling his relationship with Hadden, Luce later said, “Somehow, despite the greatest differences in temperaments and even in interests, we had to work together. We were an organization. At the center of our lives — our job, our function — at that point everything we had belonged to each other.”[citation needed]

Magazines

Nightly discussions of the concept of a news magazine led Luce and Hadden, both age 23, to quit their jobs in 1922. Later that same year, they partnered with Robert Livingston Johnson and another Yale classmate to form Time Inc.[4] Having raised $86,000 of a $100,000 goal, they published the first issue of Time on March 3, 1923. Luce served as business manager while Hadden was editor-in-chief. Luce and Hadden annually alternated year-to-year the titles of president and secretary-treasurer while Johnson served as vice president and advertising director. In 1925, Luce decided to move headquarters to Cleveland, while Hadden was on a trip to Europe. Cleveland was cheaper, and Luce’s first wife, Lila, wanted out of New York. When Hadden returned, he was horrified and moved Time back to New York. Upon Hadden’s sudden death in 1929, Luce assumed Hadden’s position.

Luce launched the business magazine Fortune in February 1930 and acquired Life in order to relaunch it as a weekly magazine of photojournalism in November 1936; he went on to launch House & Home in 1952 and Sports Illustrated in 1954. He also produced The March of Time weekly newsreel. By the mid 1960s, Time Inc. was the largest and most prestigious magazine publisher in the world. (Dwight Macdonald, a Fortune staffer during the 1930s, referred to him as “Il Luce”, a play on the Italian Dictator Mussolini, who was called “Il Duce”).)

President Franklin D. Roosevelt, aware that most publishers were opposed to him, issued a decree in 1943 that blocked all publishers and media executives from visits to combat areas; he put General George Marshall in charge of enforcement.[citation needed] The main target was Luce, who had long opposed Roosevelt. Historian Alan Brinkley argued the move was “badly mistaken” and said had Luce been allowed to travel, he would have been an enthusiastic cheerleader for American forces around the globe.[citation needed] However, stranded in New York City, Luce’s frustration and anger expressed itself in blatant partisanship.[5]

Luce, supported by Editor-in-Chief T. S. Matthews, appointed Whittaker Chambers as acting Foreign News editor in 1944, despite the feuds that Chambers had with reporters in the field.[6]

Luce, who remained editor-in-chief of all his publications until 1964, maintained a position as an influential member of the Republican Party.[7] An instrumental figure behind the so-called “China Lobby“, he played a large role in steering American foreign policy and popular sentiment in favor of Kuomintang leader Chiang Kai-shek and his wife, Soong Mei-ling, in their war against the Japanese. (The Chiangs appeared in the cover of Time eleven times between 1927 and 1955.[8])

It has been reported that Luce, during the 1960s, tried LSD and reported that he had talked to God under its influence.[9]

Once ambitious to become Secretary of State in a Republican administration, Luce penned a famous article in Life magazine in 1941, called “The American Century“, which defined the role of American foreign policy for the remainder of the 20th century (and perhaps beyond).[7]

An ardent anti-Soviet, he once demanded John Kennedy invade Cuba, later to remark to his editors that if he did not, his corporation would act like Hearst during the Spanish–American War. The publisher would advance his concepts of US dominance of the “American Century” through his periodicals with the ideals shared and guided by members of his social circle, John Foster Dulles, Secretary of State and his brother, director of the CIA, Allen Dulles. To highlight the cozy extent of their alliance, rumors swirled that the publisher shared the wartime mistress of the spymaster with Clare Booth Luce.[10]

Family

Luce had two children, Peter Paul and Henry Luce III, with his first wife, Lila Hotz. He married his second wife, Clare Boothe Luce in 1935, who had an 11-year-old daughter, Ann Clare Brokaw, whom he raised as his own. He died in Phoenix, Arizona in 1967. According to the Henry Luce Foundation, he died suddenly at age 68 while visiting his home on Fishers Island, New York, of cardiac arrest. At his death, he was said to be worth $100 million in Time Inc. stock.[11] Most of his fortune went to the Henry Luce Foundation. During his life, Luce supported many philanthropies such as Save the Children Federation, the Metropolitan Museum of Art and United Service to China, Inc. He is interred at Mepkin Plantation in South Carolina.

He was honored by the United States Postal Service with a 32¢ Great Americans series (1980–2000) postage stamp.[12] Mr. Luce was inducted into the Junior Achievement U.S. Business Hall of Fame in 1977.

Designed by I. M. Pei, the Luce Memorial Chapel, on the campus of Tunghai University, Taiwan, was constructed in memoriam of Henry Luce’s father.

References

  1. Jump up^ Robert Edwin Herzstein (2005). Henry R. Luce, Time, and the American Crusade in Asia. Cambridge U.P. p. 1.
  2. Jump up^ Editorial (1941-02-17) The American Century, Life Magazine
  3. ^ Jump up to:a b c Baughman, James L. (April 28, 2004). “Henry R. Luce and the Rise of the American News Media”. American Masters (PBS). Retrieved 19 June 2014.
  4. Jump up^ Warburton, Albert (Winter 1962). “Robert L. Johnson Hall Dedicated at Temple University” (PDF). The Emerald of Sigma Pi. Vol. 48 no. 4. p. 111.
  5. Jump up^ Alan Brinkley, The Publisher: Henry Luce and his American Century (2010) pp 302-3
  6. Jump up^ Brinkley, The Publisher: Henry Luce and his American Century (2010) pp 322-93
  7. ^ Jump up to:a b “Henry R. Luce: End of a Pilgrimage”. – TIME. – March 10, 1967
  8. Jump up^ “Time magazine historical search”. Time magazine. Retrieved 19 June 2014.
  9. Jump up^ Maisto, Stephen A., Galizio, Mark, & Connors, Gerald J. (2008). Drug Use and Abuse: Fifth Edition. Belmont: Thomson Higher Education. ISBN 0-495-09207-X
  10. Jump up^ Talbot, David. “The Devils’ Chessboard: Allen Dulles, The CIA and the Rise of America’s Secret Government.” (2015) Harper-Collins, pub., New York, New York pp. 236-238, 444.
  11. Jump up^ Edwin Diamond (October 23, 1972). “Why the Power Vacuum at Time Inc. Continues”. New York Magazine.
  12. Jump up^ “Henry R. Luce”. US Stamp Gallery. April 3, 1998.

Further reading

  • Baughman, James L. “Henry R. Luce and the Business of Journalism.” Business & Economic History On-Line 9 (2011). online
  • Baughman, James L. Henry R. Luce and the Rise of the American News Media (2001) excerpt and text search
  • Brinkley, Alan. The Publisher: Henry Luce and His American Century, Alfred A. Knopf (2010) 531 pp.
  • Brinkley, Alan. What Would Henry Luce Make of the Digital Age?, TIME (April 19, 2010) excerpt and text search
  • Elson, Robert T. Time Inc: The Intimate History of a Publishing Enterprise, 1923-1941 (1968); vol. 2: The World of Time Inc.: The Intimate History, 1941-1960 (1973), official corporate history
  • Herzstein, Robert E. Henry R. Luce, Time, and the American Crusade in Asia (2006) excerpt and text search
  • Herzstein, Robert E. Henry R. Luce: A Political Portrait of the Man Who Created the American Century (1994).
  • Morris, Sylvia Jukes. Rage for Fame: The Ascent of Clare Boothe Luce (1997).
  • Wilner, Isaiah. The Man Time Forgot: A Tale of Genius, Betrayal, and the Creation of Time Magazine, HarperCollins, New York, 2006

External links

https://en.wikipedia.org/wiki/Henry_Luce

W. A. Swanberg

From Wikipedia, the free encyclopedia

William Andrew Swanberg (November 23, 1907 in St. Paul, Minnesota – September 17, 1992 in Southbury, Connecticut)[1] was an American biographer. He may be known best for Citizen Hearst, a biography of William Randolph Hearst, which was recommended by the Pulitzer Prize board in 1962 but overturned by the trustees.[2] He won the 1973 Pulitzer Prize for Biography or Autobiography for his 1972 biography of Henry Luce,[3] and the National Book Award in 1977 for his 1976 biography of Norman Thomas.[4]

Life

Swanberg was born in Saint Paul, Minnesota in 1907, and earned his B.A. at the University of Minnesota in 1930.[5]

With grudging and only partial help from his father, who wanted his son to be a cabinet maker like himself, Swanberg earned his degree, only to find that employment as a journalist with such local daily newspapers as the St. Paul Daily News and the Minneapolis Star was unsatisfactory, as their staff were shrinking during the Great Depression. Swanberg instead held a succession of low-paying manual labor jobs. After five years he followed a college friend to New York City in September 1935. After months of anxious job-hunting he secured an interview at the Dell Publishing Company with president George T. Delacorte Jr. himself, and was hired as an assistant editor of three lowbrow magazines. Money saved in the next months enabled him to return briefly to the Midwest to marry his college sweetheart Dorothy Green, and bring her to New York. He soon began to climb up the editorial ladder at Dell, and by 1939 he was doing well enough to buy a house in Connecticut.

When the United States entered World War II, Swanberg was 34 years old, the father of two children and suffering from a hearing disability. Rejected by the army, he enlisted in the Office of War Information in 1943 and, after training was sent to England following D-Day. In London, amid the V-1 and V-2 attacks, he prepared and edited pamphlets to be air-dropped behind enemy lines in France and later in Norway.[6] With the end of the war he returned in October 1945 to Dell and the publishing world.

Swanberg did not return to magazine editing but instead did freelance work within and without Dell. By 1953 he began carving out time for researching his first book (Sickles), which Scribner’s purchased, beginning a long-term association. Swanberg’s early hopes of newspaper work never materialized, but by the mid-1950s he had established himself as scholarly biographer. His efforts proved to be labor-intensive and required up to four years apiece, even when assisted by the research and transcription efforts of his wife Dorothy. Upon turning 80 in 1987, Swanberg attempted one last biography, about William Eugene “Pussyfoot” Johnson (1862–1945).[7] He was at work on that project when he succumbed to heart failure at his typewriter in Southbury, Connecticut on September 17, 1992.

Swanberg was a Guggenheim fellow in 1960. His papers are archived at Columbia University.

The Hearst Affair

Swanberg’s 1961 book Citizen Hearst: A Biography of William Randolph Hearst was recommended for a Pulitzer Prize for Biography or Autobiography by the advisory board but rejected by the trustees of Columbia University, apparently because they thought that Hearst was not dignified enough to be the subject of the award. It was the first time in 46 years that the trustees rejected a recommendation from the advisory board, and the news caused sales to soar.[1]

Works

In a statistical overview derived from writings by and about William Andrew Swanberg, OCLC/WorldCat [clarification needed] encompasses roughly 30+ works in 100+ publications in 5 languages and 16,000+ library holdings.[8]

Literary Awards

References

  1. ^ Jump up to:a b www.nytimes.com
  2. ^ Jump up to:a b Hohenberg, John. The Pulitzer Diaries: Inside America’s Greatest Prize. 1997. p. 109.
  3. ^ Jump up to:a b “Biography or Autobiography”. Past winners and finalists by category. The Pulitzer Prizes. Retrieved 2012-03-17.
  4. ^ Jump up to:a b “National Book Awards – 1977”. National Book Foundation. Retrieved 2012-03-17.
  5. Jump up^ Gale Contemporary Authors Online. Volume 13.[page needed]
  6. Jump up^ Gale, p. 264
  7. Jump up^ Gale, p. 277
  8. Jump up^ WorldCat Identities: Swanberg, W. A. 1907-

External links

  • W. A. Swanberg Papers Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania

https://en.wikipedia.org/wiki/W._A._Swanberg

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Mark K. Updegrove — Indomitable Will: LBJ in the Presidency — Videos

Posted on December 19, 2016. Filed under: American History, Banking, Blogroll, Books, College, Communications, Congress, Constitution, Corruption, Crime, Economics, Education, Elections, Employment, Faith, Family, Farming, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, government, government spending, High School, history, Immigration, Language, Law, liberty, Links, Literacy, Macroeconomics, media, Monetary Policy, Money, Money, Newspapers, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Press, Psychology, Radio, Rants, Raves, Strategy, Success, Talk Radio, Tax Policy, Taxation, Taxes, Television, Unemployment, Video, War, Wealth, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , |

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BookTV: Mark Updegrove, “Indomitable Will: LBJ in the Presidency”

“Indomitable Will: LBJ in the Presidency” — Mark Updegrove

“LBJ” with Mark Updegrove, Rob Reiner & Woody Harrelson

Indomitable Will: LBJ in the Presidency

Published on May 11, 2012

Mark Updegrove, named “one of the country’s best historians” by CNN, is director of the Lyndon Baines Johnson Presidential Library and Museum. He discussed his book, “Indomitable Will,” which provides a portrait of LBJ through the stories and recollections of those who were with him everyday during his presidency. The session was moderated by Terri Garner, director of the William J. Clinton Presidential Library.

This footage has been provided by the Clinton School of Public Service. The Clinton School of Public Service is the only school in the nation to offer a Master’s Degree in public service. It is located on the grounds of the William J. Clinton Presidential Library. The Clinton School’s Distinguished Lecture Series are speakers whom speak at the Clinton School, and can be attended by the general public through reserving a seat. More about the Clinton School of Public Service can be found at the link below;

An Intimate View of the Indomitable LBJ

LBJ: The 36th President of the United States

36 Lyndon Johnson

PBS LBJ Part 1

Presidency of LBJ

LBJ Documentary “The Great Society”

LBJ: From Senate Majority Leader to President, 1958-1964

How LBJ Mastered the Senate: The Most Riveting Political Biography of Our Time (2002)

The Most Riveting Political Biography of Our Time: The Definitive Portrait of LBJ (2002)

How Did LBJ Make His Money? The Disturbing Story of His Political Rise and Corruption (1990)

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 1 of 3.

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 2 of 3.

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 3 of 3.

The Open Mind: Lyndon Johnson – ‘Master of the Senate’

The Open Mind: Lyndon Johnson – ‘Master of the Senate’ Part 2

The Open Mind: On History, Biography, Literature… and Robert Caro, Part 1 of 2

The Open Mind: On History, Biography, Literature… and Robert Caro, Part 2 of 2

How to Write a Great Biography: Authors Explain the Secrets to Success (1999)

Q&A: Robert Caro – Part 1

Published on May 7, 2012

Pulitzer prize winning author and historian Robert Caro discusses his newly released biography of Lyndon Johnson entitled “The Years of Lyndon Johnson: The Passage of Power.” This is his fourth book in the Johnson biographical series and Caro promises a fifth and final book in the future. The period covered in the book is from 1958 until early 1964.

Q&A: Robert Caro – Part 2

Robert Caro: Understanding Power (Full Length Version)

The Art of Political Power, with Robert Caro and William Hague

LBJ Versus The Kennedy’s: Chasing Demons

Death of LBJ as it broke

Indomitable Will

From Wikipedia, the free encyclopedia
Indomitable Will: LBJ in the Presidency
Indomitable Will - LBJ in the Presidency.jpg
Author Mark K. Updegrove
Country United States
Language English
Publisher Crown Publishing Group
Publication date
March 13, 2012
Media type Hardcover
Pages 400

Indomitable Will: LBJ in the Presidency is a biography of Lyndon Baines Johnson by Mark K. Updegrove, published in 2012.

Plot summary

Indomitable Will is a compilation of original interviews, personal accounts and recollections of individuals who knew, worked with and for President Lyndon Johnson during his five years as President of the United States. Sources include the Reverend Billy Graham, Carl Bernstein, Liz Carpenter, George H. W. Bush, Walter Mondale, Harry Middleton, Rose Kennedy, Gerald R. Ford, Helen Thomas, Ted Kennedy, and Bill Moyers, who served as White House Press Secretary in the Johnson Administration.[1]

The book focuses on the extensive legislation passed during Johnson’s Presidency and includes photographs, transcripts from his telephone conversations, and previously unpublished documents.[2][3]

The author is a Presidential historian who has written two additional non-fiction works based on the lives of American Presidents: Baptism by Fire: Eight Presidents Who Took Office in Times of Crisis (2009), and Second Acts: Presidential Lives and Legacies After the White House (2006).[4]

References

  1. Jump up^ Hendricks, David. “Express-News business writer and columnist”. MySanAntonio. Retrieved 5 June 2012.
  2. Jump up^ Langan, Michael. “News Book Reviewer”. Buffalo News. Retrieved 5 June 2012.
  3. Jump up^ Monaco, Frances. “Reviewer”. The Post and Courier. Retrieved 5 June 2012.
  4. Jump up^ “The U.S. National Archives and Records Administration”. The U.S. National Archives and Records Administration. Retrieved 5 June 2012.

External links

https://en.wikipedia.org/wiki/Indomitable_Will

Mark K. Updegrove[1] (born August 25, 1961) is an American author, historian, journalist, television commentator, and director of the Lyndon Baines Johnson Library and Museum in Austin, Texas.

Early life and education

Updegrove was born outside Philadelphia in Abington, PA, on Aug. 25, 1961. He attended high school in Newtown, PA, at the George School, which honored him with its Distinguished Alumnus Award in 2015.[2] He attended Guilford College in Greensboro, NC, and graduated from the University of Maryland, College Park, with a Bachelor of Arts in economics in 1984.

Career

Magazine Publishing

Updegrove spent much of his early career in magazine publishing, including serving as manager of Time Magazine in Los Angeles; president of Time Canada, Time’s separate Canadian edition and operation; and, publisher of Newsweek.

Lyndon Baines Johnson Library and Museum

Since October 2009, Updegrove has served as the fourth director of the Lyndon Baines Johnson Presidential Library in Austin, Texas.

Former U.S. Secretary of State Henry Kissinger and Mark Updegrove at The Vietnam War Summit at the LBJ Presidential Library in 2016. Photo by Jay Godwin.

Under Updegrove’s direction, the library partnered with the Aspen Institute on Medicare and Medicaid Turn 50, in Washington, D.C, in April 2015, and in November 2015, partnered with WETA-TV, on In Performance at the White House: A Celebration of American Creativity, which aired on PBS, to mark the 50th anniversary of the creation of the National Endowment for the Arts and the National Endowment for the Humanities.

Early in his tenure at the library, Updegrove oversaw the $11 million renovation of the library’s core exhibits on Lyndon Johnson and his administration, which opened in December 2012.[3][4]

Updegrove’s December 2014 Politico article, What ‘Selma’ Gets Wrong,[5] ignited a controversy over the portrayal of Lyndon Johnson as an obstructionist on voting rights in the film Selma, touching off a debate about the importance of accuracy in films based on historic events. In January 2015, Updegrove addressed the issue on CBS’ Face the Nation.[6]

Adjunct Professor/Lecturer

In 2013 and 2015, Updegrove taught The Johnson Years for Liberal Arts Honors students as an adjunct professor at The University of Texas at Austin. He has spoken extensively at numerous colleges and universities, museums, presidential libraries, and other public speaking forums.

