Getting To Know You — Intimacy — Love — Both Sides Now — Send In The Clowns — Turn Turn Turn — Amazing Grace — Videos

Posted on November 18, 2017. Filed under: Art, Blogroll, Books, Business, Communications, Culture, Dance, Diet, Entertainment, Faith, Family, Films, Food, Health, Law, liberty, Life, Links, Love, media, Money, Movies, Movies, Music, Music, Narcissism, Newspapers, People, Philosophy, Photos, Politics, Psychology, Radio, Radio, Television, Television, Wealth, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , |

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Why we love repetition in music – Elizabeth Hellmuth Margulis

The Beatles All You Need Is Love (Official Promo)

Sternberg’s Triangular Theory of Love

The Secret to Intimacy | The Science of Love

Looks aren’t everything. Believe me, I’m a model. | Cameron Russell

Cameron Russell’s Mission to Make Beauty About Brains

The secret to desire in a long-term relationship | Esther Perel

How to love and be loved | Billy Ward | TEDxFoggyBottom

Tony Robbins Identifies 4 Types of Love | Oprah’s Life Class | Oprah Winfrey Network

How being heartbroken was the best thing to ever happen to me: Emma Gibbs at TEDxSouthBankWomen

Creating extraordinary intimacy in a shutdown world | Michael J. Russer | TEDxUniversityofNevada

TEDxJaffa — Niveen Rizkalla — Getting Intimate with Intimacy

Mork & Mindy (1978-1982)

Published on Nov 15, 2015

Mork & Mindy was the first tv show to display an incredible talent of Robin Williams. The audience instantly fell in love with the “cute and cuddly” alien Mork and his human friend Mindy. I think of this show with great fondness because it’s extremely funny, lovely and kind. It’s the kind of TV product we really need these days. It was a huge hit back in the day and i think the people in 2015 could really use a little happiness it gives. Anyway, here’s a little video, i hope you gonna like it! Song: Walk The Moon – Shut Up and Dance

The Love Story of Mork & Mindy

Mork & Mindy – Never Thought That I Could Love

Mork & Mindy – Getting To Know You

Mork and Mindy – Dance With Me

Bing Crosby – Getting To Know You

JAMES TAYLOR – GETTING TO KNOW YOU

Getting to Know You from The King and I

Yul Brynner and Deborah Kerr perform “Shall We Dance” from The King and I

Julie Andrews – Getting to Know You

Getting to Know You
It’s a very ancient saying
But a true and honest thought
That if you become a teacher
By your pupils you’ll be taught
As a teacher I’ve been learning
You’ll forgive me if I boast
And I’ve now become an expert
On the subject I like most
Getting to know you
Getting to know you
Getting to know all about you
Getting to like you
Getting to hope you like me
Getting to know you
Putting it my way
But nicely
You are precisely
My cup of tea
Getting to know you
Getting to know all about you
Getting to like you
Getting to hope you like me
Getting to know you
Putting it my way
But nicely
You are precisely
My cup of tea
Getting to know you
Getting to feel free and easy
When I am with you
Getting to know what to say
Haven’t you noticed
Suddenly I’m bright and breezy?
Because of all the beautiful and new
Things I’m learning about you
Day by day
Getting to know you
Getting to feel free and easy
When I am with you
Getting to know what to say
Haven’t you noticed
Suddenly I’m bright and breezy?
Because of all the beautiful and new
Things I’m learning about you
Day by day
Songwriters: Oscar Ii Hammerstein / Richard Rodgers
Getting to Know You lyrics © Imagem Music Inc

Both Sides Now

Both Sides Now

Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, I’ve looked at clouds that way
But now they only block the sun they rain and snow on everyone
So many things I would have done, but clouds got in my way
I’ve looked at clouds from both sides now
From up and down and still somehow
It’s cloud’s illusions I recall
I really don’t know clouds at all
Moons and Junes and Ferris wheels the dizzy dancing way you feel
As every fairy tale comes real, I’ve looked at love that way
But now it’s just another show, you leave ’em laughin’ when you go
And if you care don’t let them know, don’t give yourself away
I’ve looked at love from both sides now
From give and take and still somehow
It’s love’s illusions I recall
I really don’t know love at all
Tears and fears and feeling proud, to say, “I love you” right out loud
Dreams and schemes and circus crowds, I’ve looked at life that way
But now old friends are acting strange they shake their heads, they say
I’ve changed
But something’s lost but something’s gained in living every day
I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all
Songwriters: Joni Mitchell
Both Sides Now lyrics © Sony/ATV Music Publishing LLC, Crazy Crow Music / Siquomb Music Publishing

Judy Collins – “Both Sides Now” 1987

Joni Mitchell – Both Sides Now (Live, 1970)

Judy Collins Send in the Clowns

Send in the Clowns
Isn’t it rich?
Are we a pair?
Me here at last on the ground,
You in mid-air,
Where are the clowns?
Isn’t it bliss?
Don’t you approve?
One who keeps tearing around,
One who can’t move,
Where are the clowns?
There ought to be clowns?
Just when I’d stopped opening doors,
Finally knowing the one that I wanted was yours
Making my entrance again with my usual flair
Sure of my lines
No one is there
Don’t you love farce?
My fault, I fear
I thought that you’d want what I want
Sorry, my dear!
But where are the clowns
Send in the clowns
Don’t bother, they’re here
Isn’t it rich?
Isn’t it queer?
Losing my timing this late in my career
But where are the clowns?
There ought to be clowns
Well, maybe next year

JUDY COLLINS – Turn Turn Turn (1966 )

Judy Collins Lyrics

“Turn, Turn, Turn (To Everything There Is A Season)”

Words-adapted from the bible, book of ecclesiastes
Music-pete seegerTo everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heavenA time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weepTo everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones, a time to gather stones together

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time of love, a time of hate
A time of war, a time of peace
A time you may embrace, a time to refrain from embracing

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time to gain, a time to lose
A time to rend, a time to sew
A time to love, a time to hate
A time for peace, I swear its not too late

Celtic Woman – Amazing Grace

The Most Beautiful “Amazing Grace” I’ve ever heard

AMAZING GRACE

Amazing grace, How sweet the sound
That saved a wretch like me.
I once was lost, but now I am found,
Was blind, but now I see.’Twas grace that taught my heart to fear,
And grace my fears relieved.
How precious did that grace appear
The hour I first believed.Through many dangers, toils and snares
I have already come,
‘Tis grace has brought me safe thus far
And grace will lead me home.The Lord has promised good to me
His word my hope secures;
He will my shield and portion be,
As long as life endures.Yea, when this flesh and heart shall fail,
And mortal life shall cease
I shall possess within the veil,
A life of joy and peace.When we’ve been there ten thousand years
Bright shining as the sun,
We’ve no less days to sing God’s praise
Than when we’ve first begun.

The Four Faces of Intimacy

By Beverley Golden

December 16, 2011Health, Healthy Living, Living

Intimacy among animals

 

 

 

 

 

 

 

 

It started with what seemed like a simple question I asked myself. That question, not surprisingly for anyone who knows me, led to a series of additional questions. Somehow, I wasn’t getting clear answers for myself, so I started asking people I came in contact with the same questions. The results were fascinating to me and I wanted to explore the topic more fully. The basic question: “What does intimacy mean to you?

The range of responses was wide and varied. I included both men and women, different ages, some were in relationships and others were not. Most people had to stop for a moment to really think about and put into words what intimacy meant to them. As I looked more deeply at the topic, I found that there are in fact four key types of intimacy.

What Does Intimacy Mean to You?

The people I asked generally started with the most common of the four types of intimacy: Sexual. This wasn’t too much of a surprise because sexual intimacy is probably the most stereotypical and most familiar definition of the word in modern society. Having sex, however, often has less to do with intimacy than with a physical act between people. As it ended up, the people I talked to wanted more than just the act of sex — they wanted some depth. They wanted to feel safe while being vulnerable, wanting to be seen by his/her partner. That made sense, as this form of intimacy also includes a wide range of sensuous activity and sensual expression, so it’s much more than having intercourse.

It’s interesting that the word intercourse is also defined as an “exchange especially of thoughts or feelings.” It’s curious why intimacy is challenging to people in their relationships. I continued to look further.

Connecting Emotionally

The next of the four faces of intimacy is emotional intimacy.This happens when two people feel comfortable sharing their feelings with each other. The goal is to try to be aware and understand the other person’s emotional side. My guess is that women have an easier time with this in very close female friendships, but I’d like to believe that men too are becoming more comfortable experiencing emotional intimacy. This form of intimacy I’ve become comfortable with and see as a healthy part of the give-and-take in all relationships, whether female or male.

Margaret Paul, Ph.D, refers to the fears people have in relation to emotional intimacy. She says, “Many people have two major fears that may cause them to avoid intimacy: the fear of rejection (of losing the other person), and the fear of engulfment (of being invaded, controlled, and losing oneself).” This made some sense to me.

Love and Intimacy

However, if we believe that there are only two major energies we humans experience, love and fear (or an absence of love), then I find it interesting that in this area of intimacy, it seems people have moved from their hearts and love to an energy that stops them from experiencing their true essence and what they often yearn for the most. Love and intimacy.

In her book A Return to Love, the brilliant Marianne Williamson says it most eloquently:

“Love is what we were born with. Fear is what we have learned here. The spiritual journey is the relinquishment or unlearning of fear and the acceptance of love back into our hearts. Love is our ultimate reality and our purpose on earth. To be consciously aware of it, to experience love in ourselves and others, is the meaning of life.”

Even the Bible says, “There is no fear where love exists.” Of course I believe that love and intimacy are highly spiritual. In her book Love for No Reason, Marci Shimoff states, “Love for no reason is your natural state.” She also tells a wonderful story about a spiritual teacher who once said to her, “I love you and it’s no concern of yours.” To love, from your heart, just to love. As I talked about in my piece on what makes a good relationship, my ideal is definitely a loving spiritual partnership.

True Intimacy

I kept wondering if true intimacy could be as simple as a matter of moving back to loving ourselves first? To rediscovering the unconditional love we all were born with? The idea of self-intimacy and self-love is a fascinating concept. I’ll leave these as open-ended questions for you to ask yourselves for now. I was curious to look more closely at the other two types of intimacy.Intellectual Intimacy_conversation between men

 

The next, intellectual intimacy, is something I personally have the most comfort with. This one is about communication, and as someone who lives and breathes words, it’s extremely familiar to me. The ability to share ideas in an open and comfortable way can lead to a very intimate relationship indeed, as I’m fortunate to discover quite frequently. As someone who engages in this type of interaction all the time, it offers me a wonderful and fulfilling form of intimacy. I wondered if this was my strongest area of intimacy.

Experiential Intimacy

The fourth kind of intimacy is experiential intimacy, an intimacy of activity. I realized I experience this every time I get together with a group to create art in a silent process. It’s about letting the art unfold, by working together in co-operation. The essence of this intimate activity is that very little is said to each other, it’s not a verbal sharing of thoughts or feelings, but it’s more about involving yourself in the activity and feeling an intimacy from this involvement.

