Heroes

Douglas Preston — Impact — Videos

Posted on February 18, 2017. Filed under: Art, Blogroll, Books, Communications, Corruption, Crime, Crisis, Culture, Entertainment, Family, Geology, Heroes, Homicide, Law, liberty, Life, Links, Literacy, Literature, media, Non-Fiction, People, Philosophy, Photos, Physics, Police, Psychology, Rants, Raves, Science, Security, Strategy, Success, Technology, Terrorism, Video, War, Wealth, Work, Writing | Tags: , , , , , , |

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Impact by Douglas Preston–Audiobook Excerpt

Author Interview with Douglas Preston on his book, Blasphemy

Interview with Suspense Author Doug Preston

Douglas Preston: The Lost City of the Monkey God

Ask Amy: Ken Follett- Interview by Douglas Preston

Douglas Preston

From Wikipedia, the free encyclopedia
Douglas Preston
Born Douglas Jerome Preston
May 20, 1956 (age 60)
Cambridge, Massachusetts
Occupation Novelist, journalist
Nationality American
Alma mater Pomona College
Genre Thriller, Techno-thriller, Adventure, Non-Fiction
Notable works Agent Pendergast Series, The Monster of Florence, Wyman Ford series, Gideon Crew series
Spouse Christine Preston
Relatives Richard Preston, David Preston
Website
www.prestonchild.com

Douglas Jerome Preston (born May 20, 1956) is an American author of techno-thriller and horror novels. He has written numerous novels, and although he is most well known for his collaborations with Lincoln Child (including the Agent Pendergast series and Gideon Crew series), he has also written six solo novels, primarily including the Wyman Ford series. He also has authored a number of non-fiction books on history, science, exploration, and true crime.

Life and career

Preston was born in Cambridge, Massachusetts. A graduate of the Cambridge School of Weston in Weston, Massachusetts, and Pomona College in Claremont, California, Preston began his writing career at the American Museum of Natural History in New York.

From 1978 to 1985, Preston worked for the American Museum of Natural History in New York City as a writer, editor, and manager of publications. He served as managing editor for the journal Curator and was a columnist for Natural History magazine.[1] In 1985 he published a history of the museum, Dinosaurs In The Attic: An Excursion into the American Museum of Natural History, which chronicled the explorers and expeditions of the museum’s early days. The editor of that book at St. Martin’s Press was his future writing partner, Lincoln Child.[2] They soon collaborated on a thriller set in the museum titled Relic. It was subsequently made into a motion picture by Paramount Pictures starring Penelope Ann Miller, Tom Sizemore, and Linda Hunt.

In 1986, Preston moved to New Mexico and began to write full-time. Seeking an understanding of the first moment of contact between Europeans and Native Americans in America, he retraced on horseback Francisco Vásquez de Coronado‘s violent and unsuccessful search for the legendary Seven Cities of Gold. That thousand mile journey across the American Southwest resulted in the book Cities of Gold: A Journey Across the American Southwest. Since that time, Preston has undertaken many long horseback journeys retracing historic or prehistoric trails, for which he was inducted into the Long Riders’ Guild.[3] He has also participated in expeditions in other parts of the world, including a journey deep into Khmer Rouge-held territory in the Cambodian jungle with a small army of soldiers, to become the first Westerner to visit a lost Angkor temple. He was the first person in 3,000 years to enter an ancient Egyptian burial chamber in a tomb known as KV5 in the Valley of the Kings.[4] In 1989 and 1990 he taught nonfiction writing at Princeton University. Currently, he’s an active member of the Authors Guild,[5] as well as the International Thriller Writers organization.[6]

Writing career

With his frequent collaborator Lincoln Child, he created the character of FBI Special Agent Pendergast, who appears in many of their novels, including Relic, The Cabinet of Curiosities, Brimstone, and White Fire. Additional novels by the Preston and Child team include Mount Dragon, Riptide, Thunderhead, and The Ice Limit. Later, the duo created the Gideon Crew series, which consists of Gideon’s Sword, Gideon’s Corpse, and The Lost Island.

For his solo career, Preston’s fictional debut was Jennie, a novel about a chimpanzee who is adopted by an American family. His next novel was The Codex, a treasure hunt novel with a style that was much closer to the thriller genre of his collaborations with Child. The Codex introduced the characters of Tom Broadbent and Sally Colorado. Tom and Sally return in Tyrannosaur Canyon, which also features the debut of Wyman Ford, an ex-CIA agent and (at the time) a monk-in-training. Following Tyrannosaur Canyon, Ford leaves the monastery where he is training, forms his own private investigation company, and replaces Broadbent as the main protagonist of Preston’s solo works. Ford subsequently returns in Blasphemy, Impact, and The Kraken Project.

In addition to his collaborations with Child and his solo fictional universe, Preston has written several non-fiction books of his own, mainly dealing with the history of the American Southwest. He has written about archaeology and paleontology for The New Yorker magazine and has also been published in Smithsonian, Harper’s, The Atlantic, Natural History, and National Geographic.[7][8][9][10][11]

In May, 2011, Pomona College conferred on Preston the degree of Doctor of Letters (Honoris Causa).[12] He is the recipient of writing awards in the United States and Europe.[citation needed]

Involvement in the “Monster of Florence” case

Main article: Monster of Florence

In 2000, Preston moved to Florence, Italy with his young family and became fascinated with an unsolved local murder mystery involving a serial killer nicknamed the “Monster of Florence“. The case and his problems with the Italian authorities are the subject of his 2008 book The Monster of Florence, co-authored with Italian journalist Mario Spezi. The book spent three months on the New York Timesbestseller list and won a number of journalism awards in Europe and the United States.[citation needed] It is being developed into a movie by 20th Century Fox, produced by George Clooney. Clooney will play the role of Preston.[13][14]

Involvement in the Amanda Knox case

Preston has criticized the conduct of Italian prosecutor Giuliano Mignini[15] in the trial of American student Amanda Knox, one of three convicted, and eventually cleared,[16] of the murder of British student Meredith Kercher in Perugia in 2007. In 2009, Preston argued on 48 Hours on CBS that the case against Knox was “based on lies, superstition, and crazy conspiracy theories”.[17] In December 2009, after the verdict had been announced, he described his own interrogation by Mignini on Anderson Cooper 360° on CNN. Preston said of Mignini, “this is a very abusive prosecutor. He makes up theories. He’s … obsessed with satanic sex.”[18]

“Operation Thriller” USO Tour

In 2010, Preston participated in the first USO tour sponsored by the International Thriller Writers organization,[19] along with authors David Morrell, Steve Berry, Andy Harp, and James Rollins. After visiting with military personnel at National Navy Medical Center and Walter Reed Army Medical Center, the group spent several days in Kuwait and Iraq, marking “the first time in the USO’s 69-year history that authors visited a combat zone.”[20] Of the experience, Preston said, “As always, we learn a great deal from all of the amazing and dedicated people we meet.”[21]

Authors United

In 2014, during a disagreement over terms between Hachette Book Group and Amazon.com, Inc.,[22] Preston initiated an effort which became known as Authors United.[23] During the contract dispute, books by Hachette authors faced significant shipment delays, blocked availability, and reduced discounts on the Amazon website.[24] Frustrated with tactics he felt unjustly injured authors who were caught in the middle, Preston began garnering the support of like-minded authors from a variety of publishers. In the first open letter from Authors United, over 900 signatories urged Amazon to resolve the dispute and end the policy of sanctions, while calling on readers to contact CEO Jeff Bezos to express their support of authors.[25][26]Not long after, a second open letter, signed by over 1100 authors, was sent to Amazon’s board of directors asking if they personally approved the policy of hindering the sale of certain books.[27]

Describing the motivation behind the campaign, Preston explained: “This is about Amazon’s bullying tactics against authors. Every time they run into difficulty negotiating with a publisher, they target authors’ books for selective retaliation. The authors who were first were from university presses and small presses… Amazon is going to be negotiating with publishers forever. Are they really going to target authors every time they run into a problem with a publisher?”[28]

Bibliography

Novels

  • Preston, Douglas (1994). Jennie. New York: St. Martin’s Press.

Tom Broadbent Novels

Wyman Ford Novels

Collaborations with Lincoln Child

Agent Pendergast series
Gideon Crew series
Short fiction
  • “Gone Fishing” from Thriller: Stories to Keep You Up All Night (2006)
  • “Extraction” [eBook] (2012)
  • “Gaslighted: Slappy the Ventriloquist Dummy vs. Aloysius Pendergast” [eBook] (2014) [35]

Non-fiction

  • Dinosaurs In the Attic: An Excursion into the American Museum of Natural History (1986)
  • Cities of Gold: A Journey Across the American Southwest in Pursuit of Coronado (1992) [36]
  • Talking to the Ground: One Family’s Journey on Horseback Across the Sacred Land of the Navajo (1996)
  • The Royal Road: El Camino Real from Mexico City to Santa Fe (1998)
  • Ribbons of Time: The Dalquest Research Site [photography by Walter W. Nelson, text by Preston] (2006)
  • The Monster of Florence: A True Story [with Mario Spezi] (2008)
  • Trial By Fury: Internet Savagery and the Amanda Knox Case [Kindle Single eBook] (2013)
  • Preston, Douglas (May 6, 2013). “The El Dorado machine : a new scanner’s rain-forest discoveries”. Our Far-Flung Correspondents. The New Yorker. 89 (12): 34–40.
  • The Black Place: Two Seasons [photography by Walter W. Nelson, essay by Preston] (2014)
  • The Lost City of the Monkey God: A True Story (2017)

See also

ttps://en.wikipedia.org/wiki/Douglas_Preston

Impact (novel)

From Wikipedia, the free encyclopedia
Impact
Impact-bookcover.jpg

Hardcover edition
Author Douglas Preston
Country United States
Language English
Series Wyman Ford
Genre Thriller, Science fiction
Publisher Forge Books
Publication date
January 5, 2010
Media type Print (hardback)
Pages 368 pp
ISBN 978-0-7653-1768-1
Preceded by Blasphemy
Followed by The Kraken Project

Impact is a science fiction thriller novel by American writer Douglas Preston, published on January 5, 2010 by Forge Books. The novel is the third book in the Wyman Ford series.[1][2] The book was reviewed on All Things Considered in February 2010.[citation needed]

Plot summary

Ex-CIA agent Wyman Ford returns to Cambodia to investigate the source of radioactive gemstones and uncovers an unusual impact crater. A young woman on the other side of the world photographs a meteoroid‘s passage in the atmosphere with her telescope and deduces that it must have struck on one of the islands just offshore from Round Pond, Maine. A NASA scientist analyzing data from the Mars Mapping Orbiter (MMO) spots unusual spikes in gamma ray activity. These threads intersect with discovery of an alien device that has apparently been on Deimos, one of the two moons of Mars, for at least 100 million years. Something has caused it to activate and fire a strangelet at Earth, setting off the events in the novel.

Timeline

The events in this novel follow those of The Codex, Tyrannosaur Canyon, and Blasphemy. As such, Wyman Ford is the protagonist once again (having appeared in Tyrannosaur Canyon and Blasphemy), and the character of Stanton Lockwood III (who debuted in Blasphemy) also returns.

See also

References

External links

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David Halberstam — The Best and The Brightess — 20th Anniversary Edition — Videos

Posted on December 27, 2016. Filed under: American History, Articles, Blogroll, Books, College, Congress, Constitution, Corruption, Documentary, Education, Federal Government, Freedom, government, government spending, Heroes, history, Law, liberty, Life, Links, media, Non-Fiction, People, Philosophy, Photos, Politics, Press, Rants, Raves, Video, Wealth, Welfare, Wisdom | Tags: , , , , , , , , , , , , , , , , , , , , |

Image result for David Halberstam in vietnamImage result for The Best and the Brightest David HalberstamImage result for David Halberstam in vietnamImage result for David Halberstam in vietnamImage result for David Halberstam in vietnamImage result for Car Accident David HalberstamImage result for Car Accident David HalberstamImage result for Car Accident David HalberstamImage result for David Halberstam in vietnamImage result for David Halberstam in vietnamImage result for David HalberstamImage result for Car Accident David HalberstamImage result for Car Accident David Halberstam

David Halberstam, 1934-2007

David Halberstam on Covering War in the Vietnam War

David Halberstam Talks About Vietnam

Published on May 16, 2012

David Halberstam begins his career in 1955 as a reporter with the West Point, Miss., Daily Times Leader. By 1962, he’s reporting for The New York Times in Vietnam. Halberstam wins a Pulitzer Prize for international reporting in 1964. Among the books he authors are “The Best and the Brightest” (1972) and “The Powers That Be” (1979).

Vietnam War and the Presidency: Keynote Speaker

Published on Apr 23, 2014

David Halberstam, the Pulitzer Prize-winning reporter, gives the opening lecture at “Vietnam and the Presidency”, a national conference where leading historians, key policymakers of the Vietnam War era, and journalists who covered the war examine the antecedents of the war, presidential decision-making, media coverage, public opinion, lessons learned and the influence of the Vietnam experience on subsequent US foreign policy.

The Vietnam War was the longest and most controversial war that the United States ever fought. It claimed the lives of more than 58,000 Americans and over three million Vietnamese. From the arrival of the first US military advisors in the 1950s to the fall of Saigon on April 30, 1975, US involvement in Viet Nam was central to the Cold War foreign policies of Presidents Eisenhower, Kennedy, Johnson, Nixon and Ford. The war has continued to affect the policies of subsequent presidents, and its legacy is particularly relevant today during America’s war on terror.

David Halberstam – America Then and Now – 04/27/06

Published on Feb 12, 2014

David Halberstam is a legendary figure in American journalism. A graduate of Harvard University, he joined The New York Times in 1960 and was awarded a Pulitzer Prize for his reporting on the Vietnam War. His landmark trilogy of books on power in America, The Best and the Brightest, The Powers that Be, and The Reckoning, received wide critical acclaim. He is the author of fourteen bestselling books, including The Next Century, where he explores the American agenda for the 21st century; The Fifties, which examines the decade he considers seminal in shaping America today; and War in a Time of Peace, which recounts the impact of Vietnam on current U.S. foreign policy.

Conversations with History: Daniel Ellsberg

Daniel Ellsberg: Secrets – Vietnam and the Pentagon Papers

“Terminate With Extreme Prejudice” Daniel Ellsberg Talks About CIA Plot To Assassinate Him

Conversations with History: Neil Sheehan

The Early Years of the Vietnam War: Young War Correspondents (1996)

Published on Dec 4, 2014

Cornelius Mahoney “Neil” Sheehan (born October 27, 1936) is an American journalist. As a reporter for The New York Times in 1971, Sheehan obtained the classified Pentagon Papers from Daniel Ellsberg. His series of articles revealed a secret U.S. Department of Defense history of the Vietnam War and led to a U.S. Supreme Court case when the United States government attempted to halt publication.

He received a Pulitzer Prize and a National Book Award for his 1988 book A Bright Shining Lie, about the life of Lieutenant Colonel John Paul Vann and the United States involvement in the Vietnam War.

Born in Holyoke, Massachusetts and raised on a farm nearby, Sheehan graduated from Mount Hermon School (later Northfield Mount Hermon) and Harvard University with a B.A. in 1958. He served in the U.S. Army from 1959 to 1962, when he was assigned to Korea, and then transferred to Tokyo, where he did work moonlighting in the Tokyo bureau of United Press International (UPI). After his stint in the army he spent two years covering the war in Vietnam as UPI’s Saigon bureau chief. Sheehan relied heavily for information on Phạm Xuân Ẩn, who was later revealed to be a North Vietnamese agent. In 1963, during the Buddhist crisis, he and David Halberstam debunked the claim by the Ngô Đình Diệm regime that the Army of the Republic of Vietnam regular forces had perpetrated the Xá Lợi Pagoda raids, which U.S. authorities initially accepted. They showed instead that the raiders were Special Forces loyal to Diệm’s brother, Nhu, and motivated to frame the army generals. In 1964 he joined The New York Times and worked the city desk for a while before returning to the Far East, first to Indonesia and then to spend another year in Vietnam.

http://en.wikipedia.org/wiki/Neil_She…

Vietnam- A turning point for reporting war

Published on Aug 9, 2012

27/08/2010 – Join us for this special event to discuss the iconic war reportage, to mark 35 years since the end of the Vietnam War.

This special event brings together reporters who covered Vietnam to reflect on the war that changed the way the public think about conflict.

Saturation bombing, worldwide protests, napalm, agent orange and an estimated two million lives lost.

Has any war since had such an impact on the public psyche? Why was the reaction to the carnage in Vietnam so strong? Was it because of a lack of conviction in the cause the US was fighting for? Or was it because of these reporters and photographers and their work that so poignantly captured the brutality of war?

Jon Swain was the only British journalist in Phnom Penh when it fell to the Khmer Rouge in April 1975. His coverage of these events and their aftermath won him the British Press Award for Journalist of the Year. His story was retold in the Oscar-winning film, The Killing Fields and his bestselling book River of Time. Swain wrote an article about covering Vietnam in his early 20s in the most recent issue of Frontline: A Broadsheet.

French war photographer Patrick Chauvel was only 18 when he started covering the Vietnam war. In the years that followed he has covered over 20 wars and in 1995 won the World Press Photo award for Spot News. He is the author of two books in French, Rapporteur de Guerre and Sky.

John Laurence, author of the prize-winning memoir The Cat from Hue, covered the war for CBS News from 1965 to 1970 and made the multi-award winning documentary The World of Charlie Company. He also covered 15 other wars in Asia, Africa, the Middle East and Europe.

This special event will be moderated by Michael Nicholson OBE, former senior foreign correspondent for ITN. Nicholson reported for over 25 years from 15 conflicts, including Vietnam. The film Welcome to Sarajevo and his book Natasha’s Story were both based on his experiences covering the war in Bosnia.

The Best and the Brightest Who Advised Presidents: Shaping Modern Liberalism (1999)

vietnam war documentary [full documentary]

‘Vietnam in HD’: The Truth About the Vietnam War Told by the People Who Fought It past 2

David Halberstam’s The Fifties: “The Fear and the Dream” Part 1

David Halberstam’s The Fifties: “The Fear and the Dream” Part 2

David Halberstam’s The Fifties: “Let’s Play House”

David Halberstam’s The Fifties: “Selling The American Way”

David Halberstam’s The Fifties: “A Burning Desire”

David Halberstam’s The Fifties: “The Beat”

David Halberstam’s The Fifties: “THE RAGE WITHIN”

David Halberstam’s The Fifties: “The Road to the Sixties”

David Halberstam on the Global Economy and Middle Class Existence

David Halberstam on the Economic Fears of Americans

Author David Halberstam on the U.S. Deficit

Notebook: David Halberstam (CBS News)

C Span: Orville Schell on the death of David Halberstam

David Halberstam

From Wikipedia, the free encyclopedia
This article is about the author and journalist. For the radio sports announcer and executive, see David J. Halberstam.
David Halberstam
David Halberstam 1978.JPG

Halberstam in 1978
Born April 10, 1934
New York City, U.S.
Died April 23, 2007 (aged 73)
Menlo Park, California, U.S.
Occupation Journalist, historian, writer
Nationality American
Education Harvard University
Genre Non-fiction
Spouse Elżbieta Czyżewska (1965–1977; divorced)
Jean Sandness Butler (1979-2007; his death; 1 child)

David Halberstam (April 10, 1934 – April 23, 2007) was an American journalist and historian, known for his work on the Vietnam War, politics, history, the Civil Rights Movement, business, media, American culture, and later, sports journalism.[1] He won a Pulitzer Prize for International Reporting in 1964. In 2007, while doing research for a book, Halberstam was killed in a car crash.[2][3]

Early life and education

Halberstam was born in New York City and raised in Winsted, Connecticut, where he was a classmate of Ralph Nader, moving to Yonkers, New York and graduating from Roosevelt High School in 1951.[4] In 1955 he graduated from Harvard College in the bottom third of his class[5] with a BA after serving as managing editor of The Harvard Crimson.

Career

Halberstam’s journalism career began at the Daily Times Leader in West Point, MS, the smallest daily newspaper in Mississippi. He covered the beginnings of the Civil Rights Movement for The Tennessean in Nashville.[citation needed]

Vietnam

Halberstam arrived in Vietnam in the middle of 1962, to be a full-time Vietnam reporter for The New York Times.[6] Halberstam, like many other US journalists covering Vietnam, relied heavily for information on Phạm Xuân Ẩn, who was later revealed to be a secret North Vietnamese agent.[7]

In 1963, Halberstam received a George Polk Award for his reporting at The New York Times, including his eyewitness account of the self-immolation of Vietnamese Buddhist monk Thích Quảng Đức.[8]

During the Buddhist crisis, he and Neil Sheehan debunked the claim by the Diệm regime that the Army of the Republic of Vietnam regular forces had perpetrated the brutal raids on Buddhist temples, which the American authorities had initially believed, but that the Special Forces, loyal to Diệm’s brother and strategist Nhu, had done so to frame the army generals. He was also involved in a scuffle with Nhu’s secret police after they punched fellow journalist Peter Arnett while the pressmen were covering a Buddhist protest.[citation needed]

Halberstam left Vietnam in 1964, at age 30, and was awarded the Pulitzer Prize for International Reporting that year.[2] He is interviewed in the 1968 documentary film on the Vietnam War entitled In the Year of the Pig.[citation needed]

Civil Rights Movement and Poland

In the mid-1960s, Halberstam covered the Civil Rights Movement for The New York Times. He was sent on assignment to Poland, where he soon became ‘an attraction from behind the Iron Curtain’ to the artistic boheme in Warsaw. The result of that fascination was a 12-year marriage to one of the most popular young actresses of that time, Elżbieta Czyżewska, on June 13, 1965.

Initially well received by the communist regime, two years later he was expelled from the country as persona non grata for publishing an article in The New York Times, criticizing the Polish government. Czyżewska followed him, becoming an outcast herself; that decision disrupted her career in the country where she was a big star, adored by millions. In the spring of 1967, Halberstam travelled with Martin Luther King Jr. from New York City to Cleveland and then to Berkeley, California for a Harper’s article, “The Second Coming of Martin Luther King”. While at the Times, he gathered material for his book The Making of a Quagmire: America and Vietnam during the Kennedy Era.

Foreign policy, media works

Halberstam next wrote about President John F. Kennedy‘s foreign policy decisions on the Vietnam War in The Best and the Brightest. In 1972, Halberstam went to work on his next book, The Powers That Be, published in 1979 and featuring profiles of media titans like William S. Paley of CBS, Henry Luce of Time magazine, and Phil Graham of The Washington Post.

In 1980 his brother, cardiologist Michael J. Halberstam, was murdered during a burglary.[9] His only public comment related to his brother’s murder came when he and Michael’s widow castigated Life magazine, then published monthly, for paying Michael’s killer $9,000 to pose in jail for color photographs that appeared on inside pages of the February 1981 edition of Life.[10]

In 1991, Halberstam wrote The Next Century, in which he argued that, after the end of the Cold War, the United States was likely to fall behind economically to other countries such as Japan and Germany.[11]

Sports writing

Later in his career, Halberstam turned to sports, publishing The Breaks of the Game, an inside look at Bill Walton and the 1979-80 Portland Trail Blazers basketball team; Playing for Keeps, an ambitious book on Michael Jordan in 1999; Summer of ’49, on the baseball pennant race battle between the New York Yankees and Boston Red Sox; and The Education of a Coach, about New England Patriots head coach Bill Belichick. Much of his sports writing, particularly his baseball books, focuses on the personalities of the players and the times they lived in as much as on the games themselves.

In particular, Halberstam depicted the 1949 Yankees and Boston Red Sox as symbols of a nobler era, when blue-collar athletes modestly strove to succeed and enter the middle class, rather than making millions and defying their owners and talking back to the press. In 1997, Halberstam received the Elijah Parish Lovejoy Award as well as an honorary Doctor of Laws degree from Colby College.

Later years

After publishing four books in the 1960s, including the novel The Noblest Roman, The Making of a Quagmire, and The Unfinished Odyssey of Robert Kennedy, he wrote three books in the 1970s, four books in the 1980s, and six books in the 1990s, including his 1999 The Children which chronicled the 1959–1962 Nashville Student Movement. He wrote four more books in the 2000s and was working on at least two others at the time of his death.