Selected publications

Books

  • Destiny of Democracy: The Civil Rights Summit at the LBJ Presidential Library (University of Texas Press, 2015)
  • Indomitable Will: LBJ in the Presidency (Crown Publishers, 2012)[7]
  • Baptism By Fire: Eight Presidents Who Took Office During Times of Crisis (St. Martins Press, 2009)[8]
  • Second Acts: Presidential Lives and Legacies After the White House (Lyons Press, 2006)[9]

References

  1. Jump up^ Staff, Public Affairs. “Mark Updegrove Named New Director of LBJ Library”. The U.S. National Archives and Records Administration. The U.S. National Archives and Records Administration. Retrieved 9 April 2012.
  2. Jump up^ “Alumni Award Recipient 2015 – George School”. Retrieved 2016-08-15.
  3. Jump up^ Shannon, Kelley. “LBJ library in Austin to unveil $10 million update Dec. 22”. The Dallas Morning News. Retrieved 24 January 2013.
  4. Jump up^ Baskas, Harriet. “Oval Office audio tapes highlight redesigned LBJ Presidential Library”. NBC News. Retrieved 24 January 2013.
  5. Jump up^ “What ‘Selma’ Gets Wrong”. Politico. Retrieved 13 May 2015.
  6. Jump up^ “Does the film “Selma” portray LBJ unfairly?”. Face the Nation. Retrieved 15 August 2016.
  7. Jump up^ Ealy, Charles. “‘Indomitable Will’ seeks to give LBJ due credit”. statesman.com. Retrieved 14 April 2012.
  8. Jump up^ Heilbrunn, Jacob. “Crisis Management”. The New York Times Company. Retrieved 16 January 2009.
  9. Jump up^ “Second Acts: Presidential Lives and Legacies After the White House”. Publishers Weekly. Retrieved 6 June 2006. |first1= missing |last1= in Authors list (help)

External links

https://en.wikipedia.org/wiki/Mark_K._Updegrove

 

The Years of Lyndon Johnson

From Wikipedia, the free encyclopedia
  (Redirected from The Passage of Power)

The Years of Lyndon Johnson is a biography of Lyndon B. Johnson by the American writer Robert Caro. Four volumes have been published, running to more than 3,000 pages in total, detailing Johnson’s early life, education, and political career. A fifth volume will deal with the bulk of Johnson’s presidency. The series is published by Alfred A. Knopf.

Book One: The Path to Power (1982)

In the first volume, The Path to Power, Caro retraced Johnson’s early life growing up in the Texas Hill Country and Washington, D.C.. (Caro moved to these areas for months to interview numerous people who knew Johnson and his family.) This volume covers Johnson’s life through his failed 1941 campaign for the United States Senate. This book was released on November 12, 1982. It won the 1982 National Book Critics Circle Award. It was a finalist for the 1983 National Book Award, hardcover autobiography or biography.[1]

Book Two: Means of Ascent (1990)

In the second volume, Means of Ascent, Caro detailed Johnson’s life from the aftermath of Johnson’s first bid to his election to the U.S. Senate in 1948. Much of the book deals with Johnson’s bitterly contested Democratic primary against Coke R. Stevenson in that year. The book was released on March 7, 1990.

Book Three: Master of the Senate (2002)

In the third volume, Master of the Senate, Caro chronicles Johnson’s rapid ascent in United States Congress, including his tenure as Senate majority leader. This 1,167-page work examines in particular Johnson’s battle to pass a landmark civil rights bill through Congress without it tearing apart his party, whose southern bloc was anti-civil rights with the northern faction more supportive of civil rights. Although its scope was limited, the ensuing Civil Rights Act of 1957 was the first such legislation since the Reconstruction era. The book was released on April 23, 2002. It won the 2003 Pulitzer Prize for Biography or Autobiography, the 2002 National Book Award for Nonfiction,[2] the 2002 Los Angeles Times Book Prize for Biography, and the 2002 D.B. Hardeman Prize.[3]

Book Four: The Passage of Power (2012)

In the fourth volume, The Passage of Power, Caro covers Johnson’s life from 1958 to 1964, the challenges Johnson faced upon his assumption of the presidency, and the significant accomplishments in the months after Kennedy’s assassination.[4] The 736-page book was released on May 1, 2012. It won the National Book Critics Circle Award (2012; Biography),[5] the Los Angeles Times Book Prize (2012; Biography),[6] the Mark Lynton History Prize (2013), the American History Book Prize (2013)[7] and the Biographers International Organization‘s Plutarch Award (2013).[8] It was a finalist for the National Book Award for Nonfiction (2012).[9] It was selected as one of Time magazine’s Best Books of the Year (non-fiction #2).

Book five

In November 2011, Caro estimated that the fifth and final volume would require another two to three years to write.[10] In March 2013, he affirmed a commitment to completing the series with a fifth volume.[11] As of April 2014, he was continuing to research the book.[12]

Themes of the series

Throughout the biography, Caro examines the acquisition and use of political power in American democracy, from the perspective both of those who wield it and those who are at its mercy. In an interview with Kurt Vonnegut and Daniel Stern, he once said: “I was never interested in writing biography just to show the life of a great man,” saying he wanted instead “to use biography as a means of illuminating the times and the great forces that shape the times—particularly political power.”[13]

Caro’s books portray Johnson as alternating between scheming opportunist and visionary progressive. Caro argues, for example, that Johnson’s victory in the 1948 runoff for the Democratic nomination for the U.S. Senate was achieved through extensive fraud and ballot stuffing, just as Johnson had lost his 1941 senate race because his opponent stuffed the ballot boxes more than Johnson. Caro also highlights some of Johnson’s campaign contributions, such as those from the Texas construction firm Brown & Root; in 1962 the company was acquired by another Texas firm, Halliburton, which became a major contractor in the Vietnam War. Despite these criticisms, Caro’s portrayal of Johnson also notes his struggles on behalf of progressive causes such as the Voting Rights Act of 1965.

Influence of the series

Politicians in particular have responded most strongly to The Years of Lyndon Johnson:

  • Tom Daschle, a former Senate majority leader, once told the newspaper Roll Call after reading Master of the Senate that “I think the thing you learn from reading that magnificent book is that every day, this body makes history.”
  • Walter Mondale, a former US vice president, described Master of the Senate as a “superb work of history.”
  • Gordon Brown, a former British prime minister, said of the series: “It’s a wonderfully written set of books. The stories are quite breathtaking … These books challenge the view of history that politics is just about individual maneuvering. It’s about ideas and principled policy achievements. That’s what makes it one of the great political biographies.”[14]
  • William Hague, a former British Conservative Party leader and foreign secretary, nominated Means of Ascent as the book he would most like to have with him on a desert island, in the BBC Radio 4 program Desert Island Discs. He later wrote: “I explained that it was the best political biography of any kind, that I had ever read. I said it conveyed more brilliantly than any other publication what it really feels like to be a politician … When a fourth volume finally completes the set, this will be nothing short of a magnificent history of 20th century America.”[14]
  • Michael Howard, another former Conservative Party leader, encountered the series after swapping houses with Caro for a holiday. He said, “For Caro, writing a biography is writing a thriller—in Johnson’s case, a Western. You can’t stop turning the pages. He doesn’t like Johnson, but the facts are there so you can make your own judgments. I can’t recommend this book highly enough.”[14]

See also

Bibliography

  • Caro, Robert A., The Years of Lyndon Johnson: The Path to Power. 1982. Alfred a Knopf Inc., New York. (ISBN 0-679-72945-3). xxiii + 882 p. + 48 p. of plates: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: Means of Ascent. 1990. Alfred a Knopf Inc., New York. (ISBN 0-679-73371-X). xxxiv + 506 pp.
  • Caro, Robert A., Master of the Senate: The Years of Lyndon Johnson. 2002. Alfred a Knopf Inc, New York. (ISBN 0-394-72095-4). xxiv + 1167 pp.
  • Caro, Robert A., The Passage of Power: The Years of Lyndon Johnson. 2012. Alfred a Knopf Inc, New York. (ISBN 0-375-71325-5). 736 pp.

References

  1. Jump up^ “National Book Awards – 1983”. National Book Foundation. Retrieved 2012-02-20.
  2. Jump up^ “National Book Awards – 2002”. National Book Foundation. Retrieved 2012-02-20. (With acceptance speech.)
  3. Jump up^ “Recipients of the D. B. Hardeman Prize”. LBJ Foundation. Retrieved 18 October 2014.
  4. Jump up^ Kakutani, Michiko (April 29, 2012). “A Nation’s Best and Worst, Forged in a Crucible”. New York Times.
  5. Jump up^ John Williams (March 1, 2013). “Robert A. Caro, Ben Fountain Among National Book Critics Circle Winners”. New York Times. Retrieved March 1, 2013.
  6. Jump up^ Staff writer (April 19, 2013). “Announcing the 2012 Los Angeles Times Book Prize winners”. LA Times. Retrieved April 21, 2013.
  7. Jump up^ Jennifer Schuessler (February 20, 2013). “Another Prize for Robert Caro”. New York Times. Retrieved December 3, 2013.
  8. Jump up^ “Biographers International Organization, The Plutarch Award”.
  9. Jump up^ “National Book Award Finalists Announced Today”. Library Journal. October 10, 2012. Retrieved 2012-11-15.
  10. Jump up^ Associated Press (November 1, 2011). “APNewsBreak: Caro’s fourth LBJ book coming in May”. CNSNews.com. Retrieved May 29, 2014.
  11. Jump up^ Erik Spanberg (March 8, 2013). “Catching up with award-winning LBJ biographer Robert Caro”. The Christian Science Monitor. Retrieved May 29, 2014.
  12. Jump up^ Patrick Beach (April 5, 2014). “Caro, LBJ biographer, is hard at work on book No. 5”. Austin American-Statesman. Retrieved May 29, 2014.
  13. Jump up^ Barbara Stone, ed. (1999). “The Round Table: Fiction, Biography And The Use Of Power”. Hampton Shorts. Water Mill, N.Y.: Hamptons Literary Publications. IV. ISBN 0-9658652-2-3.
  14. ^ Jump up to:a b c “Reviews”. http://www.robertcaro.com. Robert A. Caro. Retrieved 6 November 2015.

External links

https://en.wikipedia.org/wiki/The_Years_of_Lyndon_Johnson#Book_Four:_The_Passage_of_Power_.282012.29

Robert Caro

From Wikipedia, the free encyclopedia
Robert Caro
Robert Caro at the 2012 Texas Book Festival.
Born Robert Allan Caro
October 30, 1935 (age 81)
New York City, New York, United States
Residence Upper West Side
Education
Occupation Biographer
Notable work The Power Broker
The Years of Lyndon Johnson
Religion Judaism
Spouse(s) Ina Joan Sloshberg Caro (m. 1957)[3]
Children Chase A. Caro
Parent(s) Benjamin and Cele (Mendelow) Caro
Writing career
Genre Non-fiction
Notes
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Robert Allan Caro (born October 30, 1935) is an American journalist and author known for his celebrated biographies of United States political figures Robert Moses and Lyndon B. Johnson.

After working for many years as a reporter, Caro wrote The Power Broker (1974), a biography of New York urban planner Robert Moses, which was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century.[5] He has since written four of a planned five volumes of The Years of Lyndon Johnson (1982, 1990, 2002, 2012), a biography of the former president.

For his biographies, he has won two Pulitzer Prizes in Biography, the National Book Award, the Francis Parkman Prize (awarded by the Society of American Historians to the book that “best exemplifies the union of the historian and the artist”), two National Book Critics Circle Awards, the H.L. Mencken Award, the Carr P. Collins Award from the Texas Institute of Letters, the D.B. Hardeman Prize, and a Gold Medal in Biography from the American Academy of Arts and Letters.

Life and career[edit]

Caro was born in New York City, the son of Cele (née Mendelow) and Benjamin Caro.[3] He “grew up on Central Park West at 94th Street. His father, a businessman, spoke Yiddish as well as English, but he didn’t speak either very often. He was ‘very silent,’ Caro said, and became more so after Caro’s mother died, after a long illness, when he [Caro] was 12.” It was his mother’s deathbed wish that he should go to the Horace Mann School, an exclusive private school in the Riverdale section of The Bronx. As a student there, Caro translated an edition of his school newspaper into Russian and mailed 10,000 copies to students in the USSR. He graduated in 1953.[6] He went on to Princeton University, where he majored in English. He became managing editor of The Daily Princetonian, second to R.W. Apple, Jr., later a prominent editor at The New York Times.[7]

His writings, both in class and out, had been lengthy since his years at Horace Mann. A short story he wrote for The Princeton Tiger, the school’s humor magazine, took up almost an entire issue. His senior thesis on existentialism in Hemingway was so long, Caro claims, that the university’s English department subsequently established a maximum length for senior theses by its students. He graduated cum laude in 1957.[1][7]

According to a 2012 New York Times Magazine profile, “Caro said he now thinks that Princeton, which he chose because of its parties, was one of his mistakes, and that he should have gone to Harvard. Princeton in the mid-1950s was hardly known for being hospitable towards the Jewish community, and though Caro says he did not personally suffer from anti-Semitism, he saw plenty of students who did.” He had a sports column in the Princetonian and also wrote for the Princeton Tiger humor magazine.[7] He was a Carnegie Fellow at Columbia University and a Nieman Fellow at Harvard University.

Caro began his professional career as a reporter with the New Brunswick Daily Home News (now merged into the Home News Tribune) in New Jersey. He took a brief leave to work for the Middlesex County Democratic Party as a publicist. He left politics after an incident where he was accompanying the party chair to polling places on election day. A police officer reported to the party chair that some African-Americans Caro saw being loaded into a police van, under arrest, were poll watchers who “had been giving them some trouble.” Caro left politics right there. “I still think about it,” he recalled in the 2012 Times Magazine profile. “It wasn’t the roughness of the police that made such an impression. It was the—meekness isn’t the right word—the acceptance of those people of what was happening.”[7]

From there he went on to six years as an investigative reporter with the Long Island newspaper Newsday. One of the articles he wrote was a long series about why a proposed bridge across Long Island Sound from Rye to Oyster Bay, championed by Robert Moses, would have been inadvisable, requiring piers so large it would disrupt tidal flows in the sound, among other problems. Caro believed that his work had influenced even the state’s powerful governor Nelson Rockefeller to reconsider the idea, until he saw the state’s Assembly vote overwhelmingly to pass a preliminary measure for the bridge.[7]

“That was one of the transformational moments of my life,” Caro said years later. It led him to think about Moses for the first time. “I got in the car and drove home to Long Island, and I kept thinking to myself: ‘Everything you’ve been doing is baloney. You’ve been writing under the belief that power in a democracy comes from the ballot box. But here’s a guy who has never been elected to anything, who has enough power to turn the entire state around, and you don’t have the slightest idea how he got it.'”[7]

Work[edit]

The Power Broker[edit]

Main article: The Power Broker

Caro spent the academic year of 1965–1966 as a Nieman Fellow at Harvard University. During a class on urban planning and land use, the experience of watching Moses returned to him.

They were talking one day about highways and where they got built…and here were these mathematical formulas about traffic density and population density and so on, and all of a sudden I said to myself: “This is completely wrong. This isn’t why highways get built. Highways get built because Robert Moses wants them built there. If you don’t find out and explain to people where Robert Moses gets his power, then everything else you do is going to be dishonest.”[7]

To do so, Caro began work on a biography of Moses, The Power Broker: Robert Moses and the Fall of New York, also a study of Caro’s favorite theme: the acquisition and use of power. He expected it would take nine months to complete, but instead it took him until 1974.[7] The work was based on extensive research and 522 interviews, including seven interviews with Moses himself, several with Michael Madigan (who worked for Moses for 35 years); and numerous interviews with Sidney Shapiro (Moses’s general manager for forty years); as well as interviews with men who worked for and knew Moses’s mentor, New York Governor Al Smith.

His wife Ina functioned as his research assistant. Her master’s thesis on the Verrazano-Narrows Bridge stemmed from this work. At one point she sold the family home and took a teaching job so Robert would be financially able to finish the book.[7]

The Power Broker is widely viewed [1] as a seminal work because it combined painstaking historical research with a smoothly flowing narrative writing style. The success of this approach was evident in his chapter on the construction of the Cross-Bronx Expressway, where Caro reported the controversy from all perspectives, including that of neighborhood residents. The result was a work of powerful literary as well as academic interest.

The Years of Lyndon Johnson[edit]

Following The Power Broker, Caro turned his attention to President Lyndon B. Johnson. Caro retraced Johnson’s life by temporarily moving to rural Texas and Washington, D.C., in order to better understand Johnson’s upbringing and to interview anyone who had known Johnson. The work, entitled The Years of Lyndon Johnson, was originally intended as a trilogy, but is projected to encompass five volumes:

  1. The Path to Power (1982) covers Johnson’s life up to his failed 1941 campaign for the United States Senate.
  2. Means of Ascent (1990) commences in the aftermath of that defeat and continues through his election to that office in 1948.
  3. Master of the Senate (2002) chronicles Johnson’s rapid ascent and rule as Senate Majority Leader.
  4. The Passage of Power (2012) details the 1960 election, LBJ’s life as vice president, the JFK assassination and his first days as president.
  5. In November 2011, Caro announced that the full project had expanded to five volumes with the fifth requiring another two to three years to write.[8][9][10] It will cover Johnson and Vietnam, the Great Society and civil rights era, his decision not to run in 1968, and eventual retirement.

Caro’s books portray Johnson as a complex and contradictory character: at the same time a scheming opportunist and visionary progressive. Caro argues, for example, that Johnson’s victory in the 1948 runoff for the Democratic nomination for the U.S. Senate was only achieved through extensive fraud and ballot box stuffing, though this is set in the practices of the time and in the context of Johnson’s previous defeat in his 1941 race for the Senate, the victim of exactly similar chicanery. Caro also highlighted some of Johnson’s campaign contributions, such as those from the Texas construction firm Brown and Root; in 1962 the company was acquired by another Texas firm, Halliburton, which became a major contractor in the Vietnam War. In addition, Caro argued that Johnson was awarded the Silver Star in World War II for political as well as military reasons, and that he later lied to journalists and the public about the circumstances for which it was awarded. Caro’s portrayal of Johnson also notes his struggles on behalf of progressive causes such as the Voting Rights Act, and his consummate skill in getting this enacted in spite of intense opposition from Southern Democrats.

