Culture

Castro Dead Cubans Celebrate — Death of The Communist Dictator Tyrant — Videos

Posted on November 26, 2016. Filed under: American History, Blogroll, Books, Business, Communications, Corruption, Crime, Documentary, Foreign Policy, Freedom, history, Homicide, Illegal, Immigration, Language, Law, Legal, liberty, Life, Links, Missiles, Newspapers, Non-Fiction, Nuclear, People, Philosophy, Photos, Police, Radio, Radio, Raves, Religious, Speech, Television, Video, War, Wealth, Weapons, Welfare, Wisdom | Tags: , , , , , , , |

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 Fidel Castro dead at age 90

Fidel Castro Dead at 90 | Former Cuban President Remembered

BREAKING: Fidel Castro Dies, Cuba Fidel Castro is Dead at age 90

Nigel Farage reacts to the death of Fidel Castro

Celebrations in Miami’s Little Havana in the wake of Fidel Castro’s death

Secrets Of Fidel Castro’s Death and Life Revealed

Fidel Castro, Cuba’s leader of revolution, dies at 90 – BBC News

A brief history of America and Cuba

CUBA BEFORE FIDEL CASTRO

Cuba: Before And After

Cuban Revolution & Fidel Castro’s Communist Regime in Cuba | Documentary | 1963

Fidel Castro Dies – Miami Celebrates Fidel Castro Death – Cuba President Dead

USA: Miami’s Cubans celebrate Fidel Castro’s death

Global reactions to Fidel Castro’s death

Havana, Miami wake up to Fidel Castro death news (Streamed live)

Fidel Castro Biography

Fidel Castro The Untold Story 2001 Documentary

The Fidel Castro Tapes – Los Archivos de Fidel Castro

[youtube-https://www.youtube.com/watch?v=8ad6JP3mUGs]

Fidel Castro On Che Guevara

The Truth About Che Guevara

The True Story of Che Guevara (Full Documentary)

Exposing Fidel Castro and Che Guevara

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Ted Morgan –Reds: McCarthyism in Twentieth Century America — Videos

Posted on November 20, 2016. Filed under: American History, Articles, Blogroll, Books, Communications, Congress, Constitution, Corruption, Crime, Culture, Documentary, Economics, Education, Elections, Employment, Entertainment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, government spending, history, Illegal, Immigration, Internal Revenue Service (IRS), Law, Legal, liberty, Life, Links, Literacy, media, Money, Narcissism, Non-Fiction, Nuclear, People, Philosophy, Photos, Police, Political Correctness, Politics, Presidential Candidates, Press, Psychology, Radio, Rants, Raves, Regulations, Religious, Reviews, Strategy, Tax Policy, Taxation, Taxes, Technology, Unemployment, Video, War, Wealth, Weapons, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , |

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QA: Ted Morgan

ploaded on Feb 23, 2010

On this Q&A, our guest was Pulitzer prize winning author Ted Morgan. His 19th book, “Valley of Death: The Tragedy at Dien Bien Phu That Led America Into the Vietnam War,” is the story of a 1954 battle where the French were defeated by the Vietnamese resistance forces, ending French rule in Indochina. That battle ultimately led to U.S. involvement in the Vietnam War.

House Un-American Activities Committee

Committee On Un-American Activities

HUAC Explained (House Un-American Activities Committee)

Venona: A Real-Life Spy Thriller – Decoding Soviet Espionage in America (1999)

The Venona Secrets : FDR with Harry Hopkins, Alger Hiss, Jews, etc….

Glenn Beck-McCarthy and the Venona papers

Glenn Beck INTERVIEWS M. Stanton Evans :: American Hero Joe McCarthy – BLACKLISTED BY HISTORY!!

Joseph Raymond “Joe” McCarthy

Classic Educational Videos – Senator Joseph McCarthy American History Video

The Downfall of Joseph McCarthy (Compare to Donald Trump)

President Trump & Roy Marcus Cohn & McCarthy / FBI Hoover recommended Cohn to McCarthy

Published on Nov 9, 2016

Roy Marcus Cohn, Jewish, ( February 20, 1927 – August 2, 1986)

was an American attorney who became famous during Senator Joseph McCarthy’s investigations into Communist activity in the United States during the Second Red Scare. Cohn gained special prominence during the Army–McCarthy hearings. He was also a member of the U.S. Department of Justice’s prosecution team at the espionage trial of Julius and Ethel Rosenberg.

Born to an observant Jewish family in The Bronx, New York City.

Cohn was the only child of Dora (née Marcus; 1892–1967) and
Judge Albert C. Cohn (1885–1959), who was influential in Democratic Party politics.
His great-uncle was Joshua Lionel Cowen, the founder and longtime owner of the Lionel Corporation, a manufacturer of toy trains.

The Rosenberg trial brought the 24-year-old Cohn to the attention of Federal Bureau of Investigation (FBI) director
J. Edgar Hoover,
who recommended him to Joseph McCarthy. McCarthy hired Cohn as his chief counsel, choosing him over Robert Kennedy, reportedly in part to avoid accusations of an anti-Semitic motivation for the investigations.
(wiki) https://en.wikipedia.org/wiki/Roy_Cohn

In 1952 Senator McCarthy made Roy Cohn the chief counsel to the Government Committee on Operations of the Senate. Cohn became famous for his aggressive style during the Army-McCarthy hearings. After McCarthy was censured in 1954, Cohn went into private practice. Over the next thirty years his clients included Donald Trump, Tony Salerno, and the Catholic Archdiocese of New York.

What Donald Trump Learned From Roy Cohn… (w/Guest: Jamie Weinstein)

Trump’s “Greatest Mentor” was Red-Baiting Aide to Joseph McCarthy and Attorney for NYC Mob Families

Published on Jul 5, 2016

http://democracynow.org – With the Republican National Convention opening in Cleveland in less than two weeks, the party’s presumptive nominee, Donald Trump, is facing a new wave of controversies, from Trump’s tweeting of an anti-Semitic image showing Hillary Clinton against a backdrop of cash and a Star of David to his joke about Mexico attacking the United States. We spend the hour with Trump biographer Wayne Barrett, author of “Trump: The Greatest Show on Earth: The Deals, the Downfall, the Reinvention.” Barrett has been reporting on Trump since the 1970s. We begin by talking about Trump’s close relationship with the late Roy Cohn, who once served as a top aide to the red-baiting Senator Joseph McCarthy.

M. Stanton Evans is the author of “Blacklisted by History”

Joseph McCarthy: Biography, McCarthyism, Facts, History, Legacy (2000)

Firing Line “Should the House Committee on Un-American Activities Be Abolished?”

William F. Buckley, Jr. on the Life of Senator Joe McCarthy (1999)

The Real American Joe McCarthy 2011

Joseph McCarthy Congressional Hearings

Tail Gunner Joe (1977) Full Movie Peter Boyle Senator Joseph McCarthy Ann Coulter Fox TV Treason

Reds: McCarthyism in Twentieth-Century America

Front Cover
Random House Publishing Group, Nov 1, 2004History704 pages

In this landmark work, Pulitzer Prize–winning author Ted Morgan examines the McCarthyite strain in American politics, from its origins in the period that followed the Bolshevik Revolution to the present. Morgan argues that Senator Joseph McCarthy did not emerge in a vacuum—he was, rather, the most prominent in a long line of men who exploited the issue of Communism for political advantage.

In 1918, America invaded Russia in an attempt at regime change. Meanwhile, on the home front, the first of many congressional investigations of Communism was conducted. Anarchist bombs exploded from coast to coast, leading to the political repression of the Red Scare.

Soviet subversion and espionage in the United States began in 1920, under the cover of a trade mission. Franklin Delano Roosevelt granted the Soviets diplomatic recognition in 1933, which gave them an opportunity to expand their spy networks by using their embassy and consulates as espionage hubs. Simultaneously, the American Communist Party provided a recruitment pool for homegrown spies. Martin Dies, Jr., the first congressman to make his name as a Red hunter, developed solid information on Communist subversion through his Un-American Activities Committee. However, its hearings were marred by partisan attacks on the New Deal, presaging McCarthy.

The most pervasive period of Soviet espionage came during World War II, when Russia, as an ally of the United States, received military equipment financed under the policy of lend-lease. It was then that highly placed spies operated inside the U.S. government and in America’s nuclear facilities. Thanks to the Venona transcripts of KGB cable traffic, we now have a detailed account of wartime Soviet espionage, down to the marital problems of Soviet spies and the KGB’s abject efforts to capture deserting Soviet seamen on American soil.

During the Truman years, Soviet espionage was in disarray following the defections of Elizabeth Bentley and Igor Gouzenko. The American Communist Party was much diminished by a number of measures, including its expulsion from the labor unions, the prosecution of its leaders under the Smith Act, and the weeding out, under Truman’s loyalty program, of subversives in government. As Morgan persuasively establishes, by the time McCarthy exploited the Red issue in 1950, the battle against Communists had been all but won by the Truman administration.

In this bold narrative history, Ted Morgan analyzes the paradoxical culture of fear that seized a nation at the height of its power. Using Joseph McCarthy’s previously unavailable private papers and recently released transcripts of closed hearings of McCarthy’s investigations subcommittee, Morgan provides many new insights into the notorious Red hunter’s methods and motives.

Full of drama and intrigue, finely etched portraits, and political revelations, Reds brings to life a critical period in American history that has profound relevance to our own time.

https://books.google.com/books?id=RI3KsN_XOD4C&printsec=frontcover&dq=Ted+Morgan&hl=en&sa=X&ei=h2sVUeyhNOi_0QGtxICYDA&ved=0CEAQ6AEwAg#

Ted Morgan (writer)

From Wikipedia, the free encyclopedia
Ted Morgan
Born Comte St. Charles Armand Gabriel de Gramont
March 30, 1932 (age 84)
Geneva, Switzerland
Occupation Journalist, biographer, historian
Alma mater Yale University
Notable awards Pulitzer Prize for Local Reporting

Ted Morgan (born March 30, 1932) is a FrenchAmerican biographer, journalist, and historian.

Life

Morgan was born Comte St. Charles Armand Gabriel de Gramont in Geneva.

He is the son of Gabriel Antoine Armand, Comte de Gramont (1908–1943), a pilot in the French escadrille in England during World War II. Gramont is an old French noble family.

After his father’s death in a training flight, Morgan began to lead two parallel lives. He attended Yale University (where he was a member of Manuscript Society) and worked as a reporter. But he was still a member (albeit a reluctant one) of the French nobility. He was drafted into the French Army where he served for two years from 1955 to 1957, during the Algerian War, initially as a second lieutenant with a Senegalese regiment of Colonial Infantry and then as a propaganda officer. He subsequently wrote in frank detail of his brutalizing experiences while on active service in the bled (Algerian countryside) and of the atrocities committed by both sides during the Battle of Algiers.[1]

Following his military service, Morgan returned to the United States and won the Pulitzer Prize for Local Reporting in 1961 for what was described as “his moving account of the death of Leonard Warren on the Metropolitan Opera stage.”[2] At the time, Morgan was still a French citizen writing under the name of “Sanche de Gramont”.

In the 1970s, Morgan stopped using the byline “Sanche de Gramont”. He became an American citizen in 1977, renouncing his titles of nobility. The name he adopted as a U.S. citizen, “Ted Morgan”, is an anagram of “de Gramont”. The new name was a conscious attempt to discard his aristocratic French past. He had settled on a “name that conformed with the language and cultural norms of American society, a name that telephone operators and desk clerks could hear without flinching” (On Becoming American, 1978). Morgan was featured in the CBS news program 60 Minutes in 1978. The segment explored Morgan’s reasons for embracing American culture and showed him eating dinner with his family in a fast food restaurant.

Morgan has written biographies of William S. Burroughs, Franklin Delano Roosevelt and Winston Churchill. The last-named was a finalist in the 1983 Pulitzer Prize for Biography.[3] His 1980 biography of W. Somerset Maugham was a 1982 National Book Award finalist in its first paperback edition.[4][a] He has also written for newspapers and magazines.

Selected books

Notes

  1. Jump up^ Walter Lippmann and the American Century by Ronald Steel won the 1982 National Book Award for paperback “Autobiography/Biography”.
    From 1980 to 1983 in National Book Award history there were dual hardcover and paperback awards in most categories, and several nonfiction subcategories including General Nonfiction. Like most of the paperback-award winning books, Walter Lippmann and Maugham were reissues.

References

  1. Jump up^ Ted Morgan, My Battle of Algiers. ISBN 0-06-085224-0.
  2. Jump up^ “Local Reporting”. The Pulitzer Prizes. Retrieved 2013-11-02.
  3. Jump up^ “Biography or Autobiography”. The Pulitzer Prizes. Retrieved 2013-11-02.
  4. Jump up^ “National Book Awards – 1982”. National Book Foundation. Retrieved 2013-11-02.

External links

https://en.wikipedia.org/wiki/Ted_Morgan_(writer)

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Ken Kasey — One Flew Over the Cuckoo’s Nest — Individualism vs. Collectivism — Hillary Clinton is Nurse Ratched — The Big Nurse — Medication Time — Medication Time — I don’t trust you. –Videos

Posted on October 23, 2016. Filed under: Blogroll, Book, Books, Communications, Constitution, Corruption, Crime, Crisis, Culture, Documentary, Economics, Employment, Entertainment, Faith, Family, Fiction, Fraud, Law, liberty, Life, Links, Love, media, Money, Movies, People, Philosophy, Photos, Rants, Raves, Raymond Thomas Pronk, Video, Welfare, Writing | Tags: , , , , , , , , , , , , , |

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 Hillary Clinton Is Nurse Ratched! — Videos

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A Look Inside: One Flew Over The Cuckoos Nest

One flew over the cuckoo’s nest – Trailer – HQ

One Flew Over the Cuckoo’s Nest – Opening Scene – Full HD

One Flew Over The Cuckoos Nest – Randle McMurphy’s Arrival – 1080p Full HD

One Flew Over the Cuckoo’s Nest – The First Confrontation

One flew over the cuckoos nest – ball game.mov

One Flew Over The Cuckoo’s Nest 1975 Best scene

One Flew Over the Cuckoo’s Nest – I bet a dime

May I have my Cigarettes please, Nurse Ratched ?

One Flew Over The Cuckoos Nest – After Party Full Scene – 1080p Full HD

Billy Bibbit Scene

One Flew Over the Cookoo’s Nest – Basketball Game

‘Strangle Scene’.. ‘Nurse Ratched’ gets what she had ‘coming’ to her.. lol😉

One Flew Over The Cuckoo’s Nest – Randal back in action scene

One Floor Over the Cuckoo’s Nest –Juicy Fruit Scene–

One Flew Over the Cuckoo’s Nest – Ending Scene – Full HD

Ken Kesey interview (“One Flew Over the Cuckoo’s Nest”) on Charlie Rose (1992)

Jack Nicholson Wins Best Actor: 1976 Oscars

Jack Nicholson on ONE FLEW OVER THE CUCKOO’S NEST

SISKEL & EBERT MOVIE REVIEW — “ONE FLEW OVER THE CUCKOO’S NEST” (1975)

Spoiler Alert

Hidden Meaning in One Flew Over the Cuckoo’s Nest – Earthling Cinema

One Flew Over the Cuckoo’s Nest” by Ken Kesey [BOOK REVIEW]

One Flew Over the Cuckoo’s Nest Literary Analysis

Hillary Clinton is Evil! (REMIX)

Hillary Clinton / Nurse Ratched ???

Hillary Clinton is Nurse Ratched

10/05 Hillary Clinton – Nurse for a Day

Social Aspects of Ken Kesey’s One Flew Over the Cuckoo’s Nest

Cultural Dimension: me or we

Classical Liberalism: The Decline and Triumph of Classical Liberalism (Pt. 1) – Learn Liberty

Classical Liberalism: The Decline and Triumph of Classical Liberalism (Pt. 2) – Learn Liberty

Libertarianism Explained: Individualism vs. Collectivism – Learn Liberty

The Fountainhead – Howard Roark speech

G. Edward Griffin: The Collectivist Conspiracy (Full Length)

Ayn Rand on Collectivism

One Flew Over the Cuckoo’s Nest (film)

From Wikipedia, the free encyclopedia
One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo's Nest poster.jpg

Theatrical release poster
Directed by Miloš Forman
Produced by Saul Zaentz
Michael Douglas
Screenplay by Lawrence Hauben
Bo Goldman
Based on One Flew Over the Cuckoo’s Nest
by Ken Kesey
Starring Jack Nicholson
Louise Fletcher
William Redfield
Music by Jack Nitzsche
Cinematography Haskell Wexler
Bill Butler[1]
Edited by Richard Chew[2]
Sheldon Kahn
Lynzee Klingman
Production
company
Fantasy Films
Distributed by United Artists
Release dates
  • November 19, 1975
Running time
133 minutes
Country United States
Language English
Budget $3 million[3]
Box office $109 million[3]

One Flew Over the Cuckoo’s Nest is a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel One Flew Over the Cuckoo’s Nest by Ken Kesey. The film stars Jack Nicholson and features a supporting cast of Louise Fletcher, William Redfield, Will Sampson, and Brad Dourif.

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo’s Nest is No. 33 on the American Film Institute‘s 100 Years… 100 Movies list. The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Nightin 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards.

In 1993, the film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

Plot

In 1963, Oregon, recidivist criminal Randle McMurphy is moved to a mental institution after serving a short sentence on a prison farm after raping a teenager. Though not actually mentally ill, McMurphy hopes to avoid hard labour and serve the rest of his sentence in a relaxed environment. Upon arriving at the hospital, he finds the ward run by the steely, strict Nurse Ratched, who subtly suppresses the actions of her patients through a passive-aggressive routine, intimidating the patients.

The other patients include anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to childish tantrums; delusional Martini; the well-educated, paranoid Dale Harding; belligerent Max Taber; epileptic Jim Sefelt; and “Chief” Bromden, a tall Native American believed to be deaf and mute. Ratched soon sees McMurphy’s lively, rebellious presence to be a threat to her authority, confiscating the patients’ cigarettes and rationing them. During his time in the ward, McMurphy gets into a battle of wits with Ratched. He steals a hospital bus, escaping with several patients to go on a fishing trip, encouraging his friends to become more self-confident.

McMurphy learns his sentence may become indefinite, and he makes plans to escape, exhorting Chief to throw a hydrotherapy cart through a window. He, Chief, and Cheswick get into a fight with the orderlies after the latter becomes agitated over his stolen cigarettes. Ratched sends them to the “shock shop”, and McMurphy discovers Chief can actually speak, feigning illness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to have brain damage, but reveals the treatment has charged him up even more. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched leaves for the night.

McMurphy sneaks two women, Candy and Rose, into the ward and bribes the night guard. After a night of partying, McMurphy and Chief prepare to escape, inviting Billy to come with them. He refuses, not ready to leave the hospital. McMurphy instead convinces him to have sex with Candy. Ratched arrives in the morning to find the ward in disarray and most of the patients unconscious. She discovers Billy and Candy together, the former now free of his stutter, until Ratched threatens to inform his mother about his escapade. Billy is overwhelmed with fear and locks himself in the doctor’s office and commits suicide. The enraged McMurphy strangles Ratched, before being knocked out by an orderly.

Ratched comes back with a neck brace and a scratchy voice. Rumours spread that McMurphy escaped rather than be taken “upstairs”. Later that night, Chief sees McMurphy being returned to his bed. He discovers McMurphy has lobotomy scars on his forehead, and smothers his friend with a pillow. Chief finally throws the hydrotherapy cart through the window and escapes into the night, cheered on by the men.

