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George Orwell

From Wikipedia, the free encyclopedia
George Orwell
A photo showing the head and shoulders of a middle-aged man with black hair and a slim moustache.

Orwell’s press card portrait, 1943
Born Eric Arthur Blair
25 June 1903
Motihari, Bengal Presidency, British India
(now East Champaran, Bihar, India)
Died 21 January 1950 (aged 46)
University College Hospital, London, England, United Kingdom
Resting place Sutton Courtenay, Oxfordshire, England, United Kingdom
Pen name George Orwell
Occupation Novelist, essayist, journalist, critic
Alma mater Eton College
Genre Dystopia, roman à clef, satire
Subject Anti-fascism, anti-Stalinism, democratic socialism, literary criticism, news, polemic
Notable works Animal Farm
Nineteen Eighty-Four
Years active 1928–1950
Spouse Eileen O’Shaughnessy
(m. 1935; her death 1945)
Sonia Brownell
(m. 1949; his death 1950)

Signature Eric Blair ("George Orwell")

Eric Arthur Blair (25 June 1903 – 21 January 1950),[1] better known by the pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and outspoken support of democratic socialism.[2][3]

Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is best known for the allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949). His non-fiction works, including The Road to Wigan Pier (1937), documenting his experience of working class life in the north of England, and Homage to Catalonia (1938), an account of his experiences in the Spanish Civil War, are widely acclaimed, as are his essays on politics, literature, language, and culture. In 2008, The Times ranked him second on a list of “The 50 greatest British writers since 1945”.[4]

Orwell’s work continues to influence popular and political culture, and the term Orwellian – descriptive of totalitarian or authoritarian social practices – has entered the language together with many of his neologisms, including cold war, Big Brother, Thought Police, Room 101, memory hole, newspeak, doublethink, and thoughtcrime.[5]

Contents

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Life

Early years

Blair family home at Shiplake, Oxfordshire

Eric Arthur Blair was born on 25 June 1903, in Motihari, Bengal Presidency (present-day Bihar), in British India.[6] His great-grandfather Charles Blair was a wealthy country gentleman in Dorset who married Lady Mary Fane, daughter of the Earl of Westmorland, and had income as an absentee landlord of plantations in Jamaica.[7] His grandfather, Thomas Richard Arthur Blair, was a clergyman.[8] Although the gentility passed down the generations, the prosperity did not; Eric Blair described his family as “lower-upper-middle class“.[9] His father, Richard Walmesley Blair, worked in the Opium Department of the Indian Civil Service.[10] His mother, Ida Mabel Blair (née Limouzin), grew up in Moulmein, Burma, where her French father was involved in speculative ventures.[7] Eric had two sisters: Marjorie, five years older, and Avril, five years younger. When Eric was one year old, his mother took him and his sister to England.[11][n 1] His birthplace and ancestral house in Motihari has been declared a protected monument of historical importance.[12]

In 1904, Ida Blair settled with her children at Henley-on-Thames in Oxfordshire. Eric was brought up in the company of his mother and sisters, and apart from a brief visit in mid-1907,[13] they did not see the husband and father Richard Blair until 1912.[8] His mother’s diary from 1905 describes a lively round of social activity and artistic interests.

Before the First World War, the family moved to Shiplake, Oxfordshire where Eric became friendly with the Buddicom family, especially their daughter Jacintha. When they first met, he was standing on his head in a field. On being asked why, he said, “You are noticed more if you stand on your head than if you are right way up.”[14] Jacintha and Eric read and wrote poetry, and dreamed of becoming famous writers. He said that he might write a book in the style of H. G. Wells‘s A Modern Utopia. During this period, he also enjoyed shooting, fishing and birdwatching with Jacintha’s brother and sister.[14]

Playing fields at St. Cyprian’s. Blair’s time at the school inspired his essay “Such, Such Were the Joys“.

At the age of five, Eric was sent as a day-boy to a convent school in Henley-on-Thames, which Marjorie also attended. It was a Roman Catholic convent run by French Ursuline nuns, who had been exiled from France after religious education was banned in 1903.[15] His mother wanted him to have a public school education, but his family could not afford the fees, and he needed to earn a scholarship. Ida Blair’s brother Charles Limouzin recommended St Cyprian’s School, Eastbourne, East Sussex.[8] Limouzin, who was a proficient golfer, knew of the school and its headmaster through the Royal Eastbourne Golf Club, where he won several competitions in 1903 and 1904.[16] The headmaster undertook to help Blair to win a scholarship, and made a private financial arrangement that allowed Blair’s parents to pay only half the normal fees. In September 1911 Eric arrived at St Cyprian’s. He boarded at the school for the next five years, returning home only for school holidays. He knew nothing of the reduced fees, although he “soon recognised that he was from a poorer home”.[17] Blair hated the school[18] and many years later wrote an essay “Such, Such Were the Joys“, published posthumously, based on his time there. At St. Cyprian’s, Blair first met Cyril Connolly, who became a writer. Many years later, as the editor of Horizon, Connolly published several of Orwell’s essays.

While at St Cyprian’s, Blair wrote two poems that were published in the Henley and South Oxfordshire Standard.[19][20] He came second to Connolly in the Harrow History Prize, had his work praised by the school’s external examiner, and earned scholarships to Wellington and Eton. But inclusion on the Eton scholarship roll did not guarantee a place, and none was immediately available for Blair. He chose to stay at St Cyprian’s until December 1916, in case a place at Eton became available.[8]

In January, Blair took up the place at Wellington, where he spent the Spring term. In May 1917 a place became available as a King’s Scholar at Eton. He remained at Eton until December 1921, when he left midway between his 18th and 19th birthday. Wellington was “beastly”, Orwell told his childhood friend Jacintha Buddicom, but he said he was “interested and happy” at Eton.[21] His principal tutor was A. S. F. Gow, Fellow of Trinity College, Cambridge, who also gave him advice later in his career.[8] Blair was briefly taught French by Aldous Huxley. Stephen Runciman, who was at Eton with Blair, noted that he and his contemporaries appreciated Huxley’s linguistic flair.[22] Cyril Connolly followed Blair to Eton, but because they were in separate years, they did not associate with each other.[23]

Blair’s academic performance reports suggest that he neglected his academic studies,[22] but during his time at Eton he worked with Roger Mynors to produce a College magazine, The Election Times, joined in the production of other publications – College Days and Bubble and Squeak – and participated in the Eton Wall Game. His parents could not afford to send him to a university without another scholarship, and they concluded from his poor results that he would not be able to win one. Runciman noted that he had a romantic idea about the East,[22] and the family decided that Blair should join the Imperial Police, the precursor of the Indian Police Service. For this he had to pass an entrance examination. His father had retired to Southwold, Suffolk, by this time; Blair was enrolled at a crammer there called Craighurst, and brushed up on his Classics, English, and History. He passed the entrance exam, coming seventh out of the 26 candidates who exceeded the pass mark.[8][24]

Policing in Burma

Blair pictured in a passport photo during his Burma years

Blair’s maternal grandmother lived at Moulmein, so he chose a posting in Burma. In October 1922 he sailed on board SS Herefordshire via the Suez Canal and Ceylon to join the Indian Imperial Police in Burma. A month later, he arrived at Rangoon and travelled to the police training school in Mandalay. After a short posting at Maymyo, Burma’s principal hill station, he was posted to the frontier outpost of Myaungmya in the Irrawaddy Delta at the beginning of 1924.

Working as an imperial policeman gave him considerable responsibility while most of his contemporaries were still at university in England. When he was posted farther east in the Delta to Twante as a sub-divisional officer, he was responsible for the security of some 200,000 people. At the end of 1924, he was promoted to Assistant District Superintendent and posted to Syriam, closer to Rangoon. Syriam had the refinery of the Burmah Oil Company, “the surrounding land a barren waste, all vegetation killed off by the fumes of sulphur dioxide pouring out day and night from the stacks of the refinery.” But the town was near Rangoon, a cosmopolitan seaport, and Blair went into the city as often as he could, “to browse in a bookshop; to eat well-cooked food; to get away from the boring routine of police life”.[25] In September 1925 he went to Insein, the home of Insein Prison, the second largest jail in Burma. In Insein, he had “long talks on every conceivable subject” with Elisa Maria Langford-Rae (who later married Kazi Lhendup Dorjee). She noted his “sense of utter fairness in minutest details”.[26]

British Club in Katha (in Orwell’s time, it occupied only the ground floor)

In April 1926 he moved to Moulmein, where his maternal grandmother lived. At the end of that year, he was assigned to Katha in Upper Burma, where he contracted dengue fever in 1927. Entitled to a leave in England that year, he was allowed to return in July due to his illness. While on leave in England and on holiday with his family in Cornwall in September 1927, he reappraised his life. Deciding against returning to Burma, he resigned from the Indian Imperial Police to become a writer. He drew on his experiences in the Burma police for the novel Burmese Days (1934) and the essays “A Hanging” (1931) and “Shooting an Elephant” (1936).

In Burma, Blair acquired a reputation as an outsider. He spent much of his time alone, reading or pursuing non-pukka activities, such as attending the churches of the Karen ethnic group. A colleague, Roger Beadon, recalled (in a 1969 recording for the BBC) that Blair was fast to learn the language and that before he left Burma, “was able to speak fluently with Burmese priests in ‘very high-flown Burmese.'”[27] Blair made changes to his appearance in Burma that remained for the rest of his life. “While in Burma, he acquired a moustache similar to those worn by officers of the British regiments stationed there. [He] also acquired some tattoos; on each knuckle he had a small untidy blue circle. Many Burmese living in rural areas still sport tattoos like this – they are believed to protect against bullets and snake bites.”[28] Later, he wrote that he felt guilty about his role in the work of empire and he “began to look more closely at his own country and saw that England also had its oppressed …”

London and Paris

Blair’s 1927 lodgings in Portobello Road, London

In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer.[29] In 1927 he moved to London.[30] Ruth Pitter, a family acquaintance, helped him find lodgings, and by the end of 1927 he had moved into rooms in Portobello Road;[31] a blue plaque commemorates his residence there.[32] Pitter’s involvement in the move “would have lent it a reassuring respectability in Mrs Blair’s eyes.” Pitter had a sympathetic interest in Blair’s writing, pointed out weaknesses in his poetry, and advised him to write about what he knew. In fact he decided to write of “certain aspects of the present that he set out to know” and “ventured into the East End of London – the first of the occasional sorties he would make to discover for himself the world of poverty and the down-and-outers who inhabit it. He had found a subject. These sorties, explorations, expeditions, tours or immersions were made intermittently over a period of five years.”[33]

In imitation of Jack London, whose writing he admired (particularly The People of the Abyss), Blair started to explore the poorer parts of London. On his first outing he set out to Limehouse Causeway, spending his first night in a common lodging house, possibly George Levy’s ‘kip’. For a while he “went native” in his own country, dressing like a tramp, adopting the name P. S. Burton and making no concessions to middle-class mores and expectations; he recorded his experiences of the low life for use in “The Spike“, his first published essay in English, and in the second half of his first book, Down and Out in Paris and London (1933).

Rue du Pot de Fer, on the Left Bank, in the 5th arrondissement, where Blair lived in Paris

In early 1928 he moved to Paris. He lived in the rue du Pot de Fer, a working class district in the 5th Arrondissement.[8] His aunt Nellie Limouzin also lived in Paris and gave him social and, when necessary, financial support. He began to write novels, including an early version of Burmese Days, but nothing else survives from that period.[8] He was more successful as a journalist and published articles in Monde, a political/literary journal edited by Henri Barbusse (his first article as a professional writer, “La Censure en Angleterre”, appeared in that journal on 6 October 1928); G. K.’s Weekly, where his first article to appear in England, “A Farthing Newspaper”, was printed on 29 December 1928;[34] and Le Progrès Civique (founded by the left-wing coalition Le Cartel des Gauches). Three pieces appeared in successive weeks in Le Progrès Civique: discussing unemployment, a day in the life of a tramp, and the beggars of London, respectively. “In one or another of its destructive forms, poverty was to become his obsessive subject – at the heart of almost everything he wrote until Homage to Catalonia.”[35]

He fell seriously ill in February 1929 and was taken to the Hôpital Cochin in the 14th arrondissement, a free hospital where medical students were trained. His experiences there were the basis of his essay “How the Poor Die“, published in 1946. He chose not to identify the hospital, and indeed was deliberately misleading about its location. Shortly afterwards, he had all his money stolen from his lodging house. Whether through necessity or to collect material, he undertook menial jobs like dishwashing in a fashionable hotel on the rue de Rivoli, which he later described in Down and Out in Paris and London. In August 1929, he sent a copy of “The Spike” to John Middleton Murry‘s New Adelphi magazine in London. The magazine was edited by Max Plowman and Sir Richard Rees, and Plowman accepted the work for publication.

Southwold

Southwold – North Parade

In December 1929, after nearly two years in Paris, Blair returned to England and went directly to his parents’ house in Southwold, which remained his base for the next five years. The family was well established in the town and his sister Avril was running a tea-house there. He became acquainted with many local people, including Brenda Salkeld, the clergyman’s daughter who worked as a gym-teacher at St Felix Girls’ School, Southwold. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life.[8]

In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin, who was as unappreciative of Blair as when they knew each other as children. Blair was writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic.[36] “His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents’ house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent.”[37] He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees, where he could “change” for his sporadic tramping expeditions. One of his jobs was domestic work at a lodgings for half a crown (two shillings and sixpence, or one-eighth of a pound) a day.[38]

Blair now contributed regularly to Adelphi, with “A Hanging” appearing in August 1931. From August to September 1931 his explorations of poverty continued, and, like the protagonist of A Clergyman’s Daughter, he followed the East End tradition of working in the Kent hop fields. He kept a diary about his experiences there. Afterwards, he lodged in the Tooley Street kip, but could not stand it for long, and with financial help from his parents moved to Windsor Street, where he stayed until Christmas. “Hop Picking”, by Eric Blair, appeared in the October 1931 issue of New Statesman, whose editorial staff included his old friend Cyril Connolly. Mabel Fierz put him in contact with Leonard Moore, who became his literary agent.

At this time Jonathan Cape rejected A Scullion’s Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber and Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested,[39] so that he could experience Christmas in prison, but the authorities did not regard his “drunk and disorderly” behaviour as imprisonable, and he returned home to Southwold after two days in a police cell.

Teaching career

In April 1932 Blair became a teacher at The Hawthorns High School, a school for boys in Hayes, West London. This was a small school offering private schooling for children of local tradesmen and shopkeepers, and had only 14 or 16 boys aged between ten and sixteen, and one other master.[40] While at the school he became friendly with the curate of the local parish church and became involved with activities there. Mabel Fierz had pursued matters with Moore, and at the end of June 1932, Moore told Blair that Victor Gollancz was prepared to publish A Scullion’s Diary for a £40 advance, through his recently founded publishing house, Victor Gollancz Ltd, which was an outlet for radical and socialist works.

At the end of the summer term in 1932, Blair returned to Southwold, where his parents had used a legacy to buy their own home. Blair and his sister Avril spent the holidays making the house habitable while he also worked on Burmese Days.[41] He was also spending time with Eleanor Jacques, but her attachment to Dennis Collings remained an obstacle to his hopes of a more serious relationship.

The pen name “George Orwell” was inspired by the River Orwell in the English county of Suffolk[42]

“Clink”, an essay describing his failed attempt to get sent to prison, appeared in the August 1932 number of Adelphi. He returned to teaching at Hayes and prepared for the publication of his book, now known as Down and Out in Paris and London. He wished to publish under a different name to avoid any embarrassment to his family over his time as a “tramp”.[43] In a letter to Moore (dated 15 November 1932), he left the choice of pseudonym to Moore and to Gollancz. Four days later, he wrote to Moore, suggesting the pseudonyms P. S. Burton (a name he used when tramping), Kenneth Miles, George Orwell, and H. Lewis Allways.[44] He finally adopted the nom de plume George Orwell because, as he told Eleanor Jacques, “It is a good round English name.” Down and Out in Paris and London was published on 9 January 1933, as Orwell continued to work on Burmese Days. Down and Out was successful and was next published by Harper & Brothers in New York.

In mid-1933 Blair left Hawthorns to become a teacher at Frays College, in Uxbridge, Middlesex. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. On one of these expeditions he became soaked and caught a chill that developed into pneumonia. He was taken to Uxbridge Cottage Hospital, where for a time his life was believed to be in danger. When he was discharged in January 1934, he returned to Southwold to convalesce and, supported by his parents, never returned to teaching.

He was disappointed when Gollancz turned down Burmese Days, mainly on the grounds of potential suits for libel, but Harper were prepared to publish it in the United States. Meanwhile, Blair started work on the novel A Clergyman’s Daughter, drawing upon his life as a teacher and on life in Southwold. Eleanor Jacques was now married and had gone to Singapore and Brenda Salkield had left for Ireland, so Blair was relatively isolated in Southwold – working on the allotments, walking alone and spending time with his father. Eventually in October, after sending A Clergyman’s Daughter to Moore, he left for London to take a job that had been found for him by his aunt Nellie Limouzin.

Hampstead

Orwell’s former home at 77 Parliament Hill, Hampstead, London

This job was as a part-time assistant in Booklovers’ Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman’s Daughter and Burmese Days for publication.

At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman’s Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O’Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master’s degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, a biographer and future translator of Chekhov, recalled Orwell and his friend Richard Rees “draped” at the fireplace, looking, she thought, “moth-eaten and prematurely aged.”[45] Around this time, Blair had started to write reviews for the New English Weekly.

Orwell’s time as a bookseller is commemorated with this plaque in Hampstead

In June, Burmese Days was published and Cyril Connolly’s review in the New Statesman prompted Orwell (as he then became known) to re-establish contact with his old friend. In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Orwell and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts.[46] Orwell was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers’ Corner.

The Road to Wigan Pier

At this time, Victor Gollancz suggested Orwell spend a short time investigating social conditions in economically depressed northern England.[n 2] Two years earlier J. B. Priestley had written about England north of the Trent, sparking an interest in reportage. The depression had also introduced a number of working-class writers from the North of England to the reading public.

On 31 January 1936, Orwell set out by public transport and on foot, reaching Manchester via Coventry, Stafford, the Potteries and Macclesfield. Arriving in Manchester after the banks had closed, he had to stay in a common lodging-house. The next day he picked up a list of contacts sent by Richard Rees. One of these, the trade union official Frank Meade, suggested Wigan, where Orwell spent February staying in dirty lodgings over a tripe shop. At Wigan, he visited many homes to see how people lived, took detailed notes of housing conditions and wages earned, went down Bryn Hall coal mine, and used the local public library to consult public health records and reports on working conditions in mines.

During this time, he was distracted by concerns about style and possible libel in Keep the Aspidistra Flying. He made a quick visit to Liverpool and during March, stayed in south Yorkshire, spending time in Sheffield and Barnsley. As well as visiting mines, including Grimethorpe, and observing social conditions, he attended meetings of the Communist Party and of Oswald Mosley – “his speech the usual claptrap – The blame for everything was put upon mysterious international gangs of Jews” – where he saw the tactics of the Blackshirts – “one is liable to get both a hammering and a fine for asking a question which Mosley finds it difficult to answer.”[48] He also made visits to his sister at Headingley, during which he visited the Brontë Parsonage at Haworth, where he was “chiefly impressed by a pair of Charlotte Brontë‘s cloth-topped boots, very small, with square toes and lacing up at the sides.”[49]

A former warehouse at Wigan Pier is named after Orwell

No 2 Kits Lane, Wallington, Hertfordshire. Orwell’s residence c. 1936–1940

The result of his journeys through the north was The Road to Wigan Pier, published by Gollancz for the Left Book Club in 1937. The first half of the book documents his social investigations of Lancashire and Yorkshire, including an evocative description of working life in the coal mines. The second half is a long essay on his upbringing and the development of his political conscience, which includes an argument for Socialism (although he goes to lengths to balance the concerns and goals of Socialism with the barriers it faced from the movement’s own advocates at the time, such as ‘priggish’ and ‘dull’ Socialist intellectuals, and ‘proletarian’ Socialists with little grasp of the actual ideology). Gollancz feared the second half would offend readers and added a disculpatory preface to the book while Orwell was in Spain.

Orwell needed somewhere he could concentrate on writing his book, and once again help was provided by Aunt Nellie, who was living at Wallington, Hertfordshire in a very small 16th-century cottage called the “Stores”. Wallington was a tiny village 35 miles north of London, and the cottage had almost no modern facilities. Orwell took over the tenancy and moved in on 2 April 1936.[50] He started work on The Road to Wigan Pier by the end of April, but also spent hours working on the garden and testing the possibility of reopening the Stores as a village shop. Keep the Aspidistra Flying was published by Gollancz on 20 April 1936. On 4 August Orwell gave a talk at the Adelphi Summer School held at Langham, entitled An Outsider Sees the Distressed Areas; others who spoke at the school included John Strachey, Max Plowman, Karl Polanyi and Reinhold Niebuhr.

Orwell’s research for The Road to Wigan Pier led to him being placed under surveillance by the Special Branch from 1936, for 12 years, until one year before the publication of Nineteen Eighty-Four.[51]

Orwell married Eileen O’Shaughnessy on 9 June 1936. Shortly afterwards, the political crisis began in Spain and Orwell followed developments there closely. At the end of the year, concerned by Francisco Franco‘s military uprising, (supported by Nazi Germany, Fascist Italy and local groups such as Falange), Orwell decided to go to Spain to take part in the Spanish Civil War on the Republican side. Under the erroneous impression that he needed papers from some left-wing organisation to cross the frontier, on John Strachey‘s recommendation he applied unsuccessfully to Harry Pollitt, leader of the British Communist Party. Pollitt was suspicious of Orwell’s political reliability; he asked him whether he would undertake to join the International Brigade and advised him to get a safe-conduct from the Spanish Embassy in Paris.[52] Not wishing to commit himself until he had seen the situation in situ, Orwell instead used his Independent Labour Party contacts to get a letter of introduction to John McNair in Barcelona.

The Spanish Civil War

The square in Barcelona renamed in Orwell’s honour

Orwell set out for Spain on about 23 December 1936, dining with Henry Miller in Paris on the way. The American writer told Orwell that going to fight in the Civil War out of some sense of obligation or guilt was ‘sheer stupidity,’ and that the Englishman’s ideas ‘about combating Fascism, defending democracy, etc., etc., were all baloney.’[53] A few days later, in Barcelona, Orwell met John McNair of the Independent Labour Party (ILP) Office who quoted him: “I’ve come to fight against Fascism”.[54] Orwell stepped into a complex political situation in Catalonia. The Republican government was supported by a number of factions with conflicting aims, including the Workers’ Party of Marxist Unification (POUM – Partido Obrero de Unificación Marxista), the anarcho-syndicalist Confederación Nacional del Trabajo (CNT) and the Unified Socialist Party of Catalonia (a wing of the Spanish Communist Party, which was backed by Soviet arms and aid). The ILP was linked to the POUM so Orwell joined the POUM.

After a time at the Lenin Barracks in Barcelona he was sent to the relatively quiet Aragon Front under Georges Kopp. By January 1937 he was at Alcubierre 1,500 feet (460 m) above sea level, in the depth of winter. There was very little military action, and Orwell was shocked by the lack of munitions, food, and firewood, and other extreme deprivations.[55] Orwell, with his Cadet Corps and police training, was quickly made a corporal. On the arrival of a British ILP Contingent about three weeks later, Orwell and the other English militiaman, Williams, were sent with them to Monte Oscuro. The newly arrived ILP contingent included Bob Smillie, Bob Edwards, Stafford Cottman and Jack Branthwaite. The unit was then sent on to Huesca.

Meanwhile, back in England, Eileen had been handling the issues relating to the publication of The Road to Wigan Pier before setting out for Spain herself, leaving Nellie Limouzin to look after The Stores. Eileen volunteered for a post in John McNair’s office and with the help of Georges Kopp paid visits to her husband, bringing him English tea, chocolate, and cigars.[56] Orwell had to spend some days in hospital with a poisoned hand[57] and had most of his possessions stolen by the staff. He returned to the front and saw some action in a night attack on the Nationalist trenches where he chased an enemy soldier with a bayonet and bombed an enemy rifle position.

In April, Orwell returned to Barcelona.[57] Wanting to be sent to the Madrid front, which meant he “must join the International Column”, he approached a Communist friend attached to the Spanish Medical Aid and explained his case. “Although he did not think much of the Communists, Orwell was still ready to treat them as friends and allies. That would soon change.”[58] This was the time of the Barcelona May Days and Orwell was caught up in the factional fighting. He spent much of the time on a roof, with a stack of novels, but encountered Jon Kimche from his Hampstead days during the stay. The subsequent campaign of lies and distortion carried out by the Communist press,[59] in which the POUM was accused of collaborating with the fascists, had a dramatic effect on Orwell. Instead of joining the International Brigades as he had intended, he decided to return to the Aragon Front. Once the May fighting was over, he was approached by a Communist friend who asked if he still intended transferring to the International Brigades. Orwell expressed surprise that they should still want him, because according to the Communist press he was a fascist.[60] “No one who was in Barcelona then, or for months later, will forget the horrible atmosphere produced by fear, suspicion, hatred, censored newspapers, crammed jails, enormous food queues and prowling gangs of armed men.”[61]

After his return to the front, he was wounded in the throat by a sniper’s bullet. At 6 ft 2 in (1.88 m) Orwell was considerably taller than the Spanish fighters[62] and had been warned against standing against the trench parapet. Unable to speak, and with blood pouring from his mouth, Orwell was carried on a stretcher to Siétamo, loaded on an ambulance and after a bumpy journey via Barbastro arrived at the hospital at Lérida. He recovered sufficiently to get up and on 27 May 1937 was sent on to Tarragona and two days later to a POUM sanatorium in the suburbs of Barcelona. The bullet had missed his main artery by the barest margin and his voice was barely audible. It had been such a clean shot that the wound immediately went through the process of cauterisation. He received electrotherapy treatment and was declared medically unfit for service.[63]

By the middle of June the political situation in Barcelona had deteriorated and the POUM – painted by the pro-Soviet Communists as a Trotskyist organisation – was outlawed and under attack. The Communist line was that the POUM were “objectively” Fascist, hindering the Republican cause. “A particularly nasty poster appeared, showing a head with a POUM mask being ripped off to reveal a Swastika-covered face beneath.”[64] Members, including Kopp, were arrested and others were in hiding. Orwell and his wife were under threat and had to lie low,[n 3] although they broke cover to try to help Kopp.