Among sources close to the late president, Johnson’s widow Lady Bird Johnson “spoke to [Caro] several times and then abruptly stopped without giving a reason, and Bill Moyers, Johnson’s press secretary, has never consented to be interviewed, but most of Johnson’s closest friends, including John Connally and George Christian, Johnson’s last press secretary, who spoke to Caro practically on his deathbed, have gone on the record”.[7]

Publisher-editor[edit]

Caro’s books have been published by Alfred A. Knopf, first under editor in chief Robert Gottlieb and then by Sonny Mehta, “who took over the Johnson project – enthusiastically – after Gottlieb’s departure in 1987.” Gottlieb, five years Caro’s senior, suggested the Johnson project to Caro in 1974 in preference to the planned follow-up to the Moses volume, a biography of Fiorello LaGuardia that was then abandoned. The ex-President had recently died and Caro had already decided, before meeting with Gottlieb on the subject, to undertake the Texan’s biography; he “wanted to write about power”.[11] Gottlieb has continued as editor of Caro’s books since leaving Knopf and excerpted Volume 2 of the Johnson biography at The New Yorker when he was editor in chief there.[7]

Awards[edit]

For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, twice won the National Book Critics Circle Award for the Best Nonfiction Book of the Year, and has won virtually every other major literary honor, including the National Book Award, the Gold Medal in Biography from the American Academy of Art and Letters, and the Francis Parkman Prize.

In October 2007, Caro was named a “Holtzbrinck Distinguished Visitor” at the American Academy in Berlin, Germany but then was unable to attend.

In 2010, he received the National Humanities Medal from President Obama, the highest award in the humanities given in the United States. Delivering remarks at the end of the ceremony, the President said, “I think about Robert Caro and reading The Power Broker back when I was 22 years old and just being mesmerized, and I’m sure it helped to shape how I think about politics.”[12] In 2011, Robert Caro was the recipient of the 2011 BIO Award given each year by members of Biographers International “to a colleague who had made a major contribution in the advancement of the art and craft of real life depiction.”[13]

Family[edit]

Caro has described his wife, Ina Caro, as “the whole team” on all five of his books. She sold their house and took a job teaching school to fund work on The Power Broker and is the only person other than himself who conducted research for his books.[20]

Ina is the author of The Road from the Past: Traveling through History in France (1996),[21] a book which Arthur Schlesinger Jr. called, at the presentation of her honorary Doctor of Humane Letters from The City University of New York in 2011, “the essential traveling companion… for all who love France and its history.”[22] Newsweek reviewer Peter Prescott commented, “I’d rather go to France with Ina Caro than with Henry Adams or Henry James. The unique premise of her intelligent and discerning book is so startling that it’s a wonder no one has thought of it before.”[23] Ina frequently writes about their travels through France in her Paris to the Past blog. In June 2011, W. W. Norton published her second book, Paris to the Past: Traveling through French History by Train (2011).[24]

The Caros have a son, Chase, a disbarred lawyer, and three grandchildren. Chase Caro was sentenced to 2.5 to 7.5 years in prison by County Court Judge Susan Cacace after pleading guilty to grand larceny.[25][relevant? ] Caro has a younger sibling, Michael, who is now a retired real estate manager.[7]

Pop culture references[edit]

In film[edit]

In The Stepford Wives (2004), Nicole Kidman‘s character attends a book club meeting with the Stepford wives and attempts to discuss the third volume of Caro’s The Years of Lyndon Johnson, but the group chooses to review a book of Christmas crafts.

In television[edit]

In the last episode of season one of the U.S. TV series House of Cards, a copy of The Passage of Power can be seen lying on the desk of protagonist Frank Underwood (played by Kevin Spacey).

In the television series The Simpsons, the episode “Treehouse of Horror XVI” features the character Lisa seen reading Master of the Senate in the vignette “Bart A.I.” Caro later guest-starred on the episode “Love Is a Many-Splintered Thing“.

Bibliography[edit]

  • Caro, Robert A., The Power Broker: Robert Moses and the Fall of New York. 1974. Alfred A. Knopf Inc., New York. (ISBN 0394480767). ix + 1246 pp. + xxxiv pp.: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: The Path to Power. 1982. Alfred A. Knopf Inc., New York. (ISBN 0394499735). xxiii + 882 p. + 48 p. of plates: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: Means of Ascent. 1990. Alfred A. Knopf Inc., New York. (ISBN 0394528352). xxxiv + 506 pp.
  • Caro, Robert A., The Years of Lyndon Johnson: Master of the Senate. 2002. Alfred A. Knopf Inc, New York. (ISBN 0-394-52836-0). xxiv + 1167 pp.
  • Caro, Robert A., The Years of Lyndon Johnson: The Passage of Power. 2012. Alfred A. Knopf Inc, New York. (ISBN 978-0-679-40507-8). 752 pp.
  • Zinsser, William Knowlton (ed.), Extraordinary Lives: The Art and Craft of American Biography, Houghton Mifflin, ISBN 0-395-48617-3

https://en.wikipedia.org/wiki/Robert_Caro

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Tom Wolfe — The Right Stuff — Videos

Posted on December 10, 2016. Filed under: American History, Art, Articles, Blogroll, Book, Books, College, Comedy, Communications, Culture, Education, Entertainment, Fiction, Heroes, history, Language, Law, liberty, Life, Links, Literacy, media, Money, Movies, Movies, Music, People, Philosophy, Photos, Press, Rants, Raves, Raymond Thomas Pronk, Video, War, Wisdom, World War II, Writing | Tags: , , , , , , , , , |

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Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

The Right Stuff – The Bell X-1 (with Levon Helm as CPT Jack Ridley)

The Right Stuff (Part 2)

The Right Stuff (Part 3)

The Right Stuff (Part 4)

The Right Stuff (Part 5)

The Right Stuff (Part 6)

The Right Stuff (Part 7)

The Right Stuff (book)

From Wikipedia, the free encyclopedia
The Right Stuff
The Right Stuff (book).jpg

First edition
Author Tom Wolfe
Country United States
Language English
Genre New Journalism
Non-fiction
Publisher Farrar, Straus and Giroux
Publication date
1979
Media type Print (hardcover & paperback)
Pages 436 pages
ISBN 0-374-25032-4
OCLC 5007334
629.4/0973 19
LC Class TL789.8.U5 W64 1979

The Right Stuff is a 1979 book by Tom Wolfe about the pilots engaged in U.S. postwar research with experimental rocket-powered, high-speed aircraft as well as documenting the stories of the first Project Mercury astronauts selected for the NASA space program. The Right Stuff is based on extensive research by Wolfe, who interviewed test pilots, the astronauts and their wives, among others. The story contrasts the “Mercury Seven[1] and their families with test pilots such as Chuck Yeager, who was considered by many contemporaries as the best of them all, but who was never selected as an astronaut.

Wolfe wrote that the book was inspired by the desire to find out why the astronauts accepted the danger of space flight. He recounts the enormous risks that test pilots were already taking, and the mental and physical characteristics—the titular “right stuff”—required for and reinforced by their jobs. Wolfe likens the astronauts to “single combat warriors” from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.

The 1983 film The Right Stuff is adapted from the book.

Writing and publication

First-state dust jacket, showing initial design never released in a public edition[2]

In 1972 Jann Wenner, the editor of Rolling Stone assigned Wolfe to cover the launch of NASA’s last moon mission, Apollo 17. Wolfe became fascinated with the astronauts, and his competitive spirit compelled him to try to outdo Norman Mailer‘s nonfiction book about the first moon mission, Of a Fire on the Moon. He published a four-part series for Rolling Stone in 1973 titled “Post-Orbital Remorse”, about the depression that some astronauts experienced after having been in space. After the series, Wolfe began researching the whole of the space program, in what became a seven-year project from which he took time to write The Painted Word, a book on art, and to complete Mauve Gloves & Madmen, Clutter & Vine, a collection of shorter pieces.[3]

In 1977 he returned to his astronaut book full-time. Wolfe originally planned to write a complete history of the space program, though after writing through the Mercury program, he felt that his work was complete and that it captured the astronauts’ ethos — the “right stuff” that astronauts and test pilots of the 1940s and 1950s shared — the unspoken code of bravery and machismo that compelled these men to ride on top of dangerous rockets. While conducting research, he consulted with General Chuck Yeager and, after receiving a comprehensive review of his manuscript, was convinced that test pilots like Yeager should form the backdrop of the period. In the end, Yeager becomes a personification of the many postwar test pilots and their “right stuff.”[4] The phrase itself may have originated in the Joseph Conrad story “Youth”, where it was used.

The Right Stuff was published in 1979 by Farrar, Straus and Giroux and became Wolfe’s best selling book yet.[citation needed] It was praised by most critics, was a finalist for the National Book Critics Circle Award, and won the National Book Award for Nonfiction.[5][6]

In the foreword to a new edition, published in 1983 when the film adaptation was released, Wolfe wrote that his “book grew out of some ordinary curiosity” about what “makes a man willing to sit up on top of an enormous Roman candle… and wait for someone to light the fuse.”[7]

Book

The story is more about the space race than space exploration in general. The Soviet Union‘s early space efforts are mentioned only as background, focusing entirely on an early portion of the U.S. space program. Only Project Mercury, the first operational manned space-flight program, is covered. The Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. Emphasis is given to the personal stories of the astronauts and their wives rather than the technical aspects of space travel and the flights themselves.

The storyline also involves the political reasons for putting people into space, asserting that the Mercury astronauts were actually a burden to the program and were only sent up for promotional reasons. Reasons for including living beings in spacecraft are barely touched upon, but the first option considered was to use a chimpanzee (and, indeed, chimpanzees were sent up first).

Another option considered were athletes already accustomed to physical stress, such as circus trapeze artists. Wolfe states that President Dwight D. Eisenhower, however, insisted on pilots, even though the first crew members would not actually fly the spacecraft. When Gus Grissom lands at sea and exits his space capsule, saving the capsule seems more important to the recovery team than saving the pilot because of the value of the data.

Wolfe contrasts the Seven with the Edwards AFB test pilots, among whom was Chuck Yeager, who was shut out of the astronaut program after NASA officials decided to use college-degreed pilots, not ones who gained their commissions as enlisted men, such as participants in the USAAF Flying Sergeants Program in World War II. Chuck Yeager spent time with Tom Wolfe explaining accident reports “that Wolfe kept getting all wrong.” Publishing insiders say these sessions between Wolfe and Yeager led Wolfe to highlight Yeager’s character, presence, thoughts, and anecdotes throughout the book. As an example, Yeager prides his speech to the Society of Test Pilots that the first rider in the Mercury development program would be a monkey, not a real test pilot, and Wolfe plays this drama out on the angst felt by the Mercury Astronauts over those remarks. Yeager himself downplayed the theory of “the right stuff,” attributing his survival of potential catastrophes to simply knowing his airplane thoroughly, along with some good luck.

Another test pilot highlighted in the book is Scott Crossfield. Crossfield and Yeager were fierce but friendly rivals for speed and altitude records.

Film adaptation

A 3-hour, 13-minute film stars Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey, Kim Stanley, Levon Helm, Veronica Cartwright, Pamela Reed, Lance Henriksen, and the real Chuck Yeager in a cameo appearance. NFL Hall of Famer Anthony Muñoz also has a small role, playing “Gonzalez”. It features a score by composer Bill Conti.

The screenplay was adapted by Philip Kaufman from the book, with some contributions from screenwriter William Goldman (Goldman dissociated himself with the film after quarrelling with Kaufman about the story). The film was also directed by Kaufman.

While the movie took liberties with certain historical facts as part of “dramatic license”, criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch’s explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.[citation needed]

This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe‘s book only states that this possibility was considered, not that it was actually judged as being the cause of the accident. In fact, Grissom was assigned to command the first flights of both Gemini and Apollo. Ironically, Grissom died in the Apollo 1 fire because there was no quick-opening hatch on the Block 1 Apollo Command Module – a design choice made because NASA had determined that the explosion in the hatch on Grissom’s Liberty Bell 7 had been most likely self-initiated.[citation needed]

Another fact that had been altered in the film was the statement by Trudy Cooper, who commented that she “wondered how they would’ve felt if every time their husband went in to make a deal, there was a one-in-four chance he wouldn’t come out of that meeting.” According to the book, this actually reflected the 23% chance of dying during a 20-year career as a normal pilot. For a test pilot, these odds were higher, at 53%, but were still considerably less than the movie implied. In addition, the movie merely used the fictional Mrs. Cooper as a vehicle for the statement; the real Mrs. Cooper is not known to have said this.[8]

Wolfe made no secret that he disliked the film, especially because of changes from his original book. William Goldman, involved in early drafts of the script, also disliked the choices made by Kaufman, saying in his book Adventures in the Screen Trade that “Phil [Kaufman]’s heart was with Yeager. And not only that, he felt the astronauts, rather than being heroic, were really minor leaguers, mechanical men of no particular quality, not great pilots at all, simply the product of hype.”[9] Critics, however, generally were favorable toward the film.

References

Citations

  1. Jump up^ Wolfe 2001, p. 143. Note: Wolfe uses this term exactly once.
  2. Jump up^ The Right Stuff.” ABE books. Retrieved: 3 November 2009.
  3. Jump up^ Ragen 2001, pp. 22–26.
  4. Jump up^ Wolfe 1979, p. 368.
  5. Jump up^ Ragen 2001, p. 26–28.
  6. Jump up^ “National Book Awards – 1980”. National Book Foundation. Retrieved 2012-02-21.
    This was the award for General Nonfiction (hardcover) during a period in National Book Awards history when there were many nonfiction subcategories.
  7. Jump up^ Wolfe 2001, Foreword.
  8. Jump up^ Wolfe 1979, p. 22.
  9. Jump up^ Goldman 1983

Bibliography

  • Bryan, C.D.B. “The Right Stuff (review).” New York Times, 23 September 1979.
  • Charity, Tom. The Right Stuff (BFI Modern Classics). London: British Film Institute, 1991. ISBN 0-85170-624-X.
  • Goldman, William (1989). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (reissue ed.). Grand Central Publishing. ISBN 0-446-39117-4.
  • Ragen, Brian Abel, ed. Tom Wolfe: A Critical Companion. West Port, Connecticut: Greenwood Press, 2001. ISBN 0-313-31383-0.
  • Wolfe, Tom. The Right Stuff. New York: Farrar, Straus and Giroux, 1979, ISBN 0-374-25032-4.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 1979, ISBN 0-553-24063-3.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 2001, 1979, ISBN 0-553-38135-0.

External links

Tom Wolfe

From Wikipedia, the free encyclopedia
Not to be confused with Thomas Wolfe or Tom Wolf (politician).
Tom Wolfe
Wolfe at White House.jpg

Wolfe at the White House on March 22, 2004
Born Thomas Kennerly Wolfe, Jr.
March 2, 1931 (age 85)
Richmond, Virginia, U.S.
Occupation Journalist, author
Language English
Nationality American
Period 1959–present
Literary movement New Journalism
Notable works The Painted Word, The Electric Kool-Aid Acid Test, The Right Stuff, A Man in Full, Radical Chic & Mau-Mauing the Flak Catchers, The Bonfire of the Vanities, I Am Charlotte Simmons, Back to Blood
Spouse Sheila Wolfe
Children 2

Thomas KennerlyTomWolfe, Jr. (born March 2, 1931)[1] is an American author and journalist, best known for his association with and influence over the New Journalism literary movement, in which literary techniques are used extensively and traditional values of journalistic objectivity and evenhandedness are rejected. He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, became a commercial success, and was adapted as a major motion picture (directed by Brian De Palma).

Early life and education

Wolfe was born in Richmond, Virginia, the son of Louise (née Agnew), a landscape designer, and Thomas Kennerly Wolfe, Sr., an agronomist.[2][3]

Wolfe grew up on Gloucester Road in the historic Richmond North Side neighborhood of Sherwood Park. He recounts some of his childhood memories of growing up there in a foreword to a book about the nearby historic Ginter Park neighborhood.

Wolfe was student council president, editor of the school newspaper and a star baseball player at St. Christopher’s School, an Episcopalian all-boys school in Richmond, Virginia.

Upon graduation in 1947, he turned down admission to Princeton University to attend Washington and Lee University, both all-male schools at the time; at Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. Wolfe majored in English and practiced his writing outside the classroom as well. He was the sports editor of the college newspaper and helped found a literary magazine, Shenandoah. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his classes to look at the whole of a culture, including those elements considered profane. The very title of Wolfe’s undergraduate thesis, “A Zoo Full of Zebras: Anti-Intellectualism in America,” evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

Wolfe had continued playing baseball as a pitcher and had begun to play semi-professionally while still in college. In 1952 he earned a tryout with the New York Giants but was cut after three days, which Wolfe blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick’s example, enrolling in Yale University‘s American studies doctoral program. His PhD thesis was titled The League of American Writers: Communist Organizational Activity Among American Writers, 1929–1942.[4] In the course of his research, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[5] A biographer remarked on the thesis: “Reading it, one sees what has been the most baleful influence of graduate education on many who have suffered through it: it deadens all sense of style.”[6] His thesis was originally rejected but he finally passed by rewriting it being objective instead of subjective. Upon leaving Yale he wrote a friend explaining through expletives his personal opinions about his thesis.

Journalism and New Journalism

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957 and in 1959 was hired by The Washington Post. Wolfe has said that part of the reason he was hired by the Post was his lack of interest in politics. The Post’s city editor was “amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted.” He won an award from The Newspaper Guild for foreign reporting in Cuba in 1961 and also won the Guild’s award for humor. While there, he experimented with fiction-writing techniques in feature stories.[7]

In 1962, Wolfe left Washington for New York City, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Clay Felker of the Sunday section supplement New York magazine, encouraged their writers to break the conventions of newspaper writing.[8] During the 1962 New York City newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom car culture of Southern California. He struggled with the article until finally a desperate editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together.