During a recent encounter I had at a contact improv jam, I realized was actually this form of intimacy. I interacted with a young man, letting our body energy lead the dance, with no eye contact and no words, just movement in a sensual and open, if not dramatic, dance. So, I understood that this experiential intimacy is also, somewhat surprisingly, in my intimacy vocabulary.Intimacy_experiential

 Joining and Separating

Rick Hanson, Ph.D says that having intimacy in our lives requires a natural balance of two great themes — joining and separation — that are in fact central to human life. Almost everyone wants both of them, to varying degrees. He goes on to say, “In other words: individuality and relationship, autonomy and intimacy, separation and joining support each other. They are often seen at odds with each other, but this is so not the case!” This also made perfect sense to me. Yin and yang. Light and dark. All the polarities we live in life, lead to a balance.

My understanding and curiosity were greatly expanded after exploring the four faces of intimacy. Maybe this awareness might make it easier to find your own perfect personal balance between them all. For me, it comes down to our willingness to explore intimacy in all its forms. It’s not necessary that every intimate relationship includes all the different types of intimacy. Ultimately it is each individual’s choice.

What I learned, makes me believe that with some balance in these areas, we might find a deeper connection and understanding of the relationships in our life. I also fully recognize that we all have different definitions of intimacy. Are men and women’s definitions dramatically different? It is a fascinating conversation to continue to explore.

Soul Intimacy

Then, as often happens with perfect synchronicity, I received my daily Gaping Void email by Hugh MacLeod with the subject: Has your soul been seen lately? It went on to say, “I saw your soul today and it made me want to cry with joy and thanks.” The topic was intimacy. What followed was a beautiful way to end my piece.

“Intimacy isn’t strictly about romantic relationships, or even relations with family — sometimes it happens quickly, and often times in ways we hardly notice.

I’m talking about that moment when someone allows the world to see what’s inside… what they are really about. It’s about seeing someone for who and what they are and that the glimpse was offered either voluntarily or without the person’s knowledge. This is an incredible moment where our existence suddenly makes sense and all comes together in a singular place.

For those of you who have experienced this, it’s something that never gets lost in memory or time. It’s like a little mirror we take out every now and then to remember a time when something so complex became so inconceivably simple. It’s pretty incredible.”

This is the essence of what intimacy is really all about. Dare to be vulnerable, dare to be seen.

Intimacy is Key to Being Healthy and Vital

Dr. Christiane Northrup in her newest book “Goddesses Never Age”, tells us that intimacy is an important part of life regardless of age. As she shares, “Age is just a number, and agelessness means not buying into the idea that a number determines everything from your state of health to your attractiveness to your value.” As a member of Team Northrup, a team whose mission is to support people to live their most vital and healthy lives, I invite you to a complimentary health and vitality consultation.

Before we talk to customize a plan for you, find out how healthy you are with the True Health Assessment. The three-part report, identifies your top health risk factors, maps out a recommended lifestyle plan that identifies ways you can improve your health and provides you with individualized nutrition recommendations based on your specific assessment answers.

Now let me ask you my starting question: What does intimacy mean to you?

https://www.beverleygolden.com/the-four-faces-of-intimacy/

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Southern Rock Star Gregg Allman Dies at Age 69 — Rest in Peace — Videos

Posted on May 27, 2017. Filed under: Art, Articles, Blogroll, Entertainment, liberty, Life, media, Money, Music, Music, People, Philosophy, Photos, Raves, Video, Welfare, Work, Writing | Tags: , , , , , , , , |

Gregg Allman, icon of Southern Rock, dead at 69

Gregg Allman Dies At 69

CBS This Morning: Gregg Allman Today

Gregg Allman – Tuesday’s Gone (Lynyrd Skynyrd – One More For The Fans)

Gregg Allman – “Tuesday’s Gone” – Skynyrd Tribute Concert @ Fox Theatre, Atlanta 11.12.2014

Gregg Allman – I’m No Angel

Gregg Allman LIVE – “I’m No Angel” | Back to Macon, GA

Gregg Allman 01/21/2012 “These Days”

Gregg Allman (and Redd Foxx) on Late Night, November 18, 1987

The Allman Brothers Band – After The Crash

The Big Interview Sneak Peek: Gregg Allman

GREGG ALLMAN DEAD AT 69 — The Last Time We Saw Him in 2014 | TMZ

“Midnight Rider” with Vince Gill, Gregg Allman and Zac Brown

The Allman Brothers Band – Midnight Rider – 9/10/1973 – Grand Opera House (Official)

Allman Brothers Band – Blue Sky

Gregg Allman performing soulful version of Come And Go Blues

Gregg Allman – Come And Go Blues – 12/11/1981 – unknown (Official)

The Allman Brothers Band – Ramblin’ Man – 7/12/1986 – Starwood Amphitheatre (Official)

The Allman Brothers Band – Ramblin’ Man – 12/16/1981 – Capitol Theatre (Official)

The Allman Brothers Band – Whipping Post – 9/23/1970 – Fillmore East (Official)

The Allman Brothers Band – Full Concert – 09/23/70 – Fillmore East (OFFICIAL)

The Allman Brothers Band – Full Concert – 01/16/82 – University Of Florida Bandshell (OFFICIAL)

The Allman Brothers Band – Jessica (EPIC Version!!!); Wanee Festival 2014-04-11

The Allman Brothers Band – Melissa – 7/29/1981 – NBC Studios (Official)

“Melissa” featuring Jackson Browne and Gregg Allman

The Allman Brothers Band – Soulshine live

The Allman Brothers Band – Soulshine – 8/14/1994 – Woodstock 94 (Official)

Gregg Allman – Queen of Hearts – 07/03/13

The Gregg Allman Band 1982 – Queen of Hearts – Saenger Theatre New Orleans

Allman Brothers Band – A Decade of Hits 1969-1979

The Allman Brothers Band enters the Rock and Roll Hall of Fame

Gregg Allman on Regis & Kathie Lee, 1991

Gregg Allman Reminisces On His Allman Brothers Days – CONAN on TBS

Howard Stern interviews Gregg Allman (05/22/12)

Gregg Allman interview – PART 1 of 14 – Dickey Betts – Saenger Theater New Orleans 1982

Gregg Allman interview PART 2 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 3 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 4 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 5 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 6 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 7 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 8 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 9 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 10 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 11 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 12 of 14 – Cher – Saenger Theater New Orleans 1982

Gregg Allman interview PART 13 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 14 of 14- Saenger Theater New Orleans 1982

Gregg Allman, Southern Rock Pioneer, Dies at 69

Gregg Allman Tour Bus Crash

REX/SHUTTERSTOCK

MAY 27, 2017 | 12:34PM PT

Gregg Allman, whose hard-jamming, bluesy sextet the Allman Brothers Band was the pioneering unit in the Southern rock explosion of the ‘70s, died Saturday due to currently unknown causes. He was 69.

As recently as April 24, reports surfaced claiming Allman was in hospice. His manager previously denied those reports to Variety, which Allman then substantiated in a Facebook post. However, he had suffered a number of ailments in recent years — including an irregular heartbeat, a respiratory infection, a hernia and a liver transplant — and cancelled many scheduled tour dates in recent months due to undisclosed health reasons.

For his work with the Allman Brothers, the legendary band he cofounded with his late brother Duane, and as a solo artist, Allman is one of the leading lights of Southern Rock. While the group’s greatest work was done before and shortly after Duane’s death in 1971, they stayed together, off and on, over 45 years and remain a singular influence on Southern rock and jam-band musicians. They were a top-drawing touring outfit until October 2014, when the group finally closed the book on their career with a series of dates at their longtime favorite venue, New York’s Beacon Theatre.

Allman’s solo career always played second to that of the band, but he enjoyed solo success with 1973’s “Laid Back” and 1987’s “I’m No Angel,” both of which were certified gold. In 2011 he released an unexpectedly strong album entitled “Low Country Blues” that was produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), who, along with instrumentalists like pianist Dr. John and guitarist Doyle Bramhall II, brought Allman back to his gutsy roots with stellar results.

With his older sibling, guitarist Duane Allman, the singer-keyboardist-guitarist-songwriter led one of the most popular concert attractions of the rock ballroom era; the group’s 1971 set “At Fillmore East,” recorded at Bill Graham’s New York hall, was a commercial breakthrough that showed off the band’s prodigious songcraft and instrumental strengths.

After Duane Allman’s death in a motorcycle accident weeks after the live album’s release, his younger brother led the band through four more stormy decades of playing and recording. The Allman Brothers Band’s latter-day history proved tumultuous, with other fatalities, disbandings, regroupings and very public battles with drugs and alcohol on the part of its surviving namesake.

Though Gregg Allman’s highly publicized addictions, his tabloid-ready marriage to pop vocalist Cher, and his equally public disputes with co-founding guitarist Dickey Betts came under harsh and sometimes mocking scrutiny over the years, Allman prevailed as the linchpin of an act that maintained popularity over four decades and opened the commercial door for such other Southern acts as Lynyrd Skynyrd and the Marshall Tucker Band.

As a member of the Allman Brothers Band, Allman was inducted into the Rock and Roll Hall of Fame in 1995 and was honored with a Grammy Lifetime Achievement Award in 2012.

He was born Gregory LeNoir Allman on Dec. 8, 1947, in Nashville; brother Duane was born 13 months earlier in the same hospital. In 1949, his father was shot to death by a man he offered a ride to in a bar. As their mother was studying accounting to support the family, the brothers were sent to a Tennessee military school at an early age.

The Allmans became attracted to music after seeing a 1960 concert by R&B singer Jackie Wilson in Daytona Beach, FL, where the family had moved the year before. Using money from a paper route (augmented by his mother), Gregg bought a guitar, and taught Duane his first chords. Both played guitar in the bands they founded after returning to the military academy in their teens.

Their pro bands the Escorts and the Allman Joys, which favored R&B, blues and rock covers, found work on the Florida club circuit in the mid-‘60s; Gregg began playing keyboards in the latter unit. The Allman Joys were playing without success in St. Louis when Bill McEuen, manager of the Nitty Gritty Dirt Band, met them and offered to set them up in Los Angeles.

Renamed Hour Glass, the L.A.-based group cut two unsuccessful pop-oriented albums for Liberty Records in 1967-68. Duane chafed at the direction being forced on the combo and fled for Alabama, where he became a prominent session guitarist at FAME Studios in Muscle Shoals, AL. Gregg remained in L.A. to fulfill obligations to Liberty, but was summoned to Jacksonville, FL, in 1969 by his brother, who envisioned a new blues-based band with two guitarist and two drummers, featuring members of another local combo, the 31st of February.