In the wake of 9/11, Halberstam wrote a book about the events in New York City, Firehouse, which describes the life of the men from Engine 40, Ladder 35 of the New York City Fire Department. The Coldest Winter: America and the Korean War, the last book Halberstam completed, was published posthumously in September 2007.

Death

Halberstam died on April 23, 2007 at 10:30 a.m. in a traffic accident in Menlo Park, California near the Dumbarton Bridge, one week and six days after his 73rd birthday.[12]

After Halberstam’s death, the book project was taken over by Frank Gifford, who played for the losing New York Giants in the 1958 game, and was titled The Glory Game, published by HarperCollins in October 2008 with an introduction dedicated to David Halberstam.[13]

Mentor to other authors

Halberstam was generous with his time and advice to other authors. To cite just one instance, author Howard Bryant in the Acknowledgments section of Juicing the Game, his 2005 book about steroids in baseball, said of Halberstam’s assistance: “He provided me with a succinct road map and the proper mind-set.” Bryant went on to quote Halberstam on how to tackle a controversial non-fiction subject: “Think about three or four moments that you believe to be the most important during your time frame. Then think about what the leadership did about it. It doesn’t have to be complicated. What happened, and what did the leaders do about it? That’s your book.”[citation needed]

Criticism

Pulitzer Prize-winning Korean War correspondent Marguerite Higgins was the staunchest pro-Diệm journalist in the Saigon press corps, frequently clashing with her younger male colleagues such as Neil Sheehan, Peter Arnett, and Halberstam. She claimed they had ulterior motives, saying “reporters here would like to see us lose the war to prove they’re right.”[14]

Conservative military and diplomatic historian Mark Moyar[15] claimed that Halberstam, along with fellow Vietnam journalists Neil Sheehan and Stanley Karnow helped to bring about the 1963 South Vietnamese coup against President Diệm by sending negative information on Diệm to the U.S. government in news articles and in private, all because they decided Diệm was unhelpful in the war effort. Moyar claims that much of this information was false or misleading.[16] Sheehan, Karnow, and Halberstam all won Pulitzer Prizes for their work on the war.[citation needed]

Newspaper opinion editor Michael Young says Halberstam saw Vietnam as a moralistic tragedy, with America’s pride deterministically bringing about its downfall. Young writes that Halberstam reduced everything to human will, turning his subjects into agents of broader historical forces and coming off like a Hollywood movie with a fated and formulaic climax.[17]

Awards and honors

Books

See also

https://en.wikipedia.org/wiki/David_Halberstam

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Unconditional Positive Regard — Anticipation –You Can Get What You Want — Change Your Expectations — Choose What You Want! — Commit To Mastery — Love — Videos

Posted on December 16, 2016. Filed under: Babies, Blogroll, Communications, Entertainment, Faith, Family, Friends, Heroes, liberty, Life, Literacy, Love, Mastery, media, Music, Music, People, Philosophy, Programming, Radio, Raves, Raymond Thomas Pronk, Success, Television, Video, Wealth, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Rolling Stones – You Can’t Always Get What You Want (TV Show ’69)

I saw her today at the reception
A glass of wine in her hand
I knew she would meet her connection
At her feet was a footloose man
No, you can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometime you find
You get what you need
I saw her today at the reception
A glass of wine in her hand
I knew she was gonna meet her connection
At her feet was a footloose man
You can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometimes well you might find
You get what you need
And I went down to the demonstration
To get my fair share of abuse
Singing, “We’re gonna vent our frustration
If we don’t we’re gonna blow a 50-amp fuse”
You can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometimes well you just might find
You get what you need
I went down to the Chelsea drugstore
To get your prescription filled
I was standing in line with Mr. Jimmy
And man, did he look pretty ill
We decided that we would have a soda
My favorite flavor, cherry red
I sung my song to Mr. Jimmy
Yeah, and he said one word to me, and that was “dead”
I said to him
You can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometimes you just might find
You get what you need
You get what you need–yeah, oh baby
I saw her today at the reception
In her glass was a bleeding man
She was practiced at the art of deception
Well I could tell by her blood-stained hands
You can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometimes you just might find
You just might find
You get what you need
You can’t always get what you want
You can’t always get what you want
You can’t always get what you want
But if you try sometimes you just might find
You just might find
You get what you need

Carly Simon – Anticipation

Lyrics

We can never know about the days to come
But we think about them anyway, yay
And I wonder if I’m really with you now
Or just chasin’ after some finer day

Anticipation, anticipation
Is makin’ me late
Is keepin’ me waitin’

And I tell you how easy it feels to be with you
And how right your arms feel around me
But I, I rehearsed those lines just late last night
When I was thinkin’ about how right tonight might be

Anticipation, anticipation
Is makin’ me late
Is keepin’ me waitin’

And tomorrow we might not be together
I’m no prophet and I don’t know nature’s ways
So I’ll try and see into your eyes right now
And stay right here ’cause these are the good old days

And stay right here ’cause these are the good old days
(These are the good old days)
(These are the good old days)
(These are the good old days)
(These are…..the good old days)

Paul McCartney, Joe Cocker, Eric Clapton & Rod Stewart – All You Need Is Love (LIVE) HD

“All You Need Is Love”

Love, love, love
Love, love, love
Love, love, love

There’s nothing you can do that can’t be done
Nothing you can sing that can’t be sung
Nothing you can say but you can learn how to play the game
It’s easy

Nothing you can make that can’t be made
No one you can save that can’t be saved
Nothing you can do but you can learn how to be you in time
It’s easy

All you need is love
All you need is love
All you need is love, love
Love is all you need

Love, love, love
Love, love, love
Love, love, love

All you need is love
All you need is love
All you need is love, love
Love is all you need

Nothing you can know that isn’t known
Nothing you can see that isn’t shown
Nowhere you can be that isn’t where you’re meant to be
It’s easy

All you need is love
All you need is love
All you need is love, love
Love is all you need

All you need is love (All together, now!)
All you need is love (Everybody!)
All you need is love, love
Love is all you need
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Yee-hai! (Love is all you need)
Love is all you need (Love is all you need)

Yesterday (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Love is all you need (Love is all you need)
Oh yeah! (Love is all you need)
She loves you, yeah yeah yeah (Love is all you need)
She loves you, yeah yeah yeah (Love is all you need)

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Tom Wolfe — The Right Stuff — Videos

Posted on December 10, 2016. Filed under: American History, Art, Articles, Blogroll, Book, Books, College, Comedy, Communications, Culture, Education, Entertainment, Fiction, Heroes, history, Language, Law, liberty, Life, Links, Literacy, media, Money, Movies, Movies, Music, People, Philosophy, Photos, Press, Rants, Raves, Raymond Thomas Pronk, Video, War, Wisdom, World War II, Writing | Tags: , , , , , , , , , |

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The Right Stuff – The Bell X-1 (with Levon Helm as CPT Jack Ridley)

The Right Stuff (Part 2)

The Right Stuff (Part 3)

The Right Stuff (Part 4)

The Right Stuff (Part 5)

The Right Stuff (Part 6)

The Right Stuff (Part 7)

The Right Stuff (book)

From Wikipedia, the free encyclopedia
The Right Stuff
The Right Stuff (book).jpg

First edition
Author Tom Wolfe
Country United States
Language English
Genre New Journalism
Non-fiction
Publisher Farrar, Straus and Giroux
Publication date
1979
Media type Print (hardcover & paperback)
Pages 436 pages
ISBN 0-374-25032-4
OCLC 5007334
629.4/0973 19
LC Class TL789.8.U5 W64 1979

The Right Stuff is a 1979 book by Tom Wolfe about the pilots engaged in U.S. postwar research with experimental rocket-powered, high-speed aircraft as well as documenting the stories of the first Project Mercury astronauts selected for the NASA space program. The Right Stuff is based on extensive research by Wolfe, who interviewed test pilots, the astronauts and their wives, among others. The story contrasts the “Mercury Seven[1] and their families with test pilots such as Chuck Yeager, who was considered by many contemporaries as the best of them all, but who was never selected as an astronaut.

Wolfe wrote that the book was inspired by the desire to find out why the astronauts accepted the danger of space flight. He recounts the enormous risks that test pilots were already taking, and the mental and physical characteristics—the titular “right stuff”—required for and reinforced by their jobs. Wolfe likens the astronauts to “single combat warriors” from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.

The 1983 film The Right Stuff is adapted from the book.

Writing and publication

First-state dust jacket, showing initial design never released in a public edition[2]

In 1972 Jann Wenner, the editor of Rolling Stone assigned Wolfe to cover the launch of NASA’s last moon mission, Apollo 17. Wolfe became fascinated with the astronauts, and his competitive spirit compelled him to try to outdo Norman Mailer‘s nonfiction book about the first moon mission, Of a Fire on the Moon. He published a four-part series for Rolling Stone in 1973 titled “Post-Orbital Remorse”, about the depression that some astronauts experienced after having been in space. After the series, Wolfe began researching the whole of the space program, in what became a seven-year project from which he took time to write The Painted Word, a book on art, and to complete Mauve Gloves & Madmen, Clutter & Vine, a collection of shorter pieces.[3]

In 1977 he returned to his astronaut book full-time. Wolfe originally planned to write a complete history of the space program, though after writing through the Mercury program, he felt that his work was complete and that it captured the astronauts’ ethos — the “right stuff” that astronauts and test pilots of the 1940s and 1950s shared — the unspoken code of bravery and machismo that compelled these men to ride on top of dangerous rockets. While conducting research, he consulted with General Chuck Yeager and, after receiving a comprehensive review of his manuscript, was convinced that test pilots like Yeager should form the backdrop of the period. In the end, Yeager becomes a personification of the many postwar test pilots and their “right stuff.”[4] The phrase itself may have originated in the Joseph Conrad story “Youth”, where it was used.

The Right Stuff was published in 1979 by Farrar, Straus and Giroux and became Wolfe’s best selling book yet.[citation needed] It was praised by most critics, was a finalist for the National Book Critics Circle Award, and won the National Book Award for Nonfiction.[5][6]

In the foreword to a new edition, published in 1983 when the film adaptation was released, Wolfe wrote that his “book grew out of some ordinary curiosity” about what “makes a man willing to sit up on top of an enormous Roman candle… and wait for someone to light the fuse.”[7]

Book

The story is more about the space race than space exploration in general. The Soviet Union‘s early space efforts are mentioned only as background, focusing entirely on an early portion of the U.S. space program. Only Project Mercury, the first operational manned space-flight program, is covered. The Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. Emphasis is given to the personal stories of the astronauts and their wives rather than the technical aspects of space travel and the flights themselves.

The storyline also involves the political reasons for putting people into space, asserting that the Mercury astronauts were actually a burden to the program and were only sent up for promotional reasons. Reasons for including living beings in spacecraft are barely touched upon, but the first option considered was to use a chimpanzee (and, indeed, chimpanzees were sent up first).

Another option considered were athletes already accustomed to physical stress, such as circus trapeze artists. Wolfe states that President Dwight D. Eisenhower, however, insisted on pilots, even though the first crew members would not actually fly the spacecraft. When Gus Grissom lands at sea and exits his space capsule, saving the capsule seems more important to the recovery team than saving the pilot because of the value of the data.

Wolfe contrasts the Seven with the Edwards AFB test pilots, among whom was Chuck Yeager, who was shut out of the astronaut program after NASA officials decided to use college-degreed pilots, not ones who gained their commissions as enlisted men, such as participants in the USAAF Flying Sergeants Program in World War II. Chuck Yeager spent time with Tom Wolfe explaining accident reports “that Wolfe kept getting all wrong.” Publishing insiders say these sessions between Wolfe and Yeager led Wolfe to highlight Yeager’s character, presence, thoughts, and anecdotes throughout the book. As an example, Yeager prides his speech to the Society of Test Pilots that the first rider in the Mercury development program would be a monkey, not a real test pilot, and Wolfe plays this drama out on the angst felt by the Mercury Astronauts over those remarks. Yeager himself downplayed the theory of “the right stuff,” attributing his survival of potential catastrophes to simply knowing his airplane thoroughly, along with some good luck.

Another test pilot highlighted in the book is Scott Crossfield. Crossfield and Yeager were fierce but friendly rivals for speed and altitude records.

Film adaptation

A 3-hour, 13-minute film stars Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey, Kim Stanley, Levon Helm, Veronica Cartwright, Pamela Reed, Lance Henriksen, and the real Chuck Yeager in a cameo appearance. NFL Hall of Famer Anthony Muñoz also has a small role, playing “Gonzalez”. It features a score by composer Bill Conti.

The screenplay was adapted by Philip Kaufman from the book, with some contributions from screenwriter William Goldman (Goldman dissociated himself with the film after quarrelling with Kaufman about the story). The film was also directed by Kaufman.

While the movie took liberties with certain historical facts as part of “dramatic license”, criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch’s explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.[citation needed]

This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe‘s book only states that this possibility was considered, not that it was actually judged as being the cause of the accident. In fact, Grissom was assigned to command the first flights of both Gemini and Apollo. Ironically, Grissom died in the Apollo 1 fire because there was no quick-opening hatch on the Block 1 Apollo Command Module – a design choice made because NASA had determined that the explosion in the hatch on Grissom’s Liberty Bell 7 had been most likely self-initiated.[citation needed]

Another fact that had been altered in the film was the statement by Trudy Cooper, who commented that she “wondered how they would’ve felt if every time their husband went in to make a deal, there was a one-in-four chance he wouldn’t come out of that meeting.” According to the book, this actually reflected the 23% chance of dying during a 20-year career as a normal pilot. For a test pilot, these odds were higher, at 53%, but were still considerably less than the movie implied. In addition, the movie merely used the fictional Mrs. Cooper as a vehicle for the statement; the real Mrs. Cooper is not known to have said this.[8]

Wolfe made no secret that he disliked the film, especially because of changes from his original book. William Goldman, involved in early drafts of the script, also disliked the choices made by Kaufman, saying in his book Adventures in the Screen Trade that “Phil [Kaufman]’s heart was with Yeager. And not only that, he felt the astronauts, rather than being heroic, were really minor leaguers, mechanical men of no particular quality, not great pilots at all, simply the product of hype.”[9] Critics, however, generally were favorable toward the film.

References

Citations

  1. Jump up^ Wolfe 2001, p. 143. Note: Wolfe uses this term exactly once.
  2. Jump up^ The Right Stuff.” ABE books. Retrieved: 3 November 2009.
  3. Jump up^ Ragen 2001, pp. 22–26.
  4. Jump up^ Wolfe 1979, p. 368.
  5. Jump up^ Ragen 2001, p. 26–28.
  6. Jump up^ “National Book Awards – 1980”. National Book Foundation. Retrieved 2012-02-21.
    This was the award for General Nonfiction (hardcover) during a period in National Book Awards history when there were many nonfiction subcategories.
  7. Jump up^ Wolfe 2001, Foreword.
  8. Jump up^ Wolfe 1979, p. 22.
  9. Jump up^ Goldman 1983

Bibliography

  • Bryan, C.D.B. “The Right Stuff (review).” New York Times, 23 September 1979.
  • Charity, Tom. The Right Stuff (BFI Modern Classics). London: British Film Institute, 1991. ISBN 0-85170-624-X.
  • Goldman, William (1989). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (reissue ed.). Grand Central Publishing. ISBN 0-446-39117-4.
  • Ragen, Brian Abel, ed. Tom Wolfe: A Critical Companion. West Port, Connecticut: Greenwood Press, 2001. ISBN 0-313-31383-0.
  • Wolfe, Tom. The Right Stuff. New York: Farrar, Straus and Giroux, 1979, ISBN 0-374-25032-4.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 1979, ISBN 0-553-24063-3.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 2001, 1979, ISBN 0-553-38135-0.

External links

Tom Wolfe

From Wikipedia, the free encyclopedia
Not to be confused with Thomas Wolfe or Tom Wolf (politician).
Tom Wolfe
Wolfe at White House.jpg

Wolfe at the White House on March 22, 2004
Born Thomas Kennerly Wolfe, Jr.
March 2, 1931 (age 85)
Richmond, Virginia, U.S.
Occupation Journalist, author
Language English
Nationality American
Period 1959–present
Literary movement New Journalism
Notable works The Painted Word, The Electric Kool-Aid Acid Test, The Right Stuff, A Man in Full, Radical Chic & Mau-Mauing the Flak Catchers, The Bonfire of the Vanities, I Am Charlotte Simmons, Back to Blood
Spouse Sheila Wolfe
Children 2

Thomas KennerlyTomWolfe, Jr. (born March 2, 1931)[1] is an American author and journalist, best known for his association with and influence over the New Journalism literary movement, in which literary techniques are used extensively and traditional values of journalistic objectivity and evenhandedness are rejected. He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, became a commercial success, and was adapted as a major motion picture (directed by Brian De Palma).

Early life and education

Wolfe was born in Richmond, Virginia, the son of Louise (née Agnew), a landscape designer, and Thomas Kennerly Wolfe, Sr., an agronomist.[2][3]

Wolfe grew up on Gloucester Road in the historic Richmond North Side neighborhood of Sherwood Park. He recounts some of his childhood memories of growing up there in a foreword to a book about the nearby historic Ginter Park neighborhood.

Wolfe was student council president, editor of the school newspaper and a star baseball player at St. Christopher’s School, an Episcopalian all-boys school in Richmond, Virginia.

Upon graduation in 1947, he turned down admission to Princeton University to attend Washington and Lee University, both all-male schools at the time; at Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. Wolfe majored in English and practiced his writing outside the classroom as well. He was the sports editor of the college newspaper and helped found a literary magazine, Shenandoah. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his classes to look at the whole of a culture, including those elements considered profane. The very title of Wolfe’s undergraduate thesis, “A Zoo Full of Zebras: Anti-Intellectualism in America,” evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

Wolfe had continued playing baseball as a pitcher and had begun to play semi-professionally while still in college. In 1952 he earned a tryout with the New York Giants but was cut after three days, which Wolfe blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick’s example, enrolling in Yale University‘s American studies doctoral program. His PhD thesis was titled The League of American Writers: Communist Organizational Activity Among American Writers, 1929–1942.[4] In the course of his research, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[5] A biographer remarked on the thesis: “Reading it, one sees what has been the most baleful influence of graduate education on many who have suffered through it: it deadens all sense of style.”[6] His thesis was originally rejected but he finally passed by rewriting it being objective instead of subjective. Upon leaving Yale he wrote a friend explaining through expletives his personal opinions about his thesis.

Journalism and New Journalism

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957 and in 1959 was hired by The Washington Post. Wolfe has said that part of the reason he was hired by the Post was his lack of interest in politics. The Post’s city editor was “amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted.” He won an award from The Newspaper Guild for foreign reporting in Cuba in 1961 and also won the Guild’s award for humor. While there, he experimented with fiction-writing techniques in feature stories.[7]

In 1962, Wolfe left Washington for New York City, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Clay Felker of the Sunday section supplement New York magazine, encouraged their writers to break the conventions of newspaper writing.[8] During the 1962 New York City newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom car culture of Southern California. He struggled with the article until finally a desperate editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together.

Wolfe procrastinated until, on the evening before the article was due, he typed a letter to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell’s response was to remove the salutation “Dear Byron” from the top of the letter and publish it intact as reportage. The result, published in 1963, was “There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Flake Streamline Baby.” The article was widely discussed—loved by some, hated by others—and helped Wolfe publish his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, a collection of his writings in the Herald-Tribune, Esquire, and other publications.[9]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. More specifically, Wolfe experimented with four literary devices not normally associated with feature writing—scene-by-scene construction, extensive dialogue, multiple points of view, and detailed description of one’s status-life symbols (the materialistic choices one makes)—to produce this stylized form of journalism, which would later be commonly referred to as literary journalism.[10] Of status symbols, Wolfe has said, “I think every living moment of a human being’s life, unless the person is starving or in immediate danger of death in some other way, is controlled by a concern for status.”[11]

Wolfe also championed what he called “saturation reporting,” a reportorial approach where the journalist “shadows” and observes the subject over an extended period of time. “To pull it off,” says Wolfe, “you casually have to stay with the people you are writing about for long stretches . . . long enough so that you are actually there when revealing scenes take place in their lives.”[12] Saturation reporting differs from “in-depth” and “investigative” reporting, which involve the direct interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, “entails a more complex set of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and detached from the people and events reported.”[13]

One of the most striking examples of New Journalism is Wolfe’s The Electric Kool-Aid Acid Test. The book, an account of the adventures of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in its use of onomatopoeia, free association, and eccentric punctuation—such as multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In addition to his own forays into this new style of journalism, Wolfe edited a collection of New Journalism with E.W. Johnson, published in 1973 and titled The New Journalism. This book brought together pieces from Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers with the common theme of journalism that incorporated literary techniques and that could be considered literature.[14]

Non-fiction books

In 1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and Wolfe’s fame grew. A second volume of articles, The Pump House Gang, followed in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used LSD and to have tried marijuana only once[15]) Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: “Radical Chic,” a biting account of a party given by Leonard Bernstein to raise money for the Black Panther Party, and “Mau-Mauing The Flak Catchers,” about the practice of using racial intimidation (“mau-mauing”) to extract funds from government welfare bureaucrats (“flak catchers”). The phrase “radical chic” soon became a popular derogatory term for upper-class leftism. Published in 1977, Mauve Gloves & Madmen, Clutter & Vine included one of Wolfe’s more famous essays, “The Me Decade and the Third Great Awakening.”

Back row – Shepard, Grissom, Cooper; Front row – Schirra, Slayton, Glenn, Carpenter.
The astronauts of the Mercury Seven were the subject of The Right Stuff.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America’s first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to “single combat champions” of a bygone era, going forth to battle in the space race on behalf of their country. In 1983, the book was adapted as a successful feature film.

In 2016 Wolfe published The Kingdom of Speech, which is a controversial[16] critique of Charles Darwin and Noam Chomsky.[17]

Art critiques

Wolfe also wrote two highly skeptical social histories of modern art and modern architecture, The Painted Word and From Bauhaus to Our House, in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art world and its dependence on what he saw as faddish critical theory, while From Bauhaus to Our House explored the negative effects of the Bauhaus style on the evolution of modern architecture.[18]

Made for TV movie

A fictional television movie appeared on PBS in 1977, “Tom Wolfe’s Los Angeles”, a suitably satirical story set in Los Angeles. Wolfe appears in the movie himself.[19][20]

Novels

Throughout his early career, Wolfe had planned to write a novel that would capture the wide spectrum of American society. Among his models was William Makepeace Thackeray‘s Vanity Fair, which described the society of 19th century England. Wolfe remained occupied writing nonfiction books and contributing to Harper’s until 1981, when he ceased his other work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the Bronx homicide squad. While the research came easily, the writing did not immediately follow. To overcome his writer’s block, Wolfe wrote to Jann Wenner, editor of Rolling Stone, to propose an idea drawn from Charles Dickens and Thackeray. The Victorian novelists that Wolfe viewed as his models had often written their novels in serial installments. Wenner offered Wolfe around $200,000 to serialize his work.[21] The deadline pressure gave him the motivation he had hoped for, and from July 1984 to August 1985 each biweekly issue of Rolling Stone contained a new installment. Wolfe was later not happy with his “very public first draft”[22] and thoroughly revised his work. Even Sherman McCoy, the novel’s central character, changed: originally a writer, the book version cast McCoy as a bond salesman. Wolfe researched and revised for two years, and his The Bonfire of the Vanities was published in 1987. The book was a commercial and critical success, spending weeks on bestseller lists and earning praise from much of the literary establishment on which Wolfe had long heaped scorn.[23]

Because of the success of Wolfe’s first novel, there was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book’s reception was not universally favorable, though it received glowing reviews in Time, Newsweek, The Wall Street Journal and elsewhere. An enormous initial printing of 1.2 million copies was announced and the book stayed at number one on the New York Times bestseller list for ten weeks. John Updike wrote a critical review for The New Yorker complaining that the novel “amounts to entertainment, not literature, even literature in a modest aspirant form.” This touched off an intense war of words in the print and broadcast media between Wolfe and Updike, John Irving, and Norman Mailer. In 2001, Wolfe published an essay referring to these three authors as “My Three Stooges.”