Wolfe procrastinated until, on the evening before the article was due, he typed a letter to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell’s response was to remove the salutation “Dear Byron” from the top of the letter and publish it intact as reportage. The result, published in 1963, was “There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Flake Streamline Baby.” The article was widely discussed—loved by some, hated by others—and helped Wolfe publish his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, a collection of his writings in the Herald-Tribune, Esquire, and other publications.[9]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. More specifically, Wolfe experimented with four literary devices not normally associated with feature writing—scene-by-scene construction, extensive dialogue, multiple points of view, and detailed description of one’s status-life symbols (the materialistic choices one makes)—to produce this stylized form of journalism, which would later be commonly referred to as literary journalism.[10] Of status symbols, Wolfe has said, “I think every living moment of a human being’s life, unless the person is starving or in immediate danger of death in some other way, is controlled by a concern for status.”[11]

Wolfe also championed what he called “saturation reporting,” a reportorial approach where the journalist “shadows” and observes the subject over an extended period of time. “To pull it off,” says Wolfe, “you casually have to stay with the people you are writing about for long stretches . . . long enough so that you are actually there when revealing scenes take place in their lives.”[12] Saturation reporting differs from “in-depth” and “investigative” reporting, which involve the direct interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, “entails a more complex set of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and detached from the people and events reported.”[13]

One of the most striking examples of New Journalism is Wolfe’s The Electric Kool-Aid Acid Test. The book, an account of the adventures of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in its use of onomatopoeia, free association, and eccentric punctuation—such as multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In addition to his own forays into this new style of journalism, Wolfe edited a collection of New Journalism with E.W. Johnson, published in 1973 and titled The New Journalism. This book brought together pieces from Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers with the common theme of journalism that incorporated literary techniques and that could be considered literature.[14]

Non-fiction books

In 1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and Wolfe’s fame grew. A second volume of articles, The Pump House Gang, followed in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used LSD and to have tried marijuana only once[15]) Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: “Radical Chic,” a biting account of a party given by Leonard Bernstein to raise money for the Black Panther Party, and “Mau-Mauing The Flak Catchers,” about the practice of using racial intimidation (“mau-mauing”) to extract funds from government welfare bureaucrats (“flak catchers”). The phrase “radical chic” soon became a popular derogatory term for upper-class leftism. Published in 1977, Mauve Gloves & Madmen, Clutter & Vine included one of Wolfe’s more famous essays, “The Me Decade and the Third Great Awakening.”

Back row – Shepard, Grissom, Cooper; Front row – Schirra, Slayton, Glenn, Carpenter.
The astronauts of the Mercury Seven were the subject of The Right Stuff.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America’s first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to “single combat champions” of a bygone era, going forth to battle in the space race on behalf of their country. In 1983, the book was adapted as a successful feature film.

In 2016 Wolfe published The Kingdom of Speech, which is a controversial[16] critique of Charles Darwin and Noam Chomsky.[17]

Art critiques

Wolfe also wrote two highly skeptical social histories of modern art and modern architecture, The Painted Word and From Bauhaus to Our House, in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art world and its dependence on what he saw as faddish critical theory, while From Bauhaus to Our House explored the negative effects of the Bauhaus style on the evolution of modern architecture.[18]

Made for TV movie

A fictional television movie appeared on PBS in 1977, “Tom Wolfe’s Los Angeles”, a suitably satirical story set in Los Angeles. Wolfe appears in the movie himself.[19][20]

Novels

Throughout his early career, Wolfe had planned to write a novel that would capture the wide spectrum of American society. Among his models was William Makepeace Thackeray‘s Vanity Fair, which described the society of 19th century England. Wolfe remained occupied writing nonfiction books and contributing to Harper’s until 1981, when he ceased his other work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the Bronx homicide squad. While the research came easily, the writing did not immediately follow. To overcome his writer’s block, Wolfe wrote to Jann Wenner, editor of Rolling Stone, to propose an idea drawn from Charles Dickens and Thackeray. The Victorian novelists that Wolfe viewed as his models had often written their novels in serial installments. Wenner offered Wolfe around $200,000 to serialize his work.[21] The deadline pressure gave him the motivation he had hoped for, and from July 1984 to August 1985 each biweekly issue of Rolling Stone contained a new installment. Wolfe was later not happy with his “very public first draft”[22] and thoroughly revised his work. Even Sherman McCoy, the novel’s central character, changed: originally a writer, the book version cast McCoy as a bond salesman. Wolfe researched and revised for two years, and his The Bonfire of the Vanities was published in 1987. The book was a commercial and critical success, spending weeks on bestseller lists and earning praise from much of the literary establishment on which Wolfe had long heaped scorn.[23]

Because of the success of Wolfe’s first novel, there was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book’s reception was not universally favorable, though it received glowing reviews in Time, Newsweek, The Wall Street Journal and elsewhere. An enormous initial printing of 1.2 million copies was announced and the book stayed at number one on the New York Times bestseller list for ten weeks. John Updike wrote a critical review for The New Yorker complaining that the novel “amounts to entertainment, not literature, even literature in a modest aspirant form.” This touched off an intense war of words in the print and broadcast media between Wolfe and Updike, John Irving, and Norman Mailer. In 2001, Wolfe published an essay referring to these three authors as “My Three Stooges.”

After publishing Hooking Up (a collection of short pieces, including the 1997 novella Ambush at Fort Bragg) in 2001, he followed up with his third novel, I Am Charlotte Simmons (2004), which chronicles the decline of a poor, bright scholarship student from Alleghany County, North Carolina, in the context of snobbery, materialism, institutionalised anti-intellectualism and sexual promiscuity she finds at a prestigious contemporary American university. The novel met with a mostly tepid response by critics but won praise from many social conservatives, who saw the book’s account of college sexuality as revealing of a disturbing moral decline. The novel won a Bad Sex in Fiction Award from the London-based Literary Review, a prize established “to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel”. Wolfe later explained that such sexual references were deliberately clinical.

Wolfe has written that his goal in writing fiction is to document contemporary society in the tradition of John Steinbeck, Charles Dickens, and Émile Zola.

In early 2008, it was announced that Wolfe was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Back to Blood, was published in October 2012 by Little, Brown. According to The New York Times, Wolfe was paid close to US$7 million for the book.[24] According to the publisher, Back to Blood is about “class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America’s future has arrived first.”[25]

Recurring themes

Several themes are present in much of Wolfe’s writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons as well as several of his journalistic pieces. Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters. Men’s fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in “Sorry, Your Soul Just Died,” one of the essays in Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters’ thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters’ anatomies.[26]

Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (Conrad Hensley and Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical Roman and Greek philosophy.

Law and banking firms in Wolfe’s writing often have satirical names formed by the surnames of the partners. “Dunning, Sponget and Leach” and “Curry, Goad and Pesterall” appear in The Bonfire of the Vanities, and “Wringer, Fleasom and Tick” in A Man in Full. Ambush at Fort Bragg contains a law firm called “Crotalus, Adder, Cobran and Krate” (all names or homophones of venomous snakes).

Some characters appear in multiple novels, creating a sense of a “universe” that is continuous throughout Wolfe’s fiction. The character of Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named Ronald Vine, an interior decorator who is mentioned in The Bonfire of the Vanities, reappears in A Man in Full as the designer of Charlie Croker’s home.

A fictional sexual practice called “that thing with the cup” appears in several of his writings, including The Bonfire of the Vanities, A Man in Full and a (non-fiction) essay in Hooking Up.

The surname “Bolka” appears in three Wolfe novels—as the name of a rendering plant in A Man in Full, as a partner in an accounting firm in Bonfire of the Vanities, and as a college lacrosse player from the Balkans in I Am Charlotte Simmons.

The white suit

Wolfe adopted the white suit as a trademark in 1962. He bought his first white suit planning to wear it in the summer in the style of Southern gentlemen. However, he found that the suit he purchased was too heavy for summer use, so he wore it in winter, which created a sensation.[27] Wolfe has maintained this uniform ever since, sometimes worn with a matching white tie, white homburg hat, and two-tone shoes. Wolfe has said that the outfit disarms the people he observes, making him, in their eyes, “a man from Mars, the man who didn’t know anything and was eager to know.”[28]

Views

In 1989, Wolfe wrote an essay for Harper’s Magazine titled “Stalking the Billion-Footed Beast“, which criticized modern American novelists for failing to engage fully with their subjects, and suggested that modern literature could be saved by a greater reliance on journalistic technique. This attack on the mainstream literary establishment was interpreted as a boast that Wolfe’s work was superior to more highly regarded authors.[29]

Wolfe was a supporter of George W. Bush and said he voted for him for president in 2004 because of what he called Bush’s “great decisiveness and willingness to fight.” (Bush apparently reciprocates the admiration, having read all of Wolfe’s books, according to friends in 2005.[30]) After this fact emerged in a New York Times interview, Wolfe said that the reaction in the literary world was as if he had said, “I forgot to tell you—I’m a child molester.” Because of this incident, he sometimes wears an American flag pin on his suit, which he compared to “holding up a cross to werewolves.”[31]

Wolfe’s views and choice of subject material, such as mocking left-wing intellectuals in Radical Chic and glorifying astronauts in The Right Stuff, have sometimes led to his being labeled conservative,[32] and his depiction of the Black Panther Party in Radical Chic led to a member of the party calling him a racist.[33] Wolfe rejects such labels; in a 2004 interview, he said that his “idol” in writing about society and culture is Émile Zola, who, in Wolfe’s words, was “a man of the left” but “went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not—and was not interested in—telling a lie.”[32]

Asked to comment by the Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that “the universe of blogs is a universe of rumors” and that “blogs are an advance guard to the rear.” He also took the opportunity to criticize Wikipedia, saying that “only a primitive would believe a word of” it. He noted a story about him in his Wikipedia entry at the time, which he said had never happened.[34]

Personal life

Wolfe lives in New York City with his wife Sheila, who designs covers for Harper’s magazine. They have two children, a daughter, Alexandra, and a son, Tommy.[35]

A writer for Examiner Magazine who interviewed Wolfe in 1998 said, “He has no computer and does not surf, or even know how to use, the Internet”, adding, however, that Wolfe’s novel A Man in Full does have a subplot involving “a muckraking cyber-gossip site, à la the Drudge Report or Salon.”[35]

Influence

Wolfe is credited with introducing the terms “statusphere,” “the right stuff,” “radical chic,” “the Me Decade,” “social x-ray,” and “pushing the envelope” into the English lexicon.[36][dubious ] He is sometimes credited with inventing the term “trophy wife” as well, but this is incorrect: he described emaciated wives as “X-rays” in his novel The Bonfire of the Vanities but did not use the term “trophy wife”.[37] According to journalism professor Ben Yagoda, Wolfe is also responsible for the use of the present tense in magazine profile pieces; before he began doing so in the early 1960s, profile articles had always been written in the past tense.[38]

Terms coined by Wolfe

List of awards and nominations

Television appearances

  • Wolfe was featured as an interview subject in the 1987 PBS documentary series Space Flight.
  • In July 1975 Wolfe was interviewed on Firing Line by William F. Buckley, Jr., discussing “The Painted Word”.[44]
  • Wolfe was featured on the February 2006 episode “The White Stuff” of Speed Channel‘s Unique Whips, where his Cadillac‘s interior was customized to match his trademark white suit.[45]
  • Wolfe guest-starred alongside Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode “Moe’N’a Lisa“, which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[46] Wolfe was also used as a sight gag on The Simpsons episode “Insane Clown Poppy“, which aired on November 12, 2000. Homer spills chocolate on Wolfe’s trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath.

Bibliograph

Non-fiction

Novels

Featured in

Notable articles

  • “The Last American Hero Is Junior Johnson. Yes!” Esquire, March 1965.
  • “Tiny Mummies! The True Story of the Ruler of 43rd Street’s Land of the Walking Dead!” New York Herald-Tribune supplement (April 11, 1965).
  • “Lost in the Whichy Thicket,” New York Herald-Tribune supplement (April 18, 1965).
  • “The Birth of the New Journalism: Eyewitness Report by Tom Wolfe.” New York, February 14, 1972.
  • “The New Journalism: A la Recherche des Whichy Thickets.” New York Magazine, February 21, 1972.
  • “Why They Aren’t Writing the Great American Novel Anymore.” Esquire, December 1972.
  • “The Me Decade and the Third Great Awakening” New York, August 23, 1976.
  • Stalking the Billion-Footed Beast“, Harper’s. November 1989.
  • “Sorry, but Your Soul Just Died.” Forbes 1996.
  • “Pell Mell.” The Atlantic Monthly (November 2007).
  • “The Rich Have Feelings, Too.” Vanity Fair (September 2009).

See also

Notes

  1. Jump up^ This was the award for hardcover “General Nonfiction”. From 1980 to 1983 in National Book Award history there were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

https://en.wikipedia.org/wiki/Tom_Wolfe

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Sink The Bismarck — Videos

Posted on July 7, 2016. Filed under: American History, Blogroll, British History, Communications, history, media, Movies, Newspapers, People, Radio, War, Wealth, Weapons, Wisdom, Work, World War II | Tags: , , , , , , , , |


bismarckzz_bismarck_escortedbism00

german_battleship_bismarck_by_warship_gunner

Sink The Bismarck (1960)

Sink The Bismarck WW2 Classic

Mega Disasters – The Bismarck

Search for Battleship Bismarck – National Geographic

SINK THE BISMARCK ~ sung by Johnny Horton

Johnny Horton “Sink the Bismark”a

Sink The Bismarck – Johnny Horton

Johnny Horton – Whispering Pines

Johnny Horton – Johnny Reb

Johnny Horton – All For The Love of A Girl

Jim Bridger ~ Johnny Horton

North To Alaska ~ Johnny Horton

Johnny Horton In Concert ~ The Incredibly Rare Live Performances

21 songs, 55 minutes of rare, live Johnny Horton performances from the 1950s and 1960s. All the hits are here, North To Alaska, Battle Of New Orleans, Sink The Bismarck, Johnny Reb, Springtime In Alaska and early classics as well. Enjoy

German battleship Bismarck

From Wikipedia, the free encyclopedia
Bundesarchiv Bild 193-04-1-26, Schlachtschiff Bismarck.jpg

Bismarck in 1940
History
Nazi Germany
Namesake: Otto von Bismarck
Builder: Blohm & Voss, Hamburg
Laid down: 1 July 1936
Launched: 14 February 1939
Commissioned: 24 August 1940
Honors and
awards:
3 times mentioned in theWehrmachtbericht
Fate:
  • Scuttled following incapacitating battle damage, 27 May 1941 in the North Atlantic
  • 48°10′N 16°12′W
General characteristics
Class and type: Bismarck-classbattleship
Displacement:
Length:
Beam: 36 m (118 ft 1 in)
Draft: 9.3 m (30 ft 6 in) standard[a]
Propulsion:
  • 12 Wagner superheated boilers;
  • 3 geared turbines;
  • 3 three-blade screws
  • 148,116 shp (110,450 kW)
Speed: 30.01 knots (55.58 km/h; 34.53 mph) during trials[1][b]
Range: 8,870 nmi (16,430 km; 10,210 mi) at 19 knots (35 km/h; 22 mph)
Complement:
  • 103 officers
  • 1,962 enlisted men
Armament:
Armour:
  • Belt: 320 mm (12.6 in)
  • Turrets: 360 mm (14 in)
  • Main deck: 100 to 120 mm (3.9 to 4.7 in)
Aircraft carried: 4 × Arado Ar 196floatplanes
Aviation facilities: 1 double-ended catapult

Bismarck was the first of two Bismarck-classbattleships built for Nazi Germany‘s Kriegsmarine. Named after Chancellor Otto von Bismarck, the primary force behind the unification of Germany in 1871, the ship was laid down at the Blohm & Voss shipyard in Hamburg in July 1936 and launched in February 1939. Work was completed in August 1940, when she was commissioned into the German fleet. Bismarck and her sister ship Tirpitz were the largest battleships ever built by Germany, and two of the largest built by any European power.

In the course of the warship’s eight-month career under its sole commanding officer, Capt. Ernst Lindemann, Bismarck conducted only one offensive operation, in May 1941, codenamed Rheinübung. The ship, along with the heavy cruiserPrinz Eugen, was to break into the Atlantic Ocean and raid Allied shipping from North America to Great Britain. The two ships were detected several times off Scandinavia, and British naval units were deployed to block their route. At the Battle of the Denmark Strait, Bismarck engaged and destroyed the battlecruiserHMS Hood, the pride of the Royal Navy, and forced the battleship HMS Prince of Wales to retreat; Bismarck was hit three times and suffered an oil leak from a ruptured tank.

The destruction of Hood spurred a relentless pursuit by the Royal Navy involving dozens of warships. Two days later, heading for the relative safety of occupied France, Bismarck was attacked by obsolescentFairey Swordfishbiplanetorpedo bombers from the aircraft carrier HMS Ark Royal; one scored a hit that rendered the battleship’s steering gear inoperable. In her final battle the following morning, Bismarck was neutralised by a sustained bombardment from a British fleet, was scuttled by her crew, and sank with heavy loss of life. Most experts agree that the battle damage would have caused her to sink eventually. The wreck was located in June 1989 by Robert Ballard, and has since been further surveyed by several other expeditions.