Cast

Production

Filming began in January 1975 and concluded approximately three months later,[4] and was shot on location in Salem, Oregon and the surrounding area, as well as on the Oregon coast.[5][6] It was also shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.[7]

Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical terrorist group The Weather Underground were being interviewed while hiding from the law. However, Miloš Forman said he had terminated Wexler over mere artistic differences. Both Wexler and Butler received Academy Awardnominations for Best Cinematography for One Flew Over the Cuckoo’s Nest, though Wexler said there was “only about a minute or two minutes in that film I didn’t shoot.”[8]

According to Butler, Jack Nicholson refused to speak to Forman: “…[Jack] never talked to Milos at all, he only talked to me.”[1]

Reception

The film was met with overwhelming critical acclaim; Roger Ebert said “Miloš Forman’s One Flew Over the Cuckoo’s Nest is a film so good in so many of its parts that there’s a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance.”[9] Ebert would later put the film on his “Great Movies” list.[10] A.D. Murphy of Variety wrote a mixed review as well,[11] as did Vincent Canby: writing in The New York Times, Canby called the film “a comedy that can’t quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.”[12]

The film opens with original music by composer Jack Nitzsche, featuring an eerie bowed saw (performed by Robert Armstrong) and wine glasses. Commenting on the score, reviewer Steven McDonald has said, “The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times — even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time it tilts completely over into a strange little world of its own …”[13]

The film went on to win the “Big Five” Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, andBest Adapted Screenplay for Laurence Hauben and Bo Goldman. The film currently has a 95% “Certified Fresh” rating at Rotten Tomatoes with an average rating of 8.9/10.[14] Its consensus states “The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s — and testament to the director’s vision that the film retains its power more than three decades later.”

One Flew Over the Cuckoo’s Nest is considered to be one of the greatest American films. Ken Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.[15] Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it,[16] a fact confirmed by Chuck Palahniuk who wrote, “The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked.”[17]

In 1993, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.[18]

Awards and honors

Award Category Nominee Result
Academy Award Academy Award for Best Picture Michael Douglas and Saul Zaentz Won
Academy Award for Best Director Miloš Forman Won
Academy Award for Best Actor Jack Nicholson Won
Academy Award for Best Actress Louise Fletcher Won
Academy Award for Writing Adapted Screenplay Laurence Hauben and Bo Goldman Won
Academy Award for Best Supporting Actor Brad Dourif Nominated
Academy Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
Academy Award for Film Editing Richard Chew, Lyzee Klingman and Sheldon Kahn Nominated
Academy Award for Original Music Score Jack Nitzsche Nominated
Golden Globe Award Golden Globe Award for Best Motion Picture – Drama Michael Douglas and Saul Zaentz Won
Golden Globe Award for Best Director – Motion Picture Miloš Forman Won
Golden Globe Award for Best Actor – Motion Picture Drama Jack Nicholson Won
Golden Globe Award for Best Actress – Motion Picture Drama Louise Fletcher Won
Golden Globe Award for Best Screenplay Laurence Hauben and Bo Goldman Won
Golden Globe Award for New Star of the Year – Actor Brad Dourif Won
BAFTA Award BAFTA Award for Best Film Michael Douglas and Saul Zaentz Won
BAFTA Award for Best Direction Miloš Forman Won
BAFTA Award for Best Actor in a Leading Role Jack Nicholson Won
BAFTA Award for Best Actress in a Leading Role Louise Fletcher Won
BAFTA Award for Best Actor in a Supporting Role Brad Dourif Won
BAFTA Award for Best Editing Richard Chew, Lynzee Klingman and Sheldon Kahn Won
BAFTA Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
BAFTA Award for Best Adapted Screenplay Laurence Hauben and Bo Goldman Nominated

Others

American Film Institute

See also

References

  1. ^ Jump up to:a b Townsend, Sylvia (19 December 2014). “Haskell Wexler and the Making of ‘One Flew Over the Cuckoo’s Nest'”. Retrieved 13 April2015.
  2. Jump up^ Chew was listed as “supervising editor” in the film’s credits, but was included in the nomination for an editing Academy Award.
  3. ^ Jump up to:a b “One Flew Over the Cuckoo’s Nest, Box Office Information”.Box Office Mojo. Retrieved January 22, 2012.
  4. Jump up^ One Flew Over the Cuckoo’s Nest at the American Film Institute
  5. Jump up^ Story Notes for One Flew Over the Cuckoo’s Nest
  6. Jump up^ “Hollywood’s Love Affair with Oregon Coast Continues”. Retrieved15 June 2015.
  7. Jump up^ Oregon State Hospital – A documentary film (Mental Health Association of Portland)
  8. Jump up^ Anderson, John. “Haskell Wexler, Oscar-Winning Cinematographer, Dies at 93.” The New York Times, December 27, 2015.
  9. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, January 1, 1975
  10. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, February 2, 2003.
  11. Jump up^ Variety.com – A.D. Murphy, Variety, November 7, 1975
  12. Jump up^ Canby, Vincent (November 28, 1975). “Critic’s Pick: One Flew Over the Cuckoo’s Nest”. The New York Times.
  13. Jump up^ AllMusic: Review by Steven McDonald
  14. Jump up^ “One Flew over the Cuckoo’s Nest Movie Reviews, Pictures – Rotten Tomatoes”. Retrieved 2010-08-19.
  15. Jump up^ Carnes, Mark Christopher, Paul R. Betz, et al. (1999). American National Biography, Volume 26. New York: Oxford University Press USA. ISBN 0-19-522202-4. p. 312,
  16. Jump up^ Carnes, p. 312
  17. Jump up^ Foreword of One Flew Over the Cuckoo’s Nest, Copyright 2007 by Chuck Palahniuk. Available in the 2007 Edition published by Penguin Books
  18. Jump up^ “U.S. National Film Registry — Titles”. Retrieved September 2,2016.
  19. Jump up^ AFI’s 100 Years…100 Heroes and Villains Nominees

External links

https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)

Could Hillary’s smile cost her the election? Twitter mocks Clinton’s ‘creepy grandma’ grin as she smirks her way through presidential debate

With her opponent dogged by accusations of sexual assault, Hillary Clinton had strong odds as she entered the third presidential debate on Wednesday.

Only one thing seemed to threaten her chances of victory: her smile.

The Democratic candidate faced a flood of insults as she took to the stage at the University of Las Vegas, with many viewers confessing they were ‘creeped out’ by her stubborn grin.

Hundreds took to Twitter to describe her smile as ‘scary’ and ‘creepy’.

Hillary Clinton's unrelenting smile at Wednesday's presidential debate made for uncomfortable viewing for some voters 

Hillary Clinton’s unrelenting smile at Wednesday’s presidential debate made for uncomfortable viewing for some voters

Social media mocks Hillary Clinton’s ‘creepy grandma’ grin

Others questioned why, when being slammed with insults from her opponent, her expression did not drop.

‘Hillary Clinton’s smile is the scariest thing I’ve ever seen in my life,’ said one observer.

‘When Hillary smiles she looks like an evil snake,’ another commented.

‘What to do when you don’t have a response? Smile like a chipmunk,’ remarked another.

‘Whoever told Hillary Clinton to smile less since the first debate gave great advice,’ mused a different viewer.

Others, ever-so-slightly more charmed by her cheerful demeanor, likened her to a happy grandmother.

The Democratic candidate beamed as she listened to Donald Trump slam her political record and campaign policies 

Her glee remained written all over her face as Trump continued to slate her, much to viewers' confusion 

Her glee remained written all over her face as Trump continued to slate her, much to viewers’ confusion

Twitter users were quick to mock her expression as they watched the debate on Wednesday 

Twitter users were quick to mock her expression as they watched the debate on Wednesday

Clinton's happy expression became a talking point at earlier debates. It continued to peak viewers' interests at her final showdown with Trump on Wednesday (above) e

Clinton’s happy expression became a talking point at earlier debates. It continued to peak viewers’ interests at her final showdown with Trump on Wednesday (above)

‘Hillary Clinton is so cute it’s something about her I just want her to tuck me in and give me a kiss with her coffee breath,’ one commented.

It was not the first time her facial expression sparked interest among voters.

After the first presidential debate on September 26, political commentators shared some free advice with the candidate online.

‘Who told Hillary Clinton to keep smiling like she’s at her granddaughter’s birthday party?’ said David Frum, senior editor of The Atlantic, at the time.

The discussion had the same hallmarks of bizarre criticisms made earlier this month about Donald Trump’s incessant sniffing.

Viewers were distracted throughout the second presidential debate by the Republican candidate’s runny nose, complaining in their droves about it online. 
http://www.dailymail.co.uk/news/article-3854016/Could-Hillary-s-smile-cost-election-Twitter-mocks-Clinton-s-creepy-grandma-grin-smirks-way-presidential-debate.html#ixzz4Nf3WfCyu

Ken Kesey

From Wikipedia, the free encyclopedia
Not to be confused with Kenny Casey (disambiguation).
Ken Kesey
Born Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
Died November 10, 2001 (aged 66)
Eugene, Oregon, U.S.[1][2]
Occupation Novelist, short story writer, essayist, poet
Nationality American
Genre Beat, postmodernism
Literary movement Merry Pranksters
Notable works One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)

Kenneth Elton “Ken” Kesey (/ˈkz/; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.

Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.[3]

In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).

Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs.[4][5] After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.

Biography

Early life

Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey.[1] In 1946, the family moved to Springfield, Oregon.[2] Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953.[2] An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.[6]

In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade.[2] According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.”[7] Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon.[8] Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.[9]

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition.[1][10][11] He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”[12][13]

A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz.[14] Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction.[15] After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.

Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions.[16] Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.[2]

During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.”[17] Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.[18]

Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.[17]The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class.[19] While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.

Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”[20]

Experimentation with psychoactive drugs

At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital[21] where he worked as a night aide.[22] The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people.[2] Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus.[23] He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).

One Flew Over the Cuckoo’s Nest

While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.”[24] Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.[24]

During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.

The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.[25]

Merry Pranksters

When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.[26] This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.

After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life.[27] He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Death of son

In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament;[11] after he was declared brain-dead two days later his parents gave permission for his organs to be donated.[28]

Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” [29]

At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill.[30] Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.[31]

Final years

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.[citation needed]

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.[citation needed]

On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.[citation needed]

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College.[citation needed] His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.[citation needed]

Death

In 1998, health problems began to weaken him, starting with a stroke that year.[2] On October 25, 2001 Kesey had surgery on his liver to remove a tumor.[2] He did not recover from that operation and died of complications on November 10, 2001, age 66.[2]

Legacy

The film Gerry (2002) is dedicated to the memory of Ken Kesey.[32]

Works

Some of Kesey’s better-known works include:[33]

Footnotes

  1. ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
  2. ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
  3. Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
  4. Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
  5. Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
  6. Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
  7. Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
  8. Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
  9. Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
  10. Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
  11. ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14. Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
  12. Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
  13. Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
  14. Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
  15. Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
  16. Jump up^ Too Good to Be True. Retrieved 2014-12-14.
  17. ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
  18. Jump up^ Wallace Stegner. Retrieved 2014-12-14.
  19. Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
  20. Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
  21. Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
  22. Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
  23. Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
  24. ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
  25. Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
  26. Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
  27. Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
  28. Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
  29. Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
  30. Jump up^ https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
  31. Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en. Missing or empty |title= (help)
  32. Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
  33. Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.

Further reading

  • Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
  • Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
  • Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
  • Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
  • Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
  • Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
  • Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
  • M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
  • Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
  • Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
  • Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.

External links

https://en.wikipedia.org/wiki/Ken_Kesey

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Celtic Woman — You Raise Me Up — Videos

Posted on July 7, 2016. Filed under: Art, Art, Blogroll, Culture, Music | Tags: , , , , , , , , , , , , , , , , , , , , , , , , |

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The all-female musical ensemble Celtic Woman will perform April 21, 2012 at Keller Auditorium in Portland.

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Celtic Woman – You Raise Me Up

Lyrics

When I am down and, oh my soul, so weary;
When troubles come and my heart burdened be;
Then, I am still and wait here in the silence,
Until you come and sit awhile with me.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

There is no life – no life without its hunger;
Each restless heart beats so imperfectly;
But when you come and I am filled with wonder,
Sometimes, I think I glimpse eternity.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up: To more than I can be.

Scarborough Fair – Celtic Woman live performance HD

Hayley Westenra, the newest member of Celtic Woman performs “Scarborough Fair” at Slane Castle, Ireland . . .

Are you going to Scarborough fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
He once was a true love of mine

Tell him to make me a cambric shirt
Parsley, sage, rosemary and thyme
Without no seam nor needlework
Then he’ll be a true love of mine

Tell him to find me an acre of land
Parsley, sage, rosemary and thyme
Between the salt water and the sea strand
Then he’ll be a true love of mine

Are you going to Scarborough fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
He once was a true love of mine….. ♫ ♥ ♫ ♥ ♫ ♥ ♫ ♥ – √j˙·٠•●♥

Celtic Woman, New Journey Live at Slane Castle, Ireland 2006

Celtic Woman – The Voice

Celtic Woman – The Call

Celtic Woman The Sky and the Dawn and the Sun

Celtic Woman – True Colours

Celtic Woman – Galway Bay

Celtic Woman – O, America!

Lyrics

O, America you’re calling,
I can hear you calling me…
You are calling me to be true to thee,
True to thee… I will be.

O, America no weeping,
Let me heal your wounded heart.
I will keep you in my keeping,
Till there be… a new start.

And I will answer you, and I will take your hand,
And lead you… to the sun…
And I will stand by you…do all that I can do,
And we will be… as one.

O, America I hear you,
From your prairies to the sea,
From your mountains grand, and all through this land,
You are beautiful to me.

And… O, America you’re calling,
I can hear you calling me…
You are calling me to be true to thee,
True to thee… I will be.

And I will answer you, and I will take your hand,
And lead you… to the sun…
And I will stand by you… do all that I can do,
And we will be…as one.

O, America you’re calling…
I will ever answer thee.

Celtic Woman – Danny Boy

Celtic Woman – The Moon’s A Harsh Mistress

Celtic Woman – Over the rainbow

Celtic Woman – Fields Of Gold

Celtic Woman — Orinoco Flow

Celtic Woman – Sailing

Shenandoah Violin Solo – Mairead Nesbitt

Celtic Woman – The Prayer

Celtic Woman – Pie Jesu

Celtic Woman – Ave Maria

Celtic Woman / Chloe Agnew – ”O Holy Night”

Celtic Woman – Amazing Grace

Celtic Woman – May It Be

Celtic Woman – Nocturne

Celtic Woman – Awakening

Celtic Woman – The Lost Rose Fantasia

Celtic Woman – A New Journey – Spanish Lady

Celtic Woman – Tír na nÓg ft. Oonagh

Celtic Woman – A Spaceman Came Travelling

[yotube=https://www.youtube.com/watch?v=kXSyqK9ERRs]

Lisa Kelly – The Blessing

Celtic Woman – A Tribute to Broadway: I Dreamed a Dream / Circle of Life

Celtic Woman – Bridge Over Troubled Water

Celtic Woman – You’ll Never Walk Alone

When you walk through the storm
Hold your head up high
And don’t be afraid of the dark
At the end of the storm is a golden sky
And the sweet silver song of the lark

Walk on, through the wind
Walk on, through the rain
Though your dreams be tossed and blown
Walk on, walk on, with hope in your heart
And you’ll never walk alone
You’ll never walk alone

When you walk through the storm
Hold your head up high
And don’t be afraid of the dark
At the end of the storm is a golden sky
And the sweet silver song of the lark

Walk on, walk on, with hope in your heart
And you’ll never walk alone
You’ll never walk, you’ll never walk alone

Celtic Woman – Little Drummer Boy

Celtic Woman – Away In A Manger 

Celtic Woman-Silent Night

Celtic Woman – O Holy Night 

Celtic Woman – Home For Christmas (Live From Dublin 2013)

CELTIC WOMAN SHOW

Celtic Woman at the Helix Center in Dublin, Ireland

Celtic Woman Greatest Hits – Celtic Woman Best Songs

BACKSTAGE Celtic Woman Songs the from heart

Celtic Woman : 10th Anniversary

Meet the Artist – David Downes

Meet the Artist – Máiréad Nesbitt

Meet the Artist – Lisa Kelly

Send Me a Song – Lisa Kelly

Let It Go – Lisa Kelly

Lisa Kelly

Lisa Kelly & Mairead Nesbitt Undercover Interview

Meet the Artist – Chloë Agnew

Chloe Agnew Walking in the air

Hayley Westenra – May It Be

Celtic Woman

From Wikipedia, the free encyclopedia
Celtic Woman
Celtic Woman performs at Macquarie Shopping Centre, Sydney.jpg

Celtic Woman performs at Macquarie Shopping Centre, Sydney, in August of 2012.
From left to right, Lisa Lambe, Susan McFadden, Chloe Agnew, and Mairead Nesbitt.
Background information
Origin Ireland
Genres
Years active 2004–present
Labels Manhattan
Website CelticWoman.com
Members Máiréad Carlin
Susan McFadden
Éabha McMahon
Máiréad Nesbitt
Past members Chloë Agnew
Órla Fallon
Lynn Hilary
Lisa Kelly
Lisa Lambe
Méav Ní Mhaolchatha
Deirdre Shannon
Alex Sharpe
Hayley Westenra

Celtic Woman is an all-female Irish musical ensemble conceived and created by David Kavanagh, Sharon Browne[1][2] and David Downes, a former musical director of the Irish stage show Riverdance.[3][4] In 2004, he recruited five Irish female musicians who had not previously performed together: vocalists Chloë Agnew, Órla Fallon, Lisa Kelly and Méav Ní Mhaolchatha, and fiddler Máiréad Nesbitt, and shaped them into the first lineup of the group that he named “Celtic Woman,” a specialty breed. Downes chose a repertoire that ranged from traditional Celtic tunes to modern songs.