After publishing Hooking Up (a collection of short pieces, including the 1997 novella Ambush at Fort Bragg) in 2001, he followed up with his third novel, I Am Charlotte Simmons (2004), which chronicles the decline of a poor, bright scholarship student from Alleghany County, North Carolina, in the context of snobbery, materialism, institutionalised anti-intellectualism and sexual promiscuity she finds at a prestigious contemporary American university. The novel met with a mostly tepid response by critics but won praise from many social conservatives, who saw the book’s account of college sexuality as revealing of a disturbing moral decline. The novel won a Bad Sex in Fiction Award from the London-based Literary Review, a prize established “to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel”. Wolfe later explained that such sexual references were deliberately clinical.

Wolfe has written that his goal in writing fiction is to document contemporary society in the tradition of John Steinbeck, Charles Dickens, and Émile Zola.

In early 2008, it was announced that Wolfe was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Back to Blood, was published in October 2012 by Little, Brown. According to The New York Times, Wolfe was paid close to US$7 million for the book.[24] According to the publisher, Back to Blood is about “class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America’s future has arrived first.”[25]

Recurring themes

Several themes are present in much of Wolfe’s writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons as well as several of his journalistic pieces. Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters. Men’s fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in “Sorry, Your Soul Just Died,” one of the essays in Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters’ thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters’ anatomies.[26]

Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (Conrad Hensley and Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical Roman and Greek philosophy.

Law and banking firms in Wolfe’s writing often have satirical names formed by the surnames of the partners. “Dunning, Sponget and Leach” and “Curry, Goad and Pesterall” appear in The Bonfire of the Vanities, and “Wringer, Fleasom and Tick” in A Man in Full. Ambush at Fort Bragg contains a law firm called “Crotalus, Adder, Cobran and Krate” (all names or homophones of venomous snakes).

Some characters appear in multiple novels, creating a sense of a “universe” that is continuous throughout Wolfe’s fiction. The character of Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named Ronald Vine, an interior decorator who is mentioned in The Bonfire of the Vanities, reappears in A Man in Full as the designer of Charlie Croker’s home.

A fictional sexual practice called “that thing with the cup” appears in several of his writings, including The Bonfire of the Vanities, A Man in Full and a (non-fiction) essay in Hooking Up.

The surname “Bolka” appears in three Wolfe novels—as the name of a rendering plant in A Man in Full, as a partner in an accounting firm in Bonfire of the Vanities, and as a college lacrosse player from the Balkans in I Am Charlotte Simmons.

The white suit

Wolfe adopted the white suit as a trademark in 1962. He bought his first white suit planning to wear it in the summer in the style of Southern gentlemen. However, he found that the suit he purchased was too heavy for summer use, so he wore it in winter, which created a sensation.[27] Wolfe has maintained this uniform ever since, sometimes worn with a matching white tie, white homburg hat, and two-tone shoes. Wolfe has said that the outfit disarms the people he observes, making him, in their eyes, “a man from Mars, the man who didn’t know anything and was eager to know.”[28]

Views

In 1989, Wolfe wrote an essay for Harper’s Magazine titled “Stalking the Billion-Footed Beast“, which criticized modern American novelists for failing to engage fully with their subjects, and suggested that modern literature could be saved by a greater reliance on journalistic technique. This attack on the mainstream literary establishment was interpreted as a boast that Wolfe’s work was superior to more highly regarded authors.[29]

Wolfe was a supporter of George W. Bush and said he voted for him for president in 2004 because of what he called Bush’s “great decisiveness and willingness to fight.” (Bush apparently reciprocates the admiration, having read all of Wolfe’s books, according to friends in 2005.[30]) After this fact emerged in a New York Times interview, Wolfe said that the reaction in the literary world was as if he had said, “I forgot to tell you—I’m a child molester.” Because of this incident, he sometimes wears an American flag pin on his suit, which he compared to “holding up a cross to werewolves.”[31]

Wolfe’s views and choice of subject material, such as mocking left-wing intellectuals in Radical Chic and glorifying astronauts in The Right Stuff, have sometimes led to his being labeled conservative,[32] and his depiction of the Black Panther Party in Radical Chic led to a member of the party calling him a racist.[33] Wolfe rejects such labels; in a 2004 interview, he said that his “idol” in writing about society and culture is Émile Zola, who, in Wolfe’s words, was “a man of the left” but “went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not—and was not interested in—telling a lie.”[32]

Asked to comment by the Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that “the universe of blogs is a universe of rumors” and that “blogs are an advance guard to the rear.” He also took the opportunity to criticize Wikipedia, saying that “only a primitive would believe a word of” it. He noted a story about him in his Wikipedia entry at the time, which he said had never happened.[34]

Personal life

Wolfe lives in New York City with his wife Sheila, who designs covers for Harper’s magazine. They have two children, a daughter, Alexandra, and a son, Tommy.[35]

A writer for Examiner Magazine who interviewed Wolfe in 1998 said, “He has no computer and does not surf, or even know how to use, the Internet”, adding, however, that Wolfe’s novel A Man in Full does have a subplot involving “a muckraking cyber-gossip site, à la the Drudge Report or Salon.”[35]

Influence

Wolfe is credited with introducing the terms “statusphere,” “the right stuff,” “radical chic,” “the Me Decade,” “social x-ray,” and “pushing the envelope” into the English lexicon.[36][dubious ] He is sometimes credited with inventing the term “trophy wife” as well, but this is incorrect: he described emaciated wives as “X-rays” in his novel The Bonfire of the Vanities but did not use the term “trophy wife”.[37] According to journalism professor Ben Yagoda, Wolfe is also responsible for the use of the present tense in magazine profile pieces; before he began doing so in the early 1960s, profile articles had always been written in the past tense.[38]

Terms coined by Wolfe

List of awards and nominations

Television appearances

  • Wolfe was featured as an interview subject in the 1987 PBS documentary series Space Flight.
  • In July 1975 Wolfe was interviewed on Firing Line by William F. Buckley, Jr., discussing “The Painted Word”.[44]
  • Wolfe was featured on the February 2006 episode “The White Stuff” of Speed Channel‘s Unique Whips, where his Cadillac‘s interior was customized to match his trademark white suit.[45]
  • Wolfe guest-starred alongside Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode “Moe’N’a Lisa“, which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[46] Wolfe was also used as a sight gag on The Simpsons episode “Insane Clown Poppy“, which aired on November 12, 2000. Homer spills chocolate on Wolfe’s trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath.

Bibliograph

Non-fiction

Novels

Featured in

Notable articles

  • “The Last American Hero Is Junior Johnson. Yes!” Esquire, March 1965.
  • “Tiny Mummies! The True Story of the Ruler of 43rd Street’s Land of the Walking Dead!” New York Herald-Tribune supplement (April 11, 1965).
  • “Lost in the Whichy Thicket,” New York Herald-Tribune supplement (April 18, 1965).
  • “The Birth of the New Journalism: Eyewitness Report by Tom Wolfe.” New York, February 14, 1972.
  • “The New Journalism: A la Recherche des Whichy Thickets.” New York Magazine, February 21, 1972.
  • “Why They Aren’t Writing the Great American Novel Anymore.” Esquire, December 1972.
  • “The Me Decade and the Third Great Awakening” New York, August 23, 1976.
  • Stalking the Billion-Footed Beast“, Harper’s. November 1989.
  • “Sorry, but Your Soul Just Died.” Forbes 1996.
  • “Pell Mell.” The Atlantic Monthly (November 2007).
  • “The Rich Have Feelings, Too.” Vanity Fair (September 2009).

See also

Notes

  1. Jump up^ This was the award for hardcover “General Nonfiction”. From 1980 to 1983 in National Book Award history there were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

https://en.wikipedia.org/wiki/Tom_Wolfe

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Arthur C. Brooks — The Road To Freedom: How To Win The Fight For Free Enterprise — Revised and Updated — Videos

Posted on September 17, 2016. Filed under: American History, Banking, Blogroll, Books, Business, College, Communications, Computers, Congress, Constitution, Economics, Education, Elections, Employment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Food, Foreign Policy, Freedom, government, government spending, Health Care, Heroes, history, History of Economic Thought, Internal Revenue Service (IRS), Investments, Law, liberty, Life, Links, Macroeconomics, media, Microeconomics, Monetary Policy, Money, Money, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Raves, Raymond Thomas Pronk, Resources, Security, Talk Radio, Tax Policy, Taxation, Taxes, Technology, Trade Policiy, Unemployment, Vacations, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , |

 

the-road-to-freedom

a_care_brooks-3

arthur-brooks-2

The Promise of Free Enterprise

Arthur C. Brooks on the Battle Between Free Enterprise and Big Government

Why Capitalism Works

What Creates Wealth?

The War on Work

WSJ Opinion: Arthur Brooks: The Road to Freedom

The Road to Freedom: The Moral Case for Free Enterprise

Arthur C. Brooks On Glenn Beck Radio Book “The Road to Freedom” Win Fight for Free Enterprise

Arthur C. Brooks on The Secret to Happiness

Arthur Brooks on the Morality of Free Enterprise

An Evening with Arthur Brooks

Is Free Enterprise Moral?

A debate between Arthur Brooks, President, American Enterprise Institute, and Jim Wallis, President and CEO, Sojourners Inc.
November 30, 2011

The Morality of Capitalism – executive director of the Ayn Rand Institute, Yaron Brook

Dr. Yaron Brook – Free Market Revolution: Capitalism and Self Interest

The Power of Choice: The Life and Ideas of Milton Friedman

Milton Friedman Speaks: Equality and Freedom in the Free Enterprise System (B1238) – Full Video

Thomas Sowell — Dismantling America

Thomas Sowell Brings the World into Focus through an Economics Lens

Wealth, Poverty, and Politics

Hoover Institution fellow Thomas Sowell discusses poverty around the world and in the United States. Poverty in America, he says, compared to the rest of the world, is not severe. Many poor people in poverty in the United States have one or two cars, central heating, and cell phones. The real problem for the poor is the destruction of the family, which Sowell argues dramatically increased once welfare policies were introduced in the 1960s.

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Jim Powell — Triumph of Liberty — VideosThe Triumph of Liberty: A 2,000-Year History, Told through the Lives of Freedom’s Greatest Champions

Posted on September 3, 2016. Filed under: American History, Banking, Blogroll, Books, British History, College, Congress, Constitution, Documentary, Economics, Education, Employment, European History, Faith, Family, Freedom, Friends, government, government spending, Heroes, history, History of Economic Thought, Investments, Law, liberty, Life, Links, Literacy, Macroeconomics, media, Microeconomics, Middle East, Monetary Policy, Money, Newspapers, Non-Fiction, People, Philosophy, Photos, Police, Political Correctness, Politics, Psychology, Radio, Rants, Raves, Raymond Thomas Pronk, Religious, Reviews, Speech, Spying, Strategy, Talk Radio, Taxation, Taxes, Technology, Television, Television, Trade, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , |

Image result for Jim Powell the triumph of liberty

Image result for Jim Powell the triumph of liberty

The Triumph of Liberty: A 2,000-Year History, Told through the Lives of Freedom’s Greatest Champions

“The Triumph of Liberty” Book Review

Milton Friedman: There’s No Such Thing as a Free Lunch

TAKE IT TO THE LIMITS: Milton Friedman on Libertarianism

Milton Friedman on Hayek’s “Road to Serfdom” 1994 Interview 1 of 2

The Road to Serfdom

Friedrich Hayek: Why Intellectuals Drift Towards Socialism

Hayek on Keynes’s Ignorance of Economics

The Life & Thought of Friedrich Hayek

Keynes v Hayek

The New Road to Serfdom: Lessons to Learn from European Policy

Dr. Walter Block: Austrian vs Chicago Schools

David Friedman & Bob Murphy – The Chicago Vs. Austrian School Debate – PorcFest X

“Triumph of Liberty” Presentation

 

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Mark Helprin — Memoirs From The Antproof Case — Winter’s Tale — Videos

Posted on July 28, 2016. Filed under: American History, Articles, Blogroll, Book, Books, Culture, Entertainment, Fiction, Heroes, history, Law, liberty, Life, Links, Literacy, Literature, media, Money, Movies, Music, People, Philosophy, Photos, Police, Politics, Press, Psychology, Rants, Raves, Raymond Thomas Pronk, Religion, Reviews, Spying, Strategy, Technology, Terrorism, Video, Water, Wealth | Tags: , , , , , , , |

quote winter talememoirs from antproof casewinters tale 2winters talemark-helprin-1-sizedmark-helprin-author-photo-credit-lisa-kennedymark-helprin

This is a photo of Mark Helprin, a novelist, children's book author and editorial writer for the Wall Street Journal. Handout photo. ..OUTSIDE TRIBUNE CO.- NO MAGS, NO SALES, NO INTERNET, NO TV, CHICAGO OUT, NO DIGITAL MANIPULATION...

quote-the-human-race-is-intoxicated-with-narrow-victories-for-life-is-a-string-of-them-like-pearls-that-mark-helprin-82765

The Human Parade: Mark Helprin

Mark Helprin – Five Questions About Iran

Mark Helprin: In Sunlight and In Shadow

Mark Helprin: 2013 National Book Festival

Mark Helprin – A Soldier of the Great War – Part 1

Mark Helprin – A Soldier of the Great War – Part 2

159th Hillsdale College Commencement – Mark Helprin

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The Pronk Pops Show 656, April 12, 2016, Story 1: Open Borders Ryan Counts Himself Out — Going, Going, Gone — Trump and Cruz Supporters Want A Trump/Cruz Ticket (1150 Delegates For Trump and 850 Delegates For Cruz = 2000 Delegates! — United We Win, Divided The Establishment Ticket Wins — The Dream Ticket vs. The Corrupt Ticket — Keep Your Eyes On The Prize — The Long Winding Road — Or– The Party’s Over — Videos

Posted on April 12, 2016. Filed under: American History, Blogroll, Business, Communications, Congress, Constitution, Corruption, Crisis, Cult, Culture, Documentary, Employment, Entertainment, Faith, Family, Foreign Policy, Freedom, government, government spending, Heroes, history, Illegal, Immigration, Investments, Language, Law, Legal, liberty, Life, Links, media, Music, People, Philosophy, Photos, Poetry, Radio, Radio, Raymond Thomas Pronk, Religious, Speech, Strategy, Talk Radio, Taxation, The Pronk Pops Show, Unemployment, Video, War, Wealth, Welfare, Wisdom | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 656: April 12, 2016

Pronk Pops Show 655: April 11, 2016

Pronk Pops Show 654: April 8, 2016

Pronk Pops Show 653: April 7, 2016

Pronk Pops Show 652: April 6, 2016

Pronk Pops Show 651: April 4, 2016

Pronk Pops Show 650: April 1, 2016

Pronk Pops Show 649: March 31, 2016

Pronk Pops Show 648: March 30, 2016

Pronk Pops Show 647: March 29, 2016

Pronk Pops Show 646: March 28, 2016

Pronk Pops Show 645: March 24, 2016

Pronk Pops Show 644: March 23, 2016

Pronk Pops Show 643: March 22, 2016

Pronk Pops Show 642: March 21, 2016

Pronk Pops Show 641: March 11, 2016

Pronk Pops Show 640: March 10, 2016

Pronk Pops Show 639: March 9, 2016

Pronk Pops Show 638: March 8, 2016

Pronk Pops Show 637: March 7, 2016

Pronk Pops Show 636: March 4, 2016

Pronk Pops Show 635: March 3, 2016

Pronk Pops Show 634: March 2, 2016

Pronk Pops Show 633: March 1, 2016

Pronk Pops Show 632: February 29, 2016

Pronk Pops Show 631: February 25, 2016

Pronk Pops Show 630: February 24, 2016

Pronk Pops Show 629: February 22, 2016

Pronk Pops Show 628: February 19, 2016

Pronk Pops Show 627: February 18, 2016

Pronk Pops Show 626: February 17, 2016

Pronk Pops Show 625: February 16, 2016

Pronk Pops Show 624: February 15, 2016

Pronk Pops Show 623: February 12, 2016

Pronk Pops Show 622: February 11, 2016

Pronk Pops Show 621: February 10, 2016

Pronk Pops Show 620: February 9, 2016

Pronk Pops Show 619: February 8, 2016

Pronk Pops Show 618: February 5, 2016

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Story 1: Open Borders Ryan Counts Himself Out — Going, Going, Gone — Trump and Cruz Supporters Want A Trump/Cruz Ticket (1150 Delegates For Trump and 850 Delegates For Cruz = 2000 Delegates! — United We Win, Divided The Establishment Ticket Wins — The Dream Ticket vs. The Corrupt Ticket — Keep Your Eyes On The Prize — The Long Winding Road — Or– The Party’s Over — Videos

trump and cruztrump ryan cruz16-cruz-trump

House Divided Speech

Springfield, Illinois
June 16, 1858

“A house divided against itself cannot stand.”

~Abraham Lincoln

 

The Green Papers

2016 Presidential Primaries, Caucuses, and Conventions

Copyright www.flags.net/UNST.htm Republican Convention
Presidential Nominating Process
Debate –  Fox – Cleveland, Ohio: Thursday 6 August 2015
Debate – CNN – Ronald Reagan Presidential Library, Simi Valley, California: Wednesday 16 September 2015
Debate – CNBC – Boulder, Colorado: Wednesday 28 October 2015
Debate – Fox Business News – Milwaukee, Wisconsin: Tuesday 10 November 2015
Debate – CNN – Las Vegas, Nevada: Tuesday 15 December 2015
Debate – Fox Business Channel, Charleston, South Carolina: Thursday 14 January 2016
Debate – Fox – Iowa: Thursday 28 January 2016
Debate – CBS – South Carolina: February 2016 (presumably)
Debate – NBC/Telemundo – Texas: Friday 26 February 2016
Debate – CNN – TBD: March 2016 (presumably)
Debate – Salt Lake City, Utah (announced 20 February 2016): Monday 21 March 2016
41st Republican National Convention: Monday 18 July – Thursday 21 July 2016
Republicans
Candidate Popular
Vote
Delegate Votes
Soft
Pledged
Soft
Unpledged
Soft
Total
Hard Total
Trump, Donald John, Sr. 8,256,309  37.01% 757  32.04% 1   0.92% 758  30.66% 757  30.62%
Cruz, Rafael Edward “Ted” 6,319,244  28.33% 533  22.56% 11  10.09% 544  22.01% 529  21.40%
Rubio, Marco A. 3,482,129  15.61% 173   7.32%   173   7.00% 173   7.00%
Kasich, John Richard 2,979,379  13.36% 144   6.09%   144   5.83% 144   5.83%
Carson, Benjamin Solomon “Ben”, Sr. 698,532   3.13% 9   0.38%   9   0.36% 9   0.36%
Bush, John Ellis “Jeb” 257,760   1.16% 4   0.17%   4   0.16% 4   0.16%
Uncommitted 68,374   0.31% 11   0.47% 17  15.60% 28   1.13% 64   2.59%
Paul, Randal H. “Rand” 59,009   0.26% 1   0.04%   1   0.04% 1   0.04%
Christie, Christopher James “Chris” 54,016   0.24%        
Huckabee, Michael Dale “Mike” 48,694   0.22% 1   0.04%   1   0.04% 1   0.04%
Fiorina, Carleton Sneed “Carly” 36,099   0.16% 1   0.04%   1   0.04% 1   0.04%
Santorum, Richard John “Rick” 16,301   0.07%        
No Preference 9,312   0.04%        
Graham, Lindsey Olin 5,689   0.03%        
Gray, Elizabeth 5,455   0.02%        
(others) 3,382   0.02%        
Gilmore, James Stuart “Jim”, III 2,903   0.01%        
Pataki, George E. 2,010   0.01%        
Others 1,586   0.01%        
Cook, Timothy “Tim” 517   0.00%        
Jindal, Piyush “Bobby” 221   0.00%        
Martin, Andy 202   0.00%        
Witz, Richard P.H. 109   0.00%        
Lynch, James P. “Jim”, Sr. 100   0.00%        
Messina, Peter 79   0.00%        
Cullison, Brooks Andrews 56   0.00%        
Lynch, Frank 47   0.00%        
Robinson, Joe 44   0.00%        
Comley, Stephen Bradley, Sr. 32   0.00%        
Prag, Chomi 16   0.00%        
Dyas, Jacob Daniel “Daniel”, Sr. 15   0.00%        
McCarthy, Stephen John 12   0.00%        
Iwachiw, Walter N. 9   0.00%        
Huey, Kevin Glenn 8   0.00%        
Drozd, Matt 6   0.00%        
Mann, Robert Lawrence 5   0.00%        
Hall, David Eames          
(available)   729  30.85% 80  73.39% 809  32.73% 789  31.92%
Total 22,307,661 100.00% 2,363 100.00% 109 100.00% 2,472 100.00% 2,472 100.00%

http://www.thegreenpapers.com/P16/R

 

The Beatles – Long and Winding Road (Plus Lyrics) (1970)

The Long And Winding Road

The long and winding road
That leads to your door
Will never disappear
I’ve seen that road before
It always leads me here
Lead me to you door
The wild and windy night
That the rain washed away
Has left a pool of tears
Crying for the day
Why leave me standing here
Let me know the way
Many times I’ve been alone
And many times I’ve cried
Any way you’ll never know
The many ways I’ve tried
But still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don’t leave me waiting here
Lead me to your door
But still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don’t keep me waiting here
Lead me to your door
Yeah, yeah, yeah, yeah

Olivia Newton-John – The long and winding road

olivianewtonjohn

Liz Wheeler: A Trump/Cruz Unity Ticket?!!

Limbaugh on Trump-Cruz “Dream Ticket”

Full Speech: Donald Trump MASSIVE Rally in Bethpage, NY (4-6-16)Donald Trump Bethpage New York Rally

Sen. Cruz: I am proud to stand with Donald Trump

How Can Trump Turn Things Around Race To The White House Hannity

Donald Trump Vs The Establishment New Found Love For Ted Cruz – Convention Chaos – Hannity

Buchanan: Trump, Cruz will not allow nomination to be taken

Pat Buchanan: Ted Cruz is a Trojan Horse for the GOP establishment

Digital Exclusive: Establishment Shuffle

Paul Ryan on GOP presidential nomination: ‘Count me out’

Paul Ryan – Count Me Out

Why Rule 40b might backfire on GOP establishment

Peggy Lee – The Party’s Over

peggy_lee-02

Peggy Lee The Party’s Over Lyrics

The party’s over
It’s time to call it a day
They’ve burst your pretty balloon
And taken the moon away
It’s time to wind up the masquerade
Just make your mind up the piper must be paid
The party’s over
The candles flicker and dim
You danced and dreamed through the night
It seemed to be right just being with him
Now you must wake up, all dreams must end
Take off your makeup, the party’s over
It’s all over, my friend
The party’s over
It’s time to call it a day
Now you must wake up, all dreams must end
Take off your makeup, the party’s over
It’s all over, my friendIt’s all over, my friend

Pat Buchanan: Let’s face it, a Trump/Cruz ticket would set the country on fire

 

Via Breitbart, the key bit below starts at 6:30. When he says “set the country on fire,” does he mean people literally setting things on fire in rage over how much they hate a Trump/Cruz ticket? Because I can sort of see that. Trump’s numbers are flaming garbage, as you know, but check out Cruz’s numbers from the same poll:

favcdefc

What should we call that? Smoldering garbage? I’m a Cruz backer but I’m also under no illusion about how popular he is and isn’t among the general electorate. (Although the AP data here is from a poll of adults, not likely voters, please note.) Unlike Trump, he really would have a chance against Hillary this fall, but only because her own numbers are a smoking dumpster — and even then, he’ll have trouble flipping any of Obama’s blue states in 2012 to red. There is no ticket involving Trump or Cruz, let alone both of them, that sets the country on fire. There’s a ticket involving Cruz and someone not named Trump that might eke out a close victory if they catch some breaks. That’s your best-case scenario.