Calling themselves the Allman Brothers Band, the new unit – the Allmans, guitarist Betts, bassist Berry Oakley and drummers Butch Trucks and Jai Johanny “Jaimoe” Johanson – was signed by Otis Redding’s former manager Phil Walden for management and as an act on his Macon, GA-based label Capricorn Records. The group moved to Macon, which became its base for the duration.

Neither of the ABB’s first two albums was an enormous success: Its self-titled bow peaked at No. 188 in 1969, while sophomore set “Idlewild South” topped out at No. 38 in 1970. But they established Gregg Allman as a vocal, instrumental and songwriting power: His compositions included such future staples of the band’s live set as “Not My Cross to Bear,” “Dreams,” “Whipping Post” and “Midnight Rider.”

Though problems with hard drug abuse were already surfacing in the band, the Allmans became a huge concert attraction in the South; the enthusiastic sponsorship of promoter Graham led to high-profile gigs at New York’s Filllmore East (where the band attained a rabid following) and San Francisco’s Fillmore.

The Allmans made their commercial mark with “At Fillmore East”: The expansive, Tom Dowd-produced two-record set, recorded during two nights at the venue, shot to No.13 ultimately sold more than 1 million copies and became one of the defining concert recordings of its day. However, Duane Allman’s tragic death at 24 on a Macon street on Oct. 29, 1971, cast a shadow over its success.

The band completed a follow-up two-LP set, “Eat a Peach,” as a quintet, with live numbers featuring Duane filling out the contents. The 1972 package rose to No. 4 nationally and went platinum, but disaster again struck: In a mishap eerily similar to Duane Allman’s fatal crash, hard-drinking bassist Oakley died after driving his bike into the side of a truck that November.

Shaken by the deaths of his brother and Oakley and increasingly incapacitated by heroin, cocaine and alcohol, Gregg Allman ceded much of the band’s songwriting and front man duties to Betts; as he noted in “My Cross to Bear,” his 2012 memoir, “Up until then, we’d never really had a front man; Dickey took it upon himself to create that role.”

The ABB released its only No. 1 album, “Brothers and Sisters,” in 1973; the record was powered to the top by the Betts-penned No. 2 single “Ramblin’ Man,” the group’s only top-10 45.

Allman retreated from the group to cut his solo debut “Laid Back” in 1973; rising to No. 13, it would be his most popular work away from the band for nearly 40 years, and it spawned his only top-20 solo single, a down-tempo remake of “Midnight Rider.”

On the heels of the lugubrious but popular “Win, Lose or Draw” (No. 5, 1975), the group set out on its biggest, and costliest, tour to date. The ABB flew to its dates on a lavishly appointed private jet previously used by the Rolling Stones and Led Zeppelin; in his book, Allman recalls, “The first time we walked onto the plane, ‘Welcome Allman Brothers’ was spelled out in cocaine on the bar.”

The ABB returned from the 41-date tour with a mere $100,000 in hand, owing to over-the-top spending. This financial catastrophe was compounded by the indictment of the group’s security man (and Allman’s drug bag man) Scooter Herring on cocaine distribution charges; Allman testified against Herring before a grand jury and at his trial, which netted a 75-year prison sentence.

Addicted to heroin and embroiled in inter-band conflict with Betts, Allman began spending more time in Los Angeles with Cher, whom he had wed in June 1975. The incongruous couple was followed avidly by gossip columnists. In the wake of an unsuccessful 1977 solo album, “Playin’ Up a Storm” (No. 42), Allman and Cher released their only duo album, “Two the Hard Way”; embarrassingly credited to “Allman and Woman,” the set failed to chart, and its accompanying tour witnessed scuffles between hostile camps of fans in the audiences. Allman and Cher divorced in 1978.

Membership in the ABB rotated repeatedly for the remainder of the group’s career, which saw ever-diminishing contributions from writer Allman. He authored just one song for the group’s final Capricorn album, “Enlightened Rogues” (No. 27, 1979); the financially unstable imprint crashed within a year of its release. Allman was also a minor contributor to a pair of slick, poorly received albums for Arista Records in 1980-81.

During the band’s protracted hiatus of the ‘80s, Allman issued a pair of solo sets; the more popular of the two, 1987’s “I’m No Angel” (No. 30, 1987), spawned the titular radio hit.

Encouraged by airplay on the burgeoning “classic rock” radio format, the ABB reconvened for a 1989 tour. In 1990, the group recorded “Seven Turns” (No. 53) with “Fillmore East” producer Tom Dowd; the group also began multi-night residencies at New York’s Beacon Theatre, which became an annual tradition. They issued four commercially unrewarding albums – two studio sets and two concert releases – between 1991 and 1995.

Following a drunken appearance at the Rock and Roll Hall of Fame induction ceremony in New York in January 1995, onetime junkie Allman, after 11 stints in rehab, finally stopped drinking on his own, under the 24-hour watch of two nurses.

Following the exit of longtime guitarist Warren Haynes and bassist Allen Woody and the recruitment of Butch Trucks’ young nephew Derek Trucks on guitar, the ABB cut the live “Peakin’ at the Beacon” in 2000. Tension within the band had reached the breaking point, and, following a severely worded fax to Betts from the other members and subsequent legal arbitration, the Allman Brothers Band’s other founding guitarist made his exit.

The front line of Allman, Haynes and Derek Trucks and the group’s founding drummers were heard on the Allman Brothers Band’s studio collection “Hittin’ the Note” (No. 37, 2003) and the live “One Way Out” (No. 190, 2004). After 45 years in business, the band was formally dissolved after an October 2014 show at the Beacon.

Allman’s old habits caught up with him in the ‘00s. Diagnosed with hepatitis C – a disease common to intravenous drug users – in 2007, he learned that he was suffering from liver cancer in 2008. He underwent successful liver transplant surgery at the Mayo Clinic in 2010.

Before his surgery, Allman entered the studio to record his first solo album in 13 years. “Low Country Blues,” a striking and powerful recital of old blues songs, augmented by one Allman-Haynes original and produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), garnered the best reviews of his career, collected a Grammy Award nomination and became his highest-charting solo release, reaching No. 5 in early 2011.

However, health problems and catastrophe continued to dog him. He cut short a 2011 European tour because of respiratory issues, which ultimately mandated lung surgery. He faced a drug relapse spurred by painkillers, and did a stint in rehab. In 2014, a film based on his 2012 memoir, “Midnight Rider,” ceased production after a camera assistant on director Randall Miller’s feature was killed by a freight train on the first day of shooting.

Married and divorced six times, Allman is survived by three sons and two daughters, all by different mothers. Four of the children are professional musicians.

http://variety.com/2017/music/people-news/gregg-allman-dies-dead-69-southern-rock-1202446640/

Gregg Allman

From Wikipedia, the free encyclopedia
Gregg Allman
Gregg Allman (5880514910).jpg

Allman performing in 2011
Born Gregory LeNoir Allman
December 8, 1947
Nashville, Tennessee, U.S.
Died May 27, 2017 (aged 69)
Savannah, Georgia, U.S.
Cause of death Complications from liver cancer
Occupation
  • Singer-songwriter
  • musician
Years active 1960–2017
Spouse(s) Shelley Jefts (m. 1971; div. 1972)
Janice Mulkey (m. 1973; div. 1974)
Cher (m. 1975; div. 1979)
Julie Bindas (m. 1979; div. 1984)
Danielle Galliano (m. 1989; div. 1994)
Stacey Fountain (m. 2001; div. 2008)
Children 5; including Devon and Elijah Blue
Musical career
Genres
Instruments
  • Vocals
  • keyboards
  • guitar
Labels
Associated acts
Website greggallman.com

Gregory LeNoir “Gregg” Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter.

He is best known for performing in the Allman Brothers Band. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida. He and his brother, Duane Allman, developed an interest in music in their teens, and began performing in the Allman Joys in the mid-1960s. In 1967, they relocated to Los Angeles and were renamed the Hour Glass, releasing two albums for Liberty Records. In 1969, he and Duane regrouped to form the Allman Brothers Band, which settled in Macon, Georgia.

The Allman Brothers Band began to reach mainstream success by the early 1970s, with their live album At Fillmore East representing a commercial and artistic breakthrough. Shortly thereafter, Duane was killed in a motorcycle crash in 1971. The following year, the band’s bassist, Berry Oakley was also killed in a motorcycle accident very close to the location of Duane’s wreck. Their 1973 album Brothers and Sisters became their biggest hit, and Allman pursued a solo career afterward, releasing his debut album, Laid Back the same year. Internal turmoil took over the group, leading to a 1975 breakup. Allman was married to pop star Cher for the rest of the decade, while he continued his solo career with the Gregg Allman Band. After a brief Allman Brothers reunion and a decade of little activity, he reached an unexpected peak with the hit single “I’m No Angel” in 1987. After two more solo albums, the Allman Brothers reformed for a third and final time in 1989, and continued performing until 2014. He released his most recent solo album, Low Country Blues, in 2011, and his next, Southern Blood, is set to be released in 2017.

For his work in music, Allman was referred to as a Southern rock pioneer[1] and received numerous awards, including several Grammys; he was inducted into the Rock and Roll Hall of Fame and the Georgia Music Hall of Fame. His distinctive voice placed him in 70th place in the Rolling Stone list of the “100 Greatest Singers of All Time”.[2] Allman released an autobiography, My Cross to Bear, in 2012.

Early life

Allman and his brother Duane attended Castle Heights Military Academy in Lebanon, Tennessee in their childhood.

Allman was born Gregory LeNoir Allman at St. Thomas Hospital on December 8, 1947 in Nashville, Tennessee, to Willis Turner Allman and Geraldine Robbins Allman.[3] The couple had met during World War II in Raleigh, North Carolina, when Allman was on leave from the U.S. Army, and were later married. They moved to Vanleer, Tennessee, in 1945.[citation needed] Their first child, Duane Allman, was born in Nashville in 1946.