The group’s line-up has changed over the years; in 2009, the group consisted of Chloë Agnew, Lynn Hilary, Lisa Kelly, Alex Sharpe and fiddler Máiréad Nesbitt; Alex Sharpe left the group in May 2010.[5] Ten albums have been released under the name “Celtic Woman:” Celtic Woman, Celtic Woman: A Christmas Celebration, Celtic Woman: A New Journey, Celtic Woman: The Greatest Journey, Celtic Woman: Songs from the Heart, Celtic Woman: Lullaby, Celtic Woman: Believe, Celtic Woman: Home for Christmas,” “Celtic Woman: Emerald – Musical Gems. and Celtic Woman: Destiny. The group has undertaken a number of world tours. Cumulatively, albums by Celtic Woman have sold over nine million records worldwide.[6]

The foundation for Celtic music’s popularity outside Ireland and Europe was built by tapping into the success of artists such as Enya, Moya Brennan and Clannad, along with stage shows Riverdance and Lord of the Dance. Celtic Woman has been described as being “Riverdance for the voice.”[7]

Celtic Woman has been named Billboard World Album Artist of the Year six times.[8][9]

Members

Current

The current members of Celtic Woman are (in alphabetical order of family name):

  • Máiréad Carlin (5 December 1988) is an Irish singer and a member of the ensemble Celtic Woman.[10] Carlin was born in Derry, Northern Ireland. She began her career at the age of 15 when she won the title role of ‘The Rose’ in BBC Talents ‘Young Singers’ competition in The Little Prince (opera) by Rachel Portman. Máiréad has since performed for the President of Ireland, celebrated the Irish Anthem for the England-Ireland Rugby International to a TV audience of millions and recently, she has shared the stage with Snow Patrol and The Priests at the 2013 BBC TV Gala Concert ‘Sons and Daughters’ to mark Derry’s year as City of Culture.[10] She also recorded the City of Culture anthem ‘Let The River Run’ with Glee star Damian McGinty.[10] Carlin subsequently released the single under her own label Iris Records/Walled City Records. After finishing her degree, Máiréad was signed to Decca Records and recorded her debut album, ‘Songbook’ with the London Philharmonic Orchestra in Air Studios and British Grove Studios. On 5 August 2013, the Celtic Woman website reported that Chloë Agnew would be taking a break from Celtic Woman to work on solo projects, and on 23 August 2013, it reported that Máiréad Carlin would be taking Chloë’s place.
  • Susan McFadden (8 February 1983) is an actress and singer born in Dublin, Ireland. She has also been a member of the all-female Celtic music group, Celtic Woman, since 2012. She is the younger sister of former Westlife member, Brian McFadden. In 2008, McFadden recorded two songs for the CD Act One – Songs From The Musicals Of Alexander S. Bermange, an album of 20 brand new recordings by 26 West End stars, released in November 2008 on Dress Circle Records. She played the lead role of Milly in the stage adaption of Seven Brides For Seven Brothers, with Steven Houghton. McFadden starred in the original west end cast of the musical Legally Blonde at the Savoy Theatre in London’s West End playing Elle Woods after originating the role of Serena. Official reviews and audience reaction were extremely positive. On 5 January 2012, McFadden was named as a replacement for Lisa Kelly, then going on maternity leave, in the all- female ensemble Celtic Woman.[11] McFadden debuted with Celtic Woman in February at Nashville, Tennessee for the kickoff of the “Believe” North American Tour and continued with the European, Australian and South African Tours in 2012. After Lisa Kelly announced her departure from the group in January 2013, McFadden has since become a full-time member of Celtic Woman.
  • Éabha McMahon (9 December 1992) is Celtic Woman’s newest member. She replaced Lynn Hilary in their brand new tour, Destiny.
  • Máiréad Nesbitt (pronounced “mah-raid”) (19 April 1979) is an Irish classical and Celtic music performer, most notably as a fiddle player and violinist. She is currently the fiddler for the group Celtic Woman. She has been a piano player since the age of four, and began playing the violin at age six. She spent some time as fiddler for the Irish group Coolfin, and recorded an album with them.[12] Nesbitt broke into the wider world in 1996 when she was invited to perform in the Michael Flatley show Lord of the Dance.[13]There, she played lead fiddle until 1998, at which time she went with Flatley to his second show, Feet of Flames. She toured in this production, again as lead fiddler, until leaving in 2001. Nesbitt also played on the original soundtracks to both shows, as well as for the soundtrack to Riverdance. In 2004, Nesbitt was invited to play violin for a performance at the Helix Theatre in Dublin, called “Celtic Woman.”[14] The popularity of this and subsequent performances on television and live albums led to five tours across theUnited States. Celtic Woman has released a total of eight albums to date: Celtic Woman, Celtic Woman: A Christmas Celebration, Celtic Woman: A New Journey, Celtic Woman: The Greatest Journey, Celtic Woman: Songs from the Heart, Celtic Woman: Lullaby,Celtic Woman: Believe, and Celtic Woman: Home for Christmas. Nesbitt is featured as a soloist on Walt Disney’s direct to DVD film Tinker Bell. Joel McNeely composed music specifically to fit Nesbitt’s distinctive style, and collaborated with her to further polish the music for Celtic authenticity.[13][15] Shortly before Thanksgiving, 2011, Nesbitt married Jim Mustapha, Jr., lighting director for Celtic Woman, in Maui, Hawaiʻi.

Past

The past members of Celtic Woman are (in alphabetical order of family name):

  • Chloë Agnew (9 June 1989) in Dublin, Ireland is an Irish singer who is a former member of the Celtic music group Celtic Woman, as well as its youngest member. In 1998, Agnew represented Ireland and was the winner of the Grand Prix at the First International Children’s Song Competition in Cairo with a song called The Friendship Tree. She then began to perform pantomime at the Olympia Theatre in Dublin and continued in that role for four years. In 2000, aged 11, Agnew approached director David Downes about recording a song to raise money for the children of Afghanistan. With his help, she recorded Angel of Mercy for the album This Holy Christmas Night, which raised over £20,000 for the Afghan Children’s Charity Fund in 2001. That same year, she joined the Christ Church Cathedral Girls’ Choir, and remained a member for three years.[16] In 2002, she was signed to Celtic Collections, and with the backing of Downes, she recorded her debut album, Chloë. In 2004, she released her second album, Chloë: Walking in the Air.She also recorded a companion DVD for her second album, released in Europe in 2004 and in North America in 2007. She appeared as part of the group Celtic Woman at The Helix in Dublin in 2004. As of August 2013, she has recorded eight albums with the group and has taken part in several world tours. On 5 August 2013, the Celtic Woman website announced that Agnew would be taking a break from Celtic Woman to focus on solo projects. Her position was filled by Derry-born singer Máiréad Carlin. Agnew has a soprano vocal range. After leaving Celtic Woman, she was chosen to be the special guest of the Celtic Thunder cruise. She, along with former Celtic Thunder member Paul Byrom, was also a special guest of Lisa Kelly’s concerts called The Voice of Ireland and A Celtic Christmas. Agnew was also part of Ethan Bortnick‘s concert with another former Celtic Thunder member Damian McGinty.
  • Órlagh Fallon (24 August 1974), professionally known as Órla Fallon, is an Irish soloist, songwriter and former member of the group Celtic Woman and the chamber choir Anúna.[17][18] Her debut album, The Water is Wide, was released in Europe in 2000 and in North America in 2006. In 2005, she was featured on The Duggans album Rubicon along with peers Moya Brennan and other members of Clannad. In 2004, Fallon sent a demo offer to composer David Downes, who was then working on the concept of Celtic Woman. Due to her unique vocal abilities, Downes contacted Fallon and asked if she would like to be a part of Celtic Woman, then only envisaged to be a one-night show. Fallon agreed, and became one of the founding members of the group. In some songs, Fallon has performed the harp as well as singing – some examples of the songs she has performed are “Isle of Innisfree” and “Carrickfergus.” She has also performed the harp for fellow Celtic Woman member Chloe Agnew’s performance of Guun’s “Ave Maria.” Fallon was featured in the self-titled debut album Celtic Woman, Celtic Woman: A Christmas Celebration, and Celtic Woman: A New Journey, as well as in the tie-in PBS television specials and DVDs filmed in 2004, 2007, and 2006 respectively. She also toured with the group in 2005 on the inaugural North American Tour, the 2006-07 A New Journey tour, and again in 2007-08 on the second A New Journey tour. In 2009, Fallon announced that she would be leaving Celtic Woman to have a full break and spend time with her family, and was replaced as a member of Celtic Woman by actress and vocalist Alex Sharpe. In 2009, Fallon appeared as a guest vocalist on Jim Brickman‘s “It’s a Beautiful World” tour and PBS special, and released her second album Distant Shore in September of that year. This was followed in March 2010 with her third album Music of Ireland: Welcome Home. In December 2010, Fallon released a PBS Celtic Christmas special and tie-in CD, titled Órla Fallon’s Celtic Christmas, the first time any former Celtic Woman member had starred in their own PBS special. In this special, as well as Fallon’s own songs, there were also songs which featured a few guest singers, including former fellow Celtic Woman member Méav Ní Mhaolchatha, in which they sung a duet together (“Do you hear what I hear”), and American Idol runner up David Archuleta, who joined Fallon on stage to perform “Silent Night,” “Pat a Pan,” and the finale song of “Here we come A-Wassailing,” which Ní Mhaolchatha was also featured in. This was the second Christmas album she recorded, the first being Winter, Fire & Snow: A Celtic Christmas Collection in September 2010. In March 2011, Fallon released another album, Órla Fallon: My Land, which tied in with another PBS special.[19][20] Another solo album,Lullaby Time, was released in 2012. She married her husband John and together they have a son Freddie.
  • Lynn Hilary (21 April) is an Irish singer, guitarist, and songwriter. She also has performed as a featured soprano soloist in the all-female ensemble Celtic Woman. She was born in Dublin, Ireland, and completed a Bachelor of Music performance degree in 2005 at the DIT College of Music.[21] Initially singing classical music,[22] Hilary joined the Irish choral group Anúna[17][23] in 2000. She also performed the lead vocal of the piece “Cloudsong” from Riverdance at the Opening Ceremony of the 2003 Special Olympics in Croke Park, Dublin, and toured the US with Riverdance in 2006 as a featured soloist.[24] In 2007, longtime Celtic Woman member Méav Ní Mhaolchatha decided to leave the group to focus on her solo career. As a result, Hilary joined the group in time to feature in the A New Journey tour, which started on 10 October 2007 in Estero, FL. She was the first time member to join the group since its inception in 2004.[25] On 14 February 2014, it was announced that Lynn would be returning to Celtic Woman for their Emerald tour in March while Lisa Lambe goes on a short ‘leave of absence.’ Lambe is expected to return in the summer and it is unknown at this point whether Lynn’s return to Celtic Woman is temporary or permanent. Hilary will be releasing her first album since 2009, titled “Saturn Return” which is due later in 2014. According to the Celtic Woman website, Hilary has rejoined with the music ensemble for their next album and will continue to be a member of Celtic Woman until the end of 2015.
  • Lisa Kelly (Irish Laoise Ní Cheallaigh) (7 May 1977) is a singer of both classical and Celtic music. She has taken part in many musical theatre productions and concerts, and is a founding and former member of the musical group Celtic Woman.[26][27][28][29][30]She has played several principal roles, such as “Velma Kelly” in Chicago, “Florence” in Chess, “Laurey” in Oklahoma!, “Maria” in West Side Story and “Sandy” in Grease. After deciding to take a break from her day job in the computer industry to return to theatre, she played the lead role in the Christmas pantomime Jack and the Beanstalk at Dublin’s Gaiety Theatre. This led to her being cast in the American production of Riverdance – The Show as lead female vocalist in 2000, a position she held for five years while touring. While touring with Riverdance, Lisa met Australian dancer Scott Porter, who later became her husband. During this time, Lisa also met fellow vocalist Lynn Hilary, who would later go on to become a member of Celtic Woman in 2007 as a replacement forMéav Ní Mhaolchatha. Kelly was one of the Riverdance vocalists who appeared in the 2003 Special Olympics opening ceremony when they performed ‘Cloudsong.’ This was in support of Lynn, who had the leading vocal role at the start of the song. In 2002, Lisa was asked to record a solo album with director David Downes on the Celtic Collections label. The resulting debut album, Lisa, was released in 2003. Songs featured on this CD are “Carrickfergus”, “Siúil A Rún”, “The Deer’s Cry”, “Lift the Wings”, “The Soft Goodbye”, “Home and the Heartland”, “Homecoming”, “Now We Are Free”, “Dubhdarra”, “May It Be“, and “Send Me a Song”. Lisa was again approached by Downes in 2004, and asked to be part of Celtic Woman, originally planned as a one-night event at Dublin’s Helix Theatre. The group has since released several albums and DVD performances of their concerts and embarked on several world tours. During the A New Journey tour, and again during the “Believe” 2012 tour, Lisa took a break for the birth of her children. She was replaced by Alex Sharpe who later became a full-time member of Celtic Woman when Orla Fallon left. Later, in the Believe tour, she was replaced by Susan McFadden. In 2009, Lisa Kelly sang the main title song If You Believe for the Disney movie Tinker Bell and the Lost Treasure. Lisa was one of four people involved who were connected to Celtic Woman – the others being violinist/fiddler Máiréad Nesbitt, musical director and composer David Downes, and former member and vocalist Méav Ní Mhaolchatha. In December 2011, Lisa announced that she was taking a maternity leave and would not participate in the 2012 Believe Tour. She was replaced by Susan McFadden, the younger sister of Brian McFadden. At the time it was thought to be a short-term departure only; however, in January 2013 Lisa announced her departure from Celtic Woman and moved to Peachtree City, Georgia, USA, where she announced the opening of The Lisa Kelly Voice Academy, indicating a switch from performing to teaching. The new voice academy is being run in conjunction with her husband Scott Porter, the former CEO of Celtic Woman Ltd. She also starred in the concert titled The Voice of Ireland, featuring fellow Celtic Woman performer Chloë Agnew and former Celtic Thunder member Paul Byrom. On 13 December 2014, she starred in the concert titled A Celtic Christmas, featuring fellow Celtic Woman performer Chloë Agnew, former Celtic Woman choir performer Dermot Kiernan, and former Celtic Thunder member Paul Byrom, along with performances by the Kelly Porter Dance Academy.
  • Lisa Lambe (1 August 1984) is an Irish singer and actress and a former member of the ensemble Celtic Woman. After Celtic Woman’s Songs From the Heart Tour, in November 2010, Lynn Hilary announced that she was leaving the group to return to Ireland. It was later announced that Lisa Lambe would join the group as part of the 2011 tour lineup. On the official Celtic Woman website, she said that she was “delighted to be joining Celtic Woman! It is a privilege to be part of this amazing show and I am looking forward to it being an incredible experience.”[10] In early 2014, Celtic Woman announced Lisa Lambe would leave to reprise her role as Sorcha in Breaking Dad, the sequel to Between a Foxrock and a Hard Place, in which she had previously played a role and whose run at the Gaiety Theatre in Dublin, Ireland, lasted from 25 April to 17 May. However, she was scheduled to return in the summer.
  • Méav Ní Mhaolchatha (/ˈmv n ˈwlxɑːhɑː/ mayv nee wayl-khah-hah), mononymously known as Méav, is an Irish singer, songwriter and recording artist specialising in the traditional music of her homeland. She was one of the original soloists in the musical ensemble Celtic Woman, which has sold over six million albums. Méav has a husband named Tom and two daughters named Anna and Catherine. Between 1994 and 1998 Méav was a member of the Irish chamber choir Anúna.[17] As a choral singer and soloist, she recorded four albums with Anúna: Omnis (1995), Omnis Special Edition (1996), Deep Dead Blue (1996), and Behind the Closed Eye (1997).[31] In 2006 a collection of her solo and choral work with Anúna, Celtic Dreams, was released on Valley Entertainment Records. She appeared as a member of Anúna in Riverdance: The Show. Méav gained musical stardom as a founding member of the group Celtic Woman in 2004. Her singing is a prominent element of Celtic Woman’s first three albums, Celtic Woman, Celtic Woman: A Christmas Celebration, and Celtic Woman: A New Journey.
In 2005, Méav was expecting her first child and took maternity leave to await the birth of her first daughter, Anna. During tours, she was replaced by Irish singer Deirdre Shannon. In 2006, she returned to record the New Journey CD and DVD and toured extensively with the group in the US and Japan in 2006 and 2007. She has been featured in Celtic Woman: The Greatest Journey Essential Collection. In 2007, following the filming of Celtic Woman’s Christmas DVD at the Helix, Dublin, Méav left Celtic Woman to concentrate on her solo career. She performed a series of solo concerts in New England, USA. In 2009, she returned to the stage performing in her native Dublin to rave reviews. She also gave birth to her second daughter, Catherine and recorded “Where the Sunbeams Play” for the Disney film Tinker Bell and the Lost Treasure. In 2010, she was a special guest of Órla Fallon’s Celtic Christmas concert in Nashville, singing “Do You Hear What I Hear?” in a duet with Fallon, her solo version of “O Holy Night” accompanied by harp and the finale song “Here We Come A-wassailing” with the rest of the cast, including American singing stars David Archuleta and Vince Gill, recorded, aired on PBS and released on CD and DVD. Méav also featured as a guest soloist on the Celtic Woman Christmas album Home for Christmas. This was the first time Méav had appeared with Celtic Woman since she left the group in 2007. Méav was also featured in the Celtic Woman PBS special, “Home for Christmas”, which was recorded on 7 August 2013. It was announced just recently[when?] that Méav would return to Celtic Woman for a month in Lynn’s place, and that Lynn would return in April.
  • Deirdre Shannon is an Irish singer who has toured with a variety of Celtic music groups, such as Anúna,[17] Celtic Thunder and Celtic Woman.[32] Shannon began her professional career in 1996 when she was selected to be a member of the Irish choir Anúna. On 1 October 2006, Shannon released her solo album, simply entitled Deirdre Shannon. She has also been a principal singer in the group in Celtic Woman, but she was never featured in the studio DVDs. Playing the role of the Gentlewoman, Shannon also sings “Harry’s Game” as well as other songs in Celtic Thunder: Storm which was released on CD and DVD on 20 September 2011.
  • Alex Sharpe (4 May 1972) is an Irish performer known for her live roles in London’s West End and on the Irish stage (both the Olympic and Gaiety Theatres). She is well known for performing with Celtic Woman from 2008 to 2010. She was a featured soloist at Andrew Lloyd Webber’s 60th birthday celebration (2008) with the RTE Orchestra and she recently released a solo album titled Be Still My Soul (2014). She began her career portraying Dorothy in The Wizard of Oz at the Olympia Theatre in Dublin.[33] Her career in Musical Theatre continued, as she played Janet in The Rocky Horror Show, Young Sally in Follies in Concert, Jenny in Aspects of Love, and Mila in Aloha Kamano by Sean Purcell.[33] She was asked to play Éponine in Les Misérables for the Cameron Mackintosh Company in England and Ireland and in the Concert Tour of Les Misérables.[33][34] Alex created the role of Bernadette in the Andrew Lloyd Webber/Ben Elton Musical The Beautiful Game. On her return to Ireland she played the role of Kate Foley inThe Wireman in the Gaiety Theatre, Dublin.[33] When founding member of Celtic Woman Lisa Kelly went on maternity leave, Sharpe became a temporary member of the ensemble in 2008. In 2009, Sharpe became a permanent member of Celtic Woman, in effect replacing Órla Fallon. She has toured with the ensemble on their 2009 ‘Isle of Hope’ tour, and has recorded a CD and DVD with the group, both entitled Celtic Woman: Songs from the Heart, released in January 2010.[35] The group toured North America from February to May 2010 on their ‘Songs from the Heart’ tour.[36] After the tour finished, Sharpe announced she would be leaving Celtic Woman to be with her family full-time.[37] In 2014 she released a solo album titled “Be Still My Soul.” She has a twelve-year-old son, Jacob.
  • Hayley Westenra (10 April 1987)[38][39] is a New Zealand singer, classical crossover artist,[40] songwriter and UNICEF Ambassador. Her first internationally released album, Pure, reached No. 1 on the UK classical charts in 2003 and has sold more than two million copies worldwide. Pure is the fastest-selling international début classical album to date, having made Westenra an international star at age 16. In August 2006, she joined the Irish group Celtic Woman, was featured on their Celtic Woman: A New Journey CD and DVD, toured with them on their 2007 Spring Tour, and was also featured on their DVD, The Greatest Journey: Essential Collection, released in 2008. Westenra recorded the end-title song for Disney‘s movie Mulan II.[41] They also featured her in the national Radio Disney music education tour for middle-school students. On 24 August 2003, Westenra performed on the stage with opera tenor José Carreras and Bryn Terfel in front of the capacity crowd of 10,000 people from Faenol Festival in Wales.[42][43] In 2004, Westenra was recorded a live DVD, Hayley Westenra: Live from New Zealand, featured duet with baritone Teddy Tahu Rhodes and soprano Sophie Westenra in St. James Theatre. David Horn, the producer of her live TV special, which aired on PBSGreat Performances, said, “Her singing is so gorgeous, it’s reminiscent of the great boy-soprano sound of Anglican church choirs.”[44][45][46]

Albums

Celtic Woman was taped on 15 September 2004 for PBS television at The Helix, Dublin, Ireland, in front of a sold-out audience. Organized by producer Sharon Browne, Chairman & CEO Dave Kavanagh, television producer and director Avril MacRory, and musical director and composer David Downes, this performance was first broadcast on PBS during March 2005 in the United States, and within weeks the group’s eponymous debut album, Celtic Woman, reached No. 1 on Billboard‘s World Music chart, eventually breakingAndrea Bocelli‘s long-standing record of chart-topping longevity on 22 July 2006 by having stayed at No. 1 for 68 weeks.[47] The album held the top position on the Billboard World Music chart for 81 weeks total.[48] Much of the group’s success in America has been credited to the extensive PBS publicity throughout 2005. The live performance at The Helix was released on DVD alongside the studio album.