Construction and characteristics

Bismarck was ordered under the name Ersatz Hannover (“Hannover replacement”), a replacement for the old pre-dreadnoughtSMS Hannover, under contract “F”.[1] The contract was awarded to the Blohm & Voss shipyard in Hamburg, where the keel was laid on 1 July 1936 at Helgen IX.[3][4] The ship was launched on 14 February 1939 and during the elaborate ceremonies was christened by Dorothee von Löwenfeld, granddaughter of Chancellor Otto von Bismarck, the ship’s namesake. Adolf Hitler made the christening speech.[4]Fitting-out work followed the launch, during which time the original straight stem was replaced with a raked “Atlantic bow” similar to those of the Scharnhorst-class battleships.[5]Bismarck was commissioned into the fleet on 24 August 1940 for sea trials,[6] which were conducted in the Baltic. Kapitän zur SeeErnst Lindemann took command of the ship at the time of commissioning.[7]

3D rendering of Bismarck duringOperation Rheinübung

Bismarck displaced 41,700 t (41,000 long tons) as built and 50,300 t (49,500 long tons) fully loaded, with an overall length of 251 m (823 ft 6 in), a beam of 36 m (118 ft 1 in) and a maximum draft of 9.9 m (32 ft 6 in).[1] The battleship was Germany’s largest warship,[8] and displaced more than any other European battleship, with the exception ofHMS Vanguard, commissioned after the end of the war.[9]Bismarck was powered by three Blohm & Voss geared steam turbines and twelve oil-fired Wagner superheatedboilers, which developed a total of 148,116 shp (110,450 kW) and yielded a maximum speed of 30.01 knots (55.58 km/h; 34.53 mph) on speed trials. The ship had a cruising range of 8,870 nautical miles (16,430 km; 10,210 mi) at 19 knots (35 km/h; 22 mph).[1]Bismarck was equipped with three FuMO 23 search radar sets, mounted on the forward and stern rangefinders and foretop.[10]

The standard crew numbered 103 officers and 1,962 enlisted men.[6] The crew was divided into twelve divisions of between 180 and 220 men. The first six divisions were assigned to the ship’s armament, divisions one to four for the main and secondary batteries and five and six manning anti-aircraft guns. The seventh division consisted of specialists, including cooks and carpenters, and the eighth division consisted of ammunition handlers. The radio operators, signalmen, and quartermasters were assigned to the ninth division. The last three divisions were the engine room personnel. When Bismarck left port, fleet staff, prize crews, and war correspondents increased the crew complement to over 2,200 men.[11] Roughly 200 of the engine room personnel came from the light cruiserKarlsruhe, which had been lost during Operation Weserübung, the German invasion of Norway.[12]Bismarcks crew published a ship’s newspaper titled Die Schiffsglocke (The Ship’s Bell);[13] this paper was only published once, on 23 April 1941, by the commander of the engineering department, Gerhard Junack.[14]

Bismarck was armed with eight 38 cm (15 in) SK C/34 guns arranged in four twin gun turrets: two super-firing turrets forward—”Anton” and “Bruno”—and two aft—”Caesar” and “Dora”.[c] Secondary armament consisted of twelve 15 cm (5.9 in) L/55 guns, sixteen 10.5 cm (4.1 in) L/65 and sixteen 3.7 cm (1.5 in) L/83, and twelve 2 cm (0.79 in) anti-aircraft guns. Bismarck also carried four Arado Ar 196 reconnaissancefloatplanes, with a single large hangar and a double-ended catapult.[6] The ship’s main belt was 320 mm (12.6 in) thick and was covered by a pair of upper and main armoured decks that were 50 mm (2.0 in) and 100 to 120 mm (3.9 to 4.7 in) thick, respectively. The 38 cm (15 in) turrets were protected by 360 mm (14.2 in) thick faces and 220 mm (8.7 in) thick sides.[1]

Service history

Bismarck in port in Hamburg

On 15 September 1940, three weeks after commissioning, Bismarck left Hamburg to begin sea trials in Kiel Bay.[16]Sperrbrecher 13 escorted the ship to Arcona on 28 September, and then on to Gotenhafen for trials in the Gulf of Danzig.[17] The ship’s power-plant was given a thorough workout; Bismarck made measured-mile and high speed runs. As the ship’s stability and manoeuvrability were being tested, a flaw in her design was discovered. When attempting to steer the ship solely through altering propeller revolutions, the crew learned that Bismarck could be kept on course only with great difficulty. Even with the outboard screws running at full power in opposite directions, they generated only a slight turning ability.[18]Bismarcks main battery guns were first test-fired in late November. The tests proved she was a very stable gun platform.[19] Trials lasted until December; Bismarckreturned to Hamburg, arriving on 9 December, for minor alterations and the completion of the fitting-out process.[16]

The ship was scheduled to return to Kiel on 24 January 1941, but a merchant vessel had been sunk in the Kiel Canal and prevented use of the waterway. Severe weather hampered efforts to remove the wreck, and Bismarckwas not able to reach Kiel until March.[16] The delay greatly frustrated Lindemann, who remarked that “[Bismarck] had been tied down at Hamburg for five weeks … the precious time at sea lost as a result cannot be made up, and a significant delay in the final war deployment of the ship thus is unavoidable.”[20] While waiting to reach Kiel, Bismarck hosted Captain Anders Forshell, the Swedish naval attaché to Berlin. He returned to Sweden with a detailed description of the ship, which was subsequently leaked to Britain by pro-British elements in the Swedish Navy. The information provided the Royal Navy with its first full description of the vessel, although it lacked important facts, including top speed, radius of action, and displacement.[21]

Bismarck on trials; the rangefinders had not yet been installed

On 6 March, Bismarck received the order to steam to Kiel. On the way, the ship was escorted by several Messerschmitt Bf 109 fighters and a pair of armed merchant vessels, along with an icebreaker. At 08:45 on 8 March,Bismarck briefly ran aground on the southern shore of the Kiel Canal; she was freed within an hour. The ship reached Kiel the following day, where her crew stocked ammunition, fuel, and other supplies and applied a coat ofdazzle paint to camouflage her. British bombers attacked the harbour without success on 12 March.[22] On 17 March, the old battleship Schlesien, now used as an icebreaker, escorted Bismarck through the ice to Gotenhafen, where the latter continued combat readiness training.[23]

The Naval High Command (Oberkommando der Marine or OKM), commanded by Admiral Erich Raeder, intended to continue the practice of using heavy ships as surface raiders against Allied merchant traffic in the Atlantic Ocean. The two Scharnhorst-class battleships were based in Brest, France, at the time, having just completed Operation Berlin, a major raid into the Atlantic. Bismarcks sister shipTirpitz rapidly approached completion.Bismarck and Tirpitz were to sortie from the Baltic and rendezvous with the two Scharnhorst-class ships in the Atlantic; the operation was initially scheduled for around 25 April 1941, when a new moon period would make conditions more favourable.[24]

Work on Tirpitz was completed later than anticipated, and she was not commissioned until 25 February; the ship was not ready for combat until late in the year. To further complicate the situation, Gneisenau was torpedoed in Brest and damaged further by bombs when in drydock. Scharnhorst required a boiler overhaul following Operation Berlin; the workers discovered during the overhaul that the boilers were in worse condition than expected. She would also be unavailable for the planned sortie.[25] Attacks by British bombers on supply depots in Kiel delayed repairs to the heavy cruisers Admiral Scheer and Admiral Hipper. The two ships would not be ready for action until July or August.[26] Admiral Günther Lütjens, Flottenchef (Fleet Chief) of the Kriegsmarine, chosen to lead the operation, wished to delay the operation at least until either Scharnhorst or Tirpitz became available,[27] but the OKM decided to proceed with the operation, codenamed Operation Rheinübung, with a force consisting of onlyBismarck and the heavy cruiser Prinz Eugen.[25] At a final meeting with Raeder in Paris on 26 April, Lütjens was encouraged by his commander-in-chief to proceed and he eventually decided that an operation should begin as soon as possible to prevent the enemy gaining any respite.[28]

Operation Rheinübung

Main article: Operation Rheinübung

Bismarck, photographed from Prinz Eugen, in the Baltic at the outset of Operation Rheinübung

On 5 May, Adolf Hitler and Wilhelm Keitel, with a large entourage, arrived to view Bismarck and Tirpitz in Gotenhafen. The men were given an extensive tour of the ships, after which Hitler met with Lütjens to discuss the upcoming mission.[29] On 16 May, Lütjens reported that Bismarck and Prinz Eugen were fully prepared for Operation Rheinübung; he was therefore ordered to proceed with the mission on the evening of 19 May.[30] As part of the operational plans, a group of eighteen supply ships would be positioned to support Bismarck and Prinz Eugen. Four U-boats would be placed along the convoy routes between Halifax and Britain to scout for the raiders.[31]

By the start of the operation, Bismarcks crew had increased to 2,221 officers and enlisted men. This included an admiral’s staff of nearly 65 and a prize crew of 80 sailors, who could be used to crew transports captured during the mission. At 02:00 on 19 May, Bismarck departed Gotenhafen and made for the Danish straits. She was joined at 11:25 by Prinz Eugen, which had departed the previous night at 21:18, off Cape Arkona.[32] The two ships were escorted by three destroyersZ10 Hans Lody, Z16 Friedrich Eckoldt, and Z23—and a flotilla of minesweepers.[33] The Luftwaffe provided air cover during the voyage out of German waters.[34] At around noon on 20 May, Lindemann informed the ship’s crew via loudspeaker of the ship’s mission. At approximately the same time, a group of ten or twelve Swedish aircraft flying reconnaissance encountered the German force and reported its composition and heading, though the Germans did not see the Swedes.[35]

An hour later, the German flotilla encountered the Swedish cruiserHSwMS Gotland; the cruiser shadowed the Germans for two hours in the Kattegat.[36]Gotland transmitted a report to naval headquarters, stating: “Two large ships, three destroyers, five escort vessels, and 10–12 aircraft passed Marstrand, course 205°/20′.”[34] The OKM was not concerned about the security risk posed by Gotland, though both Lütjens and Lindemann believed operational secrecy had been lost.[36] The report eventually made its way to Captain Henry Denham, the British naval attaché to Sweden, who transmitted the information to the Admiralty.[37] The code-breakers at Bletchley Park confirmed that an Atlantic raid was imminent, as they had decrypted reports that Bismarck and Prinz Eugen had taken on prize crews and requested additional navigational charts from headquarters. A pair of Supermarine Spitfires was ordered to search the Norwegian coast for the flotilla.[38]

German aerial reconnaissance confirmed that one aircraft carrier, three battleships, and four cruisers remained at anchor in the main British naval base at Scapa Flow, which confirmed to Lütjens that the British were unaware of his operation. On the evening of 20 May, Bismarck and the rest of the flotilla reached the Norwegian coast; the minesweepers were detached and the two raiders and their destroyer escorts continued north. The following morning, radio-intercept officers on board Prinz Eugen picked up a signal ordering British reconnaissance aircraft to search for two battleships and three destroyers northbound off the Norwegian coast.[39] At 7:00 on the 21st, the Germans spotted four unidentified aircraft, which quickly departed. Shortly after 12:00, the flotilla reachedBergen and anchored at Grimstadfjord, where the ships’ crews painted over the Baltic camouflage with the standard “outboard grey” worn by German warships operating in the Atlantic.[40]

Aerial reconnaissance photo taken by Flying Officer Michael Suckling shows Bismarck anchored in Norway

When Bismarck was in Norway, a pair of Bf 109 fighters circled overhead to protect her from British air attacks, but Flying Officer Michael Suckling managed to fly his Spitfire directly over the German flotilla at a height of 8,000 m (26,000 ft) and take photos of Bismarck and her escorts.[41] Upon receipt of the information, Admiral John Tovey ordered the battlecruiserHMS Hood, the newly commissioned battleship HMS Prince of Wales, and six destroyers to reinforce the pair of cruisers patrolling the Denmark Strait. The rest of the Home Fleet was placed on high alert in Scapa Flow. Eighteen bombers were dispatched to attack the Germans, but weather over the fjordhad worsened and they were unable to find the German warships.[42]

Bismarck did not replenish her fuel stores in Norway, as her operational orders did not require her to do so. She had left port 200 t (200 long tons) short of a full load, and had since expended another 1,000 t (980 long tons) on the voyage from Gotenhafen. Prinz Eugen took on 764 t (752 long tons) of fuel.[43] At 19:30 on 21 May, Bismarck, Prinz Eugen, and the three escorting destroyers left Bergen.[44] At midnight, when the force was in the open sea, heading towards the Arctic Ocean, Raeder disclosed the operation to Hitler, who reluctantly consented to the raid. The three escorting destroyers were detached at 04:14 on 22 May, while the force steamed off Trondheim. At around 12:00, Lütjens ordered his two ships to turn toward the Denmark Strait to attempt the break-out into the open Atlantic.[45]

By 04:00 on 23 May, Lütjens ordered Bismarck and Prinz Eugen to increase speed to 27 knots (50 km/h; 31 mph) to make the dash through the Denmark Strait.[46] Upon entering the Strait, both ships activated their FuMO radar detection equipment sets.[47]Bismarck led Prinz Eugen by about 700 m (770 yd); mist reduced visibility to 3,000 to 4,000 m (3,300 to 4,400 yd). The Germans encountered some ice at around 10:00, which necessitated a reduction in speed to 24 knots (44 km/h; 28 mph). Two hours later, the pair had reached a point north of Iceland. The ships were forced to zigzag to avoid ice floes. At 19:22, hydrophone and radar operators aboard the German warships detected the cruiser HMS Suffolk at a range of approximately 12,500 m (13,700 yd).[46]Prinz Eugens radio-intercept team decrypted the radio signals being sent by Suffolk and learned that their location had been reported.[48]

Lütjens gave permission for Prinz Eugen to engage Suffolk, but the captain of the German cruiser could not clearly make out his target and so held fire.[49]Suffolk quickly retreated to a safe distance and shadowed the German ships. At 20:30, the heavy cruiser HMS Norfolk joined Suffolk, but approached the German raiders too closely. Lütjens ordered his ships to engage the British cruiser; Bismarck fired five salvoes, three of which straddled Norfolk and rained shell splinters on her decks. The cruiser laid a smoke screen and fled into a fog bank, ending the brief engagement. The concussion from the 38 cm guns’ firing disabled Bismarcks FuMO 23 radar set; this prompted Lütjens to order Prinz Eugen to take station ahead so she could use her functioning radar to scout for the formation.[50]

At around 22:00, Lütjens ordered Bismarck to make a 180-degree turn in an effort to surprise the two heavy cruisers shadowing him. Although Bismarck was visually obscured in a rain squall, Suffolks radar quickly detected the manoeuvre, allowing the cruiser to evade.[51] The cruisers remained on station through the night, continually relaying the location and bearing of the German ships. The harsh weather broke on the morning of 24 May, revealing a clear sky. At 05:07, hydrophone operators aboard Prinz Eugen detected a pair of unidentified vessels approaching the German formation at a range of 20 nmi (37 km; 23 mi), reporting “Noise of two fast-moving turbine ships at 280° relative bearing!”[52]

Battle of the Denmark Strait

At 05:45, German lookouts spotted smoke on the horizon; this turned out to be from Hood and Prince of Wales, under the command of Vice AdmiralLancelot Holland. Lütjens ordered his ships’ crews to battle stations. By 05:52, the range had fallen to 26,000 m (28,000 yd) and Hood opened fire, followed by Prince of Wales a minute later.[53]Hood engaged Prinz Eugen, which the British thought to be Bismarck, while Prince of Wales fired on Bismarck.[d]Adalbert Schneider, the first gunnery officer aboard Bismarck, twice requested permission to return fire, but Lütjens hesitated.[55] Lindemann intervened, muttering “I will not let my ship be shot out from under my ass.”[56] He demanded permission to fire from Lütjens, who relented and at 05:55 ordered his ships to engage the British.[56]

Bismarck as seen from Prinz Eugenafter the Battle of the Denmark Strait

The British ships approached the German ships head on, which permitted them to use only their forward guns; Bismarck and Prinz Eugen could fire full broadsides. Several minutes after opening fire, Holland ordered a 20° turn to port, which would allow his ships to engage with their rear gun turrets. Both German ships concentrated their fire on Hood. About a minute after opening fire, Prinz Eugen scored a hit with a high-explosive 20.3 cm (8.0 in) shell; the explosion detonated unrotated projectile ammunition and started a large fire, which was quickly extinguished.[57] After firing three four-gun salvoes, Schneider had found the range to Hood; he immediately ordered rapid-fire salvoes from Bismarcks eight 38 cm guns. He also ordered the ship’s 15 cm secondary guns to engage Prince of Wales. Holland then ordered a second 20° turn to port, to bring his ships on a parallel course withBismarck and Prinz Eugen.[58] Lütjens ordered Prinz Eugen to shift fire and target Prince of Wales, to keep both of his opponents under fire. Within a few minutes, Prinz Eugen scored a pair of hits on the battleship that started a small fire.[59]

Lütjens then ordered Prinz Eugen to drop behind Bismarck, so she could continue to monitor the location of Norfolk and Suffolk, which were still some 10 to 12 nmi (19 to 22 km; 12 to 14 mi) to the east. At 06:00, Hood was completing the second turn to port when Bismarcks fifth salvo hit. Two of the shells landed short, striking the water close to the ship, but at least one of the 38 cm armour-piercing shells struck Hood and penetrated her thin deck armour. The shell reached Hoods rear ammunition magazine and detonated 112 t (110 long tons) of cordite propellant.[60] The massive explosion broke the back of the ship between the main mast and the rear funnel; the forward section continued to move forward briefly before the in-rushing water caused the bow to rise into the air at a steep angle. The stern also rose as water rushed into the ripped-open compartments.[61] Schneider exclaimed “He is sinking!” over the ship’s loudspeakers.[60] In only eight minutes of firing, Hood had disappeared, taking all but three of her crew of 1,419 men with her.[62]

Bismarck firing her main battery during the battle

Bismarck then shifted fire to Prince of Wales. The British battleship scored a hit on Bismarck with her sixth salvo, but the German ship found her mark with her first salvo. One of the shells struck the bridge on Prince of Wales, though it did not explode and instead exited the other side, killing everyone in the ship’s command centre, save Captain John Leach, the ship’s commanding officer, and one other.[63] The two German ships continued to fire upon Prince of Wales, causing serious damage. Guns malfunctioned on the recently commissioned British ship, which still had civilian technicians aboard.[64] Despite the technical faults in the main battery, Prince of Walesscored three hits on Bismarck in the engagement. The first struck her in the forecastle above the waterline but low enough to allow the crashing waves to enter the hull. The second shell struck below the armoured belt and exploded on contact with the torpedo bulkhead, inflicting minimal damage. The third shell passed through one of the boats carried aboard the ship and then went through the floatplanecatapult without exploding.[65]

At 06:13, Leach gave the order to retreat; only two of his ship’s ten 14 in (360 mm) guns were still firing and his ship had sustained significant damage. Prince of Wales made a 160° turn and laid a smoke screen to cover her withdrawal. The Germans ceased fire as the range widened. Though Lindemann strongly advocated chasing Prince of Wales and destroying her,[66] Lütjens obeyed operational orders to shun any avoidable engagement with enemy forces that were not protecting a convoy,[67] firmly rejecting the request, and instead ordered Bismarck and Prinz Eugen to head for the North Atlantic.[68] In the engagement, Bismarck had fired 93 armour-piercing shells and had been hit by three shells in return.[62] The forecastle hit allowed 1,000 to 2,000 t (980 to 1,970 long tons) of water to flood into the ship, which contaminated fuel oil stored in the bow. Lütjens refused to reduce speed to allow damage control teams to repair the shell hole which widened and allowed more water into the ship.[69] The second hit caused some additional flooding. Shell-splinters from the second hit also damaged a steam line in the turbo-generator room, but this was not serious, as Bismarck had sufficient other generator reserves. The combined flooding from these two hits caused a 9-degree list to port and a 3-degree trim by the bow.[70]

Chase

Map showing the course ofBismarck and the ships that pursued her

After the engagement, Lütjens reported, “Battlecruiser, probably Hood, sunk. Another battleship, King George V or Renown, turned away damaged. Two heavy cruisers maintain contact.”[71] At 08:01, he transmitted a damage report and his intentions to OKM, which were to detach Prinz Eugen for commerce raiding and to make for Saint-Nazaire for repairs.[72] Shortly after 10:00, Lütjens ordered Prinz Eugen to fall behind Bismarck to discern the severity of the oil leakage from the bow hit. After confirming “broad streams of oil on both sides of [Bismarcks] wake”,[73]Prinz Eugen returned to the forward position.[73] About an hour later, a British Short Sunderlandflying boat reported the oil slick to Suffolk and Norfolk, which had been joined by the damaged Prince of Wales. Rear Admiral Frederic Wake-Walker, the commander of the two cruisers, ordered Prince of Wales to remain behind his ships.[74]