Buchanan’s logic here, if there’s any logic behind this, presumably is that a Trump/Cruz ticket would give the party its best chance at unity against Clinton this fall by reconciling embittered Trump fans and embittered Cruz fans. It would, for sure, eliminate the risk of a major third-party effort from one side or the other. But so what? What’s the prize for bringing the party together only to lose with 45 percent of the vote in a two-way race instead of with 37 percent in a three-way one? Trump/Cruz still leaves you saddled with all of Trump’s negatives at the top of the ticket, with all but the most hardcore Cruz-fan conservatives deeply disaffected with the direction of the party. It’s one thing for Trump to win the nomination by piling up votes in the primaries, it’s another thing for him to coopt the party’s leading conservative lights by bringing them onto his team to serve his agenda. Many Cruz fans would be enraged at him, I’m sure, for tossing his principles aside to join Trump, especially after Trump’s boorish nastiness towards Heidi Cruz. There’d still be a #NeverTrump movement, albeit a bit smaller than it is now as some strong Cruz supporters would eventually decide to suck it up and back Trump. How does all of this add up to setting the country on fire? Which swing voters, among whom Trump is toxic right now, are thinking, “No way will I support that buffoon — unless he puts Ted Cruz on the ticket, in which case ‘game on’”?

Buchanan does make one good point, though. If we go to a brokered convention, which seems likely, it’s hard to imagine a scenario in which Cruz agrees to accept the VP slot. Trump will lead on the first ballot; if he doesn’t clinch there, a bunch of votes will shift to Cruz on the second. If Cruz doesn’t lead on that one, he almost certainly will when more delegates become unbound on the third. Once he takes the lead, what incentive does he have to accept the number-two slot? You’d need to see some delegates shift back to Trump on the fourth ballot or fifth ballot, I think, and then have them end up in a protracted stalemate. In that case, Cruz might eventually cave and agree to be VP. (If only because, once there’s a stalemate, the odds of a dark-horse nominee will rise and Cruz will risk being left with nothing.) So long as Cruz maintains a lead among the delegates, though, he has no reason to bow to any other prospective nominee. If you want a Trump/Cruz ticket, it needs to happen with Trump winning on the first ballot.

Exit question: If you’re saddled with Trump as nominee, wouldn’t one of your top priorities for VP be finding someone who’s exceptionally personally likable, whom voters trust instinctively? They could look at the veep and tell themselves that if that person trusts Trump to run the country, maybe he’s worth taking a chance on. Ted Cruz has many good qualities. Being exceptionally likable isn’t one of them.

http://hotair.com/archives/2016/04/07/pat-buchanan-lets-face-it-a-trumpcruz-ticket-would-set-the-country-on-fire/

 

Rep. Paul Ryan’s Immigration-Reduction Report Card

Updated April 12, 2016

MEMBER PROFILE – PAUL RYAN

REP. PAUL RYANWISCONSIN (R)

CONTACT

  1. 1233 Longworth HOB
  2. Wisconsin
  3. PHONE: 202-225-3031

RYAN AT A GLANCE

Rep. Paul Ryan was elected to the House of Representatives in 1998. Since his arrival in the House, he has been regarded by many as a rising star in a new generation of conservatives. However, his voting record as well as behind-the-scenes backing of an establishment agenda, reveals that he is one of the more moderate members of the House Republican Conference.

Before he ran for office, Ryan worked for Republicans Sen. Bob Kasten and Rep. Jack Kemp. He joined Empower America, a think-tank formed by Rep. Kemp and William Bennett, and became legislative director for Kansas Senator Sam Brownback. He then went home to Wisconsin where he won a seat in the House of Representatives at the age of 28. (National Journal)

Ryan positioned himself as a leading conservative voice on fiscal and economic issues during his tenure as chairman of the House Budget Committee. His budget plan, the Path to Prosperity, “called for freezing most domestic spending for five years and repealing the economic stimulus law in the course of cutting spending more than $6 trillion over 10 years, shrinking federal spending as a percentage of the economy to its lowest level since 1949.” (National Journal) The plan proved controversial with Democrats and the media, who took particular issue with the budget’s plan to eventually replace Medicare with a subsidy that used free market forces to drive down the cost while raising the level of care. (National Journal)

In the wake of his budget passing the House and promoting a more conservative roadmap for the nation’s fiscal future, Ryan was chosen by Republican presidential candidate Mitt Romney as his running mate. Ryan was selected with the goal of brining a more conservative approach to balance out Romney’s moderate policies, and provide a more youthful demeanor to challenge President Obama, despite Ryan’s voting record. (Washington Post) While the ticket lost in the general election, Ryan was viewed as an asset to Romney’s efforts, providing substance on the campaign trail, reaching out to conservatives while staying loyal to Romney’s talking points.

After the election, Ryan returned to the House and pursued what was supposed to be a more pragmatic approach to policy, that moved Ryan closer to the center. He said that the presidential election reminded him that “[t]he Electoral College matters. That’s what I learned.” (National Journal) Ryan seemed to be increasingly concerned with creating a more geographically broad base for Republicans and his voting record tracked more to the middle. In December 2013, he helped broker a budget deal with liberal Senator Patty Murray that repealed one of the key conservative victories under President Obama’s reign — the sequester budget caps that helped keep spending in check. The Ryan-Murray budget increased fees, and claimed to reduce the deficit in the final years of the 10-year plan, making it unlikely that said reductions would ever be realized. (FreedomWorks) Simplified, Ryan-Murray was trading real spending cuts occurring at the time, for increased spending and spending cuts in future years, which are unlikely to materialize.

In the 114th Congress, Rep. Ryan became chairman of the powerful House Ways and Means Committee, where he plans to “fix the tax code, hold the I-R-S [sic] accountable, strengthen Medicare and Social Security, repair the safety net, promote job-creating trade agreements, and determine how best to repeal and replace Obama-care with patient-centered solutions.” (The Drive FM) He has announced that he would not run for president in 2016, choosing instead to devote his efforts in the House to leading the Ways and Means Committee. (FoxNews)

Reflecting his recent move toward the political center, Rep. Ryan has earned a poor Liberty Score.

There can be no doubt that some of Ryan’s prominent entitlement reform efforts—such as the introduction of the Medicare “premium support” proposal that garnered national attention during the 2012 election—have helped conservative solutions enter the forefront of political debate. He has similar success in landing a media spotlight on conservative welfare reform proposals, helping to jumpstart a conversation about the untenable state of spending in these areas. Nonetheless, these contributions to the mainstream dialogue do not excuse his often patently liberal votes. While championing fiscal sanity from his perch on Budget Committee, Ryan voted for an extension of unemployment benefits, for a bailout of the IMF, and several times to increase the debt limit with no discernible reductions.

In the pre-Tea Party days of Washington, Ryan quietly but firmly supported the No Child Left Behind Act, the failed big government approach to education policy, as well as the enormous Medicare prescription drug program. He opposes crony capitalism in theory, but this has not stopped him from endorsing bailouts for banks and the auto industry, as well as a failed stimulus package. He continually supports status quo transportation spending, and even led the charge in the House to make amnesty a reality.

Friendly Republicans will defend Ryan’s consistent moves to the middle as “pragmatic,” but the policy results are the same — gains for a big government agenda. (Mediaite) While Ryan may have an eye toward a more conservative governing vision, and would one day like to see that vision realized, it is a mistake to see him as an enemy of Speaker Boehner or the establishment — he simply provides no true contrast to their culture of surrender.

www.conservativereview.com/members/paul-ryan/#sthash.dq7BKFQa.dpuf

How GOP Could Still Steal Nomination From Trump Even If He Wins 1,237 Delegates

Zuckerberg criticizes ‘fearful voices calling for building walls’

 

Facebook’s Mark Zuckerberg criticized the “fearful voices calling for building walls” during his opening remarks at the company’s developer conference Tuesday in San Francisco.

The social media company’s founder and chief executive said the world has become a global community and warned against people and nations trying to isolate themselves — a possible allusion to GOP presidential front-runner Donald Trump, who has heavily pushed a plan to finish building a wall along the Mexican border to limit the influx of immigrants coming to the country illegally.

“We’ve gone from a world of isolated communities to one global community, and we are all better off for it,” Zuckerberg said. “But now, as I look around and I travel around the world, I’m starting to see people and nations turning inward — against this idea of a connected world and community.”
He added: “I hear fearful voices calling for building walls and distancing people they label as others, for blocking free expression, for slowing immigration, reducing trade and, in some cases around the world, even cutting access to the internet.”

Adopting the rhetoric of a politician, Zuckerberg said, “It takes courage to choose hope over fear” and said the company would continue to focus on connecting people.

He did not mention any politician or nation explicitly. But during the speech, he briefly highlighted a number of policy issues including immigration reform, the Syrian refugee crisis, climate change and Ebola.

Zuckerberg has been a vocal advocate for immigration reform, including expanding a visa program for high-skilled immigrants. The Facebook founder’s name has even been invoked on the GOP debate stage as candidates argued over the issue.

Zuckerberg made his remarks during the opening of the company’s annual developers conference. He described Facebook’s 10-year plan, which includes connecting millions of people around the world with basic internet service, as well as making improvements to virtual reality and artificial intelligence technology.

http://thehill.com/policy/technology/275998-zuckerberg-criticizes-fearful-voices-calling-for-building-walls

The Pronk Pops Show Podcasts Portfolio

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Supreme Court Justice Anthony Scalia Dead At 79: Natural Causes or Foul Play?

Posted on March 6, 2016. Filed under: American History, Articles, Blogroll, Catholic Church, Communications, Congress, Constitution, Corruption, Federal Bureau of Investigation (FBI), Federal Government, Freedom, Friends, government, Heroes, history, Law, liberty, Life, Links, media, Newspapers, People, Philosophy, Photos, Police, Radio, Regulations, Religion, Religious, Religious, Security, Speech, Supreme Court, Television, Vacations, Video, Wealth, Wisdom, Work | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 624: February 15, 2016

Pronk Pops Show 623: February 12, 2016

Pronk Pops Show 622: February 11, 2016

Pronk Pops Show 621: February 10, 2016

Pronk Pops Show 620: February 9, 2016

Pronk Pops Show 619: February 8, 2016

Pronk Pops Show 618: February 5, 2016

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

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Pronk Pops Show 607: January 20, 2016

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Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

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Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

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Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

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Pronk Pops Show 576: November 17, 2015

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The Pronk Pops Show 613, January 28, 2016, Story 1: The Trump Tease– Will Trump Be At Debate? If Not, Fox Is The Loser — What a Diff’rence a Day Makes — Videos

Posted on February 2, 2016. Filed under: American History, Blogroll, Business, College, Communications, Congress, Constitution, Corruption, Documentary, Economics, Education, Elections, Employment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Heroes, history, Investments, Language, Law, liberty, Life, Links, media, Radio, Tax Policy | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

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Pronk Pops Show 602: January 12, 2016

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Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

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Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

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Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

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Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

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Capitalism vs. Socialism — Videos

Posted on January 9, 2016. Filed under: Agriculture, American History, Articles, Babies, Blogroll, Business, College, Communications, Congress, Constitution, Crime, Crisis, Culture, Documentary, Economics, Education, Employment, Entertainment, Faith, Family, Federal Government, Fraud, government spending, Heroes, history, History of Economic Thought, Homicide, Illegal, Immigration, Inflation, Law, Legal, liberty, Life, Links, Literacy, Macroeconomics, media, Microeconomics, Money, Movies, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Radio, Rants, Raves, Security, Strategy, Talk Radio, Taxation, Taxes, Technology, Television, Terrorism, Transportation, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , |

mith marxsocialism capitalism 2capitalism_socialism_communismcapitalism-vs-socialism-vs-communismcommunism-vs-capitalism capitalism-socialism-and-communism-spelled-out-in-their-pros-political-poster   nolan-chart-basicphilosophies
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Capitalism_Socialism_Libertarianism_Anarchy_and_Fascisme__4
   jokejCapitalism_communism socialism-vs-capitalismposter

Capitalism vs Socialism

Cartoon – Ronald Reagan on Big Government Programs

Reagan and Obama Face-off in the Ring – I Want Your Money Movie Clip

Adam Smith, Ludwig von Mises, Friedrich Hayek, Ayn Rand, Milton Friedman & Capitalism?

Ayn Rand on Socialism and Dictatorship

Ayn Rand Schools Socialist Phil Donahue

Ayn Rand on Donahue 1979

Atlas Shrugged – ‘The Money Speech’ Mike Maloney

Ayn Rand ‘Man’s Rights’ From ‘Capitalism: The Unknown Ideal’

Milton Friedman – Socialism vs. Capitalism

Milton Friedman – Socialism is Force

Odc.3 – Milton Friedman – Free to Choose (1990) – The Failure of Socialism Napisy PL

Thomas Sowell and a Conflict of Visions

Thomas Sowell (former Marxist) Dismantles Leftist Ideology

Thomas Sowell on Capitalism Part 1/2

Thomas Sowell on Capitalism Part 2/2

Uncommon Knowledge: Thomas Sowell on the Vulgar Pride of Intellectuals

Friedrich Hayek: Why Intellectuals Drift Towards Socialism

Friedrich Hayek on Socialism

Friedrich Hayek: Free Market vs Socialism

Friedrich von Hayek: His Life and Thought

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Donald J. Trump — Our Next President — Videos

Posted on October 6, 2015. Filed under: American History, Art, Articles, Banking, Blogroll, Business, College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Culture, Economics, Education, Elections, Entertainment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, government, government spending, Health Care, Heroes, history, Investments, Islam, Law, liberty, Life, Links, Literacy, Love, Macroeconomics, media, Microeconomics, Monetary Policy, Money, Music, Obamacare, People, Philosophy, Photos, Politics, Presidential Candidates, Press, Radio, Rants, Raves, Strategy, Talk Radio, Tax Policy, Taxation, Taxes, Television, Terrorism, Trade Policiy, Wealth, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , |

<> on May 16, 2015 in Des Moines, Iowa.

 Dilbert Creator Scott Adams on Donald Trump’s “Linguistic Kill Shots”

Feud between Marco Rubio and Donald Trump heats up

Hannity Donald Trump FULL Interview. We Dont Fight For Victory. We Just Keep Going and Going

Donald Trump ‘Eminent Domain’ is a wonderful thing

Donald Trump Interview with Michael Savage on The Savage Nation (10-6-15)

Donald Trump Interview w/Mark Levin; 10-5-2015

Donald trump Meet The Press FULL Interview 10/4/2015

Donald Trump This Week ABC FULL Interview. George Steaphanopoulos Grills Trump On Tax Plan

FULL Speech: Donald Trump Fires Up The Crowd at Franklin, TN Rally (10-3-15)

Donald Trump: “Enough With the Nice!”

Donald Trump Don Lemon Interview CNN FULL Donald Trump Don Lemon CNN Interview 9/30/15

FULL Speech: Donald Trump EXPLOSIVE Rally In Keene, NH (9-30-15)

Bill O’Reilly Donald Trump FULL Interview. Trump ENDS Fox News Boycott

Carl Icahn on the Movement Toward Donald Trump for President

September 29, 2015, Donald Trump recommended a video on Twitter (@realdonaldTrump) by renowned American business magnate, investor, activist shareholder, and philanthropist, CARL ICAHN.

Donald Trump Full Interview With Erin Burnett On Iran/Russia, Tax PLan & GOP Candidates 9/28/2015

Full Press Conference: Donald Trump Unveils His Tax Plan (9-28-15)

Donald Trump Has Nothing To Apologize For

Full Speech: Donald Trump YUGE, EXPLOSIVE Campaign Rally at Oklahoma State Fair (9-25-15)

Speech: Donald Trump Speaks at Values Voter Summit in DC (9-25-15)

Full: Donald Trump Town Hall In Columbia, SC With Sen. Tim Scott (9-23-15)

Donald Trump CNN Debate Highlights

FULL SPEECH: Donald Trump Campaign Rally Dallas, Texas Monday 9/14/2015

Donald Trump Gives Wildly Entertaining Speech in Nashville, TN (8-29-15)

Michael Savage Interview w/ Donald Trump on Global Warming, Political Run and More – January 7, 2014

Mr. Trump’s 757

Donald Trump’s Luxurious Chopper

Abba – The Winner Takes It All

ABBA : I Have A Dream (HQ)

Frank Sinatra, My Way, With Lyrics

Frank Sinatra – “My Way” –

My Way (Live At Madison Square Garden/1974)” by Frank Sinatra

Claude François – Comme d’habitude

Most english people wouldn’t even now that Sinatra “my way” is a cover of Claude François the orginal of this song.

Claude François – Comme d’habitude (BBC – 1er février 1977)

Cloclo Movie US Trailer

Claude François – My way (En anglais) + Paroles

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Ray Bradbury — Fahrenheit 451 — Videos

Posted on September 20, 2015. Filed under: American History, Blogroll, Book, Books, Communications, Constitution, Corruption, Culture, Documentary, Economics, Education, Entertainment, Faith, Family, Fiction, Films, Friends, Heroes, history, Law, liberty, Life, media, Money, Movies, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Radio, Rants, Raves, Regulations, Strategy, Talk Radio, Television, Video, Wealth, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , |

young ray bradburyray-bradbury

fahrenheit451 fahrenheit-451hardcover_book_411 Farenheit451  ray-bradbury-fahrenheit-451ray-bradbury_1

Ray Bradbury – Story of a Writer

A 25-minute documentary from 1963 about Ray Bradbury – by David L. Wolper

Day at Night: Ray Bradbury

A Conversation with Ray Bradbury

A short film for the National Endowment for the arts feature Ray Bradbury as he discusses his life, literary loves and Fahrenheit 451.

A Conversation with Ray Bradbury by Lawrence Bridges

Fahrenheit 451 – Trailer

Fahrenheit 451 (1966) Full Movie | Julie Christie Full Movies Online

Top 10 Notes: Fahrenheit 451

Feeling More Alive: Fahrenheit 451’s The Hearth and the Salamander

Fahrenheit 451 by Ray Bradbury (Full audiobook)

Ray Bradbury on Writing Persistently

A Conversation with Ray Bradbury

Author Ray Bradbury joins Dean Nelson of Point Loma Nazarene University for a talk about his craft as part of Point Loma Nazarene University’s Writer’s Symposium by the Sea. Series: “Writer’s Symposium By The Sea” [4/2001] [Public Affairs] [Humanities] [Show ID: 5534]

An Evening with Ray Bradbury 2001

Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University. Series: Writer’s Symposium By The Sea [4/2001] [Public Affairs] [Humanities] [Show ID: 5533]

Ray Bradbury

From Wikipedia, the free encyclopedia
For the author’s 1975 story collection, see Ray Bradbury (collection).
Ray Bradbury
Ray Bradbury in 1975

Bradbury in 1975
Born Raymond Douglas Bradbury
August 22, 1920
Waukegan, Illinois, U.S.
Died June 5, 2012 (aged 91)
Los Angeles, California, U.S.
Resting place Westwood Memorial Park, Los Angeles
Occupation Writer
Nationality American
Period 1938–2012[1]
Genre Fantasy, social commentary,science fiction, horror fiction,mystery fiction
Notable works
Notable awards American Academy of Arts and Letters (1954); Daytime Emmy Award (1994); National Medal of Arts (2004); Pulitzer Prize(2007)
Spouse Marguerite McClure
(m. 1947–2003; her death)
Children 4 daughters

Signature
Website
www.raybradbury.com

Raymond Douglas “Ray” Bradbury[2] (August 22, 1920 – June 5, 2012) was an Americanfantasy, science fiction, horror and mystery fiction author. Best known for hisdystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th- and 21st-century American genre writers. He wrote and consulted on many screenplays and television scripts, includingMoby Dick[3] and It Came from Outer Space. Many of his works have been adapted into comic books, television shows, and films.

Early life

Bradbury as a senior in high school, 1938

Bradbury was born on August 22, 1920[4][5] in Waukegan, Illinois,[6] to Esther (née Moberg) Bradbury, a Swedish immigrant, and Leonard Spaulding Bradbury,[7] a power and telephone lineman of English descent.[8] He was given the middle name “Douglas,” after the actor Douglas Fairbanks. Bradbury was related to the American Shakespeare scholar Douglas Spaulding[9] and was descended from Mary Bradbury, who was tried at one of the Salem witch trials in 1692.[10]

Bradbury was surrounded by an extended family during his early childhood and formative years in Waukegan, Illinois. An aunt read him short stories when he was a child.[11] This period provided foundations for both the author and his stories. In Bradbury’s works of fiction, 1920s Waukegan becomes “Green Town,” Illinois.

The Bradbury family lived in Tucson, Arizona, in 1926–27 and 1932–33 as the father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Bradbury was 14. The family arrived with only 40 dollars, which paid for rent and food until his father finally found a job making wire at a cable company for $14 a week. This meant that they could stay, however, and Bradbury—who was in love with Hollywood—was ecstatic.

Bradbury attended Los Angeles High School and was active in the drama club. He often roller-skated through Hollywood in hopes of meeting celebrities. Among the creative and talented people Bradbury met this way were special effects pioneer Ray Harryhausen and radio star George Burns. (Bradbury’s first pay as a writer was at the age of fourteen, when Burns hired him to write for the Burns and Allen show.[12][13])

Influences

Literature

Bradbury was a reader and writer throughout his youth.[14] He knew as a young boy that he was “going into one of the arts.” In 1931, at the age of eleven, the young Bradbury began writing his own stories. The country was going through the Great Depression, and sometimes Bradbury wrote on butcher paper.

In his youth, he spent much time in the Carnegie library in Waukegan, reading such authors as H. G. Wells, Jules Verne, and Edgar Allan Poe. At age twelve, Bradbury began writing traditional horror stories and said he tried to imitate Poe until he was about eighteen. In addition to comics, he loved Edgar Rice Burroughs, creator of Tarzan of the Apes,[15] especially Burroughs’ John Carter of Mars series. The Warlord of Marsimpressed him so much that at the age of twelve he wrote his own sequel.[16] The young Bradbury was also a cartoonist and loved to illustrate. He wrote about Tarzan and drew his own Sunday panels. He listened to the radio show Chandu the Magician, and when the show went off the air every night he would sit and write the entire script from memory.

In Beverly Hills, he often visited the science fiction writer Bob Olsen for mentorship as well as friendship while Bradbury was a teenager. They shared ideas and would keep in contact. In 1936, at a secondhand bookstore in Hollywood, Bradbury discovered a handbill promoting meetings of the Los Angeles Science Fiction Society.[17] Thrilled to find there were others with his interests, at the age of sixteen Bradbury joined a weekly Thursday-night conclave.[18]

When he was seventeen, Bradbury read stories published in Astounding Science Fiction, and said he read everything by Robert A. Heinlein, Arthur C. Clarke, and the early writings of Theodore Sturgeon and A. E. van Vogt, but cited H. G. Wells and Jules Verne as his big science fiction influences. Bradbury identified with Verne, saying, “He believes the human being is in a strange situation in a very strange world, and he believes that we can triumph by behaving morally.” [19] Bradbury admitted that he stopped reading genre books in his twenties and embraced a broad field of literature that included Alexander Pope and poet John Donne.[20] Bradbury had just graduated from high school when he met Robert Heinlein, then 31 years old. Bradbury recalled, “He was well known, and he wrote humanistic science fiction, which influenced me to dare to be human instead of mechanical.”[20]

Hollywood

The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He roller-skated there as well as all over town, as he put it “hell-bent on getting autographs from glamorous stars. It was glorious.” Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes he would spend all day in front of Paramount Pictures or Columbia Pictures and then skate to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich and Mae West, who he would learn made a regular appearance every Friday night, bodyguard in tow.[20]

Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk’s honor:

They formed a long queue and as Bondarchuk was walking along it he recognized several people: “Oh Mr. Ford, I like your film.” He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; “Ray Bradbury, is that you?” He rushed up to me, embraced me, dragged me inside, grabbed a bottle ofStolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other “who is this Bradbury?” And, swearing, they left, leaving me alone with Bondarchuk…[21]

Career

Bradbury’s “Undersea Guardians” was the cover story for the December 1944 issue of Amazing Stories

Bradbury’s first published story was “Hollerbochen’s Dilemma”, which appeared in the January 1938 number of Forrest J. Ackerman’s fanzineImagination!.[1] In July 1939, Ackerman gave nineteen-year-old Bradbury the money to head to New York for the First World Science Fiction Convention in New York City, and funded Bradbury’s fanzine, titled Futuria Fantasia.[22] Bradbury wrote most of its four issues, each limited to under 100 copies.[citation needed]Between 1940 and 1947, he was a contributor to Rob Wagner‘s film magazine, Script.[23]

Bradbury was free to start a career in writing when, owing to his bad eyesight, he was rejected admission into the military during World War II. Having been inspired by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938.[24] Bradbury was invited by Forrest J. Ackerman[citation needed] to attend the Los Angeles Science Fiction Society, which at the time met at Clifton’s Cafeteria in downtown Los Angeles. This was where he met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson.[citation needed]

In 1939, Bradbury joined Laraine Day‘s Wilshire Players Guild where for two years he wrote and acted in several plays. They were, as Bradbury later described, “so incredibly bad” that he gave up playwriting for two decades.[25] Bradbury’s first paid piece, “Pendulum,” written with Henry Hasse, was published in the pulp magazineSuper Science Stories in November 1941, for which he earned $15.[26]

Bradbury sold his first story, “The Lake”, for $13.75 at the age of twenty-two.[20] He became a full-time writer by the end of 1942. His first collection of short stories, Dark Carnival, was published in 1947 by Arkham House, a small press in Sauk City, Wisconsin, owned by writer August Derleth. Reviewing Dark Carnival for the New York Herald Tribune, Will Cuppy proclaimed Bradbury “suitable for general consumption” and predicted that he would become a writer of the caliber of British fantasy author John Collier.[27]

After a rejection notice from the pulp Weird Tales, Bradbury submitted “Homecoming” to Mademoiselle which was spotted by a young editorial assistant named Truman Capote. Capote picked the Bradbury manuscript from a slush pile, which led to its publication. Homecoming won a place in The O. Henry Prize Stories of 1947.[28]

It was in UCLA‘s Powell Library, in a study room with typewriters for rent, that Bradbury wrote his classic story of a book-burning future, The Fireman, which was about 25,000 words long. It was later published at about 50,000 words under the name Fahrenheit 451, for a total cost of $9.80, due to the library’s typewriter-rental fees of ten cents per half-hour.[29]

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood’s glowing review[30] followed.