The release of the second album, Celtic Woman: A Christmas Celebration, on 19 October 2006 knocked their first album to the No. 2 spot on the World Music chart.[48]

In preparation for their third studio album, Celtic Woman performed at Slane Castle in County Meath, Ireland, on 23 and 24 August 2006, with this show airing on PBS during December 2006. The studio album, titled Celtic Woman: A New Journey, was released on 30 January 2007. As with their debut, the live performance was released on DVD simultaneously. This album immediately hit the Billboard 200 at No. 4[49] and the Billboard World Music chart at No. 1,[50] moving their previous two releases down a notch and securing the top three positions on that chart for the group.

In response to the popularity of the performance at Slane Castle in 2006, PBS aired a special concert of Celtic Woman performing again in The Helix Theatre, Dublin, Ireland on 7 December 2007. This performance included songs from the group’s second album,Celtic Woman: A Christmas Celebration.

A fourth album, Celtic Woman: The Greatest Journey, was released on 28 October 2008. The group’s fifth album, Celtic Woman: Songs from the Heart, was released 26 January 2010. It peaked at No. 48 in July 2010 on the ARIA Top 50 Albums chart.[51]

The group recently released their sixth album, Lullaby, available through PBS pledge or the QVC shopping website.[52] On 15 February 2011, it was released by other major retailers as a limited edition album. It reached No. 1 on the World Charts and No. 3 on the Children’s Charts, a first for Celtic Woman.

The group filmed a new special on 6 and 7 September 2011 at the Fox Theater in Atlanta for PBS broadcast and DVD release. It is titled Celtic Woman: Believe. The show aired on PBS stations on 3 December 2011. The CD/DVD was released on 24 January 2012.[53]

On 9 October 2012, the group released its second worldwide Christmas album Home for Christmas. This album features the voices of Lisa Lambe, Chloë Agnew, Meav Ni Mhaolchatha, and Mairead Nesbitt on the fiddle. Another Christmas album, Celtic Woman: Silent Night was released on the same day for the United States exclusively.

In July 2013, Celtic Woman released a promotional video on its YouTube channel for a new PBS special, due to be screened in early 2014. On 24 February 2014, Celtic Woman released a new CD/DVD set and PBS Special, called Celtic Woman: Emerald – Musical Gems. It features Lisa Lambe, Chloë Agnew, Mairead Nesbitt, and Susan McFadden. The DVD was filmed in April 2013 at a tour stop in South Bend, Indiana and was aired on PBS, starting in March.[54]

The group filmed a new special in August 2015, called Celtic Woman: Destiny.

Tours

Celtic Woman has performed three tours in America, with additional performances overseas. The group appeared live in more than a dozen US cities in 2005 for their original album debut.[55] The group toured the United States twice with their “Celtic Woman: A New Journey” tour, visiting 88 cities in 2007 and over 75 cities in 2008. In early April 2008 it was announced that The High Kings would be opening the act for the group through June 2008.[56]

The 2009 Isle of Hope Tour was announced in late 2008, and features a blend of original music from composer David Downes and Brendan Graham (the author of the group favourite “You Raise Me Up“), renditions of songs such as “Fields of Gold” and “Have I Told You Lately That I Love You” and traditional performances of “Danny Boy”, “The Sky and the Dawn and the Sun” and “Spanish Lady”. This tour finished on 22 November 2009.

The 2010–11 tour called Songs from the Heart, featured some of the same music and some new music. The tour featured Chloë Agnew, Lisa Kelly, Lynn Hilary, Alex Sharpe, and Mairead Nesbitt. It began in February 2010.[57][58] PBS television presented a special concert starting 28 November 2009. It was taped in HD at the Powerscourt House & Gardens in Enniskerry, County Wicklow, Ireland. It included a 27-member film orchestra, Discovery Gospel choir, 12-member Aontas Choir, 10-member Extreme Rhythm Drummers with an 11-piece bag pipe ensemble.[59]

A second “Songs from the Heart” tour opened in February 2011 with Agnew, Kelly, new member Lisa Lambe, and Nesbitt and consisted of about 80 concerts in North America in spring 2011[60] and 10 performances in Germany and Austria during summer 2011.[61]

The Symphony Tour featuring songs from their Christmas Album A Christmas Celebration took place during December 2011.[62]

The BELIEVE 2012 North American Tour ran between February 2012 and April 2012.[63] Following directly onto this, the BELIEVE European tour took place between May and June 2012.[64] Lisa Kelly, who was expecting her fourth child, did not participate in the 2012 tours,[65] and was replaced by Susan McFadden,[65] the younger sister of former Westlife member Brian McFadden.

Another Symphony Tour was announced for the 2012 Christmas season, featuring Agnew, Lambe, Nesbitt and McFadden. The tour began on 1 December and continued on till 22 December. Celtic Woman took “Believe” on tour again from February to June 2013, with the same line-up. On 15 January 2013, Lisa Kelly announced her intentions to open “The Lisa Kelly Voice Academy”, located in Peachtree City, GA. In addition to this, Kelly confirmed that she will not be returning to Celtic Woman. Her husband, Scott Porter, also announced his departure as CEO of Celtic Woman.

Celtic Woman took “Believe” to Europe in October 2013 and visited the US on their Symphony Tour in December 2013. The Australian Tour for “Believe”, previously scheduled for September 2013, was rescheduled to January 2014. Celtic Woman toured in the US from February to June 2014 on their Emerald Tour to celebrate the heritage of the Emerald Isles and to promote their new album called Celtic Woman: Emerald Musical Gems. Lynn Hilary will be coming back for the Emerald Tour as Lisa Lambe is leaving in mid-March for a role in the play Breaking Dad, Ross O’Carroll-Kelly’s sequel to Between Foxrock and a Hard Place, in which Lisa had played Sorcha. Breaking Dad, will run from 25 April to 17 May at the Gaiety Theatre in Dublin, Ireland.[66] As well as the US, Celtic Woman visited Brazil, the UK, and Europe in Autumn 2014 on their Emerald Tour – making their debut in Brazil and the UK.

Additionally, Celtic Woman toured the US for their Symphony Tour in December 2014 and again for the Tenth Anniversary Tour in March 2015 to celebrate the group’s 10th anniversary. Also, Celtic Woman’s November 2014 European Tour, which was part of the Emerald World Tour, was rescheduled from November 2014 to February 2015, and is now part of the Tenth Anniversary Tour instead of the Emerald Tour. They will also visit Australia for the 10th Anniversary Tour in September 2015 for the first time since the Believe Tour in January 2014, and will return to the UK again in November 2015.[dated info]

Membership

The original performers in Celtic Woman were Chloë Agnew, Órla Fallon, Lisa Kelly, Méav Ní Mhaolchatha, and Máiréad Nesbitt. During Méav’s pregnancy in 2005, Deirdre Shannon was selected to fill her place during tours. Méav returned to the group in time to record A New Journey and tour for that album, coinciding with Deirdre’s departure from the group in February 2006.

The second line-up change was announced on 6 September 2006, with the announcement that Hayley Westenra officially joined Celtic Woman on 24 August 2006.[67] As well as being featured on the album and DVD for A New Journey, Hayley alternated with Méav during tour events to maintain the live five-person line-up.[68]

On 20 August 2007, Méav left Celtic Woman to focus on her solo career. Méav’s replacement, Lynn Hilary, made her first appearance on 10 October 2007 in Estero, Florida, United States.[69][70]

In December 2007, Lisa Kelly, who was expecting a new child in 2008, took maternity leave from the group. Alex Sharpe filled her position on the A New Journey tour during this leave.[71] It was announced on the group’s website in 2009 that Órla Fallon was taking a full break to spend time with her family and to focus on recording a new solo album, and that as a result of this, Alex would be replacing Órla as a member of Celtic Woman.

For the 2009 Isle of Hope Tour, the group comprised vocalists Chloë Agnew, Lynn Hilary, Lisa Kelly, and Alex Sharpe; and fiddler Máiréad Nesbitt. This group completed the entire 2009 tour as well as the first leg of the Songs from the Heart tour, from February to May 2010, with this line-up. After the tour ended, it was announced that Alex Sharpe would take a full-time break from Celtic Woman to spend time with her family.[5]

After the Songs from the Heart tour, in November 2010, Lynn Hilary announced that she was leaving the group to return to Ireland.[72] Singer and actress Lisa Lambe joined the group as a replacement for Lynn in early 2011.

In December 2011, Lisa Kelly announced that she would be taking maternity leave from the group after the “Symphony Tour” was over. The group’s website announced in January 2012 that actress Susan McFadden would be filling in for Kelly until she returned to the group. However, Kelly announced the opening of “The Lisa Kelly Voice Academy” in Peachtree City, Georgia, in January 2013 indicating that she was moving on from performing to teaching. Susan has since become a full member of the line-up and will appear on the new Celtic Woman PBS special and DVD, due for release in early 2014.

In 2012, Méav Ní Mhaolchatha returned briefly to Celtic Woman to record Celtic Woman: Home for Christmas, the first time she had appeared with the group since her departure in 2007. Méav returned to the group again, albeit on a temporary basis, in August 2013 to film the Celtic Woman: Home for Christmas PBS show and DVD. At the same time, it was announced on the Celtic Woman website on 5 August 2013 that Chloë Agnew would be taking a break from Celtic Woman to work on solo projects. In addition to this, she was not featured in the PBS special and DVD for Celtic Woman: Home for Christmas. On 23 August 2013 it was announced that Derry-born singer Mairead Carlin would be taking Chloë’s place.[10]

Shortly before the beginning of the Emerald Tour on 14 February 2014, management announced that Lisa Lambe would be leaving the tour at the beginning of March, with Lynn Hilary returning to take her place. Lambe was, however, slated to return during the summer, though no specific date was given.[citation needed]

It was announced late 2014 that Lisa Lambe will be leaving Celtic Woman for a while to work on a solo album.[citation needed] Former Celtic Woman, Lynn Hilary, will again be returning in Lambe’s place. It was later announced that former Celtic Woman Alex Sharpe will be returning for the 10th Anniversary tour along with Méav Ní Mhaolchatha. The current lineup is Méav Ní Mhaolchatha, Lynn Hilary, Alex Sharpe, Mairead Nesbitt, Mairead Carlin, and Susan McFadden, with all but Nesbitt and McFadden serving 2 at a time on a rotating basis for the US tour ending June 2015. The lineup for the fall is McFadden, Carlin, Nesbitt and newest member Éabha McMahon.

When asked how the group members got along, member Lisa Kelly responded,

“We get along because we’re so different. Chloë Agnew is hip, Méav Ní Mhaolchatha is rational, Orla Fallon is angelic, and Mairead Nesbitt is energetic.”[73]

According to Chloë Agnew, the friendship between the vocalists was the number one question they were asked. She explained:

“I think people are always looking for a ‘Desperate Housewives’ story, that they all hate each other and nobody actually gets along. It’s all for show. And the truth of the matter is, it’s not. The reality is we do all get along. The five of us are like sisters, best friends.”[74]

Discography

Title Date of release Media format Region Chart peaks
Celtic Woman 1 March 2005 CD & DVD International USA: #53 [75]
Celtic Woman: A Christmas Celebration 3 October 2006 CD & DVD International USA: #35 [75]
Celtic Woman: A New Journey 30 January 2007 CD & DVD International USA: #4 [75]
Celtic Woman: A Celtic Family Christmas[76] 14 October 2008 CD US USA: #89 [75]
Celtic Woman: The Greatest Journey 28 October 2008 CD & DVD International USA: #75 [75]
Celtic Woman: Songs from the Heart 26 January 2010 CD & DVD International UK: #122 [77]USA: #9 [75]
Celtic Woman: Lullaby 15 February 2011 CD International USA: #126 [75]
Celtic Woman: Believe (Compilation) 25 May 2011 CD & DVD Japan
Celtic Woman: An Irish Journey[78] 3 October 2011 CD EU
Celtic Woman: A Celtic Christmas[79] 25 November 2011 CD EU
Celtic Woman: Believe[80] 24 January 2012 CD & DVD International (except Japan) USA: #13 [75]
Celtic Woman: Home for Christmas 9 October 2012 CD, DVD & Blu-ray International USA: #43 [75]
Celtic Woman: Silent Night[81] 9 October 2012 CD US
Celtic Woman: Emerald – Musical Gems[82] 24 February 2014 CD, DVD & Blu-ray International USA: #29 [75]
Celtic Woman: O Christmas Tree 21 October 2014 CD US
Celtic Woman: Destiny 23 October 2015 CD, DVD DE, International USA: #60 [75]

The original Celtic Woman five performed “Song for the Mira” with multiple Grammy Award winner Anne Murray for her 2007 EMI release “Anne Murray Duets: Friends & Legends.” A “Song of the Mira” performance/interview montage appears on a DVD which was included with “Anne Murray’s Christmas Album,” released in 2008.

Awards and honours

In 2007 Celtic Woman won an EBBA Award.[83] Each year the European Border Breakers Awards (EBBA) recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.

https://en.wikipedia.org/wiki/Celtic_Woman

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Johnny Horton — Videos

Posted on July 7, 2016. Filed under: American History, Art, Art, Blogroll, Communications, Culture, Entertainment, history, media, Movies, Music, Music, Radio, Television, Television, Video, Work, Writing | Tags: , , , , , , , , , , , |

Johnny Horton In Concert ~ The Incredibly Rare Live Performances

21 songs, 55 minutes of rare, live Johnny Horton performances from the 1950s and 1960s. All the hits are here, North To Alaska, Battle Of New Orleans, Sink The Bismarck, Johnny Reb, Springtime In Alaska and early classics as well. Enjoy

Johnny Horton Battle Of New Orleans

Johnny Horton – Battle of New Orleans Lyrics

Johnny Horton- Battle of Bull Run

John Paul Jones – Johnny Horton

Johnny Horton – Whispering Pines

Johnny Horton — Cherokee Boogie

Johnny Horton – Honky Tonk Man

JOHNNY HORTON Honky Tonk Man LIVE at the louisiana hayride

Johnny Horton – Johnny Reb

Johnny Horton – All For The Love of A Girl

Jim Bridger ~ Johnny Horton

North To Alaska ~ Johnny Horton

Johnny Horton – When It’s Springtime In Alaska

SINK THE BISMARCK ~ sung by Johnny Horton

Johnny Horton “Sink the Bismark”a

Sink The Bismarck – Johnny Horton

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Self-Driving Technology Proves Fatal With Tesla Crash — No Consistent Sustainable Profits Ever — High Stock Prices Promoted By Wall Street Investment Bankers– Tesla Is Speculation Not An Investment — Drivers and Investors or Buyers Beware! — Videos

Posted on July 2, 2016. Filed under: American History, Articles, Autos, Blogroll, Business, Climate, Culture, Economics, Education, Energy, Entertainment, Environment, Faith, Freedom, Friends, government spending, history, Inflation, Internal Revenue Service (IRS), Investments, Law, liberty, Life, Links, media, Natural Gas, Natural Gas, Newspapers, Nuclear Power, Oil, Oil, People, Philosophy, Photos, Politics, Press, Radio, Rants, Raves, Raymond Thomas Pronk, Resources, Reviews, Television, Transportation, Unemployment, Video, Wealth, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , |

 

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How the Tesla Model S is Made | Tesla Motors Part 1 (WIRED)

[yotuube=https://www.youtube.com/watch?v=8_lfxPI5ObM]

How Tesla Builds Electric Cars | Tesla Motors Part 2 (WIRED)

Electric Car Quality Tests | Tesla Motors Part 3 (WIRED)

Fatal Telsa crash shows limits of self-driving technology

 DEE-ANN DURBIN

The U.S. government is investigating the first reported death of a driver whose car was in self-driving mode when he crashed. Joshua D. Brown, 40, died May 7 when his Tesla Model S, which was operating on “autopilot,” failed to activate its brakes and hit a truck in Florida.

The crash raises questions about autonomous and semi-autonomous cars, their capabilities and their limits. Here are answers to some of those questions:

___

Q: ARE THERE SELF-DRIVING CARS ON U.S. STREETS RIGHT NOW?

A: Yes, but in limited numbers. Various companies, including Google, Ford and Uber, have test fleets of autonomous cars running in specific areas, including Mountain View, California, and Austin, Texas. Right now, those vehicles always have a steering wheel, brakes and a driver ready to take over in case of a problem, but prototype cars without steering wheels are also being developed.

___

Q: HOW DO THEY WORK?

A: A network of cameras, radars and lasers feeds information to the car’s computers, helping to fill in the gaps in the GPS system, which knows how to get the car from point to point. Cameras let the car see what’s around it, while radar senses things in the dark or in inclement weather. Lasers constantly scan the road and give a three-dimensional picture of what’s going on.

___

Q: ARE THERE LAWS ALLOWING SELF-DRIVING CARS?

A: Right now, it’s a patchwork. Eight states — including Nevada, Michigan, Florida and Tennessee — and Washington D.C. have laws allowing autonomous vehicles. Other states have legislation in the works. Later this summer, the federal government is expected to release guidelines for the safe deployment of autonomous vehicles.

___

Q: WHAT ARE THE BENEFITS OF SELF-DRIVING CARS?

A: Self-driving cars have the potential to save lives by anticipating accidents before they happen. Intel CEO Brian Krzanich said Friday that 90 percent of car accidents are caused by human error, and distracted or drowsy driving accounts for some 13 percent of those crashes. The accidents cost about $870 billion a year globally.

___

Q: CAN I BUY A SELF-DRIVING CAR?

A: No. A few automakers offer cars and SUVs with semi-autonomous modes that can perform some functions without help from the driver, including maintaining a set speed, braking, changing lanes and even parallel parking. Semi-autonomous features can be found on high-end vehicles from Tesla, Mercedes-Benz, Infiniti and Volvo. Some lower-priced models have them, too. Toyota, for example, plans to make automatic emergency braking standard on its vehicles by 2017, ahead of a self-imposed deadline of 2022 that most automakers have agreed to.

___

Q: WHEN WILL COMPLETELY SELF-DRIVING CARS BE AVAILABLE TO CONSUMERS?

A: That’s not yet clear. Volvo plans a large-scale test of driverless cars in Sweden next year. Google wants to make cars available to the public around the end of 2019. BMW, Intel and Israel’s Mobileye have teamed up to roll out the cars by 2021.

IHS Automotive, a consulting firm, predicts that the U.S. will see the earliest deployment of autonomous vehicles, with several thousand on the road by 2020. That number will rise to 4.5 million vehicles by 2035, IHS says. But even if the vehicles are on the road, they might not be in your garage. The earliest self-driving cars might be on-demand taxis, employee shuttles or other shared vehicles.

