John Le Carre — Tinker, Tailor, Soldier, Spy –The Honourable Schoolboy — Smiley’s People — Videos

Posted on January 4, 2016. Filed under: Blogroll, Books, Business, Communications, Computers, Congress, Constitution, Crime, Culture, Documentary, Drug Cartels, Family, Fraud, Literature, Non-Fiction, Radio, Spying, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , |

three novelsjohnlecarre_tinkertailorsoldierspy cover-the-honourable-schoolboy

Tinker, Tailor, Soldier, Spy – Part 1

Tinker, Tailor, Soldier, Spy – Part 2

Tinker, Tailor, Soldier, Spy – Part 3

Tinker, Tailor, Soldier, Spy – Part 4

Tinker, Tailor, Soldier, Spy – Part 5

Tinker, Tailor, Soldier, Spy – Part 6

The Honourable School Boy by John Le Carre Audiobook

Smiley’s People 01

Smiley’s People 02

Smiley’s People 03

The Spy Who Came in from the Cold

John le Carré- Interview “Spy Who Came In From The Cold” (Merv Griffin Show 1965)

The Genius of John le Carré

British Novelist John le Carré on Democracy Now 2010

DN!!!!! ‘The US Has Gone Mad,’ John le Carré – Democracy Now Amy Goodman

John le Carré

From Wikipedia, the free encyclopedia
John le Carré
John le Carré in Hamburg (10 November 2008)
John le Carré in Hamburg, 2008
Born David John Moore Cornwell
19 October 1931 (age 84)
Poole, Dorset, England
Occupation Novelist, former intelligence officer
Language English
Nationality British
Genre Spy fiction
Notable works The Spy Who Came in from the Cold,
Tinker Tailor Soldier Spy,
The Honourable Schoolboy,
Smiley’s People,
The Constant Gardener
Spouse Alison Sharp (m. 1954–1971)
Valerie Eustace (m. 1972–present)
Children 4 sons
Website
johnlecarre.com
David John Moore Cornwell (born 19 October 1931), pen name John le Carré /lə ˈkɑrˌeɪ/, is a British author of espionage novels. During the 1950s and the 1960s, Cornwell worked for the Security Service and the Secret Intelligence Service, and began writing novels under a pen name. His third novel The Spy Who Came in from the Cold (1963) became an international best-seller, and it remains one of his best-known works. Following the success of this novel, he left MI6 to become a full-time author.

Le Carré established himself as a writer of espionage fiction. In 2008, The Times ranked le Carré 22nd on its list of “The 50 greatest British writers since 1945”.[1] In 2011, he won the Goethe Medal, a yearly prize given by the Goethe Institute.
Early life and career
On 19 October 1931, David John Moore Cornwell was born to Richard Thomas Archibald (Ronnie) Cornwell (1906–75) and Olive (Glassy) Cornwell, in Poole, Dorset, England. He was the second son to the marriage, the first being Tony, two years his elder, now a retired advertising executive; his younger half-sister is the actress Charlotte Cornwell; and Rupert Cornwell, a former Independent newspaper Washington bureau chief, is a younger half-brother.[2][3] John le Carré said he did not know his mother, who abandoned him when he was five years old, until their re-acquaintance when he was 21 years old.[4] His relationship with his father was difficult, given that the man had been jailed for insurance fraud, was an associate of the Kray twins[4] (among the foremost criminals in London) and was continually in debt. A biographer reports,

“His father, Ronnie, made and lost his fortune a number of times due to elaborate confidence tricks and schemes which landed him in prison on at least one occasion. This was one of the factors that led to le Carré’s fascination with secrets.”[5]

The character “Rick Pym”, the scheming con-man father of protagonist ‘Magnus Pym’ in his later novel A Perfect Spy (1986), was based on Ronnie. When Ronnie died in 1975, le Carré paid for a memorial funeral service but did not attend.[4]

Cornwell’s formal schooling began at St Andrew’s Preparatory School, near Pangbourne, Berkshire, then continued at Sherborne School; he proved unhappy with the typically harsh English public school régime of the time, and disliked his disciplinarian housemaster, Thomas, and so withdrew. From 1948 to 1949, he studied foreign languages at the University of Bern in Switzerland. In 1950 he joined the Intelligence Corps of the British Army garrisoned in Austria, working as a German language interrogator of people who crossed the Iron Curtain to the West. In 1952, he returned to England to study at Lincoln College, Oxford, where he worked covertly for the British Security Service, MI5, spying upon far-left groups for information about possible Soviet agents.[6]

When Ronnie declared bankruptcy in 1954, Cornwell quit Oxford to teach at a boys’ preparatory school; however, a year later, he returned to Oxford and graduated, in 1956, with a First Class Honours Bachelor of Arts degree. He then taught French and German at Eton College for two years, afterwards becoming an MI5 officer in 1958; he ran agents, conducted interrogations, tapped telephone lines, and effected break-ins.[7] Encouraged by Lord Clanmorris (who wrote crime novels as “John Bingham”), and whilst being an active MI5 officer, Cornwell began writing Call for the Dead (1961), his first novel. Lord Clanmorris was one of two models – Vivian H. H. Green[8] being the other – for George Smiley, the spymaster of the Circus. As a schoolboy, Cornwell had first met Green when he was the Chaplain and Assistant Master at Sherborne School (1942–51), and then later as Rector at Lincoln College.

In 1960, Cornwell transferred to MI6, the foreign-intelligence service, and worked under ‘Second Secretary’ cover in the British Embassy at Bonn; he later was transferred to Hamburg as a political consul. There, he wrote the detective story A Murder of Quality (1962) and The Spy Who Came in from the Cold (1963), as “John le Carré” (le Carré is French for “the Square” [7]), a pseudonym required because Foreign Office officers were forbidden to publish in their own names. Cornwell left the service in 1964 to work full-time as a novelist, as his intelligence officer career was ended by the betrayal of British agents’ covers to the KGB by Kim Philby, a British double agent (of the Cambridge Five).[6][9] Le Carré depicts and analyses Philby as the upper-class traitor, code-named “Gerald” by the KGB, the mole George Smiley hunts in Tinker Tailor Soldier Spy (1974).[10][11] Credited by his pen name, Cornwell appears as an extra in the 2011 film version of Tinker Tailor Soldier Spy, among the guests at the Christmas party seen in several flashback scenes.

In 1964, le Carré won the Somerset Maugham Award, established to enable British writers younger than 35 to enrich their writing by spending time abroad.

Personal life
In 1954, Cornwell married Alison Ann Veronica Sharp; they had three sons—Simon, Stephen and Timothy—and divorced in 1971.[12] In 1972, Cornwell married Valérie Jane Eustace, a book editor with Hodder & Stoughton;[13] they have one son, Nicholas, who writes as Nick Harkaway.[14]

Le Carré has resided in St Buryan, Cornwall, UK, for more than 40 years, where he owns a mile of cliff close to Land’s End.[15]

In 1998, he was awarded an Honorary Degree (Doctor of Letters) from the University of Bath.[16] In 2012, he was awarded the Degree of Doctor of Letters, honoris causa by the University of Oxford.[17]

Writing style
Le Carré’s first two novels – Call for the Dead (1961) and A Murder of Quality (1962) – are mystery fiction, in which the hero, George Smiley of the SIS (the Circus), resolves the riddles of the deaths investigated. In these first novels his motives are rather more personal than political.[18]

Most of le Carré’s novels are spy stories set in the Cold War (1945–91) and feature Circus agents—unheroic political functionaries aware of the moral ambiguity of their work and engaged in psychological more than physical drama.[19] Le Carré’s books emphasize the fallibility of Western democracy and of the secret services protecting it, often implying the possibility of East-West moral equivalence.[19] Moreover, they experience little of the violence typically encountered in action thrillers and have very little recourse to gadgets. Much of the conflict is internal, rather than external and visible.[19]

A departure from the use of East–West conflict as a backdrop in this era is the spy novel The Little Drummer Girl (1983), which is set against the Israel–Palestine conflict.

A Perfect Spy (1986), which chronicles the boyhood moral education of Magnus Pym and how it leads to his becoming a spy, is the author’s most autobiographical espionage novel, reflecting the boy’s very close relationship with his con man father. Biographer Lynndianne Beene describes the novelist’s own father, Richard Cornwell, as “an epic con man of little education, immense charm, extravagant tastes, but no social values”; le Carré reflected that “writing A Perfect Spy is probably what a very wise shrink would have advised”.[citation needed]

Le Carré’s only non-genre novel, The Naïve and Sentimental Lover (1971)—a story of a man’s post-marital existential crisis—may be thought to be semi-autobiographical.

With the fall of the Iron Curtain in 1989, le Carré’s writing shifted to portrayal of the new multilateral world. For example, The Night Manager (1993), his first completely post-Cold-War novel, deals with drug and arms smuggling in the murky world of Latin America drug lords, shady Caribbean banking entities, and western officials who look the other way.

As a journalist, le Carré wrote The Unbearable Peace (1991), a non-fiction account of Brigadier Jean-Louis Jeanmaire (1911–92), the Swiss Army officer who spied for the USSR from 1962 until 1975.[20]

In 2009, he donated the short story “The King Who Never Spoke” to the Oxfam “Ox-Tales” project, which included it in the project’s Fire volume.[21]

In a TV interview with Jon Snow of Channel 4 News, Le Carré remarked on his own writing style that, since the facts that inform his work were widely known, he felt it was his job to put them into a context that made them believable to the reader.[22][when?]

Politics
Le Carré feuded with Salman Rushdie over The Satanic Verses stating, “nobody has a God-given right to insult a great religion and be published with impunity”.[23]

In January 2003, The Times published le Carré’s essay “The United States Has Gone Mad”.[24] Le Carré contributed it to a volume of political essays titled Not One More Death (2006). Other contributors include Richard Dawkins, Brian Eno, Michel Faber, Harold Pinter, and Haifa Zangana.[25]

Le Carré wrote a testimonial in The Future of the NHS.[26]

Interviews
John le Carré appeared in an episode of BBC Radio 4’s Book Club broadcast in February 1999, with presenter James Naughtie and an audience in Penzance.[27]

In an interview with John le Carré, broadcast in October 2008 on BBC Four, Mark Lawson asked him to name a Best of le Carré list of books; the novelist answered: The Spy Who Came in from the Cold, Tinker Tailor Soldier Spy, The Tailor of Panama and The Constant Gardener.[28]

In September 2010, le Carré was interviewed on Channel 4 News by journalist Jon Snow at his house in Cornwall. The conversation involved a few topics: his writing career generally and processes adopted for writing, specifically about his current book, Our Kind of Traitor, involving Russia and its current global influences, financially and politically; his SIS career, reasoning why, both personally and more generally, one did such a job then, as compared to now; and how the fight against communism then has now conversely moved to the hugely negative effects of certain aspects of excessive capitalism. During the interview he said that it would be his last UK television interview. While reticent as to his exact reasons, those he was willing to cite were that of slight self-loathing (which he considered most people feel), along with a distaste for showing off (he felt that writing necessarily involved a lot of this anyway) and to breaching what he felt was the necessarily solitary nature of the writer’s work. He was also wary of wasting writing time and dissipating his talent in social success, having seen this happen to many talented writers, to the detriment of their later work.[29]

A week after this appearance, le Carré was interviewed for the TV show Democracy Now! in the US. He told interviewer Amy Goodman “This is the last book about which I intend to give interviews. That isn’t because I’m in any sense retiring. I’ve found that, actually, I’ve said everything I really want to say, outside my books. I would just like—I’m in wonderful shape. I’m entering my eightieth year. I just want to devote myself entirely to writing and not to this particular art form of conversation.”[30][31] In December 2010 Channel 4 broadcast John Le Carre: A Life Unmasked, described as ” his most candid television interview”.[32]

Le Carré was interviewed in the February 2011 edition of Sunday Morning, stating that it would be the last interview he would grant.[33] Le Carré was interviewed at the Hay on Wye festival 2013.[34]

Adaptations
Film[edit]
The Spy Who Came in from the Cold (1965), directed by Martin Ritt, with Richard Burton as protagonist Alec Leamas
The Deadly Affair (1966), an adaptation of Call for the Dead, directed by Sidney Lumet, with James Mason as Charles Dobbs (George Smiley in the novel)
The Looking Glass War (1969), directed by Frank Pierson, with Anthony Hopkins as Avery, Christopher Jones as Leiser, and Sir Ralph Richardson as LeClerc
The Little Drummer Girl (1984), directed by George Roy Hill, with Diane Keaton as Charlie
The Russia House (1990), directed by Fred Schepisi, with Sean Connery as Barley Blair
The Tailor of Panama (2001), directed by John Boorman, with Pierce Brosnan as Andy Osnard, a disgraced spy, and Geoffrey Rush as emigre English tailor Harry Pendel
The Constant Gardener (2005), directed by Fernando Meirelles, with Ralph Fiennes as Justin Quayle, set in the slums in Kibera and Loiyangalani, Kenya; the poverty so affected the film crew that they established the Constant Gardener Trust to provide basic education to those areas (John le Carré is a patron of the charity)
Tinker Tailor Soldier Spy (2011), directed by Tomas Alfredson and starring Gary Oldman as George Smiley
A Most Wanted Man (2014), directed by Anton Corbijn and starring Philip Seymour Hoffman
Our Kind of Traitor (2015), directed by Susanna White and starring Ewan McGregor
Radio[edit]
The Russia House (1994 on BBC Radio), features Tom Baker as Barley Blair[citation needed]
The Complete Smiley (2009-2010 on BBC Radio 4), an eight radio-play series, based upon the novels featuring George Smiley, that commenced broadcast on 23 May 2009, beginning with Call for the Dead, with Simon Russell Beale as George Smiley, and concluding with The Secret Pilgrim, in June 2010[35]
A Delicate Truth (May 2013 on BBC Radio 4’s Book at Bedtime), recorded by Damian Lewis[36]
Television[edit]
Tinker Tailor Soldier Spy (1979), BBC seven-part television mini-series, with Alec Guinness as George Smiley
Smiley’s People (1982), BBC television mini-series, with Alec Guinness as George Smiley
A Perfect Spy (1987), BBC television adaptation directed by Peter Smith, with Peter Egan as Magnus Pym and Ray McAnally as Rick
Gavin Millar directed A Murder of Quality (1991), Gavin Millar directed the Thames Television adaptation, with Denholm Elliott as George Smiley and Joss Ackland as Terence Fielding
The Night Manager (2016), an upcoming AMC and BBC mini-series, directed by Susanne Bier, with Tom Hiddleston as Jonathan Pine and Hugh Laurie as Richard Onslow Roper
Bibliography[edit]
Novels[edit]
Call for the Dead (1961) ISBN 0-143-12257-6
A Murder of Quality (1962) ISBN 0-141-19637-8
The Spy Who Came in from the Cold (1963) ISBN 0-143-12475-7
The Looking Glass War (1965) ISBN 0-143-12259-2
A Small Town in Germany (1968) ISBN 0-143-12260-6
The Naïve and Sentimental Lover (1971) ISBN 0-143-11975-3
Tinker Tailor Soldier Spy (1974) ISBN 0-143-12093-X
The Honourable Schoolboy (1977) ISBN 0-143-11973-7
Smiley’s People (1979) ISBN 0-340-99439-8
The Little Drummer Girl (1983) ISBN 0-143-11974-5
A Perfect Spy (1986) ISBN 0-143-11976-1
The Russia House (1989) ISBN 0-743-46466-4
The Secret Pilgrim (1990) ISBN 0-345-50442-9
The Night Manager (1993) ISBN 0-345-38576-4
Our Game (1995) ISBN 0-345-40000-3
The Tailor of Panama (1996) ISBN 0-345-42043-8
Single & Single (1999) ISBN 0-743-45806-0
The Constant Gardener (2001) ISBN 0-743-28720-7
Absolute Friends (2003) ISBN 0-670-04489-X
The Mission Song (2006) ISBN 0-340-92199-4
A Most Wanted Man (2008) ISBN 1-416-59609-7
Our Kind of Traitor (2010) ISBN 0-143-11972-9
A Delicate Truth (2013) ISBN 0-143-12531-1
Non-fiction[edit]
The Good Soldier (1991) collected in Granta 35: The Unbearable Peace
The United States Has Gone Mad (2003) collected in Not One More Death (2006) ISBN 1-844-67116-X
Afterword (2014) – an essay on Kim Philby, published in A Spy Among Friends by Ben Macintyre[37]
Short stories[edit]
Dare I Weep, Dare I Mourn? (1967) published in the Saturday Evening Post 28 January 1967.
What Ritual is Being Observed Tonight? (1968) published in the Saturday Evening Post 2 November 1968.
The Writer and The Horse (1968) published in The Savile Club Centenary Magazine and later The Argosy (& The Saturday Review under the title A Writer and A Gentleman.)
The King Who Never Spoke (2009) published in Ox-Tales: Fire 2 July 2009.
Omnibus[edit]
The Incongruous Spy (1964) (containing Call for the Dead and A Murder of Quality)
The Quest for Karla (1982) (containing Tinker Tailor Soldier Spy, The Honourable Schoolboy and Smiley’s People) (republished in 1995 as Smiley Versus Karla in the UK; and John Le Carré: Three Complete Novels in the U.S.) ISBN 0-394-52848-4
Screenplays[edit]
End of the Line (1970) broadcast 29 June 1970
A Murder of Quality (1991)
The Tailor of Panama (2001) with John Boorman and Andrew Davies
Executive producer[edit]
The Tailor of Panama (2001)
Tinker Tailor Soldier Spy (2011)
A Most Wanted Man (2014)
Actor[edit]
The Little Drummer Girl (1984, as David Cornwell)
Tinker Tailor Soldier Spy (2011, as John le Carré)
Archive[edit]
In 2010, le Carré donated his literary archive to the Bodleian Library, Oxford. The initial 85 boxes of material deposited included handwritten drafts of Tinker Tailor Soldier Spy and The Constant Gardener. The library hosted a public display of these and other items to mark World Book Day in March 2011.[38][39]

Awards and honours
1963 British Crime Writers Association Gold Dagger for The Spy Who Came in from the Cold[40]
1964 Somerset Maugham Award for The Spy Who Came in from the Cold[41]
1965 Mystery Writers of America Edgar Award for The Spy Who Came in from the Cold[42]
1977 British Crime Writers Association Gold Dagger for The Honourable Schoolboy[40]
1977 James Tait Black Memorial Prize Fiction Award for The Honourable Schoolboy
1983 Japan Adventure Fiction Association Prize for The Little Drummer Girl
1984 Honorary Fellow Lincoln College, Oxford[43]
1984 Mystery Writers of America Edgar Grand Master [42]
1988 British Crime Writers Association Diamond Dagger Lifetime Achievement Award[44]
1988 The Malaparte Prize, Italy[43]
1990 Honorary Degree University of Exeter[45]
1990 The Helmerich Award of the Tulsa Library Trust.[46]
1991 Nikos Kasanzakis prize
1996 Honorary Degree University of St. Andrews[47]
1997 Honorary Degree University of Southampton[48]
1998 Honorary Degree University of Bath[16]
2005 British Crime Writers Association Dagger of Daggers for The Spy Who Came in from the Cold[49]
2005 Commander of the Order of Arts and Letters, France[43]
2008 Honorary Doctorate University of Bern[50]
2011 Goethe Medal of the Goethe Institute[51]
2012 Honorary Doctorate University of Oxford[52]

https://en.wikipedia.org/wiki/John_le_Carr%C3%A9

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Kevin Phillips — The Man Who Owns The News: The Secret World of Rupert Murdoch — Videos

Posted on December 26, 2015. Filed under: American History, Articles, Blogroll, Book, Books, Business, College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Documentary, Education, Elections, Employment, Faith, Family, Foreign Policy, Freedom, government, government spending, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, media, Narcissism, Newspapers, Non-Fiction, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Psychology, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Television, Unemployment, Video, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , |

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Rupert Murdoch: a seven-point plan for rehabilitation in British life

By Jane Martinson

How the News Corp mogul restored public links with David Cameron after the turbulence of the phone-hacking scandal and Leveson inquiry
Cameron, Osborne and Murdoch back together at mogul’s Christmas knees-up

Rupert Murdoch’s Christmas’s party – which drew David Cameron, George Osborne and other ministers on Monday – marks his return to the centre of power, the culmination of a seven-step process that has seen him regain his position at the top of British life:

1 A profession of humility

Psychologists say acknowledgement is always the first step on the road to recovery but it took Murdoch 12 days after the Guardian revealed that Milly Dowler’s phone was hacked to take out a full-page advert on 16 July 2011 saying: “We are sorry for the serious wrongdoing that occurred”. Andy Coulson had already resigned as Cameron’s spin doctor in January 2011 but within days of the Dowler revelations, Murdoch closed the 168-year-old News of the World and scrapped his plan to take over the whole of satellite broadcaster Sky. Brooks resigned to face charges and, by 19 July, a surprisingly frail-looking Murdoch told a House of Commons committee that he was facing “the most humble day of my life”.

2 A fistful of dollars

In total, News Corp spent $512m (£345m) on the closure of its Sunday tabloid and legal settlements for at least 377 victims of voicemail interception. Nine of the 12 journalists charged with phone hacking were convicted, while public officials were found guilty for accepting payments for information. After an eight-month trial, Coulson was found guilty of conspiring to hack phones, while Brooks was cleared of all charges in June 2014. (Having eventually served five months of his sentence, Coulson is now writing the odd piece for the Telegraph. The newspaper group denies that he is on a contract to advise chief executive Murdoch MacLennan).
3 A job for a friend

From the very beginning of the scandal, Murdoch said his top priority was looking after Rebekah Brooks. Within months of the end of her trial, Murdoch was looking at a range of senior jobs for Brooks, firstly in the US. Initial reports that she would rejoin the company were met with disbelief from senior insiders but, after her husband Charlie was understood to have ruled out a move to the US, Murdoch and Brooks started to think that a return to her old job was the best option. She was reappointed chief executive of News UK in September 2015 and, having spent weeks working long hours in the office, she is only now ready for meetings with her old contacts.

4 Let the authorities complete their work

The biggest fear all along for the News Corp boss was the possibility of corporate charges being pressed for phone hacking. Murdoch had already split his publishing arm, which includes the British newspapers as well as the Wall Street Journal, from the Fox film and television business, partly to protect the latter from any possible charges. In February, the Department of Justice declared that News Corp would not face any charges in the US in relation to phone hacking and payments to public officials, and earlier this month the Crown Prosecution Service dropped all corporate charges against News Corp. However, given the appeals against the decision launched by victims, the final curtain has not quite come down. Although no one expects the government to go ahead with “Leveson part two” into the “extent of unlawful and improper conduct”, it cannot confirm this until all criminal proceedings, including appeals, are dealt with.
5 A clear political order

Labour party leaders may have attended Murdoch soirees but the opposition went into the May general election with concern over media domination written into its manifesto. In contrast, the Conservatives’ first manifesto promise on the media was to warn the BBC that it would face a licence fee freeze. Osborne’s comments about Auntie’s “imperial ambitions” reminded everyone that the Liberal Democrats were no longer in government to argue against imposing the cost of free licence fees for the over-75s on the corporation.