Finally with their passports in order, they escaped from Spain by train, diverting to Banyuls-sur-Mer for a short stay before returning to England. In the first week of July 1937 Orwell arrived back at Wallington; on 13 July 1937 a deposition was presented to the Tribunal for Espionage & High Treason, Valencia, charging the Orwells with “rabid Trotskyism“, and being agents of the POUM.[65] The trial of the leaders of the POUM and of Orwell (in his absence) took place in Barcelona in October and November 1938. Observing events from French Morocco, Orwell wrote that they were ” – only a by-product of the Russian Trotskyist trials and from the start every kind of lie, including flagrant absurdities, has been circulated in the Communist press.”[66] Orwell’s experiences in the Spanish Civil War gave rise to Homage to Catalonia (1938).

Rest and recuperation

Laurence O’Shaughnessy’s former home, the large house on the corner, 24 Crooms Hill, Greenwich, London[67]

Orwell returned to England in June 1937, and stayed at the O’Shaughnessy home at Greenwich. He found his views on the Spanish Civil War out of favour. Kingsley Martin rejected two of his works and Gollancz was equally cautious. At the same time, the communist Daily Worker was running an attack on The Road to Wigan Pier, misquoting Orwell as saying “the working classes smell”; a letter to Gollancz from Orwell threatening libel action brought a stop to this. Orwell was also able to find a more sympathetic publisher for his views in Frederic Warburg of Secker & Warburg. Orwell returned to Wallington, which he found in disarray after his absence. He acquired goats, a rooster he called “Henry Ford”, and a poodle puppy he called “Marx”[68][69][70] and settled down to animal husbandry and writing Homage to Catalonia.

There were thoughts of going to India to work on the Pioneer, a newspaper in Lucknow, but by March 1938 Orwell’s health had deteriorated. He was admitted to Preston Hall Sanatorium at Aylesford, Kent, a British Legion hospital for ex-servicemen to which his brother-in-law Laurence O’Shaughnessy was attached. He was thought initially to be suffering from tuberculosis and stayed in the sanatorium until September. A stream of visitors came to see him including Common, Heppenstall, Plowman and Cyril Connolly. Connolly brought with him Stephen Spender, a cause of some embarrassment as Orwell had referred to Spender as a “pansy friend” some time earlier. Homage to Catalonia was published by Secker & Warburg and was a commercial flop. In the latter part of his stay at the clinic Orwell was able to go for walks in the countryside and study nature.

The novelist L. H. Myers secretly funded a trip to French Morocco for half a year for Orwell to avoid the English winter and recover his health. The Orwells set out in September 1938 via Gibraltar and Tangier to avoid Spanish Morocco and arrived at Marrakech. They rented a villa on the road to Casablanca and during that time Orwell wrote Coming Up for Air. They arrived back in England on 30 March 1939 and Coming Up for Air was published in June. Orwell spent time in Wallington and Southwold working on a Dickens essay and it was in July 1939 that Orwell’s father, Richard Blair, died.

Second World War and Animal Farm

At the outbreak of the Second World War, Orwell’s wife Eileen started working in the Censorship Department of the Ministry of Information in central London, staying during the week with her family in Greenwich. Orwell also submitted his name to the Central Register for war work, but nothing transpired. “They won’t have me in the army, at any rate at present, because of my lungs”, Orwell told Geoffrey Gorer. He returned to Wallington, and in late 1939 he wrote material for his first collection of essays, Inside the Whale. For the next year he was occupied writing reviews for plays, films and books for The Listener, Time and Tide and New Adelphi. On 29 March 1940 his long association with Tribune began[71] with a review of a sergeant’s account of Napoleon‘s retreat from Moscow. At the beginning of 1940, the first edition of Connolly’s Horizon appeared, and this provided a new outlet for Orwell’s work as well as new literary contacts. In May the Orwells took lease of a flat in London at Dorset Chambers, Chagford Street, Marylebone. It was the time of the Dunkirk evacuation and the death in France of Eileen’s brother Lawrence caused her considerable grief and long-term depression. Throughout this period Orwell kept a wartime diary.

Orwell was declared “unfit for any kind of military service” by the Medical Board in June, but soon afterwards found an opportunity to become involved in war activities by joining the Home Guard. He shared Tom Wintringham‘s socialist vision for the Home Guard as a revolutionary People’s Militia. His lecture notes for instructing platoon members include advice on street fighting, field fortifications, and the use of mortars of various kinds. Sergeant Orwell managed to recruit Frederic Warburg to his unit. During the Battle of Britain he used to spend weekends with Warburg and his new Zionist friend, Tosco Fyvel, at Warburg’s house at Twyford, Berkshire. At Wallington he worked on “England Your England” and in London wrote reviews for various periodicals. Visiting Eileen’s family in Greenwich brought him face-to-face with the effects of the blitz on East London. In mid-1940, Warburg, Fyvel and Orwell planned Searchlight Books. Eleven volumes eventually appeared, of which Orwell’s The Lion and the Unicorn: Socialism and the English Genius, published on 19 February 1941, was the first.[72]

Early in 1941 he started writing for the American Partisan Review which linked Orwell with The New York Intellectuals, like him anti-Stalinist, but committed to staying on the Left,[73] and contributed to Gollancz anthology The Betrayal of the Left, written in the light of the Molotov–Ribbentrop Pact (although Orwell referred to it as the Russo-German Pact and the Hitler-Stalin Pact[74]). He also applied unsuccessfully for a job at the Air Ministry. Meanwhile, he was still writing reviews of books and plays and at this time met the novelist Anthony Powell. He also took part in a few radio broadcasts for the Eastern Service of the BBC. In March the Orwells moved to a seventh-floor flat at Langford Court, St John’s Wood, while at Wallington Orwell was “digging for victory” by planting potatoes.

One could not have a better example of the moral and emotional shallowness of our time, than the fact that we are now all more or less pro Stalin. This disgusting murderer is temporarily on our side, and so the purges, etc., are suddenly forgotten.

— George Orwell, in his war-time diary, 3 July 1941[75]

In August 1941, Orwell finally obtained “war work” when he was taken on full-time by the BBC’s Eastern Service. He supervised cultural broadcasts to India to counter propaganda from Nazi Germany designed to undermine Imperial links. This was Orwell’s first experience of the rigid conformity of life in an office, and it gave him an opportunity to create cultural programmes with contributions from T. S. Eliot, Dylan Thomas, E. M. Forster, Ahmed Ali, Mulk Raj Anand, and William Empson among others.

At the end of August he had a dinner with H. G. Wells which degenerated into a row because Wells had taken offence at observations Orwell made about him in a Horizon article. In October Orwell had a bout of bronchitis and the illness recurred frequently. David Astor was looking for a provocative contributor for The Observer and invited Orwell to write for him – the first article appearing in March 1942. In early 1942 Eileen changed jobs to work at the Ministry of Food and in mid-1942 the Orwells moved to a larger flat, a ground floor and basement, 10a Mortimer Crescent in Maida Vale/Kilburn – “the kind of lower-middle-class ambience that Orwell thought was London at its best.” Around the same time Orwell’s mother and sister Avril, who had found work in a sheet-metal factory behind Kings Cross Station, moved into a flat close to George and Eileen.[76]

Orwell at the BBC in 1941. Despite having spoken on many broadcasts, no recordings of Orwell’s voice are known to survive.[77][78][79]

At the BBC, Orwell introduced Voice, a literary programme for his Indian broadcasts, and by now was leading an active social life with literary friends, particularly on the political left. Late in 1942, he started writing regularly for the left-wing weekly Tribune[80]:306[81]:441 directed by Labour MPs Aneurin Bevan and George Strauss. In March 1943 Orwell’s mother died and around the same time he told Moore he was starting work on a new book, which turned out to be Animal Farm.

In September 1943, Orwell resigned from the BBC post that he had occupied for two years.[82]:352 His resignation followed a report confirming his fears that few Indians listened to the broadcasts,[83] but he was also keen to concentrate on writing Animal Farm. Just six days before his last day of service, on 24 November 1943, his adaptation of the fairy tale, Hans Christian Andersen‘s The Emperor’s New Clothes was broadcast. It was a genre in which he was greatly interested and which appeared on Animal Farms title-page.[84] At this time he also resigned from the Home Guard on medical grounds.[85]

In November 1943, Orwell was appointed literary editor at Tribune, where his assistant was his old friend Jon Kimche. Orwell was on staff until early 1945, writing over 80 book reviews[86] and on 3 December 1943 started his regular personal column, “As I Please“, usually addressing three or four subjects in each.[87] He was still writing reviews for other magazines, including Partisan Review, Horizon, and the New York Nation and becoming a respected pundit among left-wing circles but also a close friend of people on the right such as Powell, Astor and Malcolm Muggeridge. By April 1944 Animal Farm was ready for publication. Gollancz refused to publish it, considering it an attack on the Soviet regime which was a crucial ally in the war. A similar fate was met from other publishers (including T. S. Eliot at Faber and Faber) until Jonathan Cape agreed to take it.

In May the Orwells had the opportunity to adopt a child, thanks to the contacts of Eileen’s sister Gwen O’Shaughnessy, then a doctor in Newcastle upon Tyne. In June a V-1 flying bomb struck Mortimer Crescent and the Orwells had to find somewhere else to live. Orwell had to scrabble around in the rubble for his collection of books, which he had finally managed to transfer from Wallington, carting them away in a wheelbarrow.

Another bombshell was Cape’s reversal of his plan to publish Animal Farm. The decision followed his personal visit to Peter Smollett, an official at the Ministry of Information. Smollett was later identified as a Soviet agent.[88][89]

The Orwells spent some time in the North East, near Carlton, County Durham, dealing with matters in the adoption of a boy whom they named Richard Horatio Blair.[90] By September 1944 they had set up home in Islington, at 27b Canonbury Square.[91] Baby Richard joined them there, and Eileen gave up her work at the Ministry of Food to look after her family. Secker & Warburg had agreed to publish Animal Farm, planned for the following March, although it did not appear in print until August 1945. By February 1945 David Astor had invited Orwell to become a war correspondent for the Observer. Orwell had been looking for the opportunity throughout the war, but his failed medical reports prevented him from being allowed anywhere near action. He went to Paris after the liberation of France and to Cologne once it had been occupied by the Allies.

It was while he was there that Eileen went into hospital for a hysterectomy and died under anaesthetic on 29 March 1945. She had not given Orwell much notice about this operation because of worries about the cost and because she expected to make a speedy recovery. Orwell returned home for a while and then went back to Europe. He returned finally to London to cover the 1945 general election at the beginning of July. Animal Farm: A Fairy Story was published in Britain on 17 August 1945, and a year later in the US, on 26 August 1946.

Jura and Nineteen Eighty-Four

Animal Farm struck a particular resonance in the post-war climate and its worldwide success made Orwell a sought-after figure.

For the next four years Orwell mixed journalistic work – mainly for Tribune, The Observer and the Manchester Evening News, though he also contributed to many small-circulation political and literary magazines – with writing his best-known work, Nineteen Eighty-Four, which was published in 1949.

Barnhill on the Isle of Jura off the west coast of Scotland

In the year following Eileen’s death he published around 130 articles and a selection of his Critical Essays, while remaining active in various political lobbying campaigns. He employed a housekeeper, Susan Watson, to look after his adopted son at the Islington flat, which visitors now described as “bleak”. In September he spent a fortnight on the island of Jura in the Inner Hebrides and saw it as a place to escape from the hassle of London literary life. David Astor was instrumental in arranging a place for Orwell on Jura.[92] Astor’s family owned Scottish estates in the area and a fellow Old Etonian Robin Fletcher had a property on the island. In late 1945 and early 1946 Orwell made several hopeless and unwelcome marriage proposals to younger women, including Celia Kirwan (who was later to become Arthur Koestler‘s sister-in-law), Ann Popham who happened to live in the same block of flats and Sonia Brownell, one of Connolly’s coterie at the Horizon office. Orwell suffered a tubercular haemorrhage in February 1946 but disguised his illness. In 1945 or early 1946, while still living at Canonbury Square, Orwell wrote an article on “British Cookery”, complete with recipes, commissioned by the British Council. Given the post-war shortages, both parties agreed not to publish it.[93] His sister Marjorie died of kidney disease in May and shortly after, on 22 May 1946, Orwell set off to live on the Isle of Jura.

Barnhill[94] was an abandoned farmhouse with outbuildings near the northern end of the island, situated at the end of a five-mile (8 km), heavily rutted track from Ardlussa, where the owners lived. Conditions at the farmhouse were primitive but the natural history and the challenge of improving the place appealed to Orwell. His sister Avril accompanied him there and young novelist Paul Potts made up the party. In July Susan Watson arrived with Orwell’s son Richard. Tensions developed and Potts departed after one of his manuscripts was used to light the fire. Orwell meanwhile set to work on Nineteen Eighty-Four. Later Susan Watson’s boyfriend David Holbrook arrived. A fan of Orwell since school days, he found the reality very different, with Orwell hostile and disagreeable probably because of Holbrook’s membership of the Communist Party.[95] Susan Watson could no longer stand being with Avril and she and her boyfriend left.

Orwell returned to London in late 1946 and picked up his literary journalism again. Now a well-known writer, he was swamped with work. Apart from a visit to Jura in the new year he stayed in London for one of the coldest British winters on record and with such a national shortage of fuel that he burnt his furniture and his child’s toys. The heavy smog in the days before the Clean Air Act 1956 did little to help his health about which he was reticent, keeping clear of medical attention. Meanwhile, he had to cope with rival claims of publishers Gollancz and Warburg for publishing rights. About this time he co-edited a collection titled British Pamphleteers with Reginald Reynolds. As a result of the success of Animal Farm, Orwell was expecting a large bill from the Inland Revenue and he contacted a firm of accountants of which the senior partner was Jack Harrison. The firm advised Orwell to establish a company to own his copyright and to receive his royalties and set up a “service agreement” so that he could draw a salary. Such a company “George Orwell Productions Ltd” (GOP Ltd) was set up on 12 September 1947 although the service agreement was not then put into effect. Jack Harrison left the details at this stage to junior colleagues.[96]

Orwell left London for Jura on 10 April 1947.[8] In July he ended the lease on the Wallington cottage.[97] Back on Jura he worked on Nineteen Eighty-Four and made good progress. During that time his sister’s family visited, and Orwell led a disastrous boating expedition, on 19 August,[98] which nearly led to loss of life whilst trying to cross the notorious gulf of Corryvreckan and gave him a soaking which was not good for his health. In December a chest specialist was summoned from Glasgow who pronounced Orwell seriously ill and a week before Christmas 1947 he was in Hairmyres Hospital in East Kilbride, then a small village in the countryside, on the outskirts of Glasgow. Tuberculosis was diagnosed and the request for permission to import streptomycin to treat Orwell went as far as Aneurin Bevan, then Minister of Health. David Astor helped with supply and payment and Orwell began his course of streptomycin on 19 or 20 February 1948.[99] By the end of July 1948 Orwell was able to return to Jura and by December he had finished the manuscript of Nineteen Eighty-Four. In January 1949, in a very weak condition, he set off for a sanatorium at Cranham, Gloucestershire, escorted by Richard Rees.

The sanatorium at Cranham consisted of a series of small wooden chalets or huts in a remote part of the Cotswolds near Stroud. Visitors were shocked by Orwell’s appearance and concerned by the short-comings and ineffectiveness of the treatment. Friends were worried about his finances, but by now he was comparatively well-off. He was writing to many of his friends, including Jacintha Buddicom, who had “rediscovered” him, and in March 1949, was visited by Celia Kirwan. Kirwan had just started working for a Foreign Office unit, the Information Research Department, set up by the Labour government to publish anti-communist propaganda, and Orwell gave her a list of people he considered to be unsuitable as IRD authors because of their pro-communist leanings. Orwell’s list, not published until 2003, consisted mainly of writers but also included actors and Labour MPs.[88][100] Orwell received more streptomycin treatment and improved slightly. In June 1949 Nineteen Eighty-Four was published to immediate critical and popular acclaim.

Final months and death

University College Hospital in London where Orwell died

Orwell’s health had continued to decline since the diagnosis of tuberculosis in December 1947. In mid-1949, he courted Sonia Brownell, and they announced their engagement in September, shortly before he was removed to University College Hospital in London. Sonia took charge of Orwell’s affairs and attended him diligently in the hospital, causing concern to some old friends such as Muggeridge. In September 1949, Orwell invited his accountant Harrison to visit him in hospital, and Harrison claimed that Orwell then asked him to become director of GOP Ltd and to manage the company, but there was no independent witness.[96] Orwell’s wedding took place in the hospital room on 13 October 1949, with David Astor as best man.[101] Orwell was in decline and visited by an assortment of visitors including Muggeridge, Connolly, Lucian Freud, Stephen Spender, Evelyn Waugh, Paul Potts, Anthony Powell, and his Eton tutor Anthony Gow.[8] Plans to go to the Swiss Alps were mooted. Further meetings were held with his accountant, at which Harrison and Mr and Mrs Blair were confirmed as directors of the company, and at which Harrison claimed that the “service agreement” was executed, giving copyright to the company.[96] Orwell’s health was in decline again by Christmas. On the evening of 20 January 1950, Potts visited Orwell and slipped away on finding him asleep. Jack Harrison visited later and claimed that Orwell gave him 25% of the company.[96] Early on the morning of 21 January, an artery burst in Orwell’s lungs, killing him at age 46.[102]

Orwell had requested to be buried in accordance with the Anglican rite in the graveyard of the closest church to wherever he happened to die. The graveyards in central London had no space, and fearing that he might have to be cremated against his wishes, his widow appealed to his friends to see whether any of them knew of a church with space in its graveyard.

George Orwell’s grave in Sutton Courtenay, Oxfordshire

David Astor lived in Sutton Courtenay, Oxfordshire, and arranged for Orwell to be interred in All Saints’ Churchyard there.[103] Orwell’s gravestone bears the simple epitaph: “Here lies Eric Arthur Blair, born June 25th 1903, died January 21st 1950”; no mention is made on the gravestone of his more famous pen name.

Orwell’s son, Richard Horatio Blair, was brought up by Orwell’s sister Avril. He maintains a public profile as patron of the Orwell Society.[104] He gives interviews about the few memories he has of his father.

In 1979, Sonia Brownell brought a High Court action against Harrison, who had in the meantime transferred 75% of the company’s voting stock to himself and had dissipated much of the value of the company. She was considered to have a strong case, but was becoming increasingly ill and eventually was persuaded to settle out of court on 2 November 1980. She died on 11 December 1980, aged 62.[96]

Literary career and legacy

During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: Down and Out in Paris and London (describing a period of poverty in these cities), The Road to Wigan Pier (describing the living conditions of the poor in northern England, and class division generally) and Homage to Catalonia. According to Irving Howe, Orwell was “the best English essayist since Hazlitt, perhaps since Dr Johnson.”[105]

Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. Nineteen Eighty-Four is often compared to Brave New World by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In 1984, Nineteen Eighty-Four and Ray Bradbury‘s Fahrenheit 451 were honoured with the Prometheus Award for their contributions to dystopian literature. In 2011 he received it again for Animal Farm.

Coming Up for Air, his last novel before World War II is the most “English” of his novels; alarms of war mingle with images of idyllic Thames-side Edwardian childhood of protagonist George Bowling. The novel is pessimistic; industrialism and capitalism have killed the best of Old England, and there were great, new external threats. In homely terms, Bowling posits the totalitarian hypotheses of Borkenau, Orwell, Silone and Koestler: “Old Hitler’s something different. So’s Joe Stalin. They aren’t like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it … They’re something quite new – something that’s never been heard of before”.

Literary influences

In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: “The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is W. Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.” Elsewhere, Orwell strongly praised the works of Jack London, especially his book The Road. Orwell’s investigation of poverty in The Road to Wigan Pier strongly resembles that of Jack London’s The People of the Abyss, in which the American journalist disguises himself as an out-of-work sailor to investigate the lives of the poor in London. In his essay “Politics vs. Literature: An Examination of Gulliver’s Travels” (1946) Orwell wrote: “If I had to make a list of six books which were to be preserved when all others were destroyed, I would certainly put Gulliver’s Travels among them.”

Other writers admired by Orwell included: Ralph Waldo Emerson, George Gissing, Graham Greene, Herman Melville, Henry Miller, Tobias Smollett, Mark Twain, Joseph Conrad and Yevgeny Zamyatin.[106] He was both an admirer and a critic of Rudyard Kipling,[107][108] praising Kipling as a gifted writer and a “good bad poet” whose work is “spurious” and “morally insensitive and aesthetically disgusting,” but undeniably seductive and able to speak to certain aspects of reality more effectively than more enlightened authors.[109] He had a similarly ambivalent attitude to G. K. Chesterton, whom he regarded as a writer of considerable talent who had chosen to devote himself to “Roman Catholic propaganda”.[110]

Orwell as literary critic

Throughout his life Orwell continually supported himself as a book reviewer, writing works so long and sophisticated they have had an influence on literary criticism. He wrote in the conclusion to his 1940 essay on Charles Dickens,

When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens’s photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry – in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls.

George Woodcock suggested that the last two sentences characterised Orwell as much as his subject.[111]

Orwell wrote a critique of George Bernard Shaw‘s play Arms and the Man. He considered this Shaw’s best play and the most likely to remain socially relevant, because of its theme that war is not, generally speaking, a glorious romantic adventure. His 1945 essay In Defense of P.G. Wodehouse contains an amusing assessment of his writing and also argues that his broadcasts from Germany (during the war) did not really make him a traitor. He accused The Ministry of Information of exaggerating Wodehouse’s actions for propaganda purposes.

Reception and evaluations of Orwell’s works

Arthur Koestler mentioned Orwell’s “uncompromising intellectual honesty [which] made him appear almost inhuman at times.”[112] Ben Wattenberg stated: “Orwell’s writing pierced intellectual hypocrisy wherever he found it.”[113] According to historian Piers Brendon, “Orwell was the saint of common decency who would in earlier days, said his BBC boss Rushbrook Williams, ‘have been either canonised – or burnt at the stake'”.[114] Raymond Williams in Politics and Letters: Interviews with New Left Review describes Orwell as a “successful impersonation of a plain man who bumps into experience in an unmediated way and tells the truth about it.”[115] Christopher Norris declared that Orwell’s “homespun empiricist outlook – his assumption that the truth was just there to be told in a straightforward common-sense way – now seems not merely naïve but culpably self-deluding”.[116] The American scholar Scott Lucas has described Orwell[117] as an enemy of the Left. John Newsinger has argued[118] that Lucas could only do this by portraying “all of Orwell’s attacks on Stalinism [-] as if they were attacks on socialism, despite Orwell’s continued insistence that they were not.”

Orwell’s work has taken a prominent place in the school literature curriculum in England,[119] with Animal Farm a regular examination topic at the end of secondary education (GCSE), and Nineteen Eighty-Four a topic for subsequent examinations below university level (A Levels). Alan Brown noted that this brings to the forefront questions about the political content of teaching practices. Study aids, in particular with potted biographies, might be seen to help propagate the Orwell myth so that as an embodiment of human values he is presented as a “trustworthy guide”, while examination questions sometimes suggest a “right ways of answering” in line with the myth.[120][clarification needed]

Historian John Rodden stated: “John Podhoretz did claim that if Orwell were alive today, he’d be standing with the neo-conservatives and against the Left. And the question arises, to what extent can you even begin to predict the political positions of somebody who’s been dead three decades and more by that time?”[113]

In Orwell’s Victory, Christopher Hitchens argues, “In answer to the accusation of inconsistency Orwell as a writer was forever taking his own temperature. In other words, here was someone who never stopped testing and adjusting his intelligence”.[121]

John Rodden points out the “undeniable conservative features in the Orwell physiognomy” and remarks on how “to some extent Orwell facilitated the kinds of uses and abuses by the Right that his name has been put to. In other ways there has been the politics of selective quotation.”[113] Rodden refers to the essay “Why I Write“, in which Orwell refers to the Spanish Civil War as being his “watershed political experience”, saying “The Spanish War and other events in 1936–37, turned the scale. Thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written directly or indirectly against totalitarianism and for Democratic Socialism as I understand it.” (emphasis in original)[113] Rodden goes on to explain how, during the McCarthy era, the introduction to the Signet edition of Animal Farm, which sold more than 20 million copies, makes use of “the politics of ellipsis”:

If the book itself, Animal Farm, had left any doubt of the matter, Orwell dispelled it in his essay Why I Write: ‘Every line of serious work that I’ve written since 1936 has been written directly or indirectly against Totalitarianism … dot, dot, dot, dot.’ “For Democratic Socialism” is vaporised, just like Winston Smith did it at the Ministry of Truth, and that’s very much what happened at the beginning of the McCarthy era and just continued, Orwell being selectively quoted.[113]

Fyvel wrote about Orwell: “His crucial experience … was his struggle to turn himself into a writer, one which led through long periods of poverty, failure and humiliation, and about which he has written almost nothing directly. The sweat and agony was less in the slum-life than in the effort to turn the experience into literature.”[122][123]

In October 2015 Finlay Publisher, for the Orwell Society, published George Orwell ‘The Complete Poetry’, compiled and presented by Dione Venables.[124]

Influence on language and writing

In his essay “Politics and the English Language” (1946), Orwell wrote about the importance of precise and clear language, arguing that vague writing can be used as a powerful tool of political manipulation because it shapes the way we think. In that essay, Orwell provides six rules for writers:

  1. Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.[125]

Andrew N. Rubin argues, “Orwell claimed that we should be attentive to how the use of language has limited our capacity for critical thought just as we should be equally concerned with the ways in which dominant modes of thinking have reshaped the very language that we use.”[126]

The adjective Orwellian connotes an attitude and a policy of control by propaganda, surveillance, misinformation, denial of truth, and manipulation of the past. In Nineteen Eighty-Four Orwell described a totalitarian government that controlled thought by controlling language, making certain ideas literally unthinkable. Several words and phrases from Nineteen Eighty-Four have entered popular language. Newspeak is a simplified and obfuscatory language designed to make independent thought impossible. Doublethink means holding two contradictory beliefs simultaneously. The Thought Police are those who suppress all dissenting opinion. Prolefeed is homogenised, manufactured superficial literature, film and music, used to control and indoctrinate the populace through docility. Big Brother is a supreme dictator who watches everyone.