___

Q: WHAT ARE THE TECHNICAL CHALLENGES TO GETTING AUTONOMOUS CARS ON THE ROAD?

A: Driverless cars need detailed maps to follow, and companies are still mapping roads. They also can have trouble staying within lanes in heavy rain or snow. And, as the Tesla crash showed, there will always be scenarios that driverless cars can’t foresee or navigate correctly. Brown’s car didn’t see an oncoming tractor-trailer because it was white against a brightly lit sky. Tesla CEO Elon Musk said the car’s radar is also designed to tune out what looks like overhead signs to prevent false braking.

___

Q: HOW COULD THE TESLA AUTOPILOT NOT SEE SOMETHING AS LARGE AS A TRACTOR-TRAILER?

A: Raj Rajkumar, a computer engineering professor at Carnegie Mellon University who leads its autonomous vehicle research, said computers can’t be programmed to handle every situation. But Tesla may need to adjust its radar, he said.

Tesla would not comment directly on the radar and computer programs, but the company issued a statement saying that it continually advances its software by analyzing hundreds of millions of miles of driving data. The National Highway Traffic Safety Administration is looking at the design and performance of Tesla’s system as part of its investigation.

https://www.yahoo.com/news/fatal-telsa-crash-shows-limits-185423753.html

Tesla has plenty of customers, but still no profit

Tesla is a hot mess—there is no path to profitability

Michael Pento, president of Pento Portfolio Strategies

Tuesday, 3 May 2016 | 1:55 PM ET

Tesla shares got a little pop in after-hours trading Wednesday after the electric car maker delivered an earnings report in line with expectations and an optimistic outlook.

But I think the stock’s run is already over.

The primary reason? Profitability.

Elon Musk

Getty Images
Elon Musk

Tesla stock soared for a few months starting in February following news that pre-orders for the electric-car maker’s Model 3, with a price tag of $35,000, were approaching 400,000 units.

But, as well-known short seller Jim Chanos so perfectly put it in an interview with CNBC: “We have all kinds of questions on the profitability of the business.”

First, the Model 3. This was Tesla’s play for an “affordable” electric car but it appears to be affordable for everyone EXCEPT Tesla.

Tesla loses more than $4,000 on each of its high-end Model S electric sedans; and that model’s cost is between $70 and $108k. With margins like that, one has to assume a $35k Model 3 can’t be the answer to solving Tesla’s red ink.

Tesla’s income statement reveals the company is hemorrhaging cash at a robust clip. Furthermore, according to TheStreet Ratings, they have a net profit margin of -26.38 percent and a quick ratio of 0.49, which means they have 49 cents in available cash to pay every $1 of current liabilities.

Worse than its lousy earnings and cash flow, Tesla is grossly overvalued compared to its peers. Tesla’s market cap is more than $30 billion, compared to Fiat Chrysler at around $10 billion and Ferrari at around $8 billion. Being valued at 3x more than FCAU — an established and profitable company — looks especially absurd when considering FCAU produces annual sales of over $130 billion, while Tesla produces revenue of only $4 billion.

Furthermore, Tesla’s market cap is nearly two-thirds of General Motors‘ market cap. This is despite the fact that General Motors has a history of selling 10 million cars at a profit each year and Tesla sold less than 100,000 cars last year at a loss. They would have to sell 6.6 million cars this year to justify its current valuation. With less than 400,000 cars on pre-order that doesn’t appear likely anytime soon.

In a February interview with CNBC’s Squawk Box, Former GM executive Bob Lutz noted that, “[TSLA] costs have always been higher than their revenue…They always have to get more capital. Then they burn through it.”

First, he pointed out that, on the back of falling oil prices, demand for electric vehicles (EVs) is slowing. Second, there is growing competition that will cut into Tesla’s margins as prices for EVs fall. Tesla has a lot of competition over the next few years. The industry is already awaiting the Apple car with bated breath that is set to launch in four years. And GM’s Chevy Bolt is similarly priced with a similar range and is set to come out this year. And then we have the Nissan Leaf expected to more competitive in the coming months and years. And add to that first generation vehicles like the BMW i3.

And in China, they have the EV Company LeEco, which recently unveiled its very first electric car that includes self-driving and self-parking capability using voice commands via a mobile app. Besides LeEco, there is another Chinese EV auto maker that sold more electric cars last year than Tesla, Nissan or GM, it’s called BYD Co. and is now targeting the U.S. market.

Lutz believes that competition from industry heavyweights like these could “kill” Tesla in the future.

“The major OEMs like GM, Ford, Toyota, Volkswagen, etc … they have to build electric cars, a certain number, in order to satisfy the requirements in about half of the states. Those have to be jammed into the marketplace, otherwise they can no longer sell SUVs and full-size pickups and the stuff that they really make money on. So that is going to generically depress the prices of electric vehicles,” Lutz warned.

Lutz also explained that companies such as General Motors will not be making any money on their “Tesla killer.” They are making these vehicles to appease Washington.

“The majors are going to accept the losses on the electric vehicles as a necessary cost of doing business in order to sell the big gasoline stuff that people really want. Well, Tesla does not have that option,” Lutz said.

But Musk has a strategy for driving down the cost of his electric car that hinges on achieving economies of scale, bringing down the production cost of the battery pack by 30 percent. This hinges on the success of their future Nevada home called the “Gigafactory.”

The Gigafactory is a one-stop shopping in battery-pack production. The company currently buys battery packs through a deal with Panasonicand has partnered with Panasonic in this venture. Production volume at the Gigafactory is anticipated to be the equivalent of over 30 gigawatt-hours per year; this would mean the Gigafactory would produce more storage than all the lithium battery factories in the world combined. The $5 billion dollar plant is as big as the Pentagon Tesla, and Tesla is hoping to produce 500,000 lithium ion batteries annually.

Musk recently laid out his Energy-branded battery ambition in rock star glory. At the event spectacle, Musk declared that his batteries would someday render the world’s energy grid obsolete. “We are talking about trying to change the fundamental energy infrastructure of the world,” he said.

Musk envisions his affordable, clean energy will one day power the remote villages of underdeveloped countries as well as allowing the average homeowner in industrial nations to go off the grid.

But before you sever your ties with your electrical company, it’s worth noting that not everyone thinks Musk’s plans are achievable – at least not in the time frame he envisions.

Panasonic, the supplier of the lithium-ion cells that form the foundation of Tesla’s batteries, and partner on the company’s forthcoming battery factory — calls Musk’s claims a lot of hyperbole.

“We are at the very beginning in energy storage in general,” said Phil Hermann, chief energy engineer at Panasonic Eco Solutions. “Most of the projects currently going on are either demo projects or learning experiences for the utilities. There is very little direct commercial stuff going on. Elon Musk is out there saying you can do things now that the rest of us are hearing and going, ‘really?’ We wish we could, but it’s not really possible yet.”

And far from the grand stage with little fanfare buried in their November 10Q Tesla also sought to tamper investor’s expectations: “Given the size and complexity of this undertaking, the cost of building and operating the Gigafactory could exceed our current expectations, we may have difficulty signing up additional partners, and the Gigafactory may take longer to bring online than we anticipate.”

With a company saddled with debt and cash-strapped, who is going to shoulder the burden of a delay in the Gigafactory realizing its full potential? That would be shareholders through stock dilution or the American tax payer – but most likely a combination of both. There are those who believe that Musk’s real genius is in following government subsidies.

Tesla’s model relies strongly on a “green” administration. According to the Los Angeles Times, all of Musk’s ventures: Tesla Motors, SolarCityand Space Exploration Technologies, known as SpaceX, together have benefited from an estimated $4.9 billion in government support. The figure underscores a common theme running through his emerging empire: a public-private financing model underpinning long-shot start-ups.

The promise is that the Tesla stockholders and the tax subsidizing public will greatly benefit from major pollution reductions as electric cars break through as viable alternative and gain access to mass-market production.

And frankly, I’m not convinced that electric cars are even good for the environment. First, it’s important to note that at this time, these cars don’t power themselves — they are plugged into an outlet in your garage that connects to an electric power plant. Second, there are a lot of environmental questions about the lithium battery itself. In a 2012 study titled “Science for Environment Policy” published by the European Union, a comparison was made of the lithium ion batteries to other types of batteries available such as; lead-acid, nickel-cadmium, nickel-metal-hydride and sodium Sulphur. They concluded that the lithium ion batteries have the largest impact on metal depletion, making recycling more complicated.

Musk may be a genius and a visionary but the truth is that Tesla has an unproven business model and a stock that is massively overpriced. Even if some year in the distant future there exists the charging infrastructure and pricing available to make electric vehicles conducive to supplant the internal combustion engine, Tesla faces an onslaught of competition that will most likely drive its profit margins further into the red for years to come.

So, as far as I’m concerned, the stock is not a buy — no matter what earnings say. The math just doesn’t add up.

Commentary by Michael Pento, the president and founder of Pento Portfolio Strategies and author of the book “The Coming Bond Market Collapse.” His weekly podcast is “The Mid-week Reality Check.”

Disclosure: Neither Michael Pento nor the firm own any positions in Tesla stock. However, several Pento clients own puts on Tesla.

http://www.cnbc.com/2016/05/03/tesla-stock-is-not-a-buy-no-matter-what-earnings-say-commentary.html

 

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First The CIA Director Now The State Department Contradict Obama’s Islamic State, Syria and Iraq Policies — The Hillary Clinton Support Network Of Lying Lunatic Leftists Throws Obama Under The Bus — Work Place Violence — Hate Crime — Terrorist Act — Radical Islam — Radical Islamic Terrorist — Radical Islamic Terrorist Jihadists — Face Reality and Stopping Lying Obama — Radical Islamists Are A Majority of The World’s 1,600+ Million Muslims And Want Sharia Law — Ban All Radical Islamists From United States Permanently — Videos

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Story 1: First The CIA Director Now The State Department Contradict Obama’s Islamic State, Syria and Iraq Policies — The Hillary Clinton Support Network Of Lying Lunatic Leftists Throws Obama Under The Bus — Work Place Violence — Hate Crime — Terrorist Act — Radical Islam — Radical Islamic Terrorist — Radical Islamic Terrorist Jihadists — Face Reality and Stopping Lying Obama — Radical Islamists Are A Majority of The World’s 1,600+ Million Muslims And Want Sharia Law — Ban All Radical Islamists From United States Permanently — Videos

Radical Islam: The Most Dangerous Ideology

What ISIS Wants

The rise of ISIS, explained in 6 minutes

The Basics of Islam 8: Robert Spencer on The Meaning of the Word “Jihad”

Robert Spencer Moment: Trump Was Right.

Robert Spencer on Hannity on the Orlando jihad massacre

The Basics of Islam 1: Robert Spencer on “Islamophobia”

What Does Jihad Really Mean? | For the Record

CIA Director Grave Warning: ISLAMIC STATE Dangerous As Ever

Gorka: CIA director no longer spreading Obama’s narrative

CIA CHIEF CONTRADICTS PRESIDENT OBAMA ON ISIS

Robert Spencer speaks on the Syrian refugee crisis and the Islamic idea of hijrah

State Department diplomats slam Obama’s Syria policy

Diplomats slam Obama’s Syria policy

Dozens of State Department officials just revolted against Obama’s Syria policy

How will Trump react to the diplomats’ memo on Syrian war?

Syria’s war: Who is fighting and why

The war in Syria explained in five minutes | Guardian Animations

State Department dissent memo critical of Obama policy on Syria and Assad

State Department Demands Policy Shift In Syria | MSNBC

DHS Whistleblower Phil Haney exposes Obama administration during Press Conference

DHS Whistleblower Exposes Government’s Submission To Jihad (FULL Press Conference)

Government Insider BLOWS WHISTLE on Obama’s ‘Countering Violent Extremism’ Policy

State Dept Under Fire For Including Syria In Top Foreign Policy Moments – America’s Newsroom

Ben Shapiro: The Myth of the Tiny Radical Muslim Minority

Obama gives speech in Orlando

Obama goes on tirade against Trump over ‘dangerous’ Muslim ban, ‘radical Islam’

Obama on ‘Radical Islam’

Speech by President Barack Obama After Counter-ISIL Meeting

President Obama On Orlando Shooting

Top Ex-CIA Agent Has ‘Chilling Warning’ About Obama’s Plans for Islamic State!

CIA Director on Islamic State

CIA Director John Brennan on ISIS and Global Threats at CSIS

CIA Chief Warns Islamic State Isn’t Finished Yet

CIA’S Brennan: Islamic State’s Momentum Blunted in Syria, Iraq

Shariamerica: Islam, Obama, and the Establishment Clause

Full Event: Donald Trump Rally in Dallas, TX (6-16-16)

 

An ’embarrassing’ break: Dozens of State Department officials just revolted against Obama’s Syria policy

 

At least 51 “mid-to-high-level State Department officials” have signed a dissent channel cable breaking with President Barack Obama’s policy on Syria and calling for US airstrikes on the regime of Syrian President Bashar Assad.

The cable was provided to several news outlets on Thursday, including The New York Timesand The Wall Street Journal.

“Failure to stem Assad’s flagrant abuses will only bolster the ideological appeal of groups such as Daesh, even as they endure tactical setbacks on the battlefield,” the cable reads, according to The Journal.

Daesh is an alternate name for ISIS, aka the Islamic State or ISIL.

“We are aware of a dissent channel cable written by a group of State Department employees regarding the situation in Syria,” State Department spokesman John Kirby told The Wall Street Journal.

“We are reviewing the cable now, which came up very recently, and I am not going to comment on the contents,” he said.

The officials who signed the document “range from a Syria desk officer in the Bureau of Near Eastern Affairs to a former deputy to the American ambassador in Damascus,” and have all been involved in formulating or carrying out the administration’s Syria policy.

That policy has largely emphasized defeating the Islamic State over bolstering Syria’s anti-Assad rebel groups.

According to the American Foreign Service Association, the dissent channel is “a serious policy channel reserved only for consideration of responsible dissenting and alternative views on substantive foreign policy issues that cannot be communicated in a full and timely manner through regular operating channels and procedures.”

It is available to all “regular or re-employed annuitant employees” of the State Department and the US Agency for International Development.

The number of officials – at least 50 – who have signed the internal document calling for military action against Assad is unusual, a former State Department official who worked on Middle East policy told The Journal.

“It’s embarrassing for the administration to have so many rank-and-file members break on Syria,” they said.

Fighters of the Syria Democratic Forces (SDF) sit in a look out position in the western rural area of Manbij, in Aleppo Governorate, Syria, June 13, 2016. REUTERS/Rodi SaidFighters of the Syrian Democratic Forces sit in a lookout position in the western rural area of Manbij. Thomson Reuters

The cable calls for the Obama administration to place more emphasis on defeating Assad – whose brutality is seen by many experts as the driver of Syria’s jihadist problem – by arming and regaining the trust of Syria’s moderate opposition.

That, in turn, will “turn the tide of the conflict against the regime [to] increase the chances for peace by sending a clear signal to the regime and its backers that there will be no military solution to the conflict,” the cable reportedly says.

The CIA-backed factions of the Free Syrian Army – the majority of which are Arab and battling forces loyal to Assad – have at times clashed with Pentagon-trained fighters associated with the Syrian Democratic Forces, who are predominantly Kurdish and focused on defeating the Islamic State.

Their divergent military objectives and ethnicities have bred mistrust and fighting that is ultimately counterproductive to the cause of the revolution.

Several high-ranking government officials, moreover – including Robert S. Ford, a former ambassador to Syria, and Obama’s former defense secretary, Chuck Hagel – have left their positions over Obama’s failure to act decisively against Assad, whose brutality continues to fuel a bloody revolution that has left over 400,000 people dead and millions displaced.

“Many people working on Syria for the State Department have long urged a tougher policy with the Assad government as a means of facilitating arrival at a negotiated political deal to set up a new Syrian government,” Ford told The New York Times on Thursday.

Free Syrian Army IdlibProtesters carry Free Syrian Army flags and chant slogans during an antigovernment protest in the town of Marat Numan in Idlib Province, Syria, on March 4. REUTERS/Khalil Ashawi

“The moral rationale for taking steps to end the deaths and suffering in Syria, after five years of brutal war, is evident and unquestionable,” the cable said. ” The status quo in Syria will continue to present increasingly dire, if not disastrous, humanitarian, diplomatic and terrorism-related challenges.”

Assad crossed Obama’s now infamous “red line” for airstrikes in 2013, when he used chemical weapons to kill more than 1,000 people in the eastern Damascus suburb of Ghouta. Obama backed away from that red line when Assad agreed to a Russia-brokered deal to destroy his chemical-weapons stockpile.

Some experts say, however, that the entire stockpile has not been destroyed as promised.

The administration insists that it has maintained throughout the nearly five-year civil war that Assad “must go.” But that stance has been muddled as the administration continues to soften its position on Assad’s future.

“The US’ Syria policy has always been in the head of one man, and one man only: Barack Obama. No one else has ever really had a say in what happens in Syria,” Tony Badran, a Middle East expert and researcher at the Foundation for Defense of Democracies, told Business Insiderin a previous interview.

“Obama has owned it since day one – and from day one, he never intended to remove Assad,” he said.

The cable addresses Russia’s bombing campaign in Syria as well, asserting that Moscow and Assad have not taken past ceasefires and “consequential negotiations” seriously.

Russia entered the war in late September 2015 on behalf of Assad under the guise of fighting ISIS. Russian warplanes have primarily targeted non-jihadist, anti-Assad rebel groups, however, many of which are backed by the US, Turkey, and Saudi Arabia.

Government warplanes bombarded the besieged Syrian town of Darayya with barrel bombs last weekend, shortly after food aid was delivered to the town for the first time in nearly four years.

http://www.businessinsider.com/state-department-officials-call-for-airstrikes-on-assad-2016-6

Chart: Obama Admin. On Pace to Issue One Million Green Cards to Migrants from Majority-Muslim Countries

The Obama Administration is on pace to issue more than a million green cards to migrants from majority-Muslim countries, according to an analysis of Department of Homeland Security data.

A chart released by the Senate Subcommittee on Immigration and the National Interest Friday details the surge in immigration to the U.S. from majority-Muslim countries since President Barack Obama took office in 2009.

Specifically, in the first six fiscal years of Obama’s presidency (FY2009 – FY2014), his administration issued 832,014 green cards to migrants majority-Muslim countries, the most of which were issued to migrants from Pakistan (102,000), Iraq (102,000), Bangladesh (90,000), Iran (85,000), Egypt (56,000), and Somalia (37,000).

The total 832,014 new permanent residents do not include migrants on temporary, nonimmigrant visas — which allow foreign nationals to come to the U.S. temporarily for work, study, tourism and the like. As the subcommittee notes, the number also does not include those migrants who overstayed the terms of their visas.

Obama Admin On Track To Issue 1M GCs (1)

Regardless, as the subcommittee explained in its analysis, the U.S. is playing host to immigrants from majority Muslim countries at an increasing pace.

Between FY 2013 and FY 2014, the number of green cards issued to migrants from Muslim-majority countries increased dramatically – from 117,423 in FY 2013, to 148,810 in FY 2014, a nearly 27 percent increase. Throughout the Obama Administration’s tenure, the United States has issued green cards to an average of 138,669 migrants from Muslim-majority countries per year, meaning that it is nearly certain the United States will have issued green cards to at least 1.1 million migrants from Muslim-majority countries on the President’s watch. It has also been reported that migration from Muslim-majority countries represents the fastest growing class of migrants.