Even so, the appearance of Cameron at a party attended by Murdoch and Brooks is remarkable, given the fact that few politicians were as embarrassed by phone hacking as he was. The prime minister’s close links with Brooks and the Murdochs – with their Christmas gatherings, country suppers and “LOL” texting – were revealed in some detail during the Leveson inquiry, which he launched in November 2011. It later emerged that he had ignored those warning him against appointing a man who had stood down from his role as editor of the News of the World as his spin doctor. Having accepted Coulson’s denials, Cameron said he warranted a “second chance”.

Chris Bryant, the former shadow culture secretary and phone-hacking victim, who has recently attended a party at the home of Evgeny Lebedev, said: “There is nothing intrinsically wrong with meeting a proprietor socially. However, I would have thought that Cameron in particular, as well as Osborne, would have learnt from the whole sorry saga that these informal contacts just start to smell dodgy.

“I have always known that, if they won the general election, the Tories would just bide their time before ushering Rupert back through the front door. It was one of the reasons I was so desperate for them not to win.”

6 Rediscover the contacts book

Under disclosure rules brought in by Cameron, we now know when he meets interested parties. So we know that Murdoch and senior News Corp executives met government ministers 10 times in the year to the end of March 2015, more than any other newspaper group. Murdoch also met Osborne twice in the month before the chancellor imposed the aforementioned costly financial settlement on the BBC in July.
7 A model relationship

With his sons busy in the US, a new woman has made the family patriarch a more frequent visitor to the UK. Having split with his third wife, Wendi Deng, in 2013, Murdoch happily posed for pictures at the Rugby World Cup in October alongside his new flame, the London-based Jerry Hall, 59-year-old former wife of Mick Jagger.

http://www.theguardian.com/media/2015/dec/23/rupert-murdoch-news-corp-david-cameron

    • #35 Rupert Murdoch & family

  • Real Time Net Worth As of 12/29/15
  • $11.9 Billion
  • Chairman and CEO, News Corp
Age
84
Source Of Wealth
media, Self Made
Self-Made Score
7
Residence
New York, NY
Citizenship
United States
Marital Status
Divorced
Children
6
Education
Bachelor of Arts / Science, Oxford University; Master of Arts, Oxford University

Rupert Murdoch & family on Forbes Lists

Rupert Murdoch, arguably the world’s most powerful media tycoon, stepped down from the CEO role at cable TV and broadcasting giant 21st Century Fox in July 2015 but remains executive co-chairman alongside his son Lachlan; his son James Murdoch took over as CEO. Rupert Murdoch also continues to chair News Corp, which owns The Wall Street Journal and other print operations. He built a media empire out of Adelaide, Australia; at 22 he inherited two newspapers when his father died. Today, the Murdoch family controls 120 newspapers in five countries; a large cable TV network comprised of the Fox channels in the U.S. and Fox International Channels across Europe, Latin America, Africa, and Asia; book publishing powerhouse HarperCollins; a movie studio and a large broadcasting and satellite TV arm.
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Kevin Phillips – Bad Money: Reckless Finance, Failed Politics, and The Global Crisis of American Capitalism — Videos

Posted on December 26, 2015. Filed under: American History, Banking, Blogroll, British History, Congress, Constitution, Economics, European History, Faith, Family, Fiscal Policy, government spending, Investments, Language, Law, liberty, Life, Links, Literacy, Macroeconomics, media, Microeconomics, Middle East, Monetary Policy, Money, People, Philosophy, Photos, Politics, Presidential Candidates, Radio, Talk Radio, Tax Policy, Taxation, Taxes, Television, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , |

Kevin Phillips – Bad Money: the Global Crisis of American Capitalism

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Kevin Phillips — American Theocracy: The Peril and Politics of Radical Religion, Oil and Borrowed Money in The 21st Century — Videos

Posted on December 26, 2015. Filed under: American History, Blogroll, Books, British History, Catholic Church, Communications, Constitution, Documentary, Education, Employment, Energy, European History, Foreign Policy, Freedom, Friends, government spending, history, Illegal, Immigration, Islam, Law, liberty, Life, Links, Literature, media, Middle East, Monetary Policy, Natural Gas, Natural Gas, Non-Fiction, Oil, Oil, Radio, Radio, Rants, Raves, Regulations, Religion, Resources, Strategy, Talk Radio, Taxation, Taxes, Technology, Television, Terrorism, Unemployment, Video, War, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , |

Kevin Phillips – American Theocracy: Radical Religion, Oil, and Debt

Revelle Forum: Kevin Phillips on Religion Oil and Debt

Kevin Phillips – Bad Money: Crisis of American Capitalism

Kevin Phillips – Bad Money: the Global Crisis of American Capitalism

Which Currency Will Replace the Dollar? Finance and the Crisis of Capitalism (2008)

Former GOP Strategist Kevin Phillips on Roots of American Revolution, Future of US Politics

Kevin Phillips Discusses the Role Played by Money, Debt, & Trade in the American Revolution

WALL STREET MELTDOWN Bill Moyers !!!! FULL 1 of 3

WALL STREET MELTDOWN Bill Moyers !!!! FULL 2 of 3

 

WALL STREET MELTDOWN Bill Moyers !!!! FULL 3 of 3

 

Kevin Phillips (political commentator)

From Wikipedia, the free encyclopedia
Kevin Phillips
Born Kevin Price Phillips
November 30, 1940 (age 75)
Residence Goshen, Connecticut
Alma mater Colgate University (B.A., 1961)
University of Edinburgh (M.A., Geography)
Harvard University (J.D., 1964)
Occupation Pundit, Author, Columnist

Kevin Price Phillips (born November 30, 1940) is an American writer and commentator on politics, economics, and history. Formerly aRepublican Party strategist before becoming an Independent, Phillips became disaffected with the party from the 1990s, and became a critic. He is a regular contributor to the Los Angeles Times, Harper’s Magazine, and National Public Radio, and was a political analyst on PBSNOW with Bill Moyers.

Phillips was a strategist on voting patterns for Richard Nixon‘s 1968 campaign, which was the basis for a book, The Emerging Republican Majority, which predicted a conservative realignment in national politics, and is widely regarded[citation needed] as one of the most influential recent works in political science. His predictions regarding shifting voting patterns in presidential elections proved accurate, though they did not extend “down ballot” to Congress until the Republican revolution of 1994. Phillips also was partly responsible for the design of the Republican “Southern strategy” of the 1970s and 1980s.

The author of fourteen books, he lives in Goshen, Connecticut.

Biography

Phillips was educated at the Bronx High School of Science, Colgate University, the University of Edinburgh and Harvard Law School. After his stint as a senior strategist for the Nixon presidential campaign, he served a year, starting in 1969, as Special Assistant to the U.S. Attorney General, but left after a year to become a columnist. In 1971, he became president of theAmerican Political Research Corporation and editor-publisher of the American Political Report (through 1998).

In 1982, the Wall Street Journal described him as “the leading conservative electoral analyst — the man who invented the term “Sun Belt” [a phrase also attributed to legendary Speaker of the United States House of Representatives Sam Rayburn, named the New Right, and prophesied ‘The Emerging Republican Majority’ in 1969.”

Later, he became a critic of Republicans from the south and west, the area he had identified as the “Heartland”, the future core of Republican votes. He had also identified the “Yankee Northeast” as the future Democratic stronghold, foreshadowing the current split between Red States and Blue States. More than 30 years before the 2004 election, Phillips foresaw such previously Democratic states as Texas and West Virginia swinging to the Republicans and Vermont and Maine becoming Democratic states.

Southern strategy

Phillips worked for Richard Nixon‘s presidential campaign in 1968, and wrote a book on what has come to be known as the “Southern strategy” of the Republican Party. The book was entitled The Emerging Republican Majority and argued that the southern states of the US would keep the Republicans winning Presidential Elections and more than offset the Northeast states, based on racial politics.[1] As he stated to the New York Times Magazine in 1970,

“All the talk about Republicans making inroads into the Negro vote is persiflage. Even ‘Jake the Snake’ [Senator Jacob Javits of New York] only gets 20 percent. From now on, Republicans are never going to get more than 10 to 20 percent of the Negro vote, and they don’t need any more than that… but Republicans would be shortsighted if they weakened the Voting Rights Act. The more Negroes who register as Democrats in the South, the sooner the Negrophobe whites will quit the Democrats and become Republicans. That’s where the votes are. Without that prodding from the blacks, the whites will backslide into their old comfortable arrangement with the local Democrats.”[1]

Books

American Theocracy (2006)

Allen Dwight Callahan[2] states the book’s theme is that the Republican Party (GOP), religious fundamentalism, petroleum, and borrowed money are an “Unholy Alliance.”[3] The last chapter, in a nod to his first major work, is titled “The Erring Republican Majority.” American Theocracy “presents a nightmarish vision of ideological extremism, catastrophic fiscal irresponsibility, rampant greed and dangerous shortsightedness.”

The New York Times wrote:

He identifies three broad and related trends — none of them new to the Bush years but all of them, he believes, exacerbated by this administration’s policies — that together threaten the future of the United States and the world. One is the role of oil in defining and, as Phillips sees it, distorting American foreign and domestic policy. The second is the ominous intrusion of radical Christianity into politics and government. And the third is the astonishing levels of debt — current and prospective — that both the government and the American people have been heedlessly accumulating. If there is a single, if implicit, theme running through the three linked essays that form this book, it is the failure of leaders to look beyond their own and the country’s immediate ambitions and desires so as to plan prudently for a darkening future.[4]

Phillips uses the term financialization to describe how the U.S. economy has been radically restructured from a focus on production, manufacturing and wages, to a focus on speculation, debt, and profits. Since the 1980s, Phillips argues in American Theocracy,

the underlying Washington strategy… was less to give ordinary Americans direct sums than to create a low-interest-rate boom in real estate, thereby raising the percentage of American home ownership, ballooning the prices of homes, and allowing householders to take out some of that increase through low-cost refinancing. This triple play created new wealth to take the place of that destroyed in the 2000-2002 stock-market crash and simultaneously raised consumer confidence.

Nothing similar had ever been engineered before. Instead of a recovery orchestrated by Congress and the White House and aimed at the middle- and bottom-income segments, this one was directed by an appointed central banker, a man whose principal responsibility was to the banking system. His relief, targeted on financial assets and real estate, was principally achieved by monetary stimulus. This in itself confirmed the massive realignment of preferences and priorities within the American system….

Likewise, huge and indisputable but almost never discussed, were the powerful political economics lurking behind the stimulus: the massive rate-cut-driven post-2000 bailout of the FIRE (finance, insurance, and real estate) sector, with its ever-climbing share of GDP and proximity to power. No longer would Washington concentrate stimulus on wages or public-works employment. The Fed’s policies, however shrewd, were not rooted in an abstraction of the national interest but in pursuit of its statutory mandate to protect the U.S. banking and payments system, now inseparable from the broadly defined financial-services sector.

Critical reception

American Theocracy was reviewed widely. The New York Times Book Review wrote “It is not without polemic, but unlike many of the more glib and strident political commentaries of recent years, it is extensively researched and frighteningly persuasive…”[5] The Chicago Sun-Times wrote “Overall, Phillips’ book is a thoughtful and somber jeremiad, written throughout with a graceful wryness… a capstone to his life’s work.”[6]

Bad Money (2008)

Kevin Phillips examines America’s great shift from manufacturing to financial services. He also discusses America’s petroleum policies and the tying of the dollar to the price of oil. Phillips suggests that the Euro and the Chinese Yuan/Renminbi are favorites to take the dollar’s place in countries hostile towards America, like Iran. He then tackles the lack of regulatory oversight employed in the housing market and how the housing boom was allowed to run free under Alan Greenspan. The book concludes with the proposal that America is employing bad capitalism and extends Gresham’s Law of currency to suggest that our good capitalism will be driven out by the bad.[7]

Bibliography

  • The Emerging Republican Majority (1969)
  • Mediacracy: American Parties and Politics in the Communications Age (1974) ISBN 0-385-04945-5
  • Electoral Reform and Voter Participation (with Paul H. Blackman, 1975)
  • Post-Conservative America: People, Politics, and Ideology in a Time of Crisis (1982) ISBN 0-394-52212-5
  • Staying on Top: The Business Case for a National Industrial Strategy (1984) ISBN 0-394-53744-0
  • The Politics of Rich and Poor: Wealth and Electorate in the Reagan Aftermath (1990) ISBN 0-394-55954-1
  • Boiling Point: Democrats, Republicans, and the Decline of Middle Class Prosperity (1993) ISBN 0-679-40461-9
  • Arrogant Capital: Washington, Wall Street and the Frustration of American Politics (1994) ISBN 0-316-70618-3
  • The Cousins’ Wars: Religion, Politics and the Triumph of Anglo-America (1998) ISBN 0-465-01369-4
  • William McKinley (2003) ISBN 0-805-06953-4
  • Wealth and Democracy: A Political History of the American Rich (2002) ISBN 0-767-90533-4
  • American Dynasty: Aristocracy, Fortune, and the Politics of Deceit in the House of Bush (2004) ISBN 0-670-03264-6
  • American Theocracy: The Peril and Politics of Radical Religion, Oil, and Borrowed Money in the 21st Century (2006) ISBN 0-670-03486-X
  • Bad Money: Reckless Finance, Failed Politics, and the Global Crisis of American Capitalism (2008) ISBN 0-670-01907-0
  • 1775: A Good Year for Revolution (2012) ISBN 978-0-670-02512-1

References

  1. ^ Jump up to:a b Boyd, James (May 17, 1970). “Nixon’s Southern strategy ‘It’s All In the Charts'” (PDF). The New York Times.
  2. Jump up^ Rev. Dr. Allen Dwight Callahan’s page at Brown University Archived April 4, 2007 at the Wayback Machine
  3. Jump up^ Callahan, Allen Dwight, “Unholy Alliance” Religion & Ethics Newsweekly, No. 1008, October 25, 2006.[dead link]
  4. Jump up^ N.Y.Times review on 3/19/2006.
  5. Jump up^ Alan Brinkley, The New York Times Book Review, March 19, 2006
  6. Jump up^ William O’Rourke, The Chicago Sun-Times, March 12, 2006
  7. Jump up^ Bad Money, 2008

External links

https://en.wikipedia.org/wiki/Kevin_Phillips_(political_commentator)

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The War of the World — Videos

Posted on November 24, 2015. Filed under: American History, Blogroll, Bomb, Books, British History, Bunker Busters, Communications, Constitution, Demographics, Diasters, Documentary, Economics, Elections, Employment, Energy, European History, Faith, Family, Federal Government, Fiscal Policy, Friends, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, Literacy, media, Middle East, Missiles, Natural Gas, Non-Fiction, Nuclear, Oil, People, Philosophy, Pistols, Politics, Radio, Radio, Rants, Raves, Religious, Rifles, Television, Terrorism, Unemployment, War, Wealth, Weapons, Weapons of Mass Destruction, Welfare, Wisdom, Work | Tags: , , , , , , , , , , |

The War of the World — Episode 1

The War of the World — Episode 2

The War of the World — Episode 3

The War of the World — Episode 4

The War of the World — Episode 5

The War of the World — Episode 6

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Fawaz A. Gerges — Journey of the Jihadist: Inside Muslim Militancy — Videos

Posted on November 23, 2015. Filed under: American History, Articles, Blogroll, Books, British History, Business, Central Intelligence Agency (CIA), Communications, Congress, Constitution, Corruption, Crime, Crisis, Culture, Documentary, Economics, European History, Faith, Family, Federal Bureau of Investigation (FBI), Foreign Policy, Freedom, Genocide, government, government spending, history, Homicide, Illegal, Immigration, Islam, Language, Law, Legal, liberty, Life, Links, Literature, media, Middle East, Money, Music, National Security Agency (NSA_, Newspapers, Non-Fiction, People, Philosophy, Photos, Pistols, Poetry, Police, Politics, Presidential Candidates, Programming, Radio, Rants, Raves, Regulations, Religious, Rifles, Security, Speech, Spying, Strategy, Talk Radio, Taxation, Taxes, Technology, Television, Television, Terrorism, Torture, Unemployment, Video, War, Wealth, Weapons, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , |

 

Journey of JihadistFawaz Gerges

Conversations with History – Fawaz A. Gerges

Obama and the Middle East: The End of America’s Moment

Fawaz Gerges, “A Broken Middle East”

World Affairs TODAY: Season 4, Episode 6: Fawaz Gerges

Bridges to the Future: Fawaz Gerges

Dr Fawaz Gerges: How ISIS amassed a fortune “CNN”

 

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George Weigel — The Cube and the Cathedral: Europe, America, and Politics Without God — Videos

Posted on November 4, 2015. Filed under: American History, Blogroll, Book, Books, Catholic Church, Communications, Constitution, Documentary, Elections, Employment, European History, Faith, Family, Fiction, Foreign Policy, Freedom, government, history, Immigration, Islam, Language, Law, liberty, Life, Links, Literacy, media, People, Philosophy, Politics, Radio, Radio, Religion, Talk Radio, Television, Television, Terrorism, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , |

the cube the cathedral
Cathedral-Notre-Dame-de-Parisgeorge weigel
  Grande_Arche_de_La_Défense_et_fontaine the cubethe cube 2NotreDameParisfrance_paris_notre_dameNotre Dame, Paris FranceInside Notre Dame Cathedral

LaDefense

“Democracy Without God?” by George Weigel

Christianity and Democracy, War and Peace, Pope John Paul II – Books (2008)

George Weigel (born 1951) is an American author and political and social activist. He currently serves as a Distinguished Senior Fellow of the Ethics and Public Policy Center. Weigel was the Founding President of the James Madison Foundation. He is the author of the best-selling biography of Pope John Paul II, Witness to Hope and Tranquillitas Ordinis: The Present Failure and Future Promise of American Catholic Thought on War and Peace.

Weigel was born and grew up in Baltimore, Maryland, where he attended St. Mary’s Seminary and University. He later received his masters degree from St. Michael’s College, University of Toronto. He has received 18 honorary doctorate degrees, as well as the papal cross Pro Ecclesia et Pontifice and the Gloria Artis Gold Medal from the Polish Ministry of Culture.

Weigel lived in Seattle, serving as Assistant Professor of Theology and Assistant Dean of Studies at the St. Thomas the Apostle Seminary School of Theology in Kenmore, and Scholar-in-Residence at the World Without War Council of Greater Seattle, before returning to Washington, D.C. as a fellow at the Woodrow Wilson International Center for Scholars.

Weigel served as the founding president of the James Madison Foundation (not to be confused with the James Madison Memorial Fellowship Foundation) from 1986 to 1989. In 1994, he was a signer of the document Evangelicals and Catholics Together.

He currently serves as Distinguished Senior Fellow and Chair of Catholic Studies at the Ethics and Public Policy Center in Washington, D.C..

Each summer, Weigel and several other Catholic intellectuals from the United States, Poland, and across Europe conduct the Tertio Millennio Seminar on the Free Society in Krakow, in which they and an assortment of students from the United States, Poland, and several other emerging democracies in Central and Eastern Europe discuss Christianity within the context of liberal democracy and capitalism, with the papal encyclical Centesimus Annus being the focal point.

Weigel and his wife Joan live in North Bethesda, Maryland. He has three children.

He is a member of the advisory council of the Victims of Communism Memorial Foundation.

Weigel writes and serves on the Institute board for the Institute for Religion and Public Life, which publishes First Things, an ecumenical publication that focuses on encouraging a religiously informed public philosophy for the ordering of society.

The main body of Weigel’s writings engage the issues of religion and culture.

Weigel advocates a U.S. foreign policy guided not by utopian notions about how nations should behave, but by moral reasoning. “From the Iliad to Tolstoy and beyond, that familiar trope, “the fog of war,” has been used to evoke the millennia–old experience of the radical uncertainty of combat. Some analysts, however, take the trope of “the fog of war” a philosophical step further and suggest that warfare takes place beyond the reach of moral reason, in a realm of interest and necessity where moral argument is a pious diversion at best and, at worst, a lethal distraction from the deadly serious business at hand.”

In some cases, he adds, moral reasoning may require that the United States support authoritarian regimes to fend off the greater evils of moral decay and threats to the security of the United States. For Weigel, America’s shortcomings do not excuse her from pursuing the greater moral good.

Weigel achieved much fame for writing Witness to Hope, a biography of the late Pope John Paul II, which was also made into a documentary film. In 2004 Weigel wrote an article in Commentary magazine, entitled “The Cathedral and the Cube”, in which he used the contrast between the modernist Grande Arche, and the Notre Dame de Paris cathedral, both located in Paris, France, to illustrate what he called a loss of “civilizational morale” in Western Europe, which he tied to the secular tyrannies of the 20th century, along with, more recently, plummeting birthrates and Europe’s refusal to recognize the Christian roots of its culture. Weigel questions whether Europe can give an account of itself while denying the very moral tradition through which its culture arose: “Christians who share this conviction (that it is the will of God that Christians be tolerant of those who have a different view of God’s will) — can give an account of their defense of the other’s freedom even if the other, skeptical and relativist, finds it hard to give an account of the freedom of the Christian.” This is a theme sounded clearly by Marcello Pera and Cardinal Joseph Ratzinger (from 2005 to 2013 Pope Benedict XVI), in their book Without Roots: the West, Relativism, Christianity, Islam, for which Weigel authored the foreword. In 2005, he expanded the article into a book, The Cube and the Cathedral: Europe, America, and Politics Without God.

Ten Things To Know About Pope Francis (George Weigel – Acton Institute)

Top 10 Immigrant Countries

The ten countries with greatest number of foreign born residents.
10. Spain 6.5 million immigrants (13.8% of pop)
9. Australia 6.5 million immigrants (27.7%)
8. Canada 7.3 million immigrants (20.7%)
7. France 7.4 million immigrants (11.6%)
6. United Kingdom 7.8 million immigrants (12.4%)
5. United Arab Emirates 7.8 million immigrants (83.7%)
4. Saudi Arabia 9.1 million immigrants (31.4%)
3. Germany 9.8 million immigrants (11.9%)
2. Russia 11 million immigrants (7.7%)
1. USA 45.7 million immigrants (14.3%)

The World in 2015: Global population and the changing shape of world demographics

Demographic Winter – the decline of the human family (Full Movie)

Future World Populations (2050)

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Eric Hoffer — Videos

Posted on October 24, 2015. Filed under: Blogroll, Books, College, Communications, Culture, Education, Freedom, liberty, Life, Links, Literacy, Love, media, Non-Fiction, Radio, Raves, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , |

Eric Hoffer eric-hofferhoffer quote

Eric Hoffer pt. 1 of 5

Eric Hoffer pt. 2 of 5

Eric Hoffer pt. 3 of 5

Eric Hoffer pt. 4 of 5

Eric Hoffer pt. 5 of 5

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Ann Coulter — Adios, America — Never Trust a Liberal Over 3 — Demon — Videos

Posted on September 21, 2015. Filed under: American History, Articles, Blogroll, Books, Business, College, Communications, Congress, Constitution, Diasters, Documentary, Economics, Education, Employment, Faith, Family, Foreign Policy, Freedom, government spending, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, Literacy, Love, media, Money, Non-Fiction, Political Correctness, Politics, Rants, Raves, Regulations, Religious, Speech, Strategy, Unemployment, Video, Wealth, Welfare, Wisdom | Tags: , , , , , , , , , |

Ann-Coulter-Net-Worth

never trust a liberaldemonic

ann-coulter-signs-book-fan-1
o-ANN-COULTER-facebook

• Ann Coulter • Adios, America • Hannity • 6/1/15 •

Ben Shapiro interviews Ann Coulter; Adios America; 7/13/2015; C-Span

Ann Coulter Goes Off on Immigration w Glenn Beck Problems in U S A Traced Directly to Immigration

Ann Coulter about her Candidate for president

Ann Coulter talks immigration, Trump’s 2016 bid

Ann Coulter DISSECTS immigration reform for Megyn Kelly — and it rhymes!