Orwell may have been the first to use the term cold war to refer to the state of tension between powers in the Western Bloc and the Eastern Bloc that followed the Second World War, in his essay, “You and the Atom Bomb”, published in Tribune, 19 October 1945. He wrote:

We may be heading not for general breakdown but for an epoch as horribly stable as the slave empires of antiquity. James Burnham‘s theory has been much discussed, but few people have yet considered its ideological implications – this is, the kind of world-view, the kind of beliefs, and the social structure that would probably prevail in a State which was at once unconquerable and in a permanent state of ‘cold war’ with its neighbours.[127]

Museum

In 2014 it was announced that Orwell’s birthplace, a bungalow in Motihari, Bihar, in India would become the world’s first Orwell museum.[10][128]

Modern Culture

In 2014 a play written by playwright Joe Sutton titled Orwell in America was first performed. It is a fictitious account of Orwell doing a book tour in America (something he never did in his lifetime). It moved to Off-Broadway in 2016.[129]

Personal life

Childhood

Jacintha Buddicom‘s account Eric & Us provides an insight into Blair’s childhood.[130] She quoted his sister Avril that “he was essentially an aloof, undemonstrative person” and said herself of his friendship with the Buddicoms: “I do not think he needed any other friends beyond the schoolfriend he occasionally and appreciatively referred to as ‘CC'”. She could not recall his having schoolfriends to stay and exchange visits as her brother Prosper often did in holidays.[131] Cyril Connolly provides an account of Blair as a child in Enemies of Promise.[23] Years later, Blair mordantly recalled his prep school in the essay “Such, Such Were the Joys“, claiming among other things that he “was made to study like a dog” to earn a scholarship, which he alleged was solely to enhance the school’s prestige with parents. Jacintha Buddicom repudiated Orwell’s schoolboy misery described in the essay, stating that “he was a specially happy child”. She noted that he did not like his name, because it reminded him of a book he greatly disliked – Eric, or, Little by Little, a Victorian boys’ school story.[132]

Connolly remarked of him as a schoolboy, “The remarkable thing about Orwell was that alone among the boys he was an intellectual and not a parrot for he thought for himself”.[23] At Eton, John Vaughan Wilkes, his former headmaster’s son recalled, “… he was extremely argumentative – about anything – and criticising the masters and criticising the other boys … We enjoyed arguing with him. He would generally win the arguments – or think he had anyhow.”[133] Roger Mynors concurs: “Endless arguments about all sorts of things, in which he was one of the great leaders. He was one of those boys who thought for himself …”[134]

Blair liked to carry out practical jokes. Buddicom recalls him swinging from the luggage rack in a railway carriage like an orangutan to frighten a woman passenger out of the compartment.[14] At Eton he played tricks on John Crace, his Master in College, among which was to enter a spoof advertisement in a College magazine implying pederasty.[135] Gow, his tutor, said he “made himself as big a nuisance as he could” and “was a very unattractive boy”.[136] Later Blair was expelled from the crammer at Southwold for sending a dead rat as a birthday present to the town surveyor.[137] In one of his As I Please essays he refers to a protracted joke when he answered an advertisement for a woman who claimed a cure for obesity.[138]

Blair had an interest in natural history which stemmed from his childhood. In letters from school he wrote about caterpillars and butterflies,[139] and Buddicom recalls his keen interest in ornithology. He also enjoyed fishing and shooting rabbits, and conducting experiments as in cooking a hedgehog[14] or shooting down a jackdaw from the Eton roof to dissect it.[134] His zeal for scientific experiments extended to explosives – again Buddicom recalls a cook giving notice because of the noise. Later in Southwold his sister Avril recalled him blowing up the garden. When teaching he enthused his students with his nature-rambles both at Southwold[140] and Hayes.[141] His adult diaries are permeated with his observations on nature.

Relationships and marriage

Buddicom and Blair lost touch shortly after he went to Burma, and she became unsympathetic towards him. She wrote that it was because of the letters he wrote complaining about his life, but an addendum to Eric & Us by Venables reveals that he may have lost her sympathy through an incident which was, at best, a clumsy attempt at seduction.[14]

Mabel Fierz, who later became Blair’s confidante, said: “He used to say the one thing he wished in this world was that he’d been attractive to women. He liked women and had many girlfriends I think in Burma. He had a girl in Southwold and another girl in London. He was rather a womaniser, yet he was afraid he wasn’t attractive.”[142]

Brenda Salkield (Southwold) preferred friendship to any deeper relationship and maintained a correspondence with Blair for many years, particularly as a sounding board for his ideas. She wrote: “He was a great letter writer. Endless letters, and I mean when he wrote you a letter he wrote pages.”[22] His correspondence with Eleanor Jacques (London) was more prosaic, dwelling on a closer relationship and referring to past rendezvous or planning future ones in London and Burnham Beeches.[143]

When Orwell was in the sanatorium in Kent, his wife’s friend Lydia Jackson visited. He invited her for a walk and out of sight “an awkward situation arose.”[144] Jackson was to be the most critical of Orwell’s marriage to Eileen O’Shaughnessy, but their later correspondence hints at a complicity. Eileen at the time was more concerned about Orwell’s closeness to Brenda Salkield. Orwell had an affair with his secretary at Tribune which caused Eileen much distress, and others have been mooted. In a letter to Ann Popham he wrote: “I was sometimes unfaithful to Eileen, and I also treated her badly, and I think she treated me badly, too, at times, but it was a real marriage, in the sense that we had been through awful struggles together and she understood all about my work, etc.”[145]Similarly he suggested to Celia Kirwan that they had both been unfaithful.[146] There are several testaments that it was a well-matched and happy marriage.[147][148][149]

Blair was very lonely after Eileen’s death, and desperate for a wife, both as companion for himself and as mother for Richard. He proposed marriage to four women, including Celia Kirwan, and eventually Sonia Brownell accepted.[150] Orwell had met her when she was assistant to Cyril Connolly, at Horizon literary magazine.[151] They were married on 13 October 1949, only three months before Orwell’s death. Some maintain that Sonia was the model for Julia in Nineteen Eighty-Four.

Religious views

Orwell regularly participated in the social and civic life of the church, and yet was an atheist, both critical of religious doctrine and of religious organisations. He attended Holy Communion at the Church of England regularly,[152] and makes allusions to Anglican rites in his book A Clergyman’s Daughter. He was extremely well-read in Biblical literature and could quote lengthy passages from the Book of Common Prayer from memory.[153] However, his forensic knowledge of the Bible came coupled with unsparing criticism of its philosophy, and as an adult he could not bring himself to believe in its tenets. He said clearly in part V of his essay, “Such, Such Were the Joys“: “Till about the age of fourteen I believed in God, and believed that the accounts given of him were true. But I was well aware that I did not love him.”[154] Of his regular Church attendance, he said: “It seems rather mean to go to HC [Holy Communion] when one doesn’t believe, but I have passed myself off for pious & there is nothing for it but to keep up with the deception.”[155]Despite this, he had two Anglican marriages and left instructions for an Anglican funeral.[156] Orwell directly contrasted Christianity with secular humanism in his essay “Lear, Tolstoy and the Fool“, finding the latter philosophy more palatable and less “self-interested.” Literary critic James Wood wrote that in the struggle, as he saw it, between Christianity and humanism, “Orwell was on the humanist side, of course—basically an unmetaphysical, English version of Camus’s philosophy of perpetual godless struggle.”[157]

Orwell’s writing was often explicitly critical of religion, and Christianity in particular. He found the church to be a “selfish … church of the landed gentry” with its establishment “out of touch” with the majority of its communicants and altogether a pernicious influence on public life.[158] In their 1972 study, The Unknown Orwell, the writers Peter Stansky and William Abrahams noted that at Eton Blair displayed a “sceptical attitude” to Christian belief.[159] Crick observed that Orwell displayed “a pronounced anti-Catholicism”.[160] Evelyn Waugh, writing in 1946, acknowledged Orwell’s high moral sense and respect for justice but believed “he seems never to have been touched at any point by a conception of religious thought and life.”[161] His contradictory and sometimes ambiguous views about the social benefits of religious affiliation mirrored the dichotomies between his public and private lives: Stephen Ingle wrote that it was as if the writer George Orwell “vaunted” his unbelief while Eric Blair the individual retained “a deeply ingrained religiosity”. Ingle later noted that Orwell did not accept the existence of an afterlife, believing in the finality of death while living and advocating a moral code based on Judeo-Christian beliefs.[162][163]

Political views

Orwell liked to provoke arguments by challenging the status quo, but he was also a traditionalist with a love of old English values. He criticised and satirised, from the inside, the various social milieux in which he found himself – provincial town life in A Clergyman’s Daughter; middle-class pretension in Keep the Aspidistra Flying; preparatory schools in “Such, Such Were the Joys”; colonialism in Burmese Days, and some socialist groups in The Road to Wigan Pier. In his Adelphi days he described himself as a “Toryanarchist.”[164][165]

In 1928, Orwell began his career as a professional writer in Paris at a journal owned by the French Communist Henri Barbusse. His first article, “La Censure en Angleterre“, was an attempt to account for the ‘extraordinary and illogical’ moral censorship of plays and novels then practised in Britain. His own explanation was that the rise of the “puritan middle class,” who had stricter morals than the aristocracy, tightened the rules of censorship in the 19th century. Orwell’s first published article in his home country, “A Farthing Newspaper”, was a critique of the new French daily the Ami de Peuple. This paper was sold much more cheaply than most others, and was intended for ordinary people to read. Orwell pointed out that its proprietor François Coty also owned the right-wing dailies Le Figaro and Le Gaulois, which the Ami de Peuple was supposedly competing against. Orwell suggested that cheap newspapers were no more than a vehicle for advertising and anti-leftist propaganda, and predicted the world might soon see free newspapers which would drive legitimate dailies out of business.[166]

The Spanish Civil War played the most important part in defining Orwell’s socialism. He wrote to Cyril Connolly from Barcelona on 8 June 1937: “I have seen wonderful things and at last really believe in Socialism, which I never did before.”[167][168] Having witnessed the success of the anarcho-syndicalist communities, for example in Anarchist Catalonia, and the subsequent brutal suppression of the anarcho-syndicalists, anti-Stalin communist parties and revolutionaries by the Soviet Union-backed Communists, Orwell returned from Catalonia a staunch anti-Stalinist and joined the Independent Labour Party, his card being issued on 13 June 1938.[169] Although he was never a Trotskyist, he was strongly influenced by the Trotskyist and anarchist critiques of the Soviet regime, and by the anarchists’ emphasis on individual freedom. In Part 2 of The Road to Wigan Pier, published by the Left Book Club, Orwell stated: “a real Socialist is one who wishes – not merely conceives it as desirable, but actively wishes – to see tyranny overthrown.” Orwell stated in “Why I Write” (1946): “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.”[170] Orwell was a proponent of a federal socialist Europe, a position outlined in his 1947 essay “Toward European Unity,” which first appeared in Partisan Review. According to biographer John Newsinger,

the other crucial dimension to Orwell’s socialism was his recognition that the Soviet Union was not socialist. Unlike many on the left, instead of abandoning socialism once he discovered the full horror of Stalinist rule in the Soviet Union, Orwell abandoned the Soviet Union and instead remained a socialist – indeed he became more committed to the socialist cause than ever.”[60]

In his 1938 essay “Why I joined the Independent Labour Party,” published in the ILP-affiliated New Leader, Orwell wrote:

For some years past I have managed to make the capitalist class pay me several pounds a week for writing books against capitalism. But I do not delude myself that this state of affairs is going to last forever … the only régime which, in the long run, will dare to permit freedom of speech is a Socialist régime. If Fascism triumphs I am finished as a writer – that is to say, finished in my only effective capacity. That of itself would be a sufficient reason for joining a Socialist party.[171]

Towards the end of the essay, he wrote: “I do not mean I have lost all faith in the Labour Party. My most earnest hope is that the Labour Party will win a clear majority in the next General Election.”[172]

Orwell was opposed to rearmament against Nazi Germany – but he changed his view after the Molotov-Ribbentrop Pact and the outbreak of the war. He left the ILP because of its opposition to the war and adopted a political position of “revolutionary patriotism”. In December 1940 he wrote in Tribune (the Labour left’s weekly): “We are in a strange period of history in which a revolutionary has to be a patriot and a patriot has to be a revolutionary.” During the war, Orwell was highly critical of the popular idea that an Anglo-Soviet alliance would be the basis of a post-war world of peace and prosperity. In 1942, commenting on journalist E. H. Carr‘s pro-Soviet views, Orwell stated: “all the appeasers, e.g. Professor E. H. Carr, have switched their allegiance from Hitler to Stalin.”[173]

On anarchism, Orwell wrote in The Road to Wigan Pier: “I worked out an anarchistic theory that all government is evil, that the punishment always does more harm than the crime and the people can be trusted to behave decently if you will only let them alone.” He continued and argued that “it is always necessary to protect peaceful people from violence. In any state of society where crime can be profitable you have got to have a harsh criminal law and administer it ruthlessly.”

In his reply (dated 15 November 1943) to an invitation from the Duchess of Atholl to speak for the British League for European Freedom, he stated that he did not agree with their objectives. He admitted that what they said was “more truthful than the lying propaganda found in most of the press” but added that he could not “associate himself with an essentially Conservative body” that claimed to “defend democracy in Europe” but had “nothing to say about British imperialism.” His closing paragraph stated: “I belong to the Left and must work inside it, much as I hate Russian totalitarianism and its poisonous influence in this country.”[174]

Orwell joined the staff of Tribune as literary editor, and from then until his death, was a left-wing (though hardly orthodox) Labour-supporting democratic socialist.[175] On 1 September 1944, about the Warsaw uprising, Orwell expressed in Tribune his hostility against the influence of the alliance with the USSR over the allies: “Do remember that dishonesty and cowardice always have to be paid for. Do not imagine that for years on end you can make yourself the boot-licking propagandist of the sovietic regime, or any other regime, and then suddenly return to honesty and reason. Once a whore, always a whore.” According to Newsinger, although Orwell “was always critical of the 1945–51 Labour government’s moderation, his support for it began to pull him to the right politically. This did not lead him to embrace conservatism, imperialism or reaction, but to defend, albeit critically, Labour reformism.”[176] Between 1945 and 1947, with A. J. Ayer and Bertrand Russell, he contributed a series of articles and essays to Polemic, a short-lived British “Magazine of Philosophy, Psychology, and Aesthetics” edited by the ex-Communist Humphrey Slater.[177][178]

Writing in early 1945 a long essay titled “Antisemitism in Britain,” for the Contemporary Jewish Record, Orwell stated that anti-Semitism was on the increase in Britain, and that it was “irrational and will not yield to arguments.” He argued that it would be useful to discover why anti-Semites could “swallow such absurdities on one particular subject while remaining sane on others.”[179] He wrote: “For quite six years the English admirers of Hitler contrived not to learn of the existence of Dachau and Buchenwald. … Many English people have heard almost nothing about the extermination of German and Polish Jews during the present war. Their own anti-Semitism has caused this vast crime to bounce off their consciousness.”[180] In Nineteen Eighty-Four, written shortly after the war, Orwell portrayed the Party as enlisting anti-Semitic passions against their enemy, Goldstein.

Orwell publicly defended P.G. Wodehouse against charges of being a Nazi sympathiser – occasioned by his agreement to do some broadcasts over the German radio in 1941 – a defence based on Wodehouse’s lack of interest in and ignorance of politics.[181]

Special Branch, the intelligence division of the Metropolitan Police, maintained a file on Orwell for more than 20 years of his life. The dossier, published by The National Archives, states that, according to one investigator, Orwell had “advanced Communist views and several of his Indian friends say that they have often seen him at Communist meetings.” MI5, the intelligence department of the Home Office, noted: “It is evident from his recent writings – ‘The Lion and the Unicorn’ – and his contribution to Gollancz’s symposium The Betrayal of the Left that he does not hold with the Communist Party nor they with him.”[182]

Social interactions

Orwell was noted for very close and enduring friendships with a few friends, but these were generally people with a similar background or with a similar level of literary ability. Ungregarious, he was out of place in a crowd and his discomfort was exacerbated when he was outside his own class. Though representing himself as a spokesman for the common man, he often appeared out of place with real working people. His brother-in-law Humphrey Dakin, a “Hail fellow, well met” type, who took him to a local pub in Leeds, said that he was told by the landlord: “Don’t bring that bugger in here again.”[183] Adrian Fierz commented “He wasn’t interested in racing or greyhounds or pub crawling or shove ha’penny. He just did not have much in common with people who did not share his intellectual interests.”[184] Awkwardness attended many of his encounters with working-class representatives, as with Pollitt and McNair,[185] but his courtesy and good manners were often commented on. Jack Common observed on meeting him for the first time, “Right away manners, and more than manners – breeding – showed through.”[186]

In his tramping days, he did domestic work for a time. His extreme politeness was recalled by a member of the family he worked for; she declared that the family referred to him as “Laurel” after the film comedian.[38] With his gangling figure and awkwardness, Orwell’s friends often saw him as a figure of fun. Geoffrey Gorer commented “He was awfully likely to knock things off tables, trip over things. I mean, he was a gangling, physically badly co-ordinated young man. I think his feeling [was] that even the inanimate world was against him …”[187] When he shared a flat with Heppenstall and Sayer, he was treated in a patronising manner by the younger men.[188] At the BBC, in the 1940s, “everybody would pull his leg,”[189] and Spender described him as having real entertainment value “like, as I say, watching a Charlie Chaplin movie.”[190] A friend of Eileen’s reminisced about her tolerance and humour, often at Orwell’s expense.[148] Psychiatrist Michael Fitzgerald has speculated that Orwell’s social and physical awkwardness, limited interests and monotone voice were the result of Asperger syndrome.[191]

One biography of Orwell accused him of having had an authoritarian streak.[192] In Burma, he struck out at a Burmese boy who, while “fooling around” with his friends, had “accidentally bumped into him” at a station, resulting in Orwell falling “heavily” down some stairs.[193] One of his former pupils recalled being beaten so hard he could not sit down for a week.[194] When sharing a flat with Orwell, Heppenstall came home late one night in an advanced stage of loud inebriation. The upshot was that Heppenstall ended up with a bloody nose and was locked in a room. When he complained, Orwell hit him across the legs with a shooting stick and Heppenstall then had to defend himself with a chair. Years later, after Orwell’s death, Heppenstall wrote a dramatic account of the incident called “The Shooting Stick”[195] and Mabel Fierz confirmed that Heppenstall came to her in a sorry state the following day.[196]

Orwell got on well with young people. The pupil he beat considered him the best of teachers, and the young recruits in Barcelona tried to drink him under the table – though without success. His nephew recalled Uncle Eric laughing louder than anyone in the cinema at a Charlie Chaplin film.[147]

In the wake of his most famous works, he attracted many uncritical hangers-on, but many others who sought him found him aloof and even dull. With his soft voice, he was sometimes shouted down or excluded from discussions.[197] At this time, he was severely ill; it was wartime or the austerity period after it; during the war his wife suffered from depression; and after her death he was lonely and unhappy. In addition to that, he always lived frugally and seemed unable to care for himself properly. As a result of all this, people found his circumstances bleak.[198] Some, like Michael Ayrton, called him “Gloomy George,” but others developed the idea that he was a “secular saint.”

Although Orwell was frequently heard on the BBC for panel discussion and one-man broadcasts, no recorded copy of his voice is known to exist.[199]

Lifestyle

“By putting the tea in first and stirring as one pours, one can exactly regulate the amount of milk, whereas one is likely to put in too much milk if one does it the other way round”

– One of Orwell’s eleven rules for making tea from his essay “A Nice Cup of Tea“, appearing in the London Evening Standard, 12 January 1946.[200]

Orwell was a heavy smoker, who rolled his own cigarettes from strong shag tobacco, despite his bronchial condition. His penchant for the rugged life often took him to cold and damp situations, both in the long term, as in Catalonia and Jura, and short term, for example, motorcycling in the rain and suffering a shipwreck. Described by The Economist as “perhaps the 20th century’s best chronicler of English culture“,[201] Orwell considered fish and chips, association football, the pub, strong tea, cut price chocolate, the movies, and radio among the chief comforts for the working class.[202] Orwell enjoyed strong tea – he had Fortnum & Mason‘s tea brought to him in Catalonia.[8] His 1946 essay, “A Nice Cup of Tea“, appeared in the London Evening Standard article on how to make tea, with Orwell writing, “tea is one of the mainstays of civilisation in this country and causes violent disputes over how it should be made”, with the main issue being whether to put tea in the cup first and add the milk afterward, or the other way round, on which he states, “in every family in Britain there are probably two schools of thought on the subject”.[203] He appreciated English beer, taken regularly and moderately, despised drinkers of lager[204] and wrote about an imagined, ideal British pub in his 1946 English Standard article, “The Moon Under Water“.[205] Not as particular about food, he enjoyed the wartime “Victory Pie”[206] and extolled canteen food at the BBC.[189] He preferred traditional English dishes, such as roast beef and kippers.[207] Reports of his Islington days refer to the cosy afternoon tea table.[208]

His dress sense was unpredictable and usually casual.[209] In Southwold, he had the best cloth from the local tailor[210] but was equally happy in his tramping outfit. His attire in the Spanish Civil War, along with his size-12 boots, was a source of amusement.[211][212]David Astor described him as looking like a prep school master,[213] while according to the Special Branch dossier, Orwell’s tendency to dress “in Bohemian fashion” revealed that the author was “a Communist”.[214]

Orwell’s confusing approach to matters of social decorum – on the one hand expecting a working-class guest to dress for dinner,[215] and on the other, slurping tea out of a saucer at the BBC canteen[216] – helped stoke his reputation as an English eccentric.

Views on homosexuality

Orwell was openly homophobic, at a time when such prejudice was not uncommon. Speaking at the 2003 George Orwell Centenary Conference, Daphne Patai said: “Of course he was homophobic. That has nothing to do with his relations with his homosexual friends. Certainly he had a negative attitude and a certain kind of anxiety, a denigrating attitude towards homosexuality. That is definitely the case. I think his writing reflects that quite fully.”[217]

Orwell used the homophobic epithets “Nancy” and “pansy” as terms of abuse, notably in his expressions of contempt for what he called the “pansy Left”, and “nancy poets”, i.e. left-wing homosexual or bisexual writers and intellectuals such as Stephen Spender and W. H. Auden.[218] The protagonist of Keep the Aspidistra Flying, Gordon Comstock, conducts an internal critique of his customers when working in a bookshop, and there is an extended passage of several pages in which he concentrates on a homosexual male customer, and sneers at him for his “Nancy” characteristics, including a lisp, which he identifies in detail, with some disgust.[219] Dr Thomas S Veale, in The Banality of Virtue: A Multifaceted view of George Orwell as champion of the common man, refers to Orwell’s “homophobia most probably based on the perceived weakness of homosexuals and their preferences’ betrayal of the natural order”. Stephen Spender, however, “thought Orwell’s occasional homophobic outbursts were part of his rebellion against the public school”.[220]

Biographies of Orwell

Orwell’s will requested that no biography of him be written, and his widow Sonia Brownell repelled every attempt by those who tried to persuade her to let them write about him. Various recollections and interpretations were published in the 1950s and ’60s, but Sonia saw the 1968 Collected Works[138] as the record of his life. She did appoint Malcolm Muggeridge as official biographer, but later biographers have seen this as deliberate spoiling as Muggeridge eventually gave up the work.[221] In 1972, two American authors, Peter Stansky and William Abrahams,[222] produced The Unknown Orwell, an unauthorised account of his early years that lacked any support or contribution from Sonia Brownell.

Sonia Brownell then commissioned Bernard Crick, a left-wing professor of politics at the University of London, to complete a biography and asked Orwell’s friends to co-operate.[223] Crick collated a considerable amount of material in his work, which was published in 1980,[82] but his questioning of the factual accuracy of Orwell’s first-person writings led to conflict with Brownell, and she tried to suppress the book. Crick concentrated on the facts of Orwell’s life rather than his character, and presented primarily a political perspective on Orwell’s life and work.[224]

After Sonia Brownell’s death, other works on Orwell were published in the 1980s, with 1984 being a particularly fruitful year for Orwelliana. These included collections of reminiscences by Coppard and Crick[137] and Stephen Wadhams.[22]

In 1991, Michael Shelden, an American professor of literature, published a biography.[26] More concerned with the literary nature of Orwell’s work, he sought explanations for Orwell’s character and treated his first-person writings as autobiographical. Shelden introduced new information that sought to build on Crick’s work.[223] Shelden speculated that Orwell possessed an obsessive belief in his failure and inadequacy.

Peter Davison‘s publication of the Complete Works of George Orwell, completed in 2000,[225] made most of the Orwell Archive accessible to the public. Jeffrey Meyers, a prolific American biographer, was first to take advantage of this and published a book in 2001[226] that investigated the darker side of Orwell and questioned his saintly image.[223] Why Orwell Matters (released in the UK as Orwell’s Victory) was published by Christopher Hitchens in 2002.[227]

In 2003, the centenary of Orwell’s birth resulted in biographies by Gordon Bowker[228] and D. J. Taylor, both academics and writers in the United Kingdom. Taylor notes the stage management which surrounds much of Orwell’s behaviour,[8] and Bowker highlights the essential sense of decency which he considers to have been Orwell’s main motivation.[229][230]

Ancestry

Bibliography

Main article: George Orwell bibliography

Novels

Nonfiction

https://en.wikipedia.org/wiki/George_Orwell

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David Ignatius — The Sun King — Videos

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The Sun King

Image result for the sun king book cover david ignatius

David Ignatius, (The Washington Post)

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David Ignatius interviewed about his book “BloodMoney”

THE SUN KING

“A thoroughly involving narrative with a sharp, satiric edge, Ignatius’s contemporary take on the tragic confluence of love, power and ambition is a sophisticated look at the media mystique and the movers and shakers in our nation’s capitol.” Publishers Weekly

The Sun KingWashington Post columnist David Ignatius is one of the most highly regarded writers in the capital, an influential journalist and acclaimed novelist with a keen eye for the subtleties of power and politics. In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire.

Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city’s most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King’s orbit and is transformed by this unpredictable man.

In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife–still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase “Washington love story” isn’t an oxymoron.


Reviews

“A splendid, star-crossed Gatsby update that roasts on the same skewer Washington’s power elite and the journalists they so easily seduce… Fitzgerald’s boozy gloom brightened with social satire, bittersweet romance, and a comic send-up of all that newspapers hold dear, from a man who’s been there.” Kirkus

“The emotional integrity at the heart of this novel is searingly honest and makes for a wise and satisfying work.” — Library Journal

http://davidignatius.com/the-sun-king/

 

David Ignatius

From Wikipedia, the free encyclopedia
David Ignatius
David ignatius.jpg
Born May 26, 1950 (age 66)
Cambridge, Massachusetts
Occupation Novelist, Journalist, Analyst
Language English
Nationality American-Armenian
Education St. Albans School
Harvard University
King’s College, Cambridge
Genre Suspense, Espionage fiction, Thriller
Notable works Body of Lies, Agents of Innocence, The Increment
Spouse Dr. Eve Thornberg Ignatius

David R. Ignatius (May 26, 1950), is an American journalist and novelist. He is an associate editor and columnist for The Washington Post. He also co-hosts PostGlobal, an online discussion of international issues at Washingtonpost.com, with Fareed Zakaria. He has written nine novels, including Body of Lies, which director Ridley Scott adapted into a film. He is a former Adjunct Lecturer at the Kennedy School of Government at Harvard University and currently Senior Fellow to the Future of Diplomacy Program. He has received numerous honors, including the Legion of Honor from the French Republic, the Urbino World Press Award from the Italian Republic, and a lifetime achievement award from the International Committee for Foreign Journalism.