Writing

Bradbury attributed to two incidents his lifelong habit of writing every day. The first of these, occurring when he was three years old, was his mother’s taking him to see Lon Chaney‘s performance in The Hunchback of Notre Dame.[31] The second incident occurred in 1932, when a carnival entertainer, one Mr. Electrico, touched the young man on the nose with an electrified sword, made his hair stand on end, and shouted, “Live forever!”[32] Bradbury remarked, “I felt that something strange and wonderful had happened to me because of my encounter with Mr. Electrico…[he] gave me a future…I began to write, full-time. I have written every single day of my life since that day 69 years ago.”[32] It was at that age that Bradbury first started to do magic, which was his first great love. If he had not discovered writing, he would have become a magician.[33]

Bradbury claimed a wide variety of influences, and described discussions he might have with his favorite poets and writers Robert Frost, William Shakespeare, John Steinbeck, Aldous Huxley, and Thomas Wolfe. From Steinbeck, he said he learned “how to write objectively and yet insert all of the insights without too much extra comment.” He studied Eudora Welty for her “remarkable ability to give you atmosphere, character, and motion in a single line.” Bradbury’s favorite writers growing up included Katherine Anne Porter, who wrote about the American South, Edith Wharton, and Jessamyn West.[34]

Bradbury was once described as a “Midwestsurrealist” and is often labeled a science fiction writer, which he described as “the art of the possible.” Bradbury resisted that categorization, however:

First of all, I don’t write science fiction. I’ve only done one science fiction book and that’s Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it’s fantasy. It couldn’t happen, you see? That’s the reason it’s going to be around a long time – because it’s a Greek myth, and myths have staying power.[35]

Bradbury recounted when he came into his own as a writer, the afternoon he wrote a short story about his first encounter with death. When he was a boy, he met a young girl at the beach and she went out into the water and never came back. Years later, as he wrote about it, tears flowed from him. He recognized he had taken the leap from emulating the many writers he admired to connecting with his voice as a writer.[36][37]

When later asked about the lyrical power of his prose, Bradbury replied, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He is quoted, “If you’re reluctant to weep, you won’t live a full and complete life.”[38]

In high school, Bradbury was active in both the Poetry Club and the Drama club, continuing plans to become an actor but becoming serious about his writing as his high school years progressed. Bradbury graduated from Los Angeles High School, where he took poetry classes with Snow Longley Housh, and short story writing courses taught by Jeannet Johnson.[39] The teachers recognized his talent and furthered his interest in writing,[40] but he did not attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:

Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.[41][42]

He told The Paris Review, “You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do – and they don’t.”[43]

“Green Town”

A reinvention of Waukegan, Green Town is a symbol of safety and home, which is often juxtaposed as a contrasting backdrop to tales of fantasy or menace. It serves as the setting of his semi-autobiographical classics Dandelion Wine, Something Wicked This Way Comes, and Farewell Summer as well as in many of his short stories. In Green Town, Bradbury’s favorite uncle sprouts wings, traveling carnivals conceal supernatural powers, and his grandparents provide room and board to Charles Dickens.[44] Perhaps the most definitive usage of the pseudonym for his hometown, in Summer Morning, Summer Night, a collection of short stories and vignettes exclusively about Green Town, Bradbury returns to the signature locale as a look back at the rapidly disappearing small-town world of the American heartland, which was the foundation of his roots.[45]

Cultural contributions

Bradbury wrote many short essays on the arts and culture, attracting the attention of critics in this field, but he used his fiction to explore and criticize his culture and society. Bradbury observed, for example, thatFahrenheit 451 touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap opera cries, sleep walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[46]

In a 1982 essay he wrote, “People ask me to predict the Future, when all I want to do is prevent it.” This intent had been expressed earlier by other authors,[47] who sometimes attributed it to him.

Bradbury hosted The Ray Bradbury Theater which was based on his short stories. Bradbury was a consultant for the American Pavilion at the 1964 New York World’s Fair[48] and the original exhibit housed in Epcot‘sSpaceship Earth geosphere at Walt Disney World.[49][50][51] In the 1980s, Bradbury concentrated on detective fiction.[52]

Bradbury was a strong supporter of public library systems, and helped to raise money to prevent the closure of several in California due to budgetary cuts. He iterated from his past that “libraries raised me”, and shunned colleges and universities, comparing his own lack of funds during the Depression with poor contemporary students.[53] His opinion varied on modern technology. In 1985 Bradbury wrote, “I see nothing but good coming from computers. When they first appeared on the scene, people were saying, ‘Oh my God, I’m so afraid.’ I hate people like that – I call them the neo-Luddites“, and “In a sense [computers] are simply books. Books are all over the place, and computers will be too”.[54] He resisted the conversion of his work into e-books, stating in 2010 “We have too many cellphones. We’ve got too many internets. We have got to get rid of those machines. We have too many machines now”.[55] When the publishing rights for Fahrenheit 451 came up for renewal in December 2011, Bradbury permitted its publication in electronic form provided that the publisher, Simon & Schuster, allowed the e-book to be digitally downloaded by any library patron. The title remains the only book in the Simon & Schuster catalog where this is possible.[56]

Several comic book writers have adapted Bradbury’s stories. Particularly noted among these were EC Comics‘ line of horror and science-fiction comics. Initially, the writers plagiarized his stories, but a diplomatic letter from Bradbury about it led to the company paying him and negotiating properly licensed adaptations of his work. The comics featuring Bradbury’s stories included Tales from the Crypt, Weird Science, Weird Fantasy, Crime Suspenstories, Haunt of Fear and others.

Bradbury remained an enthusiastic playwright all his life, leaving a rich theatrical legacy as well as literary. Bradbury headed the Pandemonium Theatre Company in Los Angeles for many years and had a five-year relationship with the Fremont Centre Theatre in South Pasadena.[57]

Bradbury is featured prominently in two documentaries related to his classic 1950s-’60s era: Jason V Brock‘s Charles Beaumont: The Life of Twilight Zone’s Magic Man,[58] which details his troubles with Rod Serling, and his friendships with writers Charles Beaumont, George Clayton Johnson, and most especially his dear friend William F. Nolan, as well as Brock’s The AckerMonster Chronicles!, which delves into the life of former Bradbury agent, close friend, mega-fan, and Famous Monsters of Filmland editor Forrest J Ackerman.

On May 24, 1956, Bradbury appeared on the popular quiz show, You Bet Your Life hosted by Groucho Marx (Season 6 Episode 35).[59]

Personal life

Bradbury in December 2009.

Bradbury was married to Marguerite McClure (January 16, 1922 – November 24, 2003) from 1947 until her death; they had four daughters:[60] Susan, Ramona, Bettina and Alexandra.[61] Though he lived in Los Angeles, Bradbury never obtained a driver’s license but relied on public transportation or his bicycle.[62] He lived at home until he was twenty-seven and married. His wife of fifty-six years, Maggie, as she was affectionately called, was the only woman Bradbury ever dated.[20]

Bradbury was a close friend of Charles Addams, and Addams illustrated the first of Bradbury’s stories about the Elliotts, a family that would resemble Addams’ own Addams Familyplaced in rural Illinois. Bradbury’s first story about them was “Homecoming,” published in the 1946 Halloween issue of Mademoiselle, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family’s complete history, but it never materialized, and according to a 2001 interview, they went their separate ways.[63] In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From the Dust Returned, featuring a wraparound Addams cover of the original “Homecoming” illustration.[64]

Another close friend was animator Ray Harryhausen, who was best man at Bradbury’s wedding.[65] During a BAFTA 2010 awards tribute in honor of Ray Harryhausen‘s 90th birthday, Bradbury spoke of his first meeting Harryhausen at Forrest J Ackerman‘s house when they were both 18 years old. Their shared love for science fiction, King Kong, and the King Vidor-directed film The Fountainhead, written by Ayn Rand, was the beginning of a lifelong friendship. These early influences inspired the pair to believe in themselves and affirm their career choices. After their first meeting, they kept in touch at least once a month, in a friendship that spanned over 70 years.[66]

Late in life, Bradbury retained his dedication and passion despite what he described as the “devastation of illnesses and deaths of many good friends.” Among the losses that deeply grieved Bradbury was the death of Star Trek creator Gene Roddenberry, who was an intimate friend for many years. They remained close friends for nearly three decades after Roddenberry asked him to write for Star Trek, which Bradbury never did, objecting that he “never had the ability to adapt other people’s ideas into any sensible form.”[20]

Bradbury suffered a stroke in 1999[67] that left him partially dependent on a wheelchair for mobility.[68] Despite this he continued to write, and had even written an essay for The New Yorker, about his inspiration for writing, published only a week prior to his death.[69] Bradbury made regular appearances at science fiction conventions until 2009, when he retired from the circuit.

Ray Bradbury’s headstone in May 2012 prior to his death

Bradbury chose a burial place at Westwood Village Memorial Park Cemetery in Los Angeles, with a headstone that reads “Author of Fahrenheit 451”.[70][71][72] On February 6, 2015, the New York Times reported that the house that Bradbury lived and wrote in for fifty years of his life, at 10265 Cheviot Drive in Los Angeles, CA, had been demolished.[73]

Death

Bradbury died in Los Angeles, California, on June 5, 2012, at the age of 91, after a lengthy illness.[74] Bradbury’s personal library was willed to the Waukegan Public Library, where he had many of his formative reading experiences.[75]

The New York Times‍ ’​ obituary stated that Bradbury was “the writer most responsible for bringing modern science fiction into the literary mainstream.”[76] The Los Angeles Times credited Bradbury with the ability “to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here and now with a sense of visual clarity and small-town familiarity”.[77] Bradbury’s grandson, Danny Karapetian, stated that Bradbury’s works had “influenced so many artists, writers, teachers, scientists, and it’s always really touching and comforting to hear their stories”.[61]The Washington Post hallmarked several modern day technologies that Bradbury had envisioned much earlier in his writing, such as the idea of banking ATMs and earbuds and Bluetooth headsets from Fahrenheit 451, and the concepts of artificial intelligence within I Sing the Body Electric.[78]

On June 6, 2012, in an official public statement from the White House Press Office, President Barack Obama said:

For many Americans, the news of Ray Bradbury’s death immediately brought to mind images from his work, imprinted in our minds, often from a young age. His gift for storytelling reshaped our culture and expanded our world. But Ray also understood that our imaginations could be used as a tool for better understanding, a vehicle for change, and an expression of our most cherished values. There is no doubt that Ray will continue to inspire many more generations with his writing, and our thoughts and prayers are with his family and friends.[79]

Several celebrity fans of Bradbury paid tribute to the author by stating the influence of his works on their own careers and creations.[80][81] Filmmaker Steven Spielberg stated that Bradbury was “[his] muse for the better part of [his] sci-fi career…. On the world of science fiction and fantasy and imagination he is immortal”.[82] Writer Neil Gaiman felt that “the landscape of the world we live in would have been diminished if we had not had him in our world”.[81] Author Stephen King released a statement on his website saying, “Ray Bradbury wrote three great novels and three hundred great stories. One of the latter was called ‘A Sound of Thunder.’ The sound I hear today is the thunder of a giant’s footsteps fading away. But the novels and stories remain, in all their resonance and strange beauty.”[83] Bradbury’s influence well exceeded the field of literature. Progressive house music producer and performer, Joel Thomas Zimmerman, who is most commonly known by his stage name Deadmau5, composed a song named after one of Bradbury’s short stories “The Veldt” which was originally published in the Saturday Evening Post.[84] The EP of “The Veldt” was released days after Bradbury’s death and is dedicated to the memory of the author.[85]

Bibliography

Bradbury is credited with writing 27 novels and over 600 short stories.[77] More than eight million copies of his works, published in over 36 languages, have been sold around the world.[76]

First novel

In 1949, Bradbury and his wife were expecting their first child. He took a Greyhound bus to New York and checked into a room at the YMCA for fifty cents a night. He took his short stories to a dozen publishers and no one wanted them. Just before getting ready to go home, Bradbury had dinner with an editor at Doubleday. When Bradbury recounted that everyone wanted a novel and he didn’t have one, the editor, coincidentally named Walter Bradbury, asked if the short stories might be tied together into a book length collection. The title was the editor’s idea; he suggested, “You could call it “The Martian Chronicles.” Bradbury liked the idea and recalled making notes in 1944 to do a book set on Mars. That evening, he stayed up all night at the YMCA and typed out an outline. He took it to the Doubleday editor the next morning, who read it and wrote Bradbury a check for seven hundred and fifty dollars. When Bradbury returned to Los Angeles, he connected all the short stories and that became The Martian Chronicles.[34]

Intended first novel

What was later issued as a collection of stories and vignettes, Summer Morning, Summer Night, started out to be Bradbury’s first true novel. The core of the work was Bradbury’s witnessing of the American small-town and life in the American heartland.

In the winter of 1955–56, after a consultation with his Doubleday editor, Bradbury deferred publication of a novel based on Green Town, the pseudonym for his hometown. Instead, he extracted seventeen stories and, with three other Green Town tales, bridged them into his 1957 book Dandelion Wine. Later, in 2006, Bradbury published the original novel remaining after the extraction, and retitled it Farewell Summer. These two titles show what stories and episodes Bradbury decided to retain as he created the two books out of one.

The most significant of the remaining unpublished stories, scenes, and fragments were published under the originally intended name for the novel, Summer Morning, Summer Night, in 2007.[86]

Adaptations to other media

Bradbury in 1959, when some of his short stories were adapted for television shows like Alfred Hitchcock Presents

From 1951 to 1954, 27 of Bradbury’s stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) andTomorrow Midnight (1966), both published by Ballantine Books with cover illustrations by Frank Frazetta.

Also in the early 1950s, adaptations of Bradbury’s stories were televised in several anthology shows, including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman’s Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents. “The Merry-Go-Round,” a half-hour film adaptation of Bradbury’s “The Black Ferris,” praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC’s Sneak Preview in 1956. During that same period, several stories were adapted for radio drama, notably on the science fiction anthologies Dimension X and its successor X Minus One.

Scene from The Beast from 20,000 Fathoms, based on Bradbury’s The Fog Horn.

Producer William Alland first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury’s screen treatment “Atomic Monster”. Three weeks later came the release of Eugène Lourié’s The Beast from 20,000 Fathoms (1953), which featured one scene based on Bradbury’s “The Fog Horn“, about a sea monster mistaking the sound of a fog horn for the mating cry of a female. Bradbury’s close friend Ray Harryhausen produced the stop-motion animation of the creature. Bradbury would later return the favor by writing a short story, “Tyrannosaurus Rex”, about a stop-motion animator who strongly resembled Harryhausen. Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury’s stories or screenplays.

Bradbury was hired in 1953 by director John Huston to work on the screenplay for his film version of Melville‘s Moby Dick (1956), which stars Gregory Peck as Captain Ahab, Richard Basehart as Ishmael, and Orson Welles as Father Mapple. A significant result of the film was Bradbury’s book Green Shadows, White Whale, a semi-fictionalized account of the making of the film, including Bradbury’s dealings with Huston and his time in Ireland, where exterior scenes that were set in New Bedford, Massachusetts, were filmed.

Bradbury’s short story I Sing the Body Electric (from the book of the same name) was adapted for the 100th episode of The Twilight Zone. The episode was first aired on May 18, 1962.

In 1965, three of Bradbury’s stories were adapted for the stage. These included “The Wonderful Ice Cream Suit”, “The Day It Rained Forever” and “Device Out Of Time”. The latter was adapted from his 1957 novel Dandelion Wine. The plays debuted at the Coronet Theater in Hollywood and featured Booth Coleman, Joby Baker, Fredric Villani, Arnold Lessing, Eddie Sallia, Keith Taylor, Richard Bull, Gene Otis Shane, Henry T. Delgado, F. Murray Abraham, Anne Loos and Len Lesser. The director was Charles Rome Smith and the production company was Pandemonium Productions.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury’s novel directed by François Truffaut.

In 1966, Bradbury helped Lynn Garrison create AVIAN, a specialist aviation magazine. For the first issue Bradbury wrote a poem – Planes that land on grass.

In 1969, The Illustrated Man was brought to the big screen, starring Rod Steiger, Claire Bloom and Robert Drivas. Containing the prologue and three short stories from the book, the film received mediocre reviews. The same year, Bradbury approached composer Jerry Goldsmith, who had worked with Bradbury in dramatic radio of the 1950s and later scored the film version of The Illustrated Man, to compose a cantataChristus Apollo based on Bradbury’s text.[87] The work premiered in late 1969, with the California Chamber Symphony performing with narrator Charlton Heston at UCLA.

File:Ray Bradbury at Caltech 12 November 1971.ogv

Ray Bradbury takes part in a symposium at Caltech with Arthur C. Clarke, journalist Walter Sullivan, and scientists Carl Sagan and Bruce Murray. In this excerpt, Bradbury reads his poem ‘If Only We Had Taller Been’ (poem begins at 2:20, full text[88]). Video released by NASA in honor of the naming of Bradbury Landing in 2012.[89]

In 1972 The Screaming Woman was adapted as an ABC Movie-of-the-Week starring Olivia de Havilland.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980. Bradbury found the miniseries “just boring”.[90]

The 1982 television movie, The Electric Grandmother, was based on Bradbury’s short story “I Sing the Body Electric.”

The 1983 horror film Something Wicked This Way Comes, starring Jason Robards and Jonathan Pryce, is based on the Bradbury novel of the same name.

In 1984, Michael McDonough of Brigham Young University produced “Bradbury 13,” a series of 13 audio adaptations of famous stories from Bradbury, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of “The Ravine,” “Night Call, Collect,” “The Veldt“, “There Was an Old Woman,” “Kaleidoscope,” “Dark They Were, and Golden-Eyed“, “The Screaming Woman,” “A Sound of Thunder,” “The Man,” “The Wind,” “The Fox and the Forest,” “Here There Be Tygers” and “The Happiness Machine”. Voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody Award as well as two Gold Cindy awards and was released on CD on May 1, 2010. The series began airing on BBC Radio 4 Extra on June 12, 2011.

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories. During the first two seasons, Bradbury also provided additional voiceover narration specific to the featured story and appeared on screen.

Deeply respected in the USSR, Bradbury’s fictions has been adapted into five episodes of the Soviet science fiction TV series This Fantastic World which adapted the stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss, and Forever and the Earth.[91] In 1984 a cartoon adaptation of There Will Come Soft Rains («Будет ласковый дождь») came out byUzbek director Nazim Tyuhladziev.[92] He made a film adaptation of The Veldt (“Вельд”) in 1987.[93] In 1989 came out a cartoon adaptation of Here There Be Tygers («Здесь могут водиться тигры») by director Vladimir Samsonov.[94]

Bradbury wrote and narrated the 1993 animated television version of The Halloween Tree, based on his 1972 novel.

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Bradbury. It was based on his story “The Magic White Suit” originally published in The Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

In 2002, Bradbury’s own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank’s Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984, Telarium released a game for Commodore 64 based on Fahrenheit 451.[95] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury(1964), adaptations of “The Pedestrian“, “The Veldt”, and “To the Chicago Abyss.”

In 2005, the film A Sound of Thunder was released, loosely based upon the short story of the same name. The film The Butterfly Effect revolves around the same theory as A Sound of Thunder and contains many references to its inspiration. Short film adaptations of A Piece of Wood and The Small Assassin were released in 2005 and 2007 respectively.

In 2005, it was reported that Bradbury was upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury’s Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore’s use of the title but stated that his resentment was not politically motivated, even though Bradbury was conservative-leaning politically.[96] Bradbury asserted that he did not want any of the money made by the movie, nor did he believe that he deserved it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film’s release to apologize, saying that the film’s marketing had been set in motion a long time ago and it was too late to change the title.[97]

In 2008, the film Ray Bradbury’s Chrysalis was produced by Roger Lay Jr. for Urban Archipelago Films, based upon the short story of the same name. The film won the best feature award at the International Horror and Sci-Fi Film Festival in Phoenix. The film has international distribution by Arsenal Pictures and domestic distribution by Lightning Entertainment.

In 2010, The Martian Chronicles was adapted for radio by Colonial Radio Theatre on the Air.

In 2012, EDM artist deadmau5, along with guest vocalist Chris James, crafted a song called “The Veldt” inspired by Bradbury’s short story of the same title. The lyrics featured various references to the short story.

Bradbury’s works and approach to writing are documented in Terry Sanders‘ film Ray Bradbury: Story of a Writer (1963).

Bradbury’s poem “Groon” was voiced as a tribute in 2012.[98]

Awards and honors

Bradbury receiving the National Medal of Arts in 2004 with PresidentGeorge W. Bush and his wife Laura Bush.

The Ray Bradbury Award for excellency in screenwriting was occasionally presented by the Science Fiction and Fantasy Writers of America – presented to six people on four occasions from 1992 to 2009.[99] Beginning 2010, the Ray Bradbury Award for Outstanding Dramatic Presentation is presented annually according to Nebula Awards rules and procedures, although it is not a Nebula Award.[100] The revamped Bradbury Award replaced the Nebula Award for Best Script.

Documentaries

Bradbury appeared in the documentary The Fantasy Film Worlds of George Pal (1985) (Produced and directed by Arnold Leibovit).

Citations
  • Anderson, James Arthur (2013). The Illustrated Ray Bradbury. Wildside Press. ISBN 978-1-4794-0007-2.
  • Albright, Donn (1990). Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974–88. Starmont House. ISBN 1-55742-151-X.
  • Eller, Jonathan R.; Touponce, William F. (2004). Ray Bradbury: The Life of Fiction. Kent State University Press. ISBN 0-87338-779-1.
  • Eller, Jonathan R. (2011). Becoming Ray Bradbury. Urbana, IL: University of Illinois Press. ISBN 0-252-03629-8.
  • Nolan, William F. (1975). The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings. Gale Research. ISBN 0-8103-0930-0.
  • Paradowski, Robert J.; Rhynes, Martha E. (2001). Ray Bradbury. Salem Press.
  • Reid, Robin Anne (2000). Ray Bradbury: A Critical Companion. Greenwood Press. ISBN 0-313-30901-9.
  • Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1.
  • Weist, Jerry (2002). Bradbury, an Illustrated Life: A Journey to Far Metaphor. William Morrow and Company. ISBN 0-06-001182-3.
  • Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. HarperCollins. ISBN 0-06-054581-X.