Ann Coulter: I hope Donald Trump is serious

Ann Coulter Thinks Donald Trump Is GOP’s Best Bet, Maher Panel Erupts

Ann Coulter Introduces Donald Trump at Iowa Speech, 2016 Presidential Campaign Rally 8/25

DEMONIC: Ann Coulter Reloaded (FULL INTERVIEW)

Ann Coulter Talks About New Book “Demonic” and the Weiner Scandal

Demon Ann Coulter: Discusses Her Book Demonic

Ann Coulter on “Never Trust a Liberal Over 3” @ Hancock Park Patriots & USC College Republicans

Ann Coulter on Muslims

A Special Evening with Ann Coulter — 7/16/15

Please join us for a special lecture with Ann Coulter for her brand new book, “¡Adios, America!” (Publish Date: June 1, 2015). This event is in conjunction with KRLA 870AM The Answer. Introduction by Reagan Foundation Executive Director John Heubusch.

In “Adios, America,” Ann Coulter touches the third rail in American politics, attacking the immigration issue head-on and flying in the face of La Raza, the Democrats, a media determined to cover up immigrants’ crimes, churches that get paid by the government for their “charity,” and greedy Republican businessmen and campaign consultants—all of whom are profiting handsomely from mass immigration that’s tearing the country apart. Applying her trademark biting humor to the disaster that is U.S. immigration policy, Coulter proves that immigration is the most important issue facing America today.

Ann Coulter is the author of ten “New York Times” bestsellers. She is the legal correspondent for “Human Events” and writes a popular syndicated column for Universal Press Syndicate. She is also a frequent guest on many TV shows, including Hannity, Piers Morgan, Red Eye and more. In 2001, Ms. Coulter was named one of the top 100 Public Intellectuals by federal judge Richard Posner.

Ann Coulter: Books, Education, Political Views, Religion, Youth, Biography (2011)

Ann Coulter

From Wikipedia, the free encyclopedia
Ann Coulter
Ann Coulter smiling, with a blue wallpaper behind her.

Born Ann Hart Coulter
December 8, 1961 (age 53)
New York City, New York, United States
Nationality American
Alma mater Cornell University (B.A.)
University of Michigan Law School (J.D.)
Occupation Author, columnist, political commentator
Political party Republican[1]
Religion Presbyterian[2][3]
Website anncoulter.com

Ann Hart Coulter (/ˈkltər/; born December 8, 1961) is an American conservative social and political commentator, writer, syndicated columnist, and lawyer. She frequently appears on television, radio, and as a speaker at public and private events.

Coulter rose to prominence in the 1990s as an outspoken critic of the Clinton administration. Her first book concerned the Bill Clinton impeachment, and sprang from her experience writing legal briefs for Paula Jones‘s attorneys, as well as columns she wrote about the cases.[4][5] Coulter has described herself as a polemicist who likes to “stir up the pot”, and does not “pretend to be impartial or balanced, as broadcasters do”,[6] drawing criticism from the left, and sometimes from the right.[7]

Coulter’s syndicated column for Universal Press Syndicate began appearing in newspapers, and was featured on major conservative websites.

Early life

Ann Hart Coulter was born on December 8, 1961 in New York City, to John Vincent Coulter (1926-2008), an FBI agent who was a native of Albany, New York, and Nell Husbands Coulter (née Martin; died 2009), a native of Paducah, Kentucky.[8][9] The family later moved to New Canaan, Connecticut, where Coulter and her two older brothers, James and John, were raised.[10] She graduated from New Canaan High School in 1980. Coulter’s age was disputed in 2002 while she was arguing that she was not yet 40, yetWashington Post columnist Lloyd Grove cited that she provided a birthdate of December 8, 1961, when registering to vote in New Canaan, Connecticut prior to the 1980 Presidential election. Meanwhile, a driver’s license issued several years later allegedly listed her birthdate as December 8, 1963. Coulter will not confirm either date, citing privacy concerns.[11]

While attending Cornell University, Coulter helped found The Cornell Review,[12][13] and was a member of the Delta Gamma national sorority.[14] She graduated cum laude from Cornell in 1984 with a B.A. in history, and received her J.D. from the University of Michigan Law School in 1988, where she was an editor of the Michigan Law Review.[15] At Michigan, Coulter was president of the local chapter of the Federalist Society and was trained at the National Journalism Center.[16]

Career

After law school, Coulter served as a law clerk, in Kansas City, for Pasco Bowman II of the United States Court of Appeals for the Eighth Circuit.[17] After a short time working in New York City in private practice, where she specialized in corporate law, Coulter left to work for the United States Senate Judiciary Committee after the Republican Party took control of Congress in 1994. She handled crime and immigration issues for Senator Spencer Abraham of Michigan and helped craft legislation designed to expedite thedeportation of aliens convicted of felonies.[18] She later became a litigator with the Center for Individual Rights.[19]

In 2000, Coulter considered running for Congress in Connecticut on the Libertarian Party ticket[20] to serve as a spoiler in order to throw the seat to the Democratic candidate and see that Republican Congressman Christopher Shays failed to gain re-election, as a punishment for Shays’ vote against Clinton’s impeachment. The leadership of the Libertarian Party of Connecticut, after meeting with Coulter, declined to endorse her. As a result, her self-described “total sham, media-intensive, third-party Jesse Ventura campaign” did not take place.[21][22] Shays subsequently won the election, and held the seat until 2008.[23]

Coulter’s career is highlighted by the publication of ten books, as well as the weekly syndicated newspaper column that she publishes. She is particularly known for her polemical style,[24] and describes herself as someone who likes to “stir up the pot. I don’t pretend to be impartial or balanced, as broadcasters do”.[25] She has been compared to Clare Boothe Luce, one of her idols, for her satirical style.[26] She also makes numerous public appearances, speaking on television and radio talk shows, as well as on collegecampuses, receiving both praise and protest. Coulter typically spends 6–12 weeks of the year on speaking engagement tours, and more when she has a book coming out.[27] In 2010, she made an estimated $500,000 on the speaking circuit, giving speeches on topics of modern conservatism, gay marriage, and what she perceives to be the hypocrisy of modern American liberalism.[28] During one appearance at the University of Arizona, a pie was thrown at her.[29][30][31] Coulter has, on occasion, in defense of her ideas, responded with insulting remarks toward hecklers and protestors who attend her speeches.[32][33]

Books

Coulter is the author of ten books, many of which have appeared on the New York Times Best Seller list, with a combined 3 million copies sold as of May 2009.[34]

Coulter’s first book, High Crimes and Misdemeanors: The Case Against Bill Clinton, was published by Regnery Publishing in 1998 and made the New York Times Bestseller list.[4] It details Coulter’s case for the impeachment ofPresident Bill Clinton.

Her second book, Slander: Liberal Lies About the American Right, published by Crown Forum in 2002, reached the number one spot on The New York Times non-fiction best seller list.[35] In Slander, Coulter argues that PresidentGeorge W. Bush was given unfair negative media coverage. The factual accuracy of Slander was called into question by then-comedian and author, and now Democratic U.S. Senator from Minnesota, Al Franken; he also accused her of citing passages out of context.[36] Others investigated these charges, and also raised questions about the book’s accuracy and presentation of facts.[37][38][39] Coulter responded to criticisms in a column called “Answering My Critics”.[40]

In her third book, Treason: Liberal Treachery from the Cold War to the War on Terrorism, also published by Crown Forum, she reexamines the 60-year history of the Cold War — including the career of Senator Joseph McCarthy, theWhittaker ChambersAlger Hiss affair, and Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall“—and argues that liberals were wrong in their Cold War political analyses and policy decisions, and that McCarthy was correct about Soviet agents working for the U.S. government.[41] She also argues that the correct identification of Annie Lee Moss, among others, as communists was misreported by the liberal media.[42] Treason was published in 2003, and spent 13 weeks on the Best Seller list.[43]

Crown Forum published a collection of Coulter’s columns in 2004 as her fourth book, How to Talk to a Liberal (If You Must): The World According to Ann Coulter.[44]

Coulter’s fifth book, published by Crown Forum in 2006, is Godless: The Church of Liberalism.[45] In it, she argues, first, that American liberalism rejects the idea of God and reviles people of faith, and second, that it bears all the attributes of a religion itself.[46] Godless debuted at number one on the New York Times Best Seller list.[47] Some passages in the book match portions of others’ writings published at an earlier time (including newspaper articles and aPlanned Parenthood document), leading John Barrie of ithenticate to assert that Coulter had engaged in “textbook plagiarism”.[48]

Coulter’s next books If Democrats Had Any Brains, They’d Be Republicans (Crown Forum), published in October 2007, and Guilty: Liberal “Victims” and Their Assault on America (Crown Forum), published on January 6, 2009, both also achieved best-seller status.[49][50][51]

On June 7, 2011, Crown Forum published her eighth book Demonic: How the Liberal Mob Is Endangering America. Coulter said she based this book heavily on the work of French social psychologist Gustave Le Bon, who wrote on mass psychology, and in it she argues that liberals have mob-like characteristics.[52]

Her next book, published September 25, 2012, is Mugged: Racial Demagoguery from the Seventies to Obama. It argues that liberals, and Democrats in particular, have taken undue credit for racial civil rights in America.[53]

Coulter’s tenth book, Never Trust a Liberal Over 3 — Especially a Republican, was released October 14, 2013. It is her second collection of columns and her first published by Regnery since her first book, High Crimes and Misdemeanors.[54]

Columns

In the late 1990s, Coulter’s weekly (biweekly from 1999–2000) syndicated column for Universal Press Syndicate began appearing. Her column is featured on six conservative websites: Human Events Online, WorldNetDaily, Townhall.com, VDARE, FrontPageMag,Jewish World Review and her own web site. Her syndicator says, “Ann’s client newspapers stick with her because she has a loyal fan base of conservative readers who look forward to reading her columns in their local newspapers”.[55]

In 1999 Coulter worked as a regular columnist for George magazine.[21][56] Coulter also wrote exclusive weekly columns between 1998 and 2003 and with occasional columns thereafter for the conservative magazine Human Events. In her columns for the magazine, she discusses judicial rulings, Constitutional issues, and legal matters affecting Congress and the executive branch.[57]

In 2001 as a contributing editor and syndicated columnist for National Review Online (NRO), Coulter was asked by editors to make changes to a piece written after the September 11 attacks. On the national television show Politically Incorrect, Coulter accused NROof censorship and said that she was paid $5 per article. NRO dropped her column and terminated her editorship. Jonah Goldberg, editor-at-large of NRO, said, “We did not ‘fire’ Ann for what she wrote… we ended the relationship because she behaved with a total lack of professionalism, friendship, and loyalty [concerning the editing disagreement].”[58]

Coulter contracted with USA Today to cover the 2004 Democratic National Convention. She wrote one article that began, “Here at the Spawn of Satan convention in Boston…” and referred to some unspecified female attendees as “corn-fed, no make-up, natural fiber, no-bra needing, sandal-wearing, hirsute, somewhat fragrant hippie chick pie wagons”. The newspaper declined to print the article citing an editing dispute over “basic weaknesses in clarity and readability that we found unacceptable”. An explanatory article by the paper went on to say “Coulter told the online edition of Editor & Publisher magazine that ‘USA Today doesn’t like my “tone”, humor, sarcasm, etc., which raises the intriguing question of why they hired me to write for them.'” USA Today replaced Coulter withJonah Goldberg, and Coulter published it instead on her website.[59][60][61]

In August 2005, the Arizona Daily Star dropped Coulter’s syndicated column citing reader complaints that “Many readers find her shrill, bombastic, and mean-spirited. And those are the words used by readers who identified themselves as conservatives”.[62]

In July 2006, some newspapers replaced Coulter’s column with those of other conservative columnists following the publication of her fourth book, Godless: The Church of Liberalism.[63] After The Augusta Chronicle dropped her column, newspaper editor Michael Ryan explained that “it came to the point where she was the issue rather than what she was writing about”.[64] Ryan also stated that “pulling Ann Coulter’s column hurts; she’s one of the clearest thinkers around”.

She has criticized former president George W. Bush‘s immigration proposals, saying they led to “amnesty”. In a 2007 column, she claimed that the current immigration system was set up to deliberately reduce the percentage of whites in the population. In it, she said:[65]

In 1960, whites were 90 percent of the country. The Census Bureau recently estimated that whites already account for less than two-thirds of the population and will be a minority by 2050. Other estimates put that day much sooner.

One may assume the new majority will not be such compassionate overlords as the white majority has been. If this sort of drastic change were legally imposed on any group other than white Americans, it would be called genocide. Yet whites are called racists merely for mentioning the fact that current immigration law is intentionally designed to reduce their percentage in the population.

Overall, Coulter’s columns are highly critical of liberals and Democrats. In 2006, she wrote:[66]

This year’s Democratic plan for the future is another inane sound bite designed to trick American voters into trusting them with national security.

To wit, they’re claiming there is no connection between the war on terror and the war in Iraq, and while they are all for the war against terror—absolutely in favor of that war—they are adamantly opposed to the Iraq war. You know, the war where the U.S. military is killing thousands upon thousands of terrorists (described in the media as “Iraqi civilians”, even if they are from Jordan, like the now-dead leader of al-Qaida in Iraq, Abu Musab al-Zarqawi). That war.

Television and radio

Ann Coulter at the 2012 Time 100

Coulter made her first national media appearance in 1996 after she was hired by the then-fledgling network MSNBC as a legal correspondent. She later appeared on CNN and Fox News.[67] Coulter went on to make frequent guest appearances on many television and radio talk shows, including American Morning, The Fifth Estate, Glenn Beck Program, The Mike Gallagher Show, The O’Reilly Factor, Real Time with Bill Maher, Red Eye w/ Greg Gutfeld, The Rush Limbaugh Show, The Sean Hannity Show, The Today Show, Lou Dobbs Tonight, Fox and Friends, The Laura Ingraham Show, The View, The Michael Medved Show, and HARDtalk.

In an interview with Bob McKeown on the January 26, 2005 edition of The Fifth Estate, Coulter came under criticism for her statement, “Canada used to be…one of our most…most loyal friends, and vice versa. I mean, Canada sent troops to Vietnam. Was Vietnam less containable and more of a threat than Saddam Hussein?” McKeown contradicted her with, “No, actually Canada did not send troops to Vietnam.”[68] On the February 18, 2005 edition ofWashington Journal, Coulter justified her statement by referring to the thousands of Canadians who served in the American armed forces during the Vietnam era, either because they volunteered or because they were living in the United States during the war years and got drafted. She said, “The Canadian Government didn’t send troops … but … they came and fought with the Americans. So I was wrong. It turns out there were 10,000 Americans who happened to be born in Canada.” (There were actually between 5,000 and 20,000 Canadians who fought in Vietnam itself, including approximately 80 who were killed.)[69] John Cloud of Time, writing about the incident a few months later, said, “Canada [sent] noncombat troops to Indochina in the 1950s and again to Vietnam in 1972″.[67]

Films

In 2004 Coulter appeared in three films. The first was Feeding the Beast, a made-for-television documentary on the “24-Hour News Revolution”.[70] The other two films were FahrenHYPE 9/11, a direct-to-video documentary rebuttal ofMichael Moore‘s Fahrenheit 911, and Is It True What They Say About Ann?, a documentary on Coulter containing clips of interviews and speeches.[71] In 2015, Coulter had a cameo as the Vice President in the made for TV movieSharknado 3: Oh Hell No!.

Personal life

Coulter has been engaged several times, but she has never married and has no children.[32] She has dated Spin founder and publisher Bob Guccione, Jr.,[21] and conservative writer Dinesh D’Souza.[72] In October 2007, she began dating Andrew Stein, the former president of the New York City Council, a liberal Democrat. When asked about the relationship, Stein told the paper, “She’s attacked a lot of my friends, but what can I say, opposites attract!”[73] On January 7, 2008, however, Stein told the New York Post that the relationship was over, citing irreconcilable differences.[74]

Coulter owns a house, bought in 2005, in Palm Beach, Florida, a condominium in Manhattan, and an apartment in Los Angeles. She votes in Palm Beach and is not registered to do so in New York or California.[75][76] She is a fan of several jam bands, such as theGrateful Dead, the Dave Matthews Band, and Phish.[77][78] Some of her favorite books include the Bible, Mere Christianity, Wuthering Heights, Anna Karenina, true crime stories about serial killers, and anything by Dave Barry.[79]

Religious views

Coulter says that she is a Christian, and belongs to the Presbyterian denomination.[2][3] Her father was Catholic while her mother was not.[80] At one public lecture she said, “I don’t care about anything else; Christ died for my sins, and nothing else matters”.[81] She summarized her view of Christianity in a 2004 column, saying, “Jesus’ distinctive message was: People are sinful and need to be redeemed, and this is your lucky day, because I’m here to redeem you even though you don’t deserve it, and I have to get the crap kicked out of me to do it.” She then mocked “the message of Jesus…according to liberals”, summarizing it as “something along the lines of ‘be nice to people,'” which, in turn, she said “is, in fact, one of the incidental tenets of Christianity”.[82]

Confronting some critics’ views that her content and style of writing is un-Christian-like,[83] Coulter stated that “I’m a Christian first and a mean-spirited, bigoted conservative second, and don’t you ever forget it.”[84] She also said, “Christianity fuels everything I write. Being a Christian means that I am called upon to do battle against lies, injustice, cruelty, hypocrisy—you know, all the virtues in the church of liberalism”.[85] In Godless: The Church of Liberalism, Coulter characterized the theory of evolution as bogus science, and contrasted her beliefs to what she called the left’s “obsession with Darwinism and the Darwinian view of the world, which replaces sanctification of life with sanctification of sex and death”.[86]

Coulter was accused of anti-semitism in an October 8, 2007 interview with Donny Deutsch on The Big Idea. During the interview, Coulter stated that the United States is a Christian nation, and said that she wants “Jews to be perfected, as they say” (referring to them being converted to Christianity).[87] Deutsch, a practicing Jew, implied that this was an anti-semitic remark, but Coulter said she didn’t consider it to be a hateful comment.[88][89] In response to Coulter’s comments on the show, the Anti-Defamation League, American Jewish Committee and Bradley Burston condemned those comments,[90] and the National Jewish Democratic Council asked media outlets to stop inviting Coulter as a guest commentator.[91] Talk show host Dennis Prager, while disagreeing with her comments, said that they were not “anti-semitic”, noting, “There is nothing in what Ann Coulter said to a Jewish interviewer on CNBC that indicates she hates Jews or wishes them ill, or does damage to the Jewish people or the Jewish state. And if none of those criteria is present, how can someone be labeled anti-Semitic?”[92] Conservative activist David Horowitz also defended Coulter against the allegation.[93]

Coulter again sparked outrage in September 2015, when she tweeted in response to multiple Republican candidates’ references to Israel during a Presidential debate, “How many f—ing Jews do these people think there are in the United States?”[94] The Anti-Defamation League referred to the tweets as “ugly, spiteful and anti-Semitic.”[95] In response to accusations of anti-Semitism, she tweeted “I like the Jews, I like fetuses, I like Reagan. Didn’t need to hear applause lines about them all night.”[94]

Political views

Coulter is a conservative columnist. She is a registered Republican and member of the advisory council of GOProud since August 9, 2011.[96]

Coulter supported George W. Bush’s presidency. She endorsed Mitt Romney in the 2008 Republican presidential primary[97] and the 2012 Republican presidential primary and presidential run.[98]

Abortion

Coulter believes Roe v. Wade should be overturned and left to the states. She is pro-life, but believes there should be an exception if a woman is raped.[99]

Illegal immigration

She strongly opposed amnesty for illegal immigrants, and at the 2013 CPAC said she has now become “a single-issue voter against amnesty”.[100]

Afghanistan War

Although she originally supported the war in Afghanistan during the Bush administration, beginning in 2009 she expressed concern that the war might have turned into another Vietnam, and opposed sending more troops to Afghanistan.[101]

Homosexuality and same-sex marriage

Coulter opposes same-sex marriage and supports a federal U.S. constitutional amendment defining marriage as a union of one man and one woman. She insists that opposing same-sex marriage “wasn’t an anti-gay thing”. and “It’s genuinely a pro-marriage position to oppose gay marriage”.[102] She also opposes civil unions as well.[103] When addressed with the issue of rights granted by marriage she said “Gays already can visit loved ones in hospitals. They can also visit neighbors, random acquaintances, and total strangers in hospitals—just like everyone else. Gays can also pass on property to whomever they would like”.[104] She disagreed with the U.S. Supreme Court‘s 2003 Lawrence v. Texas because she claims there is no right to sodomy in the Constitution,[105] however she doesn’t actually want to ban same-sex sexual activity.[106] She also disagreed with repealing Don’t Ask Don’t Tell stating that it is not an “anti-gay position; it is a pro-military position” because “sexual bonds are disruptive to the military bond”.[107]

At the 2007 CPAC, Coulter said, “I do want to point out one thing that has been driving me crazy with the media — how they keep describing Mitt Romney’s position as being pro-gays, and that’s going to upset the right wingers,” and “Well, you know, screw you! I’m not anti-gay. We’re against gay marriage. I don’t want gays to be discriminated against.” She added, “I don’t know why all gays aren’t Republican. I think we have the pro-gay positions, which is anti-crime and for tax cuts. Gays make a lot of money and they’re victims of crime. No, they are! They should be with us.”[108] In Ann’s 2007 book If Democrats Had Any Brains, They’d Be Republicans, in the chapter Gays: No Gay Left Behind!, she argued that Republican policies were more pro-gay than Democratic policies. Ann Coulter attended the 2010 HomoCon of GOProud, where she commented that same-sex marriage “is not a civil right”.[109] At the 2011 CPAC, during her question and answer segment, she was asked about GOProud and the controversy over their exclusion from the 2011 CPAC. She boasted how she talked GOProud into dropping its support for same-sex marriage in the party’s platform and said that “The left is trying to co-opt gays, and I don’t think we should let them. I think they should be on our side” and “Gays are natural conservatives”.[110] Later that year, Coulter joined advisory board for GOProud. On Logos The A-List: Dallas she told gay Republican, Taylor Garrett, that “The gays have got to be pro-life,” and “As soon as they find the gay gene, guess who the liberal yuppies are gonna start aborting?”[111]

War on Drugs

Coulter strongly supports continuing the War on Drugs.[112] However, she has said that, if there were not a welfare state, she “wouldn’t care” if drugs were legal.[113]

Political activities and commentary

Ann Coulter has described herself as a “polemicist” who likes to “stir up the pot” and doesn’t “pretend to be impartial or balanced, as broadcasters do.”[6] While her political activities in the past have included advising a plaintiff suing President Bill Clinton as well as considering a run for Congress, she mostly serves as a political pundit, sometimes creating controversy ranging from rowdy uprisings at some of the colleges where she speaks to protracted discussions in the media. Time magazine’s John Cloud once observed that Coulter “likes to shock reporters by wondering aloud whether America might be better off if women lost the right to vote.”[67] This was in reference to her statement that “it would be a much better country if women did not vote. That is simply a fact. In fact, in every presidential election since 1950—except Goldwater in ’64—the Republican would have won, if only the men had voted.”[114] Similarly, in an October 2007 interview with the New York Observer, Coulter said:[115]

If we took away women’s right to vote, we’d never have to worry about another Democrat president. It’s kind of a pipe dream, it’s a personal fantasy of mine, but I don’t think it’s going to happen. And it is a good way of making the point that women are voting so stupidly, at least single women.