Personal life

Ignatius was born in Cambridge, Massachusetts.[1] His parents are Nancy Sharpless (née Weiser) and Paul Robert Ignatius, a former Secretary of the Navy (1967–69), president of The Washington Post, and former president of the Air Transport Association.[2][3] He is of Armenian descent on his father’s side, with ancestors from Harput, Elazığ, Turkey;[4][5] his mother, a descendant of Puritan minister Cotton Mather, is of German and English descent.[6]

Ignatius was raised in Washington, D.C., where he attended St. Albans School. He then attended Harvard College, from which he graduated magna cum laude in 1973. Ignatius was awarded a Frank Knox Fellowship from Harvard University and studied at King’s College, Cambridge, where he received a diploma in economics.[7]

He is married to Dr. Eve Thornberg Ignatius, with whom he has three daughters.[7]

Career

Journalism

After completing his education, Ignatius was an editor at the Washington Monthly before moving to the Wall Street Journal, where he spent ten years as a reporter. At the Journal, Ignatius first covered the steel industry in Pittsburgh. He then moved to Washington where he covered the Justice Department, the CIA, and the Senate. Ignatius was the Journal’s Middle East correspondent between 1980 and 1983, during which time he covered the wars in Lebanon and Iraq. He returned to Washington in 1984, becoming chief diplomatic correspondent. In 1985 he received the Edward Weintal Prize for Diplomatic Reporting.

In 1986, Ignatius left the Journal for the Washington Post. From 1986 to 1990, he was the editor of the “Outlook” section. From 1990 to 1992 he was foreign editor, and oversaw the paper’s Pulitzer Prize-winning coverage of Iraq’s invasion of Kuwait. From 1993 to 1999, he served as assistant managing editor in charge of business news. In 1999, he began writing a twice-weekly column on global politics, economics and international affairs.

In 2000, he became the executive editor of the International Herald Tribune in Paris. He returned to the Post in 2002 when the Post sold its interest in the Herald Tribune. Ignatius continued to write his column once a week during his tenure at the Herald Tribune, resuming twice-weekly columns after his return to the Post. His column is syndicated worldwide by The Washington Post Writers Group. The column won the 2000 Gerald Loeb Award for Commentary and a 2004 Edward Weintal Prize. In writing his column, Ignatius frequently travels to the Middle East and interviews leaders such as Syrian President Bashar al-Assad and Hassan Nasrallah, the head of the Lebanese military organization Hezbollah.

Ignatius’s writing has also appeared in the New York Times Magazine, The Atlantic Monthly, Foreign Affairs, The New Republic, Talk Magazine, and The Washington Monthly.

Ignatius’s coverage of the CIA has been criticized as being defensive and overly positive. Melvin A. Goodman, a 42-year CIA veteran, Johns Hopkins professor, and senior fellow at the Center for International Policy, has called Ignatius “the mainstream media’s apologist for the Central Intelligence Agency,” citing as examples Ignatius’s criticism of the Obama administration for investigating the CIA’s role in the use of torture in interrogations during the Iraq War, and his charitable defense of the agency’s motivations for outsourcing such activities to private contractors.[8][9][10][10] Columnist Glenn Greenwald has leveled similar criticism against Ignatius.[11]

On a number of occasions, however, Ignatius criticized the CIA and the U.S. government’s approach on intelligence.[12] He was also critical of the Bush administration’s torture policies.[13]

On March 12, 2014, he wrote a two-page descriptive opinion on Putin’s strengths and weaknesses which was published in the Journal and Courier soon after.[14]

On March 26, 2014, Ignatius wrote a piece in the Washington Post on the crisis in Ukraine and how the world will deal with Putin‘s actions. Ignatius’ theory of history is that it is a chaos and that “good” things are not pre-ordained, “decisive turns in history can result from ruthless political leaders, from weak or confused adversaries, or sometimes just from historical accident. Might doesn’t make right, but it does create ‘facts on the ground’ that are hard to reverse.” His piece mentioned 4-star USAF General Philip M. Breedlove, the current NATO Supreme Allied Commander Europe, and Ukrainian Foreign Minister Andriy Deshchytsya. Putin, says Ignatius, “leads what by most political and economic indicators is a weak nation—a declining power, not a rising one.” He places great hope in Angela Merkel.[15]

Novels

In addition to being a journalist, Ignatius is also a successful novelist. He has written seven novels in the suspense/espionage fiction genre, which draw on his experience and interest in foreign affairs and his knowledge of intelligence operations. Reviewers have compared Ignatius’ work to classic spy novels like those by Graham Greene. Ignatius’s novels have also been praised for their realism; his first novel, Agents of Innocence, was at one point described by the CIA on its website as “a novel but not fiction”.[16] His 1999 novel The Sun King, a re-working of The Great Gatsby set in late-20th-century Washington, is his only departure from the espionage genre.[citation needed]

His 2007 novel Body of Lies was adapted into a film by director Ridley Scott. It starred Leonardo DiCaprio and Russell Crowe. Producer Jerry Bruckheimer has acquired the rights to Ignatius’s seventh novel, The Increment.[citation needed]

The Director, a spy thriller about a new CIA director and cyber-espionage, is his latest novel.

Opera

In May 2015, MSNBC‘s Morning Joe announced that Ignatius would be teaming up with noted composer Mohammed Fairouz to create a political opera called ‘The New Prince’ based on the teachings of Niccolo Machiavelli. The opera was commissioned by the Dutch National Opera.[17] Speaking with The Washington Post, Ignatius described the broad themes of the opera in terms of three chapters: “The first chapter is about revolution and disorder. Revolutions, like children, are lovable when young, and they become much less lovable as they age. The second lesson Machiavelli tells us is about sexual obsession, among leaders. And then the final chapter is basically is the story of Dick Cheney [and] bin Laden, the way in which those two ideas of what we’re obliged to do as leaders converged in such a destructive way.” [18]

Other

In 2006, he wrote a foreword to the American edition of Moazzam Begg’s Enemy Combatant, a book about the author’s experiences as a detainee at the Guantanamo Bay detention camp. In 2008, Zbigniew Brzezinski, Brent Scowcroft, and Ignatius published America and the World: Conversations on the Future of American Foreign Policy, a book that collected conversations, moderated by Ignatius, between Brzezinski and Scowcroft. Michiko Kakutani of the New York Times named it one of the ten best books of 2008.[19]

Ignatius has been trustee of the German Marshall Fund since 2000. He is a member of the Council of the International Institute of Strategic Studies in London and has been a director of its U.S. affiliate since 2006. He has been a member of the Council on Foreign Relations since 1984. From 1984 to 1990, he was a member of the Governing Board of St. Albans School.[citation needed]

In 2011, Ignatius held a contest for Washington Post readers to write a spy novel. Ignatius wrote the first chapter and challenged fans to continue the story. Over eight weeks, readers sent in their versions of what befalls CIA agents Alex Kassem and Sarah Mancini and voted for their favorite entries. Ignatius chose the winning entry for each round, resulting in a six-chapter Web serial. Winners of the subsequent chapters included: Chapter 2 “Sweets for the Sweet” by Colin Flaherty; Chapter 3: “Abu Talib” by Jill Borak; Chapter 4. “Go Hard or Go Home” by Vineet Daga; Chapter 5: “Inside Out” by Colin Flaherty; and Chapter 6: “Onward!” by Gina ‘Miel’ Ard.[20]

In early 2012, Ignatius served as an Adjunct Lecturer at the John F. Kennedy School of Government at Harvard University teaching an international affairs course titled: “Understanding the Arab Spring from the Ground Up: Events in the Middle East, their Roots and Consequences for the United States”. He is currently serving as a Senior Fellow at the Future of Diplomacy Program at Harvard University.[21]

Controversy

2009 Davos incident

At the 2009 World Economic Forum in Davos, Switzerland, Ignatius moderated a discussion including then Turkish Prime Minister Recep Tayyip Erdoğan, Israeli President Shimon Peres, UN Secretary-General Ban Ki-moon, and Arab League Secretary-General Amr Moussa. As the December 2008–January 2009 conflict in Gaza was still fresh in memory, the tone of the discussion was lively.[22] Ignatius gave Erdoğan 12 minutes to speak, and gave the Israeli President 25 minutes to respond.[22] Erdoğan objected to Peres’ tone and raised voice during the Israeli President’s impassioned defense of his nation’s actions. Ignatius gave Erdoğan a minute to respond (who repeatedly insisted “One minute”, in English), and when Erdoğan went over his allocated minute, Ignatius repeatedly cut the Turkish PM off, telling him and the audience that they were out of time and that they had to adjourn to a dinner.[23] Erdoğan seemed visibly frustrated as he said confrontationally to the Israeli President, “When it comes to killing, you know well how to kill”.[22] Ignatius put his arm on Erdoğan’s shoulder and continued to tell him that his time was up. Erdoğan then gathered his papers and walked out, saying, “I do not think I will be coming back to Davos after this because you do not let me speak.”[23]

Writing about the incident later, Ignatius said that he found himself “in the middle of a fight where there was no longer a middle”. “Because the Israel–Palestinian conflict provokes such heated emotions on both sides of the debate,” Ignatius concluded, “it was impossible for anyone to be seen as an impartial mediator”. Ignatius wrote that his experience elucidated a larger truth about failure of the United States’ attempt to serve as an impartial mediator in the Israeli–Palestinian conflict. “American leaders must give up the notion that they can transform the Middle East and its culture through military force”, Ignatius wrote, and instead “get out of the elusive middle, step across the threshold of anger, and sit down and talk” with the Middle Eastern leaders.[24]

Confounding Allende and Castro

On December 17, 2016, Ignatius drew negative attention when he appeared on NPR’s Weekend Edition Saturday

http://www.npr.org/2016/12/17/505965392/obama-suggests-putin-had-role-as-u-s-recasts-antagonistic-relationship-with-russ

and was asked by host Scott Simon “Is this a new Cold War? You covered the last one.” As part of his response, Ignatius said:

“This is the kind of thing United States used to do to other countries. We were famous for our covert actions, destabilizing their political systems. … I saw a little piece from a Cuban who lived during the time when the CIA destabilized the Cuban president, Allende.” Simon intervened to correct Ignatius, saying: “Chilean president – Allende – I think.” Ignatius responded “Yes. Forgive me. Yes, the Chilean president.” Ignatius then continued as if there had been no confusion, leaving listeners to wonder when he meant to refer to Cuba and Castro, or to Chile and Allende.

Works

Novels

Non-fiction

  • America and the World: Conversations on the Future of American Foreign Policy. Basic Books; First Trade Paper Edition. 2009. ISBN 0-465-01801-7.
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R. G. Belsky — The Kennedy Connection– A Gill Malloy Novel — Videos

Posted on December 27, 2016. Filed under: Blogroll, Books, Communications, Constitution, Crime, Drug Cartels, Fiction, Fraud, Homicide, Law, Life, Links, media, Newspapers, People, Philosophy, Photos, Police, Politics, Press, Psychology, Video, Wealth, Wisdom, Writing | Tags: , , , , , , , , , , |

Image result for bookcovers The kennedy connection

Image result for bookcovers R. G. Belsky The kennedy connection

R.G. Belsky is an author of crime fiction and a journalist in New York City. His new suspense thriller, BLONDE ICE, was published by Atria on October 18. It is the latest in a series of books from Atria featuring Gil Malloy, a hard-driving newspaper reporter with a penchant for breaking big stories on the front page of the New York Daily News. The first book in the Gil Malloy series – THE KENNEDY CONNECTION – was published in 2014 and SHOOTING FOR THE STARS came out in 2015. Belsky himself is a former managing editor at the Daily News and writes about the media from an extensive background in newspapers, magazines and TV/digital news. At the Daily News, he also held the titles of metropolitan editor and deputy national editor. Before that, he was metropolitan editor of the New York Post and news editor at Star magazine. Belsky was most recently the managing editor for news at NBCNews.com. His previous suspense novels include PLAYING DEAD and LOVERBOY.  He was the Claymore Award winner at Killer Nashville 2016 and also a Silver Falchion Finalist.

Author R.G. Belsky on Celebrity Death Fascination

Interview with RG Belsky, author of Shooting for the Stars

About The Kennedy Connection

Picture

Half a century after the assassination of President John F. Kennedy, someone is killing people on the streets of New York City and leaving behind a bizarre calling card of that tragic day in Dallas.

In this bold and entertaining thriller from a true media insider, discredited newspaper reporter Gil Malloy breaks the story of the link between seeming unconnected murders – a Kennedy half dollar found at each of the crime scenes. At the same time, a man emerges who claims to be the secret son of Lee Harvey Oswald and says he has new evidence that Oswald was innocent of the JFK killing.

Malloy,  who has fallen from grace at the New York Daily News and sees this as an opportunity redeem himself as an ace reporter, is certain there is a connection between the Oswald revelations and the NYC murders, but first he has to get someone to believe him. Convinced that the answers go all the way back to the JFK assassination more than fifty years ago, Malloy soon uncovers long-buried secrets that put his own life in danger from powerful forces who fear he’s getting too close to the truth.

Two tales of suspense fuse into an edge-of-your seat thriller as Malloy races to stop the killer—before it’s too late.


“A monstrous hurricane of conspiracy, lies and bodies…”The Kennedy Connection begs to be read from the first page to the last.”
— Killer Nashville

“Belsky has the newsman’s gift…..he tells his story well.”
— Jimmy Breslin

http://www.rgbelsky.com/

I’ve been a journalist for a long time. I worked at newspapers, magazines and TV news stations. Now I write mystery novels about a fictional journalist, New York City newspaper reporter Gil Malloy.

My old friends from the newsroom say to me: “Wow, you’ve got it easy these days. All you have to do at your job is make stuff up.”

Well, yes and no.

Here are some things I’ve learned along the way about switching from journalism to novelist.


BelskyR-featured9781476762364This guest post is by R.G. Belsky. Belsky is an author of crime fiction and a journalist in New York City. His new suspense thriller is SHOOTING FOR THE STARS (Atria). It is the latest in a series of books featuring Gil Malloy, a hard-driving newspaper reporter with a penchant for breaking big stories on the front page of the New York Daily News. The first book in the Gil Malloy series – THE KENNEDY CONNECTION – was published in 2014 and an ebook novella titled THE MIDNIGHT HOUR came out in February 2015. Belsky himself is a former managing editor at the Daily News and writes about the media from an extensive background in newspapers, magazines and TV/digital news. He was also metropolitan editor of the New York Post; news editor at Star magazine; and, most recently, managing editor for news at NBCNews.com.


1. FACTS ARE YOUR FRIEND

The most important thing a journalist does is make sure the facts are right. That’s a priority even over being first with the story. An inaccurate story is worse than no story. So I’ve spent most of my life checking and re-checking the facts of what I do. And I’m still doing that as a novelist, maybe more than ever. Because you don’t write fiction in a vacuum. It has to be based on some kind of facts, and those facts better be right. There’s an old newspaper adage that says the three most important things in any news story are: “accuracy, accuracy and accuracy.” I’ve followed that rule all my life, and I still do in my novels.

2. MIXING FACTS AND FICTION CAN BE TRICKY

Reporting the news is actually pretty straight-forward, if you think about it. Because it’s all about the facts. In a novel, some is fact and the rest is fiction. In my books, for instance, reporter Gil Malloy works at the New York Daily News, which is a real newspaper. But the characters and the stories are fictional. Sure, I make a lot up, but I have to be sure the basic facts about the Daily News – location, subways to get there, etc. – are right. The same with other locations. I can write a restaurant scene at Sardi’s as long as I put it at the right address. On the other hand, I can also make up a fictional newspaper or a fictional restaurant. But there are rules even then. If I make up a restaurant and put it at an address like 723 East 33rd Street, someone will be quick to point out that I’m eating in the middle of the East River.

 

3. YES, YOU GET TO MAKE STUFF UP

This is a pretty cool thing to be able to do. Don’t like your old boss? Write a boss character that has unpleasant things happen to him. Dumped by your girlfriend? Write her as a woman who is madly in love with your character. You get the idea, total freedom. My first Gil Malloy book, THE KENNEDY CONNECTION, was about him looking for answers to the JFK assassination. No way I could really have done that as a journalist. But, as a novelist, I created a fictional secret son of Lee Harvey Oswald with all sorts of blockbuster new evidence about Dallas. In SHOOTING FOR THE STARS, I do the same thing to reveal scandalous Hollywood secrets. I gotta tell you – after years of being a journalist who had to stick exactly to the facts – that is fun!

4. A JOURNALIST NEVER FACES A BLANK PAGE

One of the great things about the news is it never stops. There are new stories out there every day. It’s not always that easy for a novelist. There are times when you stare at a blank page with no idea what to say or how to say it. My trick – based on years as a journalist – is to set a deadline for myself. I pretend I’m back at a newspaper and I have to turn in 10 pages to the editor in the next hour. It actually works. At least for me. But then I’ve been chasing deadlines all my life.

5. DON’T RESEARCH TOO MUCH

Yes, I know this kind of runs counter to what I said about facts at the beginning. But you can become overly bogged down with facts in your fiction. Never forget you’re trying to write an exciting, entertaining story – which sometimes means giving a wink-and-a-nod to the facts and letting your imagination loose. Raymond Chandler used to talk about people complaining that his Philip Marlowe character wasn’t an accurate portrayal of what a private detective does. Chandler’s response was that, of course, real PIs don’t get hit over the head and shot at every day, but if he wrote about what they actually did – going over divorce papers at a desk, etc. – no would ever read his books.

6. TRUTH SOMETIMES IS STRANGER THAN FICTION

One of the things I’ve noticed at times is that some of the stories I worked on as a journalist are even wilder and more sensational and more compelling than anything I could ever dream up as a novelist. Take O.J. Simpson. Beloved football superstar, movie actor and TV ad pitchman becomes most hated person in America. Plus, the White Bronco chase, the Trial of the Century, the crazy cast of characters with Johnny Cochran, Kato Kaelin and all the rest. Then there’s the most famous headline I was ever involved with at the New York Post: Headless Body in Topless Bar. Hey, you can’t make that kind of stuff up.

 

7. JOURNALISM IS TODAY, NOVELS ARE FOREVER

One thing – good and bad – about being a journalist is the immediacy of the job. You can break the biggest story in the world, and your editor will still say to you at the end of the day: “So what do you got for tomorrow?” On the plus side, no matter how badly you screw up a story, there’s going to be another chance the next day for you to do your job better. Books don’t go away. They sit in bookstores for months and years sometimes, and in libraries even longer. So if you make a mistake in your book…well you’re just going to have to live with it for a long, long time.

8. JOURNALISM IS WORK , WRITING NOVELS IS FUN

Okay, maybe I overstated that a bit. Writing novels can be hard work too. But every day when I sit down in front of the computer to write my book, I know that I can do whatever I want. There are no rules in writing fiction except for the rules that you set for yourself. [Like this quote? Click here to Tweet and share it!] You don’t get that kind of freedom in a newsroom. People ask me what I like doing best – being a journalist or a novelist. My answer is both. I’ve had the two greatest jobs I can imagine. Covering the news for real and then creating a fictional journalist who does the same things I did – and a lot more – in my novels.

http://www.writersdigest.com/online-editor/from-journalist-to-writing-novels-8-things-you-need-to-know

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United States To Modernize Nuclear Weapons — Bombers, Missiles, Submarines — The U.S. Nuclear Triad — Better Late Than Never — A New Nuclear Arms Race To Modernize Weapon Systems — Trump Is Right — The Nuclear Weapons Are 40-60 Years Old! — The Lying Lunatic Left and Big Lie Media Goes Hysterical — Do Your Homework! — Videos

Posted on December 22, 2016. Filed under: American History, Articles, Blogroll, Book, Books, College, Communications, Crisis, Dirty Bomb, Documentary, Education, Elections, Energy, Fiction, Films, Freedom, Friends, government spending, history, Law, liberty, Life, Links, media, Missiles, Movies, Nuclear, Nuclear Power, Philosophy, Photos, Politics, Press, Psychology, Radio, Rants, Raves, Raymond Thomas Pronk, Talk Radio, Television, Video, War, Wealth, Weapons, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , |

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Image result for us nuclear triad

Image result for us nuclear triad

Image result for us nuclear triadImage result for us nuclear triad

Image result for Minuteman 3 Nuclear MissileImage result for Minuteman 3 Nuclear MissileImage result for land based icbm us Image result for Minuteman 3 Nuclear MissileImage result for Minuteman 3 Nuclear MissileImage result for us nuclear triadImage result for us nuclear triadImage result for us nuclear triadImage result for submarine launch of nuclear missileImage result for usn submarine launch of nuclear missileImage result for Ohio class replacement submarineImage result for Ohio class replacement submarineImage result for US Navy Nuclear Submarines Ohio replacementImage result for Ohio class replacement submarineImage result for us nuclear triadImage result for us nuclear triadImage result for us nuclear triad

Trump doubles down on nuclear weapons

Trump says “let it be an arms race” when it comes to nuclear weapons

“Absolutely Frightening”: Greenpeace on Trump’s Call for a New Nuclear Arms Race

Trump, Putin both seek to boost their nuclear capability

Published on Dec 22, 2016

President-elect Donald Trump signaled Thursday that he will look to “strengthen and expand” the US’s nuclear capability hours after Russian President Vladimir Putin pledged to enhance his country’s nuclear forces.
The exchange appeared to raise the prospect of a new arms race between the two nuclear superpowers, which between them boast more than 14,000 nuclear warheads, the still deadly legacy of their four-decades long Cold War standoff.
But the comments by Putin, who is presiding over a project to restore Russia’s lost global power and influence, and Trump, who will shortly become the US commander-in-chief, did not spell out exactly what each side is proposing or whether a major change of nuclear doctrine is in the offing.
Trump weighed in with a tweet just hours after Putin spoke following a meeting with his military advisers to review the activity of the past year.
“The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes,” Trump wrote.
It was not immediately clear if the President-elect is proposing an entire new nuclear policy that he would begin to flesh out once he takes office next year.
Trump could also be referring to plans to modernize the current US nuclear arsenal that are currently underway and will cost hundreds of billions of dollars. The Obama administration has outlined a plan to modernize delivery systems, command and control systems and to refurbish warheads in the US nuclear triad — the US force of sea, airborne and missile delivered nuclear weapons.

Trump and nuclear fears

US Nuclear Weapons Systems Need an Upgrade. Here’s Why

America’s nuclear bomb gets a makeover

USA Dropped a Safe Nuclear Bomb in Nevada – F-15 Launching a Brand New B-61 Bomb

B61 US Nuclear Bomb Program

Nuclear Modernization: Is the United States Headed for a New Arms Race?

Stratcom Commander Emphasizes Need to Modernize Nuke “Russia is modernizing their nuclear triad”

Report on Russia’s Nuclear Triad Modernization

INSIDE VIEW !!! US Air Force Minuteman Strategic Missile Silo Mini Documentary

Published on Mar 10, 2016

The LGM-30 Minuteman is a US land-based intercontinental ballistic missile (ICBM), in service with the Air Force Global Strike Command. As of 2014, the LGM-30G Minuteman III version[a] is the only land-based ICBM in service in the United States.[citation needed]

Development of the Minuteman began in the mid-1950s as the outgrowth of basic research into solid fuel rocket motors which indicated an ICBM based on solids was possible. Such a missile could stand ready for extended periods of time with little maintenance, and then launch on command. In comparison, existing US missile designs using liquid fuels required a lengthy fueling process immediately before launch, which left them open to the possibility of surprise attack. This potential for immediate launch gave the missile its name; like the Revolutionary War’s Minutemen, the Minuteman was designed to be launched on a moment’s notice.[2][3]

Minuteman entered service in 1962 as a weapon tasked primarily with the deterrence role, threatening Soviet cities with a counterattack if the US was attacked. However, with the development of the US Navy’s Polaris which addressed the same role, the Air Force began to modify Minuteman into a weapon with much greater accuracy with the specific intent of allowing it to attack hardened military targets, including Soviet missile silos. The Minuteman-II entered service in 1965 with a host of upgrades to improve its accuracy and survivability in the face of an anti-ballistic missile (ABM) system the Soviets were known to be developing. Minuteman-III followed in 1970, using three smaller warheads instead of one large one, which made it very difficult to attack by an anti-ballistic missile system which would have to hit all three widely separated warheads to be effective. Minuteman-III was the first multiple independently targetable reentry vehicle (MIRV) ICBM to be deployed. Each missile can carry up to three nuclear warheads, which have a yield in the range of 300 to 500 kilotons.

Peaking at 1000 missiles in the 1970s, the current US force consists of 450 Minuteman-III missiles[4] in missile silos around Malmstrom AFB, Montana; Minot AFB, North Dakota; and F.E. Warren AFB, Wyoming.[1] By 2018 this will be reduced to 400 armed missiles, with 50 unarmed missiles in reserve, and four non-deployed test launchers to comply with the New START treaty.[5] The Air Force plans to keep the missile in service until at least 2030.[6][7] It is one component of the US nuclear triad—the other two parts of the triad being the Trident submarine-launched ballistic missile (SLBM), and nuclear weapons carried by long-range strategic bombers.

Type Intercontinental ballistic missile
Place of origin United States
Service history
In service 1962 (Minuteman-I)
1965 (Minuteman-II)
1970 (Minuteman-III)
Used by United States
Production history
Manufacturer Boeing
Unit cost $7,000,000
Specifications
Weight 78,000 lb (35,300 kg)
Length 59 ft 9.5 in (18.2 m)
Diameter 5 ft 6 in (1.7 m) (1st stage)
Warhead Nuclear: W62, W78, or (2006–) W87
Detonation
mechanism
Air Burst or Contact (Surface)
Engine Three-stage Solid-fuel rocket engines; first stage: Thiokol TU-122 (M-55); second stage: Aerojet-General SR-19-AJ-1; third stage: Aerojet/Thiokol SR73-AJ/TC-1
Operational
range
approx. 8,100 (exact is classified) miles (13,000 km)
Flight altitude 700 miles (1,120 kilometers)
Speed Approximately 17507 mph (Mach 23, or 28176 km/h, or 7 km/s) (terminal phase)
Guidance
system
Inertial
Accuracy 200 m CEP
Launch
platform
Missile Silo (MLCC)

Minuteman-III (LGM-30G): the current model [edit]

Side view of Minuteman-III ICBM

Airmen work on a Minuteman-III’s multiple independently-targetable re-entry vehicle (MIRV) system. Current missiles carry a single warhead.
The LGM-30G Minuteman-III program started in 1966, and included several improvements over the previous versions. It was first deployed in 1970. Most modifications related to the final stage and reentry system (RS). The final (third) stage was improved with a new fluid-injected motor, giving finer control than the previous four-nozzle system. Performance improvements realized in Minuteman-III include increased flexibility in reentry vehicle (RV) and penetration aids deployment, increased survivability after a nuclear attack, and increased payload capacity.[1] The missile retains a gimballed inertial guidance system.