The Royal Navy ordered all warships in the area to join the pursuit of Bismarck and Prinz Eugen. Tovey’s Home Fleet was steaming to intercept the German raiders, but on the morning of 24 May was still over 350 nmi (650 km; 400 mi) away. The Admiralty ordered the light cruisersManchester, Birmingham, and Arethusa to patrol the Denmark Strait in the event that Lütjens attempted to retrace his route. The battleship Rodney, which had been escorting RMS Britannic and was due for a refit in the Boston Navy Yard, joined Tovey. Two old Revenge-class battleships were ordered into the hunt: Revenge, from Halifax, and Ramillies, which was escorting Convoy HX 127.[75] In all, six battleships and battlecruisers, two aircraft carriers, thirteen cruisers, and twenty-one destroyers were committed to the chase.[76] By around 17:00, the crew aboard Prince of Wales restored nine of her ten main guns to working order, which permitted Wake-Walker to place her in the front of his formation to attack Bismarck if the opportunity arose.[77]

With the weather worsening, Lütjens attempted to detach Prinz Eugen at 16:40. The squall was not heavy enough to cover her withdrawal from Wake-Walker’s cruisers, which continued to maintain radar contact. Prinz Eugen was therefore recalled temporarily.[78]The cruiser was successfully detached at 18:14. Bismarck turned around to face Wake-Walker’s formation, forcing Suffolk to turn away at high speed. Prince of Wales fired twelve salvos at Bismarck, which responded with nine salvos, none of which hit. The action diverted British attention and permitted Prinz Eugen to slip away. After Bismarck resumed her previous heading, Wake-Walker’s three ships took up station on Bismarcks port side.[79]

Although Bismarck had been damaged in the engagement and forced to reduce speed, she was still capable of reaching 27 to 28 knots (50 to 52 km/h; 31 to 32 mph), the maximum speed of Tovey’s King George V. Unless Bismarck could be slowed, the British would be unable to prevent her from reaching Saint-Nazaire. Shortly before 16:00 on 25 May, Tovey detached the aircraft carrier Victorious and four light cruisers to shape a course that would position her to launch her torpedo bombers.[80] At 22:00, Victoriouslaunched the strike, which comprised six Fairey Fulmar fighters and nine Fairey Swordfish torpedo bombers of 825 Naval Air Squadron, led by Lt Cdr Eugene Esmonde. The inexperienced aviators nearly attacked Norfolk on their approach; the confusion alertedBismarcks anti-aircraft gunners.[81]

Bismarck also used her main and secondary batteries to fire at maximum depression to create giant splashes in the paths of the incoming torpedo bombers.[82] None of the attacking aircraft were shot down. Bismarck evaded eight of the torpedoes launched at her, but the [81] ninth struck amidships on the main armoured belt, throwing one man into a bulkhead and killing him and injuring five others. [83] The explosion also caused minor damage to electrical equipment. The ship suffered more serious damage from manoeuvres to evade the torpedoes: rapid shifts in speed and course loosened collision mats, which increased the flooding from the forward shell hole and eventually forced abandonment of the port number 2 boiler room. This loss of a second boiler, combined with fuel losses and increasing bow trim, forced the ship to slow to 16 knots (30 km/h; 18 mph). Divers repaired the collision mats in the bow, after which speed increased to 20 knots (37 km/h; 23 mph), the speed that the command staff determined was the most economical for the voyage to occupied France.[84]

Shortly after the Swordfish departed the scene, Bismarck and Prince of Wales engaged in a brief artillery duel. Neither scored a hit.[85]Bismarcks damage control teams resumed work after the short engagement. The sea water that had flooded the number 2 port side boiler threatened to enter the number 4 turbo-generator feedwater system, which would have permitted saltwater to reach the turbines. The saltwater would have destroyed the turbine blades and thus greatly reduced the ship’s speed. By morning on 25 May, the danger had passed. The ship slowed to 12 knots (22 km/h; 14 mph) to allow divers to pump fuel from the forward compartments to the rear tanks; two hoses were successfully connected and a few hundred tons of fuel were transferred.[86]

As the chase entered open waters, Wake-Walker’s ships were compelled to zig-zag to avoid German U-boats that might be in the area. This required the ships to steam for ten minutes to port, then ten minutes to starboard, to keep the ships on the same base course. For the last few minutes of the turn to port, Bismarck was out of range of Suffolks radar.[87] At 03:00 on 25 May, Lütjens ordered an increase to maximum speed, which at this point was 28 knots (52 km/h; 32 mph). He then ordered the ship to circle away to the west and then north. This manoeuvre coincided with the period during which his ship was out of radar range; Bismarck successfully broke radar contact and circled back behind her pursuers. Suffolks captain assumed that Bismarck had broken off to the west and attempted to find her by also steaming west. After half an hour, he informed Wake-Walker, who ordered the three ships to disperse at daylight to search visually.[88]

The Royal Navy search became frantic, as many of the British ships were low on fuel. Victorious and her escorting cruisers were sent west, Wake-Walker’s ships continued to the south and west, and Tovey continued to steam toward the mid-Atlantic. Force H, with the aircraft carrier Ark Royal and steaming up from Gibraltar, was still at least a day away.[89] Unaware that he had shaken off Wake-Walker, Lütjens sent long radio messages to Naval Group West headquarters in Paris. The signals were intercepted by the British, from which bearings were determined. They were wrongly plotted on board King George V, leading Tovey to believe that Bismarck was heading back to Germany through the Iceland-Faeroe gap, which kept his fleet on the wrong course for seven hours. By the time the mistake had been discovered, Bismarck had put a sizeable gap between herself and the British ships.[90]

The aircraft carrier HMS Ark Royalwith a flight of Swordfish overhead

British code-breakers were able to decrypt some of the German signals, including an order to the Luftwaffe to provide support for Bismarck making for Brest, decrypted by Jane Fawcett on 25 May 1941.[91] The French Resistance provided the British with confirmation that Luftwaffe units were relocating there. Tovey could now turn his forces toward France to converge in areas through which Bismarck would have to pass.[92] A squadron of Coastal Command PBY Catalinas based in Northern Ireland joined the search, covering areas where Bismarck might be headed in her attempt to reach occupied France. At 10:30 on 26 May, a Catalina piloted by EnsignLeonard B. Smith of the US Navy located her, some 690 nmi (1,280 km; 790 mi) northwest of Brest.[e] At her current speed, she would have been close enough to reach the protection of U-boats and the Luftwaffe in less than a day. Most British forces were not close enough to stop her.[94]

The only possibility for the Royal Navy was Ark Royal with Force H, under the command of Admiral James Somerville.[95]Victorious, Prince of Wales, Suffolk and Repulse were forced to break off the search due to fuel shortage; the only heavy ships remaining apart from Force H were King George V and Rodney, but they were too distant.[96]Ark Royals Swordfish were already searching nearby when the Catalina found her. Several torpedo bombers also located the battleship, about 60 nmi (110 km; 69 mi) away from Ark Royal. Somerville ordered an attack as soon as the Swordfish returned and were rearmed with torpedoes. He detached the cruiser Sheffield to shadow Bismarck, though Ark Royals aviators were not informed of this.[97] As a result, the Swordfish, which were armed with torpedoes equipped with new magnetic detonators, accidentally attacked Sheffield. The magnetic detonators failed to work properly and Sheffield emerged unscathed.[98]

A Swordfish returns to Ark Royalafter making the torpedo attack againstBismarck

Upon returning to Ark Royal, the Swordfish loaded torpedoes equipped with contact detonators. The second attack comprised fifteen aircraft and was launched at 19:10. At 20:47, the torpedo bombers began their attack descent through the clouds.[99] As the Swordfish approached, Bismarck fired her main battery at Sheffield, straddling the cruiser with her second salvo. Shell fragments rained down on Sheffield, killing three men and wounding several others.[100]Sheffield quickly retreated under cover of a smoke screen. The Swordfish then attacked; Bismarck began to turn violently as her anti-aircraft batteries engaged the bombers.[101] One torpedo hit amidships on the port side, just below the bottom edge of the main armour belt. The force of the explosion was largely contained by the underwater protection system and the belt armour but some structural damage caused minor flooding.[102]

The second torpedo—fired by pilot John Moffat—struck Bismarck in her stern on the port side, near the port rudder shaft. The coupling on the port rudder assembly was badly damaged and the rudder could not be disengaged, locked in a 12° turn to port. The explosion also caused much shock damage.[103] The crew eventually managed to repair the starboard rudder but the port rudder remained jammed. A suggestion to sever the port rudder with explosives was dismissed by Lütjens, as damage to the screws would have left the battleship helpless.[104][105] At 21:15, Lütjens reported that the ship was unmanoeuvrable.[106]

Sinking

With the port rudder jammed, Bismarck was now steaming in a large circle, unable to escape from Tovey’s forces. Though fuel shortages had reduced the number of ships available to the British, the battleships King George Vand Rodney were still available, along with the heavy cruisers Dorsetshire and Norfolk.[107] Lütjens signalled headquarters at 21:40 on the 26th: “Ship unmanoeuvrable. We will fight to the last shell. Long live the Führer.”[108] The mood of the crew became increasingly depressed, especially as messages from the naval command reached the ship. Intended to boost morale, the messages only highlighted the desperate situation in which the crew found itself.[109] As dark fell, Bismarck briefly fired on Sheffield, though the cruiser quickly fled. Sheffield lost contact in the low visibility and Captain Philip Vian‘s group of five destroyers was ordered to keep contact with Bismarck through the night.[110]

The ships encountered Bismarck at 22:38; the battleship quickly engaged them with her main battery. After firing three salvos, she straddled the Polish destroyer ORP Piorun. The destroyer continued to close the range until a near miss at around 12,000 m (39,000 ft) forced her to turn away.[106] Throughout the night and into the morning, Vian’s destroyers harried Bismarck, illuminating her with star shells and firing dozens of torpedoes, none of which hit. Between 05:00 and 06:00, Bismarcks crew attempted to launch one of the Arado 196 float planes to carry away the ship’s war diary, footage of the engagement with Hood, and other important documents. The third shell hit from Prince of Wales had damaged the steam line on the aircraft catapult, rendering it inoperative. As it was not possible to launch the aircraft it had become a fire hazard, and was pushed overboard.[111]

Rodney firing on Bismarck, which can be seen burning in the distance

After daybreak on 27 May, King George V led the attack. Rodney followed off her port quarter; Tovey intended to steam directly at Bismarck until he was about 8 nmi (15 km; 9.2 mi) away. At that point, he would turn south to put his ships parallel to his target.[112] At 08:43, lookouts on King George V spotted her, some 23,000 m (25,000 yd) away. Four minutes later, Rodneys two forward turrets, comprising six 16 in (406 mm) guns, opened fire, then King George Vs 14 in (356 mm) guns began firing. Bismarck returned fire at 08:50 with her forward guns; with her second salvo, she straddled Rodney.[113] Thereafter, Bismarcks gunnery became increasingly difficult as the ship moved erratically in the heavy seas, unable to steer, depriving Schneider of a predictable course for range calculations.[114]

As the range fell, the ships’ secondary batteries joined the battle. Norfolk and Dorsetshire closed and began firing with their 8 in (203 mm) guns. At 09:02, a 16-inch shell from Rodney struck Bismarcks forward superstructure, killing hundreds of men and severely damaging the two forward turrets. According to survivors, this salvo probably killed both Lindemann and Lütjens and the rest of the bridge staff.[115] The main fire control director was also destroyed by this hit, which probably also killed Schneider. A second shell from this salvo struck the forward main battery was disabled, though it would manage to fire one last salvo at 09:27.[116][117] Lieutenant von Müllenheim-Rechberg, in the rear control station, took over firing control for the rear turrets. He managed to fire three salvos before a shell destroyed the gun director, disabling his equipment. He gave the order for the guns to fire independently, but by 09:31, all four main battery turrets had been put out of action.[118] One of Bismarcks shells exploded 20 feet off Rodneys bow and damaged her starboard torpedo tube—the closest Bismarck came to a direct hit on her opponents.[119]

By 10:00, Tovey’s two battleships had fired over 700 main battery shells, many at very close range; Bismarck had been reduced to a shambles, aflame from stem to stern. She suffered from a 20° list to port and was low in the water by the stern. Rodney closed to 2,700 m (3,000 yd), point-blank range for guns of that size, and continued to fire. Tovey could not cease fire until the Germans struck their ensigns or it became clear they were abandoning ship.[120]Rodney fired two torpedoes from her port-side tube and claimed one hit.[121] According to Ludovic Kennedy, “if true, [this is] the only instance in history of one battleship torpedoing another”.[119]

HMS Dorsetshire picking up survivors

First Officer Hans Oels ordered the men below decks to abandon ship; he instructed the engine room crews to open the ship’s watertight doors and prepare scuttling charges.[122] Gerhard Junack, the chief engineering officer, ordered his men to set the demolition charges with a 9-minute fuse but the intercom system broke down and he sent a messenger to confirm the order to scuttle the ship. The messenger never returned and Junack primed the charges and ordered the crew to abandon the ship.[123] Junack and his comrades heard the demolition charges detonate as they made their way up through the various levels.[124] Oels rushed throughout the ship, ordering men to abandon their posts. After he reached the deck a huge explosion killed him and about a hundred others.[125]

The four British ships fired more than 2,800 shells at Bismarck, and scored more than 400 hits, but were unable to sink Bismarck by gunfire. At around 10:20, running low on fuel, Tovey ordered the cruiser Dorsetshire to sink Bismarckwith torpedoes and sent his battleships back to port.[126]Dorsetshire fired a pair of torpedoes into Bismarcks starboard side, one of which hit. Dorsetshire then moved around to her port side and fired another torpedo, which also hit. By the time these torpedo attacks took place, the ship was already listing so badly that the deck was partly awash.[124] It appears that the final torpedo may have detonated against Bismarcks port side superstructure, which was by then already underwater.[127] Around 10:35, Bismarck capsized to port and slowly sank by the stern, disappearing from the surface at 10:40.[128] Some survivors reported they saw Captain Lindemann standing at attention at the stem of the ship as she sank.[129]

Junack, who had abandoned ship by the time it capsized, observed no underwater damage to the ship’s starboard side.[123] Von Müllenheim-Rechberg reported the same but assumed that the port side, which was then under water, had been more significantly damaged.[129] Around 400 men were now in the water;[123]Dorsetshire and the destroyer Maori moved in and lowered ropes to pull the survivors aboard. At 11:40, Dorsetshires captain ordered the rescue effort abandoned after lookouts spotted what they thought was a U-boat. Dorsetshire had rescued 85 men and Maori had picked up 25 by the time they left the scene.[130] A U-boat later reached the survivors and found three men, and a German trawler rescued another two. One of the men picked up by the British died of his wounds the following day. Out of a crew of over 2,200 men, only 114 survived.[128]

Bismarck was mentioned in the Wehrmachtbericht (armed forces report) three times during Operation Rheinübung. The first was an account of the Battle of the Denmark Strait;[131] the second was a brief account of the ship’s destruction,[132] and the third was an exaggerated claim that Bismarck had sunk a British destroyer and shot down five aircraft.[133] In 1959, C. S. Forester published his novel Last Nine Days of the Bismarck. The book was adapted for the movie Sink the Bismarck!, released the following year. For dramatic effect the film showed Bismarck sinking a British destroyer and shooting down two aircraft, neither of which happened.[134] That same year, Johnny Horton released the song “Sink the Bismarck”.[135]

Wreckage

Discovery by Robert Ballard

Painting by Ken Marschalldepicting Argo exploring the wreck

The wreck of Bismarck was discovered on 8 June 1989 by Dr. Robert Ballard, the oceanographer responsible for finding RMS Titanic. Bismarck was found to be resting upright at a depth of approximately 4,791 m (15,719 ft),[136] about 650 km (400 mi) west of Brest. The ship struck an extinct underwater volcano, which rose some 1,000 m (3,300 ft) above the surrounding abyssal plain, triggering a 2 km (1.2 mi) landslide. Bismarck slid down the mountain, coming to a stop two-thirds down.[137]

Ballard’s survey found no underwater penetrations of the ship’s fully armoured citadel. Eight holes were found in the hull, one on the starboard side and seven on the port side, all above the waterline. One of the holes is in the deck, on the bow’s starboard side. The angle and shape indicates the shell that created the hole was fired from Bismarcks port side and struck the starboard anchor chain. The anchor chain has disappeared down this hole.[138] Six holes are amidships, three shell fragments pierced the upper splinter belt, and one made a hole in the main armour belt.[139] Further aft a huge hole is visible, parallel to the aircraft catapult, on the deck. The submersibles recorded no sign of a shell penetration through the main or side armour here, and it is likely that the shell penetrated the deck armour only.[140] Huge dents showed that many of the 14 inch shells fired by King George V bounced off the German belt armour.[141]

Ballard noted that he found no evidence of the internal implosions that occur when a hull that is not fully flooded sinks. The surrounding water, which has much greater pressure than the air in the hull, would crush the ship. Instead, Ballard points out that the hull is in relatively good condition; he states simply that “Bismarck did not implode.”[142] This suggests that Bismarcks compartments were flooded when the ship sank, supporting the scuttling theory.[143]Ballard added “we found a hull that appears whole and relatively undamaged by the descent and impact”. They concluded that the direct cause of sinking was scuttling: sabotage of engine-room valves by her crew, as claimed by German survivors.[144] Ballard kept the wreck’s exact location a secret to prevent other divers from taking artefacts from the ship, a practice he considered a form of grave robbing.[136]

The whole stern had broken away; as it was not near the main wreckage and has not yet been found, it can be assumed this did not occur on impact with the sea floor. The missing section came away roughly where the torpedo had hit, raising questions of possible structural failure.[145] The stern area had also received several hits, increasing the torpedo damage. This, coupled with the fact the ship sank “stern first” and had no structural support to hold it in place, suggests the stern detached at the surface. In 1942 Prinz Eugen was also torpedoed in the stern, which collapsed. This prompted a strengthening of the stern structures on all German capital ships.[144]

Subsequent expeditions

In June 2001, Deep Ocean Expeditions, partnered with Woods Hole Oceanographic Institution, conducted another investigation of the wreck. The researchers used Russian-built mini-subs. William N. Lange, a Woods Hole expert, stated, “You see a large number of shell holes in the superstructure and deck, but not that many along the side, and none below the waterline.”[146] The expedition found no penetrations in the main armoured belt, above or below the waterline. The examiners noted several long gashes in the hull, but attributed these to impact on the sea floor.[146]

An Anglo-American expedition in July 2001 was funded by a British TV channel. The team used the volcano—the only one in that area—to locate the wreck. Using ROVs to film the hull, the team concluded that the ship had sunk due to combat damage. Expedition leader David Mearns claimed significant gashes had been found in the hull: “My feeling is that those holes were probably lengthened by the slide, but initiated by torpedoes”.[146]