It also makes the point, it is kind of embarrassing, the Democratic Party ought to be hanging its head in shame, that it has so much difficulty getting men to vote for it. I mean, you do see it’s the party of women and ‘We’ll pay for health care and tuition and day care—and here, what else can we give you, soccer moms?’

Paula Jones – Bill Clinton case

Coulter first became a public figure shortly before becoming an unpaid legal adviser for the attorneys representing Paula Jones in her sexual harassment suit against President Bill Clinton. Coulter’s friend George Conway had been asked to assist Jones’ attorneys, and shortly afterward Coulter, who wrote a column about the Paula Jones case for Human Events, was also asked to help, and she began writing legal briefs for the case.

Coulter later stated that she would come to mistrust the motives of Jones’ head lawyer, Joseph Cammaratta, who by August or September 1997 was advising Jones that her case was weak and to settle, if a favorable settlement could be negotiated.[18][116] From the outset, Jones had sought an apology from Clinton at least as eagerly as she sought a settlement.[117] However, in a later interview Coulter recounted that she herself had believed that the case was strong, that Jones was telling the truth, that Clinton should be held publicly accountable for his misconduct, and that a settlement would give the impression that Jones was merely interested in extorting money from the President.[18]

David Daley, who wrote the interview piece for The Hartford Courant recounted what followed:

Coulter played one particularly key role in keeping the Jones case alive. In Newsweek reporter Michael Isikoff’s new book Uncovering Clinton: A Reporter’s Story, Coulter is unmasked as the one who leaked word of Clinton’s “distinguishing characteristic”—his reportedly bent penis that Jones said she could recognize and describe—to the news media. Her hope was to foster mistrust between the Clinton and Jones camps and forestall a settlement … I thought if I leaked the distinguishing characteristic it would show bad faith in negotiations. [Clinton lawyer] Bob Bennett would think Jones had leaked it. Cammaratta would know he himself hadn’t leaked it and would get mad at Bennett. It might stall negotiations enough for me to get through to [Jones adviser] Susan Carpenter-McMillan to tell her that I thought settling would hurt Paula, that this would ruin her reputation, and that there were other lawyers working for her. Then 36 hours later, she returned my phone call. I just wanted to help Paula. I really think Paula Jones is a hero. I don’t think I could have taken the abuse she came under. She’s this poor little country girl and she has the most powerful man she’s ever met hitting on her sexually, then denying it and smearing her as president. And she never did anything tacky. It’s not like she was going on TV or trying to make a buck out of it.”[18]

In his book, Isikoff also reported Coulter as saying: “We were terrified that Jones would settle. It was contrary to our purpose of bringing down the President.”[116] After the book came out, Coulter clarified her stated motives, saying:

The only motive for leaking the distinguishing characteristic item that [Isikoff] gives in his book is my self-parodying remark that “it would humiliate the president” and that a settlement would foil our efforts to bring down the president…. I suppose you could take the position, as [Isikoff] does, that we were working for Jones because we thought Clinton was a lecherous, lying scumbag, but this argument gets a bit circular. You could also say that Juanita Broaddrick’s secret motive in accusing Clinton of rape is that she hates Clinton because he raped her. The whole reason we didn’t much like Clinton was that we could see he was the sort of man who would haul a low-level government employee like Paula to his hotel room, drop his pants, and say, “Kiss it.” You know: Everything his defense said about him at the impeachment trial. It’s not like we secretly disliked Clinton because of his administration’s position on California’s citrus cartels or something, and then set to work on some crazy scheme to destroy him using a pathological intern as our Mata Hari.[118]

The case went to court after Jones broke with Coulter and her original legal team, and it was dismissed via summary judgment. The judge ruled that even if her allegations proved true, Jones did not show that she had suffered any damages, stating, “…plaintiff has not demonstrated any tangible job detriment or adverse employment action for her refusal to submit to the governor’s alleged advances. The president is therefore entitled to summary judgment on plaintiff’s claim of quid pro quo sexual harassment.” The ruling wasappealed by Jones’ lawyers. During the pendency of the appeal, Clinton settled with Jones for $850,000 ($151,000 after legal fees) in November 1998, in exchange for Jones’ dismissal of the appeal. By then, the Jones lawsuit had given way to the Monica Lewinsky sex scandal.

In October 2000, Jones revealed that she would pose for nude pictures in an adult magazine, saying she wanted to use the money to pay taxes and support her grade-school-aged children, in particular saying, “I’m wanting to put them through college and maybe set up a college fund.”[119] Coulter publicly denounced Jones, calling her “the trailer-park trash they said she was” (Coulter had earlier chastened Clinton supporters for calling Jones this name),[120] after Clinton’s former campaign strategist James Carville had made the widely reported remark, “Drag a $100 bill through a trailer park, and you’ll never know what you’ll find,” and called Jones a “fraud, at least to the extent of pretending to be an honorable and moral person.”[119]

Coulter wrote:

Paula surely was given more than a million dollars in free legal assistance from an array of legal talent she will never again encounter in her life, much less have busily working on her behalf. Some of those lawyers never asked for or received a dime for hundreds of thousands of dollars in legal work performed at great professional, financial and personal cost to themselves. Others got partial payments out of the settlement. But at least they got her reputation back. And now she’s thrown it away.[121]

Jones claimed not to have been offered any help with a book deal of her own or any other additional financial help after the lawsuit.[119]

2008 presidential election

As the 2008 presidential campaign was getting under way, Coulter drew criticism for statements she made at the 2007 Conservative Political Action Conference about presidential candidate John Edwards:[122][123]

I was going to have a few comments on the other Democratic presidential candidate, John Edwards, but it turns out that you have to go into rehab if you use the word ‘faggot,’ so I’m… so, kind of at an impasse, can’t really talk about Edwards, so I think I’ll just conclude here and take your questions.

The comment was in reference to Grey’s Anatomy star Isaiah Washington‘s use of the epithet and his subsequent mandatory “psychological assessment” imposed by ABC executives.[124] It was widely interpreted as meaning that Coulter had called Edwards a “faggot,” but Coulter argued that she didn’t actually do so, while simultaneously indicating she would not have been wrong to say it.[125] Edwards responded on his web site by characterizing Coulter’s words as “un-American and indefensible,” and asking readers to help him “raise $100,000 in ‘Coulter Cash’ this week to keep this campaign charging ahead and fight back against the politics of bigotry.”[126] He also called her a “she-devil,” adding, “I should not have name-called. But the truth is—forget the names—people like Ann Coulter, they engage in hateful language.”[127] Coulter’s words also drew condemnation from many prominent Republicans and Democrats, as well as groups such as the Gay and Lesbian Alliance Against Defamation (GLAAD).[126][128][129] Three advertisers (Verizon,Sallie Mae and Netbank) also pulled their advertisements from Coulter’s web site,[130] and several newspapers dropped her column.[131][132] Coulter responded in an e-mail to the New York Times, “C’mon, it was a joke. I would never insult gays by suggesting that they are like John Edwards. That would be mean.”[129] On March 5, 2007, she appeared on Hannity and Colmes and said, “Faggot isn’t offensive to gays; it has nothing to do with gays. It’s a schoolyard taunt meaning ‘wuss.'”[133] Gay rights advocates were not convinced. “Ann Coulter’s use of this anti-gay slur is vile and unacceptable,” said Neil G. Giuliano, president of the Gay & Lesbian Alliance Against Defamation, “and the applause from her audience is an important reminder that Coulter’s ugly brand of bigotry is at the root of the discriminatory policies being promoted at this gathering.”[123] A spokesman for Sen. John McCain, a Republican presidential candidate, called Coulter’s comments “wildly inappropriate.”[123]

As the campaign waged on, she continued to insert her commentary regarding the candidates, both Democrats and Republicans. In a June 2007 interview, Coulter named Duncan Hunter as her choice for the 2008 Republican Presidential nomination, highlighting his views on immigration and specifically his anti-abortion credentials, saying “[t]his is a winning issue for us, protecting little babies.”[134] On January 16, 2008, Coulter began endorsing Governor Mitt Romney as her choice for the 2008 Republican nomination, saying he is “manifestly the best candidate” (contrasting Romney with Republican candidates John McCain, Mike Huckabee, and Rudy Giuliani).[135] By contrast, Coulter was critical of eventual Republican nominee John McCain. On the January 31, 2008 broadcast of Hannity and Colmes, Coulter claimed that if McCain won the Republican nomination for president, she would support and campaign for Hillary Clinton, stating, “[Clinton] is more conservative than McCain.”[136]

Regarding then-presidential-candidate Barack Obama in an April 2, 2008 column, she characterized his book Dreams from My Father as a “dimestore Mein Kampf.” Coulter writes, “He says the reason black people keep to themselves is that it’s ‘easier than spending all your time mad or trying to guess whatever it was that white folks were thinking about you.’ Here’s a little inside scoop about white people: We’re not thinking about you. Especially WASPs. We think everybody is inferior, and we are perfectly charming about it.”[137]

2010 Canadian university tour

Ann Coulter at CPAC in February 2012

In March 2010, Coulter announced that she would be embarking on a speaking tour of three Canadian universities, The University of Western Ontario, the University of Ottawa and the University of Calgary. The tour was organized by the International Free Press Society.[138]

On the eve of Coulter’s first speech at the University of Western Ontario, an e-mail to Coulter from François Houle, provost of the University of Ottawa, was leaked to the media. The e-mail warned that “promoting hatred against any identifiable group would not only be considered inappropriate, but could in fact lead to criminal charges.” Coulter released a public statement alleging that by sending her the e-mail, Houle was promoting hatred against conservatives.[139] During her speech at the University of Western Ontario she told a Muslim student to “take a camel,” in response to the student’s question about previous comments by Coulter that Muslims should not be allowed on airplanes.[140]

On March 22, the University of Ottawa made international news when liberal protesters conspired to prevent Coulter from speaking. The event was canceled in spite of a massive security presence; Alain Boucher of the Ottawa Police Service said there were ten officers visible at the scene, “plus other resources” nearby.[141] Boucher alleged that Coulter’s security team decided to call off the event, saying, “We gave her options,” including, he said, to “find a bigger venue.” But “they opted to cancel … It’s not up to the Ottawa police to make that decision.”[142] Boucher claimed there were no arrests.[143] CTV News reported, “It was a disaster in terms of just organization, which is probably one of the reasons why it was cancelled,” citing the small number of students tasked with confirming who had signed up to attend Coulter’s talk.[144]

Event organizer and conservative activist Ezra Levant blamed the protest on the letter sent to Coulter by Houle.[145] After the cancellation, Coulter called the University of Ottawa “bush league,” stating:[146]

I go to the best schools, Harvard, the Ivy League, and those kids are too intellectually proud to threaten speakers. … I would like to know when this sort of violence, this sort of protest, has been inflicted upon a Muslim—who appear to be, from what I’ve read of the human rights complaints, the only protected group in Canada. I think I’ll give my speech tomorrow night in a burka. That will protect me.

Comments on Islam, Arabs and terrorism

On September 14, 2001, three days after the September 11 attacks (in which her friend Barbara Olson had been killed), Coulter wrote in her column:

Airports scrupulously apply the same laughably ineffective airport harassment to Suzy Chapstick as to Muslim hijackers. It is preposterous to assume every passenger is a potential crazed homicidal maniac. We know who the homicidal maniacs are. They are the ones cheering and dancing right now. We should invade their countries, kill their leaders and convert them to Christianity. We weren’t punctilious about locating and punishing only Hitler and his top officers. We carpet-bombed German cities; we killed civilians. That’s war. And this is war.[147]

Responding to this comment, Ibrahim Hooper of the Council on American-Islamic Relations remarked in The Chicago Sun Times that before September 11, Coulter “would have faced swift repudiation from her colleagues,” but “now it’s accepted as legitimate commentary.”[148]

David Horowitz, however, saw Coulter’s words as irony:

I began running Coulter columns on Frontpagemag.com shortly after she came up with her most infamous line, which urged America to put jihadists to the sword and convert them to Christianity. Liberals were horrified; I was not. I thought to myself, this is a perfect send-up of what our Islamo-fascist enemies believe—that as infidels we should be put to the sword and converted to Islam. I regarded Coulter’s phillipic (sic) as a Swiftian commentary on liberal illusions of multi-cultural outreach to people who want to rip out our hearts.[149]

One day after the attacks (when death toll estimates were higher than later), Coulter asserted that only Muslims could have been behind the attacks:

Not all Muslims may be terrorists, but all terrorists are Muslims—at least all terrorists capable of assembling a murderous plot against America that leaves 7,000 people dead in under two hours.[150]

Coulter has been highly critical of the U.S. Department of Transportation and especially its then-secretary Norman Mineta. Her many criticisms include their refusal to use racial profiling as a component of airport screening.[151] After a group of Muslims was expelled from a US Airways flight when other passengers expressed concern, sparking a call for Muslims to boycott the airline because of the ejection from a flight of six imams, Coulter wrote:

If only we could get Muslims to boycott all airlines, we could dispense with airport security altogether.[152]

Coulter also cited the 2002 Senate testimony of FBI whistleblower Coleen Rowley, who was acclaimed for condemning her superiors for refusing to authorize a search warrant for 9-11 conspirator Zacarias Moussaoui when he refused to consent to a search of his computer. They knew that he was a Muslim in flight school who had overstayed his visa, and the French Intelligence Service had confirmed his affiliations with radical fundamentalist Islamic groups. Coulter said she agreed that probable cause existed in the case, but that refusing consent, being in flight school and overstaying a visa should not constitute grounds for a search. Citing a poll which found that 98 percent of Muslims between the ages of 20 and 45 said they would not fight for Britain in the war in Afghanistan, and that 48 percent said they would fight for Osama bin Laden,[153] she asserted “any Muslim who has attended a mosque in Europe—certainly in England, where Moussaoui lived—has had ‘affiliations with radical fundamentalist Islamic groups,'” so that she parsed Rowley’s position as meaning that “‘probable cause’ existed to search Moussaoui’s computer because he was a Muslim who had lived in England.” Because “FBI headquarters … refused to engage in racial profiling,” they failed to uncover the 9-11 plot, Coulter asserted. “The FBI allowed thousands of Americans to be slaughtered on the altar of political correctness. What more do liberals want?”[154]

Coulter wrote in another column that she had reviewed the civil rights lawsuits against certain airlines to determine which of them had subjected Arabs to the most “egregious discrimination” so that she could fly only that airline. She also said that the airline should be bragging instead of denying any of the charges of discrimination brought against them.[155] In an interview with The Guardian she quipped, “I think airlines ought to start advertising: ‘We have the most civil rights lawsuits brought against us by Arabs.'” When the interviewer replied by asking what Muslims would do for travel, she responded, “They could use flying carpets.”[114]

One comment that drew criticism from the blogosphere, as well as fellow conservatives,[156] was made during a speech at the Conservative Political Action Conference in February 2006, where she said, referring to the prospect of a nuclear-equipped Iran, “What if they start having one of these bipolar episodes with nuclear weapons? I think our motto should be, post-9-11: Raghead talks tough, raghead faces consequences.”[157] Coulter had previously written a nearly identical passage in her syndicated column: “…I believe our motto should be, after 9/11: Jihad monkey talks tough; jihad monkey takes the consequences. Sorry, I realize that’s offensive. How about ‘camel jockey‘? What? Now what’d I say? Boy, you tent merchants sure are touchy. Grow up, would you?”[158]

In October 2007, Coulter made further controversial remarks regarding Arabs—in this case Iraqis—when she stated in an interview with The New York Observer:

We’ve killed about 20,000 of them, of terrorists, of militants, of Al Qaeda members, and they’ve gotten a little over 3,000 of ours. That is where the war is being fought, in Iraq. That is where we are fighting Al Qaeda. Sorry we have to use your country, Iraqis, but you let Saddam come to power, and we are going to instill democracy in your country.[159]

In a May 2007 article looking back at the life of recently deceased evangelical Reverend Jerry Falwell, Coulter commented on his (later retracted) statement after the 9/11 attacks that “the pagans, and the abortionists, and the feminists, and the gays and the lesbianswho are actively trying to make that an alternative lifestyle, the ACLU, People For the American Way, all of them who have tried to secularize America … helped this happen.” In her article, Coulter stated that she disagreed with Falwell’s statement, “because Falwell neglected to specifically include Teddy Kennedy and ‘the Reverend’ Barry Lynn.”[160]

In October 2007, Coulter participated in David Horowitz‘ “Islamo-Fascism Awareness Week,” remarking in a speech at the University of Southern California, “The fact of Islamo-Fascism is indisputable. I find it tedious to detail the savagery of the enemy … I want to kill them. Why don’t Democrats?”[161]

In the wake of the Boston Marathon bombings Coulter told Hannity host Sean Hannity that the wife of bombing suspect Tamerlan Tsarnaev should be jailed for wearing a hijab. Coulter continued by saying “Assimilating immigrants into our culture isn’t really working. They’re assimilating us into their culture.”[162]

In the wake of the Charlie Hebdo shooting in Paris, Coulter said France “needs to move to the next step” in dealing with terror. Coulter said of some immigrants:

They don’t want to live in Muslim countries, and yet they want to change the non-Muslim countries they move to [into] Muslim countries. It may be a small minority of Muslims “and still it’s enough of them that maybe you take a little pause in Muslim immigration for a while.”[163]

In the aftermath of the second Republican Presidential Debate on CNN in September 2015 Coulter said: “How many fucking Jews do these people think there are in the United States?” [164]

Ionizing radiation as “cancer vaccine”

On March 16, 2011, discussing the Fukushima I nuclear accidents, Coulter, citing research into radiation hormesis, wrote that there was “burgeoning evidence that excess radiation operates as a sort of cancer vaccine.”[165] Her comments were criticized by figures across the political spectrum, from Fox NewsBill O’Reilly (who told Coulter, “You have to be responsible …. in something like this, you gotta get the folks out of there, and you have to report worst-case scenarios”)[166] to MSNBC‘s Ed Schulz (who stated that “You would laugh at her if she wasn’t making light of a terrible tragedy.”)[167]

2012 presidential election

During the Republican Party presidential primaries, she supported Mitt Romney over former Speaker of the House Newt Gingrich. On an interview with The O’Reilly Factor on Fox News, she compared Newt Gingrich’s attacks on the media to Jesse Jackson “accusing people of racism”.[168] On her website, she posted a column titled, “Re-elect Obama: Vote Newt!” arguing that if Newt Gingrich won the Republican nomination, Barack Obama would win re-election.[169] When asked to respond about her criticism, Newt Gingrich dismissed them as “the old order” and cited recent polls showing him ahead of Mitt Romney.[170]

On October 22, 2012, following a presidential debate between Mitt Romney and Barack Obama, Coulter published the following tweet from her official Twitter account (@anncoulter): “I highly approve of Romney’s decision to be kind and gentle to the retard,” drawing stiff criticism for her use of a word which some find offensive to describe the president of the United States. The Special Olympics condemned Coulter in a tweet shortly after Coulter’s.[171] On The Alan Colmes Show, Coulter stated that she does not regret her use of the word, saying, “‘Retard’ had been used colloquially to just mean ‘loser’ for 30 years. But no, these aggressive victims have to come out and tell you what words to use.”[172]

After the election, in which Barack Obama won, Ann Coulter wrote a column titled “Romney Was Not the Problem”. In it she argued against the idea that Mitt Romney lost because he failed to get his message across. She also said that Mitt Romney lost because he was running against an incumbent.[173]

2013 CPAC Conference

In March 2013, Coulter was one of the keynote speakers at the Conservative Political Action Conference, where she made references to New Jersey Governor Chris Christie‘s weight (“CPAC had to cut back on its speakers this year about 300 pounds”) and progressive activist Sandra Fluke‘s hairdo. (Coulter quipped that Fluke didn’t need birth control pills because “that haircut is birth control enough.”) Coulter advocated against a path to citizenship for undocumented immigrants because such new citizens would never vote for Republican candidates: “If amnesty goes through, America becomes California and no Republican will ever win another election.”[174][175]

Comments on Soccer

During the 2014 FIFA World Cup, Coulter continuously criticized the growing interest of the Americans in the national team’s campaign at the competition held in Brazil and in soccer as a whole, claiming that it represents the country’s “moral decay”. On her article, she claims that:[176]

You can’t use your hands in soccer. (Thus eliminating the danger of having to catch a fly ball.) What sets man apart from the lesser beasts, besides a soul, is that we have opposable thumbs. Our hands can hold things. Here’s a great idea: Let’s create a game where you’re not allowed to use them!

Soccer is like the metric system, which liberals also adore because it’s European. Naturally, the metric system emerged from the French Revolution, during the brief intervals when they weren’t committing mass murder by guillotine.

If more “Americans” are watching soccer today, it’s only because of the demographic switch effected by Teddy Kennedy’s 1965 immigration law. I promise you: No American whose great-grandfather was born here is watching soccer. One can only hope that, in addition to learning English, these new Americans will drop their soccer fetish with time.[177]

VDARE

Coulter has been a contributor to VDARE since 2006.[178]

VDARE is a right wing website and blog founded by anti-immigration activist and paleo-conservative Peter Brimelow.[179] VDARE is considered controversial because of its alleged ties to white supremacist rhetoric and support of scientific racism and white nationalism.[180][181][182][183] It has been designated as a “hate group” by the Southern Poverty Law Center.[184]

Bibliography

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Ayn Rand

From Wikipedia, the free encyclopedia
Ayn Rand
Ayn Rand.jpg
Born Alisa Zinov’yevna Rosenbaum
February 2, 1905
St. Petersburg, Russia
Died March 6, 1982 (aged 77)
New York City, New York, U.S.
Resting place Kensico Cemetery
Valhalla, New York, U.S.
Pen name Ayn Rand
Occupation Writer
Language English
Ethnicity Russian Jewish
Citizenship 1905–22  Russian
1922–31  Soviet
1931–82  American
Alma mater Petrograd State University
Period 1934–1982
Subject Philosophy
Notable works The Fountainhead
Atlas Shrugged
Notable awards Prometheus Award Hall of Fame inductee in 1987 (forAnthem) and co-inaugural inductee in 1983 (for Atlas Shrugged)
Spouse Frank O’Connor (m. 1929;wid. 1979)

Signature Ayn Rand

Ayn Rand (/ˈn ˈrænd/;[1] born Alisa Zinov’yevna Rosenbaum, Russian: Али́са Зино́вьевна Розенба́ум; February 2 [O.S. January 20] 1905 – March 6, 1982) was a Russian-born American novelist, philosopher,[2] playwright, and screenwriter. She is known for her two best-selling novels, The Fountainhead and Atlas Shrugged, and for developing a philosophical system she called Objectivism. Born and educated in Russia, Rand moved to the United States in 1926. She had a play produced on Broadway in 1935–1936. After two early novels that were initially unsuccessful in America, she achieved fame with her 1943 novel, The Fountainhead.