Minuteman-III originally contained the following distinguishing features:

Armed with W62 warhead, having a yield of only 170 kilotons TNT, instead of previous W56’s yield of 1.2 megatons.[28]
It was the first[29] Multiple Independently Targetable Reentry Vehicles (MIRV) missile. A single missile was then able to target 3 separate locations. This was an improvement from the Minuteman-I and Minuteman-II models, which were only able to carry one large warhead.
An RS capable of deploying, in addition to the warheads, penetration aids such as chaff and decoys.
Minuteman-III introduced in the

Examining the U.S. Nuclear Spending Binge | Arms Control Association

Published on Jul 31, 2016

The Arms Control Association has for years raised warning sirens about the cost and necessity of the modernization plans and have suggested a number of steps that could be taken to put the plans on a more sustainable course. The Pentagon estimates that the proposed modernization effort of the U.S. nuclear triad and its supporting infrastructure over the next 25 years will cost between $350-$450 billion.

The remainder of the Obama administration and that of the next president will likely be faced with a number of increasingly urgent questions about America’s nuclear modernization project, including its affordability, opportunity costs, impacts on global stability and more.

Speakers on this panel addressed the scope of the current nuclear weapons spending plans, challenges and options available to the next president, and the feasibility of the modernization plans given the experience of previous administrations.

• Mark F. Cancian, Senior Advisor with the International Security Program at the Center for Strategic and International Studies
• Hans Kristensen, Director of the Nuclear Information Project at the Federation of American Scientists
• Andrew Weber, former Assistant Secretary of Defense for Nuclear, Chemical, and Biological Defense Programs
• Amy Woolf, Specialist in Nuclear Weapons Policy at the Congressional Research Service
• Kingston Reif, Arms Control Association, Moderator

LGM-30 Minuteman Launch – ICBM

Published on May 31, 2016

The LGM-30 Minuteman is a U.S. land-based intercontinental ballistic missile (ICBM), in service with the Air Force Global Strike Command.

As of 2014, the LGM-30G Minuteman III version is the only land-based ICBM in service in the United States.

PONI Live Debate: Triad Modernization

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Trump Said the U.S. Should Expand Nuclear Weapons. He’s Right.

America needs to bolster its deterrence not to start a war, but to prevent one.

December 23, 2016

On Thursday, Donald Trump created controversy when he tweeted, “The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes.” In case anyone was confused, he followed up Friday morning with an off-air remark to MSNBC’s “Morning Joe” that clarified his intentions: “Let it be an arms race,” he said. “We will outmatch them at every pass and outlast them all.”

The backlash was swift and unanimous. Critics charged that there is no plausible reason to expand U.S. nuclear weapons, that Trump’s comments contradicted a decades-old bipartisan consensus on the need to reduce nuclear stockpiles, and that such reckless statements risk provoking a new nuclear arms race with Russia and China.

On this matter, however, Trump is right.

U.S. nuclear strategy cannot be static, but must take into account the nuclear strategy and capabilities of its adversaries. For decades, the United States was able to reduce its nuclear arsenal from Cold War highs because it did not face any plausible nuclear challengers. But great power political competition has returned and it has brought nuclear weapons, the ultimate instrument of military force, along for the ride.

In recent years, North Korea has continued to grow its nuclear arsenal and means of delivery and has issued chilling nuclear threats against the United States and its Asian allies. As recently as Thursday — before Trump’s offending tweet — Rodong Sinmum, the Pyongyang regime’s official newspaper, published an opinion article calling for bolstering North Korea’s “nuclear deterrence.”

The potential threats are everywhere. Washington faces an increasing risk of conflict with a newly assertive, nuclear-armed China in the South China Sea. Beijing is expanding its nuclear forces and it is estimated that the number of Chinese warheads capable of reaching the U.S. homeland has more than trebled in the past decade and continues to grow. And Russia has become more aggressive in Europe and the Middle East and has engaged in explicit nuclear saber rattling the likes of which we have not seen since the 1980s. At the height of the crisis over Crimea in 2014, for example, Russian President Vladimir Putin ominously declared, “It’s best not to mess with us … I want to remind you that Russia is one of the leading nuclear powers.” And on Tuesday, he vowed to “enhance the combat capability of strategic nuclear forces, primarily by strengthening missile complexes that will be guaranteed to penetrate existing and future missile defense systems.” As former Defense Secretary William Perry correctly notes, “Today, the danger of some sort of a nuclear catastrophe is greater than it was during the Cold War.”

The United States needs a robust nuclear force, therefore, not because anyone wants to fight a nuclear war, but rather, the opposite: to deter potential adversaries from attacking or coercing the United States and its allies with nuclear weapons of their own.

Under President Barack Obama, the United States mindlessly reduced its nuclear arsenal even as other nuclear powers went in the opposite direction, expanding and modernizing their nuclear forces. Such a path was unsustainable and Trump is correct to recognize that America’s aging nuclear arsenal is in need of some long overdue upgrades.

So, what would expanding and strengthening the nuclear arsenal look like?

First, the United States must modernize all three legs of the nuclear triad (submarines; long-range bombers, including a new cruise missile; and intercontinental ballistic missiles, or ICBMs). The Obama administration announced plans to modernize the triad under Republican pressure, but critics are already trying to kill off the ICBM and the cruise missile, and production timelines for these weapon systems keep slipping into the future. The Trump administration must make the timely modernization of all three legs of the triad a top priority.

Second, the United States should increase its deployment of nuclear warheads, consistent with its international obligations. According to New START, the treaty signed with Russia in 2011, each state will deploy no more than 1,550 strategic nuclear warheads, but those restrictions don’t kick in until February 2018. At present, according to the State Department, the United States is roughly 200 warheads below the limit while Russia is almost 250 warheads above it. Accordingly, Russia currently possesses a nuclear superiority of more than 400 warheads, which is worrisome in and of itself and also raises serious questions about whether Moscow intends to comply with this treaty at all. The United States, therefore, should expand its deployed arsenal up to the treaty limits and be fully prepared for further expansion should Russia break out — as Moscow has done with several other legacy arms control agreements.

Third, and finally, the United States and NATO need more flexible nuclear options in Europe. In the event of a losing war with NATO, Russian strategy calls for limited nuclear “de-escalation” strikes against European civilian and military targets. At present, NATO lacks an adequate response to this threat. As I explain in a new report, the United States must develop enhanced nuclear capabilities, including a tactical, air-to-surface cruise missile, in order to disabuse Putin of the notion that he can use nuclear weapons in Europe and get away with it.

These stubborn facts lay bare the ignorance or naivety of those fretting that Trump’s tweets risk starting a new nuclear arms race. It is U.S. adversaries, not Trump, who are moving first. It is a failure to respond that would be most reckless, signaling continued American weakness and only incentivizing further nuclear aggression.

The past eight years have been demoralizing for many in the defense policy community as Obama has consistently placed ideology over reality in the setting of U.S. nuclear policy. The results, an increasingly disordered world filled with intensifying nuclear dangers, speak for themselves.

Rather than express outrage over Trump’s tweet, therefore, we should take heart that we once again have a president who may be willing to do what it takes to defend the country against real, growing and truly existential threats.

Matthew Kroenig is associate professor in the Department of Government and the School of Foreign Service at Georgetown University and senior fellow in the Brent Scowcroft Center on International Security at The Atlantic Council. He is a former strategist in the Office of the Secretary of Defense and is currently writing a book on U.S. nuclear strategy.

http://www.politico.com/magazine/story/2016/12/trump-said-the-us-should-expand-nuclear-weapons-hes-right-214546

How the Pentagon Plans to Modernize the US Nuclear Arsenal

PHOTO: View of a Boeing LGM-30G Minuteman III ICBM missile as it was launched in the 1970s.

President-elect Donald Trump’s tweets this week about strengthening and expanding America’s nuclear weapons capability are raising eyebrows, but they also highlight the Pentagon’s existing programs to update and modernize its nuclear arsenal.

The components of America’s nuclear triad of Intercontinental Ballistic Missiles (ICBM’s), strategic bombers, and submarine-launched ballistic missiles are decades old. While the Pentagon has undergone a modernization process to keep these systems intact over that time, the Pentagon has plans to replace each leg of the triad in the coming decades.

But the Pentagon’s plans to update and modernize the nuclear triad will be a lengthy and costly enterprise. Defense Secretary Ash Carter told Congress earlier this year that it will cost $350 billion to $450 billion to update and modernize beginning in 2021. But there are some estimates that a 30-year modernization program could cost as much as $1 trillion.

And that process has gotten underway since the lifespan of the existing delivery systems ends in the next 15 to 20 years. Replacement systems are currently in the phase of research, development, testing and evaluation.

The U.S. Air Force maintains a fleet of 450 Minuteman III ICBM missiles located in underground silos across the plains states, each carrying multiple nuclear warheads. A key leg of the nuclear triad, the Minuteman III missiles went into service in the 1970’s and have been upgraded ever since to keep them mission ready. No new ICBM missiles have gone into service since the MX missile was deployed in the 1980’s, but those missiles were retired a decade ago.

This summer, the Air Force began the process of soliciting designs for a new ICBM to replace the Minuteman III, with the first new missile scheduled to enter service by 2029.

The Air Force has already begun the process of replacing the 76 B-52 strategic bombers that have been flying since the 1960’s with the new B-21 “Raider” that will begin flying in 2025. Upgrades to the B-52, designed in the 1950’s, have allowed the aircraft to continue serving as a nuclear-capable aircraft and also allowed it to conduct airstrikes against ISIS.

PHOTO: Senior Airmen Mark Pacis, left, and Christopher Carver mount a refurbished nuclear warhead on to the top of a Minuteman III intercontinental ballistic missile inside an underground silo in Scottsbluff, Neb., April 15, 1997.Eric Draper/AP Photo
Senior Airmen Mark Pacis, left, and Christopher Carver mount a refurbished nuclear warhead on to the top of a Minuteman III intercontinental ballistic missile inside an underground silo in Scottsbluff, Neb., April 15, 1997.more +

The Navy has also begun the process to find a replacement for its 14 Ohio Class ballistic missile submarine fleet that first went into service in the 1980’s. But the first Columbia Class submarine is not slated to enter service until 2031.

But it is important to point out that a replacement of these systems, while incredibly expensive, does not equate to an overall growth of the nuclear arsenal.

In other words, the U.S. is looking to become more efficient — it’s not looking for more nuclear weapons. As one defense official put it, with the cost of the new systems, the Pentagon is simply not able to do a one-to-one replacement.

As of September 2015, the United States has a total of 4,571 warheads in its nuclear weapons stockpile, according to a State Department official. The United States has retired thousands of nuclear warheads that are removed from their delivery platform that are not included in this total, the official said, noting those warheads are not functional and are in a queue for dismantlement.

The 2011 New START (Strategic Arms Reduction Treaty) nuclear weapons agreement limits to 1,550 the number of nuclear warheads that can be deployed on ICBMs, submarines or heavy bombers by the U.S. and Russia. Both countries have until February 2018 to meet the New START’s reduction target levels for deployed warheads.

The United States currently has 1,361 deployed nuclear weapons while Russia has 1,796. The larger Russian number is seen as a temporary increase as Russia replaces older warheads with new ones.

http://abcnews.go.com/Politics/pentagon-plans-modernize-us-nuclear-arsenal/story?id=44372054

Donald Trump says he wants to ‘greatly strengthen and expand’ U.S. nuclear capability, a radical break from U.S. foreign policy

Putin praises Russian military’s show of strength in Syria

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Russian President Vladimir Putin praised his country’s military on Dec. 22, saying its armed forces had performed well in the fight against “international terrorists” in Syria. (Reuters)

December 22 at 1:05 PM

President-elect Donald Trump on Thursday called for the United States to expand its nuclear arsenal, after Russian President Vladi­mir Putin said his country’s nuclear potential needs fortifying, raising the specter of a new arms race that would reverse decades of efforts to reduce the number and size of the two countries’ nuclear weapons.In a tweet that offered no details, Trump said, “The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes.”During the campaign, Trump talked in one debate about the need to modernize the country’s infrastructure of nuclear weaponry, saying the United States is falling behind. But it is not clear whether Trump is thinking of increasing the number of nuclear weapons the United States possesses, or updating the existing supply.

Trump’s tweet came shortly after Putin, during a defense ministry meeting, talked tough on Russia’s stockpile of nuclear weapons.

“We need to strengthen the military potential of strategic nuclear forces, especially with missile complexes that can reliably penetrate any existing and prospective missile defense systems,” Putin said.

Russia and the United States have worked for decades at first limiting, and then reducing, the number and strength of nuclear arms they produced and maintained under a Cold War strategy of deterrence known as “mutually assured destruction.” Both Republican and Democratic presidents have pursued a policy of nuclear arms reduction, said Daryl G. Kimball, executive director of the Arms Control Association.

Currently, the United States has just under 5,000 warheads in its active arsenal, and more than 1,550 deployed strategic warheads, a number that fluctuates, according to Kimball. In an October assessment by the State Department Bureau of Arms Control Verification and Compliance, Russia has about 400 more nuclear warheads than the United States does. But the United States has about 170 more delivery systems than Russia.

Under the New START Treaty, the main strategic arms treaty in place, both the U.S. and Russia must deploy no more than 1,550 strategic weapons by February of 2018. Kimball said both countries appear to be on track to meet that limit, which will remain in force until 2021, when they could decide to extend the agreement for another five years.

Since President George H.W. Bush’s administration, it has been U.S. policy not to build new nuclear warheads. Under President Obama, the policy has been not to pursue warheads with new military capabilities.

The U.S. military is in the beginning stages of updating its nuclear triad, which covers the delivery systems — bombers, submarines and intercontinental ballistic missiles. Last year, the Pentagon estimated it must spend an average of $18 billion a year over 15 years starting in 2021, to replace weapons that already have been refurbished and upgraded beyond their original shelf life.

Trump’s history of discussing nuclear weapons

President-elect Donald Trump has called nuclear weapons “the single greatest problem the world has” – but he’s also made some controversial statements about them. (Peter Stevenson/The Washington Post)

But independent experts have estimated the total cost of modernizing the aging nuclear arsenal could reach $1 trillion over 30 years, according to the Arms Control Association.

“If Donald Trump is concerned about the rising costs of the F-35, he will be shocked by the skyrocketing costs of the current plan to modernizing the U.S. nuclear arsenal,” Kimball said. “Trump and his people need to explain the basis of his cryptic tweet. What does he mean by expand, and at what cost?”

But others argue that nuclear weapons and the principle of deterrence are essential components of national security, and the Obama administration’s efforts to further reduce its nuclear weapons have been just wishful thinking.

Michaela Dodge, a Heritage Foundation policy analyst specializing in nuclear weapons and missile defense policy, said that the White House in its 2010 Nuclear Posture Review made the erroneous assessment that there was little likelihood of conflict with Russia. Yet Moscow is in the midst of a large-scale nuclear weapons modernization program, and has violated many arms control treaties that it signed, she said.

“There is already an ongoing nuclear arms race, except now the United States isn’t racing,” she said in a telephone interview. “It’s mostly Russia and China.”

Dodge has called for the incoming Trump administration to request funding for nuclear warheads, delivery platforms and nuclear infrastructure. She also said the United States should withdraw from treaties that have eroded defense capabilities.

https://www.washingtonpost.com/world/national-security/donald-trump-says-he-wants-to-greatly-strengthen-and-expand-us-nuclear-capabilitiy-a-radical-break-from-us-foreign-policy/2016/12/22/52745c22-c86e-11e6-85b5-76616a33048d_story.html?utm_term=.1db715df6977

Nuclear triad

From Wikipedia, the free encyclopedia

A nuclear triad refers to the nuclear weapons delivery of a strategic nuclear arsenal which consists of three basic components: land-based intercontinental ballistic missiles (ICBMs), strategic bombers, and submarine-launched ballistic missiles (SLBMs). The purpose of having a three-branched nuclear capability is to significantly reduce the possibility that an enemy could destroy all of a nation’s nuclear forces in a first-strike attack; this, in turn, ensures a credible threat of a second strike, and thus increases a nation’s nuclear deterrence.[1][2][3]

Other methods of nuclear attacks are nuclear torpedos and the use of hypersonic glide vehicles.

Traditional components of a strategic nuclear triad

While traditional nuclear strategy holds that a nuclear triad provides the best level of deterrence from attack, in reality, most nuclear powers do not have the military budget to sustain a full triad. Only the United States and Russia have maintained nuclear triads for most of the nuclear age.[3] Both the US and the Soviet Union composed their triads along the same lines, including the following components:

  1. Bomber aircraft capable of delivering nuclear bombs (carrier-based or land-based; usually armed with long-range missiles).[1]
  2. Land-based missiles (MRBMs or ICBMs).[1][3]
  3. Ballistic missile submarines (SSBNs). Nuclear missiles launched from ships or submarines.[1][3] Although in early years the US Navy sea leg was carrier aircraft based with a very short period using sub launched cruise missiles such as the Regulus before SLBMs were ready to be deployed.

The triad also gives the commander in chief the flexibility to use different types of weapons for the appropriate strike while also preserving a reserve of nuclear armaments theoretically safe from a counter-force strike:

  • ICBMs allow for a long-range strike launched from a controlled or friendly environment at a lower cost per delivered warhead and easiest targeting from a surveyed geographic location.[4] If launched from a fixed position, such as a missile silo, they are vulnerable to a first strike, though their interception once aloft is substantially difficult,[1][3] Some ICBMs are either rail or road mobile. Medium-range ballistic missiles and ground-launched cruise missiles were also assigned for strategic targets based in nations closer to the potential confrontation, but were eventually forbidden by arms control treaty to the US and Russia.
  • SLBMs, launched from submarines, allow for a greater chance of survival from a first strike, giving the commander a second-strike capability.[1][3] Some long-range submarine-launched cruise missiles are counted towards triad status; this was the first type of submarine-launched strategic second-strike nuclear weapon before ballistic missile submarines became available. A SLBM is the most difficult to get accurate targeting for as it requires obtaining an accurate geographical fix to program targeting data to the missile, the total cost of a SLBM is increased by the cost of the submarine force, large crews and deterrence patrols.[4]
  • Strategic bombers have greater flexibility in their deployment and weaponry. They can serve as both a first- and second-strike weapon. A bomber armed with AGM-129 ACM missiles, for example, could be classified as a first-strike weapon. A number of bombers often with aerial refueling aircraft kept at safe points would constitute a second-strike weapon.[1][3] In some strategic contexts either with nearby potential enemies or with forward basing lighter aircraft can be used on the strategic level as either a first-strike weapon or if dispersed at small airfields or aboard an aircraft carrier can reasonably avoid a counterstrike giving them regional second-strike capacity, aircraft such as the Mirage 2000, F-15E, A-5 Vigilante, Sea Harrier, or FB-111 are or were tasked part or full-time with land or sea-based strategic nuclear attack missions. An aerial refueling fleet supports intercontinental strategic operations both for heavy bombers and smaller aircraft; it also makes possible around the clock airborne standby of bombers and command aircraft making these airborne assets nearly impossible to eliminate in a first strike. Bomber airborne alert patrols are very expensive in terms of fuel and aircraft maintenance, even non-airborne alert basing requires both crew training hours and aircraft upkeep.[4]

Tactical nuclear weapons are used in air, land and sea warfare. Air-to-air missiles and rockets, surface-to-air missiles, and small air-to-ground rockets, bombs, and precision munitions have been developed and deployed with nuclear warheads. Ground forces have included tactical nuclear artillery shells, surface-to-surface rockets, land mines, medium and small man-packable nuclear engineering demolition charges, even man-carried or vehicle-mounted recoilless rifles. Naval forces have carried nuclear-armed naval rocket-assisted and standard depth charges and torpedoes, and naval gunnery shells. Tactical nuclear weapons and the doctrine for their use is primarily for use in a non-strategic warfighting role destroying military forces in the battle area; they are not counted toward triad status despite the possibility of many of these systems being usable as strategic weapons depending on the target.

Triad powers

The following nations are considered fully established triad nuclear powers, they have robust capability to launch a worldwide second strike in all three legs and can disperse their air forces and their sea forces on deterrent patrols. They possess nuclear forces consisting of land-based missiles, ballistic or long-range cruise missile submarines, and strategic bombers or long-range tactical aircraft.

China

Unlike the United States and Russia where strategic nuclear forces are enumerated by treaty limits and subject to verification, China, a nuclear power since 1964, is not subject to these requirements but currently has a triad structure smaller in size compared to Russia and the United States. China’s nuclear force is much smaller than the US or Russia and is closer in number and capability to that of France or the United Kingdom. This force is mainly land-based missiles including ICBMs, IRBMs, and tactical ballistic missiles as well as cruise missiles. Unlike the US and Russia, China stores many of its missiles in huge underground tunnel complexes; U.S. Representative Michael Turner[5] referring to 2009 Chinese media reports said “This network of tunnels could be in excess of 5,000 kilometers (3,110 miles), and is used to transport nuclear weapons and forces,”[6] the Chinese Army newsletter calls this tunnel system an Underground Great Wall of China.[7]

Currently China has one Type 092 submarine that is currently active with JL-1 SLBM according to Office of Naval Intelligence.[8][9] In addition, the PLAN has deployed 4 newer Type 094 submarines and plan to deploy up to 8 of these Jin-class SSBN by the end of 2020.[10][11] The new Type 094 fleet uses the newer JL-2 SLBM. China carried out a series of successful JL-2 launches in 2009,[12] 2012[13][14] and 2015.[15] The United States expect the 094 SSBN to carry out its first deterrent patrol by 2015 with the JL-2 missile active.[10] There is an aged albeit upgraded bomber force consisting of Xian H-6s with an unclear nuclear delivery role. The PLAAF has a limited capability fleet of H-6 bombers modified for aerial refuelling as well as forthcoming Russian Ilyushin Il-78 aerial refuelling tankers.[16] China also introduced a newer and modernized H-6 variant the H-6K with enhanced capabilities such as launching long ranged cruise missile the CJ-10. In addition to the H-6 bomber, there are numerous tactical fighter and fighter bombers such as the: J-16, J-10, JH-7A and Su-30 which all capable of carrying nuclear weapons. China is also developing hypersonic glide vehicles.

India

India completed its nuclear triad with the commissioning of INS Arihant in August 2016.[17][18][19][20][21][22] INS Arihant is a nuclear-powered ballistic missile submarine armed with 12 K-15 missiles with a range of 750 km,[23] which will later be upgraded K-4 missiles with an extended range of 3500 km.[24][25][26] India maintains a no first use nuclear policy and has been developing a nuclear triad capability as a part of its credible minimum deterrence doctrine.[27] India’s nuclear-weapons program possesses surface-to-surface missiles such as the Agni III and Agni IV. In addition, the 5,000–8000 km range Agni-V ICBM was also successfully tested for third time on 31 January 2015[28] and is expected to enter service by 2016.[29] India has nuclear-capable fighter aircraft such as the Dassault Mirage 2000H, Dassault Rafale, Sukhoi Su-30 MKI, MIG-29 and SEPECAT Jaguar. Land and air strike capabilities are under the control of Strategic Forces Command which is a part of Nuclear Command Authority.

Russian Federation

Also a nuclear power,[30] Russia inherited the arsenal of all of the former Soviet states; this consists of silo-based as well as rail and road mobile ICBMs, sea-based SLBMs, strategic bombers, strategic aerial refueling aircraft, and long-range tactical aircraft capable of carrying gravity bombs, standoff missiles, and cruise missiles. The Russian Strategic Rocket Forces have ICBMs capable of delivering nuclear warheads,[citation needed] silo-based R-36M2 (SS-18), silo-based UR-100N (SS-19), mobile RT-2PM “Topol” (SS-25), silo-based RT-2UTTH “Topol M” (SS-27), mobile RT-2UTTH “Topol M” (SS-27), mobile RS-24 “Yars” (SS-29) (Future replacement for R-36 & UR-100N missiles). Russian strategic nuclear submarine forces are equipped with the following SLBM’s, R-29R “Vysota”, NATO name SS-N-18 “Stingray”, RSM-54 R-29RMU “Sineva”, NATO name SS-N-23 “Skiff” and the R-29RMU2.1 “Liner” are in use with the Delta-class submarine, but the RSM-56 R-30 “Bulava”, NATO name SS-NX-32 is under development for the Borei-class submarine. The Russian Long Range Aviation operates supersonic Tupolev Tu-22M, and Tupolev Tu-160 bombers and the long range turboprop powered Tupolev Tu-95, they are all mostly armed with strategic stand off missiles or cruise missiles such as the KH-15 and the KH-55/Kh-102. These bombers and nuclear capable strike aircraft such as the Sukhoi Su-24 are supported by Ilyushin Il-78 aerial refuelling aircraft. The USSR was required to destroy its stock of IRBMs in accordance with the INF treaty. In addition to the nuclear triad Russia is also developing nuclear torpedos and hypersonic glide vehicles.

United States

The United States operates Minuteman ICBMs from underground hardened silos, Trident SLBMs carried by Ohio-class submarines, it also operates B-52, B-2 strategic bombers, as well as land-based tactical aircraft, some capable of carrying strategic and tactical B61 and large strategic B83 gravity bombs, and AGM-86 ALCMs. While the US no longer keeps nuclear armed bombers on airborne alert, it has the ability to do so, along with the airborne nuclear command and control aircraft with its fleet of KC-10 and KC-135 aerial refueling planes. Previous to development of submarine-launched ballistic missiles, the US Navy strategic nuclear role was provided by aircraft carrier–based bombers and, for a short time, submarine-launched cruise missiles. With the end of the cold war, the US never deployed the rail-mobile version of the Peacekeeper ICBM or the road mobile Midgetman small ICBM. The US destroyed its stock of road-mobile Pershing II IRBMs and ground-launched cruise missiles in accordance with the INF treaty. The US also has shared strategic nuclear weapons and still deploys shared tactical nuclear weapons to some NATO countries.[1][3][31]

Former triad powers

France

A former triad power, the French Force de frappe possesses sea-based and air-based nuclear forces through the Triomphant-class ballistic missile submarines deployed with M45 intercontinental SLBMs armed with multiple warheads, nuclear capable Dassault Rafale F3 and Dassault Mirage 2000N fighter aircraft (armed with Air-Sol Moyenne Portée) which replaced the long-range Dassault Mirage IV supersonic nuclear bomber and KC-135 aerial refuelling tankers in its inventory. France had S2 and then S3 silo based strategic nuclear IRBMs, the S3 with a 3,500 km range, but these have been phased out of service since the dissolution of the USSR. France operates aircraft with a nuclear strike role from its aircraft carrier.

Non-triad powers

Non-triad powers are nuclear armed nations which have never developed a strategic nuclear delivery triad.