The 2002 documentary Expedition: Bismarck, directed by James Cameron and filmed in May–June 2002 using smaller and more agile Mir submersibles, reconstructed the events leading to the sinking. These provided the first interior shots. His findings were that there was not enough damage below the waterline to confirm that she had been sunk rather than scuttled. Close inspection of the wreckage confirmed that none of the torpedoes or shells had penetrated the second layer of the inner hull. Using small ROVs to examine the interior, Cameron discovered that the torpedo blasts had failed to shatter the torpedo bulkheads.[146]

Despite their sometimes differing viewpoints, these experts generally agree that Bismarck would have eventually foundered if the Germans had not scuttled her first. Ballard estimated that Bismarck could still have floated for at least a day when the British vessels ceased fire and could have been captured by the Royal Navy, a position supported by the historian Ludovic Kennedy (who was serving on the destroyer HMS Tartar at the time). Kennedy stated, “That she would have foundered eventually there can be little doubt; but the scuttling ensured that it was sooner rather than later.”[144] When asked whether Bismarck would have sunk if the Germans had not scuttled the ship, Cameron replied “Sure. But it might have taken half a day.”[146] In Mearns’ subsequent book Hood and Bismarck, he conceded that scuttling “may have hastened the inevitable, but only by a matter of minutes.”[146] Ballard later concluded that “As far as I was concerned, the British had sunk the ship regardless of who delivered the final blow.”[147]

See also

  • Unsinkable Sam – cat which is said to have survived the sinking of the Bismarck

https://en.wikipedia.org/wiki/German_battleship_Bismarck

Sink the Bismark

From Wikipedia, the free encyclopedia
  (Redirected from Sink the Bismark (song))
This article is about the song by Johnny Horton. For the 1960 movie, see Sink the Bismarck!
“Sink the Bismark (Sink the Bismarck)”

The photo on the “45” Columbia record jacket is from the movie, but depicts the model of the HMS Prince Of Wales made for the movie. The models made for this movie are very accurate.
Single by Johnny Horton
B-side “The Same Old Tale the Crow Told Me”
Released 1960
Genre Country
Length 3:12
Label Columbia
Writer(s) Johnny Horton and Tilman Franks
Producer(s) Don Law[1]
Johnny Horton singles chronology
“Sal’s Got a Sugar Lip”
(1959)
Sink the Bismark
(1960)
“Johnny Freedom”
(1960)

Sink the Bismark” (later “Sink the Bismarck“) is a march song by country music singer Johnny Horton and songwriter Tillman Franks, based on the pursuit and eventual sinking of the GermanbattleshipBismarck in May 1941, during World War II. Horton released this song in 1960, when it reached #3 on the charts. As originally released, the record label used the common misspelling “Bismark”; this error was corrected for later releases of the song. It was inspired by the 1960 movie Sink the Bismarck! and was in fact (with the English producer John Brabourne’s approval) commissioned from Johnny Horton by 20th Century Fox who were worried about the subject’s relative obscurity. While the song was used in U.S. theater trailers for the film, it was not used in the film itself.

The song was later covered by The Blues Brothers for a scene in the movie, The Blues Brothers, but was cut out. [2]

Chart performance

Chart (1960) Peak
position
U.S. Billboard Hot Country Singles 6
U.S. Billboard Hot 100 3
Canadian RPM Top Singles 1

See also

  • PT-109” Another song about a World War II ship

References

External links

Lyrics

https://en.wikipedia.org/wiki/Sink_the_BismarkJohnny Horton

 

From Wikipedia, the free encyclopedia
For other uses, see Johnny Horton (disambiguation).
Johnny Horton
Johnny Horton.jpg
Background information
Birth name John Gale Horton
Also known as The Singing Fisherman
Born April 30, 1925
Los Angeles, California, U.S.
Died November 5, 1960 (aged 35)
Milano, Texas, U.S.
Genres Country music, folk music,rockabilly
Occupation(s) Singer
Instruments Guitar
Years active 1950–1960

John GaleJohnnyHorton (April 30, 1925 – November 5, 1960) was an Americancountry music and rockabillysinger. Rising to fame slowly over the course of the 1950s, Horton earned great fame in 1959 performing historical ballads, beginning with the song “The Battle of New Orleans” (written by Jimmy Driftwood), which was awarded the 1960 Grammy Award for Best Country & Western Recording. The song was awarded theGrammy Hall of Fame Award and in 2001 ranked No. 333 of the Recording Industry Association of America‘s “Songs of the Century“. His first hit, a number 1 song in 1959, was “When It’s Springtime in Alaska (It’s Forty Below)“.

During 1960, Horton had two other successes with “North to Alaska” for John Wayne‘s movie, North to Alaska and “Sink the Bismarck.” Horton died in November 1960 at the peak of his fame in an automobile accident, less than two years after his breakthrough. Horton is a member of the Rockabilly Hall of Fame and the Louisiana Music Hall of Fame.

Early life

Horton was born in Los Angeles, to John Loly Horton (1889–1959) and the former Ella Claudia Robinson (1892–1966), the youngest of five siblings, and reared in Rusk in Cherokee County in east Texas. His family often traveled to California to work as migrant fruit pickers. After graduation from high school in Gallatin, Texas, in 1944, Horton attended the Methodist-affiliated Lon Morris Junior College in Jacksonville, Texas, with a basketball scholarship. He later attended Seattle University and briefly Baylor University in Waco, although he did not graduate from any of these institutions.

Horton soon returned to California and found work in the mail room of Hollywood’s Selznick Studio. It was here that he met his future first wife, secretary Donna Cook.

Horton and his older brother, Frank, briefly pursued the study of geology at Seattle, Washington, in 1948 but both ended after a few weeks. He went to Florida, then back to California before leaving for Alaska to look for gold. It was during this period that he began writing songs. He joined Frank in Seattle, went south to Los Angeles, then after Frank married, left for Texas. After much prodding from his sister Marie, he entered a talent contest at the Reo Palm Isle club in Longview, Texas, sponsored by radio station KGRI inHenderson and hosted by station radio announcer and future country music star Jim Reeves. Horton won first prize—an ashtray on a pedestal. Encouraged by the contest, he returned to California, bought some Western-style clothes and entered talent contests.

Horton came to the attention of entrepreneur Fabor Robison, whose first job as manager was to give him a job with Cliffie Stone‘s Hometown Jamboree on KXLA-TV in Pasadena, California. During his early guest performances he worked with musicians such asMerle Travis and Tennessee Ernie Ford. The station then gave him a regular half-hour Saturday night program billed as The Singing Fisherman, during which he sang and displayed his casting skills with a fishing rod. Around this time he also hosted the radio program Hacienda Party Time for KLAC-TV in Los Angeles.

A mixture of Horton’s television performances and Robison’s acquaintances earned him a couple of singles with the minor Cormac recording company. The first single coupled “Plaid And Calico” with “Done Rovin'” and the second “Coal Smoke, Valve Oil and Steam” with “Birds and Butterflies”. After the Cormac label ceased operation, Robinson acquired the masters and started his own company named Abbott Records. By mid-1952, ten Horton singles had been issued but none was successful. They were, for the most part, ordinary western-style songs.

After marriage to Donna and a honeymoon in Palm Springs, he relocated to Shreveport to be near the Louisiana Hayride, on which he appeared on a regular basis. Robison persuaded Mercury Records A&R man Walter Kilpatrick to hire Horton, who began with his songs “First Train Headin’ South” b/w “(I Wished for an Angel) The Devil Sent Me You” (Mercury 6412), with good reviews by the trade newspapers.

Horton was married twice. His first marriage, to Donna Cook, ended with a divorce granted in Rusk, Texas. In September 1953, he married Billie Jean Jones, the widow of country music singer Hank Williams. (She was Williams’ second wife.) With Billie Jean, Horton had two daughters, Yanina (Nina) and Melody. Billie Jean’s daughter, Jeri Lynn, was also legally adopted by Johnny.

Louisiana Hayride

In September 1952, Horton acquired a full-time band, the Rowley Trio, from Nederland, Texas. Featuring Jerry Rowley playing fiddle, his wife Evelyn playing piano and sister Vera (Dido) playing bass or guitar, they were working at KFDM in Beaumont following some gigs backing Lefty Frizzell. While playing in Beaumont, Horton and Robison heard the Rowley Trio and were sufficiently impressed to offer them a job touring. They started driving Horton to their engagements, but he kept stopping to fish and hunt, so they soon bought him his own car with which he met them at the various venues. The new foursome recruited Bob Stegall but still termed themselves The Singing Fisherman and the Rowley Trio, before changing the name to Johnny Horton and the Roadrunners.

Louisiana Hayride had been playing for more than four years when Horton joined its cast, and during this time it helped many careers, including those of Elvis Presley, Hank Williams, Webb Pierce and Bob Luman.

Horton was, by now, a Shreveport resident. His marriage didn’t survive the increasing touring and Donna relocated back to Los Angeles. He was amenable to a reconciliation, but was unwilling to go back to the West Coast. In August, Louisiana Hayride welcomed back Hank Williams, only twenty-eight years old, but banished from Nashville’s Grand Ole Opry for what some considered his drunkenness and unreliability. On October 19, Williams married Billie Jean Jones, the daughter of a local policeman, in front of a paying audience at New Orleans Municipal Auditorium. On one occasion during the time Billie Jean and Hank were married, Horton talked to the couple backstage, and at that meeting, Hank predicted that Billie Jean would one day marry Horton. He remained a Hayridemember until his death.

Hank Williams died on New Year’s Day 1953. He died in the back seat of a Cadillac traveling to a show in Canton, Ohio. Horton and the Rowleys were driving home from an engagement when they heard the news by radio. They were in Milano, Texas and it was there after a show at the Skyline Club in Austin (the same venue as Williams’ last show) that Horton was killed seven years later in a car accident.

Marriage to Billie Jean

Horton and Billie Jean married on September 26, 1953. They lived on Horton’s performance money, his newly established writing contract with American Music of Los Angeles and the settlement that Billie Jean had received from the Williams estate. Horton and Robison had by now parted company, after a disagreement partially about Horton’s frustration at the amount of time Robison was spending with Jim Reeves. Stegall had left, to be replaced by Richard and Betty Lou Spears, but soon the Rowleys left. Horton started using pick-up bands together with Billie Jean’s brothers, Alton and Sonny Jones. His career had stalled and he became so disillusioned that he got a job working in a fishing tackle shop, playing only weekends for Hayride. Even this ceased in November 1954. His last session for Mercury on September 23 did not generate a single album, and the two-year hiatus had been a strange period with songs ranging from answer songs like “Back to My Back Street” and “Train With a Rhumba Beat”. The best seller was “All for the Love of a Girl” (Mercury 70227) which sold about 35,000 to 45,000 copies.

During this time, country music was changing due to the influence of the new rock music. With the example of Elvis Presley, rockabilly was becoming more common both on records and on country music bills, with Louisiana Hayride one of the most progressive in this respect. It was during that program that Horton first saw Presley and apparently he immediately liked the singer and the style.

Horton then asked Hayride stalwart Tillman Franks of Shreveport for some advice. Five years older than Horton, Franks had played bass for Webb Pierce, managed the Carlisles and Jimmy & Johnny, worked as a booking agent, a car salesman in Houston and served on the police force. He, too, was unemployed. “I hadn’t worked in four or five weeks when Johnny Horton come to the door. He was broke too. He and Billie Jean had spent the money they got after Hank died, and she’d told him to get his ass out and make some more. He said, ‘If I can get Tillman Franks to manage me, I’ll get to number one.’ He came to my house on Summer Street and I told him that I just didn’t like the way he sang. He said, ‘No problem. I’ll sing any way you want me to.’ And he was serious!”[this quote needs a citation]

Horton and Tillman Franks had met in Mississippi, when Horton had toured with the Carlisles. By mid-1955, Franks had assumed control of the[clarification needed] management, and after the end of the Mercury contract, his first job was to find a new company. After communicating with Webb Pierce, who in turn talked to Jim Denny at Cedarwood and Troy Martin at Golden West Melodies, a one-year contract with Columbia was forthcoming. Cedarwood and Golden Melodies would both get publishing on two songs per session as part of the deal. With no advance and a session due in Nasvhille, Tennessee, the duo had to borrow the car owned by the father of David Houston for the journey, with the promise that they would try to get Houston a contract while they were in Nashville.

First big hit

On the way to the session, Horton and Franks stopped in Memphis to see Elvis Presley and left with ten dollars (they were too poor to buy gasoline) and the loan of Bill Black on slap bass. Franks had reservations about his own playing and he wanted the sound to be special. On January 11, 1956, Horton entered the Bradley Film and Recording Studios in Nashville, with Bill Black and two of the industry’s major talents, Grady Martin and producer Owen Bradley‘s brother, Harold. The first song played was the mid-tempo rockabilly “I’m a One Woman Man”, composed by Horton and Franks. Howard Crockett (Hausey) had played “Honky Tonk Man” to Horton and Franks and after a quick rewriting of the tune, they split the credits three ways. It was the second song cut that day. By midnight, Don Law and Franks had completed two more songs, “I’m Ready if You’re Willing” and “I Got a Hole in My Pirogue”. Horton and Franks wanted “Honky Tonk Man” as the lead-off single, but Don Law disliked the song. It was only after the intervention of Jim Denny that Law relented and issued “Honky Tonk Man” on the flip side of “I’m Ready if You’re Willing”. Live shows were arranged to advertise the single with the band featuring Tillman Franks on bass and Tommy Tomlinson on guitar. A native of Hampton, Arkansas, Tomlinson had relocated with his family in 1940 to Minden, Louisiana, east of Shreveport.[1]

The single was reviewed by the March 10 issue of Billboard, which said of “Honky Tonk Man”, “The wine women and song attractions exert a powerful hold on the singer, he admits. The funky sound and pounding beat in the backing suggest the kind of atmosphere he describes. A very good jukebox record.” Of the B-side, it read “Horton sings out this cheerful material with amiable personality. This ever more popular stylist ought to expand his circle of fans with this one.” By May the record had scored No. 9 on the C&W Jockey chart, as well as No. 14 on the Best Seller chart.

Franks assumed control of the Hayride bookings, organizing performances in the South. Horton was contracted for his Monday night performances on KLTV-TV in Tyler, Texas, which restricted how far away he could tour. He wanted to end the contract, so on one of the shows, when it was time to read a commercial for Hol-Sum Bread, a product of Cotton Brothers Bakery in Alexandria, Louisiana, he announced “Friends, we are proud to be here, and proud to be sponsored by Hol-Sum Bread. Tillman Franks my manager eats Hol-Sum Bread, and I eat it too. What I like about Hol-Sum Bread is that it’s never touched by hand. That’s right, they mix it with their feet”. After the show, the station owner called him and said she’d be happier if he stopped working for the station. Now he was free to travel, and he started earning as much as $500 a night.

Further recordings and singles

On May 23 they went back to Music City for a second session. Grady Martin again led the proceedings with Ray Edenton replacing Harold Bradley and Floyd “Lightnin'” Chance standing in on double bass. They began at 7 p.m. with “Take Me Like I Am” before doing the Horton-Hausey composition, “Sugar-Coated Baby”. It was one of those mid-tempo tracks at which Horton was to excel, with playful vocals and Martin’s bass string guitaring. Claude King‘s “I Don’t Like I Did” was another such song. The fourth cut was Autry Inman’s ode to women, “Hooray For That Little Difference”.

The next single (Columbia 21538) had “I Don’t Like I Did” on the B-side but the header was “I’m a One Woman Man” from the January session. Billboard enthused that “One Woman” was a “Smart and polished job,” adding that Horton was “singing with a light, airy touch. Guitar work is just as convincing, adding up to listenable, commercial stuff”.

By August, Columbia and Franks ran an advertisement in Billboard claiming their “Sensational New Artist goes on a spree with his newest two-sided hit”. The accompanying photo did nothing for the image of a rocker, showing him looking middle-aged with a cowboy hat to hide his receding hair. The campaign continued with a tour of western Texas starting in El Paso with Johnny Cash, Faron Young and Roy Orbison. Booked by Bob Neal Stars Inc. of Memphis, the group moved to Ontario, Canada for six dates commencing on the 18th, culminating in Detroit.

Billboard‘s first issue in September noted that

Somewhat like his last hit—’Honky Tonk Man’—this release (I’m A One Woman Man) started off rather quietly, but has gradually become a powerful chart contender. This week it made an appearance on the Houston territorial chart and was selling well in Nashville, Dallas, Durham and Birmingham

Within a week or so he was rewarded with a second country hit, this time maximizing at No. 7 on the Jockey chart and No. 9 on both the Best Seller and Jukebox charts.

On October 14, after shows throughout Florida, Horton played in Memphis again for Bob Neal, this time with Johnny Cash, Faron Young, Sonny James, Roy Orbison and the Teen-Kings and Charlene Arthur. They continued around Tennessee until October 23, before continuing to New Mexico and West Texas. It must have been a confident crowd that arrived at Bradley’s Barn on November 12. Only two songs were produced, the unissued “Over Loving You” and the rockabilly “I’m Coming Home”, composed by Horton and Franks.

“I’m Coming Home” was released with “I Got A Hole In My Pirogue” on the flip side (Columbia 40813). Released as the same time as the Johnny Burnette Trio’s “Lonesome Train” (Coral 61758) and Rosco Gordon‘s “Cheese and Crackers” (Sun 257), Billboardpredicted that “the singer, has material in I’m Coming Home that could give him his biggest record to date”. Horton’s vocal against this twangy backing makes a terrific impression. “Pirogue” is a rockabilly type novelty song of great appeal. It’s hard to see how this can miss becoming a gold mine”. On February 9, Billboard noted that “not only Southern markets are doing good business with this, but Northern cities report that both country and pop customers are going for this in a big way”. It was again a success on the country charts (No. 11 Jockey, No. 15 Best Seller) but it failed to score the popular music charts.

Horton, “The Singing Fisherman” had favorite fishing holes in the Piney Woods of East Texas and in northern Louisiana. He and outdoors writer Grits Gresham of Shreveport and later Natchitoches, Louisiana (the “Famous Fisherman” on Miller Lite 1978 commercial, and co host with Curt Gowdy of ABC‘s The American Sportsmantelevision series), enjoyed sharing a bass boat and fishing stories. Horton was also passionate about the writings of the spiritualistEdgar Cayce.[according to whom?]