In 1957, she published her best-known work, the novel Atlas Shrugged. Afterward, she turned to non-fiction to promote her philosophy, publishing her own magazines and releasing several collections of essays until her death in 1982. Rand advocated reason as the only means of acquiring knowledge and rejected faith and religion. She supported rational and ethical egoism, and rejected altruism. In politics, she condemned the initiation of force as immoral[3] and opposed collectivism and statism as well as anarchism, instead supporting laissez-faire capitalism, which she defined as the system based on recognizing individual rights.[4] In art, Rand promoted romantic realism. She was sharply critical of most philosophers and philosophical traditions known to her, except for some Aristotelians and classical liberals.[5]

Literary critics received Rand’s fiction with mixed reviews,[6] and academia generally ignored or rejected her philosophy, though academic interest has increased in recent decades.[7][8][9] The Objectivist movement attempts to spread her ideas, both to the public and in academic settings.[10] She has been a significant influence amonglibertarians and American conservatives.[11]

Life

Early life

Rand was born Alisa Zinov’yevna Rosenbaum (Russian: Али́са Зиновьевна Розенбаум) on February 2, 1905, to a Russian Jewish bourgeois[12] family living in Saint Petersburg. She was the eldest of the three daughters of Zinovy Zakharovich Rosenbaum and his wife, Anna Borisovna (née Kaplan), largely non-observant Jews. Zinovy Rosenbaum was a successful pharmacist and businessman, eventually owning a pharmacy and the building in which it was located.[13] With a passion for the liberal arts, Rand later said she found school unchallenging and she began writing screenplays at the age of eight and novels at the age of ten.[14] At the prestigious Stoiunina Gymnasium, her closest friend was Vladimir Nabokov‘s younger sister, Olga. The two girls shared an intense interest in politics and would engage in debates at theNabokov mansion: while Nabokova defended constitutional monarchy, Rand supported republican ideals.[15] She was twelve at the time of the February Revolution of 1917, during which she favored Alexander Kerensky over Tsar Nicholas II.

The subsequent October Revolution and the rule of the Bolsheviks under Vladimir Lenin disrupted the life the family had previously enjoyed. Her father’s business was confiscated and the family displaced. They fled to the Crimean Peninsula, which was initially under control of the White Army during the Russian Civil War. She later recalled that, while in high school, she determined that she was an atheist and that she valued reason above any other human virtue. After graduating from high school in the Crimea at 16, Rand returned with her family to Petrograd (as Saint Petersburg was renamed at that time), where they faced desperate conditions, on occasion nearly starving.[16][17]

The Twelve Collegia of what was then Petrograd State University

Rand completed a three-year program at Petrograd State University.

After the Russian Revolution, universities were opened to women, allowing Rand to be in the first group of women to enroll at Petrograd State University,[18] where, at the age of 16, she began her studies in the department of social pedagogy, majoring in history.[19] At the university she was introduced to the writings of Aristotle and Plato,[20] who would be her greatest influence and counter-influence, respectively.[21] A third figure whose philosophical works she studied heavily was Friedrich Nietzsche.[22] Able to read French, German and Russian, Rand also discovered the writers Fyodor Dostoevsky, Victor Hugo, Edmond Rostand, and Friedrich Schiller, who became her perennial favorites.[23]

Along with many other “bourgeois” students, Rand was purged from the university shortly before graduating. However, after complaints from a group of visiting foreign scientists, many of the purged students were allowed to complete their work and graduate,[24] which Rand did in October 1924.[25] She subsequently studied for a year at the State Technicum for Screen Arts in Leningrad. For one of her assignments, she wrote an essay about the Polish-American actress Pola Negri, which became her first published work.[26]

By this time she had decided her professional surname for writing would be Rand,[27] possibly as a Cyrillic contraction of her birth surname,[28] and she adopted the first nameAyn, either from a Finnish name Aino or from the Hebrew word עין (ayin, meaning “eye”).[29]

Arrival in the United States

A brown book cover with black-and-white drawings and text in Russian. The drawing on the left is a portrait of a woman with dark hair; the drawing on the right is of skyscrapers.

Cover of Rand’s first published work, a 2,500-word monograph on femme fatalePola Negri published in 1925.[26]

In the autumn of 1925, Rand was granted a visa to visit American relatives.[30] She departed on January 17, 1926.[31] When she arrived in New York City on February 19, 1926, she was so impressed with the skyline of Manhattan that she cried what she later called “tears of splendor”.[32] Intent on staying in the United States to become a screenwriter, she lived for a few months with relatives in Chicago, one of whom owned a movie theater and allowed her to watch dozens of films for free. She then set out for Hollywood, California.[33]

Initially, Rand struggled in Hollywood and took odd jobs to pay her basic living expenses. A chance meeting with famed director Cecil B. DeMille led to a job as an extra in his film The King of Kings as well as subsequent work as a junior screenwriter.[34] While working on The King of Kings, she met an aspiring young actor, Frank O’Connor; the two were married on April 15, 1929, around the time her last visa extension was set to expire. She became a permanent US resident in July 1929, and became an American citizen on March 3, 1931.[35]Taking various jobs during the 1930s to support her writing, she worked for a time as the head of the costume department at RKO Studios.[36] She made several attempts to bring her parents and sisters to the United States, but they were unable to acquire permission to emigrate.[37]

Early fiction

Rand’s first literary success came with the sale of her screenplay Red Pawn to Universal Studios in 1932, although it was never produced.[38] This was followed by the courtroom drama Night of January 16th, first produced by E.E. Clive in Hollywood in 1934 and then successfully reopened on Broadway in 1935. Each night the “jury” was selected from members of the audience, and one of the two different endings, depending on the jury’s “verdict”, would then be performed.[39] In 1941, Paramount Pictures produced a movie loosely based on the play. Rand did not participate in the production and was highly critical of the result.[40] Ideal is a novel and play written in 1934 which were first published in 2015 by her estate. The heroine is an actress who embodies Randian ideals.[41]

Rand’s first published novel, the semi-autobiographical We the Living, was published in 1936. Set in Soviet Russia, it focused on the struggle between the individual and the state. In a 1959 foreword to the novel, Rand stated that We the Living “is as near to an autobiography as I will ever write. It is not an autobiography in the literal, but only in the intellectual sense. The plot is invented, the background is not…”[42] Initial sales were slow and the American publisher let it go out of print,[43] although European editions continued to sell.[44] After the success of her later novels, Rand was able to release a revised version in 1959 that has since sold over three million copies.[45] In 1942, without Rand’s knowledge or permission, the novel was made into a pair of Italian films, Noi vivi and Addio, Kira. Rediscovered in the 1960s, these films were re-edited into a new version which was approved by Rand and re-released as We the Living in 1986.[46]

Her novella Anthem was written during a break from the writing of her next major novel, The Fountainhead. It presents a vision of a dystopian future world in which totalitarian collectivism has triumphed to such an extent that even the word ‘I’ has been forgotten and replaced with ‘we’.[47] It was published in England in 1938, but Rand initially could not find an American publisher. As with We the Living, Rand’s later success allowed her to get a revised version published in 1946, which has sold more than 3.5 million copies.[48]

The Fountainhead and political activism

During the 1940s, Rand became politically active. Both she and her husband worked full-time in volunteer positions for the 1940 presidential campaign of Republican Wendell Willkie. This work led to Rand’s first public speaking experiences, including fielding the sometimes hostile questions from New York City audiences who had just viewed pro-Willkie newsreels, an experience she greatly enjoyed.[49] This activity also brought her into contact with other intellectuals sympathetic to free-market capitalism. She became friends with journalist Henry Hazlitt and his wife, and Hazlitt introduced her to the Austrian School economist Ludwig von Mises. Despite her philosophical differences with them, Rand strongly endorsed the writings of both men throughout her career, and both of them expressed admiration for her. Once Mises referred to Rand as “the most courageous man in America”, a compliment that particularly pleased her because he said “man” instead of “woman”.[50] Rand also developed a friendship with libertarian writer Isabel Paterson. Rand questioned the well-informed Paterson about American history and politics long into the night during their numerous meetings and gave Paterson ideas for her only nonfiction book, The God of the Machine.[51]

Rand’s first major success as a writer came with The Fountainhead in 1943, a romantic and philosophical novel that she wrote over a period of seven years.[52] The novel centers on an uncompromising young architect named Howard Roark and his struggle against what Rand described as “second-handers”—those who attempt to live through others, placing others above themselves. It was rejected by twelve publishers before finally being accepted by the Bobbs-Merrill Company on the insistence of editor Archibald Ogden, who threatened to quit if his employer did not publish it.[53] While completing the novel, Rand was prescribedBenzedrine, a brand of amphetamine, to fight fatigue.[54] The drug helped her to work long hours to meet her deadline for delivering the finished novel, but when the book was done, she was so exhausted that her doctor ordered two weeks’ rest.[55] Her use of the drug for approximately three decades may have contributed to what some of her later associates described as volatile mood swings.[56]

The Fountainhead eventually became a worldwide success, bringing Rand fame and financial security.[57] In 1943, Rand sold the rights for a film version to Warner Bros., and she returned to Hollywood to write the screenplay. Finishing her work on that screenplay, she was hired by producer Hal Wallis as a screenwriter and script-doctor. Her work for Wallis included the screenplays for the Oscar-nominated Love Letters andYou Came Along.[58] This role gave Rand time to work on other projects, including a planned nonfiction treatment of her philosophy to be called The Moral Basis of Individualism. Although the planned book was never completed, a condensed version was published as an essay titled “The Only Path to Tomorrow”, in the January 1944 edition of Reader’s Digest magazine.[59]

Rand extended her involvement with free-market and anti-communist activism while working in Hollywood. She became involved with the Motion Picture Alliance for the Preservation of American Ideals, a Hollywood anti-Communist group, and wrote articles on the group’s behalf. She also joined the anti-Communist American Writers Association.[60] A visit by Isabel Paterson to meet with Rand’s California associates led to a final falling out between the two when Paterson made comments to valued political allies, which Rand considered rude.[61] In 1947, during the Second Red Scare, Rand testified as a “friendly witness” before the United States House Un-American Activities Committee. Her testimony described the disparity between her personal experiences in the Soviet Union and the portrayal of it in the 1944 film Song of Russia.[62] Rand argued that the film grossly misrepresented conditions in the Soviet Union, portraying life there as being much better and happier than it actually was.[63] She wanted to also criticize the lauded 1946 film The Best Years of Our Lives for what she interpreted as its negative presentation of the business world, but she was not allowed to testify about it.[64] When asked after the hearings about her feelings on the effectiveness of the investigations, Rand described the process as “futile”.[65]

After several delays, the film version of The Fountainhead was released in 1949. Although it used Rand’s screenplay with minimal alterations, she “disliked the movie from beginning to end”, complaining about its editing, acting, and other elements.[66]

Atlas Shrugged and Objectivism

In the years following the publication of The Fountainhead, Rand received numerous letters from readers, some of whom it profoundly influenced. In 1951 Rand moved from Los Angeles to New York City, where she gathered a group of these admirers around her. This group (jokingly designated “The Collective”) included future Federal Reserve Chairman Alan Greenspan, a young psychology student named Nathan Blumenthal (later Nathaniel Branden) and his wife Barbara, and Barbara’s cousin Leonard Peikoff. At first the group was an informal gathering of friends who met with Rand on weekends at her apartment to discuss philosophy. Later she began allowing them to read the drafts of her new novel, Atlas Shrugged, as the manuscript pages were written. In 1954 Rand’s close relationship with the younger Nathaniel Branden turned into a romantic affair, with the consent of their spouses.[67]

Atlas Shrugged, published in 1957, was considered Rand’s magnum opus.[68] Rand described the theme of the novel as “the role of the mind in man’s existence—and, as a corollary, the demonstration of a new moral philosophy: the morality of rational self-interest.”[69] It advocates the core tenets of Rand’s philosophy of Objectivism and expresses her concept of human achievement. The plot involves a dystopian United States in which the most creative industrialists, scientists, and artists go on strike and retreat to a mountainous hideaway where they build an independent free economy. The novel’s hero and leader of the strike,John Galt, describes the strike as “stopping the motor of the world” by withdrawing the minds of the individuals most contributing to the nation’s wealth and achievement. With this fictional strike, Rand intended to illustrate that without the efforts of the rational and productive, the economy would collapse and society would fall apart. The novel includes elements of romance,[70][71] mystery, and science fiction,[72] and it contains Rand’s most extensive statement of Objectivism in any of her works of fiction, a lengthy monologue delivered by Galt.

Despite many negative reviews, Atlas Shrugged became an international bestseller, and in an interview with Mike Wallace, Rand declared herself “the most creative thinker alive”.[73] After completing the novel, Rand fell into a severe depression.[74] Atlas Shrugged was Rand’s last completed work of fiction; a turning point in her life, it marked the end of Rand’s career as a novelist and the beginning of her role as a popular philosopher.[75]

In 1958 Nathaniel Branden established Nathaniel Branden Lectures, later incorporated as the Nathaniel Branden Institute (NBI), to promote Rand’s philosophy. Collective members gave lectures for NBI and wrote articles for Objectivist periodicals that she edited. Rand later published some of these articles in book form. Critics, including some former NBI students and Branden himself, have described the culture of NBI as one of intellectual conformity and excessive reverence for Rand, with some describing NBI or the Objectivist movement itself as a cult or religion.[76] Rand expressed opinions on a wide range of topics, from literature and music to sexuality and facial hair, and some of her followers mimicked her preferences, wearing clothes to match characters from her novels and buying furniture like hers.[77] Rand was unimpressed with many of the NBI students[78] and held them to strict standards, sometimes reacting coldly or angrily to those who disagreed with her.[79] However, some former NBI students believe the extent of these behaviors has been exaggerated, with the problem being concentrated among Rand’s closest followers in New York.[80]

Later years

Throughout the 1960s and 1970s, Rand developed and promoted her Objectivist philosophy through her nonfiction works and by giving talks to students at institutions such as Yale, Princeton, Columbia,[81] Harvard, and MIT.[82] She received an honorary doctorate from Lewis & Clark College in 1963.[83] She also began delivering annual lectures at the Ford Hall Forum, responding afterward to questions from the audience.[84]During these speeches and Q&A sessions, she often took controversial stances on political and social issues of the day. These included supporting abortion rights,[85] opposing the Vietnam War and the military draft(but condemning many draft dodgers as “bums”),[86] supporting Israel in the Yom Kippur War of 1973 against a coalition of Arab nations as “civilized men fighting savages”,[87] saying European colonists had the right to develop land taken from American Indians,[88] and calling homosexuality “immoral” and “disgusting”, while also advocating the repeal of all laws about it.[89] She also endorsed several Republican candidates for President of the United States, most strongly Barry Goldwater in 1964, whose candidacy she promoted in several articles for The Objectivist Newsletter.[90]

A twin gravestone bearing the name "Frank O'Connor" on the left, and "Ayn Rand O'Connor" on the right

Grave marker for Rand and her husband at Kensico Cemetery inValhalla, New York

In 1964 Nathaniel Branden began an affair with the young actress Patrecia Scott, whom he later married. Nathaniel and Barbara Branden kept the affair hidden from Rand. When she learned of it in 1968, though her romantic relationship with Branden had already ended,[91] Rand terminated her relationship with both Brandens, which led to the closure of NBI.[92] Rand published an article in The Objectivist repudiating Nathaniel Branden for dishonesty and other “irrational behavior in his private life”.[93] Branden later apologized in an interview to “every student of Objectivism” for “perpetuating the Ayn Rand mystique” and for “contributing to that dreadful atmosphere of intellectual repressiveness that pervades the Objectivist movement.”[94] In subsequent years, Rand and several more of her closest associates parted company.[95]

Rand underwent surgery for lung cancer in 1974 after decades of heavy smoking.[96] In 1976, she retired from writing her newsletter and, despite her initial objections, allowed Evva Pryor, a social worker from her attorney’s office, to enroll her in Social Security and Medicare.[97][98] During the late 1970s her activities within the Objectivist movement declined, especially after the death of her husband on November 9, 1979.[99] One of her final projects was work on a never-completed television adaptation of Atlas Shrugged.[100]

Rand died of heart failure on March 6, 1982, at her home in New York City,[101] and was interred in the Kensico Cemetery, Valhalla, New York.[102] Rand’s funeral was attended by some of her prominent followers, including Alan Greenspan. A 6-foot (1.8 m) floral arrangement in the shape of a dollar sign was placed near her casket.[103] In her will, Rand named Leonard Peikoff the heir to her estate.[104]

Philosophy

Rand called her philosophy “Objectivism”, describing its essence as “the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute.”[105] She considered Objectivism a systematic philosophy and laid out positions on metaphysics,epistemology, ethics, political philosophy and aesthetics.[106]Main article: Objectivism (Ayn Rand)

In metaphysics, Rand supported philosophical realism, and opposed anything she regarded as mysticism or supernaturalism, including all forms of religion.[107]

In epistemology, she considered all knowledge to be based on sense perception, the validity of which she considered axiomatic,[108] and reason, which she described as “the faculty that identifies and integrates the material provided by man’s senses.”[109] She rejected all claims of non-perceptual or a priori knowledge, including “‘instinct,’ ‘intuition,’ ‘revelation,’ or any form of ‘just knowing.'”[110] Rand argued that the requirements of cognition determine the objective criteria of conceptualization, which she summarized in the form of a philosophical razor. Known as “Rand’s razor,” it states that “concepts are not to be multiplied beyond necessity—the corollary of which is: nor are they to be integrated in disregard of necessity.”[111] In her Introduction to Objectivist Epistemology, Rand presented a theory of concept formation and rejected the analytic–synthetic dichotomy.[112]

In ethics, Rand argued for rational and ethical egoism (rational self-interest), as the guiding moral principle. She said the individual should “exist for his own sake, neither sacrificing himself to others nor sacrificing others to himself.”[113] She referred to egoism as “the virtue of selfishness” in her book of that title,[114] in which she presented her solution to the is-ought problem by describing a meta-ethical theory that based morality in the needs of “man’s survival qua man”.[115] She condemned ethical altruism as incompatible with the requirements of human life and happiness,[9] and held that the initiation of force was evil and irrational, writing in Atlas Shrugged that “Force and mind are opposites.”[116]

Rand’s political philosophy emphasized individual rights (including property rights),[117] and she considered laissez-faire capitalism the only moral social system because in her view it was the only system based on the protection of those rights.[4] She opposed statism, which she understood to include theocracy, absolute monarchy, Nazism, fascism,communism, democratic socialism, and dictatorship.[118] Rand believed that natural rights should be enforced by a constitutionally limited government.[119] Although her political views are often classified as conservative or libertarian, she preferred the term “radical for capitalism”. She worked with conservatives on political projects, but disagreed with them over issues such as religion and ethics.[120] She denounced libertarianism, which she associated with anarchism.[121] She rejected anarchism as a naïve theory based in subjectivism that could only lead to collectivism in practice.[122]

Rand’s aesthetics defined art as a “selective re-creation of reality according to an artist’s metaphysical value-judgments.” According to Rand, art allows philosophical concepts to be presented in a concrete form that can be easily grasped, thereby fulfilling a need of human consciousness.[123] As a writer, the art form Rand focused on most closely was literature, where she considered romanticism to be the approach that most accurately reflected the existence of human free will.[124] She described her own approach to literature as “romantic realism“.[125]

Rand acknowledged Aristotle as her greatest influence[126] and remarked that in the history of philosophy she could only recommend “three A’s”—Aristotle, Aquinas, and Ayn Rand.[127] In a 1959 interview with Mike Wallace, when asked where her philosophy came from, she responded, “Out of my own mind, with the sole acknowledgement of a debt to Aristotle, the only philosopher who ever influenced me. I devised the rest of my philosophy myself.”[128] However, she also found early inspiration in Friedrich Nietzsche,[129] and scholars have found indications of his influence in early notes from Rand’s journals,[130] in passages from the first edition of We the Living (which Rand later revised),[131] and in her overall writing style.[132] However, by the time she wrote The Fountainhead, Rand had turned against Nietzsche’s ideas,[133] and the extent of his influence on her even during her early years is disputed.[134] Among the philosophers Rand held in particular disdain was Immanuel Kant, whom she referred to as a “monster”,[135] although philosophers George Walsh[136] and Fred Seddon[137] have argued that she misinterpreted Kant and exaggerated their differences.

Rand said her most important contributions to philosophy were her “theory of concepts, [her] ethics, and [her] discovery in politics that evil—the violation of rights—consists of the initiation of force.”[138] She believed epistemology was a foundational branch of philosophy and considered the advocacy of reason to be the single most significant aspect of her philosophy,[139] stating, “I am not primarily an advocate of capitalism, but of egoism; and I am not primarily an advocate of egoism, but of reason. If one recognizes the supremacy of reason and applies it consistently, all the rest follows.”[140]

Reception and legacy

Reviews[edit]

During Rand’s lifetime, her work evoked both extreme praise and condemnation. Rand’s first novel, We the Living, was admired by the literary critic H. L. Mencken,[141] her Broadway play Night of January 16th was both a critical and popular success,[142] and The Fountainhead was hailed by a reviewer in The New York Times as “masterful”.[143] Rand’s novels were derided by some critics when they were first published as being long and melodramatic.[6] However, they became bestsellers largely through word of mouth.[144]

The first reviews Rand received were for Night of January 16th. Reviews of the production were largely positive, but Rand considered even positive reviews to be embarrassing because of significant changes made to her script by the producer.[142] Rand believed that her first novel, We the Living, was not widely reviewed, but Rand scholar Michael S. Berliner says “it was the most reviewed of any of her works”, with approximately 125 different reviews being published in more than 200 publications. Overall these reviews were more positive than the reviews she received for her later work.[145] Her 1938 novella Anthem received little attention from reviewers, both for its first publication in England and for subsequent re-issues.[146]

Rand’s first bestseller, The Fountainhead, received far fewer reviews than We the Living, and reviewers’ opinions were mixed.[147] There was a positive review in The New York Times that Rand greatly appreciated.[148] The reviewer called Rand “a writer of great power” who wrote “brilliantly, beautifully and bitterly”, and stated that “you will not be able to read this masterful book without thinking through some of the basic concepts of our time”.[143] There were other positive reviews, but Rand dismissed most of them as either not understanding her message or as being from unimportant publications.[147] Some negative reviews focused on the length of the novel,[6] such as one that called it “a whale of a book” and another that said “anyone who is taken in by it deserves a stern lecture on paper-rationing”. Other negative reviews called the characters unsympathetic and Rand’s style “offensively pedestrian”.[147]

Rand’s 1957 novel Atlas Shrugged was widely reviewed, and many of the reviews were strongly negative.[6][149] In the National Review, conservative author Whittaker Chambers called the book “sophomoric” and “remarkably silly”. He described the tone of the book as “shrillness without reprieve” and accused Rand of supporting a godless system (which he related to that of the Soviets), claiming “From almost any page ofAtlas Shrugged, a voice can be heard, from painful necessity, commanding: ‘To a gas chamber—go!'”[150] Atlas Shrugged received positive reviews from a few publications, including praise from the noted book reviewer John Chamberlain,[149] but Rand scholar Mimi Reisel Gladstein later wrote that “reviewers seemed to vie with each other in a contest to devise the cleverest put-downs”, calling it “execrable claptrap” and “a nightmare”; they said it was “written out of hate” and showed “remorseless hectoring and prolixity”.[6] Author Flannery O’Connor wrote in a letter to a friend that “The fiction of Ayn Rand is as low as you can get re fiction. I hope you picked it up off the floor of the subway and threw it in the nearest garbage pail.”[151]

Rand’s nonfiction received far fewer reviews than her novels had. The tenor of the criticism for her first nonfiction book, For the New Intellectual, was similar to that for Atlas Shrugged,[152][153] with philosopher Sidney Hook likening her certainty to “the way philosophy is written in the Soviet Union”,[154] and author Gore Vidal calling her viewpoint “nearly perfect in its immorality”.[155] Her subsequent books got progressively less attention from reviewers.[152]

On the 100th anniversary of Rand’s birth in 2005, Edward Rothstein, writing for The New York Times, referred to her fictional writing as quaint utopian “retro fantasy” and programmatic neo-Romanticism of the misunderstood artist, while criticizing her characters’ “isolated rejection of democratic society”.[156] In 2007, book critic Leslie Clark described her fiction as “romance novels with a patina of pseudo-philosophy“.[157] In 2009, GQ‍ ’​s critic columnist Tom Carson described her books as “capitalism’s version of middlebrow religious novels” such as Ben-Hur and the Left Behind series.[158]

Popular interest

An engraving in all capital letters that reads: "Throughout the centuries there were men who took first steps down new roads armed with nothing but their own vision." Ayn Rand

A quote from Rand’s book The Fountainhead, on the wall directly across from the entrance to The American Adventure rotunda at Walt Disney World’s Epcot.