North Korea

North Korea has claimed to have indigenous nuclear weapons technology since a large underground explosion was detected in 2006. The DPRK has both aircraft and missiles which may be tasked to deliver nuclear weapons. The North Korean missile program is largely based on domestically produced variants of the Soviet Scud missile, some of which are sufficiently powerful to attempt satellite launch. The DPRK also has short-range ballistic missiles and cruise missiles. Western researchers believe the current generation of the DPRK’s suspected nuclear weapons are too large to be fitted to the country’s existing missile stock.[32]

Pakistan

Pakistan does not have an active nuclear triad. Its nuclear weapons are primarily land-based. The Minimum Credible Deterrence (MCD) is a defense and strategic principle on which the atomic weapons program of Pakistan is based.[33] This doctrine is not a part of the nuclear doctrine, which is designed for the use of the atomic weapons in a full-scale declared war if the conditions of the doctrine are surpassed.[34] Instead, the MCD policy falls under minimal deterrence as an inverse to Mutually Assured Destruction (MAD).[35] In August 2012, The Economist magazine wrote an article stating that Pakistan was an emerging nuclear triad state. Pakistani plans of responding to any capture or pre-emptive destruction of their nuclear defences seems to be one reason why they are determined to develop a third leg, after air- and land-based delivery systems, to Pakistan’s nuclear triad, consisting of nuclear-armed ships and submarines. As Iskander Rehman of the Carnegie Endowment, a think-tank, observes in a recent paper, Pakistani nuclear expansion and methods of delivery is drifting “from the dusty plains of the Punjab into the world’s most congested shipping lanes… It is only a matter of time before Pakistan formally brings nuclear weapons into its own fleet.”[36]

Pakistan possesses several ballistic missiles such as the Shaheen-1A and the Shaheen-II, missiles having ranges of 900 km and 2000 km respectively. They also contain systems said to be capable of carrying several nuclear warheads as well as being designed to evade missile-defense systems.[37][38] Pakistan also possesses the Babur cruise missile with a range up to 700 km. These land-based missiles are controlled by Army Strategic Forces Command of the Pakistan Army.

The PAF has two dedicated units (the No. 16 Black Panthers and the No. 26 Black Spiders) operating 18 aircraft in each squadron of the JF-17 Thunder, believed to be the preferred vehicle for delivery of nuclear weapons.[39] These units are a major part of the Air Force Strategic Command, a command responsible for nuclear response. The PAF also operates a fleet of F-16 fighters, of which 18 were delivered in 2012 and, as confirmed by General Ashfaq Parvez Kayani, are capable of carrying nuclear weapons.[40] The PAF also possesses the Ra’ad air-launched cruise missile which has a range of 350 km and can carry a nuclear warhead with a yield of between 10 kilotons to 35 kilotons.[41]

In 2004, the Pakistan Navy established the Naval Strategic Forces Command and made it responsible for countering and battling naval-based weapons of mass destruction. It is believed by most experts that Pakistan is developing a sea-based variant of the Hatf VII Babur, which is a nuclear-capable ground-launched cruise missile.[42]

United Kingdom

The UK never rolled out its own land based missile nuclear delivery system. It only possesses sea-based nuclear forces through its Royal Navy Vanguard-class ballistic missile submarines, deployed with Trident II intercontinental SLBMs armed with multiple warheads. The Royal Air Force used to operate V bomber strategic bombers throughout the Cold War and continued airborne delivery using Tornado and Jaguar aircraft until the late 1990s. The planned UK silo-based IRBM, the Blue Streak missile, was cancelled as it was not seen as a credible deterrent, considering the population density of areas in the UK geologically suited for missile silos. The tactical Corporal surface-to-surface missile was operated by the British Army. The American made intermediate range Thor missile aimed at Soviet targets was operated briefly by the RAF but before the arrival of the Polaris SLBM. Previously having a nuclear strike mission for carrier-based Buccaneer attack aircraft and later Sea Harriers, the UK no longer deploys nuclear weapons for delivery by carrier-based naval aircraft or any other means other than the Vanguard submarine-launched Trident SLBM.

Suspected triad powers

Main articles: Jericho (missile), Popeye Turbo, and F-15I

Israel has been reported in congressional testimony by the US Department of Defense of having aircraft-delivered nuclear weapons as early as the mid-1960s, a demonstrated missile-based force since the mid-1960s, an IRBM in the mid-1980s, an ICBM in the early 2000s[43] and the suspected second-strike capability arrived with the Dolphin-class submarine and Popeye Turbo submarine-launched cruise missile. Israel is suspected of using their inventory of nuclear-capable fighter aircraft such as the long-range F-15E Strike Eagle, F-16 and formerly the F-4 Phantom, Dassault Mirage III, A-4 Skyhawk and Nesher. Israel has appreciable and growing numbers of long-range tanker aircraft and aerial refueling capacity on its long-range fighter-bomber aircraft, this capacity was used in the 1985 long-range conventional strike against the PLO in Tunisia.[44] Jane’s Defence Weekly reports that the Israeli Dolphin-class submarines are widely believed to be nuclear armed, offering Israel a second-strike capability with a demonstrated range of at least 1500 km in a 2002 test.[45][46] According to an official report which was submitted to the American congress in 2004,[43] it may be that with a payload of 1,000 kg the Jericho 3 gives Israel nuclear strike capabilities within the entire Middle East, Africa, Europe, Asia and almost all parts of North America, as well as within large parts of South America and North Oceania, Israel also has the regional reach of its Jericho 2 IRBM force. The existence of a nuclear force is often hinted at blatantly and evidence of an advanced weapons program including miniaturized and thermonuclear devices has been presented, especially the extensive photographic evidence given by former Israeli nuclear weapons assembler Mordechai Vanunu. There have been incidents where Israel has been suspected of testing, but so far Israel for diplomatic reasons has not openly admitted to having operational nuclear weapons, and so is only a suspect triad state.

Other nuclear delivery systems

Air Mobile ICBM Feasibility Demonstration—24 October 1974

There is nothing in nuclear strategy to mandate only these three delivery systems. For example, orbital weapons or spacecraft for purposes of orbital bombardment using nuclear devices have been developed and silo deployed by the USSR from 1969 to 1983, these would not fit into the categories listed above. However, actual space-based weapon systems used for weapons of mass destruction have been banned under the Outer Space Treaty and launch ready deployment for the US and former USSR by the SALT II treaty. Another example is the US, UK, and France do or have previously included a strategic nuclear strike mission for carrier-based aircraft, which especially in the past were far harder to track and target with ICBMs or strategic nuclear bombers than fixed bomber or missile bases, permitting some second-strike flexibility; this was the first sea-based deterrent before the SLBM. The US and UK jointly explored an air-launched strategic ballistic nuclear missile, the Skybolt, but canceled the program in favor of submarine-based missiles. In 1974 a Lockheed C-5 Galaxy successfully tested an air launch of a Minuteman ICBM; this system was not deployed, but was used as a bargaining point in the SALT treaty negotiations with the USSR.

See also

https://en.wikipedia.org/wiki/Nuclear_triad

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Tom Wolfe — The Right Stuff — Videos

Posted on December 10, 2016. Filed under: American History, Art, Articles, Blogroll, Book, Books, College, Comedy, Communications, Culture, Education, Entertainment, Fiction, Heroes, history, Language, Law, liberty, Life, Links, Literacy, media, Money, Movies, Movies, Music, People, Philosophy, Photos, Press, Rants, Raves, Raymond Thomas Pronk, Video, War, Wisdom, World War II, Writing | Tags: , , , , , , , , , |

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The Right Stuff – The Bell X-1 (with Levon Helm as CPT Jack Ridley)

The Right Stuff (Part 2)

The Right Stuff (Part 3)

The Right Stuff (Part 4)

The Right Stuff (Part 5)

The Right Stuff (Part 6)

The Right Stuff (Part 7)

The Right Stuff (book)

From Wikipedia, the free encyclopedia
The Right Stuff
The Right Stuff (book).jpg

First edition
Author Tom Wolfe
Country United States
Language English
Genre New Journalism
Non-fiction
Publisher Farrar, Straus and Giroux
Publication date
1979
Media type Print (hardcover & paperback)
Pages 436 pages
ISBN 0-374-25032-4
OCLC 5007334
629.4/0973 19
LC Class TL789.8.U5 W64 1979

The Right Stuff is a 1979 book by Tom Wolfe about the pilots engaged in U.S. postwar research with experimental rocket-powered, high-speed aircraft as well as documenting the stories of the first Project Mercury astronauts selected for the NASA space program. The Right Stuff is based on extensive research by Wolfe, who interviewed test pilots, the astronauts and their wives, among others. The story contrasts the “Mercury Seven[1] and their families with test pilots such as Chuck Yeager, who was considered by many contemporaries as the best of them all, but who was never selected as an astronaut.

Wolfe wrote that the book was inspired by the desire to find out why the astronauts accepted the danger of space flight. He recounts the enormous risks that test pilots were already taking, and the mental and physical characteristics—the titular “right stuff”—required for and reinforced by their jobs. Wolfe likens the astronauts to “single combat warriors” from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.

The 1983 film The Right Stuff is adapted from the book.

Writing and publication

First-state dust jacket, showing initial design never released in a public edition[2]

In 1972 Jann Wenner, the editor of Rolling Stone assigned Wolfe to cover the launch of NASA’s last moon mission, Apollo 17. Wolfe became fascinated with the astronauts, and his competitive spirit compelled him to try to outdo Norman Mailer‘s nonfiction book about the first moon mission, Of a Fire on the Moon. He published a four-part series for Rolling Stone in 1973 titled “Post-Orbital Remorse”, about the depression that some astronauts experienced after having been in space. After the series, Wolfe began researching the whole of the space program, in what became a seven-year project from which he took time to write The Painted Word, a book on art, and to complete Mauve Gloves & Madmen, Clutter & Vine, a collection of shorter pieces.[3]

In 1977 he returned to his astronaut book full-time. Wolfe originally planned to write a complete history of the space program, though after writing through the Mercury program, he felt that his work was complete and that it captured the astronauts’ ethos — the “right stuff” that astronauts and test pilots of the 1940s and 1950s shared — the unspoken code of bravery and machismo that compelled these men to ride on top of dangerous rockets. While conducting research, he consulted with General Chuck Yeager and, after receiving a comprehensive review of his manuscript, was convinced that test pilots like Yeager should form the backdrop of the period. In the end, Yeager becomes a personification of the many postwar test pilots and their “right stuff.”[4] The phrase itself may have originated in the Joseph Conrad story “Youth”, where it was used.

The Right Stuff was published in 1979 by Farrar, Straus and Giroux and became Wolfe’s best selling book yet.[citation needed] It was praised by most critics, was a finalist for the National Book Critics Circle Award, and won the National Book Award for Nonfiction.[5][6]

In the foreword to a new edition, published in 1983 when the film adaptation was released, Wolfe wrote that his “book grew out of some ordinary curiosity” about what “makes a man willing to sit up on top of an enormous Roman candle… and wait for someone to light the fuse.”[7]

Book

The story is more about the space race than space exploration in general. The Soviet Union‘s early space efforts are mentioned only as background, focusing entirely on an early portion of the U.S. space program. Only Project Mercury, the first operational manned space-flight program, is covered. The Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. Emphasis is given to the personal stories of the astronauts and their wives rather than the technical aspects of space travel and the flights themselves.

The storyline also involves the political reasons for putting people into space, asserting that the Mercury astronauts were actually a burden to the program and were only sent up for promotional reasons. Reasons for including living beings in spacecraft are barely touched upon, but the first option considered was to use a chimpanzee (and, indeed, chimpanzees were sent up first).

Another option considered were athletes already accustomed to physical stress, such as circus trapeze artists. Wolfe states that President Dwight D. Eisenhower, however, insisted on pilots, even though the first crew members would not actually fly the spacecraft. When Gus Grissom lands at sea and exits his space capsule, saving the capsule seems more important to the recovery team than saving the pilot because of the value of the data.

Wolfe contrasts the Seven with the Edwards AFB test pilots, among whom was Chuck Yeager, who was shut out of the astronaut program after NASA officials decided to use college-degreed pilots, not ones who gained their commissions as enlisted men, such as participants in the USAAF Flying Sergeants Program in World War II. Chuck Yeager spent time with Tom Wolfe explaining accident reports “that Wolfe kept getting all wrong.” Publishing insiders say these sessions between Wolfe and Yeager led Wolfe to highlight Yeager’s character, presence, thoughts, and anecdotes throughout the book. As an example, Yeager prides his speech to the Society of Test Pilots that the first rider in the Mercury development program would be a monkey, not a real test pilot, and Wolfe plays this drama out on the angst felt by the Mercury Astronauts over those remarks. Yeager himself downplayed the theory of “the right stuff,” attributing his survival of potential catastrophes to simply knowing his airplane thoroughly, along with some good luck.

Another test pilot highlighted in the book is Scott Crossfield. Crossfield and Yeager were fierce but friendly rivals for speed and altitude records.

Film adaptation

A 3-hour, 13-minute film stars Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey, Kim Stanley, Levon Helm, Veronica Cartwright, Pamela Reed, Lance Henriksen, and the real Chuck Yeager in a cameo appearance. NFL Hall of Famer Anthony Muñoz also has a small role, playing “Gonzalez”. It features a score by composer Bill Conti.

The screenplay was adapted by Philip Kaufman from the book, with some contributions from screenwriter William Goldman (Goldman dissociated himself with the film after quarrelling with Kaufman about the story). The film was also directed by Kaufman.

While the movie took liberties with certain historical facts as part of “dramatic license”, criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch’s explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.[citation needed]

This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe‘s book only states that this possibility was considered, not that it was actually judged as being the cause of the accident. In fact, Grissom was assigned to command the first flights of both Gemini and Apollo. Ironically, Grissom died in the Apollo 1 fire because there was no quick-opening hatch on the Block 1 Apollo Command Module – a design choice made because NASA had determined that the explosion in the hatch on Grissom’s Liberty Bell 7 had been most likely self-initiated.[citation needed]

Another fact that had been altered in the film was the statement by Trudy Cooper, who commented that she “wondered how they would’ve felt if every time their husband went in to make a deal, there was a one-in-four chance he wouldn’t come out of that meeting.” According to the book, this actually reflected the 23% chance of dying during a 20-year career as a normal pilot. For a test pilot, these odds were higher, at 53%, but were still considerably less than the movie implied. In addition, the movie merely used the fictional Mrs. Cooper as a vehicle for the statement; the real Mrs. Cooper is not known to have said this.[8]

Wolfe made no secret that he disliked the film, especially because of changes from his original book. William Goldman, involved in early drafts of the script, also disliked the choices made by Kaufman, saying in his book Adventures in the Screen Trade that “Phil [Kaufman]’s heart was with Yeager. And not only that, he felt the astronauts, rather than being heroic, were really minor leaguers, mechanical men of no particular quality, not great pilots at all, simply the product of hype.”[9] Critics, however, generally were favorable toward the film.

References

Citations

  1. Jump up^ Wolfe 2001, p. 143. Note: Wolfe uses this term exactly once.
  2. Jump up^ The Right Stuff.” ABE books. Retrieved: 3 November 2009.
  3. Jump up^ Ragen 2001, pp. 22–26.
  4. Jump up^ Wolfe 1979, p. 368.
  5. Jump up^ Ragen 2001, p. 26–28.
  6. Jump up^ “National Book Awards – 1980”. National Book Foundation. Retrieved 2012-02-21.
    This was the award for General Nonfiction (hardcover) during a period in National Book Awards history when there were many nonfiction subcategories.
  7. Jump up^ Wolfe 2001, Foreword.
  8. Jump up^ Wolfe 1979, p. 22.
  9. Jump up^ Goldman 1983

Bibliography

  • Bryan, C.D.B. “The Right Stuff (review).” New York Times, 23 September 1979.
  • Charity, Tom. The Right Stuff (BFI Modern Classics). London: British Film Institute, 1991. ISBN 0-85170-624-X.
  • Goldman, William (1989). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (reissue ed.). Grand Central Publishing. ISBN 0-446-39117-4.
  • Ragen, Brian Abel, ed. Tom Wolfe: A Critical Companion. West Port, Connecticut: Greenwood Press, 2001. ISBN 0-313-31383-0.
  • Wolfe, Tom. The Right Stuff. New York: Farrar, Straus and Giroux, 1979, ISBN 0-374-25032-4.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 1979, ISBN 0-553-24063-3.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 2001, 1979, ISBN 0-553-38135-0.

External links

Tom Wolfe

From Wikipedia, the free encyclopedia
Not to be confused with Thomas Wolfe or Tom Wolf (politician).
Tom Wolfe
Wolfe at White House.jpg

Wolfe at the White House on March 22, 2004
Born Thomas Kennerly Wolfe, Jr.
March 2, 1931 (age 85)
Richmond, Virginia, U.S.
Occupation Journalist, author
Language English
Nationality American
Period 1959–present
Literary movement New Journalism
Notable works The Painted Word, The Electric Kool-Aid Acid Test, The Right Stuff, A Man in Full, Radical Chic & Mau-Mauing the Flak Catchers, The Bonfire of the Vanities, I Am Charlotte Simmons, Back to Blood
Spouse Sheila Wolfe
Children 2

Thomas KennerlyTomWolfe, Jr. (born March 2, 1931)[1] is an American author and journalist, best known for his association with and influence over the New Journalism literary movement, in which literary techniques are used extensively and traditional values of journalistic objectivity and evenhandedness are rejected. He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, became a commercial success, and was adapted as a major motion picture (directed by Brian De Palma).

Early life and education

Wolfe was born in Richmond, Virginia, the son of Louise (née Agnew), a landscape designer, and Thomas Kennerly Wolfe, Sr., an agronomist.[2][3]

Wolfe grew up on Gloucester Road in the historic Richmond North Side neighborhood of Sherwood Park. He recounts some of his childhood memories of growing up there in a foreword to a book about the nearby historic Ginter Park neighborhood.

Wolfe was student council president, editor of the school newspaper and a star baseball player at St. Christopher’s School, an Episcopalian all-boys school in Richmond, Virginia.

Upon graduation in 1947, he turned down admission to Princeton University to attend Washington and Lee University, both all-male schools at the time; at Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. Wolfe majored in English and practiced his writing outside the classroom as well. He was the sports editor of the college newspaper and helped found a literary magazine, Shenandoah. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his classes to look at the whole of a culture, including those elements considered profane. The very title of Wolfe’s undergraduate thesis, “A Zoo Full of Zebras: Anti-Intellectualism in America,” evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

Wolfe had continued playing baseball as a pitcher and had begun to play semi-professionally while still in college. In 1952 he earned a tryout with the New York Giants but was cut after three days, which Wolfe blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick’s example, enrolling in Yale University‘s American studies doctoral program. His PhD thesis was titled The League of American Writers: Communist Organizational Activity Among American Writers, 1929–1942.[4] In the course of his research, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[5] A biographer remarked on the thesis: “Reading it, one sees what has been the most baleful influence of graduate education on many who have suffered through it: it deadens all sense of style.”[6] His thesis was originally rejected but he finally passed by rewriting it being objective instead of subjective. Upon leaving Yale he wrote a friend explaining through expletives his personal opinions about his thesis.

Journalism and New Journalism

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957 and in 1959 was hired by The Washington Post. Wolfe has said that part of the reason he was hired by the Post was his lack of interest in politics. The Post’s city editor was “amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted.” He won an award from The Newspaper Guild for foreign reporting in Cuba in 1961 and also won the Guild’s award for humor. While there, he experimented with fiction-writing techniques in feature stories.[7]

In 1962, Wolfe left Washington for New York City, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Clay Felker of the Sunday section supplement New York magazine, encouraged their writers to break the conventions of newspaper writing.[8] During the 1962 New York City newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom car culture of Southern California. He struggled with the article until finally a desperate editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together.

Wolfe procrastinated until, on the evening before the article was due, he typed a letter to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell’s response was to remove the salutation “Dear Byron” from the top of the letter and publish it intact as reportage. The result, published in 1963, was “There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Flake Streamline Baby.” The article was widely discussed—loved by some, hated by others—and helped Wolfe publish his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, a collection of his writings in the Herald-Tribune, Esquire, and other publications.[9]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. More specifically, Wolfe experimented with four literary devices not normally associated with feature writing—scene-by-scene construction, extensive dialogue, multiple points of view, and detailed description of one’s status-life symbols (the materialistic choices one makes)—to produce this stylized form of journalism, which would later be commonly referred to as literary journalism.[10] Of status symbols, Wolfe has said, “I think every living moment of a human being’s life, unless the person is starving or in immediate danger of death in some other way, is controlled by a concern for status.”[11]

Wolfe also championed what he called “saturation reporting,” a reportorial approach where the journalist “shadows” and observes the subject over an extended period of time. “To pull it off,” says Wolfe, “you casually have to stay with the people you are writing about for long stretches . . . long enough so that you are actually there when revealing scenes take place in their lives.”[12] Saturation reporting differs from “in-depth” and “investigative” reporting, which involve the direct interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, “entails a more complex set of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and detached from the people and events reported.”[13]

One of the most striking examples of New Journalism is Wolfe’s The Electric Kool-Aid Acid Test. The book, an account of the adventures of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in its use of onomatopoeia, free association, and eccentric punctuation—such as multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In addition to his own forays into this new style of journalism, Wolfe edited a collection of New Journalism with E.W. Johnson, published in 1973 and titled The New Journalism. This book brought together pieces from Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers with the common theme of journalism that incorporated literary techniques and that could be considered literature.[14]

Non-fiction books

In 1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and Wolfe’s fame grew. A second volume of articles, The Pump House Gang, followed in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used LSD and to have tried marijuana only once[15]) Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: “Radical Chic,” a biting account of a party given by Leonard Bernstein to raise money for the Black Panther Party, and “Mau-Mauing The Flak Catchers,” about the practice of using racial intimidation (“mau-mauing”) to extract funds from government welfare bureaucrats (“flak catchers”). The phrase “radical chic” soon became a popular derogatory term for upper-class leftism. Published in 1977, Mauve Gloves & Madmen, Clutter & Vine included one of Wolfe’s more famous essays, “The Me Decade and the Third Great Awakening.”

Back row – Shepard, Grissom, Cooper; Front row – Schirra, Slayton, Glenn, Carpenter.
The astronauts of the Mercury Seven were the subject of The Right Stuff.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America’s first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to “single combat champions” of a bygone era, going forth to battle in the space race on behalf of their country. In 1983, the book was adapted as a successful feature film.

In 2016 Wolfe published The Kingdom of Speech, which is a controversial[16] critique of Charles Darwin and Noam Chomsky.[17]

Art critiques

Wolfe also wrote two highly skeptical social histories of modern art and modern architecture, The Painted Word and From Bauhaus to Our House, in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art world and its dependence on what he saw as faddish critical theory, while From Bauhaus to Our House explored the negative effects of the Bauhaus style on the evolution of modern architecture.[18]

Made for TV movie

A fictional television movie appeared on PBS in 1977, “Tom Wolfe’s Los Angeles”, a suitably satirical story set in Los Angeles. Wolfe appears in the movie himself.[19][20]

Novels

Throughout his early career, Wolfe had planned to write a novel that would capture the wide spectrum of American society. Among his models was William Makepeace Thackeray‘s Vanity Fair, which described the society of 19th century England. Wolfe remained occupied writing nonfiction books and contributing to Harper’s until 1981, when he ceased his other work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the Bronx homicide squad. While the research came easily, the writing did not immediately follow. To overcome his writer’s block, Wolfe wrote to Jann Wenner, editor of Rolling Stone, to propose an idea drawn from Charles Dickens and Thackeray. The Victorian novelists that Wolfe viewed as his models had often written their novels in serial installments. Wenner offered Wolfe around $200,000 to serialize his work.[21] The deadline pressure gave him the motivation he had hoped for, and from July 1984 to August 1985 each biweekly issue of Rolling Stone contained a new installment. Wolfe was later not happy with his “very public first draft”[22] and thoroughly revised his work. Even Sherman McCoy, the novel’s central character, changed: originally a writer, the book version cast McCoy as a bond salesman. Wolfe researched and revised for two years, and his The Bonfire of the Vanities was published in 1987. The book was a commercial and critical success, spending weeks on bestseller lists and earning praise from much of the literary establishment on which Wolfe had long heaped scorn.[23]

Because of the success of Wolfe’s first novel, there was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book’s reception was not universally favorable, though it received glowing reviews in Time, Newsweek, The Wall Street Journal and elsewhere. An enormous initial printing of 1.2 million copies was announced and the book stayed at number one on the New York Times bestseller list for ten weeks. John Updike wrote a critical review for The New Yorker complaining that the novel “amounts to entertainment, not literature, even literature in a modest aspirant form.” This touched off an intense war of words in the print and broadcast media between Wolfe and Updike, John Irving, and Norman Mailer. In 2001, Wolfe published an essay referring to these three authors as “My Three Stooges.”

After publishing Hooking Up (a collection of short pieces, including the 1997 novella Ambush at Fort Bragg) in 2001, he followed up with his third novel, I Am Charlotte Simmons (2004), which chronicles the decline of a poor, bright scholarship student from Alleghany County, North Carolina, in the context of snobbery, materialism, institutionalised anti-intellectualism and sexual promiscuity she finds at a prestigious contemporary American university. The novel met with a mostly tepid response by critics but won praise from many social conservatives, who saw the book’s account of college sexuality as revealing of a disturbing moral decline. The novel won a Bad Sex in Fiction Award from the London-based Literary Review, a prize established “to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel”. Wolfe later explained that such sexual references were deliberately clinical.

Wolfe has written that his goal in writing fiction is to document contemporary society in the tradition of John Steinbeck, Charles Dickens, and Émile Zola.

In early 2008, it was announced that Wolfe was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Back to Blood, was published in October 2012 by Little, Brown. According to The New York Times, Wolfe was paid close to US$7 million for the book.[24] According to the publisher, Back to Blood is about “class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America’s future has arrived first.”[25]

Recurring themes

Several themes are present in much of Wolfe’s writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons as well as several of his journalistic pieces. Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters. Men’s fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in “Sorry, Your Soul Just Died,” one of the essays in Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters’ thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters’ anatomies.[26]

Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (Conrad Hensley and Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical Roman and Greek philosophy.

Law and banking firms in Wolfe’s writing often have satirical names formed by the surnames of the partners. “Dunning, Sponget and Leach” and “Curry, Goad and Pesterall” appear in The Bonfire of the Vanities, and “Wringer, Fleasom and Tick” in A Man in Full. Ambush at Fort Bragg contains a law firm called “Crotalus, Adder, Cobran and Krate” (all names or homophones of venomous snakes).

Some characters appear in multiple novels, creating a sense of a “universe” that is continuous throughout Wolfe’s fiction. The character of Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named Ronald Vine, an interior decorator who is mentioned in The Bonfire of the Vanities, reappears in A Man in Full as the designer of Charlie Croker’s home.

A fictional sexual practice called “that thing with the cup” appears in several of his writings, including The Bonfire of the Vanities, A Man in Full and a (non-fiction) essay in Hooking Up.