In 1949, Willis Allman, having been recently promoted to captain, offered a hitchhiker a ride home and was subsequently shot and killed.[4]Geraldine moved to Nashville with her two sons, and she never remarried.[5] Lacking money to support her children, she enrolled in college to become a Certified Public Accountant (CPA)—state laws at the time, according to her son, required students to live on-campus.[6] As a result, Gregg and his older brother were sent to Castle Heights Military Academy in nearby Lebanon.[3] A young Gregg interpreted these actions as evidence of his mother’s dislike for him, though he later came to understand the reality: “She was actually sacrificing everything she possibly could—she was working around the clock, getting by just by a hair, so as to not send us to an orphanage, which would have been a living hell.”[7]

While his brother adapted to his surroundings with a defiant attitude, Allman felt largely depressed at the school. With little to do, he studied often and developed an interest in medicine—had he not gone into music, he hoped to become a dentist.[8] He was rarely hazed at Castle Heights as his brother protected him, but often suffered beatings from instructors when he received poor grades.[9] The brothers returned to Nashville upon their mother’s graduation. Growing up, he continually fought with Duane, though he knew that he loved him and that it was typical of brothers. Duane was a mischievous older child, who constantly played pranks on his younger sibling.[10] The family moved to Daytona Beach, Florida, in 1959.[6] Gregg tended to look forward to his summer breaks, where he spent time with his uncles in Nashville, who he came to view in a fatherly regard.[11] Allman would later recall two separate events in his life that led to his interest in music. In 1960, the two brothers attended a concert in Nashville with Jackie Wilson headlining alongside Otis Redding, B.B. King, and Patti LaBelle.[8] Allman was also exposed to music through Jimmy Banes, a mentally challenged neighbor of his grandmother in Nashville. Banes introduced Allman to the guitar and the two began spending time on his porch each day as he played music.[12]

Gregg worked as a paperboy to afford a Silvertone guitar, which he purchased at a Sears when he saved up enough funds.[6] He and his brother often fought to play the instrument, though there was “no question that music brought” the two together.[13] In Daytona, they joined a YMCA group called the Y Teens, their first experience performing music with others.[14] He and Duane returned to Castle Heights in their teen years, where they formed a band, the Misfits.[15] Despite this, he still felt “lonesome and out of place,” and quit the academy.[16] He returned to Daytona Beach and pursued music further, and the duo formed another band, the Shufflers, in 1963.[14] He attended high school at Seabreeze High School, where he graduated in 1965.[17]However, he grew undisciplined in his studies as his interests diverged: “Between the women and the music, school wasn’t a priority anymore.”[18]

Music career

Early bands (1960–1968)

“We would rehearse every day in the club, go have lunch, rehearse some more, go home and take a shower, then go to the gig. Sometimes we would rehearse after we got home from the gig too, just get out the acoustics and play. The next day, we’d go have breakfast, go rehearse, and do it all over again. We rehearsed constantly.”

—Allman on his musical evolution[19]

The two Allman brothers began meeting various musicians in the Daytona Beach area. They met a man named Floyd Miles, and they began to jam with his band, the Houserockers. “I would just sit there and study Floyd […] I studied how he phrased his songs, how he got the words out, and how the other guys sang along with him,” he would later recall.[20] They later formed their first “real” band, the Escorts, which performed a mix of top 40 and rhythm and blues music at clubs around town.[21] Duane, who took the lead vocal role on early demos, encouraged his younger brother to sing instead.[22] He and Duane often spent all of their money on records as educational material, as they attempted to learn songs from them. The group performed constantly as music became their entire focus; Allman missed his high school graduation because he was performing that evening.[23] In his autobiography, Allman recalls listening to Nashville R&B station WLAC at night and discovering artists such as Muddy Waters, which later became central to his musical evolution.[19] He narrowly missed being drafted into the Vietnam War by intentionally shooting himself in the foot.[24]

The Escorts evolved into the Allman Joys, the brothers’ first successful band. After a successful summer run locally, they hit the road in fall 1965 for a series of performances throughout the Southeast; their first show outside of Daytona was at the Stork Club in Mobile, Alabama—where they were booked for 22 weeks straight.[25] Afterwards, they were booked at the Sahara Club in nearby Pensacola, Florida, for several weeks.[26] Allman later regarded Pensacola as “a real turning point in my life,” as it was where he learned how to capture audiences and about stage presence.[27] He also received his first Vox keyboard there, and learned how to play it over the ensuing tour.[28] By the following summer, they were able to book time at a studio in Nashville, where they recorded several songs, aided by a plethora of drugs. These recordings were later released as Early Allman in 1973, to Allman’s dismay.[29] He soon grew tired of performing covers and began writing original compositions.[30] They settled in St. Louis for a time, where in the spring of 1967 they began performing alongside Johnny Sandlin and Paul Hornsby, among others, under various names. They considered disbanding, but Bill McEuen, manager of the Nitty Gritty Dirt Band, convinced the band to relocate to Los Angeles, outright giving them the funds to do so.[31]

He arranged a recording contract with Liberty Records in June 1967,[32] and they began to record an album under the new name the Hour Glass, suggested by their producer, Dallas Smith. Recording was a difficult experience; “the music had no life to it—it was poppy, preprogrammed shit,” Allman felt.[33] Though they considered themselves sellouts, they needed money to live.[33] At concerts, they declined to play anything off their debut album, released that October, instead opting to play the blues.[34] Such gigs were sparse, however, as Liberty only allowed one performance per month.[35] After some personnel changes, they recorded their second album, Power of Love, released in March 1968. It contained more original songs by Allman, though they still felt constricted by its process. They embarked on a small tour, and recorded some new demos at FAME Studios in Muscle Shoals, Alabama.[36] Liberty disliked the recordings, and the band broke up when Duane explicitly told off executives. They threatened to freeze the band, so they would be unable to record for any other label for seven years.[37]Allman stayed behind to appease the label, giving them the rights to a solo album. The rest of the band mocked Allman, viewing him as too scared to leave and return to the South.[37]

Meanwhile, Duane Allman had returned to Florida where he met Butch Trucks, a drummer in the band the 31st of February. In October 1968, the 31st of February, aided by Gregg and Duane Allman, recorded several songs.[38] Allman returned to Los Angeles to fulfill his deal with Liberty, writing more original songs on the Hammond organ at the studio.[39] Duane began doing session work at Fame in Muscle Shoals during this time, where he began putting together a new band. He phoned his brother with the proposition of joining the new band—which would have two guitarists and two drummers. With his deal at Liberty fulfilled, he drove to Jacksonville, Florida, in March 1969 to jam with the new band. Allman at first thought two drummers would be a tortuous experience, but found himself pleasantly surprised by the successful jam.[40] He called the birth of the group “one of the finer days in my life […] I was starting to feel like I belonged to something again.”[41]

The Allman Brothers Band and mainstream success

Formation and touring (1969–1971)

The Allman Brothers Band moved to Macon, Georgia,[42] and forged a strong brotherhood, spending countless hours rehearsing, consuming psychedelic drugs, and hanging out in Rose Hill Cemetery, where they would write songs—”I’d be lying if I said I didn’t have my way with a lady or two down there,” said Allman.[43][44] The group remade old blues numbers like “Trouble No More” and “One Way Out“, in addition to improvised jams such as “Mountain Jam“.[45] Gregg, who had struggled to write in the past, became the band’s sole songwriter, composing songs such as “Whipping Post” and “Black-Hearted Woman.”[46] The group’s self-titled debut album was released in November 1969 through Atco and Capricorn Records,[47] but received a poor commercial response, selling less than 35,000 copies upon initial release.[48] The band played continuously in 1970, performing over 300 dates on the road,[49][50] which contributed to a larger following.[51] Oakley’s wife rented a large Victorian home in Macon and the band moved into what they dubbed “the Big House” in March 1970.[52] Their second record, Idlewild South (named after a farmhouse on a lake outside of Macon they rented),[53] was issued by Atco and Capricorn Records in September 1970, less than a year after their debut.[53]

Elder brother Duane Allman, who was killed in a motorcycle crash in 1971

Their fortunes began to change over the course of 1971, where the band’s average earnings doubled.[54] “We realized that the audience was a big part of what we did, which couldn’t be duplicated in a studio. A lightbulb finally went off; we needed to make a live album,” said Allman.[55] At Fillmore East, recorded at the Fillmore East in New York, was released in July 1971 by Capricorn.[56] While previous albums by the band had taken months to hit the charts (often near the bottom of the top 200), the record started to climb the charts after a matter of days.[57] At Fillmore East peaked at number thirteen on Billboard‘s Top Pop Albums chart, and was certified gold by the Recording Industry Association of America that October, becoming their commercial and artistic breakthrough.[57] Although suddenly very wealthy and successful, much of the band and its entourage now struggled with addiction to numerous drugs; they all agreed to quit heroin, but cocaine remained a problem.[58] His last conversation with his brother was an argument over the substance, in which Gregg lied. In his autobiography, Allman wrote: “I have thought of that lie every day of my life […] told him that lie, and he told me that he was sorry and that he loved me.”[59]

Shortly after At Fillmore East was certified gold in domestic sales, Duane was killed in a motorcycle accident in Macon.[60] At his funeral the next day, Gregg performed “Melissa”, which was his brother’s favorite song.[61] After the service, he confided in his bandmates that they should continue. He left for Jamaica to get away from Macon, and was in grief for the following few weeks.[62] “I tried to play and I tried to sing, but I didn’t do too much writing. In the days and weeks that followed, […] I wondered if I’d ever find the passion, the energy, the love of making music,” he remembered.[62] As the band took some time apart to process their loss, At Fillmore East became a major success in the U.S. “What we had been trying to do for all those years finally happened, and he was gone.”[63] Allman later expanded upon his brother’s passing in his autobiography:

“When I got over being angry, I prayed to him to forgive me, and I realized that my brother had a blast. […] Not that I got over it—I still ain’t gotten over it. I don’t know what getting over it means, really. I don’t stand around crying anymore, but I think about him every day of my life. […] Maybe a lot of learning how to grieve was that I had to grow up a little bit and realize that death is part of life. Now I can talk to my brother in the morning, and he answers me at night. I’ve opened myself to his death and accepted it, and I think that’s the grieving process at work.”[64]

Mainstream success and fame (1972–1976)

Allman performing with the Allman Brothers in 1975

After Duane’s death, the band held a meeting on their future; it was clear all wanted to continue, and after a short period, the band returned to the road.[65] They completed their third studio album, Eat a Peach, that winter, which raised each member’s spirits: “The music brought life back to us all, and it was simultaneously realized by every one of us. We found strength, vitality, newness, reason, and belonging as we worked on finishing Eat a Peach“, said Allman.[66] Eat a Peach was released the following February, and it became the band’s second hit album, shipping gold and peaking at number four on Billboard‘s Top 200 Pop Albums chart.[67] “We’d been through hell, but somehow we were rolling bigger than ever,” Allman recalled.[68] Betts had to convince the band members to tour, since all other members were reluctant.[69] The Allman Brothers Band played 90 shows in 1972 in support of the record. “We were playing for him and that was the way to be closest to him,” said Trucks.[69] The band purchased 432 acres of land in Juliette, Georgia for $160,000 and nicknamed it “the Farm”; it soon became a group hangout.[70] Oakley, however, was visibly suffering from the death of his friend,[71] and he too was killed in a motorcycle crash in November 1972.[72] “Upset as I was, I kind of breathed a sigh of relief, because Berry’s pain was finally over,” Allman said.[68]