In 1991, a survey conducted for the Library of Congress and the Book-of-the-Month Club asked club members what the most influential book in the respondent’s life was. Rand’s Atlas Shrugged was the second most popular choice, after the Bible.[159] Rand’s books continue to be widely sold and read, with over 29 million copies sold as of 2013 (with about 10% of that total purchased for free distribution to schools by the Ayn Rand Institute).[160] Although Rand’s influence has been greatest in the United States, there has been international interest in her work.[7][161] Rand’s work continues to be among the top sellers among books in India.[162]

Rand’s contemporary admirers included fellow novelists, such as Ira Levin, Kay Nolte Smith and L. Neil Smith, and later writers such as Erika Holzer and Terry Goodkind have been influenced by her.[163] Other artists who have cited Rand as an important influence on their lives and thought include comic book artist Steve Ditko[164] and musician Neil Peart of Rush.[165] Rand provided a positive view of business, and in response business executives and entrepreneurs have admired and promoted her work.[166] John Allisonof BB&T and Ed Snider of Comcast Spectacor have funded the promotion of Rand’s ideas,[167] while Mark Cuban, owner of the Dallas Mavericks, and John P. Mackey, CEO of Whole Foods, among others, have said they consider Rand crucial to their success.[168]

Rand and her works have been referred to in a variety of media: on television shows including animated sitcoms, live-action comedies, dramas, and game shows,[169] as well as in movies and video games.[170] She, or a character based on her, figures prominently (in positive and negative lights) in literary and science fiction novels by prominent American authors.[171] Nick Gillespie, editor in chief of Reason, has remarked that “Rand’s is a tortured immortality, one in which she’s as likely to be a punch line as a protagonist…” and that “jibes at Rand as cold and inhuman, run through the popular culture”.[172] Two movies have been made about Rand’s life. A 1997 documentary film, Ayn Rand: A Sense of Life, was nominated for the Academy Award for Documentary Feature.[173] The Passion of Ayn Rand, a 1999 television adaptation of the book of the same name, won several awards.[174] Rand’s image also appears on a 1999 U.S. postage stamp designed by artist Nick Gaetano.[175][176]

Political influence

Although she rejected the labels “conservative” and “libertarian“,[177] Rand has had continuing influence on right-wing politics and libertarianism.[11] Jim Powell, a senior fellow at the Cato Institute, considers Rand one of the three most important women (along with Rose Wilder Lane and Isabel Paterson) of modern American libertarianism,[178] and David Nolan, one of the founders of the Libertarian Party, stated that “without Ayn Rand, the libertarian movement would not exist”.[179] In his history of the libertarian movement, journalist Brian Doherty described her as “the most influential libertarian of the twentieth century to the public at large”,[159] and biographer Jennifer Burns referred to her as “the ultimate gateway drug to life on the right”.[180]

In a large outdoor crowd, a man holds up a poster with the words "I am John Galt" in all capital letters

A protester at an April 2009 Tea Party rally carries a sign referring toJohn Galt, the hero of Rand’s novelAtlas Shrugged

She faced intense opposition from William F. Buckley, Jr. and other contributors for the National Review magazine. They published numerous criticisms in the 1950s and 1960s by Whittaker Chambers, Garry Wills, and M. Stanton Evans. Nevertheless, her influence among conservatives forced Buckley and other National Review contributors to reconsider how traditional notions of virtue and Christianity could be integrated with support for capitalism.[181]

The political figures who cite Rand as an influence are usually conservatives (often members of the United States Republican Party),[182] despite Rand taking some positions that are atypical for conservatives, such as being pro-choice and an atheist.[183] A 1987 article in The New York Times referred to her as the Reagan administration‘s “novelist laureate”.[184] Republican Congressmen and conservative pundits have acknowledged her influence on their lives and recommended her novels.[185]

The late-2000s financial crisis spurred renewed interest in her works, especially Atlas Shrugged, which some saw as foreshadowing the crisis,[186] and opinion articles compared real-world events with the plot of the novel.[187] During this time, signs mentioning Rand and her fictional hero John Galt appeared at Tea Party protests.[188] There was also increased criticism of her ideas, especially from the political left, with critics blaming the economic crisis on her support of selfishness and free markets, particularly through her influence on Alan Greenspan.[189] For example, Mother Jones remarked that “Rand’s particular genius has always been her ability to turn upside down traditional hierarchies and recast the wealthy, the talented, and the powerful as the oppressed”,[183] while equating Randian individual well-being with that of the Volk according to Goebbels. Corey Robin of The Nation alleged similarities between the “moral syntax of Randianism” and fascism.[190]

Academic reaction

During Rand’s lifetime her work received little attention from academic scholars.[10] When the first academic book about Rand’s philosophy appeared in 1971, its author declared writing about Rand “a treacherous undertaking” that could lead to “guilt by association” for taking her seriously.[191] A few articles about Rand’s ideas appeared in academic journals before her death in 1982, many of them in The Personalist.[192] One of these was “On the Randian Argument” by libertarian philosopher Robert Nozick, who argued that her meta-ethical argument is unsound and fails to solve the is–ought problem posed by David Hume.[193] Some responses to Nozick by other academic philosophers were also published in The Personalist arguing that Nozick misstated Rand’s case.[192] Academic consideration of Rand as a literary figure during her life was even more limited. Academic Mimi Gladstein was unable to find any scholarly articles about Rand’s novels when she began researching her in 1973, and only three such articles appeared during the rest of the 1970s.[194]

Since Rand’s death, interest in her work has gradually increased.[195] Historian Jennifer Burns has identified “three overlapping waves” of scholarly interest in Rand, the most recent of which is “an explosion of scholarship” since the year 2000.[196] However, few universities currently include Rand or Objectivism as a philosophical specialty or research area, with many literature and philosophy departments dismissing her as a pop culture phenomenon rather than a subject for serious study.[197]

Gladstein, Chris Matthew Sciabarra, Allan Gotthelf, Edwin A. Locke and Tara Smith have taught her work in academic institutions. Sciabarra co-edits the Journal of Ayn Rand Studies, a nonpartisan peer-reviewed journal dedicated to the study of Rand’s philosophical and literary work.[198] In 1987 Gotthelf helped found the Ayn Rand Society with George Walsh and David Kelley, and has been active in sponsoring seminars about Rand and her ideas.[199] Smith has written several academic books and papers on Rand’s ideas, including Ayn Rand’s Normative Ethics: The Virtuous Egoist, a volume on Rand’s ethical theory published byCambridge University Press. Rand’s ideas have also been made subjects of study at Clemson and Duke universities.[200] Scholars of English and American literature have largely ignored her work,[201] although attention to her literary work has increased since the 1990s.[202]

Rand scholars Douglas Den Uyl and Douglas B. Rasmussen, while stressing the importance and originality of her thought, describe her style as “literary, hyperbolic and emotional”.[203] Philosopher Jack Wheeler says that despite “the incessant bombast and continuous venting of Randian rage”, Rand’s ethics are “a most immense achievement, the study of which is vastly more fruitful than any other in contemporary thought.”[204] In the Literary Encyclopedia entry for Rand written in 2001, John David Lewis declared that “Rand wrote the most intellectually challenging fiction of her generation”.[205] In a 1999 interview in theChronicle of Higher Education, Sciabarra commented, “I know they laugh at Rand”, while forecasting a growth of interest in her work in the academic community.[206]

Libertarian philosopher Michael Huemer has argued that very few people find Rand’s ideas convincing, especially her ethics,[207] which he believes is difficult to interpret and may lack logical coherence.[208] He attributes the attention she receives to her being a “compelling writer”, especially as a novelist. Thus, Atlas Shrugged outsells not only the works of other philosophers of classical liberalism such as Ludwig von Mises,Friedrich Hayek, or Frederic Bastiat, but also Rand’s own non-fiction works.[207]

Political scientist Charles Murray, while praising Rand’s literary accomplishments, criticizes her claim that her only “philosophical debt” was to Aristotle, instead asserting that her ideas were derivative of previous thinkers such as John Locke and Friedrich Nietzsche.[209]

Although Rand maintained that Objectivism was an integrated philosophical system, philosopher Robert H. Bass has argued that her central ethical ideas are inconsistent and contradictory to her central political ideas.[210]

Objectivist movement

Main article: Objectivist movement

In 1985, Rand’s heir Leonard Peikoff established the Ayn Rand Institute, a nonprofit organization dedicated to promoting Rand’s ideas and works. In 1990, philosopher David Kelley founded the Institute for Objectivist Studies, now known as The Atlas Society.[211] In 2001 historian John McCaskey organized the Anthem Foundation for Objectivist Scholarship, which provides grants for scholarly work on Objectivism in academia.[212] The charitable foundation of BB&T Corporation has also given grants for teaching Rand’s ideas or works. The University of Texas at Austin, the University of Pittsburgh, and University of North Carolina at Chapel Hill are among the schools that have received grants. In some cases these grants have been controversial due to their requiring research or teaching related to Rand.[213]

Selected works

Novels
Other fiction
Non-fiction

https://en.wikipedia.org/wiki/Ayn_Rand 

External links

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Ray Bradbury — Fahrenheit 451 — Videos

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Ray Bradbury – Story of a Writer

A 25-minute documentary from 1963 about Ray Bradbury – by David L. Wolper

Day at Night: Ray Bradbury

A Conversation with Ray Bradbury

A short film for the National Endowment for the arts feature Ray Bradbury as he discusses his life, literary loves and Fahrenheit 451.

A Conversation with Ray Bradbury by Lawrence Bridges

Fahrenheit 451 – Trailer

Fahrenheit 451 (1966) Full Movie | Julie Christie Full Movies Online

Top 10 Notes: Fahrenheit 451

Feeling More Alive: Fahrenheit 451’s The Hearth and the Salamander

Fahrenheit 451 by Ray Bradbury (Full audiobook)

Ray Bradbury on Writing Persistently

A Conversation with Ray Bradbury

Author Ray Bradbury joins Dean Nelson of Point Loma Nazarene University for a talk about his craft as part of Point Loma Nazarene University’s Writer’s Symposium by the Sea. Series: “Writer’s Symposium By The Sea” [4/2001] [Public Affairs] [Humanities] [Show ID: 5534]

An Evening with Ray Bradbury 2001

Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University. Series: Writer’s Symposium By The Sea [4/2001] [Public Affairs] [Humanities] [Show ID: 5533]

Ray Bradbury

From Wikipedia, the free encyclopedia
For the author’s 1975 story collection, see Ray Bradbury (collection).
Ray Bradbury
Ray Bradbury in 1975

Bradbury in 1975
Born Raymond Douglas Bradbury
August 22, 1920
Waukegan, Illinois, U.S.
Died June 5, 2012 (aged 91)
Los Angeles, California, U.S.
Resting place Westwood Memorial Park, Los Angeles
Occupation Writer
Nationality American
Period 1938–2012[1]
Genre Fantasy, social commentary,science fiction, horror fiction,mystery fiction
Notable works
Notable awards American Academy of Arts and Letters (1954); Daytime Emmy Award (1994); National Medal of Arts (2004); Pulitzer Prize(2007)
Spouse Marguerite McClure
(m. 1947–2003; her death)
Children 4 daughters

Signature
Website
www.raybradbury.com

Raymond Douglas “Ray” Bradbury[2] (August 22, 1920 – June 5, 2012) was an Americanfantasy, science fiction, horror and mystery fiction author. Best known for hisdystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th- and 21st-century American genre writers. He wrote and consulted on many screenplays and television scripts, includingMoby Dick[3] and It Came from Outer Space. Many of his works have been adapted into comic books, television shows, and films.

Early life

Bradbury as a senior in high school, 1938

Bradbury was born on August 22, 1920[4][5] in Waukegan, Illinois,[6] to Esther (née Moberg) Bradbury, a Swedish immigrant, and Leonard Spaulding Bradbury,[7] a power and telephone lineman of English descent.[8] He was given the middle name “Douglas,” after the actor Douglas Fairbanks. Bradbury was related to the American Shakespeare scholar Douglas Spaulding[9] and was descended from Mary Bradbury, who was tried at one of the Salem witch trials in 1692.[10]

Bradbury was surrounded by an extended family during his early childhood and formative years in Waukegan, Illinois. An aunt read him short stories when he was a child.[11] This period provided foundations for both the author and his stories. In Bradbury’s works of fiction, 1920s Waukegan becomes “Green Town,” Illinois.

The Bradbury family lived in Tucson, Arizona, in 1926–27 and 1932–33 as the father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Bradbury was 14. The family arrived with only 40 dollars, which paid for rent and food until his father finally found a job making wire at a cable company for $14 a week. This meant that they could stay, however, and Bradbury—who was in love with Hollywood—was ecstatic.

Bradbury attended Los Angeles High School and was active in the drama club. He often roller-skated through Hollywood in hopes of meeting celebrities. Among the creative and talented people Bradbury met this way were special effects pioneer Ray Harryhausen and radio star George Burns. (Bradbury’s first pay as a writer was at the age of fourteen, when Burns hired him to write for the Burns and Allen show.[12][13])

Influences

Literature

Bradbury was a reader and writer throughout his youth.[14] He knew as a young boy that he was “going into one of the arts.” In 1931, at the age of eleven, the young Bradbury began writing his own stories. The country was going through the Great Depression, and sometimes Bradbury wrote on butcher paper.

In his youth, he spent much time in the Carnegie library in Waukegan, reading such authors as H. G. Wells, Jules Verne, and Edgar Allan Poe. At age twelve, Bradbury began writing traditional horror stories and said he tried to imitate Poe until he was about eighteen. In addition to comics, he loved Edgar Rice Burroughs, creator of Tarzan of the Apes,[15] especially Burroughs’ John Carter of Mars series. The Warlord of Marsimpressed him so much that at the age of twelve he wrote his own sequel.[16] The young Bradbury was also a cartoonist and loved to illustrate. He wrote about Tarzan and drew his own Sunday panels. He listened to the radio show Chandu the Magician, and when the show went off the air every night he would sit and write the entire script from memory.

In Beverly Hills, he often visited the science fiction writer Bob Olsen for mentorship as well as friendship while Bradbury was a teenager. They shared ideas and would keep in contact. In 1936, at a secondhand bookstore in Hollywood, Bradbury discovered a handbill promoting meetings of the Los Angeles Science Fiction Society.[17] Thrilled to find there were others with his interests, at the age of sixteen Bradbury joined a weekly Thursday-night conclave.[18]

When he was seventeen, Bradbury read stories published in Astounding Science Fiction, and said he read everything by Robert A. Heinlein, Arthur C. Clarke, and the early writings of Theodore Sturgeon and A. E. van Vogt, but cited H. G. Wells and Jules Verne as his big science fiction influences. Bradbury identified with Verne, saying, “He believes the human being is in a strange situation in a very strange world, and he believes that we can triumph by behaving morally.” [19] Bradbury admitted that he stopped reading genre books in his twenties and embraced a broad field of literature that included Alexander Pope and poet John Donne.[20] Bradbury had just graduated from high school when he met Robert Heinlein, then 31 years old. Bradbury recalled, “He was well known, and he wrote humanistic science fiction, which influenced me to dare to be human instead of mechanical.”[20]

Hollywood

The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He roller-skated there as well as all over town, as he put it “hell-bent on getting autographs from glamorous stars. It was glorious.” Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes he would spend all day in front of Paramount Pictures or Columbia Pictures and then skate to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich and Mae West, who he would learn made a regular appearance every Friday night, bodyguard in tow.[20]

Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk’s honor:

They formed a long queue and as Bondarchuk was walking along it he recognized several people: “Oh Mr. Ford, I like your film.” He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; “Ray Bradbury, is that you?” He rushed up to me, embraced me, dragged me inside, grabbed a bottle ofStolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other “who is this Bradbury?” And, swearing, they left, leaving me alone with Bondarchuk…[21]

Career

Bradbury’s “Undersea Guardians” was the cover story for the December 1944 issue of Amazing Stories

Bradbury’s first published story was “Hollerbochen’s Dilemma”, which appeared in the January 1938 number of Forrest J. Ackerman’s fanzineImagination!.[1] In July 1939, Ackerman gave nineteen-year-old Bradbury the money to head to New York for the First World Science Fiction Convention in New York City, and funded Bradbury’s fanzine, titled Futuria Fantasia.[22] Bradbury wrote most of its four issues, each limited to under 100 copies.[citation needed]Between 1940 and 1947, he was a contributor to Rob Wagner‘s film magazine, Script.[23]

Bradbury was free to start a career in writing when, owing to his bad eyesight, he was rejected admission into the military during World War II. Having been inspired by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938.[24] Bradbury was invited by Forrest J. Ackerman[citation needed] to attend the Los Angeles Science Fiction Society, which at the time met at Clifton’s Cafeteria in downtown Los Angeles. This was where he met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson.[citation needed]

In 1939, Bradbury joined Laraine Day‘s Wilshire Players Guild where for two years he wrote and acted in several plays. They were, as Bradbury later described, “so incredibly bad” that he gave up playwriting for two decades.[25] Bradbury’s first paid piece, “Pendulum,” written with Henry Hasse, was published in the pulp magazineSuper Science Stories in November 1941, for which he earned $15.[26]

Bradbury sold his first story, “The Lake”, for $13.75 at the age of twenty-two.[20] He became a full-time writer by the end of 1942. His first collection of short stories, Dark Carnival, was published in 1947 by Arkham House, a small press in Sauk City, Wisconsin, owned by writer August Derleth. Reviewing Dark Carnival for the New York Herald Tribune, Will Cuppy proclaimed Bradbury “suitable for general consumption” and predicted that he would become a writer of the caliber of British fantasy author John Collier.[27]

After a rejection notice from the pulp Weird Tales, Bradbury submitted “Homecoming” to Mademoiselle which was spotted by a young editorial assistant named Truman Capote. Capote picked the Bradbury manuscript from a slush pile, which led to its publication. Homecoming won a place in The O. Henry Prize Stories of 1947.[28]

It was in UCLA‘s Powell Library, in a study room with typewriters for rent, that Bradbury wrote his classic story of a book-burning future, The Fireman, which was about 25,000 words long. It was later published at about 50,000 words under the name Fahrenheit 451, for a total cost of $9.80, due to the library’s typewriter-rental fees of ten cents per half-hour.[29]

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood’s glowing review[30] followed.

Writing

Bradbury attributed to two incidents his lifelong habit of writing every day. The first of these, occurring when he was three years old, was his mother’s taking him to see Lon Chaney‘s performance in The Hunchback of Notre Dame.[31] The second incident occurred in 1932, when a carnival entertainer, one Mr. Electrico, touched the young man on the nose with an electrified sword, made his hair stand on end, and shouted, “Live forever!”[32] Bradbury remarked, “I felt that something strange and wonderful had happened to me because of my encounter with Mr. Electrico…[he] gave me a future…I began to write, full-time. I have written every single day of my life since that day 69 years ago.”[32] It was at that age that Bradbury first started to do magic, which was his first great love. If he had not discovered writing, he would have become a magician.[33]

Bradbury claimed a wide variety of influences, and described discussions he might have with his favorite poets and writers Robert Frost, William Shakespeare, John Steinbeck, Aldous Huxley, and Thomas Wolfe. From Steinbeck, he said he learned “how to write objectively and yet insert all of the insights without too much extra comment.” He studied Eudora Welty for her “remarkable ability to give you atmosphere, character, and motion in a single line.” Bradbury’s favorite writers growing up included Katherine Anne Porter, who wrote about the American South, Edith Wharton, and Jessamyn West.[34]

Bradbury was once described as a “Midwestsurrealist” and is often labeled a science fiction writer, which he described as “the art of the possible.” Bradbury resisted that categorization, however:

First of all, I don’t write science fiction. I’ve only done one science fiction book and that’s Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it’s fantasy. It couldn’t happen, you see? That’s the reason it’s going to be around a long time – because it’s a Greek myth, and myths have staying power.[35]

Bradbury recounted when he came into his own as a writer, the afternoon he wrote a short story about his first encounter with death. When he was a boy, he met a young girl at the beach and she went out into the water and never came back. Years later, as he wrote about it, tears flowed from him. He recognized he had taken the leap from emulating the many writers he admired to connecting with his voice as a writer.[36][37]

When later asked about the lyrical power of his prose, Bradbury replied, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He is quoted, “If you’re reluctant to weep, you won’t live a full and complete life.”[38]

In high school, Bradbury was active in both the Poetry Club and the Drama club, continuing plans to become an actor but becoming serious about his writing as his high school years progressed. Bradbury graduated from Los Angeles High School, where he took poetry classes with Snow Longley Housh, and short story writing courses taught by Jeannet Johnson.[39] The teachers recognized his talent and furthered his interest in writing,[40] but he did not attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:

Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.[41][42]

He told The Paris Review, “You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do – and they don’t.”[43]

“Green Town”

A reinvention of Waukegan, Green Town is a symbol of safety and home, which is often juxtaposed as a contrasting backdrop to tales of fantasy or menace. It serves as the setting of his semi-autobiographical classics Dandelion Wine, Something Wicked This Way Comes, and Farewell Summer as well as in many of his short stories. In Green Town, Bradbury’s favorite uncle sprouts wings, traveling carnivals conceal supernatural powers, and his grandparents provide room and board to Charles Dickens.[44] Perhaps the most definitive usage of the pseudonym for his hometown, in Summer Morning, Summer Night, a collection of short stories and vignettes exclusively about Green Town, Bradbury returns to the signature locale as a look back at the rapidly disappearing small-town world of the American heartland, which was the foundation of his roots.[45]

Cultural contributions

Bradbury wrote many short essays on the arts and culture, attracting the attention of critics in this field, but he used his fiction to explore and criticize his culture and society. Bradbury observed, for example, thatFahrenheit 451 touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap opera cries, sleep walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[46]

In a 1982 essay he wrote, “People ask me to predict the Future, when all I want to do is prevent it.” This intent had been expressed earlier by other authors,[47] who sometimes attributed it to him.