External links

https://en.wikipedia.org/wiki/Ray_Bradbury

Fahrenheit 451

From Wikipedia, the free encyclopedia
This article is about the novel. For other uses, see Fahrenheit 451 (disambiguation).
Fahrenheit 451
Cover shows a drawing of a man, who appears to be made of newspaper and is engulfed in flames, standing on top of some books. His right arm is down and holding what appears to be a paper fireman's hat while his left arm is wiping sweat from the brow of his bowed head. Beside the title and author's name in large text, there is a small caption in the upper left-hand corner that reads, "Wonderful stories by the author of The Golden Apples of the Sun".

First edition cover
Author Ray Bradbury
Illustrator Joseph Mugnaini[1]
Country United States
Language English
Genre Dystopian novel[2]
Published 1953 (Ballantine Books)
Pages 159
ISBN ISBN 978-0-7432-4722-1 (current cover edition)
OCLC 53101079
813.54 22
LC Class PS3503.R167 F3 2003

Fahrenheit 451 is a dystopian novel by Ray Bradbury published in 1953. It is regarded as one of his best works.[3] The novel presents a future American society where books are outlawed and “firemen” burn any that are found.[4] The title refers to the temperature that Bradbury asserted to be the autoignition point of paper[5][6] (In reality, scientists place the autoignition point of paper anywhere from high 440 degrees Fahrenheit to some 30 degrees hotter, depending on the study and type of paper).[7]

The novel has been the subject of interpretations primarily focusing on the historical role of book burning in suppressing dissenting ideas. In a 1956 radio interview,[8]Bradbury stated that he wrote Fahrenheit 451 because of his concerns at the time (during the McCarthy era) about the threat of book burning in the United States. In later years, he stated his motivation for writing the book in more general terms.

The novel has won multiple awards. In 1954, it won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal.[9][10][11] It has since won the Prometheus “Hall of Fame” Award in 1984[12] and a 1954 “Retro” Hugo Award, one of only four Best Novel Retro Hugos ever given, in 2004.[13] Bradbury was honored with a Spoken Word Grammy nomination for his 1976 audiobook version.[14]

The novel has been adapted several times. François Truffaut wrote and directed a film adaptation of the novel in 1966, and a BBC Radio dramatization was produced in 1982. Bradbury published a stage play version in 1979[15] and helped develop a 1984 interactive fiction computer game titled Fahrenheit 451. A companion piece titled A Pleasure To Burn, consisting of a selection of Bradbury’s short stories, was released in 2010, less than two years before the author’s death.

Plot summary

Fahrenheit 451 is set in an unspecified city (likely in the American Mid-West) at some unspecified time in the future[notes 1] after the year 1960.[notes 2][16][17]

The novel is divided into three parts: “The Hearth and the Salamander”, “The Sieve and the Sand”, and “Burning Bright”.

“The Hearth and the Salamander”

Guy Montag is a “fireman” hired to burn the possessions of those who read outlawed books. One fall night while returning from work, he meets his new neighbor: a teenage girl named Clarisse McClellan, whose free-thinking ideals and liberating spirit cause him to question his life and his own perceived happiness. Montag returns home to find that his wife Mildred has overdosed on sleeping pills, and calls for medical attention. Mildred survives with no memory of what happened. Over the next days, Clarisse faithfully meets Montag as he walks home. She tells him about how her interests have made her an outcast at school. Montag looks forward to these meetings, and just as he begins to expect them, Clarisse goes absent. He senses something is wrong.[18]

In the following days, while at work with the other firemen ransacking the book-filled house of an old woman before the inevitable burning, Montag steals a book before any of his coworkers notice. The woman refuses to leave her house and her books, choosing instead to light a match and burn herself alive. Montag returns home jarred by the woman’s suicide. While getting ready for bed, he hides the stolen book under his pillow. Still shaken by the night’s events, he attempts to make conversation with Mildred, conversation that only causes him to realize how little he knows her and how little they have in common. Montag asks his wife if she has seen Clarisse recently. Mildred mutters that she believes Clarisse died after getting struck by a speeding car and that her family has moved away. Dismayed by her failure to mention this, Montag uneasily tries to fall asleep. Outside he suspects the presence of “The Hound”, an eight-legged[19] robotic dog-like creature that resides in the firehouse and aids the firemen.

Montag awakens ill the next morning and stays home from work. He relates the story of the burned woman to an apathetic Mildred and mentions perhaps quitting his work. The possibility of becoming destitute over the loss of income provokes a strong reaction from her and she explains that the woman herself is to blame because she had books.

Captain Beatty, Montag’s fire chief, personally visits Montag to see how he is doing. Sensing Montag’s concerns, Beatty recounts how books lost their value and where the firemen fit in: Over the course of several decades, people embraced new media, sports, and a quickening pace of life. Books were ruthlessly abridged or degraded to accommodate a short attention span while minority groups protested over the controversial, outdated content perceived to be found in books. The government took advantage of this and the firemen were soon hired to burn books in the name of public happiness. Beatty adds casually that all firemen eventually steal a book out of curiosity; if the book is burned within 24 hours, the fireman and his family will not get in trouble.

After Beatty has left, Montag reveals to Mildred that over the last year he has accumulated a stash of books that he has kept hidden in their air-conditioning duct. In a panic, Mildred grabs a book and rushes to throw it in their kitchen incinerator; Montag subdues her and tells her that the two of them are going to read the books to see if they have value. If they do not, he promises the books will be burned and all will return to normal.

“The Sieve and the Sand”

While Montag and Mildred are perusing the stolen books, a sniffing occurs at their front door. Montag recognizes it as The Hound while Mildred passes it off as a random dog. They resume their discussion once the sound ceases. Montag laments Mildred’s suicide attempt, the woman who burned herself, and the constant din of bombers flying over their house taking part in a looming war neither he, nor anybody else, knows much about. He states that maybe the books of the past have messages that can save society from its own destruction. The conversation is interrupted by a call from Mildred’s friend Ann Bowles, and they set up a date to watch the “parlor walls” (large televisions lining the walls of her living room) that night at Mildred’s house.

Montag meanwhile concedes that they will need help to understand the books. Montag remembers an old man named Faber he once met in a park a year ago, an English professor before books were banned. He telephones Faber with questions about books and Faber soon hangs up on him. Undeterred, Montag makes a subway trip to Faber’s home along with a rare copy of the Bible, the book he stole at the woman’s house. Montag forces the scared and reluctant Faber into helping him by methodically ripping pages from the Bible. Faber concedes and gives Montag a homemade ear-piece communicator so he can offer constant guidance.

After Montag returns home, Mildred’s friends, Mrs. Bowles and Clara Phelps, arrive to watch the parlor walls. Not interested in the insipid entertainment they are watching, Montag turns off the walls and tries to engage the women in meaningful conversation, only to find them indifferent to all but the most trivial aspects of the upcoming war, friend’s deaths, their families, and politics. Montag leaves momentarily and returns with a book of poetry. This confuses the women and alarms Faber who is listening remotely. He proceeds to recite the poem Dover Beach, causing Mrs. Phelps to cry. At the behest of Faber in the ear-piece, Montag burns the book. Mildred’s friends leave in disgust while Mildred locks herself in the bathroom and takes more sleeping pills.

In the aftermath of the parlor party, Montag hides his books in his backyard before returning to the firehouse late at night with just the stolen Bible. He finds Beatty playing cards with the other firemen. Montag hands him the book, which is unceremoniously tossed into the trash. Beatty tells Montag that he had a dream in which they fought endlessly by quoting books to each other. In describing the dream Beatty reveals that, despite his disillusionment, he was once an enthusiastic reader. A fire alarm sounds and Beatty picks up the address from the dispatcher system. They drive in the firetruck recklessly to the destination. Montag is stunned when the truck arrives at his house.

“Burning Bright”

Beatty orders Montag to destroy his own house, telling him that his wife and her friends were the ones who reported him. Montag tries to talk to Mildred as she quickly leaves the house. Mildred ignores him, gets inside a taxi, and vanishes down the street. Montag obeys the chief, destroying the home piece by piece with a flamethrower. As soon as he has incinerated the house, Beatty discovers Montag’s ear-piece and plans to hunt down Faber. Montag threatens Beatty with the flamethrower and (after Beatty taunts him) burns his boss alive, and knocks his coworkers unconscious. As Montag escapes the scene, the firehouse’s mechanical dog attacks him, managing to inject his leg with a tranquilizer. He destroys it with the flamethrower and limps away.

Montag runs through the city streets towards Faber’s house. Faber urges him to make his way to the countryside and contact the exiled book-lovers who live there. He mentions he will be leaving on an early bus heading to St. Louis and that he and Montag can rendezvous there later. On Faber’s television, they watch news reports of another mechanical hound being released, with news helicopters following it to create a public spectacle. Montag leaves Faber’s house. After an extended manhunt, he escapes by wading into a river and floating downstream.

Montag leaves the river in the countryside, where he meets the exiled drifters, led by a man named Granger. They have each memorized books for an upcoming time when society is ready to rediscover them. While learning the philosophy of the exiles, Montag and the group watch helplessly as bombers fly overhead and attack the city with nuclear weapons, completely annihilating it. While Faber would have left on the early bus, Mildred along with everyone else in the city was surely killed. Montag and the group are injured and dirtied, but manage to survive the shock wave.

In the morning after, Granger teaches Montag and the others about the legendary phoenix and its endless cycle of long life, death in flames, and rebirth. He adds that the phoenix must have some relation to mankind, which constantly repeats its mistakes. Granger emphasizes that man has something the phoenix does not: mankind can remember the mistakes it made from before it destroyed itself, and try to not make them again. Granger then muses that a large factory of mirrors should be built, so that mankind can take a long look at itself. When the meal is over, the band goes back toward the city, to help rebuild society.

Characters

  • Guy Montag is the protagonist and fireman who presents the dystopia through the eyes of a worker loyal to it, a man in conflict about it, and one resolved to be free of it. Through most of the book, Montag lacks knowledge and believes what he hears.
  • Clarisse McClellan walks with Montag on his trips home and is one month short of being a 17-year-old girl.[notes 3][20] She is an unusual sort of person in the bookless, hedonistic society: outgoing, naturally cheerful, unorthodox, and intuitive. She is unpopular among peers and disliked by teachers for asking “why” instead of “how” and focusing on nature rather than on technology. A few days after their first meeting, she disappears without any explanation; Mildred tells Montag (and Captain Beatty confirms) that Clarisse was hit by a speeding car and that her family left following her death. In the afterword of a later edition, Bradbury notes that the film adaptation changed the ending so that Clarisse (who, in the film, is now a 20-year-old school teacher who was fired for being unorthodox) was living with the exiles. Bradbury, far from being displeased by this, was so happy with the new ending that he wrote it into his later stage edition.
  • Mildred “Millie” Montag is Guy Montag’s wife. She is addicted to sleeping pills, absorbed in the shallow dramas played on her “parlor walls” (flat-panel televisions), and indifferent to the oppressive society around her. She is described in the book as “thin as a praying mantis from dieting, and her flesh like white bacon.” Despite her husband’s attempts to break her from the spell society has on her, Mildred continues to be shallow and indifferent. After Montag scares her friends away by reading Dover Beach and unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him.
  • Captain Beatty is Montag’s boss. Once an avid reader, he has come to hate books due to their unpleasant content and contradicting facts and opinions. In a scene written years later by Bradbury for theFahrenheit 451 play, Beatty invites Montag to his house where he shows him walls of books left to molder on their shelves.
  • Stoneman and Black are Montag’s coworkers at the firehouse. They do not have a large impact on the story and function to show the reader the contrast between the firemen who obediently do as they’re told and someone like Montag, who formerly took pride in his job—subsequently realizing how damaging it is to society.
  • Faber is a former English professor. He has spent years regretting that he did not defend books when he saw the moves to ban them. Montag turns to him for guidance, remembering him from a chance meeting in a park some time earlier. Faber at first refuses to help Montag, and later realizes that he is only trying to learn about books, not destroy them. Bradbury notes in his afterword that Faber is part of the name of a German manufacturer of pencils, Faber-Castell.
  • Mrs. Ann Bowles and Mrs. Clara Phelps are Mildred’s friends and representative of the anti-intellectual, hedonistic society presented in the novel. During a social visit to Montag’s house, they brag about ignoring the bad things in their lives and have a cavalier attitude towards the upcoming war, their husbands, their children, and politics. Mrs. Phelps has a husband named Pete who was called in to fight in the upcoming war (and believes that he’ll be back in a week because of how quick the war will be) and thinks having children serves no purpose other than to ruin lives. Mrs. Bowles is a thrice married, single mother. Her first husband divorced her, her second died in a jet accident, and her third committed suicide by shooting himself in the head. She has two children who do not like or even respect her due to her permissive, often negligent and abusive parenting: Mrs. Bowles brags that her kids beat her up and she’s glad that she can hit back. When Montag reads Dover Beach to them, Mrs. Phelps starts crying over how hollow her life is while Mrs. Bowles chastises Montag for reading “silly awful hurting words”.
  • Granger is the leader of a group of wandering intellectual exiles who memorize books in order to preserve their contents.

Historical context

Bradbury’s lifelong passion with books began at an early age. As a frequent visitor to his local libraries in the 1920s and 1930s, he recalls being disappointed because they did not stock popular science fiction novels, like those of H. G. Wells, because, at the time, they were not deemed literary enough. Between this and learning about the destruction of the Library of Alexandria,[21] a great impression was made on the young man about the vulnerability of books to censure and destruction. Later as a teenager, Bradbury was horrified by the Nazi book burnings[22] and later Joseph Stalin‘s campaign of political repression, the “Great Purge“, in which writers and poets, among many others, were arrested and often executed.[23]

After the 1945 conclusion of World War II shortly after the atomic bombings of Hiroshima and Nagasaki, the United States focused its concern on the Soviet atomic bomb project and the expansion of communism. The House Un-American Activities Committee (HUAC)—formed in 1938 to investigate American citizens and organizations suspected of having communist ties—held hearings in 1947 to investigate alleged communist influence in Hollywood movie-making. These hearings resulted in the blacklisting of the so-called “Hollywood Ten“,[24] a group of influential screenwriters and directors. This governmental interference in the affairs of artists and creative types greatly angered Bradbury.[25] Bitter and concerned about the workings of his government, a late 1949 nighttime encounter with an overzealous police officer would inspire Bradbury to write “The Pedestrian“, a short story which would go on to become “The Fireman” and then Fahrenheit 451. The rise of Senator Joseph McCarthy‘s hearings hostile to accused communists starting in 1950, would only deepen Bradbury’s contempt over government overreach.[26][27]

The same year HUAC began investigating Hollywood is often considered the beginning of the Cold War, as in March 1947, the Truman Doctrine was announced. By about 1950, the Cold War was in full swing and the American public’s fear of atomic warfare and communist influence was at a feverish level. The stage was set for Bradbury to write the dramatic nuclear holocaust ending of Fahrenheit 451, exemplifying the type of scenario feared by many Americans of the time.[28]

Bradbury’s early life witnessed the Golden Age of Radio while the transition to the Golden Age of Television began right around the time he started to work on the stories that would eventually lead to Fahrenheit 451. Bradbury saw these forms of media as a threat to the reading of books, indeed as a threat to society, as he believed they could act as a distraction from important affairs. This contempt for mass media and technology would express itself through Mildred and her friends and is an important theme in the book.[29]

Writing and development

Fahrenheit 451 developed out of a series of ideas Bradbury had visited in previously written stories. For many years, he tended to single out “The Pedestrian” in interviews and lectures as sort of a proto-Fahrenheit 451. In the Preface of his 2006 anthology Match to Flame: The Fictional Paths to Fahrenheit 451 he states that this is an oversimplification.[30] The full genealogy of Fahrenheit 451 given in Match to Flame is involved. The following covers the most salient aspects.[citation needed]

Between 1947 and 1948,[31] Bradbury wrote the short story “Bright Phoenix” (not published until the May 1963 issue of The Magazine of Fantasy & Science Fiction[32][33]) about a librarian who confronts a book-burning “Chief Censor” named Jonathan Barnes. Barnes is a clear foreshadow of the ominous Captain Beatty of Fahrenheit 451.[citation needed]

In late 1949,[34] Bradbury was stopped and questioned by a police officer while walking late one night.[35][36] When asked “What are you doing?”, Bradbury wisecracked, “Putting one foot in front of another.”[35][36]This incident inspired Bradbury to write the 1951 short story “The Pedestrian”.[notes 4][35][36] In “The Pedestrian”, Leonard Mead is harassed and detained by the city’s remotely operated police cruiser (there’s only one) for taking nighttime walks, something that has become extremely rare in this future-based setting: everybody else stays inside and watches television (“viewing screens”). Alone and without an alibi, Mead is taken to the “Psychiatric Center for Research on Regressive Tendencies” for his peculiar habit. Fahrenheit 451 would later echo this theme of an authoritarian society distracted by broadcast media.[citation needed]

Bradbury expanded the book-burning premise of “Bright Phoenix”[37] and the totalitarian future of “The Pedestrian”[38] into “The Fireman”, a novella published in the February 1951 issue of Galaxy Science Fiction.[39][40] “The Fireman” was written in the basement of UCLA‘s Powell Library on a typewriter that he rented for a fee of ten cents per half hour.[41] The first draft was 25,000 words long and was completed in nine days.[42]

Urged by a publisher at Ballantine Books to double the length of his story to make a novel, Bradbury returned to the same typing room and expanded his work into Fahrenheit 451, taking just nine days.[41] The completed book was published by Ballantine in 1953.[43]

Supplementary material

Bradbury has supplemented the novel with various front and back matter, including a 1979 coda,[44] a 1982 afterword,[45] a 1993 foreword, and several introductions. In these he provides some commentary on the themes of the novel,[44] thoughts on the movie adaptation, and numerous personal anecdotes related to the writing and development.[citation needed]

Publication history

The first U.S. printing was a paperback version from October 1953 by The Ballantine Publishing Group. Shortly after the paperback, a hardback version was released that included a special edition of 200 signed and numbered copies bound in asbestos.[46][47][48] These were technically collections because the novel was published with two short stories: “The Playground” and “And the Rock Cried Out”, which have been absent in later printings.[1][49] A few months later, the novel was serialized in the March, April, and May 1954 issues of nascent Playboy magazine.[9][50]

Expurgation

Starting in January 1967, Fahrenheit 451 was subject to expurgation by its publisher, Ballantine Books with the release of the “Bal-Hi Edition” aimed at high school students.[51][52] Among the changes made by the publisher were the censorship of the words “hell”, “damn”, and “abortion”; the modification of seventy-five passages; and the changing of two episodes.[52][53] In the one case, a drunk man became a “sick man” while cleaning fluff out of a human navel became “cleaning ears” in the other.[52][54] For a while both the censored and uncensored versions were available concurrently but by 1973 Ballantine was publishing only the censored version.[54][55] This continued until 1979 when it came to Bradbury’s attention:[54][55]

In 1979, one of Bradbury’s friends showed him an expurgated copy. Bradbury demanded that Ballantine Books withdraw that version and replace it with the original, and in 1980 the original version once again became available. In this reinstated work, in the Author’s Afterword, Bradbury relates to the reader that it is not uncommon for a publisher to expurgate an author’s work, but he asserts that he himself will not tolerate the practice of manuscript “mutilation”.

The “Bal-Hi” editions are now referred to by the publisher as the “Revised Bal-Hi” editions.[56]

Non-print publications

An audiobook version read by Bradbury himself was released in 1976 and received a Spoken Word Grammy nomination.[14] Another audiobook was released in 2005 narrated by Christopher Hurt.[57] The e-bookversion was released in December 2011.[58][59]

Reception

In 1954, Galaxy Science Fiction reviewer Groff Conklin placed the novel “among the great works of the imagination written in English in the last decade or more.”[60] The Chicago Sunday Tribunes August Derlethdescribed the book as “a savage and shockingly savage prophetic view of one possible future way of life,” calling it “compelling” and praising Bradbury for his “brilliant imagination”.[61] Over half a century later, Sam Weller wrote, “upon its publication, Fahrenheit 451 was hailed as a visionary work of social commentary.”[62] Today, Fahrenheit 451 is still viewed as an important cautionary tale against conformity and book burning.[63]

When the book was first published there were those who did not find merit in the tale. Anthony Boucher and J. Francis McComas were less enthusiastic, faulting the book for being “simply padded, occasionally with startlingly ingenious gimmickry, … often with coruscating cascades of verbal brilliance [but] too often merely with words.”[64] Reviewing the book for Astounding Science Fiction, P. Schuyler Miller characterized the title piece as “one of Bradbury’s bitter, almost hysterical diatribes,” and praised its “emotional drive and compelling, nagging detail.”[65] Similarly, The New York Times was unimpressed with the novel and further accused Bradbury of developing a “virulent hatred for many aspects of present-day culture, namely, such monstrosities as radio, TV, most movies, amateur and professional sports, automobiles, and other similar aberrations which he feels debase the bright simplicity of the thinking man’s existence.”[66]

Censorship/banning incidents

In the years since its publication, Fahrenheit 451 has occasionally been banned, censored, or redacted in some schools by parents and teaching staff either unaware of or indifferent to the inherent irony of such censorship. The following are some notable incidents:

  • In 1987, Fahrenheit 451 was given “third tier” status by the Bay County School Board in Panama City, Florida, under then-superintendent Leonard Hall’s new three-tier classification system.[67] Third tier was meant for books to be removed from the classroom for “a lot of vulgarity”.[67] After a resident class-action lawsuit, a media stir, and student protests, the school board abandoned their tier-based censorship system and approved all the currently used books.[67]
  • In 1992, Venado Middle School in Irvine, California gave copies of Fahrenheit 451 to students with all “obscene” words blacked out.[68] Parents contacted the local media and succeeded in reinstalling the uncensored copies.[68]
  • In 2006, parents of a tenth grade high school student in Montgomery County, Texas, demanded the book be banned from their daughter’s English class reading list.[69] Their daughter was assigned the book during Banned Books Week, but stopped reading several pages in due to the offensive language and description of the burning of the Bible.[69] In addition, her parents protested the violence, portrayal of Christians, and depictions of firemen in the novel.[69]

Themes

Discussions about Fahrenheit 451 often center on its story foremost as a warning against state-based censorship. Indeed, when Bradbury wrote the novel during the McCarthy era, he was concerned about censorship in the United States. During a radio interview in 1956,[70][71] Bradbury said:

I wrote this book at a time when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.