The surname “Bolka” appears in three Wolfe novels—as the name of a rendering plant in A Man in Full, as a partner in an accounting firm in Bonfire of the Vanities, and as a college lacrosse player from the Balkans in I Am Charlotte Simmons.

The white suit

Wolfe adopted the white suit as a trademark in 1962. He bought his first white suit planning to wear it in the summer in the style of Southern gentlemen. However, he found that the suit he purchased was too heavy for summer use, so he wore it in winter, which created a sensation.[27] Wolfe has maintained this uniform ever since, sometimes worn with a matching white tie, white homburg hat, and two-tone shoes. Wolfe has said that the outfit disarms the people he observes, making him, in their eyes, “a man from Mars, the man who didn’t know anything and was eager to know.”[28]

Views

In 1989, Wolfe wrote an essay for Harper’s Magazine titled “Stalking the Billion-Footed Beast“, which criticized modern American novelists for failing to engage fully with their subjects, and suggested that modern literature could be saved by a greater reliance on journalistic technique. This attack on the mainstream literary establishment was interpreted as a boast that Wolfe’s work was superior to more highly regarded authors.[29]

Wolfe was a supporter of George W. Bush and said he voted for him for president in 2004 because of what he called Bush’s “great decisiveness and willingness to fight.” (Bush apparently reciprocates the admiration, having read all of Wolfe’s books, according to friends in 2005.[30]) After this fact emerged in a New York Times interview, Wolfe said that the reaction in the literary world was as if he had said, “I forgot to tell you—I’m a child molester.” Because of this incident, he sometimes wears an American flag pin on his suit, which he compared to “holding up a cross to werewolves.”[31]

Wolfe’s views and choice of subject material, such as mocking left-wing intellectuals in Radical Chic and glorifying astronauts in The Right Stuff, have sometimes led to his being labeled conservative,[32] and his depiction of the Black Panther Party in Radical Chic led to a member of the party calling him a racist.[33] Wolfe rejects such labels; in a 2004 interview, he said that his “idol” in writing about society and culture is Émile Zola, who, in Wolfe’s words, was “a man of the left” but “went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not—and was not interested in—telling a lie.”[32]

Asked to comment by the Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that “the universe of blogs is a universe of rumors” and that “blogs are an advance guard to the rear.” He also took the opportunity to criticize Wikipedia, saying that “only a primitive would believe a word of” it. He noted a story about him in his Wikipedia entry at the time, which he said had never happened.[34]

Personal life

Wolfe lives in New York City with his wife Sheila, who designs covers for Harper’s magazine. They have two children, a daughter, Alexandra, and a son, Tommy.[35]

A writer for Examiner Magazine who interviewed Wolfe in 1998 said, “He has no computer and does not surf, or even know how to use, the Internet”, adding, however, that Wolfe’s novel A Man in Full does have a subplot involving “a muckraking cyber-gossip site, à la the Drudge Report or Salon.”[35]

Influence

Wolfe is credited with introducing the terms “statusphere,” “the right stuff,” “radical chic,” “the Me Decade,” “social x-ray,” and “pushing the envelope” into the English lexicon.[36][dubious ] He is sometimes credited with inventing the term “trophy wife” as well, but this is incorrect: he described emaciated wives as “X-rays” in his novel The Bonfire of the Vanities but did not use the term “trophy wife”.[37] According to journalism professor Ben Yagoda, Wolfe is also responsible for the use of the present tense in magazine profile pieces; before he began doing so in the early 1960s, profile articles had always been written in the past tense.[38]

Terms coined by Wolfe

List of awards and nominations

Television appearances

  • Wolfe was featured as an interview subject in the 1987 PBS documentary series Space Flight.
  • In July 1975 Wolfe was interviewed on Firing Line by William F. Buckley, Jr., discussing “The Painted Word”.[44]
  • Wolfe was featured on the February 2006 episode “The White Stuff” of Speed Channel‘s Unique Whips, where his Cadillac‘s interior was customized to match his trademark white suit.[45]
  • Wolfe guest-starred alongside Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode “Moe’N’a Lisa“, which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[46] Wolfe was also used as a sight gag on The Simpsons episode “Insane Clown Poppy“, which aired on November 12, 2000. Homer spills chocolate on Wolfe’s trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath.

Bibliograph

Non-fiction

Novels

Featured in

Notable articles

  • “The Last American Hero Is Junior Johnson. Yes!” Esquire, March 1965.
  • “Tiny Mummies! The True Story of the Ruler of 43rd Street’s Land of the Walking Dead!” New York Herald-Tribune supplement (April 11, 1965).
  • “Lost in the Whichy Thicket,” New York Herald-Tribune supplement (April 18, 1965).
  • “The Birth of the New Journalism: Eyewitness Report by Tom Wolfe.” New York, February 14, 1972.
  • “The New Journalism: A la Recherche des Whichy Thickets.” New York Magazine, February 21, 1972.
  • “Why They Aren’t Writing the Great American Novel Anymore.” Esquire, December 1972.
  • “The Me Decade and the Third Great Awakening” New York, August 23, 1976.
  • Stalking the Billion-Footed Beast“, Harper’s. November 1989.
  • “Sorry, but Your Soul Just Died.” Forbes 1996.
  • “Pell Mell.” The Atlantic Monthly (November 2007).
  • “The Rich Have Feelings, Too.” Vanity Fair (September 2009).

See also

Notes

  1. Jump up^ This was the award for hardcover “General Nonfiction”. From 1980 to 1983 in National Book Award history there were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

https://en.wikipedia.org/wiki/Tom_Wolfe

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Ken Kasey — One Flew Over the Cuckoo’s Nest — Individualism vs. Collectivism — Hillary Clinton is Nurse Ratched — The Big Nurse — Medication Time — Medication Time — I don’t trust you. –Videos

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 Hillary Clinton Is Nurse Ratched! — Videos

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A Look Inside: One Flew Over The Cuckoos Nest

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One Flew Over The Cuckoos Nest – Randle McMurphy’s Arrival – 1080p Full HD

One Flew Over the Cuckoo’s Nest – The First Confrontation

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One Flew Over The Cuckoo’s Nest 1975 Best scene

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Billy Bibbit Scene

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Ken Kesey interview (“One Flew Over the Cuckoo’s Nest”) on Charlie Rose (1992)

Jack Nicholson Wins Best Actor: 1976 Oscars

Jack Nicholson on ONE FLEW OVER THE CUCKOO’S NEST

SISKEL & EBERT MOVIE REVIEW — “ONE FLEW OVER THE CUCKOO’S NEST” (1975)

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Classical Liberalism: The Decline and Triumph of Classical Liberalism (Pt. 2) – Learn Liberty

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One Flew Over the Cuckoo’s Nest (film)

From Wikipedia, the free encyclopedia
One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo's Nest poster.jpg

Theatrical release poster
Directed by Miloš Forman
Produced by Saul Zaentz
Michael Douglas
Screenplay by Lawrence Hauben
Bo Goldman
Based on One Flew Over the Cuckoo’s Nest
by Ken Kesey
Starring Jack Nicholson
Louise Fletcher
William Redfield
Music by Jack Nitzsche
Cinematography Haskell Wexler
Bill Butler[1]
Edited by Richard Chew[2]
Sheldon Kahn
Lynzee Klingman
Production
company
Fantasy Films
Distributed by United Artists
Release dates
  • November 19, 1975
Running time
133 minutes
Country United States
Language English
Budget $3 million[3]
Box office $109 million[3]

One Flew Over the Cuckoo’s Nest is a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel One Flew Over the Cuckoo’s Nest by Ken Kesey. The film stars Jack Nicholson and features a supporting cast of Louise Fletcher, William Redfield, Will Sampson, and Brad Dourif.

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo’s Nest is No. 33 on the American Film Institute‘s 100 Years… 100 Movies list. The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Nightin 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards.

In 1993, the film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

Plot

In 1963, Oregon, recidivist criminal Randle McMurphy is moved to a mental institution after serving a short sentence on a prison farm after raping a teenager. Though not actually mentally ill, McMurphy hopes to avoid hard labour and serve the rest of his sentence in a relaxed environment. Upon arriving at the hospital, he finds the ward run by the steely, strict Nurse Ratched, who subtly suppresses the actions of her patients through a passive-aggressive routine, intimidating the patients.

The other patients include anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to childish tantrums; delusional Martini; the well-educated, paranoid Dale Harding; belligerent Max Taber; epileptic Jim Sefelt; and “Chief” Bromden, a tall Native American believed to be deaf and mute. Ratched soon sees McMurphy’s lively, rebellious presence to be a threat to her authority, confiscating the patients’ cigarettes and rationing them. During his time in the ward, McMurphy gets into a battle of wits with Ratched. He steals a hospital bus, escaping with several patients to go on a fishing trip, encouraging his friends to become more self-confident.

McMurphy learns his sentence may become indefinite, and he makes plans to escape, exhorting Chief to throw a hydrotherapy cart through a window. He, Chief, and Cheswick get into a fight with the orderlies after the latter becomes agitated over his stolen cigarettes. Ratched sends them to the “shock shop”, and McMurphy discovers Chief can actually speak, feigning illness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to have brain damage, but reveals the treatment has charged him up even more. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched leaves for the night.

McMurphy sneaks two women, Candy and Rose, into the ward and bribes the night guard. After a night of partying, McMurphy and Chief prepare to escape, inviting Billy to come with them. He refuses, not ready to leave the hospital. McMurphy instead convinces him to have sex with Candy. Ratched arrives in the morning to find the ward in disarray and most of the patients unconscious. She discovers Billy and Candy together, the former now free of his stutter, until Ratched threatens to inform his mother about his escapade. Billy is overwhelmed with fear and locks himself in the doctor’s office and commits suicide. The enraged McMurphy strangles Ratched, before being knocked out by an orderly.

Ratched comes back with a neck brace and a scratchy voice. Rumours spread that McMurphy escaped rather than be taken “upstairs”. Later that night, Chief sees McMurphy being returned to his bed. He discovers McMurphy has lobotomy scars on his forehead, and smothers his friend with a pillow. Chief finally throws the hydrotherapy cart through the window and escapes into the night, cheered on by the men.

Cast

Production

Filming began in January 1975 and concluded approximately three months later,[4] and was shot on location in Salem, Oregon and the surrounding area, as well as on the Oregon coast.[5][6] It was also shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.[7]

Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical terrorist group The Weather Underground were being interviewed while hiding from the law. However, Miloš Forman said he had terminated Wexler over mere artistic differences. Both Wexler and Butler received Academy Awardnominations for Best Cinematography for One Flew Over the Cuckoo’s Nest, though Wexler said there was “only about a minute or two minutes in that film I didn’t shoot.”[8]

According to Butler, Jack Nicholson refused to speak to Forman: “…[Jack] never talked to Milos at all, he only talked to me.”[1]

Reception

The film was met with overwhelming critical acclaim; Roger Ebert said “Miloš Forman’s One Flew Over the Cuckoo’s Nest is a film so good in so many of its parts that there’s a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance.”[9] Ebert would later put the film on his “Great Movies” list.[10] A.D. Murphy of Variety wrote a mixed review as well,[11] as did Vincent Canby: writing in The New York Times, Canby called the film “a comedy that can’t quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.”[12]

The film opens with original music by composer Jack Nitzsche, featuring an eerie bowed saw (performed by Robert Armstrong) and wine glasses. Commenting on the score, reviewer Steven McDonald has said, “The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times — even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time it tilts completely over into a strange little world of its own …”[13]

The film went on to win the “Big Five” Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, andBest Adapted Screenplay for Laurence Hauben and Bo Goldman. The film currently has a 95% “Certified Fresh” rating at Rotten Tomatoes with an average rating of 8.9/10.[14] Its consensus states “The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s — and testament to the director’s vision that the film retains its power more than three decades later.”

One Flew Over the Cuckoo’s Nest is considered to be one of the greatest American films. Ken Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.[15] Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it,[16] a fact confirmed by Chuck Palahniuk who wrote, “The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked.”[17]

In 1993, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.[18]

Awards and honors

Award Category Nominee Result
Academy Award Academy Award for Best Picture Michael Douglas and Saul Zaentz Won
Academy Award for Best Director Miloš Forman Won
Academy Award for Best Actor Jack Nicholson Won
Academy Award for Best Actress Louise Fletcher Won
Academy Award for Writing Adapted Screenplay Laurence Hauben and Bo Goldman Won
Academy Award for Best Supporting Actor Brad Dourif Nominated
Academy Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
Academy Award for Film Editing Richard Chew, Lyzee Klingman and Sheldon Kahn Nominated
Academy Award for Original Music Score Jack Nitzsche Nominated
Golden Globe Award Golden Globe Award for Best Motion Picture – Drama Michael Douglas and Saul Zaentz Won
Golden Globe Award for Best Director – Motion Picture Miloš Forman Won
Golden Globe Award for Best Actor – Motion Picture Drama Jack Nicholson Won
Golden Globe Award for Best Actress – Motion Picture Drama Louise Fletcher Won
Golden Globe Award for Best Screenplay Laurence Hauben and Bo Goldman Won
Golden Globe Award for New Star of the Year – Actor Brad Dourif Won
BAFTA Award BAFTA Award for Best Film Michael Douglas and Saul Zaentz Won
BAFTA Award for Best Direction Miloš Forman Won
BAFTA Award for Best Actor in a Leading Role Jack Nicholson Won
BAFTA Award for Best Actress in a Leading Role Louise Fletcher Won
BAFTA Award for Best Actor in a Supporting Role Brad Dourif Won
BAFTA Award for Best Editing Richard Chew, Lynzee Klingman and Sheldon Kahn Won
BAFTA Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
BAFTA Award for Best Adapted Screenplay Laurence Hauben and Bo Goldman Nominated

Others

American Film Institute

See also

References

  1. ^ Jump up to:a b Townsend, Sylvia (19 December 2014). “Haskell Wexler and the Making of ‘One Flew Over the Cuckoo’s Nest'”. Retrieved 13 April2015.
  2. Jump up^ Chew was listed as “supervising editor” in the film’s credits, but was included in the nomination for an editing Academy Award.
  3. ^ Jump up to:a b “One Flew Over the Cuckoo’s Nest, Box Office Information”.Box Office Mojo. Retrieved January 22, 2012.
  4. Jump up^ One Flew Over the Cuckoo’s Nest at the American Film Institute
  5. Jump up^ Story Notes for One Flew Over the Cuckoo’s Nest
  6. Jump up^ “Hollywood’s Love Affair with Oregon Coast Continues”. Retrieved15 June 2015.
  7. Jump up^ Oregon State Hospital – A documentary film (Mental Health Association of Portland)
  8. Jump up^ Anderson, John. “Haskell Wexler, Oscar-Winning Cinematographer, Dies at 93.” The New York Times, December 27, 2015.
  9. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, January 1, 1975
  10. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, February 2, 2003.
  11. Jump up^ Variety.com – A.D. Murphy, Variety, November 7, 1975
  12. Jump up^ Canby, Vincent (November 28, 1975). “Critic’s Pick: One Flew Over the Cuckoo’s Nest”. The New York Times.
  13. Jump up^ AllMusic: Review by Steven McDonald
  14. Jump up^ “One Flew over the Cuckoo’s Nest Movie Reviews, Pictures – Rotten Tomatoes”. Retrieved 2010-08-19.
  15. Jump up^ Carnes, Mark Christopher, Paul R. Betz, et al. (1999). American National Biography, Volume 26. New York: Oxford University Press USA. ISBN 0-19-522202-4. p. 312,
  16. Jump up^ Carnes, p. 312
  17. Jump up^ Foreword of One Flew Over the Cuckoo’s Nest, Copyright 2007 by Chuck Palahniuk. Available in the 2007 Edition published by Penguin Books
  18. Jump up^ “U.S. National Film Registry — Titles”. Retrieved September 2,2016.
  19. Jump up^ AFI’s 100 Years…100 Heroes and Villains Nominees

External links

https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)

Could Hillary’s smile cost her the election? Twitter mocks Clinton’s ‘creepy grandma’ grin as she smirks her way through presidential debate

With her opponent dogged by accusations of sexual assault, Hillary Clinton had strong odds as she entered the third presidential debate on Wednesday.

Only one thing seemed to threaten her chances of victory: her smile.

The Democratic candidate faced a flood of insults as she took to the stage at the University of Las Vegas, with many viewers confessing they were ‘creeped out’ by her stubborn grin.

Hundreds took to Twitter to describe her smile as ‘scary’ and ‘creepy’.

Hillary Clinton's unrelenting smile at Wednesday's presidential debate made for uncomfortable viewing for some voters 

Hillary Clinton’s unrelenting smile at Wednesday’s presidential debate made for uncomfortable viewing for some voters

Social media mocks Hillary Clinton’s ‘creepy grandma’ grin

Others questioned why, when being slammed with insults from her opponent, her expression did not drop.

‘Hillary Clinton’s smile is the scariest thing I’ve ever seen in my life,’ said one observer.

‘When Hillary smiles she looks like an evil snake,’ another commented.

‘What to do when you don’t have a response? Smile like a chipmunk,’ remarked another.

‘Whoever told Hillary Clinton to smile less since the first debate gave great advice,’ mused a different viewer.

Others, ever-so-slightly more charmed by her cheerful demeanor, likened her to a happy grandmother.

The Democratic candidate beamed as she listened to Donald Trump slam her political record and campaign policies 

Her glee remained written all over her face as Trump continued to slate her, much to viewers' confusion 

Her glee remained written all over her face as Trump continued to slate her, much to viewers’ confusion

Twitter users were quick to mock her expression as they watched the debate on Wednesday 

Twitter users were quick to mock her expression as they watched the debate on Wednesday

Clinton's happy expression became a talking point at earlier debates. It continued to peak viewers' interests at her final showdown with Trump on Wednesday (above) e

Clinton’s happy expression became a talking point at earlier debates. It continued to peak viewers’ interests at her final showdown with Trump on Wednesday (above)

‘Hillary Clinton is so cute it’s something about her I just want her to tuck me in and give me a kiss with her coffee breath,’ one commented.

It was not the first time her facial expression sparked interest among voters.

After the first presidential debate on September 26, political commentators shared some free advice with the candidate online.

‘Who told Hillary Clinton to keep smiling like she’s at her granddaughter’s birthday party?’ said David Frum, senior editor of The Atlantic, at the time.

The discussion had the same hallmarks of bizarre criticisms made earlier this month about Donald Trump’s incessant sniffing.

Viewers were distracted throughout the second presidential debate by the Republican candidate’s runny nose, complaining in their droves about it online. 
http://www.dailymail.co.uk/news/article-3854016/Could-Hillary-s-smile-cost-election-Twitter-mocks-Clinton-s-creepy-grandma-grin-smirks-way-presidential-debate.html#ixzz4Nf3WfCyu

Ken Kesey

From Wikipedia, the free encyclopedia
Not to be confused with Kenny Casey (disambiguation).
Ken Kesey
Born Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
Died November 10, 2001 (aged 66)
Eugene, Oregon, U.S.[1][2]
Occupation Novelist, short story writer, essayist, poet
Nationality American
Genre Beat, postmodernism
Literary movement Merry Pranksters
Notable works One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)

Kenneth Elton “Ken” Kesey (/ˈkz/; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.

Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.[3]

In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).

Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs.[4][5] After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.

Biography

Early life

Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey.[1] In 1946, the family moved to Springfield, Oregon.[2] Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953.[2] An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.[6]

In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade.[2] According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.”[7] Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon.[8] Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.[9]

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition.[1][10][11] He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”[12][13]

A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz.[14] Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction.[15] After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.

Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions.[16] Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.[2]

During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.”[17] Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.[18]

Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.[17]The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class.[19] While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.

Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”[20]

Experimentation with psychoactive drugs

At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital[21] where he worked as a night aide.[22] The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people.[2] Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus.[23] He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).

One Flew Over the Cuckoo’s Nest

While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.”[24] Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.[24]

During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.

The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.[25]

Merry Pranksters

When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.[26] This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.

After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life.[27] He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Death of son

In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament;[11] after he was declared brain-dead two days later his parents gave permission for his organs to be donated.[28]

Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” [29]

At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill.[30] Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.[31]

Final years

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.[citation needed]

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.[citation needed]

On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.[citation needed]

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College.[citation needed] His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.[citation needed]

Death

In 1998, health problems began to weaken him, starting with a stroke that year.[2] On October 25, 2001 Kesey had surgery on his liver to remove a tumor.[2] He did not recover from that operation and died of complications on November 10, 2001, age 66.[2]

Legacy

The film Gerry (2002) is dedicated to the memory of Ken Kesey.[32]

Works

Some of Kesey’s better-known works include:[33]

Footnotes

  1. ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
  2. ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
  3. Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
  4. Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
  5. Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
  6. Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
  7. Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
  8. Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
  9. Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
  10. Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
  11. ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14. Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
  12. Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
  13. Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
  14. Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
  15. Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
  16. Jump up^ Too Good to Be True. Retrieved 2014-12-14.
  17. ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
  18. Jump up^ Wallace Stegner. Retrieved 2014-12-14.
  19. Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
  20. Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
  21. Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
  22. Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
  23. Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
  24. ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
  25. Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
  26. Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
  27. Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
  28. Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
  29. Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
  30. Jump up^ https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
  31. Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en. Missing or empty |title= (help)
  32. Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
  33. Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.

Further reading

  • Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
  • Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
  • Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
  • Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
  • Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
  • Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
  • Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
  • M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
  • Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
  • Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
  • Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.

External links

https://en.wikipedia.org/wiki/Ken_Kesey

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Robert Ludlum — The Bourne Identity — Videos

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Posted on July 28, 2016. Filed under: American History, Articles, Blogroll, Book, Books, Culture, Entertainment, Fiction, Heroes, history, Law, liberty, Life, Links, Literacy, Literature, media, Money, Movies, Music, People, Philosophy, Photos, Police, Politics, Press, Psychology, Rants, Raves, Raymond Thomas Pronk, Religion, Reviews, Spying, Strategy, Technology, Terrorism, Video, Water, Wealth | Tags: , , , , , , , |

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This is a photo of Mark Helprin, a novelist, children's book author and editorial writer for the Wall Street Journal. Handout photo. ..OUTSIDE TRIBUNE CO.- NO MAGS, NO SALES, NO INTERNET, NO TV, CHICAGO OUT, NO DIGITAL MANIPULATION...

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Quentin Skinner

From Wikipedia, the free encyclopedia

Quentin Robert Duthie Skinner (born 26 November 1940, Oldham, Lancashire)[1] is the Barber Beaumont Professor of the Humanities at Queen Mary University of London and an intellectual historian.

Biography

Quentin Skinner was born the second son of Alexander Skinner, CBE (died 1979), and Winifred Rose Margaret, née Duthie (died 1982). Educated at Bedford School andGonville and Caius College, Cambridge, he was elected into a Fellowship there in 1962 upon obtaining a double-starred First in History, but immediately gained a teaching Fellowship at Christ’s College, Cambridge, where he remained until moving to the University of London in 2008. He is now an Honorary Fellow of both Christ’s College and Gonville and Caius College.

In the middle 1970s he spent four formative years at the Institute for Advanced Study in Princeton. It was there that he met Raymond Geuss, later a colleague at Cambridge. Together with John Dunn and J. G. A. Pocock, Skinner has been said to have founded the “Cambridge School” of the history of political thought. In 1978 he was appointed to the chair of Political Science at the University of Cambridge, and in 1996 he was appointed Regius Professor of History. He was pro-vice-chancellor of Cambridge in 1999. In 1979 he married Susan James, Professor of Philosophy at Birkbeck College London; they have a daughter and a son. He was previously married to Patricia Law Skinner, who was later married to Bernard Williams.

Skinner has delivered lectures at the Christian Gauss Seminars in Criticism at Princeton (1980), the Carlyle Lectures at Oxford (1980), the Messenger Lectures at Cornell (1983), the Tanner Lectures on Human Values at Harvard (1984), the T. S. Eliot Memorial Lectures at Kent (1995), the Ford Lectures at Oxford (2003), the Clarendon Lectures at Oxford (2011), the Clark Lectures at Cambridge (2012), the Academia Sinica Lectures in Taiwan (2013) and the Spinoza Lectures at University of Amsterdam (2014).

Skinner was Distinguished Visiting Professor at Queen Mary, University of London for the 2007–2008 academic year, and has been Barber Beaumont Professor of the Humanities at Queen Mary since October 2008.[2] In 2014 he held the Spinoza Chair of Philosophy at the University of Amsterdam[3]

Skinner is a fellow at the British Academy, the American Academy of Arts and Sciences, the Academia Europaea, the American Philosophical Society and the Accademia Nazionale dei Lincei. He has won the Wolfson History Prize (1979); the Sir Isaiah Berlin Prize of the British Political Studies Association (2006); the Benjamin Lippincott Award (2001) and the David Easton Award (2007) of the American Political Science Association; the Bielefelder Wissenschaftspreis (2008); and a Balzan Prize (2006). He holds honorary degrees from Aberdeen, Athens, Copenhagen, East Anglia, Chicago, Harvard, Helsinki, Leuven, Oslo, Oxford, Santiago and St Andrews. Since 2009 he has been a member of the Balzan Prize Committee.

Academia

Skinner’s historical writings have been characterised by an interest in recovering the ideas of Early Modern and previous political writers. This has been spread over Renaissance republican authors (see in Principal publications below, The Foundations of Modern Political Thought [1978]), the ‘pre-Humanist’ dictatores of later medieval Italy, Niccolò Machiavelli, and more recently (in Liberty before Liberalism [1998]) the English republicans of the mid-seventeenth century (including John Milton, James Harrington, and Algernon Sidney). The work of the 1970s and 1980s was in good part directed towards writing an account of the history of the modern idea of the state. In more recent publications he has preferred the more capacious term ‘neo-Roman’ to ‘republican’.

Skinner is influenced by historian J.G.A. Pocock’s The Ancient Constitution and the Feudal Law (1957), the work of Peter Laslett, and by Laslett’s edition of John Locke‘s Two Treatises of Government (1960) which Skinner read as an undergraduate in his second year at Cambridge.

Skinner and J.G.A. Pocock are principal members of the ‘Cambridge School‘ of the study of the history of political thought, best known for its attention to the ‘languages’ of political thought and the contextual focus.[4]Skinner’s contribution was to articulate a theory of interpretation which concentrated on recovering the ‘speech acts’ embedded in the ‘illocutionary’ statements of specific individuals in writing works of political theory, particularly in Machiavelli, Thomas More, and Thomas Hobbes. This work was based on Skinner’s study of the philosophical preoccupations of J. L. Austin and the later Wittgenstein. One of the consequences of this account of interpretation is an emphasis on the necessity of studying less well-known political writers as a means of shedding light on the classic authors—although it also consciously questions the extent to which it is possible to distinguish ‘classic’ texts from the contexts, and particularly the arguments, in which they originally occurred and as such it is an attack on the uncritical assumption that political classics are monolithic and free-standing. In its earlier versions this added up to what many have seen as a persuasive critique on the approach of an older generation, particularly on that of Leo Strauss. The methodology of Skinner is also applicable to various textual studies domains that are informed by the procedures of historiography and philology, including an approach to classical and medieval texts.