Bradbury hosted The Ray Bradbury Theater which was based on his short stories. Bradbury was a consultant for the American Pavilion at the 1964 New York World’s Fair[48] and the original exhibit housed in Epcot‘sSpaceship Earth geosphere at Walt Disney World.[49][50][51] In the 1980s, Bradbury concentrated on detective fiction.[52]

Bradbury was a strong supporter of public library systems, and helped to raise money to prevent the closure of several in California due to budgetary cuts. He iterated from his past that “libraries raised me”, and shunned colleges and universities, comparing his own lack of funds during the Depression with poor contemporary students.[53] His opinion varied on modern technology. In 1985 Bradbury wrote, “I see nothing but good coming from computers. When they first appeared on the scene, people were saying, ‘Oh my God, I’m so afraid.’ I hate people like that – I call them the neo-Luddites“, and “In a sense [computers] are simply books. Books are all over the place, and computers will be too”.[54] He resisted the conversion of his work into e-books, stating in 2010 “We have too many cellphones. We’ve got too many internets. We have got to get rid of those machines. We have too many machines now”.[55] When the publishing rights for Fahrenheit 451 came up for renewal in December 2011, Bradbury permitted its publication in electronic form provided that the publisher, Simon & Schuster, allowed the e-book to be digitally downloaded by any library patron. The title remains the only book in the Simon & Schuster catalog where this is possible.[56]

Several comic book writers have adapted Bradbury’s stories. Particularly noted among these were EC Comics‘ line of horror and science-fiction comics. Initially, the writers plagiarized his stories, but a diplomatic letter from Bradbury about it led to the company paying him and negotiating properly licensed adaptations of his work. The comics featuring Bradbury’s stories included Tales from the Crypt, Weird Science, Weird Fantasy, Crime Suspenstories, Haunt of Fear and others.

Bradbury remained an enthusiastic playwright all his life, leaving a rich theatrical legacy as well as literary. Bradbury headed the Pandemonium Theatre Company in Los Angeles for many years and had a five-year relationship with the Fremont Centre Theatre in South Pasadena.[57]

Bradbury is featured prominently in two documentaries related to his classic 1950s-’60s era: Jason V Brock‘s Charles Beaumont: The Life of Twilight Zone’s Magic Man,[58] which details his troubles with Rod Serling, and his friendships with writers Charles Beaumont, George Clayton Johnson, and most especially his dear friend William F. Nolan, as well as Brock’s The AckerMonster Chronicles!, which delves into the life of former Bradbury agent, close friend, mega-fan, and Famous Monsters of Filmland editor Forrest J Ackerman.

On May 24, 1956, Bradbury appeared on the popular quiz show, You Bet Your Life hosted by Groucho Marx (Season 6 Episode 35).[59]

Personal life

Bradbury in December 2009.

Bradbury was married to Marguerite McClure (January 16, 1922 – November 24, 2003) from 1947 until her death; they had four daughters:[60] Susan, Ramona, Bettina and Alexandra.[61] Though he lived in Los Angeles, Bradbury never obtained a driver’s license but relied on public transportation or his bicycle.[62] He lived at home until he was twenty-seven and married. His wife of fifty-six years, Maggie, as she was affectionately called, was the only woman Bradbury ever dated.[20]

Bradbury was a close friend of Charles Addams, and Addams illustrated the first of Bradbury’s stories about the Elliotts, a family that would resemble Addams’ own Addams Familyplaced in rural Illinois. Bradbury’s first story about them was “Homecoming,” published in the 1946 Halloween issue of Mademoiselle, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family’s complete history, but it never materialized, and according to a 2001 interview, they went their separate ways.[63] In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From the Dust Returned, featuring a wraparound Addams cover of the original “Homecoming” illustration.[64]

Another close friend was animator Ray Harryhausen, who was best man at Bradbury’s wedding.[65] During a BAFTA 2010 awards tribute in honor of Ray Harryhausen‘s 90th birthday, Bradbury spoke of his first meeting Harryhausen at Forrest J Ackerman‘s house when they were both 18 years old. Their shared love for science fiction, King Kong, and the King Vidor-directed film The Fountainhead, written by Ayn Rand, was the beginning of a lifelong friendship. These early influences inspired the pair to believe in themselves and affirm their career choices. After their first meeting, they kept in touch at least once a month, in a friendship that spanned over 70 years.[66]

Late in life, Bradbury retained his dedication and passion despite what he described as the “devastation of illnesses and deaths of many good friends.” Among the losses that deeply grieved Bradbury was the death of Star Trek creator Gene Roddenberry, who was an intimate friend for many years. They remained close friends for nearly three decades after Roddenberry asked him to write for Star Trek, which Bradbury never did, objecting that he “never had the ability to adapt other people’s ideas into any sensible form.”[20]

Bradbury suffered a stroke in 1999[67] that left him partially dependent on a wheelchair for mobility.[68] Despite this he continued to write, and had even written an essay for The New Yorker, about his inspiration for writing, published only a week prior to his death.[69] Bradbury made regular appearances at science fiction conventions until 2009, when he retired from the circuit.

Ray Bradbury’s headstone in May 2012 prior to his death

Bradbury chose a burial place at Westwood Village Memorial Park Cemetery in Los Angeles, with a headstone that reads “Author of Fahrenheit 451”.[70][71][72] On February 6, 2015, the New York Times reported that the house that Bradbury lived and wrote in for fifty years of his life, at 10265 Cheviot Drive in Los Angeles, CA, had been demolished.[73]

Death

Bradbury died in Los Angeles, California, on June 5, 2012, at the age of 91, after a lengthy illness.[74] Bradbury’s personal library was willed to the Waukegan Public Library, where he had many of his formative reading experiences.[75]

The New York Times‍ ’​ obituary stated that Bradbury was “the writer most responsible for bringing modern science fiction into the literary mainstream.”[76] The Los Angeles Times credited Bradbury with the ability “to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here and now with a sense of visual clarity and small-town familiarity”.[77] Bradbury’s grandson, Danny Karapetian, stated that Bradbury’s works had “influenced so many artists, writers, teachers, scientists, and it’s always really touching and comforting to hear their stories”.[61]The Washington Post hallmarked several modern day technologies that Bradbury had envisioned much earlier in his writing, such as the idea of banking ATMs and earbuds and Bluetooth headsets from Fahrenheit 451, and the concepts of artificial intelligence within I Sing the Body Electric.[78]

On June 6, 2012, in an official public statement from the White House Press Office, President Barack Obama said:

For many Americans, the news of Ray Bradbury’s death immediately brought to mind images from his work, imprinted in our minds, often from a young age. His gift for storytelling reshaped our culture and expanded our world. But Ray also understood that our imaginations could be used as a tool for better understanding, a vehicle for change, and an expression of our most cherished values. There is no doubt that Ray will continue to inspire many more generations with his writing, and our thoughts and prayers are with his family and friends.[79]

Several celebrity fans of Bradbury paid tribute to the author by stating the influence of his works on their own careers and creations.[80][81] Filmmaker Steven Spielberg stated that Bradbury was “[his] muse for the better part of [his] sci-fi career…. On the world of science fiction and fantasy and imagination he is immortal”.[82] Writer Neil Gaiman felt that “the landscape of the world we live in would have been diminished if we had not had him in our world”.[81] Author Stephen King released a statement on his website saying, “Ray Bradbury wrote three great novels and three hundred great stories. One of the latter was called ‘A Sound of Thunder.’ The sound I hear today is the thunder of a giant’s footsteps fading away. But the novels and stories remain, in all their resonance and strange beauty.”[83] Bradbury’s influence well exceeded the field of literature. Progressive house music producer and performer, Joel Thomas Zimmerman, who is most commonly known by his stage name Deadmau5, composed a song named after one of Bradbury’s short stories “The Veldt” which was originally published in the Saturday Evening Post.[84] The EP of “The Veldt” was released days after Bradbury’s death and is dedicated to the memory of the author.[85]

Bibliography

Bradbury is credited with writing 27 novels and over 600 short stories.[77] More than eight million copies of his works, published in over 36 languages, have been sold around the world.[76]

First novel

In 1949, Bradbury and his wife were expecting their first child. He took a Greyhound bus to New York and checked into a room at the YMCA for fifty cents a night. He took his short stories to a dozen publishers and no one wanted them. Just before getting ready to go home, Bradbury had dinner with an editor at Doubleday. When Bradbury recounted that everyone wanted a novel and he didn’t have one, the editor, coincidentally named Walter Bradbury, asked if the short stories might be tied together into a book length collection. The title was the editor’s idea; he suggested, “You could call it “The Martian Chronicles.” Bradbury liked the idea and recalled making notes in 1944 to do a book set on Mars. That evening, he stayed up all night at the YMCA and typed out an outline. He took it to the Doubleday editor the next morning, who read it and wrote Bradbury a check for seven hundred and fifty dollars. When Bradbury returned to Los Angeles, he connected all the short stories and that became The Martian Chronicles.[34]

Intended first novel

What was later issued as a collection of stories and vignettes, Summer Morning, Summer Night, started out to be Bradbury’s first true novel. The core of the work was Bradbury’s witnessing of the American small-town and life in the American heartland.

In the winter of 1955–56, after a consultation with his Doubleday editor, Bradbury deferred publication of a novel based on Green Town, the pseudonym for his hometown. Instead, he extracted seventeen stories and, with three other Green Town tales, bridged them into his 1957 book Dandelion Wine. Later, in 2006, Bradbury published the original novel remaining after the extraction, and retitled it Farewell Summer. These two titles show what stories and episodes Bradbury decided to retain as he created the two books out of one.

The most significant of the remaining unpublished stories, scenes, and fragments were published under the originally intended name for the novel, Summer Morning, Summer Night, in 2007.[86]

Adaptations to other media

Bradbury in 1959, when some of his short stories were adapted for television shows like Alfred Hitchcock Presents

From 1951 to 1954, 27 of Bradbury’s stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) andTomorrow Midnight (1966), both published by Ballantine Books with cover illustrations by Frank Frazetta.

Also in the early 1950s, adaptations of Bradbury’s stories were televised in several anthology shows, including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman’s Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents. “The Merry-Go-Round,” a half-hour film adaptation of Bradbury’s “The Black Ferris,” praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC’s Sneak Preview in 1956. During that same period, several stories were adapted for radio drama, notably on the science fiction anthologies Dimension X and its successor X Minus One.

Scene from The Beast from 20,000 Fathoms, based on Bradbury’s The Fog Horn.

Producer William Alland first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury’s screen treatment “Atomic Monster”. Three weeks later came the release of Eugène Lourié’s The Beast from 20,000 Fathoms (1953), which featured one scene based on Bradbury’s “The Fog Horn“, about a sea monster mistaking the sound of a fog horn for the mating cry of a female. Bradbury’s close friend Ray Harryhausen produced the stop-motion animation of the creature. Bradbury would later return the favor by writing a short story, “Tyrannosaurus Rex”, about a stop-motion animator who strongly resembled Harryhausen. Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury’s stories or screenplays.

Bradbury was hired in 1953 by director John Huston to work on the screenplay for his film version of Melville‘s Moby Dick (1956), which stars Gregory Peck as Captain Ahab, Richard Basehart as Ishmael, and Orson Welles as Father Mapple. A significant result of the film was Bradbury’s book Green Shadows, White Whale, a semi-fictionalized account of the making of the film, including Bradbury’s dealings with Huston and his time in Ireland, where exterior scenes that were set in New Bedford, Massachusetts, were filmed.

Bradbury’s short story I Sing the Body Electric (from the book of the same name) was adapted for the 100th episode of The Twilight Zone. The episode was first aired on May 18, 1962.

In 1965, three of Bradbury’s stories were adapted for the stage. These included “The Wonderful Ice Cream Suit”, “The Day It Rained Forever” and “Device Out Of Time”. The latter was adapted from his 1957 novel Dandelion Wine. The plays debuted at the Coronet Theater in Hollywood and featured Booth Coleman, Joby Baker, Fredric Villani, Arnold Lessing, Eddie Sallia, Keith Taylor, Richard Bull, Gene Otis Shane, Henry T. Delgado, F. Murray Abraham, Anne Loos and Len Lesser. The director was Charles Rome Smith and the production company was Pandemonium Productions.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury’s novel directed by François Truffaut.

In 1966, Bradbury helped Lynn Garrison create AVIAN, a specialist aviation magazine. For the first issue Bradbury wrote a poem – Planes that land on grass.

In 1969, The Illustrated Man was brought to the big screen, starring Rod Steiger, Claire Bloom and Robert Drivas. Containing the prologue and three short stories from the book, the film received mediocre reviews. The same year, Bradbury approached composer Jerry Goldsmith, who had worked with Bradbury in dramatic radio of the 1950s and later scored the film version of The Illustrated Man, to compose a cantataChristus Apollo based on Bradbury’s text.[87] The work premiered in late 1969, with the California Chamber Symphony performing with narrator Charlton Heston at UCLA.

File:Ray Bradbury at Caltech 12 November 1971.ogv

Ray Bradbury takes part in a symposium at Caltech with Arthur C. Clarke, journalist Walter Sullivan, and scientists Carl Sagan and Bruce Murray. In this excerpt, Bradbury reads his poem ‘If Only We Had Taller Been’ (poem begins at 2:20, full text[88]). Video released by NASA in honor of the naming of Bradbury Landing in 2012.[89]

In 1972 The Screaming Woman was adapted as an ABC Movie-of-the-Week starring Olivia de Havilland.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980. Bradbury found the miniseries “just boring”.[90]

The 1982 television movie, The Electric Grandmother, was based on Bradbury’s short story “I Sing the Body Electric.”

The 1983 horror film Something Wicked This Way Comes, starring Jason Robards and Jonathan Pryce, is based on the Bradbury novel of the same name.

In 1984, Michael McDonough of Brigham Young University produced “Bradbury 13,” a series of 13 audio adaptations of famous stories from Bradbury, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of “The Ravine,” “Night Call, Collect,” “The Veldt“, “There Was an Old Woman,” “Kaleidoscope,” “Dark They Were, and Golden-Eyed“, “The Screaming Woman,” “A Sound of Thunder,” “The Man,” “The Wind,” “The Fox and the Forest,” “Here There Be Tygers” and “The Happiness Machine”. Voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody Award as well as two Gold Cindy awards and was released on CD on May 1, 2010. The series began airing on BBC Radio 4 Extra on June 12, 2011.

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories. During the first two seasons, Bradbury also provided additional voiceover narration specific to the featured story and appeared on screen.

Deeply respected in the USSR, Bradbury’s fictions has been adapted into five episodes of the Soviet science fiction TV series This Fantastic World which adapted the stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss, and Forever and the Earth.[91] In 1984 a cartoon adaptation of There Will Come Soft Rains («Будет ласковый дождь») came out byUzbek director Nazim Tyuhladziev.[92] He made a film adaptation of The Veldt (“Вельд”) in 1987.[93] In 1989 came out a cartoon adaptation of Here There Be Tygers («Здесь могут водиться тигры») by director Vladimir Samsonov.[94]

Bradbury wrote and narrated the 1993 animated television version of The Halloween Tree, based on his 1972 novel.

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Bradbury. It was based on his story “The Magic White Suit” originally published in The Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

In 2002, Bradbury’s own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank’s Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984, Telarium released a game for Commodore 64 based on Fahrenheit 451.[95] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury(1964), adaptations of “The Pedestrian“, “The Veldt”, and “To the Chicago Abyss.”

In 2005, the film A Sound of Thunder was released, loosely based upon the short story of the same name. The film The Butterfly Effect revolves around the same theory as A Sound of Thunder and contains many references to its inspiration. Short film adaptations of A Piece of Wood and The Small Assassin were released in 2005 and 2007 respectively.

In 2005, it was reported that Bradbury was upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury’s Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore’s use of the title but stated that his resentment was not politically motivated, even though Bradbury was conservative-leaning politically.[96] Bradbury asserted that he did not want any of the money made by the movie, nor did he believe that he deserved it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film’s release to apologize, saying that the film’s marketing had been set in motion a long time ago and it was too late to change the title.[97]

In 2008, the film Ray Bradbury’s Chrysalis was produced by Roger Lay Jr. for Urban Archipelago Films, based upon the short story of the same name. The film won the best feature award at the International Horror and Sci-Fi Film Festival in Phoenix. The film has international distribution by Arsenal Pictures and domestic distribution by Lightning Entertainment.

In 2010, The Martian Chronicles was adapted for radio by Colonial Radio Theatre on the Air.

In 2012, EDM artist deadmau5, along with guest vocalist Chris James, crafted a song called “The Veldt” inspired by Bradbury’s short story of the same title. The lyrics featured various references to the short story.

Bradbury’s works and approach to writing are documented in Terry Sanders‘ film Ray Bradbury: Story of a Writer (1963).

Bradbury’s poem “Groon” was voiced as a tribute in 2012.[98]

Awards and honors

Bradbury receiving the National Medal of Arts in 2004 with PresidentGeorge W. Bush and his wife Laura Bush.

The Ray Bradbury Award for excellency in screenwriting was occasionally presented by the Science Fiction and Fantasy Writers of America – presented to six people on four occasions from 1992 to 2009.[99] Beginning 2010, the Ray Bradbury Award for Outstanding Dramatic Presentation is presented annually according to Nebula Awards rules and procedures, although it is not a Nebula Award.[100] The revamped Bradbury Award replaced the Nebula Award for Best Script.

Documentaries

Bradbury appeared in the documentary The Fantasy Film Worlds of George Pal (1985) (Produced and directed by Arnold Leibovit).

Citations
  • Anderson, James Arthur (2013). The Illustrated Ray Bradbury. Wildside Press. ISBN 978-1-4794-0007-2.
  • Albright, Donn (1990). Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974–88. Starmont House. ISBN 1-55742-151-X.
  • Eller, Jonathan R.; Touponce, William F. (2004). Ray Bradbury: The Life of Fiction. Kent State University Press. ISBN 0-87338-779-1.
  • Eller, Jonathan R. (2011). Becoming Ray Bradbury. Urbana, IL: University of Illinois Press. ISBN 0-252-03629-8.
  • Nolan, William F. (1975). The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings. Gale Research. ISBN 0-8103-0930-0.
  • Paradowski, Robert J.; Rhynes, Martha E. (2001). Ray Bradbury. Salem Press.
  • Reid, Robin Anne (2000). Ray Bradbury: A Critical Companion. Greenwood Press. ISBN 0-313-30901-9.
  • Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1.
  • Weist, Jerry (2002). Bradbury, an Illustrated Life: A Journey to Far Metaphor. William Morrow and Company. ISBN 0-06-001182-3.
  • Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. HarperCollins. ISBN 0-06-054581-X.

External links

https://en.wikipedia.org/wiki/Ray_Bradbury

Fahrenheit 451

From Wikipedia, the free encyclopedia
This article is about the novel. For other uses, see Fahrenheit 451 (disambiguation).
Fahrenheit 451
Cover shows a drawing of a man, who appears to be made of newspaper and is engulfed in flames, standing on top of some books. His right arm is down and holding what appears to be a paper fireman's hat while his left arm is wiping sweat from the brow of his bowed head. Beside the title and author's name in large text, there is a small caption in the upper left-hand corner that reads, "Wonderful stories by the author of The Golden Apples of the Sun".

First edition cover
Author Ray Bradbury
Illustrator Joseph Mugnaini[1]
Country United States
Language English
Genre Dystopian novel[2]
Published 1953 (Ballantine Books)
Pages 159
ISBN ISBN 978-0-7432-4722-1 (current cover edition)
OCLC 53101079
813.54 22
LC Class PS3503.R167 F3 2003

Fahrenheit 451 is a dystopian novel by Ray Bradbury published in 1953. It is regarded as one of his best works.[3] The novel presents a future American society where books are outlawed and “firemen” burn any that are found.[4] The title refers to the temperature that Bradbury asserted to be the autoignition point of paper[5][6] (In reality, scientists place the autoignition point of paper anywhere from high 440 degrees Fahrenheit to some 30 degrees hotter, depending on the study and type of paper).[7]

The novel has been the subject of interpretations primarily focusing on the historical role of book burning in suppressing dissenting ideas. In a 1956 radio interview,[8]Bradbury stated that he wrote Fahrenheit 451 because of his concerns at the time (during the McCarthy era) about the threat of book burning in the United States. In later years, he stated his motivation for writing the book in more general terms.

The novel has won multiple awards. In 1954, it won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal.[9][10][11] It has since won the Prometheus “Hall of Fame” Award in 1984[12] and a 1954 “Retro” Hugo Award, one of only four Best Novel Retro Hugos ever given, in 2004.[13] Bradbury was honored with a Spoken Word Grammy nomination for his 1976 audiobook version.[14]

The novel has been adapted several times. François Truffaut wrote and directed a film adaptation of the novel in 1966, and a BBC Radio dramatization was produced in 1982. Bradbury published a stage play version in 1979[15] and helped develop a 1984 interactive fiction computer game titled Fahrenheit 451. A companion piece titled A Pleasure To Burn, consisting of a selection of Bradbury’s short stories, was released in 2010, less than two years before the author’s death.

Plot summary

Fahrenheit 451 is set in an unspecified city (likely in the American Mid-West) at some unspecified time in the future[notes 1] after the year 1960.[notes 2][16][17]

The novel is divided into three parts: “The Hearth and the Salamander”, “The Sieve and the Sand”, and “Burning Bright”.

“The Hearth and the Salamander”

Guy Montag is a “fireman” hired to burn the possessions of those who read outlawed books. One fall night while returning from work, he meets his new neighbor: a teenage girl named Clarisse McClellan, whose free-thinking ideals and liberating spirit cause him to question his life and his own perceived happiness. Montag returns home to find that his wife Mildred has overdosed on sleeping pills, and calls for medical attention. Mildred survives with no memory of what happened. Over the next days, Clarisse faithfully meets Montag as he walks home. She tells him about how her interests have made her an outcast at school. Montag looks forward to these meetings, and just as he begins to expect them, Clarisse goes absent. He senses something is wrong.[18]

In the following days, while at work with the other firemen ransacking the book-filled house of an old woman before the inevitable burning, Montag steals a book before any of his coworkers notice. The woman refuses to leave her house and her books, choosing instead to light a match and burn herself alive. Montag returns home jarred by the woman’s suicide. While getting ready for bed, he hides the stolen book under his pillow. Still shaken by the night’s events, he attempts to make conversation with Mildred, conversation that only causes him to realize how little he knows her and how little they have in common. Montag asks his wife if she has seen Clarisse recently. Mildred mutters that she believes Clarisse died after getting struck by a speeding car and that her family has moved away. Dismayed by her failure to mention this, Montag uneasily tries to fall asleep. Outside he suspects the presence of “The Hound”, an eight-legged[19] robotic dog-like creature that resides in the firehouse and aids the firemen.

Montag awakens ill the next morning and stays home from work. He relates the story of the burned woman to an apathetic Mildred and mentions perhaps quitting his work. The possibility of becoming destitute over the loss of income provokes a strong reaction from her and she explains that the woman herself is to blame because she had books.