As time went by, Bradbury tended to dismiss censorship as a chief motivating factor for writing the story. Instead he usually claimed that the real messages of Fahrenheit 451 were about the dangers of an illiterate society infatuated with mass media and the threat of minority and special interest groups to books. In the late 1950s, Bradbury recounted:

In writing the short novel Fahrenheit 451, I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[72]

This story echoes Mildred’s “Seashell ear-thimbles” (i.e., a brand of in-ear headphones) that act as an emotional barrier between her and Montag. In a 2007 interview, Bradbury maintained that people misinterpret his book and that Fahrenheit 451 is really a statement on how mass media like television marginalizes the reading of literature.[73] Regarding minorities, he wrote in his 1979 Coda:

There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. […] Fire-Captain Beatty, in my novel Fahrenheit 451, described how the books were burned first by minorities, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever. […] Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some seventy-five separate sections from the novel. Students, reading the novel, which, after all, deals with censorship and book-burning in the future, wrote to tell me of this exquisite irony. Judy-Lynn del Rey, one of the new Ballantine editors, is having the entire book reset and republished this summer with all the damns and hells back in place.[74]

Book-burning censorship, Bradbury would argue, was a side-effect of the these two primary factors; this is consistent with Captain Beatty’s speech to Montag about the history of the firemen. According to Bradbury, it is the people, not the state, who are the culprit in Fahrenheit 451.[73] Nevertheless, the role on censorship, state-based or otherwise, is still perhaps the most frequent theme explored in the work.[75][better source needed]

A variety of other themes in the novel besides censorship have been suggested. Two major themes are resistance to conformity and control of individuals via technology and mass media. Bradbury explores how the government is able to use mass media to influence society and suppress individualism through book burning. The characters Beatty and Faber point out the American population is to blame. Due to their constant desire for a simplistic, positive image, books must be suppressed. Beatty blames the minority groups, who would take offense to published works that displayed them in an unfavorable light. Faber went further to state that the American population simply stopped reading on their own. He notes that the book burnings themselves became a form of entertainment to the general public.[76]

Predictions for the future

Bradbury described himself as “a preventor of futures, not a predictor of them.”[77] He did not believe that book burning was an inevitable part of our future; he wanted to warn against its development.[77] In a later interview, when asked if he believes that teaching Fahrenheit 451 in schools will prevent his totalitarian[2] vision of the future, Bradbury replied in the negative. Rather, he states that education must be at the kindergarten and first-grade level. If students are unable to read then, they will be unable to read Fahrenheit 451.[78]

In terms of technology, Sam Weller notes that Bradbury “predicted everything from flat-panel televisions to iPod earbuds and twenty-four-hour banking machines.”[79]

Adaptations

Playhouse 90 broadcast “A Sound of Different Drummers” on CBS in 1957, written by Robert Alan Aurthur. The play combined plot ideas from Fahrenheit 451 and Nineteen Eighty-Four. Bradbury sued and eventually won on appeal.[80][81]

A film adaptation written and directed by François Truffaut and starring Oskar Werner and Julie Christie was released in 1966.[82][83]

BBC Radio produced a one-off dramatization of the novel in 1982[84] starring Michael Pennington.[85] It was broadcast again on February 12, 2012, and April 7 and 8, 2013, on BBC Radio 4 Extra.[86]

In 1984, the novel was adapted into a computer text adventure game of the same name by the software company Trillium.[87]

In 2006, the Drama Desk Award winning Godlight Theatre Company produced and performed the New York City premiere of Ray Bradbury‘s Fahrenheit 451 at 59E59 Theaters.[88] After the completion of the New York run, the production then transferred to the Edinburgh Festival where it was a 2006 Edinburgh Festival Pick of the Fringe.[89]

The Off-Broadway theatre The American Place Theatre presented a one man show adaptation of Fahrenheit 451 as a part of their 2008–2009 Literature to Life season.[90]

In June 2009, a graphic novel edition of the book was published. Entitled Ray Bradbury’s Fahrenheit 451: The Authorized Adaptation,[91] the paperback graphic adaptation was illustrated by Tim Hamilton.[92][93] The introduction in the novel is written by Bradbury.[citation needed]

Fahrenheit 451 inspired the Birmingham Repertory Theatre production Time Has Fallen Asleep in the Afternoon Sunshine, which was performed at the Birmingham Central Library in April 2012.[94]

Notes

  1. Jump up^ During Captain Beatty’s recounting of the history of the firemen to Montag, he says, “Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” The text is ambiguous regarding which century he is claiming began this pattern. One interpretation is that he means the 20th century, which would place the novel in at least the 24th century. “The Fireman” novella, which was expanded to become Fahrenheit 451, is set in October 2052.
  2. Jump up^ In early editions of the book, Montag says, “We’ve started and won two atomic wars since 1960” in the first pages of The Sieve and the Sand. This sets a lower bound on the time setting. In later decades, some editions have changed this year to 1990 or 2022.
  3. Jump up^ Clarisse tells Montag she is “seventeen and crazy”, later admitting that she will actually be seventeen “next month”.
  4. Jump up^ “The Pedestrian” would go on to be published in The Reporter magazine on August 7, 1951, that is, after the publication in February 1951 of its inspired work “The Fireman”.

See also

Further reading

External links

https://en.wikipedia.org/wiki/Fahrenheit_451

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Arrogance of Power — The Two Party Tyranny — Democratic and Republican Political Elitist Establishment (PEEs) Ignoring The American People — Trump Becomes Champion of American People — Trump Does Dallas — The Winning Silent Majority Roars –Videos

Posted on September 14, 2015. Filed under: American History, Blogroll, Business, College, Communications, Congress, Constitution, Documentary, Education, Faith, Family, Federal Government, Freedom, Friends, government, government spending, Health Care, Heroes, history, Illegal, Immigration, Inflation, Internal Revenue Service (IRS), Investments, Law, liberty, Life, Links, Literacy, media, Money, Newspapers, Obamacare, People, Philosophy, Photos, Political Correctness, Politics, Radio, Raves, Talk Radio, Television, Video, Wealth, Welfare, Wisdom | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 532: September 14, 2015 

Pronk Pops Show 531: September 11, 2015

Pronk Pops Show 530: September 10, 2015 

Pronk Pops Show 529: September 9, 2015 

Pronk Pops Show 528: September 8, 2015 

Pronk Pops Show 527: September 4, 2015 

Pronk Pops Show 526: September 3, 2015  

Pronk Pops Show 525: September 2, 2015 

Pronk Pops Show 524: August 31, 2015  

Pronk Pops Show 523: August 27, 2015  

Pronk Pops Show 522: August 26, 2015 

Pronk Pops Show 521: August 25, 2015 

Pronk Pops Show 520: August 24, 2015 

Pronk Pops Show 519: August 21, 2015 

Pronk Pops Show 518: August 20, 2015  

Pronk Pops Show 517: August 19, 2015 

Pronk Pops Show 516: August 18, 2015

Pronk Pops Show 515: August 17, 2015

Pronk Pops Show 514: August 14, 2015

Pronk Pops Show 513: August 13, 2015

Pronk Pops Show 512: August 12, 2015

Pronk Pops Show 511: August 11, 2015

Pronk Pops Show 510: August 10, 2015

Pronk Pops Show 509: July 24, 2015

Pronk Pops Show 508: July 20, 2015

Pronk Pops Show 507: July 17, 2015

Pronk Pops Show 506: July 16, 2015

Pronk Pops Show 505: July 15, 2015

Pronk Pops Show 504: July 14, 2015

Pronk Pops Show 503: July 13, 2015

Pronk Pops Show 502: July 10, 2015

Pronk Pops Show 501: July 9, 2015

Pronk Pops Show 500: July 8, 2015

Pronk Pops Show 499: July 6, 2015

Pronk Pops Show 498: July 2, 2015

Pronk Pops Show 497: July 1, 2015

Pronk Pops Show 496: June 30, 2015

Pronk Pops Show 495: June 29, 2015

Pronk Pops Show 494: June 26, 2015

Pronk Pops Show 493: June 25, 2015

Pronk Pops Show 492: June 24, 2015

Pronk Pops Show 491: June 23, 2015

Pronk Pops Show 490: June 22, 2015

Pronk Pops Show 489: June 19, 2015

Pronk Pops Show 488: June 18, 2015

Pronk Pops Show 487: June 17, 2015

Pronk Pops Show 486; June 16, 2015

Pronk Pops Show 485: June 15, 2015

Pronk Pops Show 484: June 12, 2015

Pronk Pops Show 483: June 11, 2015

Pronk Pops Show 482; June 10, 2015

Pronk Pops Show 481: June 9, 2015

Pronk Pops Show 480: June 8, 2015

Pronk Pops Show 479: June 5, 2015

Pronk Pops Show 478: June 4, 2015

Pronk Pops Show 477: June 3, 2015

Pronk Pops Show 476: June 2, 2015

Pronk Pops Show 475: June 1, 2015

Story 1, Arrogance of Power — The Two Party  Tyranny — Democratic and Republican Political Elitist Establishment (PEEs) Ignoring The American People — Trump Becomes Champion of American People — Trump Does Dallas — The Winning Silent Majority Roars –Videos

Election 2016 Presidential Polls

Monday, September 14
Race/Topic   (Click to Sort) Poll Results Spread
2016 Democratic Presidential Nomination ABC/Wash Post Clinton 42, Sanders 24, Biden 21, O’Malley 2, Webb 1, Chafee 1 Clinton +18
2016 Republican Presidential Nomination ABC/Wash Post Trump 33, Carson 20, Bush 8, Cruz 7, Rubio 7, Fiorina 2, Walker 2, Huckabee 3, Kasich 3, Paul 5, Christie 1, Santorum 1, Perry 1, Jindal 1, Graham 0 Trump +13
New Hampshire Republican Presidential Primary Monmouth Trump 28, Carson 17, Kasich 11, Fiorina 7, Bush 7, Cruz 8, Paul 4, Walker 2, Rubio 4, Christie 2, Huckabee 1, Graham 1, Pataki 1, Santorum 1, Jindal 0 Trump +11
Sunday, September 13
Race/Topic   (Click to Sort) Poll Results Spread
General Election: Trump vs. Clinton ABC News/Wash Post Clinton 46, Trump 43 Clinton +3
Iowa Democratic Presidential Caucus CBS News/YouGov Sanders 43, Clinton 33, Biden 10, O’Malley 5, Webb 1, Chafee 1 Sanders +10
Iowa Republican Presidential Caucus CBS/YouGov Trump 29, Carson 25, Cruz 10, Walker 5, Fiorina 4, Rubio 6, Bush 3, Huckabee 4, Paul 2, Kasich 2, Jindal 2, Santorum 3, Christie 1, Perry 0, Graham 0 Trump +4
New Hampshire 2016 Democratic Primary CBS News/YouGov Sanders 52, Clinton 30, Biden 9, Webb 0, O’Malley 1, Chafee 0 Sanders +22
New Hampshire Republican Presidential Primary CBS/YouGov Trump 40, Carson 12, Kasich 9, Fiorina 8, Bush 6, Cruz 5, Paul 6, Walker 3, Rubio 2, Christie 2, Huckabee 1, Graham 0, Pataki 0, Santorum 0, Jindal 0 Trump +28
South Carolina Democratic Presidential Primary CBS News/YouGov Clinton 46, Biden 22, Sanders 23, Webb 1, O’Malley 0, Chafee 0 Clinton +23
South Carolina Republican Presidential Primary CBS/YouGov Trump 36, Carson 21, Bush 5, Cruz 6, Graham 5, Huckabee 3, Walker 3, Fiorina 3, Rubio 3, Kasich 4, Christie 2, Paul 1, Jindal 1, Perry 0 Trump +15
California Republican Presidential Primary LA Times/USC Trump 24, Carson 18, Bush 6, Cruz 6, Fiorina 5, Rubio 5, Walker 2, Huckabee 2, Kasich 2, Paul 2, Christie 1, Santorum 1 Trump +6
California Democratic Presidential Primary LA Times/USC Clinton 39, Sanders 23, Biden 11, O’Malley 1, Webb 1, Chafee 0 Clinton +16

2016 Election Hears Up – Highlights From Donald TrumP Rally – Hannity

TRUMP ROCKS DALLAS – Gets Texas Crowd to BOOO Media

Donald Trump holds rally at AAC in Dallas

Donald Trump Surging In The Polls With Women – Donald Trump Speaking In Dallas

Donald Trump on immigration ‘Walls work’

Donald Trump Speaking at American Airlines Center in Dallas , Texas

FULL Speech: Donald Trump Speaks To 20,000 at YUGE Rally In Dallas, TX (9-14-15)

Donald Trump Jokes About Megyn Kelly ‘ Blood ’ Comments in Dallas Texas Speech – 9/14/15

Donald Trump’s plane lands at Dallas Love Field

Donald Trump Dallas Rally

Infowars On The Scene At The Trump Dallas Event

[youtube4=https://www.youtube.com/watch?v=qiGRQE4MWTU]

FULL: Donald Trump Speech at Campaign Rally In Boone, Iowa (9-12-15) #CyHawk

Trump pokes fun at himself with some help from Fallon

Donald Trump Interviews Himself In the Mirror

Protesters plan ‘Dump the Trump’ rally near Texas speech

Is Donald Trump serious about tax reform?

Donald Trump Is OK With Raising Taxes on Himself

Donald Trump: I pay as little as possible in tax

Dr Ben Carson On Donald Trump – The Kelly File

Rick Perry: Donald Trump’s ‘Offensive’ Rhetoric Bad for the GOP

Trump: US ‘a dumping ground for the rest of the world’

Renewing his charge against illegal immigration, Republican presidential candidate Donald Trump on Monday called the United States “a dumping ground for the rest of the world” as he rallied thousands of Texas supporters behind his fiery candidacy and promised Republican leaders he’s just getting started.

Despite calls from GOP officials to tone down his rhetoric on the sensitive issue, the GOP front-runner decried “anchor babies” and gang members among the immigrants living in the U.S. illegally, drawing huge ovations from a rowdy audience packed into Dallas’ American Airlines Center. The 20,000-capacity venue that was at least three-quarters full for the evening rally.

“You people are suffering,” Trump told the Texans. “I’m in New York, but they’re in New York, too. They’re all over the place.”

“It’s disgusting what’s happening to our country,” Trump continued as he called for more legal immigration.

Provocative rhetoric on immigration has defined Trump’s presidential campaign from the very beginning, when the billionaire businessman called Mexican immigrants rapists and criminals in his June announcement speech. Republican National Committee Chairman Reince Priebus, among others, has encouraged Trump to soften his tone, yet the former reality television star has refused.

The strategy may play well among the GOP’s more conservative voters — those who filled the Dallas sports arena among them — yet threatens to hurt the party’s standing among a growing group of Hispanic voters in the general election.

Trump’s popularity within his party has kept growing. He holds a commanding lead in early polls.

“This is a movement that’s happening,” he declared, confronting critics who think he’s not running a serious campaign. “Now it’s time to really start, because this is going to happen, I’m telling you, I’m not going anywhere.”

“Unless I win, it’s been a waste of time for me, folks,” he continued.

Monday night’s crowd ate it up.

They waved miniature American flags, munched nachos and drank $13 cups of beer from plastic cups as they interrupted Trump repeatedly with applause.

“Sometimes he puts his foot in his mouth, just like everybody,” said Barbara Tomasino, a 65-year-old retired elementary school librarian from Plano, Texas, who donned a dress, shoes and a purse plastered with pictures of Trump’s face. “If he gets elected, he might need to tone it down a little bit.”

Still, the crowd cheered wildly when Trump bashed immigrants in the country illegally, the media, Republican operatives such as Karl Rove, and the energy levels of his rivals.

“I have tremendous energy,” Trump said. “Tremendous. To a point where it’s almost ridiculous if you think about it.”

http://entertainment.verizon.com/news/read/category/General/article/the_associated_press-trump_us_a_dumping_ground_for_the_rest_of_the_worl-ap

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Show 532

Listen To Pronk Pops Podcast or Download Show 526-531

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Listen To Pronk Pops Podcast or Download Show 510-518

Listen To Pronk Pops Podcast or Download Show 500-509

Listen To Pronk Pops Podcast or Download Show 490-499

Listen To Pronk Pops Podcast or Download Show 480-489

Listen To Pronk Pops Podcast or Download Show 473-479

Listen To Pronk Pops Podcast or Download Show 464-472

Listen To Pronk Pops Podcast or Download Show 455-463

Listen To Pronk Pops Podcast or Download Show 447-454

Listen To Pronk Pops Podcast or Download Show 439-446

Listen To Pronk Pops Podcast or Download Show 431-438

Listen To Pronk Pops Podcast or Download Show 422-430

Listen To Pronk Pops Podcast or Download Show 414-421

Listen To Pronk Pops Podcast or Download Show 408-413

Listen To Pronk Pops Podcast or Download Show 400-407

Listen To Pronk Pops Podcast or Download Show 391-399

Listen To Pronk Pops Podcast or Download Show 383-390

Listen To Pronk Pops Podcast or Download Show 376-382

Listen To Pronk Pops Podcast or Download Show 369-375

Listen To Pronk Pops Podcast or Download Show 360-368

Listen To Pronk Pops Podcast or Download Show 354-359

Listen To Pronk Pops Podcast or Download Show 346-353

Listen To Pronk Pops Podcast or Download Show 338-345

Listen To Pronk Pops Podcast or Download Show 328-337

Listen To Pronk Pops Podcast or Download Show 319-327

Listen To Pronk Pops Podcast or Download Show 307-318

Listen To Pronk Pops Podcast or Download Show 296-306

Listen To Pronk Pops Podcast or Download Show 287-295

Listen To Pronk Pops Podcast or Download Show 277-286

Listen To Pronk Pops Podcast or Download Show 264-276

Listen To Pronk Pops Podcast or Download Show 250-263

Listen To Pronk Pops Podcast or Download Show 236-249

Listen To Pronk Pops Podcast or Download Show 222-235

Listen To Pronk Pops Podcast or Download Show 211-221

Listen To Pronk Pops Podcast or Download Show 202-210

Listen To Pronk Pops Podcast or Download Show 194-201

Listen To Pronk Pops Podcast or Download Show 184-193

Listen To Pronk Pops Podcast or Download Show 174-183

Listen To Pronk Pops Podcast or Download Show 165-173

Listen To Pronk Pops Podcast or Download Show 158-164

Listen To Pronk Pops Podcast or Download Show 151-157

Listen To Pronk Pops Podcast or Download Show 143-150

Listen To Pronk Pops Podcast or Download Show 135-142

Listen To Pronk Pops Podcast or Download Show 131-134

Listen To Pronk Pops Podcast or Download Show 124-130

Listen To Pronk Pops Podcast or Download Shows 121-123

Listen To Pronk Pops Podcast or Download Shows 118-120

Listen To Pronk Pops Podcast or Download Shows 113 -117

Listen To Pronk Pops Podcast or Download Show 112

Listen To Pronk Pops Podcast or Download Shows 108-111

Listen To Pronk Pops Podcast or Download Shows 106-108

Listen To Pronk Pops Podcast or Download Shows 104-105

Listen To Pronk Pops Podcast or Download Shows 101-103

Listen To Pronk Pops Podcast or Download Shows 98-100

Listen To Pronk Pops Podcast or Download Shows 94-97

Listen To Pronk Pops Podcast or Download Shows 93

Listen To Pronk Pops Podcast or Download Shows 92

Listen To Pronk Pops Podcast or Download Shows 91

Listen To Pronk Pops Podcast or Download Shows 88-90

Listen To Pronk Pops Podcast or Download Shows 84-87

Listen To Pronk Pops Podcast or Download Shows 79-83

Listen To Pronk Pops Podcast or Download Shows 74-78

Listen To Pronk Pops Podcast or Download Shows 71-73

Listen To Pronk Pops Podcast or Download Shows 68-70

Listen To Pronk Pops Podcast or Download Shows 65-67

Listen To Pronk Pops Podcast or Download Shows 62-64

Listen To Pronk Pops Podcast or Download Shows 58-61

Listen To Pronk Pops Podcast or Download Shows 55-57

Listen To Pronk Pops Podcast or Download Shows 52-54

Listen To Pronk Pops Podcast or Download Shows 49-51

Listen To Pronk Pops Podcast or Download Shows 45-48

Listen To Pronk Pops Podcast or Download Shows 41-44

Listen To Pronk Pops Podcast or Download Shows 38-40

Listen To Pronk Pops Podcast or Download Shows 34-37

Listen To Pronk Pops Podcast or Download Shows 30-33

Listen To Pronk Pops Podcast or Download Shows 27-29

Listen To Pronk Pops Podcast or Download Shows 17-26

Listen To Pronk Pops Podcast or Download Shows 16-22

Listen To Pronk Pops Podcast or Download Shows 10-15

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Jeb Bush (Low Energy) vs. Donald Trump (High Energy) and — Media Calls Trump Arrogant, Blowhard, Clown, Idiot, and Businessman — The Vast Majority of The American People Support Trump On Illegal Immigration — Trump Wins in A Landslide — Trump The Macho Man — Videos

Posted on September 5, 2015. Filed under: American History, Blogroll, Business, Communications, Computers, Congress, Constitution, Corruption, Crime, Crisis, Documentary, Elections, Employment, Entertainment, Federal Government, Fraud, Heroes, history, Illegal, Immigration, Law, Legal, liberty, Life, Links, media, Money, Music, Narcissism, Newspapers, People, Philosophy, Photos, Political Correctness, Politics, Press, Private Sector, Psychology, Public Sector, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Taxation, Taxes, Television, Television, Terrorism, Unemployment, Unions, Wealth, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 523: August 27, 2015  

Pronk Pops Show 522: August 26, 2015 

Pronk Pops Show 521: August 25, 2015 

Pronk Pops Show 520: August 24, 2015 

Pronk Pops Show 519: August 21, 2015 

Pronk Pops Show 518: August 20, 2015  

Pronk Pops Show 517: August 19, 2015 

Pronk Pops Show 516: August 18, 2015

Pronk Pops Show 515: August 17, 2015

Pronk Pops Show 514: August 14, 2015

Pronk Pops Show 513: August 13, 2015

Pronk Pops Show 512: August 12, 2015

Pronk Pops Show 511: August 11, 2015

Pronk Pops Show 510: August 10, 2015

Pronk Pops Show 509: July 24, 2015

Pronk Pops Show 508: July 20, 2015

Pronk Pops Show 507: July 17, 2015

Pronk Pops Show 506: July 16, 2015

Pronk Pops Show 505: July 15, 2015

Pronk Pops Show 504: July 14, 2015

Pronk Pops Show 503: July 13, 2015

Pronk Pops Show 502: July 10, 2015

Pronk Pops Show 501: July 9, 2015

Pronk Pops Show 500: July 8, 2015

Pronk Pops Show 499: July 6, 2015

Pronk Pops Show 498: July 2, 2015

Pronk Pops Show 497: July 1, 2015

Pronk Pops Show 496: June 30, 2015

Pronk Pops Show 495: June 29, 2015

Pronk Pops Show 494: June 26, 2015

Pronk Pops Show 493: June 25, 2015

Pronk Pops Show 492: June 24, 2015

Pronk Pops Show 491: June 23, 2015

Pronk Pops Show 490: June 22, 2015

Pronk Pops Show 489: June 19, 2015

Pronk Pops Show 488: June 18, 2015

Pronk Pops Show 487: June 17, 2015

Pronk Pops Show 486; June 16, 2015

Pronk Pops Show 485: June 15, 2015

Pronk Pops Show 484: June 12, 2015

Pronk Pops Show 483: June 11, 2015

Pronk Pops Show 482; June 10, 2015

Pronk Pops Show 481: June 9, 2015

Pronk Pops Show 480: June 8, 2015

Pronk Pops Show 479: June 5, 2015

Pronk Pops Show 478: June 4, 2015

Pronk Pops Show 477: June 3, 2015

Pronk Pops Show 476: June 2, 2015

Pronk Pops Show 475: June 1, 2015

Pronk Pops Show 474; May 29, 2015

Pronk Pops Show 473: May 28, 2015

Pronk Pops Show 472: May 27, 2015

Pronk Pops Show 471: May 26, 2015

Pronk Pops Show 470: May 22, 2015

Pronk Pops Show 469: May 21, 2015

Pronk Pops Show 468: May 20, 2015

Pronk Pops Show 467: May 19, 2015

Pronk Pops Show 466: May 18, 2015

Pronk Pops Show 465: May 15, 2015

Pronk Pops Show 464; May 14, 2015

Pronk Pops Show 463; May 13, 2015

Pronk Pops Show 462: May 8, 2015

Pronk Pops Show 461: May 7, 2015

Pronk Pops Show 460; May 6, 2015

Pronk Pops Show 459: May 4, 2015

Pronk Pops Show 458: May 1, 2015

Story 1: Jeb Bush (Low Energy) vs. Donald Trump (High Energy)  and  — Media Calls Trump Arrogant, Blowhard, Clown, Idiot, and Businessman — The Vast Majority of The American People Support Trump On Illegal Immigration — Trump Wins in A Landslide — Trump The Macho Man — Videos

Donald Trump

Hillary Clinton

Thursday, August 27

2016 Republican Presidential Nomination Quinnipiac Trump 28, Carson 12, Bush 7, Rubio 7, Cruz 7, Walker 6, Fiorina 5, Kasich 5, Huckabee 3, Paul 2, Christie 4, Perry 1, Santorum 1, Jindal 0, Graham 0 Trump +16

Village People – Macho Man OFFICIAL Music Video (short version) 1978

Trump Throws Univision Anchor Jorge Ramos out press conference Trump Q&A Jorge Ramos kicked out