Green cards, or Lawful Permanent Residency, puts immigrants on the path to citizenship and allows for lifetime residency, federal benefits, and work authorization. Included in the totals are refugees, who are required to apply for a green card after one year of residency in the U.S. Unlike other types of immigrants, refugees are immediately eligible for welfare benefits including Temporary Assistance to Needy Families (TANF), food stamps, and Medicaid.

A report from the Office of Refugee Resettlement (ORR) indicated that in FY 2013, 91.4 percent of Middle Eastern refugees (accepted to the U.S. between 2008-2013) received food stamps, 73.1 percent were on Medicaid or Refugee Medical Assistance and 68.3 percent were on cash welfare.

Green Card Totals, FY09-FY14:

Pakistan (102K), Iraq (102K), Bangladesh (90K), Iran (85K), Egypt (56K), Somalia (37K), Uzbekistan (30K), Turkey (26K), Morocco (25K), Jordan (25K), Albania (24K), Afghanistan (21K), Lebanon (20K), Yemen (20K), Syria (18K), Indonesia (17K), Sudan (15K), Sierra Leone (12K), Guinea (9K), Senegal (8K), Saudi Arabia (9K), Algeria (8K), Kazakhstan (8K), Kuwait (6K), Gambia (6K), United Arab Emirates (5K), Azerbaijan (4K), Mali (4K), Burkina Faso (3K), Kyrgyzstan (3K), Kosovo (3K), Mauritania (3K), Tunisia (2K), Tajikistan (2K), Libya (2K), Turkmenistan (1K), Qatar (1K), Chad (1K)

http://www.breitbart.com/big-government/2016/06/17/obama-admin-pace-issue-one-million-green-cards-migrants-majority-muslim-countries/

51% of U.S. Muslims want Sharia; 60% of young Muslims more loyal to Islam than to U.S.

Really, what did you expect? A considerable portion of U.S. domestic and foreign policy is based on the assumption that Islam in the U.S. will be different: that Muslims here believe differently from those elsewhere, and do not accept the doctrines of violence against and subjugation of unbelievers that have characterized Islam throughout its history. But on what is that assumption based? Nothing but wishful thinking. And future generations of non-Muslims will pay the price.

Muslims_Pray_Capitol

“Meanwhile, An Islamic Fifth Column Builds Inside America,” by Paul Sperry, IBD, October 1, 2015 (thanks to Pamela Geller)

In berating GOP presidential hopeful Ben Carson for suggesting a loyalty test for Muslims seeking high office, CNN host Jake Tapper maintained that he doesn’t know a single observant Muslim-American who wants to Islamize America.

“I just don’t know any Muslim-Americans — and I know plenty — who feel that way, even if they are observant Muslims,” he scowled.

Tapper doesn’t get out much. If he did, chances are he’d run into some of the 51% of Muslims living in the U.S. who just this June told Polling Co. they preferred having “the choice of being governed according to Shariah,” or Islamic law. Or the 60% of Muslim-Americans under 30 who told Pew Research they’re more loyal to Islam than America.

Maybe they’re all heretics, so let’s see what the enlightened Muslims think.

If Tapper did a little independent research he’d quickly find that America’s most respected Islamic leaders and scholars also want theocracy, not democracy, and even advocate trading the Constitution for the Quran.

These aren’t fringe players. These are the top officials representing the Muslim establishment in America today.

Hopefully none of them ever runs for president, because here’s what he’d have to say about the U.S. system of government:

• Muzammil Siddiqi, chairman of both the Fiqh Council of North America, which dispenses Islamic rulings, and the North American Islamic Trust, which owns most of the mosques in the U.S.: “As Muslims, we should participate in the system to safeguard our interests and try to bring gradual change, (but) we must not forget that Allah’s rules have to be established in all lands, and all our efforts should lead to that direction.”

• Omar Ahmad, co-founder of the Council on American-Islamic Relations, the top Muslim lobby group in Washington: “Islam isn’t in America to be equal to any other faith, but to become dominant. The Quran should be the highest authority in America, and Islam the only accepted religion on Earth.”

• CAIR spokesman Ibrahim Hooper: “I wouldn’t want to create the impression that I wouldn’t like the government of the United States to be Islamic sometime in the future.”

• Imam Siraj Wahhaj, director of the Muslim Alliance in North America: “In time, this so-called democracy will crumble, and there will be nothing. And the only thing that will remain will be Islam.”

• Imam Zaid Shakir, co-founder of Zaytuna College in Berkeley, Calif.: “If we put a nationwide infrastructure in place and marshaled our resources, we’d take over this country in a very short time. . . . What a great victory it will be for Islam to have this country in the fold and ranks of the Muslims.”…

https://www.jihadwatch.org/2015/10/51-of-u-s-muslims-want-sharia-60-of-young-muslims-more-loyal-to-islam-than-to-u-s

John O. Brennan

From Wikipedia, the free encyclopedia
John O. Brennan
John Brennan CIA official portrait.jpg
Director of the Central Intelligence Agency
Assumed office
March 8, 2013
President Barack Obama
Deputy David Cohen
Preceded by Michael Morell(Acting)
5th United States Homeland Security Advisor
In office
January 20, 2009 – March 8, 2013
President Barack Obama
Preceded by Ken Wainstein
Succeeded by Lisa Monaco
Director of the National Counterterrorism Center
Acting
In office
August 27, 2004 – August 1, 2005
President George W. Bush
Preceded by Position established
Succeeded by John Redd
Personal details
Born John Owen Brennan
September 22, 1955 (age 60)
Jersey City, New Jersey, U.S.
Spouse(s) Kathy Pokluda
Alma mater Fordham University
University of Texas, Austin

John Owen Brennan (born September 22, 1955)[1][2] is an American government official who is the Director of the Central Intelligence Agency. He has served as chief counterterrorism advisor to U.S. President Barack Obama; his title was Deputy National Security Advisor for Homeland Security and Counterterrorism, and Assistant to the President.[1][3][4] His responsibilities included overseeing plans to protect the country from terrorism and respond to natural disasters, and he met with the President daily.[5][6]Previously, he advised President Obama on foreign policy and intelligence issues during the 2008 presidential campaign and transition.[7] Brennan withdrew his name from consideration for Director of the Central Intelligence Agency (CIA) in the first Obama administration over concerns about his support for transferring terror suspects to countries where they may be tortured while serving under President George W. Bush.[3][5] Instead, Brennan was appointed Deputy National Security Advisor, a position which did not require Senate confirmation.[3][5][8]

Brennan’s 25 years with the CIA included work as a Near East and South Asia analyst, as station chief in Saudi Arabia, and as director of the National Counterterrorism Center.[3][5][9]After leaving government service in 2005, Brennan became CEO of The Analysis Corporation, a security consulting business, and served as chairman of the Intelligence and National Security Alliance, an association of intelligence professionals.[10]

President Barack Obama nominated Brennan as his next director of the CIA on January 7, 2013.[11][12][13] The ACLU called for the Senate not to proceed with the appointment until it confirms that “all of his conduct was within the law” at the CIA and White House.[14] John Brennan was approved by the Senate Intelligence Committee on March 5, 2013 to succeedDavid Petraeus as the Director of the CIA by a vote of 12 to 3.[15]

His term as CIA Director coincided with revelations that the U.S. government conducted massive levels of global surveillance, that the CIA had hacked into the computers of U.S. Senate employees, and the release of the U.S. Senate Intelligence Committee report on CIA torture.

Early life and education

Brennan, the son of Irish immigrants from Roscommon, was raised in North Bergen, New Jersey.[9] He attended the Immaculate Heart of Mary Elementary School, and graduated from Saint Joseph of the Palisades High School in West New York, New Jersey before enrolling at Fordham University in New York City.[5]

While riding a bus to class at Fordham, he saw an ad in The New York Times that said the CIA was recruiting, and he felt a CIA career would be a good match for his “wanderlust” and his desire to do public service.[5] He received a B.A. in political science from Fordham in 1977.[3] His studies included a junior year abroad learning Arabic and taking Middle Eastern studies courses at the American University in Cairo.[3][5] He also received a Master of Arts in government with a concentration in Middle Eastern studies from the University of Texas at Austin in 1980.[5] He speaks Arabic fluently.[9]

Brennan is married to Kathy Pokluda Brennan, with whom he has had one son and two daughters.[2][3][16]

Career highlights

Brennan with Kathleen Sebeliusand Rahm Emanuel, White House, April 2009

Brennan began his CIA career as an analyst, presumably in the Washington D.C. area, and spent 25 years with the agency.[1][5][17] At one point in his career, he was a daily intelligence briefer for President Bill Clinton.[5] In 1996 he was CIA station chief in Riyadh, Saudi Arabia when the Khobar Towers bombing killed 19 U.S. servicemen.[5] In 1999 he was appointed chief of staff to George Tenet, then-Director of the CIA.[3][5] Brennan became deputy executive director of the CIA in March 2001.[3] He was director of the newly created Terrorist Threat Integration Center from 2003 to 2004, an office that sifted through and compiled information for President Bush’s daily top secret intelligence briefings and employed the services of analysts from a dozen U.S. agencies and entities.[18] One of the controversies in his career involves the distribution of intelligence to the Bush White House that helped lead to an “Orange Terror Alert“, over Christmas 2003. The intelligence, which purported to list terror targets, was highly controversial within the CIA and was later discredited. An Obama administration official does not dispute that Brennan distributed the intelligence during the Bush era but said Brennan passed it along because that was his job.[19] His last post within the Intelligence Community was as director of the National Counterterrorism Center in 2004 and 2005, which incorporated information on terrorist activities across U.S. agencies.[3][20]

Brennan then left government service for a few years, becoming Chairman of the Intelligence and National Security Alliance (INSA) and the CEO of The Analysis Corporation (TAC). He continued to lead TAC after its acquisition by Global Strategies Group in 2007 and its growth as the Global Intelligence Solutions division of Global’s North American technology business GTEC, before returning to government service with the Obama administration as Homeland Security Advisor on January 20, 2009.[10]

On January 7, 2013, Brennan was nominated by President Barack Obama to be director of the Central Intelligence Agency.[21]

Counterterrorism advisor to President Obama

In late 2008 Brennan was the reported choice for Director of the CIA in the incoming Obama administration. Brennan withdrew his name from consideration because of opposition to his CIA service under President George W. Bush and past public statements he had made in support of enhanced interrogation and the transfer of terrorism suspects to countries where they might be tortured (extraordinary rendition).[3][5][22] President Obama then appointed him to be his chief counterterrorism advisor, a position that did not require Senate confirmation.[3][5][8]

Brennan and President Barack Obama at a meeting of the Homeland Security Council, May 2009

In August 2009, Brennan criticized some Bush-administration anti-terror policies, saying that waterboarding had threatened national security by increasing the recruitment of terrorists and decreasing the willingness of other nations to cooperate with the U.S.[23] He also described the Obama administration’s focus as being on “extremists” and not “jihadists“. He said that using the second term, which means one who is struggling for a holy goal, gives “these murderers the religious legitimacy they desperately seek” and suggests the US is at war with the religion of Islam.[23]

In an early December 2009 interview with the Bergen Record Brennan remarked, “the U.S. intelligence and law enforcement communities have to bat 1.000 every day. The terrorists are trying to be successful just once”.[5] At a press conferences days after the failed Christmas Day bomb attack on Northwest Airlines Flight 253 by Umar Farouk Abdulmutallab, Brennan said U.S. intelligence agencies did not miss any signs that could have prevented the attempt but later said he had let the President down by underestimating a small group of Yemeni terrorists and not connecting them to the attempted bomber.[1][24] Within two weeks after the incident, however, he produced a report highly critical of the performance of U.S. intelligence agencies, concluding that their focus on terrorist attempts aimed at U.S. soil was inadequate.[17] In February 2010, he claimed on Meet the Press that he was tired of Republican lawmakers using national security issues as political footballs, and making allegations where they did not know the facts.[25]

Drone program

In April 2012 Brennan was the first Obama administration official to publicly acknowledge CIA drone strikes in Pakistan, Yemen, Somalia, Libya, Afghanistan, and elsewhere. In his speech he argued for the legality, morality, and effectiveness of the program.[26][27][28] The ACLU and other organizations disagreed. In 2011/2012 he also helped reorganize the process, under the aegis of the Disposition Matrix database, by which people outside of war zones were put on the list of drone targets. According to an Associated Press story, the reorganization helped “concentrate power” over the process inside the White House administration.[29][30][31]

In June 2011, Brennan claimed that US counter-terrorism operations had not resulted in “a single collateral death” in the past year because of the “precision of the capabilities that we’ve been able to develop.”[32][33] Nine months later, Brennan claimed he had said “we had no information” about any civilian, noncombatant deaths during the timeframe in question.[33][34] The Bureau of Investigative Journalism disagreed with Brennan, citing their own research[35] that initially led them to believe that 45 to 56 civilians, including six children, had been killed by ten US drone strikes during the year-long period in question.[33] Additional research led the Bureau to raise their estimate to 76 deaths, including eight children and two women.[33] According to the Bureau, Brennan’s claims “do not appear to bear scrutiny.”[33]The Atlantic has been harsher in its criticism, saying that “Brennan has been willing to lie about those drone strikes to hide ugly realities.”[36]

According to the Bureau of Investigative Journalism, Brennan’s comments about collateral death are perhaps explained by a counting method that treats all military-aged males in a strike zone as combatants unless there is explicit information to prove them innocent.[33][37]

CIA Director (2013–present)

Nomination

Brennan being sworn in as CIA Director, March 8, 2013

United States PresidentBarack Obama twice nominated Brennan to serve as Director of the Central Intelligence Agency.[11][12]

Morris Davis, a former Chief Prosecutor for the Guantanamo Military Commissions compared Brennan to Canadian Omar Khadr, who was convicted of “committing murder in violation of the law of war”.[38] He suggested that Brennan’s role in targeting individuals for CIA missile strikes was no more authorized than the throwing of the grenade Khadr was accused of.

On February 27, 2013, the Senate Intelligence Committee postponed a vote, expected to be taken the next day on the confirmation of Brennan until the following week. On March 5, the Intelligence Committee approved the nomination 12–3. The Senate was set to vote on Brennan’s nomination on March 6, 2013. However, Kentucky Senator Rand Paul began a talking Senate filibuster of the vote, citing President Barack Obama and his administration’s use of combat drones, stating “No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual. It goes against everything that we fundamentally believe in our country.”[39][40] Paul’s filibuster continued for 13 hours, after which Brennan was confirmed by a vote of 63–34.

Brennan was sworn into the office of CIA Director on March 8, 2013.[41]

See also

https://en.wikipedia.org/wiki/John_O._Brennan

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Trump Targets Terrorist Control vs. Clinton and Obama Talk Gun Control — Lying Lunatic Left Losers — Americans Armed Against Gun Grabbing Government Tyrants — Defend The Second Amendment — Videos

Posted on July 1, 2016. Filed under: American History, Blogroll, British History, Business, Communications, Congress, Constitution, Corruption, Crime, Crisis, Doumentary, Elections, Employment, European History, Family, Federal Bureau of Investigation (FBI), Federal Bureau of Investigation (FBI), Federal Government, Freedom, Friends, government, government spending, history, Homicide, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, media, Middle East, Money, National Security Agency (NSA), Newspapers, People, Philosophy, Photos, Pistols, Police, Political Correctness, Presidential Candidates, Press, Psychology, Radio, Radio, Rants, Raves, Raymond Thomas Pronk, Regulations, Rifles, Speech, Strategy, Talk Radio, Technology, Terrorism, Video, War, Wealth, Weapons | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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Story 1: Trump Targets Terrorist Control vs. Clinton and Obama Talk Gun Control — Lying Lunatic Left Losers — Americans Armed Against Gun Grabbing Government Tyrants — Defend The Second Amendment — Videos

Oath of office of the President of the United States

“I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my ability, preserve, protect and defend the Constitution of the United States.”[1]

ARTICLE II, SECTION 3, United States Constitution

[The President] shall take Care that the Laws be faithfully executed….

http://www.heritage.org/constitution/#!/articles/2/essays/98/take-care-clause

gun-control1clarity-dictators-like-gun-control Gun-control-dictatorsgun-control_dictators stalin mao hitler  guns-1935-hitler-on-gun-control obama guncontrol

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[youtube-https://www.youtube.com/watch?v=R2YkqTSTZDY]

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CIA chief: IS working to send operatives to the West

CIA Director John Brennan will tell Congress on Thursday that Islamic State militants are training and attempting to deploy operatives for further attacks on the West and will rely more on guerrilla-style tactics to compensate for their territorial losses.

CIA Director John Brennan will tell Congress on Thursday that Islamic State militants are training and attempting to deploy operatives for further attacks on the West and will rely more on guerrilla-style tactics to compensate for their territorial losses.

In remarks prepared for the Senate Intelligence Committee, Brennan says IS has been working to build an apparatus to direct and inspire attacks against its foreign enemies, as in the recent attacks in Paris and Brussels — ones the CIA believes were directed by IS leaders.

“ISIL has a large cadre of Western fighters who could potentially serve as operatives for attacks in the West,” Brennan said, using another acronym for the group. He said IS probably is working to smuggle them into countries, perhaps among refugee flows or through legitimate means of travel.

Brennan also noted the group’s call for followers to conduct so-called lone-wolf attacks in their home countries. He called last week’s attack in Orlando a “heinous act of wanton violence” and an “assault on the values of openness and tolerance” that define the United States as a nation.

He said IS is gradually cultivating its various branches into an interconnected network. The branch in Libya is likely the most advanced and most dangerous, but IS is trying to increase its influence in Africa, he said. The IS branch in the Sinai has become the “most active and capable terrorist group in Egypt,” attacking the Egyptian military and government targets in addition to foreigners and tourists, such as the downing of a Russian passenger jet last October.

Other branches have struggled to gain traction, he says. “The Yemen branch, for instance, has been riven with factionalism. And the Afghanistan-Pakistan branch has struggled to maintain its cohesion, in part because of competition with the Taliban.”

He called IS a “formidable adversary,” but said the U.S.-led coalition has made progress combatting the group, which has had to surrender large swaths of territory in Iraq and Syria and has lost some of its leaders in airstrikes. IS has struggled to replenish its ranks of fighters, Brennan said, because fewer of them are traveling to Syria and others have defected.

“The group appears to be a long way from realizing the vision that Abu Bakr al-Baghdadi laid out when he declared the caliphate two years ago in Mosul,” Iraq, Brennan said.

He said the group’s ability to raise money has also been curtailed, although the group still continues to generate at least tens of millions of dollars in revenue each month, mostly from taxation and from sales of crude oil.

“Unfortunately, despite all our progress against ISIL on the battlefield and in the financial realm, our efforts have not reduced the group’s terrorism capability and global reach,” he said.

“In fact, as the pressure mounts on ISIL, we judge that it will intensify its global terror campaign to maintain its dominance of the global terrorism agenda.”

 

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They Shoot Horses Don’t They — Videos

Posted on June 11, 2016. Filed under: Art, Blogroll, Culture, Entertainment, Law, liberty, Life, media, Movies, Politics, Unemployment, Video, Welfare, Wisdom, Work, Writing | Tags: , , |

They Shoot Horses, Don’t They?

They Shoot Horses Don’t They 1969

Gig Young winning Best Supporting Actor for “They Shoot Horses, Don’t They?”