Skinner’s longstanding concern with the speech acts of political writing helps explain his turn at the beginning of the 1990s towards the role of neo-classical rhetoric in early modern political theory, which resulted in his study of Reason and Rhetoric in the Philosophy of Hobbes (1996). Skinner has since returned to what has often been seen as an enduring interest to the Regius Professors of History at the University of Cambridge (not least Lord Acton), the history of liberty and particular developing what he has articulated as a ‘third form of liberty’. This can most effectively be described as a form of ‘negative’ liberty (or neo-Roman) which is characterised however by the active participation in government to remain free from interference and the slavery caused by succumbing to an arbitrary power.[5] Recently (2008) he published an analysis of the philosophy of Thomas Hobbes as a polemical retort to those who, in the English civil war, espoused precisely such a ‘neo-Roman’ concept of human freedom.[6] Currently he is working on a monograph on Shakespeare and Rhetorical Invention for Oxford University Press to be published in 2014 which develops his lectures of the same name presented at Oxford and Cambridge in 2011 and 2012.[7]

Miscellany

In an interview with Professor Alan Macfarlane of King’s College, Skinner revealed that he was a member of the Cambridge Apostles, a secret society of Cambridge University. He also revealed that Amartya Sen was a fellow member at this time. He commented they were both ‘outed’ some time ago.[citation needed]

On 6 October 1995, Skinner’s two-volume The Foundations of Modern Political Thought (1978) appeared on The Times Literary Supplement “100 Most Influential Books Since World War II”.[8]

Principal publications

Books

Books edited

  • (Co-editor and contributor), Philosophy, Politics and Society: Fourth Series (Basil Blackwell, Oxford, 1972) ISBN 978-0-631-14410-6
  • (Co-editor and contributor), Philosophy in History (Cambridge University Press, 1984) ISBN 978-0-521-27330-5
  • (Editor and contributor), The Return of Grand Theory in the Human Sciences (Cambridge University Press, 1985) ISBN 978-0-521-39833-6
  • (Co-editor and contributor), The Cambridge History of Renaissance Philosophy (Cambridge University Press, 1988) ISBN 978-0-521-25104-4
  • (Co-editor), Machiavelli, The Prince (trans. Russell Price) (Cambridge University Press, 1988) ISBN 978-0-521-34993-2
  • (Co-editor and contributor), Machiavelli and Republicanism (Cambridge University Press, 1990) ISBN 978-0-521-43589-5
  • (Co-editor and contributor), Political Discourse in Early-modern Britain (Cambridge University Press, 1993) ISBN 978-0-521-39242-6
  • (Co-editor) Milton and Republicanism (Cambridge University Press, 1995) ISBN 978-0-521-64648-2
  • (Co-editor and contributor), Republicanism: A Shared European Heritage, Volume I: Republicanism and Constitutionalism in Early Modern Europe (Cambridge University Press, 2002) ISBN 978-0-521-67235-1
  • (Co-editor and contributor), Republicanism: A Shared European Heritage, Volume II: The Values of Republicanism in Early Modern Europe (Cambridge University Press, 2002) ISBN 978-0-521-67234-4
  • (Co-editor and contributor), States and Citizens: History, Theory, Prospects (Cambridge University Press, 2003) ISBN 978-0-521-53926-5
  • (Co-editor), Thomas Hobbes: Writings on Common Law and Hereditary Right (The Clarendon Edition of the Works of Thomas Hobbes, Volume XI) (The Clarendon Press, Oxford, 2005) ISBN 978-0-19-923623-7
  • (Co-editor and contributor), Sovereignty in Fragments: The Past, Present and Future of a Contested Concept (Cambridge University Press, 2010) ISBN 978-1-107-00004-9
  • (Editor) Families and States in Western Europe (Cambridge University Press, 2011) ISBN 978-0-521-12801-8
  • (Co-editor and contributor), Freedom and the Construction of Europe, Volume I: Religious Freedom and Civil Liberty (Cambridge University Press, 2013) ISBN 978-1-107-03306-1
  • (Co-editor and contributor), Freedom and the Construction of Europe, Volume II: Free Persons and Free States (Cambridge University Press, 2013) ISBN 978-1-107-03307-8

Interviews

  • 1997: Staff writer. “An interview with Quentin Skinner”. Cogito (Nefeli Publications) 11: 69–78. doi:10.5840/cogito19971122.
  • 2000a: ‘Intervista a Quentin Skinner: Conseguire la libertà promuovere l’uguaglianza’, Il pensiero mazziniano 3, pp. 118–22
  • 2000b: ‘Entrevista: Quentin Skinner’ in As muitas faces da história, ed. Maria Lúcia Pallares-Burke, Brazilia, pp. 307–39 ISBN 978-85-7139-307-3 [Trans. in The New History: Confessions and Conversations, ed. Maria Lúcia Pallares-Burke, Cambridge, 2003 ISBN 978-0-7456-3021-2]
  • 2001: ‘Quentin Skinnerin haastattelu’, Niin & Näin 31, pp. 8–23
  • 2002: ‘Encountering the Past: An Interview with Quentin Skinner’ Finnish Yearbook of Political Thought [Redesciptions Yearbook of Political Thought, Conceptual History and Feminist Theory] 6, pp. 32–63
  • 2003: ‘La Libertà Politica ed il Mestiere dello Storico: Intervista a Quentin Skinner’, Teoria Politica 19, pp. 177–85
  • 2006: ‘Historia intellectual y acción política: Una entrevista con Quentin Skinner’, Historia y Política 16, pp. 237–58
  • 2007a: ‘Neither text, nor context: An interview with Quentin Skinner’, Groniek: Historisch Tijdschrift 174, pp. 117–33 ISBN 978-90-72918-66-6
  • 2007b: ‘La Historia de mi Historia: Una Entrevista con Quentin Skinner’, El giro contextual: Cinco ensayos de Quentin Skinner y seis comentarios, ed. Enrique Bocardo Crespo, Madrid, pp. 45–60.
  • 2007c: Sebastián, Javier Fernández. “Intellectual history, liberty and Republicanism: an interview with Quentin Skinner”. Contributions to the History of Concepts (Springer) 3 (1): 102–123.
  • 2008: ‘Concepts only have histories’, interview with Quentin Skinner by Emmanuelle Tricoire and Jacques Levy, EspacesTemps, document 3692
  • 2009a: ‘Making History; The Discipline in Perspective: Interview with Professor Quentin Skinner’, Storia e Politica, 1, pp. 113–34.
  • 2009b: ‘Wie frei sind wir wirklich?’ Fragen an Quentin Skinner’, Zeitschrift fűr Ideengeschichte 3, pp. 5–21.
  • 2011 Prokhovnik, Raia. “An interview with Quentin Skinner”. Contemporary Political Theory (Palgrave Macmillan) 10 (2): 273–285. doi:10.1057/cpt.2010.26.
  • 2012a: Prokhovnik, Raia, “Approaching political theory historically: an interview with Quentin Skinner”, in Browning, Gary; Dimova-Cookson, Maria; Prokhovnik, Raia, Dialogues with contemporary political theorists, Houndsmill, Basingstoke, Hampshire New York: Palgrave Macmillan, pp. 181–196, ISBN 9780230303058.
  • 2012b: Giannakopoulos, Georgios; Quijano, Francisco. “On politics and history: a discussion with Quentin Skinner” (PDF). Journal of Intellectual History and Political Thought (SAXO Institute) 1 (1): 7–31. Archived from the original (PDF) on 2 September 2014.
Giannakopoulos, Georgios; Quijano, Francisco (June 2013). “Historia y política en perspectiva: entrevista a Quentin Skinner”. Signos Filosóficos (in Spanish) 15 (29): 167–191. ISSN 1665-1324
  • 2013: ‘An Interview with Professor Quentin Skinner’ conducted by Jeng-Guo Chen and Carl Shaw, Intellectual History 2, pp. 239–62

Bibliography

References

External links

https://en.wikipedia.org/wiki/Quentin_Skinner

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Alan Bennet — The History Boys — Videos

Posted on April 20, 2016. Filed under: Art, Art, Blogroll, Books, College, Comedy, Communications, Education, Entertainment, Faith, Family, Fiction, Films, High School, history, Language, liberty, Life, Links, Literature, media, Movies, Music, Music, People, Photos, Plays, Poetry, Raves, Video, Wisdom, Writing | Tags: , , , , , , , , |

alan bennet reading momentsthe history Boysfilm the history boys

THE HISTORY BOYS FROM STAGE TO SCREEN

The History Boys – Trailer

2006 The History Boys

Theater Talk: Alan Bennett on “The History Boys”

Theater Talk: Actor Richard Griffiths of “The History Boys”; Bob Martin of “The Drowsy Chaperone”

Alan Bennett in conversation: part one

Alan Bennett in conversation: part two

Alan Bennett The Lady in The Van Interview

A Chip in the Sugar – Alan Bennett – Talking Heads

Alan Bennett – Sunset Across the Bay (TV Play 1975)

Alan Bennett – Telegram

Alan Bennett & John Fortune: “Men’s Talk”

Peter Cook, Dudley Moore, Alan Bennett and Jonathan Miller

Oxbridge Philosophy – Alan Bennett & Jonathan Miller

The Lady In The Van – Alan Bennett Featurette – Starring Maggie Smith – At Cinemas Now

The Lady In The Van Trailer #2 – Starring Maggie Smith – At Cinemas November 13

Maggie Smith

Dame Margaret Natalie Smith, CH DBE (born 28th December 1934) is an English actress. She made her stage debut in 1952 and has had an extensive, varied career in stage, film and television spanning over sixty years. Smith has appeared in over 50 films and is one of Britain’s most recognisable actresses. She was appointed Dame Commander of the Order of the British Empire (DBE) in the 1990 New Year Honours for services to the performing arts, and Member of the Order of the Companions of Honour (CH) in the 2014 Birthday Honours for services to drama.

Dame Maggie Smith’s brilliant career

Beyond the Fringe (Complete)

Beyond the Fringe was a British comedy stage revue written and performed by Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller. It played in London’s West End and then on New York’s Broadway in the early 1960s, and is widely regarded as seminal to the rise of satire in 1960s Britain.

Take A Pew – Alan Bennett

Richard Griffiths (1947-2013)

The History Boys – Broadway

Almost complete recording of the original production during its run on Broadway. Not mine but thanks for sharing whoever it was 🙂

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Neal Stephenson — Cryptonomicon — Videos

Posted on March 17, 2016. Filed under: American History, Banking, Blogroll, Books, Business, Corruption, Documentary, Economics, Education, Environment, Faith, Family, Federal Government, Fiction, Foreign Policy, Freedom, government, government spending, history, History of Economic Thought, Investments, Law, liberty, Life, Links, Macroeconomics, media, Monetary Policy, Money, National Security Agency (NSA), People, Philosophy, Photos, Rants, Raves, Talk Radio, Taxation, Torture, Video, Wealth, Welfare, Writing | Tags: , , , , , |

Neal Stephenson, Author – Turing Festival 2013 Keynote

We Solve for X: Neal Stephenson on getting big stuff done

Neal Stephenson: “Anathem” | Talks at Google

Neal Stephenson, “Seveneves”

Book Review: Cryptonomicon

Cryptonomicon by Neal Stephenson | Review

Neal Stephenson – Cryptonomicon 1

Neal Stephenson – Cryptonomicon 2

Neal Stephenson – Cryptonomicon 3

Neal Stephenson – Cryptonomicon 4

Neal Stephenson: 2011 National Book Festival

ChefSteps • And Then There Were Swords…

Neal Stephenson

From Wikipedia, the free encyclopedia
Neal Stephenson
Neal Stephenson 2008 crop.jpg

Stephenson at Science Foo Camp 2008
Born Neal Town Stephenson
October 31, 1959 (age 56)
Fort Meade, Maryland, United States
Pen name Stephen Bury
(with J. Frederick George)
Occupation Novelist, short story writer, essayist
Nationality American
Period 1984–present
Genre Speculative fiction, historical fiction, essays
Literary movement Cyberpunk, postcyberpunk,maximalism
Website
nealstephenson.com

Neal Town Stephenson (born October 31, 1959) is an American writer and game designer known for his works of speculative fiction.

His novels have been variously categorized as science fiction, historical fiction, cyberpunk, and “postcyberpunk“. Other labels, such as “baroque“, have been used.

Stephenson’s work explores subjects such as mathematics, cryptography, linguistics, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired. He has also written novels with his uncle, George Jewsbury (“J. Frederick George”), under the collective pseudonym Stephen Bury.

He has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system, and is also a cofounder of Subutai Corporation, whose first offering is the interactive fiction project The Mongoliad. He is currently Magic Leap‘s Chief Futurist.

Life

Born on October 31, 1959 in Fort Meade, Maryland,[1] Stephenson came from a family of engineers and scientists; his father is a professor ofelectrical engineering while his paternal grandfather was a physics professor. His mother worked in a biochemistry laboratory, and her father was a biochemistry professor. Stephenson’s family moved to Champaign-Urbana, Illinois, in 1960 and then in 1966 to Ames, Iowa. He graduated from Ames High School in 1977.[2]

Stephenson studied at Boston University,[2] first specializing in physics, then switching to geography after he found that it would allow him to spend more time on the university mainframe.[3]He graduated in 1981 with a B.A. in geography and a minor in physics.[2] Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.[2]

Career

Discussing Anathem at MIT in 2008

Stephenson’s first novel, The Big U, published in 1984, was a satirical take on life at American Megaversity, a vast, bland and alienating research university beset by chaotic riots.[4][5] His next novel, Zodiac (1988), was a thriller following the exploits of a radical environmentalist protagonist in his struggle against corporate polluters.[4] Neither novel attracted much critical attention on first publication, but showcased concerns that Stephenson would further develop in his later work.[4]

Stephenson’s breakthrough came in 1992 with Snow Crash, a comic novel in the late cyberpunk or post-cyberpunk tradition fusing memetics,computer viruses, and other high-tech themes with Sumerian mythology, along with a sociological extrapolation of extreme laissez-faire capitalismand collectivism.[5][6] Snow Crash was the first of Stephenson’s epic science fiction novels. Stephenson at this time would later be described by Mike Godwin as “a slight, unassuming grad-student type whose soft-spoken demeanor gave no obvious indication that he had written the manic apotheosis of cyberpunk science fiction.”[7] In 1994, Stephenson joined with his uncle, J. Frederick George, to publish a political thriller, Interface, under the pen name “Stephen Bury”;[8] they followed this in 1996 with The Cobweb.

Stephenson’s next solo novel, published in 1995, was The Diamond Age: or A Young Lady’s Illustrated Primer, which introduced many of today’s real world technological discoveries. Seen back then as futuristic, Stephenson’s novel has broad range universal self-learning nanotechnology, dynabooks, extensive modern technologies, robotics, cybernetics and cyber cities. Weapons implanted in characters’ skulls, near limitless replicators for everything from mattresses to foods, smartpaper, air and blood-sanitizing nanobots, set in a grim future world of limited resources populated by hard edged survivalists, an amalgamation hero is accidentally conceptualized by a few powerful and wealthy creatives, programmers and hackers.

This was followed by Cryptonomicon in 1999, a novel concerned with concepts ranging from computing and Alan Turing‘s research into codebreaking and cryptography during the Second World War at Bletchley Park, to a modern attempt to set up a data haven. It has subsequently been reissued in three separate volumes in some countries, including in French and Spanish translations. In 2013, Cryptonomicon won the Prometheus Hall of Fame Award.

The Baroque Cycle is a series of historical novels set in the 17th and 18th centuries, and is in some respects a prequel to Cryptonomicon. It was originally published in three volumes of two or three books each – Quicksilver (2003), The Confusion (2004) and The System of the World (2004) – but was subsequently republished as eight separate books: Quicksilver, King of the Vagabonds, Odalisque, Bonanza, Juncto, Solomon’s Gold, Currency, and System of the World. (The titles and exact breakdown vary in different markets.) The System of the World won thePrometheus Award in 2005.

Following this, Stephenson published a novel titled Anathem (2008), a very long and detailed work, perhaps best described as speculative fiction. It is set in an Earthlike world (perhaps in an alternative reality), deals with metaphysics, and refers heavily to Ancient Greek philosophy, while at the same time being a complex commentary on the insubstantiality of today’s society.

In May 2010, the Subutai Corporation, of which Stephenson was named chairman, announced the production of an experimental multimedia fiction project called The Mongoliad, which centered around a narrative written by Stephenson and other speculative fiction authors.[9][10]

REAMDE, a novel, was released on September 20, 2011.[11] The title is a play on the common filename README. This thriller, set in the present, centers around a group of MMORPGdevelopers caught in the middle of Chinese cyber-criminals, Islamic terrorists, and Russian mafia.[12]

On August 7, 2012, Stephenson released a collection of essays and other previously published fiction entitled Some Remarks : Essays and Other Writing.[13] This collection also includes a new essay and a short story created specifically for this volume.

In 2012 Stephenson launched a Kickstarter campaign for CLANG, a realistic sword fighting fantasy game. The concept of the game was to use motion control to provide an immersive experience. The campaign’s funding goal of $500,000 was reached by the target date of July 9, 2012 on Kickstarter, but funding options remained open and were still taking contributions to the project on their official site.[14] The project ran out of money in September 2013.[15] This, and the circumstances around it, has angered some backers.[16] There has even been talk, among the backers, of a potential class action lawsuit.[17] The project to develop the game ended in September 2014 without the game being completed. Stephenson took part of the responsibility for the project’s failure, stating, “I probably focused too much on historical accuracy and not enough on making it sufficiently fun to attract additional investment”.[18]

In late 2013, Stephenson stated that he was working on a multi-volume work – historical novels that would “have a lot to do with scientific and technological themes and how those interact with the characters and civilisation during a particular span of history”. He expected the first two volumes to be released in mid-to-late 2014.[19] However, at about the same time, he shifted his attention to a science fiction novel, Seveneves, which was completed about a year later and was published in May 2015.[20]

In 2014, Stephenson was hired as Chief Futurist by the Florida-based company Magic Leap.[21] Magic Leap claims to be developing a revolutionary form of augmented reality, not too different from technologies Stephenson previously has described in his science fiction books.

Non-fiction

The science fiction approach doesn’t mean it’s always about the future;
it’s an awareness that this is different.

– Neal Stephenson, September 1999[22]

In The Beginning Was The Command Line (2000), an essay on operating systems including the histories of and relationships between DOS, Windows, Linux, and BeOS from both cultural and technical viewpoints and focusing especially on the development of the Graphical User Interface.[5] Various other essays have been published in magazines such asWired.

Quicksilver, Applied Minds (2003) debuted The Metaweb, an online wiki annotating the ideas and historical period explored in the novel. The project was influenced by the online encyclopaedia Wikipedia, and its content included annotations from Stephenson himself.[23]

“Innovation Starvation”[24] (2011) lamented the lack of visionary large-scale projects in the world. One concept he cited as an example of such visionary concepts is the idea of a 20-kilometer “tall tower” extending to the edges of the atmosphere;[25] Stephenson then followed this up with work in collaboration with Arizona State University on the engineering of such tall towers.[26]

Style

In his earlier novels Stephenson deals heavily in pop culture-laden metaphors and imagery and in quick, hip dialogue, as well as in extended narrative monologues. The tone of his books is generally more irreverent and less serious than that of previous cyberpunk novels, notably those of William Gibson.

Stephenson at the Starship Century Symposium at UCSD in 2013

Stephenson’s books tend to have elaborate, inventive plots drawing on numerous technological and sociological ideas at the same time. This distinguishes him from other mainstream science fiction authors who tend to focus on a few technological or social changes in isolation from others. The discursive nature of his writing, together with significant plot and character complexity and an abundance of detail suggests a baroque writing style, which Stephenson brought fully to bear in the three-volume Baroque Cycle.[27] His book The Diamond Age follows a simpler plot but features “neo-Victorian” characters and employs Victorian-era literary conceits. In keeping with the baroque style, Stephenson’s books have become longer as he has gained recognition. For example, the paperback editions of Cryptonomicon are over eleven hundred pages long[28] with the novel containing various digressions, including a lengthy erotic story about antique furniture and stockings.

Bibliography

Stephenson at the National Book Festival in 2004

Novels[edit]

Short fiction

Other fiction projects

  • Project Hieroglyph, founded in 2011, administered by Arizona State University’s Center for Science and the Imagination since 2012. Hieroglyph: Stories and Visions for a Better Future, ed. Ed Finn and Kathryn Cramer, which includes contributions by Stephenson, was published by William Morrow in September, 2014.

Non-fiction

Critical studies, reviews and biography

References

  1. Jump up^ Fisher, Lawrence M. (April 17, 1994). “SOUND BYTES; Orwell – Class of 1994”. The New York Times (The New York Times Company). Retrieved December 13, 2010.
  2. ^ Jump up to:a b c d Stephenson, Neal. “Biography”. Neal Stephenson’s Site (MobileMe). Archived from the original on June 28, 2012. Retrieved August 7, 2010.
  3. Jump up^ “Neal Stephenson – Biography”. ElectricInca.com. Retrieved August 7, 2010. He began his higher education as a physics major, then switched to geography when it appeared that this would enable him to scam more free time on his university’s mainframe computer.
  4. ^ Jump up to:a b c Booker, M Keith; Thomas, Anne-Marie, eds. (2009). “Neal Stephenson (1959–)”. The Science Fiction Handbook. Chichester, UK ; Malden, MA: Wiley-Blackwell. p. 173. ISBN 1-4051-6205-8. OCLC 263498124.
  5. ^ Jump up to:a b c Grassian, Daniel (2003). “From modernists to Gen Xers”. Hybrid fictions: American fiction and Generation X. Jefferson: McFarland & Co. pp. 29–30. ISBN 978-0-7864-1632-5.OCLC 52565833.
  6. Jump up^ Westfahl, Gary (2005). The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Vol. 3. Greenwood Publishing. p. 1235. ISBN 0-313-32953-2. Retrieved2009-12-05.
  7. Jump up^ Godwin, Mike (February 2005). “Neal Stephenson’s Past, Present, and Future”. Reason(Reason Foundation). Retrieved December 13, 2010.
  8. Jump up^ “Neal Stephenson: Cryptomancer”. Locus Online. August 1, 1999. Retrieved August 7, 2010.…a thriller written in collaboration with his uncle, George Jewsbury, under pseudonym Stephen Bury
  9. Jump up^ Eaton, Kit (May 26, 2010). “The Mongoliad App: Neal Stephenson’s Novel of the Future?”.Fast Company. Retrieved July 4, 2010.
  10. Jump up^ “Subutai Corporation – Team”. subutai.mn (Subutai Corporation). Retrieved August 7, 2010.Neal Stephenson, Chairman
  11. Jump up^ Anders, Charlie Jane (July 14, 2009). “Neal Stephenson Gets Half A Million Dollars, But Did He Have To Switch Genres To Get It?”. io9. Gawker Media. Retrieved August 7, 2010.
  12. Jump up^ “reamdeDescription”.
  13. Jump up^ Upcoming4.me. “New Neal Stephenson book Some Remarks announced!”. Upcoming4.me. Retrieved June 26, 2012.
  14. Jump up^ Twitter / subutaicorp: @LordBronco We’re still taking. Twitter.com. Retrieved on 2014-01-14.
  15. Jump up^ Famous Kickstarter Turns Into Complete Disaster. Kotaku.com. Retrieved on 2014-01-14.
  16. Jump up^ THUD: Development Of Neal Stephenson’s CLANG Halted. Rock, Paper, Shotgun. Retrieved on 2014-01-14.
  17. Jump up^ Neal Stephenson Says His Dream Of Making A Video Game Isn’t Dead | Kotaku Australia. Kotaku.com.au. Retrieved on 2014-01-14.
  18. Jump up^ Stephenson, Neal (19 September 2014). “Final Update”. CLANG by Subutai Corporation. Kickstarter. Retrieved 18 October 2014.
  19. Jump up^ Kelion, Leo. (2013-09-17) BBC News – Neal Stephenson on tall towers and NSA cyber-spies. Bbc.co.uk. Retrieved on 2014-01-14.
  20. ^ Jump up to:a b Neal Stephenson. “Seveneves”. Nealstephenson.com. Retrieved April 5, 2015.
  21. Jump up^ Davey Alba (December 16, 2014). “Sci-Fi Author Neal Stephenson Joins Mystery Startup Magic Leap as ‘Chief Futurist'”. Wired. Retrieved May 20, 2015.
  22. Jump up^ Catherine, Asaro (September 1999). “A Conversation With Neal Stephenson”. SF Site. Retrieved October 6, 2010.
  23. Jump up^ McClellan, Jim (November 4, 2004). “Neal Stephenson – the interview”. The Guardian(Guardian Media Group). Retrieved December 13, 2010.
  24. Jump up^ Stephenson, Neal, “Innovation Starvation”, World Policy Journal, 2011; reprinted in Wired, 10/27/2011 (retrieved 1 Sept 2013).
  25. Jump up^ Landis, Geoffrey, and Denis, Vincent, “High Altitude Launch for a Practical SSTO,” Conference on Next Generation Space Transportation, Space Technology & Applications International Forum, Albuquerque NM, Feb. 2-6 2003; AIP Conference Proceedings Vol. 654, pp 290-295. (pdf on NASA site)
  26. Jump up^ Project Hieroglyph, The Tall Tower, Arizona State University Center for Science and the Imagination (retrieved 1 Sept. 2015)
  27. Jump up^ Giuffo, John (October 1, 2004). “Book Capsule Review: The System of the World”.Entertainment Weekly. Time Warner. Retrieved September 22, 2008.
  28. Jump up^ ex: Stephenson, Neal (1999). Cryptonomicon. Avon Books. pp. 1152 p. ISBN 978-0-06-051280-4.
  29. ^ Jump up to:a b c d e f g h Kelly, Mark R. “The Locus Index to SF Awards: Index of Literary Nominees”.Locusmag.com (Locus Publications). Retrieved January 18, 2011.
  30. Jump up^ William Morrow. Harpercollinscatalogs.com. Retrieved on 2014-01-14.

External links

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Kevin Phillips — The Man Who Owns The News: The Secret World of Rupert Murdoch — Videos

Posted on December 26, 2015. Filed under: American History, Articles, Blogroll, Book, Books, Business, College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Documentary, Education, Elections, Employment, Faith, Family, Foreign Policy, Freedom, government, government spending, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, media, Narcissism, Newspapers, Non-Fiction, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Psychology, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Television, Unemployment, Video, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , |

DIGITAL AGE – Why Did Murdoch Buy The Journal? – Michael Wolff – Jan 25, 2009

Wolff Sees Rupert Murdoch Exiting News Corp. CEO Post