FNN: FULL Donald Trump Press Conference Before Dubuque, Iowa Rally

Megyn Kelly and Jorge Ramos On Getting Kicked Out Of Trump Press Conference

‘Why Are You Dividing Americans?’ Ingraham and Geraldo Clash over Trump, Immigration

Bill O’Reilly, Jorge Ramos Spar over Immigration, White Privilege, Religon

Ann Coulter on Fusion TV (Fusion TV won’t release this)

How Many Illegal Aliens Are in the US? – Walsh – 1

How Many Illegal Aliens Are in the US? – Walsh – 2

How Many Illegal Aliens Are in the US? – Diana Hull, part 1

How Many Illegal Aliens Are in the US? – Diana Hull, part 2

Immigration by the Numbers — Off the Charts

Donald Trump: Macho Man of 2016

The best of Donald Trump vs. Jeb Bush

War of words between Jeb Bush and Donald Trump

Jeb Bush And Donald Trump Scuffle Over ‘Anchor Babies’

Watch Donald Trump Hilariously Tear Jeb Bush to Shreds

The Young Donald Trump

Village People – YMCA OFFICIAL Music Video 1978

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Show 519-523

Listen To Pronk Pops Podcast or Download Show 510-518

Listen To Pronk Pops Podcast or Download Show 500-509

Listen To Pronk Pops Podcast or Download Show 490-499

Listen To Pronk Pops Podcast or Download Show 480-489

Listen To Pronk Pops Podcast or Download Show 473-479

Listen To Pronk Pops Podcast or Download Show 464-472

Listen To Pronk Pops Podcast or Download Show 455-463

Listen To Pronk Pops Podcast or Download Show 447-454

Listen To Pronk Pops Podcast or Download Show 439-446

Listen To Pronk Pops Podcast or Download Show 431-438

Listen To Pronk Pops Podcast or Download Show 422-430

Listen To Pronk Pops Podcast or Download Show 414-421

Listen To Pronk Pops Podcast or Download Show 408-413

Listen To Pronk Pops Podcast or Download Show 400-407

Listen To Pronk Pops Podcast or Download Show 391-399

Listen To Pronk Pops Podcast or Download Show 383-390

Listen To Pronk Pops Podcast or Download Show 376-382

Listen To Pronk Pops Podcast or Download Show 369-375

Listen To Pronk Pops Podcast or Download Show 360-368

Listen To Pronk Pops Podcast or Download Show 354-359

Listen To Pronk Pops Podcast or Download Show 346-353

Listen To Pronk Pops Podcast or Download Show 338-345

Listen To Pronk Pops Podcast or Download Show 328-337

Listen To Pronk Pops Podcast or Download Show 319-327

Listen To Pronk Pops Podcast or Download Show 307-318

Listen To Pronk Pops Podcast or Download Show 296-306

Listen To Pronk Pops Podcast or Download Show 287-295

Listen To Pronk Pops Podcast or Download Show 277-286

Listen To Pronk Pops Podcast or Download Show 264-276

Listen To Pronk Pops Podcast or Download Show 250-263

Listen To Pronk Pops Podcast or Download Show 236-249

Listen To Pronk Pops Podcast or Download Show 222-235

Listen To Pronk Pops Podcast or Download Show 211-221

Listen To Pronk Pops Podcast or Download Show 202-210

Listen To Pronk Pops Podcast or Download Show 194-201

Listen To Pronk Pops Podcast or Download Show 184-193

Listen To Pronk Pops Podcast or Download Show 174-183

Listen To Pronk Pops Podcast or Download Show 165-173

Listen To Pronk Pops Podcast or Download Show 158-164

Listen To Pronk Pops Podcast or Download Show 151-157

Listen To Pronk Pops Podcast or Download Show 143-150

Listen To Pronk Pops Podcast or Download Show 135-142

Listen To Pronk Pops Podcast or Download Show 131-134

Listen To Pronk Pops Podcast or Download Show 124-130

Listen To Pronk Pops Podcast or Download Shows 121-123

Listen To Pronk Pops Podcast or Download Shows 118-120

Listen To Pronk Pops Podcast or Download Shows 113 -117

Listen To Pronk Pops Podcast or Download Show 112

Listen To Pronk Pops Podcast or Download Shows 108-111

Listen To Pronk Pops Podcast or Download Shows 106-108

Listen To Pronk Pops Podcast or Download Shows 104-105

Listen To Pronk Pops Podcast or Download Shows 101-103

Listen To Pronk Pops Podcast or Download Shows 98-100

Listen To Pronk Pops Podcast or Download Shows 94-97

Listen To Pronk Pops Podcast or Download Shows 93

Listen To Pronk Pops Podcast or Download Shows 92

Listen To Pronk Pops Podcast or Download Shows 91

Listen To Pronk Pops Podcast or Download Shows 88-90

Listen To Pronk Pops Podcast or Download Shows 84-87

Listen To Pronk Pops Podcast or Download Shows 79-83

Listen To Pronk Pops Podcast or Download Shows 74-78

Listen To Pronk Pops Podcast or Download Shows 71-73

Listen To Pronk Pops Podcast or Download Shows 68-70

Listen To Pronk Pops Podcast or Download Shows 65-67

Listen To Pronk Pops Podcast or Download Shows 62-64

Listen To Pronk Pops Podcast or Download Shows 58-61

Listen To Pronk Pops Podcast or Download Shows 55-57

Listen To Pronk Pops Podcast or Download Shows 52-54

Listen To Pronk Pops Podcast or Download Shows 49-51

Listen To Pronk Pops Podcast or Download Shows 45-48

Listen To Pronk Pops Podcast or Download Shows 41-44

Listen To Pronk Pops Podcast or Download Shows 38-40

Listen To Pronk Pops Podcast or Download Shows 34-37

Listen To Pronk Pops Podcast or Download Shows 30-33

Listen To Pronk Pops Podcast or Download Shows 27-29

Listen To Pronk Pops Podcast or Download Shows 17-26

Listen To Pronk Pops Podcast or Download Shows 16-22

Listen To Pronk Pops Podcast or Download Shows 10-15

Listen To Pronk Pops Podcast or Download Shows 01-09

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President Trump — The Political Elitist Establishment (PEEs) of The Democratic and Republican Parties and Mainstream Media Worst Nightmare — American People Want Immigration Law Enforcement and Ending Birthright Citizenship aka Anchor Babies — American People Including Trump Democrats, Trump Republicans and Trump Independents Will Elect Trump — PEES are Panicing — Videos

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Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 519: August 21, 2015 

Pronk Pops Show 518: August 20, 2015  

Pronk Pops Show 517: August 19, 2015 

Pronk Pops Show 516: August 18, 2015

Pronk Pops Show 515: August 17, 2015

Pronk Pops Show 514: August 14, 2015

Pronk Pops Show 513: August 13, 2015

Pronk Pops Show 512: August 12, 2015

Pronk Pops Show 511: August 11, 2015

Pronk Pops Show 510: August 10, 2015

Pronk Pops Show 509: July 24, 2015

Pronk Pops Show 508: July 20, 2015

Pronk Pops Show 507: July 17, 2015

Pronk Pops Show 506: July 16, 2015

Pronk Pops Show 505: July 15, 2015

Pronk Pops Show 504: July 14, 2015

Pronk Pops Show 503: July 13, 2015

Pronk Pops Show 502: July 10, 2015

Pronk Pops Show 501: July 9, 2015

Pronk Pops Show 500: July 8, 2015

Pronk Pops Show 499: July 6, 2015

Pronk Pops Show 498: July 2, 2015

Pronk Pops Show 497: July 1, 2015

Pronk Pops Show 496: June 30, 2015

Pronk Pops Show 495: June 29, 2015

Pronk Pops Show 494: June 26, 2015

Pronk Pops Show 493: June 25, 2015

Pronk Pops Show 492: June 24, 2015

Pronk Pops Show 491: June 23, 2015

Pronk Pops Show 490: June 22, 2015

Pronk Pops Show 489: June 19, 2015

Pronk Pops Show 488: June 18, 2015

Pronk Pops Show 487: June 17, 2015

Pronk Pops Show 486; June 16, 2015

Pronk Pops Show 485: June 15, 2015

Pronk Pops Show 484: June 12, 2015

Pronk Pops Show 483: June 11, 2015

Pronk Pops Show 482; June 10, 2015

Pronk Pops Show 481: June 9, 2015

Pronk Pops Show 480: June 8, 2015

Pronk Pops Show 479: June 5, 2015

Pronk Pops Show 478: June 4, 2015

Pronk Pops Show 477: June 3, 2015

Pronk Pops Show 476: June 2, 2015

Pronk Pops Show 475: June 1, 2015

Pronk Pops Show 474; May 29, 2015

Pronk Pops Show 473: May 28, 2015

Pronk Pops Show 472: May 27, 2015

Pronk Pops Show 471: May 26, 2015

Pronk Pops Show 470: May 22, 2015

Pronk Pops Show 469: May 21, 2015

Pronk Pops Show 468: May 20, 2015

Pronk Pops Show 467: May 19, 2015

Pronk Pops Show 466: May 18, 2015

Pronk Pops Show 465: May 15, 2015

Pronk Pops Show 464; May 14, 2015

Pronk Pops Show 463; May 13, 2015

Pronk Pops Show 462: May 8, 2015

Pronk Pops Show 461: May 7, 2015

Pronk Pops Show 460; May 6, 2015

Pronk Pops Show 459: May 4, 2015

Pronk Pops Show 458: May 1, 2015

Story 1: President Trump — The Political Elitist Establishment (PEEs) of The Democratic and Republican Parties and Mainstream Media Worst Nightmare — American People Want Immigration Law Enforcement and Ending Birthright Citizenship aka Anchor Babies — American People Including Trump Democrats, Trump Republicans and Trump Independents Will Elect Trump — PEES are Panicing —  Videos

Amendment XIV

Section 1.

All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the state wherein they reside. No state shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any state deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.

Section 5.

The Congress shall have power to enforce, by appropriate legislation, the provisions of this article.

14th Amendment

The Fourteenth Amendment addresses many aspects of citizenship and the rights of citizens.  The most commonly used — and frequently litigated — phrase in the amendment is  “equal protection of the laws“, which figures prominently in a wide variety of landmark cases, including Brown v. Board of Education (racial discrimination), Roe v. Wade (reproductive rights),  Bush v. Gore (election recounts), Reed v. Reed (gender discrimination),  and University of California v. Bakke (racial quotas in education).  See more

Article I

Article I describes the design of the legislative branch of US Government — the Congress.  Important ideas include the separation of powers between branches of government (checks and balances), the election of Senators and Representatives, the process by which laws are made, and the powers that Congress has.  See more…

Section 8.

Clause 4

…To establish a uniform rule of naturalization, and uniform laws on the subject of bankruptcies throughout the United States;

Bill O’Reilly Donald Trump Battle over Immigration Plan and 14th Amendment

Trump tackles problem of what he calls ‘anchor babies’

Donald Trump: I’ll keep saying “anchor baby” even if it’s not PC.

Trump’s Right: Anchor Babies Are Big Business

Trump on Immigration — the Good, the Bad & the Ugly

Should U.S. Citizenship Be Guaranteed at Birth?

Mark Levin Weighs In On 14th Amendment & Donald Trump’s Immigration Plan – Hannity

How the 14th Amendment Undermines Citizenship

Why Donald Trump rallies are becoming massive events

Donald Trump Still the Top Republican in New Poll –

Donald Trump Leads GOP Field By Wide Margin In New Fox Poll – Rove On Trump Immigration – Lou Dobbs

Donald Trump Leading In Latest GOP Poll As Candidates Descend On Iowa State Fair – Bulls & Bears

Donald Trump Still leading In Polls And GOP Not Happy

Donald Trump is trolling the Republican Party

Donald Trump: ‘Leaders of the party take me seriously…

Ann Coulter defends Donald Trump from “idiot” Rick Perry

Watch Ann Coulter Destroy an Anti-Trump Chump on Hannity

Rush Limbaugh: Donald Trump “is showing everybody how it’s done

FULL: Donald Trump Gives Rousing Speech in Hampton, NH (8-14-15)

Are Trump’s immigration views out of the mainstream?

Could Birthright Citizenship Be Undone?

MATT FORD AUG 19, 2015

The Fourteenth Amendment, for its part, is clear on the scope of birthright citizenship: “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside.” Redefining the Citizenship Clause, either by legislation or by constitutional amendment, seems all but impossible today. “The only thing a politician could promise that would be harder would be, say, promising to build a giant, hundreds-of-miles-long wall and getting another country to pay for it,” The Washington Post’s Philip Bump drily notes. But like the proposed Great Wall of Mexico, feasibility may not be the point. It’s all about getting votes.

Donald Trump’s Immigration Principles Would’ve Barred His Own Grandfather

The last constitutional amendment used to resolve a political controversy was the Twenty-First Amendment in 1933, which reversed prohibition. Constitutional amendments since then have reformed either presidential election and succession procedures (the Twenty-second, Twenty-third, and Twenty-fifth) or elections themselves (the Twenty-fourth and Twenty- sixth). The Twenty-seventh and most-recently ratified amendment, which addresses congressional pay, lay dormant for over 200 years before a college student revived interest in it.

Indeed, since the defeat of the Equal Rights Amendment in 1982, no major social or political movement has seriously attempted to amend the Constitution to accomplish its goals. The anti-abortion movement, for example, generally focuses on limiting abortion’s scope through legislation and on supporting presidential candidates who will appoint Supreme Court justices to overturn Roe v. Wade. Opponents of capital punishment universally argue that the death penalty already violates the Eighth Amendment; advocating a separate constitutional amendment would undermine that argument. The gay-rights movement made the case that the Fourteenth Amendment’s Equal Protection Clause protects their rights, a position adopted by the U.S. Supreme Court in Obergefell v. Hodges in June.

But recent history shows the electoral value of proposing constitutional amendments. In 2003, the gay-rights movement scored two major legal victories: the Supreme Court struck down sodomy laws nationwide in Lawrence v. Texas and Massachusetts’s highest court legalized same-sex marriage under that state’s constitution. For conservatives at the time, the Supreme Court’s trajectory seemed obvious—and so did the solution. As the 2004 election loomed, the conservative National Review forecasted that the spectacle of same-sex marriage would hurt Democratic candidate John Kerry. At the time, the American electorate was still broadly hostile to marriage equality.

To hammer home this connection, the National Review pointed to the Federal Marriage Amendment. First proposed in 2002, the FMA would constitutionally define marriage as existing only between a man and a woman. A path to ratification would be arduous, the magazine argued, but the struggle would bring its own benefits. “Constitutional amendments must be approved by a two-thirds vote of Congress and three quarters of the state legislatures,” it eagerly noted. “That means every political candidate, from the state level up, will be asked to take a stand.” In essence, the 2004 election would become “a national referendum on gay marriage.”

If John Kerry is elected, gay marriage will surely be nationalized by the end of his term. A Bush defeat would take the wind out of the sails of the campaign for the Federal Marriage Amendment, assure liberal judges that no serious consequences will arise from nationalization, and bring more Goodridge-style liberals onto the courts. A Bush victory, on the other hand, would keep the FMA alive, would help signal the courts that they’ve gone too far, and would stop the proliferation of activist judges on our courts.
Evangelicals took credit when Bush trounced Kerry that fall, although some dispute their impact. But their perceived role went unrewarded when Congress didn’t pass the FMA after Bush’s reelection; Democrats then retook both houses in 2006, forestalling future attempts. As public acceptance of same-sex couples grew in the Obama years, most GOP candidates abandoned the amendment. (Texas senator and GOP presidential candidate Ted Cruz said last year that he still supports it, however.)

Republicans aren’t alone in using constitutional amendments to stir up their base, although they do it particularly effectively. After Al Gore was defeated in the 2000 presidential election despite winning the popular vote, some congressional Democrats proposed a constitutional amendment to abolish the Electoral College. Those efforts lost steam after Barack Obama trounced John McCain and Mitt Romney with significant margins of electoral votes. A similar movement emerged after the Supreme Court’s ruling in Citizens United v. FECthat struck down limits on corporate and union election spending. Vermont senator and Democratic presidential candidate Bernie Sanders proposed one of several amendments in 2011; Hillary Clinton said she would only appoint justices who pledged to overturn the ruling.

Could birthright citizenship still be undone? There’s a strain of legal thought that argues that a constitutional amendment wouldn’t be necessary. In 1985, Yale law professors Peter Schuck and Rogers Smith proposed that congressional legislation could clarify that the right does not extend to the children of undocumented immigrants. It’s not a completely heretical idea—Richard Posner, a prominent federal judge in the Seventh Circuit, endorsed it in 2010—but it’s not a mainstream one, either. When Congress considered similar legislation in 1995, Assistant Attorney General Walter Dellinger told members that a bill “that would deny citizenship to children born in the United States to certain classes of alien parents is unconstitutional on its face.” Although a constitutional amendment to achieve the same goal could not itself be unconstitutional, Dellinger also argued it “would flatly contradict the Nation’s constitutional history and constitutional traditions.”

Anchor baby

From Wikipedia, the free encyclopedia
For the 2010 film, see Anchor Baby (film).

Anchor baby is a pejorative[1][2] term for a child born in the United States to a foreign national mother who was not lawfully admitted for permanent residence.[3]There is a popular misconception that the child’s U.S. citizenship status (acquired by jus soli) legally helps the child’s parents and siblings to quickly reclassify their visa status (or lack thereof) and to place them on a fast pathway to acquire lawful permanent residence and eventually United States citizenship.[4][5] This is a myth.[6] Current U.S. federal law prevents anyone under the age of 21 from being able to petition for their non-citizen parent to be lawfully admitted into the United States for permanent residence. So at best, the child’s family would need to wait for 21 years before being able to use their child’s US citizenship to modify their immigration status.[7]

The term is generally used as a derogatory reference to the supposed role of the child, who automatically qualifies as an American citizen and can later act as a sponsor for other family members.[8][9] The term is also often used in the context of the debate over illegal immigration to the United States to refer to children of illegal immigrants, but may be used for the child of any immigrant.[10] A similar term, “passport baby”, has been used in Canada for children born through so-called “maternity” or “birth tourism“.[11][12]

History and usage

A related term, “anchor child”, referring in this case to “very young immigrants who will later sponsor immigration for family members who are still abroad”, was used in reference to Vietnameseboat people from about 1987.[10][13][14][15][16] “Anchor baby” appeared in print in 1996, but remained relatively obscure until 2006, when it found new prominence amid the increased focus on the immigration debate in the United States.[8][10][16][17] Lexicographer Grant Barrett nominated the term for theAmerican Dialect Society‘s 2006 Word of the Year.[16]

It is generally considered pejorative. In 2011 the American Heritage Dictionary added an entry for the term in the dictionary’s new edition, which did not indicate that the term was disparaging. Following a critical blog piece by Mary Giovagnoli, the director of the Immigration Policy Center, a pro-immigration research group in Washington, the dictionary updated its online definition to indicate that the term is “offensive”, similar to its entries on ethnic slurs.[17][18] As of 2012, the definition reads:

n. Offensive Used as a disparaging term for a child born to a noncitizen mother in a country that grants automatic citizenship to children born on its soil, especially when the child’s birthplace is thought to have been chosen in order to improve the mother’s or other relatives’ chances of securing eventual citizenship.

The decision to revise the definition led to some criticism from illegal immigration opponents.[19]Mark Krikorian, executive director of the Center for Immigration Studies, an organization that advocates tighter restrictions on immigration,[20] argues that defining the term as offensive is inaccurate and is done for purposes of political rhetoric; according to Krikorian, “‘[An anchor baby] is a child born to an illegal immigrant,'” and the revision of the definition to state that the term is offensive was done to make a political statement.[19] According to Fox News:

Bob Dane, spokesman for the Federation for American Immigration Reform, a Washington-based organization that seeks to end illegal immigration, said the revised definition panders to a small but vocal group of critics who are “manipulating the political, cultural and now linguistic landscape” of the United States. “Publishing word definitions to fit politically correct molds surrenders the language to drive an agenda,” Dane told FoxNews.com. “This dictionary becomes a textbook for the open borders lobby.”[19]

Professor of Law at the University of Florida, Pedro A. Malavet,[21] said that the dictionary’s reclassification of the term “anchor baby” to a term that is considered offensive was “right”.[22]

According to the Double-Tongued Dictionary, written by American lexicographerGrant Barrett, the term “anchor baby” means “a child born of an immigrant in the United States, said to be a device by which a family can find legal foothold in the US, since those children are automatically allowed to choose United States citizenship.” In response to a reader comment, Barrett claimed that the term is used to refer to a child of any immigrant, not just children of illegal immigrants.[23]

In 2012, UtahAttorney GeneralMark Shurtleff, in a meeting designed to promote the 2010 Utah Compact declaration as a model for a federal government approach to immigration, said that “The use of the word ‘anchor baby’ when we’re talking about a child of God is offensive.”[24]

Maternity tourism industry

As of 2015, Los Angeles is considered the center of the maternity tourism industry; authorities in the city there closed 14 maternity tourism “hotels” in 2013.[25] The industry is difficult to close down since it is perfectly legal for a pregnant woman to travel to the U.S.[25]

On March 3, 2015 Federal Agents in Los Angeles conducted a series of raids on 3 “multimillion-dollar birth-tourism businesses” expected to produce the “biggest federal criminal case ever against the booming ‘anchor baby’ industry”, according to the Wall Street Journal.[25][26]

Immigration status

The Citizenship Clause of the Fourteenth Amendment to the United States Constitution indicates that “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States.” The Supreme Court of the United States affirmed in United States v. Wong Kim Ark, 169 U.S. 649 (1898), that the Fourteenth Amendment guarantees citizenship for nearly all individuals born in the country, regardless of their parents’ citizenship or immigration status.[27][28][29][30][31][32] However, some, like Edward Erler argue that since the Wong Kim Ark case dealt with someone whose parents were in the United States legally, there is no valid basis under the 14th Amendment for the practice of granting citizenship to U.S.-born children of illegal immigrants: “Even if the logic is that Wong Kim Ark became a citizen by birth with the permission of the United States when it admitted his parents to the country, no such permission has been given to those who enter illegally.”[33]

Statistics show that a significant, and rising, number of illegal aliens are having children in the United States, but there is mixed evidence that acquiring citizenship for the parents is their goal.[28] According to PolitFact of the St. Petersburg Times, the immigration benefits of having a child born in the United States are limited. Citizen children cannot sponsor parents for entry into the country until they are 21 years of age, and if the parent had ever been in the country illegally, they would have to show they had left and not returned for at least ten years; however, pregnant and nursing mothers could receive free food vouchers through the federalWIC (Women, Infants and Children) program and enroll the children in Medicaid.[28]

Parents of citizen children who have been in the country for ten years or more can also apply for relief from deportation, though only 4,000 persons a year can receive relief status; as such, according to PolitFact, having a child in order to gain citizenship for the parents is “an extremely long-term, and uncertain, process.”[28]Approximately 88,000 legal-resident parents of US citizen children were deported in the 2000s, most for minor criminal convictions.[34]

Incidence

Some critics of illegal immigration claim the United States’ “birthright citizenship” is an incentive for illegal immigration, and that immigrants come to the country to give birth specifically so that their child will be an American citizen. The majority of children of illegal immigrants in the United States are citizens, and the number has risen. According to a Pew Hispanic Center report, an estimated 73% of children of illegal immigrants were citizens in 2008, up from 63% in 2003. A total of 3.8 million unauthorized immigrants had at least one child who is an American citizen. In investigating a claim by U.S. SenatorLindsey Graham, PolitiFact found mixed evidence to support the idea that citizenship was the motivating factor.[28] PolitiFact concludes that “[t]he data suggests that the motivator for illegal immigrants is the search for work and a better economic standing over the long term, not quickie citizenship for U.S.-born babies.”[28]

There has been a growing trend, especially amongst Chinese visitors to the United States, to make use of “Birth Hotels” to secure US citizenship for their child and leave open the possibility of future immigration by the parents to the United States.[35][36] The U.S. government estimates that there were 7,462 births to foreign residents in 2008[37] while the Center for Immigration Studies estimates that 40,000 births are born to “birth tourists” annually.