They Shoot Horses, Don’t They? (film)

From Wikipedia, the free encyclopedia
They Shoot Horses, Don’t They?
They horses.jpg

Theatrical release poster
Directed by Sydney Pollack
Produced by Robert Chartoff
Irwin Winkler
Screenplay by Robert E. Thompson
James Poe
Based on They Shoot Horses, Don’t They?
by Horace McCoy
Starring Jane Fonda
Michael Sarrazin
Susannah York
Gig Young
Music by Johnny Green
Cinematography Philip H. Lathrop
Edited by Fredric Steinkamp
Production
company
ABC Pictures
Palomar Pictures
Distributed by Cinerama Releasing Corporation (1969, original)
MGM (2004, DVD)
Release dates
  • December 10, 1969
Running time
120 minutes
Country United States
Language English
Budget $4.86 million[1]
Box office $12,600,000[2]

They Shoot Horses, Don’t They? is a 1969 American drama film directed by Sydney Pollack. The screenplay by James Poe and Robert E. Thompson is based on the1935 novel of the same name by Horace McCoy. It focuses on a disparate group of characters desperate to win a Depression-era dance marathon and the opportunistic emcee (MC) who urges them on to victory. It stars Jane Fonda, Michael Sarrazin, Susannah York, Bruce Dern, Bonnie Bedelia, and Gig Young. Fonda, Young and York won awards for their performances.

Plot

Robert Syverton (Michael Sarrazin), who once dreamed of being a great film director, recalls the events leading to an unstated crime. In his youth, he saw a horse break its leg, after which it was shot and put out of its misery. Years later, in 1932 during the Great Depression, he wanders into a dance marathon about to begin in the shabby La Monica Ballroom, perched over the Pacific Ocean on the Santa Monica Pier, near Los Angeles. He is recruited by MC (Master of Ceremonies) Rocky (Gig Young) as a substitute partner for a cynical malcontent named Gloria (Jane Fonda), when her original partner is disqualified because of an ominous cough.

Among the other contestants competing for a cash prize of $1,500 are Harry Kline (Red Buttons), a middle-aged sailor; Alice (Susannah York) and her partner Joel (Robert Fields), both aspiring actors; an impoverished farm worker James (Bruce Dern) and his pregnant wife Ruby (Bonnie Bedelia). Early in the marathon the weaker pairs are eliminated quickly, while Rocky observes the vulnerabilities of the stronger contestants and exploits them for the audience’s amusement. Frayed nerves are exacerbated by the theft of one of Alice’s dresses and Gloria’s displeasure at the attention Alice receives from Robert. In retaliation, she takes Joel as her partner, but when he receives a job offer and departs, she aligns herself with Harry.

Weeks into the marathon, in order to spark the paying spectators’ enthusiasm, Rocky stages a series of derbies in which the exhausted contestants, clad in track suits, must race around the dance floor, with the last three couples eliminated. Harry has a fatal heart attack during one of the races, but the undeterred Gloria lifts him on her back and crosses the finish line. Harry dies as Gloria drags him. Alice, seeing this and at the end of her rope, has a breakdown and is taken away. Lacking partners, Robert and Gloria again pair up.

Rocky suggests the couple marry during the marathon, a publicity stunt guaranteed to earn them some cash, in the form of gifts from supporters such as Mrs. Laydon (Madge Kennedy). When Gloria refuses, he reveals the contest is not what it appears. Expenses will be deducted from the prize money, leaving the winner with close to nothing. Shocked by the revelation, the couple drops out of the competition.

Gloria confesses how empty she is inside and tells Robert that she wants to kill herself, but when she takes out a gun and points it at herself, she cannot pull the trigger. Desperate, she asks Robert, “Help me”. He obliges. Questioned by the police as to the motive for his action, Robert responds: “They shoot horses, don’t they?”

The marathon continues with its few remaining couples, including James and Ruby. The eventual winners are not revealed.

Cast

Production

In the early 1950s, Norman Lloyd and Charlie Chaplin were looking for a project on which to collaborate, with Lloyd as director and Chaplin as producer. Lloyd purchased the rights to Horace McCoy‘s novel for $3,000 and planned to cast Chaplin’s son, Sydney, and newcomer Marilyn Monroe in the lead roles. Once arrangements were completed, in 1952 Chaplin took his family on what was intended to be a brief trip to theUnited Kingdom, for the London premiere of Limelight. During this trip, in part because Chaplin was accused of being a Communist supporter during the McCarthy era, FBI head J. Edgar Hoover negotiated with theImmigration and Naturalization Service to revoke his re-entry permit and the film project was cancelled. When McCoy died sixteen years later and the rights to the book reverted to his heirs, they refused to renew the deal with Lloyd, since nothing had come of his original plans.[3]

When Sydney Pollack signed to direct the film, he approached Jane Fonda for the role of Gloria. The actress declined, because she felt the script wasn’t very good, but her husband, Roger Vadim, who saw similarities between the book and works of the French existentialists, urged her to reconsider.[4]

Meeting with Pollack to discuss the script, she was surprised when he asked for her opinion. She read the script with a critical eye, made notes on the character and later observed in her autobiography, “It was a germinal moment [for me] … This was the first time in my life as an actor that I was working on a film about larger societal issues, and instead of my professional work feeling peripheral to life, it felt relevant.” Troubled about problems in her marriage at the time, she drew on her personal anguish to help her with her characterization.[5]

Warren Beatty originally was considered for the role of Robert Syverton and Pollack’s first choice for Rocky was character actor Lionel Stander.[6][7]

The film is notable for using the technique of flashforwards (glimpses of the future), not commonly used in movies. They are used in the last 18 minutes of the film, as passages appear denoting the fate of Robert, just before the tragic shock ending. Costar Gig Young was noted for his deep characterization of Rocky: he patterned his character after the great show MC/composer Ben Bernie. Young used Bernie’s famouscatchphrase, “Yowza! Yowza! Yowza!,” for the Rocky character in the film.

Soundtrack

The film’s soundtrack features numerous standards from the era. These include:

The ballroom band consisted of several real jazz musicians, all uncredited. The band were led by Bobby Hutcherson and included Hugh Bell, Ronnie Bright, Teddy Buckner, Hadley Caliman, Teddy Edwards,Thurman Green, Joe Harris, Ike Isaacs, Harold Land and Les Robertson.[8]

A soundtrack album was released on ABC Records in 1969. It has never been reissued on CD.

Box office

The film was a box office success, grossing $12,600,000 on a $4.86 million budget, making it the 16th highest-grossing film of 1969.[2]

According to Variety the film earned $5,980,000 in theatrical rentals in North America.[9]

Critical reception

The film was screened at the 1970 Cannes Film Festival, but was not entered into the main competition.[10] In the United States, the film was applauded for portraying the Depression era.

In his review in The New York Times, Vincent Canby said,

“The movie is far from being perfect, but it is so disturbing in such important ways that I won’t forget it very easily, which is more than can be said of much better, more consistent films … The movie is by far the best thing that Pollack has ever directed (with the possible exception of The Scalphunters). While the cameras remain, as if they had been sentenced, within the ballroom, picking up the details of the increasing despair of the dancers, the movie becomes an epic of exhaustion and futility.”[11]

Variety said, “Puffy-eyed, unshaven, reeking of stale liquor, sweat and cigarettes, Young has never looked older or acted better. Fonda … gives a dramatic performance that gives the film a personal focus and an emotionally gripping power.”[12]

TV Guide rated the film four out of a possible four stars and said,

“Although it is at times heavy-handed, They Shoot Horses, Don’t They? is a tour de force of acting. Fonda here got her first chance to prove herself as a serious, dramatic actress … Young is superb in his role, a sharp switch from his usual bon vivant parts … Pollack does one of his best jobs of directing, even if his primary strength lies in his rapport with actors. The look of the film is just right and Pollack skillfully evokes the ratty atmosphere amid which explosive emotions come to a boil … [It] remains a suitably glum yet cathartic film experience.”[13]

In 1996, Entertainment Weekly observed, “Sydney Pollack’s dance-marathon movie has probably aged better than any American film of its time.”[6]

Awards and nominations

Academy Awards

The film won one Academy Award and was nominated in eight other categories.[14]
The film currently holds the record for being nominated for the most Academy Awards (nine) without receiving a nod for Best Picture.

Golden Globes
BAFTAs
Other awards

Cultural influence

In later years, Turner Classic Movies observed, “By popularizing the title of McCoy’s novel, [the film] gave American argot a catchphrase that’s as recognizable today as when the movie first caught on.”[7] The title has been imitated in various media for topics having little relation to the plot or themes of the original film. Episodes of the television series Happy Days, The Partridge Family, Webster, Due South, Family Matters,Sex and the City, Designing Women, Gilmore Girls, Class of ’96, Sledge Hammer!, Ally McBeal “The Odd Couple” and Gossip Girl have used variations of the phrase for their titles. Humorist Patrick F. McManus titled one of his story collections They Shoot Canoes, Don’t They?. Australian rock band TISM‘s 1990 album Hot Dogma includes a song titled “They Shoot Heroin, Don’t They?”

The Rolling Stones used the film set as a rehearsal space, prior to a pair of shows at The Forum as part of their 1969 U.S. tour.[15]

DVD

They Shoot Horses, Don’t They? was released to DVD by MGM Home Entertainment on October 19, 2004, as a Region 1 widescreen DVD.

See also

References

External links

https://en.wikipedia.org/wiki/They_Shoot_Horses,_Don’t_They%3F_(film)

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Story 1: Trump Rattles The American Okie Doke Obama Into Stuttering Empty Suit –The Great Pretender — The Truth Hurts — Get Out of Our Lives — Roll It Back To A Full Employment Growing Booming Economy with 67% Labor Participation Rate and Less Than 3% Unemployment Rate — Make America Great Again — Catch Me If You Can — Videos

-A joke played on someone. Someone getting played for a fool.

-Also, someone who is fake or is a joke.

“I felt like a dumbass when that nigga hit me with the okie doke.”

“I keep it real homeboy. I ain’t no okie doke.”

Psychological projection is a theory in psychology in which humans defend themselves against their own unpleasant impulses by denying their existence while attributing them to others. For example, a person who is habitually rude may constantly accuse other people of being rude. It incorporates blame shifting.

Immigration moderation. Before any new green cards are issued to foreign workers abroad, there will be a pause where employers will have to hire from the domestic pool of unemployed immigrant and native workers. This will help reverse women’s plummeting workplace participation rate, grow wages, and allow record immigration levels to subside to more moderate historical averages.

https://www.donaldjtrump.com/positions/immigration-reform

sgs-empLabor-force-participation-under-Obama the-labor-force-participation-rate-tanked--heres-the-not-so-scary-reason-why 1606-Labor-Force-Participation Participation Rate1 U.S.-Nonfarm-Payrolls

George Carlin – The American Okie Doke

U.S. Labor Participation Rate – Graph of Reagan vs obama

Obama Tries to Trash Donald Trump and Turns into a Stuttering Mess

Obama attacks Trump in Indiana speech but won’t use his name

Obama Busts GOP Economic Myths

Obama takes a victory lap over Elkhart, Indiana’s resurgence

Why doesn’t Obama say Donald Trump’s name?

The Great Pretender Obama Says Don’t Fall For The Okie-Doke

No Help Wanted – Labor Participation Rate Lowest Since 1977 – Fox & Friends.

Labor participation has hit a 38-year low, and that’s a problem

Labor participation rate is down to unprecedented levels

Unemployment and the Unemployment Rate

Types of Unemployment

Top 10 Greatest Con Artists in Movies

Catch me if you can best scenes

Catch Me If You Can Movie- Check Fraud

Catch Me If You Can Trailer

To Tell the Truth: Frank William Abagnale Jr. (1977)

The Real Frank Abagnale, “Catch me if you can” man – CNN Red Chair

Catch Me If You Can: Frank Abagnale’s Story

Frank Abagnale, who evolved from being a brilliant young mastermind of international deception and fraud into one of the world’s most respected authorities on forgery and embezzlement, tells his life story. His intercontinental saga prompted Steven Spielberg to turn Abagnale’s life into the movie Catch Me If You Can starring Leonardo DiCaprio.

The Platters – The Great Pretender – HD (1955)

Data extracted on: June 2, 2016 (4:31:21 PM)

Labor Force Statistics from the Current Population Survey

Series Id:           LNS11300000
Seasonally Adjusted
Series title:        (Seas) Labor Force Participation Rate
Labor force status:  Civilian labor force participation rate
Type of data:        Percent or rate
Age:                 16 years and over

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1980 64.0 64.0 63.7 63.8 63.9 63.7 63.8 63.7 63.6 63.7 63.8 63.6
1981 63.9 63.9 64.1 64.2 64.3 63.7 63.8 63.8 63.5 63.8 63.9 63.6
1982 63.7 63.8 63.8 63.9 64.2 63.9 64.0 64.1 64.1 64.1 64.2 64.1
1983 63.9 63.8 63.7 63.8 63.7 64.3 64.1 64.3 64.3 64.0 64.1 64.1
1984 63.9 64.1 64.1 64.3 64.5 64.6 64.6 64.4 64.4 64.4 64.5 64.6
1985 64.7 64.7 64.9 64.9 64.8 64.6 64.7 64.6 64.9 65.0 64.9 65.0
1986 64.9 65.0 65.1 65.1 65.2 65.4 65.4 65.3 65.4 65.4 65.4 65.3
1987 65.4 65.5 65.5 65.4 65.7 65.5 65.6 65.7 65.5 65.7 65.7 65.7
1988 65.8 65.9 65.7 65.8 65.7 65.8 65.9 66.1 65.9 66.0 66.2 66.1
1989 66.5 66.3 66.3 66.4 66.3 66.5 66.5 66.5 66.4 66.5 66.6 66.5
1990 66.8 66.7 66.7 66.6 66.6 66.4 66.5 66.5 66.4 66.4 66.4 66.4
1991 66.2 66.2 66.3 66.4 66.2 66.2 66.1 66.0 66.2 66.1 66.1 66.0
1992 66.3 66.2 66.4 66.5 66.6 66.7 66.7 66.6 66.5 66.2 66.3 66.3
1993 66.2 66.2 66.2 66.1 66.4 66.5 66.4 66.4 66.2 66.3 66.3 66.4
1994 66.6 66.6 66.5 66.5 66.6 66.4 66.4 66.6 66.6 66.7 66.7 66.7
1995 66.8 66.8 66.7 66.9 66.5 66.5 66.6 66.6 66.6 66.6 66.5 66.4
1996 66.4 66.6 66.6 66.7 66.7 66.7 66.9 66.7 66.9 67.0 67.0 67.0
1997 67.0 66.9 67.1 67.1 67.1 67.1 67.2 67.2 67.1 67.1 67.2 67.2
1998 67.1 67.1 67.1 67.0 67.0 67.0 67.0 67.0 67.2 67.2 67.1 67.2
1999 67.2 67.2 67.0 67.1 67.1 67.1 67.1 67.0 67.0 67.0 67.1 67.1
2000 67.3 67.3 67.3 67.3 67.1 67.1 66.9 66.9 66.9 66.8 66.9 67.0
2001 67.2 67.1 67.2 66.9 66.7 66.7 66.8 66.5 66.8 66.7 66.7 66.7
2002 66.5 66.8 66.6 66.7 66.7 66.6 66.5 66.6 66.7 66.6 66.4 66.3
2003 66.4 66.4 66.3 66.4 66.4 66.5 66.2 66.1 66.1 66.1 66.1 65.9
2004 66.1 66.0 66.0 65.9 66.0 66.1 66.1 66.0 65.8 65.9 66.0 65.9
2005 65.8 65.9 65.9 66.1 66.1 66.1 66.1 66.2 66.1 66.1 66.0 66.0
2006 66.0 66.1 66.2 66.1 66.1 66.2 66.1 66.2 66.1 66.2 66.3 66.4
2007 66.4 66.3 66.2 65.9 66.0 66.0 66.0 65.8 66.0 65.8 66.0 66.0
2008 66.2 66.0 66.1 65.9 66.1 66.1 66.1 66.1 66.0 66.0 65.9 65.8
2009 65.7 65.8 65.6 65.7 65.7 65.7 65.5 65.4 65.1 65.0 65.0 64.6
2010 64.8 64.9 64.9 65.2 64.9 64.6 64.6 64.7 64.6 64.4 64.6 64.3
2011 64.2 64.1 64.2 64.2 64.1 64.0 64.0 64.1 64.2 64.1 64.1 64.0
2012 63.7 63.8 63.8 63.7 63.7 63.8 63.7 63.5 63.7 63.8 63.6 63.7
2013 63.6 63.4 63.3 63.4 63.4 63.4 63.3 63.2 63.3 62.8 63.0 62.9
2014 62.9 63.0 63.2 62.8 62.8 62.8 62.9 62.9 62.8 62.9 62.9 62.7
2015 62.9 62.8 62.7 62.7 62.8 62.6 62.6 62.6 62.4 62.5 62.5 62.6
2016 62.7 62.9 63.0 62.8

Series Id:           LNS14000000
Seasonally Adjusted
Series title:        (Seas) Unemployment Rate
Labor force status:  Unemployment rate
Type of data:        Percent or rate
Age:                 16 years and over

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1980 6.3 6.3 6.3 6.9 7.5 7.6 7.8 7.7 7.5 7.5 7.5 7.2
1981 7.5 7.4 7.4 7.2 7.5 7.5 7.2 7.4 7.6 7.9 8.3 8.5
1982 8.6 8.9 9.0 9.3 9.4 9.6 9.8 9.8 10.1 10.4 10.8 10.8
1983 10.4 10.4 10.3 10.2 10.1 10.1 9.4 9.5 9.2 8.8 8.5 8.3
1984 8.0 7.8 7.8 7.7 7.4 7.2 7.5 7.5 7.3 7.4 7.2 7.3
1985 7.3 7.2 7.2 7.3 7.2 7.4 7.4 7.1 7.1 7.1 7.0 7.0
1986 6.7 7.2 7.2 7.1 7.2 7.2 7.0 6.9 7.0 7.0 6.9 6.6
1987 6.6 6.6 6.6 6.3 6.3 6.2 6.1 6.0 5.9 6.0 5.8 5.7
1988 5.7 5.7 5.7 5.4 5.6 5.4 5.4 5.6 5.4 5.4 5.3 5.3
1989 5.4 5.2 5.0 5.2 5.2 5.3 5.2 5.2 5.3 5.3 5.4 5.4
1990 5.4 5.3 5.2 5.4 5.4 5.2 5.5 5.7 5.9 5.9 6.2 6.3
1991 6.4 6.6 6.8 6.7 6.9 6.9 6.8 6.9 6.9 7.0 7.0 7.3
1992 7.3 7.4 7.4 7.4 7.6 7.8 7.7 7.6 7.6 7.3 7.4 7.4
1993 7.3 7.1 7.0 7.1 7.1 7.0 6.9 6.8 6.7 6.8 6.6 6.5
1994 6.6 6.6 6.5 6.4 6.1 6.1 6.1 6.0 5.9 5.8 5.6 5.5
1995 5.6 5.4 5.4 5.8 5.6 5.6 5.7 5.7 5.6 5.5 5.6 5.6
1996 5.6 5.5 5.5 5.6 5.6 5.3 5.5 5.1 5.2 5.2 5.4 5.4
1997 5.3 5.2 5.2 5.1 4.9 5.0 4.9 4.8 4.9 4.7 4.6 4.7
1998 4.6 4.6 4.7 4.3 4.4 4.5 4.5 4.5 4.6 4.5 4.4 4.4
1999 4.3 4.4 4.2 4.3 4.2 4.3 4.3 4.2 4.2 4.1 4.1 4.0
2000 4.0 4.1 4.0 3.8 4.0 4.0 4.0 4.1 3.9 3.9 3.9 3.9
2001 4.2 4.2 4.3 4.4 4.3 4.5 4.6 4.9 5.0 5.3 5.5 5.7
2002 5.7 5.7 5.7 5.9 5.8 5.8 5.8 5.7 5.7 5.7 5.9 6.0
2003 5.8 5.9 5.9 6.0 6.1 6.3 6.2 6.1 6.1 6.0 5.8 5.7
2004 5.7 5.6 5.8 5.6 5.6 5.6 5.5 5.4 5.4 5.5 5.4 5.4
2005 5.3 5.4 5.2 5.2 5.1 5.0 5.0 4.9 5.0 5.0 5.0 4.9
2006 4.7 4.8 4.7 4.7 4.6 4.6 4.7 4.7 4.5 4.4 4.5 4.4
2007 4.6 4.5 4.4 4.5 4.4 4.6 4.7 4.6 4.7 4.7 4.7 5.0
2008 5.0 4.9 5.1 5.0 5.4 5.6 5.8 6.1 6.1 6.5 6.8 7.3
2009 7.8 8.3 8.7 9.0 9.4 9.5 9.5 9.6 9.8 10.0 9.9 9.9
2010 9.8 9.8 9.9 9.9 9.6 9.4 9.4 9.5 9.5 9.4 9.8 9.3
2011 9.1 9.0 9.0 9.1 9.0 9.1 9.0 9.0 9.0 8.8 8.6 8.5
2012 8.3 8.3 8.2 8.2 8.2 8.2 8.2 8.1 7.8 7.8 7.7 7.9
2013 8.0 7.7 7.5 7.6 7.5 7.5 7.3 7.3 7.3 7.2 6.9 6.7
2014 6.6 6.7 6.7 6.2 6.2 6.1 6.2 6.2 6.0 5.7 5.8 5.6
2015 5.7 5.5 5.5 5.4 5.5 5.3 5.3 5.1 5.1 5.0 5.0 5.0
2016 4.9 4.9 5.0 5.0