Death

Johnny Horton bench at Hillcrest Cemetery in Haughton, Louisiana

Horton’s grave marker

Another Horton grave inscription

Tommy Tomlinson (c. 1930–1982), Horton’s guitar player from Minden, Louisiana,[2] flew in from Nashville, where he was producing a duet album with Jerry Kennedy (Tom and Jerry). Horton used the morning to make arrangements to go duck hunting with Claude King of Shreveport once King had returned from Austin and he also telephoned Johnny Cash for a chat. Cash declined to accept the call, an omission he regretted for the rest of his life. Against his wife’s wishes, Franks arose from his sickbed, and they began traveling to Austin.

When they got to the Skyline club, Horton stayed in his dressing room, saying that a drunk would kill him if he went near the bar. After the show, they started the 220-mile journey back to Shreveport. Tomlinson was in the back, observing that Horton was driving too fast—Franks was asleep in the front. About 2 a.m., near Milano, Texas, Horton was crossing a bridge when a truck came at them, hitting both sides of the bridge before plunging into Horton’s Cadillac. Horton had in the past avoided head-on collisions by driving into ditches, but on the narrow bridge he had no such opportunity. He was still breathing when he was pulled from the car but died en route to the hospital. The 19-year-old truck driver, James Davis, a student at Texas A&M University in College Station en route to his family residence in Brady in Central Texas, was intoxicated. Franks suffered head injuries, and young Tomlinson had multiple leg fractures, which nine months later required amputation of his left leg. Davis only suffered a broken ankle with other cuts and bruises.

Tillman Franks’ younger brother, William D. “Billy” Franks, a Church of God minister in Shreveport, preached Horton’s funeral on November 8, 1960, the day John F. Kennedy defeated Richard M. Nixon in the race for U.S. President to succeed Dwight D. Eisenhower. Billie Jean Horton hence became a widow for the second time at the age of twenty-eight. Johnny Cash read Chapter 20 from the Book of John, having flown in on a chartered airplane for Horton’s services. Fifty-three years later in 2013, Billy Franks officiated at the funeral in Shreveport of Horton’s friend, Claude King.[3][4][5]

Columbia released various singles and a greatest successes album and on October 5, 1964, Johnny Cash and the Tennessee Three overdubbed “Rock Island Line” and “I Just Don’t Like This Kind of Livin'” to Horton’s demos. Other such sessions were held throughout the sixties for album release. “Sleepy-Eyed John” scored the country charts in April 1961, scoring No. 9 and a year later “Honky Tonk Man” was reissued, scoring No. 11. In February 1963 he made his last appearance in the charts (to date) with “All Grown Up”, which reached No. 26.

Horton is interred, with a cemetery bench in his honor, at the Hillcrest Memorial Park and Mausoleum in Haughton, east of Bossier City in northwestern Louisiana.

Legacy

Horton will be remembered for his major contribution to both country and rockabilly music. When Johnny Cash, a good friend of Horton’s, learned about the accident he said, “[I] locked myself in one of the hotel’s barrooms and cried.”[6] Cash also dedicated his rendition of “When It’s Springtime in Alaska (It’s Forty Below)” to Horton on his album Personal File: “Johnny Horton was a good old friend of mine.”

Horton was inducted into The Louisiana Music Hall of Fame and posthumously inducted into the Delta Music Museum Hall of Fame in Ferriday, Louisiana.

Some racist songs have sometimes been incorrectly associated with Horton. These songs are by a singer calling himself “Johnny Rebel,” who did not begin recording until after Horton’s death. The mistake is apparently because Horton recorded the historical song “Johnny Reb.”[7][8]

Discography

Albums

Year Single Chart Positions RIAA Label
US Country US
1959 The Spectacular Johnny Horton Columbia
1960 Johnny Horton Makes History
1961 Greatest Hits 8 Platinum
1962 Honky Tonk Man 104
1965 I Can’t Forget You
1967 Johnny Horton On Stage 37
1968 The Unforgettable Johnny Horton
1970 On the Road
The Legendary Johnny Horton
1971 The Battle of New Orleans
The World of Johnny Horton

Singles

Year Single Chart Positions Album
US Country US
[9]
1953 “Tennessee Jive” single only
1956 Honky-Tonk Man 9 singles only
I’m a One-Woman Man 7
1957 “I’m Coming Home” 11
“The Woman I Need” 9
1958 “All Grown Up” 8
1959 When It’s Springtime in Alaska (It’s Forty Below) 1 The Spectacular Johnny Horton
The Battle of New Orleans 1 1
“Johnny Reb” 10 54 Johnny Horton Makes History
“Sal’s Got a Sugar Lip” 19 81 single only
1960 Sink the Bismarck 6 3 Johnny Horton Makes History
“Johnny Freedom” 69
North to Alaska 1 4 Greatest Hits
1961 “Sleepy-Eyed John” 9 54 Honky-Tonk Man
“Ole Slew-Foot” 28 110
1962 “Honky-Tonk Man” (re-release) 11 96
1963 “All Grown Up” (re-release) 26 single only

As per a box set of his work, here is a complete singles discography.

  • Johnny Horton 1956–1960 Vol. 1 / 01: “I’m a One Woman Man”
  • Johnny Horton 1956–1960 Vol. 1 / 02: “Honky-Tonk Man”
  • Johnny Horton 1956–1960 Vol. 1 / 03: “I’m Ready If You’re Willing”
  • Johnny Horton 1956–1960 Vol. 1 / 04: “I Got a Hole in My Pirogue”
  • Johnny Horton 1956–1960 Vol. 1 / 05: “Take Me Like I Am”
  • Johnny Horton 1956–1960 Vol. 1 / 06: “Sugar-Coated Baby”
  • Johnny Horton 1956–1960 Vol. 1 / 07: “I Don’t Like I Did”
  • Johnny Horton 1956–1960 Vol. 1 / 08: “Hooray For That Little Difference”
  • Johnny Horton 1956–1960 Vol. 1 / 09: “I’m Coming Home”
  • Johnny Horton 1956–1960 Vol. 1 / 10: “Over-Loving You”
  • Johnny Horton 1956–1960 Vol. 1 / 11: “She Knows Why”
  • Johnny Horton 1956–1960 Vol. 1 / 12: “Honky Tonk Mind (The Woman I Need)”
  • Johnny Horton 1956–1960 Vol. 1 / 13: “Tell My Baby I Love Her”
  • Johnny Horton 1956–1960 Vol. 1 / 14: “Goodbye Lonesome, Hello Baby Doll”
  • Johnny Horton 1956–1960 Vol. 1 / 15: “I’ll Do It Everytime”
  • Johnny Horton 1956–1960 Vol. 1 / 16: “You’re My Baby”
  • Johnny Horton 1956–1960 Vol. 1 / 17: “Let’s Take the Long Way Home”
  • Johnny Horton 1956–1960 Vol. 1 / 18: “Lover’s Rock”
  • Johnny Horton 1956–1960 Vol. 1 / 19: “Honky-Tonk Hardwood Floor”
  • Johnny Horton 1956–1960 Vol. 1 / 20: “The Wild One”
  • Johnny Horton 1956–1960 Vol. 1 / 21: “Everytime I’m Kissng You”
  • Johnny Horton 1956–1960 Vol. 1 / 22: “Hot in the Sugarcane Field”
  • Johnny Horton 1956–1960 Vol. 1 / 23: “Lonesome and Heartbroken”
  • Johnny Horton 1956–1960 Vol. 1 / 24: “Seven Come Eleven”
  • Johnny Horton 1956–1960 Vol. 1 / 25: “I Can’t Forget You”
  • Johnny Horton 1956–1960 Vol. 1 / 26: “Wise to the Ways of a Woman”
  • Johnny Horton 1956–1960 Vol. 1 / 27: “Out in New Mexico”
  • Johnny Horton 1956–1960 Vol. 1 / 28: “Tetched in the Head”
  • Johnny Horton 1956–1960 Vol. 1 / 29: “Just Walk a Little Closer”
  • Johnny Horton 1956–1960 Vol. 1 / 30: “Don’t Use My Heart for a Stepping Stone”
  • Johnny Horton 1956–1960 Vol. 1 / 31: “I Love You Baby”
  • Johnny Horton 1956–1960 Vol. 1 / 32: “Wise to the Ways of a Woman”
  • Johnny Horton 1956–1960 Vol. 2 / 01: “Counterfeit Love”
  • Johnny Horton 1956–1960 Vol. 2 / 02: “Mister Moonlight”
  • Johnny Horton 1956–1960 Vol. 2 / 03: “All Grown Up”
  • Johnny Horton 1956–1960 Vol. 2 / 04: “Got the Bull by the Horns”
  • Johnny Horton 1956–1960 Vol. 2 / 05: “When It’s Springtime in Alaska”
  • Johnny Horton 1956–1960 Vol. 2 / 06: “Whispering Pines”
  • Johnny Horton 1956–1960 Vol. 2 / 07: “The Battle of New Orleans”
  • Johnny Horton 1956–1960 Vol. 2 / 08: “All For the Love of a Girl”
  • Johnny Horton 1956–1960 Vol. 2 / 09: “Lost Highway”
  • Johnny Horton 1956–1960 Vol. 2 / 10: “Sam Magee”
  • Johnny Horton 1956–1960 Vol. 2 / 11: “Cherokee Boogie”
  • Johnny Horton 1956–1960 Vol. 2 / 12: “The Golden Rocket”
  • Johnny Horton 1956–1960 Vol. 2 / 13: “The Battle of New Orleans (British Version)”
  • Johnny Horton 1956–1960 Vol. 2 / 14: “Joe’s Been A-Gittin’ There”
  • Johnny Horton 1956–1960 Vol. 2 / 15: “The First Train Headin’ South”
  • Johnny Horton 1956–1960 Vol. 2 / 16: “Got the Bull by the Horns”
  • Johnny Horton 1956–1960 Vol. 2 / 17: “Sal’s Got a Sugerlip”
  • Johnny Horton 1956–1960 Vol. 2 / 18: “Words”
  • Johnny Horton 1956–1960 Vol. 2 / 19: “Johnny Reb”
  • Johnny Horton 1956–1960 Vol. 2 / 20: “Sal’s Got a Sugarlip”
  • Johnny Horton 1956–1960 Vol. 2 / 21: “Ole Slew Foot”
  • Johnny Horton 1956–1960 Vol. 2 / 22: “I’m Ready If Your Willing”
  • Johnny Horton 1956–1960 Vol. 2 / 23: “Take Me Like I Am”
  • Johnny Horton 1956–1960 Vol. 2 / 24: “They Shined Up Rudolph’s Nose”
  • Johnny Horton 1956–1960 Vol. 2 / 25: “The Electrified Donkey”
  • Johnny Horton 1956–1960 Vol. 2 / 26: “The Same Old Tale the Crow Told Me”
  • Johnny Horton 1956–1960 Vol. 2 / 27: “Sink the Bismarck”
  • Johnny Horton 1956–1960 Vol. 2 / 28: “Sink the Bismarck”
  • Johnny Horton 1956–1960 Vol. 2 / 29: “The Same Old Tale the Crow Told Me”
  • Johnny Horton 1956–1960 Vol. 2 / 30: “All Grown Up”
  • Johnny Horton 1956–1960 Vol. 2 / 31: “Got the Bull by the Horns”
  • Johnny Horton 1956–1960 Vol. 3 / 01: “Ole Slew Foot”
  • Johnny Horton 1956–1960 Vol. 3 / 02: “Miss Marcy”
  • Johnny Horton 1956–1960 Vol. 3 / 03: “Sleepy Eyed John”
  • Johnny Horton 1956–1960 Vol. 3 / 04: “The Mansion You Stole”
  • Johnny Horton 1956–1960 Vol. 3 / 05: “They’ll Never Take Her Love From Me”
  • Johnny Horton 1956–1960 Vol. 3 / 06: “The Sinking of Reuben James”
  • Johnny Horton 1956–1960 Vol. 3 / 07: “Jim Bridger”
  • Johnny Horton 1956–1960 Vol. 3 / 08: “The Battle of Bull Run”
  • Johnny Horton 1956–1960 Vol. 3 / 09: “Snow-Shoe Thompson”
  • Johnny Horton 1956–1960 Vol. 3 / 10: “John Paul Jones”
  • Johnny Horton 1956–1960 Vol. 3 / 11: “Comanche (The Brave Horse)”
  • Johnny Horton 1956–1960 Vol. 3 / 12: “Young Abe Lincoln”
  • Johnny Horton 1956–1960 Vol. 3 / 13: “O’Leary’s Cow”
  • Johnny Horton 1956–1960 Vol. 3 / 14: “Johnny Freedom”
  • Johnny Horton 1956–1960 Vol. 3 / 15: “Go North!”
  • Johnny Horton 1956–1960 Vol. 3 / 16: “North to Alaska”
  • Johnny Horton 1956–1960 Vol. 3 / 17: “North to Alaska”
  • Johnny Horton 1956–1960 Vol. 3 / 18: “I Just Don’t Like This Kind of Livin'”
  • Johnny Horton 1956–1960 Vol. 3 / 19: “Rock Island Line”
  • Johnny Horton 1956–1960 Vol. 3 / 20: “Hank and Joe and Me”
  • Johnny Horton 1956–1960 Vol. 3 / 21: “The Golden Rocket”
  • Johnny Horton 1956–1960 Vol. 3 / 22: “A-Sleeping at the Foot of the Bed”
  • Johnny Horton 1956–1960 Vol. 3 / 23: “I Just Don’t Like This Kind of Livin'”
  • Johnny Horton 1956–1960 Vol. 3 / 24: “Old Blind Barnabas”
  • Johnny Horton 1956–1960 Vol. 3 / 25: “Evil Hearted Me”
  • Johnny Horton 1956–1960 Vol. 3 / 26: “Hot in the Sugarcane Field”
  • Johnny Horton 1956–1960 Vol. 3 / 27: “You Don’t Move Me Baby Anymore”
  • Johnny Horton 1956–1960 Vol. 3 / 28: “The Gosh-Darn Wheel”
  • Johnny Horton 1956–1960 Vol. 3 / 29: “Broken Hearted Gypsy”
  • Johnny Horton 1956–1960 Vol. 3 / 30: “The Church by the Side of the Road”
  • Johnny Horton 1956–1960 Vol. 4 / 01: “The Vanishing Race”
  • Johnny Horton 1956–1960 Vol. 4 / 02: “Broken Hearted Gypsy”
  • Johnny Horton 1956–1960 Vol. 4 / 03: “That Boy Got the Habit”
  • Johnny Horton 1956–1960 Vol. 4 / 04: “Hot in the Sugarcane Field”
  • Johnny Horton 1956–1960 Vol. 4 / 05: “You Don’t Move Me Baby Anymore”
  • Johnny Horton 1956–1960 Vol. 4 / 06: “The Church by the Side of the Road”
  • Johnny Horton 1956–1960 Vol. 4 / 07: “I Just Don’t Like This Kind of Livin'”
  • Johnny Horton 1956–1960 Vol. 4 / 08: “Take It Like a Man”
  • Johnny Horton 1956–1960 Vol. 4 / 09: “Hank and Joe and Me”
  • Johnny Horton 1956–1960 Vol. 4 / 10: “The Golden Rocket”
  • Johnny Horton 1956–1960 Vol. 4 / 11: “Old Blind Barnabas”
  • Johnny Horton 1956–1960 Vol. 4 / 12: “Empty Bed Blues”
  • Johnny Horton 1956–1960 Vol. 4 / 13: “Rock Island Line”
  • Johnny Horton 1956–1960 Vol. 4 / 14: “Shake, Rattle and Roll”
  • Johnny Horton 1956–1960 Vol. 4 / 15: “A-Sleeping at the Foot of the Bed”
  • Johnny Horton 1956–1960 Vol. 4 / 16: “Old Dan Tucker”
  • Johnny Horton 1956–1960 Vol. 4 / 17: “The Gosh Darn Wheel”
  • Johnny Horton 1956–1960 Vol. 4 / 18: “From Memphis to Mobile”
  • Johnny Horton 1956–1960 Vol. 4 / 19: “Back Up Train”
  • Johnny Horton 1956–1960 Vol. 4 / 20: “Schottische in Texas”
  • Johnny Horton 1956–1960 Vol. 4 / 21: “Take It LIke a Man”
  • Johnny Horton 1956–1960 Vol. 4 / 22: “That Boy Got the Habit”
  • Johnny Horton 1956–1960 Vol. 4 / 23: “My Heart Stopped, Trembled and Died”
  • Johnny Horton 1956–1960 Vol. 4 / 24: “Alley Girl Ways”
  • Johnny Horton 1956–1960 Vol. 4 / 25: “How You Gonna Make It”
  • Johnny Horton 1956–1960 Vol. 4 / 26: “Witch Walking Baby”
  • Johnny Horton 1956–1960 Vol. 4 / 27: “Down That River Road”
  • Johnny Horton 1956–1960 Vol. 4 / 28: “Big Wheels Rollin'”
  • Johnny Horton 1956–1960 Vol. 4 / 29: “I Got a Slow Leak in My Heart”
  • Johnny Horton 1956–1960 Vol. 4 / 30: “You Don’t Move Me Baby Anymore”
  • Johnny Horton 1956–1960 Vol. 4 / 31: “What Will I Do Without You”
  • Johnny Horton 1956–1960 Vol. 4 / 32: “Janey”
  • Johnny Horton 1956–1960 Vol. 4 / 33: “Streets of Dodge”
  • Johnny Horton 1956–1960 Vol. 4 / 34: “Give Me Back My Picture and You Can Keep the Frame”

See also

Notes

  1. Jump up^ “Tommy Tomlinson”. hillbilly-music.com. Retrieved July 1, 2015.
  2. Jump up^ “Tommy Tomlinson”. Minden Press-Herald. April 12, 1982. p. 4.
  3. Jump up^ “Claude King obituary”. Shreveport Times. Retrieved March 11, 2013.
  4. Jump up^ Reverend William D. “Billy” Franks (born 1925) is the younger brother of Tillman Franks and the retired founding pastor of the Oakmont Church of God in the Cedar Grove section of Shreveport.
  5. Jump up^ “Lottie Mae Hood Franks”. Find a Grave. Retrieved August 9, 2015.
  6. Jump up^ Cash, Johnny (2003). Cash: The Autobiography. HarperCollins. ISBN 978-0060727536.
  7. Jump up^ Adams, Greg (December 6, 2014). “Did Johnny Horton record racist songs? A history of racist country music”. http://musicweird.blogspot.com/. Retrieved August 17, 2015. External link in |website= (help)
  8. Jump up^ “Is Johnny Horton Racist?”. http://www.spasticmonkeys.com/. February 19, 2004. Retrieved August 17, 2015. External link in |website= (help)
  9. Jump up^ Whitburn, Joel (2011). Top Pop Singles 1955–2010. Record Research, Inc. p. 413. ISBN 0-89820-188-8.

https://en.wikipedia.org/wiki/Johnny_Horton

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