The band unanimously decided to carry on, and enlisted Lamar Williams on bass and Chuck Leavell on piano. The band began recording Brothers and Sisters, their follow-up album, and Betts became the group’s de facto leader during the recording process.[73] Meanwhile, after some internal disagreements, Allman began recording a solo album, which he titled Laid Back. The sessions for both albums often overlapped and its creation caused tension within the rest of the band.[74] Both albums were released in the autumn of 1973, with Brothers and Sisters cemented the Allman Brothers’ place among the biggest rock bands of the 1970s. “Everything that we’d done before—the touring, the recording—culminated in that one album,” Allman recalled.[75]Ramblin’ Man“, Betts’ country-infused number, received interest from radio stations immediately, and it rose to number two on the Billboard Hot 100.[67] The Allman Brothers Band returned to touring, playing larger venues, receiving more profit and dealing with less friendship, miscommunication and spiraling drug problems.[67][76] This culminated in a backstage brawl when the band played with the Grateful Dead at Washington‘s RFK Stadium in June 1973, which resulted in the firing of three of the band’s longtime roadies.[77] The band played arenas and stadiums almost solely as their drug use escalated. In 1974, the band was regularly making $100,000 per show, and was renting the Starship, a customized Boeing 720B used by Led Zeppelin and the Rolling Stones.[78] “When [we] got that goddamn plane, it was the beginning of the end,” said Allman.[79]

In between tours, Allman embarked on another tour to promote Laid Back. He brought along the musicians who helped record the album as his band, and hired a full string orchestra to accompany the group.[74] A live album of material from the tour was released as The Gregg Allman Tour later that year, to help recoup costs for the tour.[80] It went up against Betts’ first solo record, Highway Call, prompting some to dub their relationship a rivalry. Their relationships became increasingly frustrated, amplified by heavy drug and alcohol abuse.[81] In January 1975, Allman began a relationship with pop star Cher—which made him more “famous for being famous than for his music,” according to biographer Alan Paul.[82] The sessions that produced 1975’s Win, Lose or Draw, the last album by the original Allman Brothers Band, were disjointed and inconsistent. Allman was spending more time in Los Angeles with Cher.[83] Their time off from one another the previous fall “only exaggerated the problems between our personalities. With each day there was more and more space between us; the Brotherhood was fraying, and there wasn’t a damn thing any of us could do to stop it.”[84]

Upon its release, it was considered subpar and sold less than its predecessor; the band later remarked that they were “embarrassed” about the album.[85] From August 1975 to May 1976, the Allman Brothers Band played 41 shows to some of the biggest crowds of their career.[86] Gradually, the members of the band grew apart during these tours, with sound checks and rehearsals “[becoming] a thing of the past.”[86] Allman later pointed to a benefit for presidential candidate Jimmy Carter as the only real “high point” in an otherwise “rough, rough tour.” The shows were considered lackluster and the members were excessive in their drug use.[87][88] The “breaking point” came when Allman testified in the trial of security man Scooter Herring.[67]Bandmates considered him a “snitch,” and he received death threats, leading to law-enforcement protection.[89] Herring was convicted on five counts of conspiracy to distribute cocaine and received a 75-year prison sentence, which were later overturned as he received a lesser sentence.[89] For his part, Allman always maintained that Herring had told him to take the deal and he would take the fall for it, but nevertheless, the band refused to communicate with him.[89] As a result, the band finally broke up; Leavell, Williams, and Jaimoe continued playing together in Sea Level, Betts formed Great Southern, and Allman founded the Gregg Allman Band.[90]

Mid-career and struggles

Marriages, breakups, and music (1977–1981)

Allman married Cher in June 1975, and the two lived in Hollywood during their years together as tabloid favorites.[4] Their marriage produced one son, Elijah Blue Allman, who was born in July 1976.[91] He recorded his second solo album, Playin’ Up a Storm, with the Gregg Allman Band, and it was released in May 1977. He also worked on an collaborative album with Cher titled Two the Hard Way, which, upon its release, was a massive failure.[73] The couple went to Europe to tour in support of both albums,[92] though the crowd reception was mixed.[93] With a combination of Allman Brothers fans and Cher fans, fights often broke out in venues, which led Cher to cancel the tour.[94] Turmoil began to overwhelm their relationship, and the two divorced in 1978.[95] Allman returned to Daytona Beach to stay with his mother, spending the majority of his time partying, chasing women, and touring with the Nighthawks, a blues band.[96]In a 2011 interview with WBUR’s On Point, Allman told host Tom Ashbrook that he was also uncomfortable with his wife’s celebrity lifestyle.

The Allman Brothers Band reunited in 1978, hiring two new members: guitarist Dan Toler and bassist David Goldflies.[90] Betts had approached Allman during his time in Daytona regarding a reunion.[97] Allman remembered that each member had their own reasons for rejoining, though he surmised it was a combination of displeasure with how things ended, missing each other, and a need for money.[98] The band’s reunion album, Enlightened Rogues, was released in February 1979 and was a mild commercial success.[99][100] Betts’ lawyer, Steve Massarsky, began managing the group,[100] and led the band to sign with Arista, who pushed the band to “modernize” their sound.[101] Their first Arista effort, Reach for the Sky (1980), was produced by Nashville songwriters Mike Lawler and Johnny Cobb.[101] Drugs remained a problem with the band, particularly among Betts and Allman.[102] The band again grew apart, replacing Jaimoe with Toler’s brother Frankie.[103] “One of the real blights on the history of the Allman Brothers Band was that Jaimoe, this gentle man, was fired from this organization,” said Allman later.[104]Not long after, “the band changed managers, hiring the promoter John Scher after Massarsky eased himself out, reportedly saying, ‘It’s a million-dollar headache and a quarter-million-dollar job.'”[105]

For their second and final album with Arista, Brothers of the Road, they collaborated with a “name producer” (John Ryan, of Styx and the Doobie Brothers), who pushed the band even harder to change their sound.[106]Straight from the Heart” was the album’s single, which became a minor hit but heralded the group’s last appearance on the top 40 charts.[107] The band, considering their post-reunion albums “embarrassing,” subsequently broke up in 1982 after clashing with Clive Davis, who rejected every producer the band suggested for a possible third album, including Tom Dowd and Johnny Sandlin.[108] “We broke up in ’82 because we decided we better just back out or we would ruin what was left of the band’s image,” said Betts.[108] The band’s final performance came on Saturday Night Live in January 1982, where they performed “Southbound” and “Leavin’.”[109] “It was like a whole different band made those records […] In truth, though, I was just too drunk most of the time to care one way or the other,” Allman would recall.[110]

Downtime, a surprise hit, and another reformation (1982–1990)

“No two ways about it, the ’80s were rough. […] It was seven years of going, “What is it that I do?” Being self-employed your whole life, that becomes a certain rock, a reinforcement. When that’s gone, not only are you bored stiff, but you just want to cry—”What do I do? I know I used to serve a purpose.”[111]

—Allman reflecting on his career in the 1980s

Allman spent much of the 1980s adrift and living in Sarasota, Florida with friends Marcia and Chuck Boyd.[112] His alcohol abuse was at one of its worst points, with Allman consuming “a minimum of a fifth of vodka a day.”[113] He felt the local police pursued him heavily, due to his tendency to get inebriated and “go jam anywhere.”[114] He was arrested and charged with a DUI; as a result, he spent five days in jail and was charged $1,000.[111] While he did not consider himself “washed up,” he noted in his autobiography that “there’s that fear of everybody forgetting about you.”[111] Southern rock faded from popular culture and electronic music formed much of the pop music of the decade. “There was hardly anybody playing live music, and those who did were doing it for not much money, in front of some die-hard old hippies in real small clubs,” he later recalled.[115] Nevertheless, he reformed the Gregg Allman Band and toured nationwide.[116] He often went to Telstar Studios to rehearse and write new songs. At one point, he attempted to reconnect with his children, though, according to him, “it just wasn’t a good situation.”[117]

By 1986, he felt tired of having little funds, and teamed up with former bandmate Betts for several performances together. It led to two Allman Brothers reunion performances that summer. Eventually, tension would arise and they would spend time apart again.[118] After recording several demos in Los Angeles, Allman was offered a recording contract by Epic Records.[119] He recorded his third solo release, I’m No Angel, at Criteria in Miami. Released in 1987, the title track became a surprise hit on radio. Allman released another solo album the following year, Just Before the Bullets Fly, though it did not sell as well as its predecessor. His alcohol abuse continued in the late 1980s, as he moved to Los Angeles and lived at the Riot House.[120] He married Danielle Galliano in a midlife crisis wherein he felt he would one day be too “old and ugly” to get married.[120] The marriage began with Allman overdosing at the Riot House—”so our marriage started off with a bang,” he said.[121] He dabbled in acting for the first time, taking a small part in the film Rush Week (1989),[122] and he sang the opening track to the film Black Rain (1989).[120]

The Allman Brothers Band celebrated its twentieth anniversary in 1989, and the band reunited for a summer tour, with Jaimoe once again on drums.[123] In addition, they featured guitarist Warren Haynes and pianist Johnny Neel, both from the Dickey Betts Band, and bassist Allen Woody, who was hired after open auditions held at Trucks’s Florida studio.[123] The classic rock radio format had given the band’s catalog songs new relevance, as did a multi-CD retrospective box set, Dreams.[124] Epic, who had worked with Allman on his solo career, signed the band. Danny Goldberg became the band’s manager; he had previously worked with acts such as Led Zeppelin and Bonnie Raitt.[125] The group were initially reluctant to tour, but found they performed solidly; in addition, former roadies such as “Red Dog” returned.[126] The band returned to the studio with longtime producer Tom Dowd for 1990’s Seven Turns, which was considered a return to form.[67][127]Good Clean Fun” and “Seven Turns” each became big hits on the Mainstream Rock Tracks chart. The addition of Haynes and Woody had “reenergized” the ensemble.[128] Neel left the group in 1990, and the band added percussionist Marc Quiñones, formerly of Spyro Gyra, the following year.[129]

Reforming the band and breaking addictions (1991–2000)

The band began touring heavily,[130] which helped build a new fan base: “We had to build a fan base all over again, but as word of mouth spread about how good the music was, more and more people took notice. It felt great, man, and that really helped the music,” Allman recalled.[131] Their next studio effort, Shades of Two Worlds (1992), produced the crowd favorite “Nobody Knows”.[132] Allman took his second and final acting role in Rush (1991), a crime drama. Allman greatly enjoyed the experience: “It was a different facet of the entertainment industry, and I wanted to see how those people worked together.”[133] The band grew contentious over a 1993 tour, in which Betts was arrested when he shoved two police officers.[130]Despite the growing tension, Haynes remained a member and Betts returned.[134] Their third post-reunion record, Where It All Begins (1994), was recorded entirely live.[134] The band continued to tour with greater frequency, attracting younger generations with their headlining of the H.O.R.D.E. Festival.[107][135] Allman’s daughter, Island, came to live with him in Los Angeles, and despite early struggles, they eventually grew very close.[136] “Island is the love of my life, she really is,” he would later write.[97]