Series Id:           LNS13327709
Seasonally Adjusted
Series title:        (seas) Total unemployed, plus all marginally attached workers plus total employed part time for economic reasons, as a percent of all civilian labor force plus all marginally attached workers
Labor force status:  Aggregated totals unemployed
Type of data:        Percent or rate
Age:                 16 years and over
Percent/rates:       Unemployed and mrg attached and pt for econ reas as percent of labor force plus marg attached

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1994 11.8 11.4 11.4 11.2 10.8 10.9 10.7 10.5 10.4 10.3 10.1 10.0
1995 10.2 9.9 9.9 10.0 10.0 10.1 10.1 10.0 10.1 9.9 10.0 10.0
1996 9.8 10.0 9.8 9.9 9.7 9.6 9.7 9.3 9.4 9.4 9.3 9.5
1997 9.4 9.4 9.1 9.2 8.8 8.8 8.6 8.6 8.7 8.4 8.3 8.4
1998 8.4 8.4 8.4 7.9 7.9 8.0 8.1 7.9 7.9 7.8 7.6 7.6
1999 7.7 7.7 7.6 7.6 7.4 7.5 7.5 7.3 7.4 7.2 7.1 7.1
2000 7.1 7.2 7.1 6.9 7.1 7.0 7.0 7.1 7.0 6.8 7.1 6.9
2001 7.3 7.4 7.3 7.4 7.5 7.9 7.8 8.1 8.7 9.3 9.4 9.6
2002 9.5 9.5 9.4 9.7 9.5 9.5 9.6 9.6 9.6 9.6 9.7 9.8
2003 10.0 10.2 10.0 10.2 10.1 10.3 10.3 10.1 10.4 10.2 10.0 9.8
2004 9.9 9.7 10.0 9.6 9.6 9.5 9.5 9.4 9.4 9.7 9.4 9.2
2005 9.3 9.3 9.1 8.9 8.9 9.0 8.8 8.9 9.0 8.7 8.7 8.6
2006 8.4 8.4 8.2 8.1 8.2 8.4 8.5 8.4 8.0 8.2 8.1 7.9
2007 8.4 8.2 8.0 8.2 8.2 8.3 8.4 8.4 8.4 8.4 8.4 8.8
2008 9.2 9.0 9.1 9.2 9.7 10.1 10.5 10.8 11.0 11.8 12.6 13.6
2009 14.2 15.2 15.8 15.9 16.5 16.5 16.4 16.7 16.7 17.1 17.1 17.1
2010 16.7 17.0 17.1 17.1 16.6 16.4 16.4 16.5 16.8 16.6 16.9 16.6
2011 16.2 16.0 15.9 16.1 15.8 16.1 15.9 16.1 16.4 15.8 15.5 15.2
2012 15.2 15.0 14.6 14.6 14.8 14.8 14.8 14.6 14.8 14.4 14.4 14.4
2013 14.5 14.3 13.8 14.0 13.8 14.2 13.8 13.6 13.7 13.7 13.1 13.1
2014 12.7 12.6 12.6 12.3 12.1 12.0 12.2 12.0 11.8 11.5 11.4 11.2
2015 11.3 11.0 10.9 10.8 10.7 10.5 10.4 10.3 10.0 9.8 9.9 9.9
2016 9.9 9.7 9.8 9.7

Obama in Elkhart: Voters should beware of politicians ‘preying’ on economic fears

President Barack Obama says people should beware of politicians who are “preying” on Americans’ anxieties about the economy in a bid to win headlines and votes.

Obama isn’t naming names. But he says some politicians are running on anti-trade, anti-immigrant policies in an effort to play to people’s fears.

Obama made the remarks during a visit to Elkhart, Indiana. He’s holding up the manufacturing community as a symbol of the nation’s climb from recession to recovery.

Obama says his administration’s “smart” decisions played a part in helping Elkhart come back. He says he wants to bust “myths” that Democratic policies are bad for the economy.

Indiana’s Republican governor, Mike Pence, says Elkhart had rebounded “in spite of Obama’s policies” and that those policies inflicted onerous federal burdens on Indiana.

To Obama, lingering challenges aren’t enough to forestall a planned victory lap. Arguing that his controversial $840 billion stimulus package was ultimately vindicated, Obama will call on the next president to be willing to spend big to enable further economic growth.

The president is making his eighth visit to the state since taking office in January 2009. Here are details on the visits:

  • Feb. 2, 2009: Travels to Elkhart for his first event outside the Washington area since taking office 13 days earlier and speaks about his economic stimulus plan at Concord High School as Elkhart County’s unemployment rate was about 15 percent.
  • May 17, 2009: Delivers commencement address at the University of Notre Dame in South Bend, an appearance that drew weeks of criticism from many Catholic bishops and abortion opponents. Then travels to Indianapolis for two Democratic Party fundraisers.
  • Aug. 5, 2009: Visits Monaco RV factory in Wakarusa and announces $2.4 billion in grants for electric car production.
  • Nov. 23, 2010: Obama and Vice President Joe Biden both fly into Grissom Air Reserve Base then travel to a Chrysler transmission factory in Kokomo, where Obama promotes the U.S. auto industry revival.
  • May 6, 2011: Travels to an Allison Transmission factory in Indianapolis and speaks about how the hybrid transmissions made there can help reduce the country’s need for imported oil.
  • Oct. 3, 2014: Travels to Millennium Steel Services, a minority-owned steel processor near Princeton, and speaks about the nation’s manufacturing gains and the improving U.S. economy.
  • Feb. 6, 2015: Visits an Ivy Tech Community College campus in Indianapolis to tout his proposal for offering two years of college free.
  • June 1, 2016: Scheduled to speak about the economy at Concord Community High School in Elkhart and then take part in a PBS town hall at Elkhart’s Lerner Theatre.

Obama in Elkhart: Voters should beware of politicians ‘preying’ on economic fears

Psychological projection

From Wikipedia, the free encyclopedia
Part of a series of articles on
Psychoanalysis
Unofficial psychoanalysis symbol

Psychological projection is a theory in psychology in which humans defend themselves against their own unpleasant impulses by denying their existence while attributing them to others.[1] For example, a person who is habitually rudemay constantly accuse other people of being rude. It incorporates blame shifting.

According to some research, the projection of one’s negative qualities onto others is a common process in everyday life.[2]

Historical precursors

A prominent precursor in the formulation of the projection principle was Giambattista Vico,[3][4] and an early formulation of it is found in ancient Greek writer Xenophanes, which observed that “the gods of Ethiopians were inevitably black with flat noses while those of the Thracians were blond with blue eyes.”[citation needed] In 1841, Ludwig Feuerbach was the first to employ this concept as the basis for a systematic critique of religion.[5][6][7]

Psychoanalytic developments

Projection (German: Projektion) was conceptualised by Freud in his letters to Wilhelm Fliess,[8] and further refined by Karl Abraham and Anna Freud. Freud considered that in projection thoughts, motivations, desires, and feelings that cannot be accepted as one’s own are dealt with by being placed in the outside world and attributed to someone else.[9] What the ego repudiates is split off and placed in another.[10]

Freud would later come to believe that projection did not take place arbitrarily, but rather seized on and exaggerated an element that already existed on a small scale in the other person.[11] (The related defence of projective identification differs from projection in that there the other person is expected to become identified with the impulse or desire projected outside,[12] so that the self maintains a connection with what is projected, in contrast to the total repudiation of projection proper.)[13]

Melanie Klein saw the projection of good parts of the self as leading potentially to over-idealisation of the object.[14] Equally, it may be one’s conscience that is projected, in an attempt to escape its control: a more benign version of this allows one to come to terms with outside authority.[15]

Theoretical examples

Projection tends to come to the fore in normal people at times of crisis, personal or political[16] but is more commonly found in the neurotic or psychotic[17] in personalities functioning at a primitive level as in narcissistic personality disorder or borderline personality disorder.[18]

Carl Jung considered that the unacceptable parts of the personality represented by the Shadow archetype were particularly likely to give rise to projection, both small-scale and on a national/international basis.[19] Marie-Louise Von Franz extended her view of projection, stating that “wherever known reality stops, where we touch the unknown, there we project an archetypal image”.[20]

Psychological projection is one of the medical explanations of bewitchment used to explain the behavior of the afflicted children at Salem in 1692. The historian John Demos asserts that the symptoms of bewitchment experienced by the afflicted girls were due to the girls undergoing psychological projection of repressed aggression.[21]

Practical examples

  • Victim blaming: The victim of someone else’s accident or bad luck may be offered criticism, the theory being that the victim may be at fault for having attracted the other person’s hostility.[22]
  • Projection of marital guilt: Thoughts of infidelity to a partner may be unconsciously projected in self-defence on to the partner in question, so that the guiltattached to the thoughts can be repudiated or turned to blame instead, in a process linked to denial.[23]
  • Bullying: A bully may project his/her own feelings of vulnerability onto the target(s) of the bullying activity. Despite the fact that a bully’s typically denigrating activities are aimed at the bully’s targets, the true source of such negativity is ultimately almost always found in the bully’s own sense of personal insecurityand/or vulnerability.[24] Such aggressive projections of displaced negative emotions can occur anywhere from the micro-level of interpersonal relationships, all the way up through to the macro-level of international politics, or even international armed conflict.[19]
  • Projection of general guilt: Projection of a severe conscience[25] is another form of defence, one which may be linked to the making of false accusations, personal or political.[19]
  • Projection of hope: Also, in a more positive light, a patient may sometimes project his or her feelings of hope onto the therapist.[26]

Counter-projection

Jung wrote, “All projections provoke counter-projection when the object is unconscious of the quality projected upon it by the subject.”[27] Thus, what is unconscious in the recipient will be projected back onto the projector, precipitating a form of mutual acting out.[28]

In a rather different usage, Harry Stack Sullivan saw counter-projection in the therapeutic context as a way of warding off the compulsive re-enactment of apsychological trauma, by emphasising the difference between the current situation and the projected obsession with the perceived perpetrator of the original trauma.[29]

Clinical approaches

Drawing on Gordon Allport‘s idea of the expression of self onto activities and objects, projective techniques have been devised to aid personality assessment, including the Rorschach ink-blots and the Thematic Apperception Test (TAT).[30]

Projection may help a fragile ego reduce anxiety, but at the cost of a certain dissociation, as in dissociative identity disorder.[31] In extreme cases, an individual’s personality may end up becoming critically depleted.[32] In such cases, therapy may be required which would include the slow rebuilding of the personality through the “taking back” of such projections.[33]

Criticism

Some studies were critical of Freud’s theory. Research supports the existence of a false-consensus effect whereby humans have a broad tendency to believe that others are similar to themselves, and thus “project” their personal traits onto others. This applies to good traits as well as bad traits and is not a defense mechanism for denying the existence of the trait within the self.[34]

Instead, Newman, Duff, and Baumeister (1997) proposed a new model of defensive projection. In this view, people try to suppress thoughts of their undesirable traits, and these efforts make those trait categories highly accessible—so that they are then used all the more often when forming impressions of others. The projection is then only a by-product of the real defensive mechanism.[35]

See also

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Conor Cruise O’Brien

From Wikipedia, the free encyclopedia
For other people of the same name, see Conor O’Brien.
Conor Cruise O’Brien
Conor Cruise O'Brien.jpg

Cruise O’Brien pictured when he was a member of the UKUP
Senator
In office
27 October 1977 – 13 June 1979
Constituency University of Dublin
Minister for Posts and Telegraphs
In office
14 March 1973 – 5 July 1977
Teachta Dála
In office
18 June 1969 – 16 June 1977
Constituency Dublin North-East
MEP for Ireland
In office
1 January 1973 – March 1973
Personal details
Born 3 November 1917
Dublin, Ireland
Died 18 December 2008 (aged 91)
Nationality Irish
Political party Labour Party
Other political
affiliations
UK Unionist Party
Spouse(s) Christine Foster (m.1939–div.1959)
Máire Mhac an tSaoi (m.1962–2008)
Children Donal Cruise O’Brien (by Christine Foster)
Fedelma Cruise O’Brien (by Christine Foster)
Kate Cruise O’Brien (by Christine Foster)
Patrick Cruise O’Brien (adopted with Máire Mhac an tSaoi)
Margaret Cruise O’Brien(adopted with Máire Mhac an tSaoi)
Alma mater Trinity College Dublin
Occupation Journalist

Conor Cruise O’Brien (3 November 1917 – 18 December 2008)[1] often nicknamed “The Cruiser”,[2] was an Irish politician, writer, historian and academic. His opinion on the role of Britain in Ireland and in Northern Ireland changed during the 1970s in response to the outbreak of ‘the Troubles’ after 1968. He saw opposing nationalist and unionist traditions as irreconcilable and switched from a nationalist to a unionist view of Irish politics and history. O’Brien’s outlook was always radical and the positions he took were seldom orthodox. He summarised his position as, “I intend to administer an electric shock to the Irish psyche“.[3] Internationally, he opposed in person the African National Congress’s academic boycott of the apartheid regime in South Africa.[4] These views contrasted with those espoused during the 1950s and 1960s.

During his career as a civil servant O’Brien worked on the government’s anti-partition campaign. At the 1969 general election, he was elected to Ireland’s parliament as a Labour Party TD for Dublin North-East becoming a Minister from 1973–77.[5] He was also the Labour Party’s Northern Ireland spokesman during those years. He was later known primarily as an author and as a columnist for the Irish Independent.

Early life

Cruise O’Brien was born in Dublin to Francis (“Frank”) Cruise O’Brien and Kathleen Sheehy. Frank was a journalist with the Freeman’s Journaland Irish Independent newspapers, and had edited an essay written fifty years earlier by William Lecky, on the influence of the clergy on Irish politics.[6] Kathleen was an Irish language teacher. She was the daughter of David Sheehy, a member of the Irish Parliamentary Party and organiser of the Irish National Land League. She had two sisters, both of whom lost their husbands in 1916. Hanna‘s husband, the well knownpacifist and supporter of women’s suffrage Francis Sheehy-Skeffington, was executed by firing squad on the orders of Captain J.C Bowen Colthurst during the 1916 Easter Rising.[7] Soon afterwards Mary’s husband, Thomas Kettle, an officer of the Royal Dublin Fusiliers was killed during the Battle of the Somme. These three women, Hanna and his mother in particular, were a major influence on O’Brien’s upbringing alongside Hanna’s son, his cousin Owen Sheehy-Skeffington.[8]

O’Brien’s father (who died in 1927) wanted Conor educated non-denominationally, a wish that Kathleen honoured. O’Brien followed his cousin Owen into Sandford Park School that had a predominantly Protestant ethos,[9] despite objections from Catholic clergy.[10] O’Brien subsequently attended Trinity College Dublin which played the British national anthem until 1939, though O’Brien and Sheehy-Skeffington sat in protest on such occasions.[11] He was elected a scholar in Modern Languages at Trinity in 1937. O’Brien was editor of Trinity’s weekly, TCD: A College Miscellany. His first wife, Christine Foster, came from a Belfast Presbyterian family and was, like her father, a member of the Gaelic League. Her parents, Alexander (Alec) Roulston Foster and Mary Lynd, were Irish republicans and supporters of Irish reunification. Alec Foster was headmaster at the time of Belfast Royal Academy and was later a founding member of the Northern Ireland Civil Rights Association and also a strong supporter of the Irish Anti-Apartheid movement.[12] He was a former Ulster, Ireland and British & Irish Lions rugby player, having captained Ireland three times between 1912–1914. O’Brien and Christine Foster were married in a registry office in 1939. The couple had three children – Donal, Fedelma, and Kathleen (Kate), who died in 1998. The marriage ended in divorce after 20 years. In 1962, O’Brien married the Irish-language writer and poet Máire Mhac an tSaoi in a Roman Catholic church. O’Brien’s divorce, contrary to Roman Catholic teaching, was not an issue since that church did not recognise the validity of O’Brien’s 1939 civil wedding in the first place. O’Brien referred to this action, which in effect formally de-recognised the legitimacy of his former wife and children, as “hypocritical … and otherwise distasteful, but I took it, as preferable to the alternatives.”[13] Mac an tSaoi was five years his junior, and the daughter of Seán MacEntee, who was Tánaiste (Deputy Prime Minister) at the time. They subsequently adopted two Congolese children, a son (Patrick) and a daughter (Margaret).

O’Brien’s university education led to a career in the public service, most notably in the Department of External (now Foreign) Affairs. He achieved distinction as managing director of the state run Irish News Agency and later as part of the fledgling Irish delegation to the United Nations. O’Brien later claimed he was something of an anomalous iconoclast in post-1922 Irish politics, particularly in the context of Fianna Fáilgovernments under Éamon de Valera. He considered that those who did not conform to traditional Roman Catholic mores were generally ill-suited to the public service,[14] though that does not appear to have impeded his ascent through it that ended officially at ambassadorial level. He observed,

There was nothing unusual even then about not believing in Catholicism. What was unusual then was to acknowledge publicly that you did not believe in Catholicism…. It is interesting that this did absolutely no harm to my public career around the mid-century – a time when the authority of a triumphant Catholic Church appeared to be overwhelmingly strong, in the media and in public life. But I think many educated people – including many in the public service – already resented that authority and, while being discreet about this themselves, had some respect for a person who publicly rejected it altogether.[15]

In the Department of External Affairs during the 1949–52 inter-party government, O’Brien served under former