Captain Beatty, Montag’s fire chief, personally visits Montag to see how he is doing. Sensing Montag’s concerns, Beatty recounts how books lost their value and where the firemen fit in: Over the course of several decades, people embraced new media, sports, and a quickening pace of life. Books were ruthlessly abridged or degraded to accommodate a short attention span while minority groups protested over the controversial, outdated content perceived to be found in books. The government took advantage of this and the firemen were soon hired to burn books in the name of public happiness. Beatty adds casually that all firemen eventually steal a book out of curiosity; if the book is burned within 24 hours, the fireman and his family will not get in trouble.

After Beatty has left, Montag reveals to Mildred that over the last year he has accumulated a stash of books that he has kept hidden in their air-conditioning duct. In a panic, Mildred grabs a book and rushes to throw it in their kitchen incinerator; Montag subdues her and tells her that the two of them are going to read the books to see if they have value. If they do not, he promises the books will be burned and all will return to normal.

“The Sieve and the Sand”

While Montag and Mildred are perusing the stolen books, a sniffing occurs at their front door. Montag recognizes it as The Hound while Mildred passes it off as a random dog. They resume their discussion once the sound ceases. Montag laments Mildred’s suicide attempt, the woman who burned herself, and the constant din of bombers flying over their house taking part in a looming war neither he, nor anybody else, knows much about. He states that maybe the books of the past have messages that can save society from its own destruction. The conversation is interrupted by a call from Mildred’s friend Ann Bowles, and they set up a date to watch the “parlor walls” (large televisions lining the walls of her living room) that night at Mildred’s house.

Montag meanwhile concedes that they will need help to understand the books. Montag remembers an old man named Faber he once met in a park a year ago, an English professor before books were banned. He telephones Faber with questions about books and Faber soon hangs up on him. Undeterred, Montag makes a subway trip to Faber’s home along with a rare copy of the Bible, the book he stole at the woman’s house. Montag forces the scared and reluctant Faber into helping him by methodically ripping pages from the Bible. Faber concedes and gives Montag a homemade ear-piece communicator so he can offer constant guidance.

After Montag returns home, Mildred’s friends, Mrs. Bowles and Clara Phelps, arrive to watch the parlor walls. Not interested in the insipid entertainment they are watching, Montag turns off the walls and tries to engage the women in meaningful conversation, only to find them indifferent to all but the most trivial aspects of the upcoming war, friend’s deaths, their families, and politics. Montag leaves momentarily and returns with a book of poetry. This confuses the women and alarms Faber who is listening remotely. He proceeds to recite the poem Dover Beach, causing Mrs. Phelps to cry. At the behest of Faber in the ear-piece, Montag burns the book. Mildred’s friends leave in disgust while Mildred locks herself in the bathroom and takes more sleeping pills.

In the aftermath of the parlor party, Montag hides his books in his backyard before returning to the firehouse late at night with just the stolen Bible. He finds Beatty playing cards with the other firemen. Montag hands him the book, which is unceremoniously tossed into the trash. Beatty tells Montag that he had a dream in which they fought endlessly by quoting books to each other. In describing the dream Beatty reveals that, despite his disillusionment, he was once an enthusiastic reader. A fire alarm sounds and Beatty picks up the address from the dispatcher system. They drive in the firetruck recklessly to the destination. Montag is stunned when the truck arrives at his house.

“Burning Bright”

Beatty orders Montag to destroy his own house, telling him that his wife and her friends were the ones who reported him. Montag tries to talk to Mildred as she quickly leaves the house. Mildred ignores him, gets inside a taxi, and vanishes down the street. Montag obeys the chief, destroying the home piece by piece with a flamethrower. As soon as he has incinerated the house, Beatty discovers Montag’s ear-piece and plans to hunt down Faber. Montag threatens Beatty with the flamethrower and (after Beatty taunts him) burns his boss alive, and knocks his coworkers unconscious. As Montag escapes the scene, the firehouse’s mechanical dog attacks him, managing to inject his leg with a tranquilizer. He destroys it with the flamethrower and limps away.

Montag runs through the city streets towards Faber’s house. Faber urges him to make his way to the countryside and contact the exiled book-lovers who live there. He mentions he will be leaving on an early bus heading to St. Louis and that he and Montag can rendezvous there later. On Faber’s television, they watch news reports of another mechanical hound being released, with news helicopters following it to create a public spectacle. Montag leaves Faber’s house. After an extended manhunt, he escapes by wading into a river and floating downstream.

Montag leaves the river in the countryside, where he meets the exiled drifters, led by a man named Granger. They have each memorized books for an upcoming time when society is ready to rediscover them. While learning the philosophy of the exiles, Montag and the group watch helplessly as bombers fly overhead and attack the city with nuclear weapons, completely annihilating it. While Faber would have left on the early bus, Mildred along with everyone else in the city was surely killed. Montag and the group are injured and dirtied, but manage to survive the shock wave.

In the morning after, Granger teaches Montag and the others about the legendary phoenix and its endless cycle of long life, death in flames, and rebirth. He adds that the phoenix must have some relation to mankind, which constantly repeats its mistakes. Granger emphasizes that man has something the phoenix does not: mankind can remember the mistakes it made from before it destroyed itself, and try to not make them again. Granger then muses that a large factory of mirrors should be built, so that mankind can take a long look at itself. When the meal is over, the band goes back toward the city, to help rebuild society.

Characters

  • Guy Montag is the protagonist and fireman who presents the dystopia through the eyes of a worker loyal to it, a man in conflict about it, and one resolved to be free of it. Through most of the book, Montag lacks knowledge and believes what he hears.
  • Clarisse McClellan walks with Montag on his trips home and is one month short of being a 17-year-old girl.[notes 3][20] She is an unusual sort of person in the bookless, hedonistic society: outgoing, naturally cheerful, unorthodox, and intuitive. She is unpopular among peers and disliked by teachers for asking “why” instead of “how” and focusing on nature rather than on technology. A few days after their first meeting, she disappears without any explanation; Mildred tells Montag (and Captain Beatty confirms) that Clarisse was hit by a speeding car and that her family left following her death. In the afterword of a later edition, Bradbury notes that the film adaptation changed the ending so that Clarisse (who, in the film, is now a 20-year-old school teacher who was fired for being unorthodox) was living with the exiles. Bradbury, far from being displeased by this, was so happy with the new ending that he wrote it into his later stage edition.
  • Mildred “Millie” Montag is Guy Montag’s wife. She is addicted to sleeping pills, absorbed in the shallow dramas played on her “parlor walls” (flat-panel televisions), and indifferent to the oppressive society around her. She is described in the book as “thin as a praying mantis from dieting, and her flesh like white bacon.” Despite her husband’s attempts to break her from the spell society has on her, Mildred continues to be shallow and indifferent. After Montag scares her friends away by reading Dover Beach and unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him.
  • Captain Beatty is Montag’s boss. Once an avid reader, he has come to hate books due to their unpleasant content and contradicting facts and opinions. In a scene written years later by Bradbury for theFahrenheit 451 play, Beatty invites Montag to his house where he shows him walls of books left to molder on their shelves.
  • Stoneman and Black are Montag’s coworkers at the firehouse. They do not have a large impact on the story and function to show the reader the contrast between the firemen who obediently do as they’re told and someone like Montag, who formerly took pride in his job—subsequently realizing how damaging it is to society.
  • Faber is a former English professor. He has spent years regretting that he did not defend books when he saw the moves to ban them. Montag turns to him for guidance, remembering him from a chance meeting in a park some time earlier. Faber at first refuses to help Montag, and later realizes that he is only trying to learn about books, not destroy them. Bradbury notes in his afterword that Faber is part of the name of a German manufacturer of pencils, Faber-Castell.
  • Mrs. Ann Bowles and Mrs. Clara Phelps are Mildred’s friends and representative of the anti-intellectual, hedonistic society presented in the novel. During a social visit to Montag’s house, they brag about ignoring the bad things in their lives and have a cavalier attitude towards the upcoming war, their husbands, their children, and politics. Mrs. Phelps has a husband named Pete who was called in to fight in the upcoming war (and believes that he’ll be back in a week because of how quick the war will be) and thinks having children serves no purpose other than to ruin lives. Mrs. Bowles is a thrice married, single mother. Her first husband divorced her, her second died in a jet accident, and her third committed suicide by shooting himself in the head. She has two children who do not like or even respect her due to her permissive, often negligent and abusive parenting: Mrs. Bowles brags that her kids beat her up and she’s glad that she can hit back. When Montag reads Dover Beach to them, Mrs. Phelps starts crying over how hollow her life is while Mrs. Bowles chastises Montag for reading “silly awful hurting words”.
  • Granger is the leader of a group of wandering intellectual exiles who memorize books in order to preserve their contents.

Historical context

Bradbury’s lifelong passion with books began at an early age. As a frequent visitor to his local libraries in the 1920s and 1930s, he recalls being disappointed because they did not stock popular science fiction novels, like those of H. G. Wells, because, at the time, they were not deemed literary enough. Between this and learning about the destruction of the Library of Alexandria,[21] a great impression was made on the young man about the vulnerability of books to censure and destruction. Later as a teenager, Bradbury was horrified by the Nazi book burnings[22] and later Joseph Stalin‘s campaign of political repression, the “Great Purge“, in which writers and poets, among many others, were arrested and often executed.[23]

After the 1945 conclusion of World War II shortly after the atomic bombings of Hiroshima and Nagasaki, the United States focused its concern on the Soviet atomic bomb project and the expansion of communism. The House Un-American Activities Committee (HUAC)—formed in 1938 to investigate American citizens and organizations suspected of having communist ties—held hearings in 1947 to investigate alleged communist influence in Hollywood movie-making. These hearings resulted in the blacklisting of the so-called “Hollywood Ten“,[24] a group of influential screenwriters and directors. This governmental interference in the affairs of artists and creative types greatly angered Bradbury.[25] Bitter and concerned about the workings of his government, a late 1949 nighttime encounter with an overzealous police officer would inspire Bradbury to write “The Pedestrian“, a short story which would go on to become “The Fireman” and then Fahrenheit 451. The rise of Senator Joseph McCarthy‘s hearings hostile to accused communists starting in 1950, would only deepen Bradbury’s contempt over government overreach.[26][27]

The same year HUAC began investigating Hollywood is often considered the beginning of the Cold War, as in March 1947, the Truman Doctrine was announced. By about 1950, the Cold War was in full swing and the American public’s fear of atomic warfare and communist influence was at a feverish level. The stage was set for Bradbury to write the dramatic nuclear holocaust ending of Fahrenheit 451, exemplifying the type of scenario feared by many Americans of the time.[28]

Bradbury’s early life witnessed the Golden Age of Radio while the transition to the Golden Age of Television began right around the time he started to work on the stories that would eventually lead to Fahrenheit 451. Bradbury saw these forms of media as a threat to the reading of books, indeed as a threat to society, as he believed they could act as a distraction from important affairs. This contempt for mass media and technology would express itself through Mildred and her friends and is an important theme in the book.[29]

Writing and development

Fahrenheit 451 developed out of a series of ideas Bradbury had visited in previously written stories. For many years, he tended to single out “The Pedestrian” in interviews and lectures as sort of a proto-Fahrenheit 451. In the Preface of his 2006 anthology Match to Flame: The Fictional Paths to Fahrenheit 451 he states that this is an oversimplification.[30] The full genealogy of Fahrenheit 451 given in Match to Flame is involved. The following covers the most salient aspects.[citation needed]

Between 1947 and 1948,[31] Bradbury wrote the short story “Bright Phoenix” (not published until the May 1963 issue of The Magazine of Fantasy & Science Fiction[32][33]) about a librarian who confronts a book-burning “Chief Censor” named Jonathan Barnes. Barnes is a clear foreshadow of the ominous Captain Beatty of Fahrenheit 451.[citation needed]

In late 1949,[34] Bradbury was stopped and questioned by a police officer while walking late one night.[35][36] When asked “What are you doing?”, Bradbury wisecracked, “Putting one foot in front of another.”[35][36]This incident inspired Bradbury to write the 1951 short story “The Pedestrian”.[notes 4][35][36] In “The Pedestrian”, Leonard Mead is harassed and detained by the city’s remotely operated police cruiser (there’s only one) for taking nighttime walks, something that has become extremely rare in this future-based setting: everybody else stays inside and watches television (“viewing screens”). Alone and without an alibi, Mead is taken to the “Psychiatric Center for Research on Regressive Tendencies” for his peculiar habit. Fahrenheit 451 would later echo this theme of an authoritarian society distracted by broadcast media.[citation needed]

Bradbury expanded the book-burning premise of “Bright Phoenix”[37] and the totalitarian future of “The Pedestrian”[38] into “The Fireman”, a novella published in the February 1951 issue of Galaxy Science Fiction.[39][40] “The Fireman” was written in the basement of UCLA‘s Powell Library on a typewriter that he rented for a fee of ten cents per half hour.[41] The first draft was 25,000 words long and was completed in nine days.[42]

Urged by a publisher at Ballantine Books to double the length of his story to make a novel, Bradbury returned to the same typing room and expanded his work into Fahrenheit 451, taking just nine days.[41] The completed book was published by Ballantine in 1953.[43]

Supplementary material

Bradbury has supplemented the novel with various front and back matter, including a 1979 coda,[44] a 1982 afterword,[45] a 1993 foreword, and several introductions. In these he provides some commentary on the themes of the novel,[44] thoughts on the movie adaptation, and numerous personal anecdotes related to the writing and development.[citation needed]

Publication history

The first U.S. printing was a paperback version from October 1953 by The Ballantine Publishing Group. Shortly after the paperback, a hardback version was released that included a special edition of 200 signed and numbered copies bound in asbestos.[46][47][48] These were technically collections because the novel was published with two short stories: “The Playground” and “And the Rock Cried Out”, which have been absent in later printings.[1][49] A few months later, the novel was serialized in the March, April, and May 1954 issues of nascent Playboy magazine.[9][50]

Expurgation

Starting in January 1967, Fahrenheit 451 was subject to expurgation by its publisher, Ballantine Books with the release of the “Bal-Hi Edition” aimed at high school students.[51][52] Among the changes made by the publisher were the censorship of the words “hell”, “damn”, and “abortion”; the modification of seventy-five passages; and the changing of two episodes.[52][53] In the one case, a drunk man became a “sick man” while cleaning fluff out of a human navel became “cleaning ears” in the other.[52][54] For a while both the censored and uncensored versions were available concurrently but by 1973 Ballantine was publishing only the censored version.[54][55] This continued until 1979 when it came to Bradbury’s attention:[54][55]

In 1979, one of Bradbury’s friends showed him an expurgated copy. Bradbury demanded that Ballantine Books withdraw that version and replace it with the original, and in 1980 the original version once again became available. In this reinstated work, in the Author’s Afterword, Bradbury relates to the reader that it is not uncommon for a publisher to expurgate an author’s work, but he asserts that he himself will not tolerate the practice of manuscript “mutilation”.

The “Bal-Hi” editions are now referred to by the publisher as the “Revised Bal-Hi” editions.[56]

Non-print publications

An audiobook version read by Bradbury himself was released in 1976 and received a Spoken Word Grammy nomination.[14] Another audiobook was released in 2005 narrated by Christopher Hurt.[57] The e-bookversion was released in December 2011.[58][59]

Reception

In 1954, Galaxy Science Fiction reviewer Groff Conklin placed the novel “among the great works of the imagination written in English in the last decade or more.”[60] The Chicago Sunday Tribunes August Derlethdescribed the book as “a savage and shockingly savage prophetic view of one possible future way of life,” calling it “compelling” and praising Bradbury for his “brilliant imagination”.[61] Over half a century later, Sam Weller wrote, “upon its publication, Fahrenheit 451 was hailed as a visionary work of social commentary.”[62] Today, Fahrenheit 451 is still viewed as an important cautionary tale against conformity and book burning.[63]

When the book was first published there were those who did not find merit in the tale. Anthony Boucher and J. Francis McComas were less enthusiastic, faulting the book for being “simply padded, occasionally with startlingly ingenious gimmickry, … often with coruscating cascades of verbal brilliance [but] too often merely with words.”[64] Reviewing the book for Astounding Science Fiction, P. Schuyler Miller characterized the title piece as “one of Bradbury’s bitter, almost hysterical diatribes,” and praised its “emotional drive and compelling, nagging detail.”[65] Similarly, The New York Times was unimpressed with the novel and further accused Bradbury of developing a “virulent hatred for many aspects of present-day culture, namely, such monstrosities as radio, TV, most movies, amateur and professional sports, automobiles, and other similar aberrations which he feels debase the bright simplicity of the thinking man’s existence.”[66]

Censorship/banning incidents

In the years since its publication, Fahrenheit 451 has occasionally been banned, censored, or redacted in some schools by parents and teaching staff either unaware of or indifferent to the inherent irony of such censorship. The following are some notable incidents:

  • In 1987, Fahrenheit 451 was given “third tier” status by the Bay County School Board in Panama City, Florida, under then-superintendent Leonard Hall’s new three-tier classification system.[67] Third tier was meant for books to be removed from the classroom for “a lot of vulgarity”.[67] After a resident class-action lawsuit, a media stir, and student protests, the school board abandoned their tier-based censorship system and approved all the currently used books.[67]
  • In 1992, Venado Middle School in Irvine, California gave copies of Fahrenheit 451 to students with all “obscene” words blacked out.[68] Parents contacted the local media and succeeded in reinstalling the uncensored copies.[68]
  • In 2006, parents of a tenth grade high school student in Montgomery County, Texas, demanded the book be banned from their daughter’s English class reading list.[69] Their daughter was assigned the book during Banned Books Week, but stopped reading several pages in due to the offensive language and description of the burning of the Bible.[69] In addition, her parents protested the violence, portrayal of Christians, and depictions of firemen in the novel.[69]

Themes

Discussions about Fahrenheit 451 often center on its story foremost as a warning against state-based censorship. Indeed, when Bradbury wrote the novel during the McCarthy era, he was concerned about censorship in the United States. During a radio interview in 1956,[70][71] Bradbury said:

I wrote this book at a time when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.

As time went by, Bradbury tended to dismiss censorship as a chief motivating factor for writing the story. Instead he usually claimed that the real messages of Fahrenheit 451 were about the dangers of an illiterate society infatuated with mass media and the threat of minority and special interest groups to books. In the late 1950s, Bradbury recounted:

In writing the short novel Fahrenheit 451, I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[72]

This story echoes Mildred’s “Seashell ear-thimbles” (i.e., a brand of in-ear headphones) that act as an emotional barrier between her and Montag. In a 2007 interview, Bradbury maintained that people misinterpret his book and that Fahrenheit 451 is really a statement on how mass media like television marginalizes the reading of literature.[73] Regarding minorities, he wrote in his 1979 Coda:

There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. […] Fire-Captain Beatty, in my novel Fahrenheit 451, described how the books were burned first by minorities, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever. […] Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some seventy-five separate sections from the novel. Students, reading the novel, which, after all, deals with censorship and book-burning in the future, wrote to tell me of this exquisite irony. Judy-Lynn del Rey, one of the new Ballantine editors, is having the entire book reset and republished this summer with all the damns and hells back in place.[74]

Book-burning censorship, Bradbury would argue, was a side-effect of the these two primary factors; this is consistent with Captain Beatty’s speech to Montag about the history of the firemen. According to Bradbury, it is the people, not the state, who are the culprit in Fahrenheit 451.[73] Nevertheless, the role on censorship, state-based or otherwise, is still perhaps the most frequent theme explored in the work.[75][better source needed]

A variety of other themes in the novel besides censorship have been suggested. Two major themes are resistance to conformity and control of individuals via technology and mass media. Bradbury explores how the government is able to use mass media to influence society and suppress individualism through book burning. The characters Beatty and Faber point out the American population is to blame. Due to their constant desire for a simplistic, positive image, books must be suppressed. Beatty blames the minority groups, who would take offense to published works that displayed them in an unfavorable light. Faber went further to state that the American population simply stopped reading on their own. He notes that the book burnings themselves became a form of entertainment to the general public.[76]

Predictions for the future

Bradbury described himself as “a preventor of futures, not a predictor of them.”[77] He did not believe that book burning was an inevitable part of our future; he wanted to warn against its development.[77] In a later interview, when asked if he believes that teaching Fahrenheit 451 in schools will prevent his totalitarian[2] vision of the future, Bradbury replied in the negative. Rather, he states that education must be at the kindergarten and first-grade level. If students are unable to read then, they will be unable to read Fahrenheit 451.[78]

In terms of technology, Sam Weller notes that Bradbury “predicted everything from flat-panel televisions to iPod earbuds and twenty-four-hour banking machines.”[79]

Adaptations

Playhouse 90 broadcast “A Sound of Different Drummers” on CBS in 1957, written by Robert Alan Aurthur. The play combined plot ideas from Fahrenheit 451 and Nineteen Eighty-Four. Bradbury sued and eventually won on appeal.[80][81]

A film adaptation written and directed by François Truffaut and starring Oskar Werner and Julie Christie was released in 1966.[82][83]

BBC Radio produced a one-off dramatization of the novel in 1982[84] starring Michael Pennington.[85] It was broadcast again on February 12, 2012, and April 7 and 8, 2013, on BBC Radio 4 Extra.[86]

In 1984, the novel was adapted into a computer text adventure game of the same name by the software company Trillium.[87]

In 2006, the Drama Desk Award winning Godlight Theatre Company produced and performed the New York City premiere of Ray Bradbury‘s Fahrenheit 451 at 59E59 Theaters.[88] After the completion of the New York run, the production then transferred to the Edinburgh Festival where it was a 2006 Edinburgh Festival Pick of the Fringe.[89]

The Off-Broadway theatre The American Place Theatre presented a one man show adaptation of Fahrenheit 451 as a part of their 2008–2009 Literature to Life season.[90]

In June 2009, a graphic novel edition of the book was published. Entitled Ray Bradbury’s Fahrenheit 451: The Authorized Adaptation,[91] the paperback graphic adaptation was illustrated by Tim Hamilton.[92][93] The introduction in the novel is written by Bradbury.[citation needed]

Fahrenheit 451 inspired the Birmingham Repertory Theatre production Time Has Fallen Asleep in the Afternoon Sunshine, which was performed at the Birmingham Central Library in April 2012.[94]

Notes

  1. Jump up^ During Captain Beatty’s recounting of the history of the firemen to Montag, he says, “Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” The text is ambiguous regarding which century he is claiming began this pattern. One interpretation is that he means the 20th century, which would place the novel in at least the 24th century. “The Fireman” novella, which was expanded to become Fahrenheit 451, is set in October 2052.
  2. Jump up^ In early editions of the book, Montag says, “We’ve started and won two atomic wars since 1960” in the first pages of The Sieve and the Sand. This sets a lower bound on the time setting. In later decades, some editions have changed this year to 1990 or 2022.
  3. Jump up^ Clarisse tells Montag she is “seventeen and crazy”, later admitting that she will actually be seventeen “next month”.
  4. Jump up^ “The Pedestrian” would go on to be published in The Reporter magazine on August 7, 1951, that is, after the publication in February 1951 of its inspired work “The Fireman”.

See also

Further reading

External links

https://en.wikipedia.org/wiki/Fahrenheit_451

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