For much of the 1990s, Allman lived in Marin County, California, spending his free time with close friends and riding his motorcycle.[137] The band was inducted into the Rock and Roll Hall of Fame in January 1995; Allman was severely inebriated and could not make it through his acceptance speech.[138] Seeing the ceremony broadcast on television later, Allman was mortified, providing a catalyst for his final, successful attempt to quit alcohol and substance abuse. He hired two in-home nurses that switched twelve-hour shifts to help him through the process.[139]He was immensely happy to finally quit alcohol, writing later in his autobiography: “Did I get any positive anything out of all that? And you’ve got to admit to yourself, no, I didn’t. You can see what happened and that by the grace of God, you finally quit before it killed you.”[139] Allman recorded a fifth solo album, Searching for Simplicity, which was quietly released on 550 Music.[73]Despite positive developments in his personal life, things began declining among the band members. During their 1996 run at the Beacon, turmoil came to a breaking point between Allman and Betts, nearly causing a cancellation of a show and causing another band breakup.[140] Haynes and Woody left to focus on Gov’t Mule, feeling as though a break was imminent with the Allman Brothers Band.[141][142]

The group recruited Oteil Burbridge of the Aquarium Rescue Unit to replace Woody on bass, and Jack Pearson on guitar.[143] Concerns arose over the increasing loudness of Allman Brothers shows, which were largely centered on Betts.[142] Pearson, struggling with tinnitus, left as a result following the 1999 Beacon run.[144] Trucks phoned his nephew, Derek Trucks, to join the band for their thirtieth anniversary tour.[145] The Beacon run in 2000, captured on Peakin’ at the Beacon, was ironically considered among the band’s worst performances; an eight-show spring tour led to even more strained relations in the group.[146] “It had ceased to be a band—everything had to be based around what Dickey was playing,” said Allman.[147] Anger boiled over within the group towards Betts, which led to all original members sending him a letter, informing him of their intentions to tour without him for the summer.[148] All involved contend that the break was temporary, but Betts responded by hiring a lawyer and suing the group, which led to a permanent divorce.[147] That August, Woody was found dead in a hotel room in New York,[149] which hit Allman particularly hard.[150] In 2001, Haynes rejoined the band for their Beacon run,[149] setting the stage for over a decade of stability within the group.

Later years

Touring and health problems (2000–2014)

Allman during the Allman Brothers Band’s annual residency at the Beacon Theater in New York in 2009

Allman moved to Savannah, Georgia, in 2000, purchasing five acres on the Belfast River.[151] The last incarnation of the Allman Brothers Band was well-regarded among fans and the general public, and remained stable and productive.[67][107] The band released their final studio recording, Hittin’ the Note (2003), to critical acclaim.[107] Allman co-wrote many songs on the record with Haynes, and he regarded it as his favorite album by the group since their earliest days. The band continued to tour throughout the 2000s, remaining a top touring act, regularly attracting more than 20,000 fans.[67]The decade closed with a successful run at the Beacon Theater, in celebration of the band’s fortieth anniversary.[152] “That [2009 run] was the most fun I’ve ever had in that building,” said Allman, and it was universally regarded within the band as a career highlight.[153][154][107] The run featured numerous special guests, including Eric Clapton, whom all in the band regarded as the most “special” guest, due to his association with Duane.[155]

He was diagnosed with hepatitis C in 2007—which he attributed to a dirty tattoo needle.[156] By the next year, they had discovered three tumors within his liver, and he was recommended to the Mayo Clinic in Jacksonville by a Savannah doctor for a liver transplant.[157] He went on a waiting list and after five months, he underwent a successful liver transplant in 2010.[158] He was reluctant to pursue a new solo album after the death of longtime producer Tom Dowd in 2002, but eventually recorded with producer T-Bone Burnett on his seventh release, Low Country Blues.[159] He was initially reluctant to Burnett’s suggestion to not bring his normal band, but he eventually became very positive about the recording, later calling it “a true highlight of my career.”[160] It went unreleased during his health problems, and during that time, it became something of a confidence booster: “When things got real bad, real painful, I would just think about this record and it was kind of a life support system.”[159] Upon its release in January 2011, it represented Allman’s highest ever chart peak in the United States, debuting at number five.[161]

He promoted the album heavily in Europe, until he had to cancel the rest of the trip due to an upper respiratory condition.[162] This infection led to a lung surgery later that year.[151] He went to rehab in 2012 for addiction following his medical treatments.[163] That year, Allman released his memoir, My Cross to Bear, which was thirty years in the making.[164] It eventually got optioned to be turned into a feature film—titled Midnight Rider—that was eventually canceled after a train accident on set caused the death of a member of the crew. In 2014, a tribute concert was held celebrating Allman’s career; it was later released as All My Friends: Celebrating The Songs & Voice Of Gregg Allman.[165] The same year, the Allman Brothers Band performed their final concerts, as Haynes and Derek Trucks desired to depart the group.[166][167]

Recent events (2015–2017)

After the dissolution of the Allman Brothers, Allman kept busy performing music with his band, releasing the live album Gregg Allman Live: Back to Macon, GA in 2015.[168] His health problems remained; he had atrial fibrillation. As a result, he attempted to grow healthier, switching to a gluten-free vegan diet.[165] He attempted to keep a light schedule at the advice of doctors, who warned that too many performances might amplify his conditions. Allman’s mother, Geraldine, died in July 2015 at the age of 98.[168] On April 6, 2016, Allman’s tour bus carrying his crew and horns crashed into a hillside in Jackson County, West Virginia. Allman was not among those injured.[169] One month later, he received an honorary doctorate from Mercer University in Macon, presented by former President Jimmy Carter.[170]

Allman recorded his last album, Southern Blood, with producer Don Was at FAME Studios in Muscle Shoals, Alabama. The album was recorded with his then-current backing band.[171] It is set for a January 2017 release.[172]

Personal life

Allman’s brother Duane died in a motorcycle accident in Macon, Georgia, in October 1971. “Duane was the father of the band,” Gregg Allman later told Guitar Player magazine. “Somehow he had this real magic about him that would lock us all in, and we’d take off.”

While enjoying great commercial success, Allman was in a downward spiral in his personal life. He became a heroin addict and was arrested on drug charges in 1976. To avoid jail, Allman agreed to testify against Scooter Herring, his road manager. Herring was later found guilty on narcotics distribution charges and sentenced to 75 years in prison.[173] Allman’s testimony was seen as a betrayal by his bandmates, who swore that they would never work with him again.

In 2007, Allman was diagnosed with hepatitis C. The condition “was laying dormant for awhile and just kind of crept up on me. I was worn out. I had to sleep 10 or 11 hours a day to two or three [hours],” he explained to Billboard. He had a liver transplant in 2010.[174] In April 2017, he denied reports that he had entered hospice care, but was resting at home on doctor’s orders.[175]

Marriages, relationships and children

Allman’s partners included Shelley Kay Winters, Janice Blair, Cher, Julie Bindas, Ganielle J P Galiana and Stacey Fountain. In 2012 he announced an engagement on the Piers Morgan show to Shannon Williams.[176]

Allman had five children – son Devon Allman, 44, lead singer of Honeytribe, from his marriage to Shelley Kay Winters, Elijah Blue Allman, 40, lead singer of Deadsy, from his marriage to Cher, Delilah Island Allman, 35, from his marriage to Julie Bindas, Michael Sean Allman, 50, from a relationship with former waitress Mary Lynn Green, and Layla Brooklyn Allman, 23, from a relationship with radio journalist Shelby Blackburn.[176]

Death

Following a series of health problems,[177] Allman died at his home in Savannah, Georgia, on May 27, 2017 due to complications of liver cancer. He was 69.[178][179][180][181]

Discography

Studio
Live

See also

References

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Greg Iles –Natchez Burning, The Bone Tree and Mississippi Blood — Videos

Posted on March 26, 2017. Filed under: Blogroll, Books, Communications, Culture, Education, Entertainment, Fiction, Language, Law, liberty, Life, Links, Literature, media, Music, People, Philosophy, Photos, Police, Rants, Raves, Video, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , |

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A Conversation with Greg Iles about Mississippi Blood

Author Greg Iles: “Mississippi Blood”

Broken Bones | Greg Iles | A

Word on Words | NPT

Greg Iles Pulls from History for His Natchez Thriller Trilogy

Greg Iles: A Writer’s Conversation

Greg Iles Introduces Natchez Burning

The Death Factory by Greg Iles | Book Review

Natchez Burning Fans!

Book Looks – “Natchez Burning”

Greg Iles Interview Part 1 of 6

Greg Iles Interview Part 2 of 6

Greg Iles Interview Part 3 of 6

Greg Iles Interview Part 4 of 6

Greg Iles Interview Part 5 of 6

Rock Bottom Remainders – Midnight Hour

The Original Rock Bottom Remainders

Rock Bottom Remainders on The Late Late Show

Greg Iles sings “Steamroller”

dirty water, part 1 – rock bottom remainders

Rock Bottom Remainders at ALA 2012

wild thing – rock bottom remainders

Steve Martin, a banjo and RBR

Amy Tan and Airport Security

Bruce Springsteen

Roger and Ridley

Greg Iles

From Wikipedia, the free encyclopedia
Greg Iles
Born 1960 (age 56–57)
Stuttgart, Germany
Nationality American
Occupation Writer

Greg Iles (born 1960) is a novelist who lives in Mississippi. He has published 15 novels and one novella, spanning a variety of genres.

Biography

Early life

Iles was born in 1960 in Stuttgart, Germany, where his physician father ran the U.S. Embassy Medical Clinic. He was raised in Natchez, Mississippi, the setting of many of his novels.[1] After attending Trinity Episcopal Day School, he graduated from the University of Mississippi in 1983.

Career

Iles spent several years as a guitarist, singer, and songwriter in the band Frankly Scarlet.[2] He quit the band after he was married and began working on his first novel, Spandau Phoenix, a thriller about Nazi war criminal Rudolf Hess. Spandau Phoenix was published in 1993.

In 2002, Iles wrote the script 24 Hours from his novel of the same name. Rewritten by director Don Roos, it was renamed Trapped. Iles then rewrote the script during the shoot, at the request of the producers and actors.[3]

In 2011, Iles was seriously injured in a traffic accident on U.S. Route 61 near Natchez.[4] He sustained life-threatening injuries, including a ruptured aorta.[5] He was put into an induced coma for eight days, and lost his right leg below the knee. During his three-year recovery, he wrote three volumes of a trilogy set in Natchez, Mississippi, and featuring former prosecutor Penn Cage.[6][7]

Iles is a member of the literary musical group The Rock Bottom Remainders, which includes or has included authors Dave Barry, Ridley Pearson, Stephen King, Scott Turow, Amy Tan, Mitch Albom, Roy Blount, Jr., Matt Groening, and James McBride.[8] In July 2013, he co-authored Hard Listening (2013) with the group.[9] The ebook combines essays, fiction, musings, email exchanges and conversations, photographs, audio and video clips, and interactive quizzes to give readers a view into the private lives of the authors/musicians.

Works

Fiction

Nonfiction

  • Hard Listening (2013), with Rock Bottom Remainders

References

External links

Silver Dollar Group

From Wikipedia, the free encyclopedia

The Silver Dollar Group was an offshoot of the Ku Klux Klan white nationalist militant group, composed of leaderless resistance cells that took up violent actions to support Klan goals. The group was largely found in Mississippi and Louisiana, and was named for their practice of identifying themselves by carrying a silver dollar. The group is believed to have had only some twenty members.[1] The group formed in 1964 at the Shamrock Motor Hotel in Vidalia, Louisiana, amidst dissatisfaction at the lack of forceful action by Klan groups in the region.

The group killed an African American man, Frank Morris, by arson in Ferriday, Louisiana for alleged flirting with white women, and is suspected in two car bombings of NAACP leaders in Natchez, Mississippi, George Metcalfe and Wharlest Jackson.[2] Morris had a shoe repair shop in Ferriday, and died after his shoe repair shop was burned.

2007 prosecution

In 2007, Group member James Ford Seale was charged and convicted for the May 1964 kidnapping of Henry Hezekiah Dee and Charles Eddie Moore, two African-American young men in Meadville, Mississippi.[3]

References

  1. Jump up^ Quarles, C.L. (1999). The Ku Klux Klan and Related American Racialist and Antisemitic Organizations: A History and Analysis. McFarland. p. 124. ISBN 9780786406470. Retrieved January 6, 2016.
  2. Jump up^ Newton, M. (2005). The FBI and the KKK: A Critical History. p. 151. ISBN 9781476605104. Retrieved January 6, 2016.
  3. Jump up^ “Americas | US man in 1964 race attack charge”. BBC News. January 25, 2007. Retrieved February 13, 2011.

 

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Ella Fitzgerald — Videos

Posted on February 5, 2017. Filed under: American History, Art, Culture, Entertainment, history, Music, Music, People, Photos, Video, Wisdom, Writing | Tags: , , , , , , |

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Ella Fitzgerald – My Funny Valentine (High Quality – Remastered)

Benny Goodman & Ella Fitzgerald – Goodnight My Love (1937)

Manhattan – Ella Fitzgerald lyrics

Ella Fitzgerald – The Very Thought Of You (lyrics on screen)

Ella Fitzgerald- “It Don’t Mean A Thing If It Ain’t Got That Swing” 1957 (RITY Archives)

Ella Fitzgerald – Midnight Sun – LIVE 1958

Ella Fitzgerald in Copenhagen 1965

Ella Fitzgerald – Summertime (1968)

Summertime,
And the livin’ is easy
Fish are jumpin’
And the cotton is high

Oh, Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry

One of these mornings
You’re going to rise up singing
Then you’ll spread your wings
And you’ll take to the sky

But ’til that morning
There’s a’nothing can harm you
With your daddy and mammy
Standing by
Don’t you cry

Ella Fitzgerald How High is the moon

Ella Fitzgerald and Louis Armstrong – Summertime

Ella & Louis – Cheek to Cheek

Ella Fitzgerald & Louis Armstrong: Dream A Little Dream Of Me

Ella Fitzgerald & Louis Armstrong – Stars Fell On Alabama (1956)

Ella Fitzgerald & Louis Armstrong – Tenderly (Verve Records 1956)

E.Fitzgerald & L.Armstrong, Duets and more (full album)

Let’s Do It (Let’s Fall In Love) by Ella Fitzgerald

Ella Fitzgerald – Mack The Knife (High Quality)

Ella Fitzgerald – Misty

Ella Fitzgerald and The Inkspots – Into Each Life Some Rain Must Fall

Ella Fitzgerald – Hello Dolly (live)

Ella Fitzgerald – The Girl From Ipanema

Ella Fitzgerald – For Once In My Life (Live in Berlin 1968)

Ella Fitzgerald – Live At Ronnie Scott’s (!974)

ELLA FITZGERALD LIVE IN TOKYO (1983)

Ella Fitzgerald LIVE IN MILANO, ITALY 1984

Ella Fitzgerald – Night and Day (w/ lyrics)

Frank Sinatra – The Lady Is A Tramp ft. Ella Fitzgerald

Ella Fitzgerald – Blue Skies (High Quality – Remastered)

Ella Fitzgerald – Cry me a river

Ella Fitzgerald-How deep is the ocean?

Ella Fitzgerald “One Note Samba”

How High The Moon 1958

Ella Fitzgerald British TV 1961 Mr Paganini

Mr Paganini

Ella Fitzgerald – Round Midnight

Ella Fitzgerald The Man I love

Ella sings “Stormy Weather” with Joe Pass, Hannover 1975

Ella Fitzgerald – Sammy Davis Jr. 60th Anniversary Celebration (1990)

Karen Carpenter/Ella Fitzgerald medley, recorded for “Music,Music,Music

Ella Fitzgerald & Joe Pass – Once in a While

Ella Fitzgerald – My Heart Belongs to Daddy

Marilyn Monroe and Ella Fitzgerald sing “My Heart Belongs To Daddy”

Marilyn Monroe And Ella Fitzgerald Sing LAZY Together

Marilyn Monroe Talking About Ella Fitzgerald, Frank Sinatra And Sammy Davis jr

The Best Of Ella Fitzgerald

Ella Fitzgerald – All the Best (FULL ALBUM)

Ella Fitzgerald Greatest hits playlist – Collection HD/HQ

Ella Fitzgerald Interview 1974 Brian Linehan’s City Lights

Ella Fitzgerald kicked off a plane because of her race: CBC Archives | CBC

What’s My Line? – Ella Fitzgerald

Kennedy Center Honors Ella Fitzgerald 1979

ELLA FITZGERALD RECEIVES THE PRESIDENT’S AWARD

ELLA FITZGERALD BIOGRAPHY PART 1

ELLA FITZGERALD BIOGRAPHY PART 2

ELLA FITZGERALD BIOGRAPHY PART 3

ELLA FITZGERALD BIOGRAPHY PART 4

ELLA FITZGERALD BIOGRAPHY PART 5

ELLA FITZGERALD BIOGRAPHY PART 6

ELLA FITZGERALD BIOGRAPHY PART 7

ELLA FITZGERALD BIOGRAPHY PART 8

ELLA FITZGERALD BIOGRAPHY PART 9

ELLA FITZGERALD BIOGRAPHY PART 10

ELLA FITZGERALD BIOGRAPHY PART 11

Ella Fitzgerald

From Wikipedia, the free encyclopedia
Ella Fitzgerald
Ella Fitzgerald (Gottlieb 02871).jpg

Fitzgerald in November 1946
Born Ella Jane Fitzgerald
April 25, 1917
Newport News, Virginia, U.S.
Died June 15, 1996 (aged 79)
Beverly Hills, California, U.S.
Cause of death Diabetes mellitus
Spouse(s) Benny Kornegay
(m. 1941; annulled 1943)
Ray Brown
(m. 1947; div. 1953)
Children Ray Brown Jr.
Musical career
Genres
Occupation(s) Singer, actress
Instruments Vocals
Years active 1934–1994
Labels
Website ellafitzgerald.com

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazzsinger often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald’s rendition of the nursery rhymeA-Tisket, A-Tasket” helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last effectively the rest of her life.

Signed with manager and Savoy co-founder Moe Gale[1] from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald’s vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook.

While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, Fitzgerald capped off her sixty-year career with her last public performance. Three years later, she died at the age of 79, following years of decline in her health. After her passing, Fitzgerald’s influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theater namesakes.

Early life

Fitzgerald was born on April 25, 1917, in Newport News, Virginia, the daughter of William Fitzgerald and Temperance “Tempie” Fitzgerald.[2] Her parents were unmarried but lived together for at least two and a half years after she was born. In the early 1920s Fitzgerald’s mother and her new partner, a Portuguese immigrant named Joseph Da Silva,[2] moved to the city of Yonkers, in Westchester County, New York, as part of the first Great Migration of African Americans.[2] Initially living in a single room, her mother and Da Silva soon found jobs. Her half-sister, Frances Da Silva, was born in 1923.[3] By 1925, Fitzgerald and her family had moved to nearby School Street, then a predominantly poor Italian area.[3] She began her formal education at the age of six and proved to be an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School from 1929.[4]

Fitzgerald had been passionate about dancing from third grade, being a fan of Earl “Snakehips” Tucker in particular, and would perform for her peers on the way to school and at lunchtime.[5] Fitzgerald and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, and she regularly attended worship services, Bible study, and Sunday school.[5] The church provided Fitzgerald with her earliest experiences in formal music making, and she may also have had a short series of piano lessons during this period.[6]

During this period Fitzgerald listened to jazz recordings by Louis Armstrong, Bing Crosby, and The Boswell Sisters. Fitzgerald idolized the Boswell Sisters’ lead singer Connee Boswell, later saying, “My mother brought home one of her records, and I fell in love with it….I tried so hard to sound just like her.”[7]

In 1932, her mother died from serious injuries she received in a car accident [8] when Fitzgerald was 15 years of age. This left her at first in the care of her stepfather but before the end of April 1933, she had moved in with her aunt in Harlem.[9]This seemingly swift change in her circumstances, reinforced by what Fitzgerald biographer Stuart Nicholson describes as rumors of her stepfather’s “ill treatment” of Fitzgerald, leaves him to speculate that Da Silva might have abused her.[9]

Regardless, following these traumas, Fitzgerald began skipping school and letting her grades suffer. During this period she worked at times as a lookout at a bordello and with a Mafia-affiliated numbers runner.[10] Ella Fitzgerald never talked publicly about this time in her life.[11] When the authorities caught up with her, she was first placed in the Colored Orphan Asylum in Riverdale, Bronx.[12] However, when the orphanage proved too crowded, she was moved to the New York Training School for Girls in Hudson, New York, a state reformatory located about 120 miles north of New York City. Eventually she escaped and for a time she was homeless.

Early career

A young Fitzgerald, photographed by Carl Van Vechten in 1940

While she seems to have survived during 1933 and 1934 in part from singing on the streets of Harlem, Fitzgerald made her most important amateur singing debut at age 17 on November 21, 1934, in one of the earliest of the famous Amateur Nights at the Apollo Theater.[13][14] She had originally intended to go on stage and dance, but, intimidated by a local dance duo called the Edwards Sisters, she opted to sing instead.[14][15] Performing in the style of Connee Boswell, she sang “Judy” and “The Object of My Affection” and won the first prize of $25.00.[16] In theory, she also won the chance to perform at the Apollo for a week but, seemingly because of her disheveled appearance, the theater never gave her that part of her prize.[17]

In January 1935 Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House.[13] Around this same time, she was introduced to the drummer and bandleader Chick Webb, who had asked his recently signed singer Charlie Linton to help find him a female singer. Though Webb was, as The New York Times later wrote, “reluctant to sign her….because she was gawky and unkempt, a ‘diamond in the rough,'”[7] he offered her the opportunity to test with his band when they played a dance at Yale University.[13]

Met with approval by both audiences and her fellow musicians, Fitzgerald was asked to join Webb’s orchestra and soon gained acclaim as part of the group’s renowned performances at Harlem’s Savoy Ballroom.[13] Fitzgerald recorded several hit songs with them, including “Love and Kisses” and “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)“.[13] But it was her 1938 version of the nursery rhyme, “A-Tisket, A-Tasket,” a song she co-wrote, that brought her wide public acclaim.[18][19] Later that year Ella recorded her second hit, “I Found My Yellow Basket.”

Webb died of spinal tuberculosis on June 16, 1939,[20] and his band was renamed Ella and her Famous Orchestra, with Fitzgerald taking on the role of nominal bandleader.[21] Fitzgerald recorded nearly 150 songs with Webb’s orchestra between 1935 and its final end in 1942. In her New York Times obituary of 1996, Stephen Holder echoed the conventional critical view of the time in describing “the majority” of her recordings during this period as “novelties and disposable pop fluff”.[7] In addition to her work with Webb, Fitzgerald performed and recorded with the Benny Goodman Orchestra. She had her own side project, too, known as Ella Fitzgerald and Her Savoy Eight.

Decca years

Fitzgerald performing with Dizzy Gillespie, Ray Brown, Milt Jackson and Timme Rosenkrantz in September 1947, New York

In 1942, Fitzgerald left the band to begin a solo career.[22] Continuing under contract to the Decca label that she had worked with while part of Webb’s orchestra, she had several popular hits while recording with such artists as Bill Kenny & the Ink Spots,[23] Louis Jordan,[24] and the Delta Rhythm Boys.[25]

With Decca’s Milt Gabler as her manager, Fitzgerald began working regularly for the jazz impresario Norman Granz and appeared regularly in his Jazz at the Philharmonic (JATP) concerts. Her relationship with Granz was further cemented when he became her manager, although it would be nearly a decade before he could record her on one of his many record labels.

With the demise of the Swing era and the decline of the great touring big bands, a major change in jazz music occurred. The advent of bebop led to new developments in Fitzgerald’s vocal style, influenced by her work with Dizzy Gillespie‘s big band. It was in this period that Fitzgerald started including scat singing as a major part of her performance repertoire. While singing with Gillespie, Fitzgerald recalled, “I just tried to do [with my voice] what I heard the horns in the band doing.”[16]

Her 1945 scat recording of “Flying Home” arranged by Vic Schoen would later be described by The New York Times as “one of the most influential vocal jazz records of the decade….Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness.”[7] Her bebop recording of “Oh, Lady Be Good!” (1947) was similarly popular and increased her reputation as one of the leading jazz vocalists.[26]

Verve years

Fitzgerald was still performing at Granz’s JATP concerts by 1955. She left Decca and Granz, now her manager, created Verve Records around her. She later described the period as strategically crucial, saying, “I had gotten to the point where I was only singing be-bop. I thought be-bop was ‘it’, and that all I had to do was go some place and sing bop. But it finally got to the point where I had no place to sing. I realized then that there was more to music than bop. Norman … felt that I should do other things, so he produced The Cole Porter Songbook with me. It was a turning point in my life.”[7]

On March 15, 1955[27] Ella Fitzgerald opened her initial engagement at the Mocambo nightclub in Hollywood,[28] after Marilyn Monroe lobbied the owner for the booking.[29] The booking was instrumental in Fitzgerald’s career. Bonnie Greer dramatized the incident as the musical drama, Marilyn and Ella, in 2008. It had previously been widely reported that Fitzgerald was the first black performer to play the Mocambo, following Monroe’s intervention, but this is not true. African-American singers Herb Jeffries,[30] Eartha Kitt,[31] and Joyce Bryant[32] all played the Mocambo in 1952 and 1953, according to stories published at the time in Jet magazine and Billboard.

Ella Fitzgerald Sings the Cole Porter Songbook, released in 1956, was the first of eight Songbook sets Fitzgerald would record for Verve at irregular intervals from 1956 to 1964. The composers and lyricists spotlighted on each set, taken together, represent the greatest part of the cultural canon known as the Great American Songbook. Her song selections ranged from standards to rarities and represented an attempt by Fitzgerald to cross over into a non-jazz audience. The sets are the most well-known items in her discography.

Fitzgerald in 1968, courtesy of the Fraser MacPherson estate

Ella Fitzgerald Sings the Duke Ellington Song Book was the only Songbook on which the composer she interpreted played with her. Duke Ellington and his longtime collaborator Billy Strayhorn both appeared on exactly half the set’s 38 tracks and wrote two new pieces of music for the album: “The E and D Blues” and a four-movement musical portrait of Fitzgerald (the only Songbook track on which Fitzgerald does not sing). The Songbook series ended up becoming the singer’s most critically acclaimed and commercially successful work, and probably her most significant offering to American culture. The New York Times wrote in 1996, “These albums were among the first pop records to devote such serious attention to individual songwriters, and they were instrumental in establishing the pop album as a vehicle for serious musical exploration.”[7]

Days after Fitzgerald’s death, The New York Times columnist Frank Rich wrote that in the Songbook series Fitzgerald “performed a cultural transaction as extraordinary as Elvis‘ contemporaneous integration of white and African American soul. Here was a black woman popularizing urban songs often written by immigrant Jews to a national audience of predominantly white Christians.”[10] Frank Sinatra, out of respect for Fitzgerald, prohibited Capitol Records from re-releasing his own recordings in separate albums for individual composers in the same way.[citation needed]

Fitzgerald also recorded albums exclusively devoted to the songs of Porter and Gershwin in 1972 and 1983; the albums being, respectively, Ella Loves Cole and Nice Work If You Can Get It. A later collection devoted to a single composer was released during her time with Pablo Records, Ella Abraça Jobim, featuring the songs of Antônio Carlos Jobim.

While recording the Songbooks and the occasional studio album, Fitzgerald toured 40 to 45 weeks per year in the United States and internationally, under the tutelage of Norman Granz. Granz helped solidify her position as one of the leading live jazz performers.[7] In 1961 Fitzgerald bought a house in the Klampenborg district of Copenhagen, Denmark, after she began a relationship with a Danish man. Though the relationship ended after a year, Fitzgerald regularly returned to Denmark over the next three years, and even considered buying a jazz club there. The house was sold in 1963, and Fitzgerald permanently returned to the United States.[33]

There are several live albums on Verve that are highly regarded by critics. Ella at the Opera House shows a typical JATP set from Fitzgerald. Ella in Rome and Twelve Nights in Hollywood display her vocal jazz canon. Ella in Berlin is still one of her best-selling albums; it includes a Grammy-winning performance of “Mack the Knife” in which she forgets the lyrics but improvises magnificently to compensate.

Verve Records was sold to MGM in 1963 for $3 million and in 1967 MGM failed to renew Fitzgerald’s contract. Over the next five years she flitted between Atlantic, Capitol and Reprise. Her material at this time represented a departure from her typical jazz repertoire. For Capitol she recorded Brighten the Corner, an album of hymns, Ella Fitzgerald’s Christmas, an album of traditional Christmas carols, Misty Blue, a country and western-influenced album, and 30 by Ella, a series of six medleys that fulfilled her obligations for the label. During this period, she had her last US chart single with a cover of Smokey Robinson‘s “Get Ready“, previously a hit for the Temptations, and some months later a top-five hit for Rare Earth.

The surprise success of the 1972 album Jazz at Santa Monica Civic ’72 led Granz to found Pablo Records, his first record label since the sale of Verve. Fitzgerald recorded some 20 albums for the label. Ella in London recorded live in 1974 with pianist Tommy Flanagan, guitarist Joe Pass, bassist Keter Betts and drummer Bobby Durham, was considered by many to be some of her best work. The following year she again performed with Joe Pass on German television station NDR in Hamburg. Her years with Pablo Records also documented the decline in her voice. “She frequently used shorter, stabbing phrases, and her voice was harder, with a wider vibrato”, one biographer wrote.[34] Plagued by health problems, Fitzgerald made her last recording in 1991 and her last public performances in 1993.[35]

Film and television

Fitzgerald shakes hands with President Ronald Reagan after performing in the White House, 1981

In her most notable screen role, Fitzgerald played the part of singer Maggie Jackson in Jack Webb‘s 1955 jazz film Pete Kelly’s Blues.[36] The film costarred Janet Leigh and singer Peggy Lee.[37] Even though she had already worked in the movies (she had sung briefly in the 1942 Abbott and Costello film Ride ‘Em Cowboy),[38] she was “delighted” when Norman Granz negotiated the role for her, and, “at the time….considered her role in the Warner Brothers movie the biggest thing ever to have happened to her.”[34] Amid The New York Times pan of the film when it opened in August 1955, the reviewer wrote, “About five minutes (out of ninety-five) suggest the picture this might have been. Take the ingenious prologue … [or] take the fleeting scenes when the wonderful Ella Fitzgerald, allotted a few spoken lines, fills the screen and sound track with her strong mobile features and voice.”[39]Fitzgerald’s race precluded major big-screen success. After Pete Kelly’s Blues, she appeared in sporadic movie cameos, in St. Louis Blues (1958),[40] and Let No Man Write My Epitaph (1960).[41] Much later, she appeared in the 1980s television drama The White Shadow.

She made numerous guest appearances on television shows, singing on The Frank Sinatra Show, The Andy Williams Show, The Pat Boone Chevy Showroom, and alongside other greats Nat King Cole, Dean Martin, Mel Tormé, and many others. She was also frequently featured on The Ed Sullivan Show. Perhaps her most unusual and intriguing performance was of the “Three Little Maids” song from Gilbert and Sullivan‘s comic operetta The Mikado alongside Joan Sutherland and Dinah Shore on Shore’s weekly variety series in 1963. A performance at Ronnie Scott’s Jazz Club in London was filmed and shown on the BBC. Fitzgerald also made a one-off appearance alongside Sarah Vaughan and Pearl Bailey on a 1979 television special honoring Bailey. In 1980, she performed a medley of standards in a duet with Karen Carpenter on the Carpenters’ television program Music, Music, Music.[42]

Fitzgerald also appeared in TV commercials, her most memorable being an ad for Memorex.[43] In the commercials, she sang a note that shattered a glass while being recorded on a Memorex cassette tape.[44] The tape was played back and the recording also broke the glass, asking: “Is it live, or is it Memorex?”[44] She also starred in a number of commercials for Kentucky Fried Chicken, singing and scatting to the fast-food chain’s longtime slogan, “We do chicken right!”[45] Her final commercial campaign was for American Express, in which she was photographed by Annie Leibovitz.[46]

Collaborations

Fitzgerald’s most famous collaborations were with the vocal quartet Bill Kenny & the Ink Spots, trumpeter Louis Armstrong, the guitarist Joe Pass, and the bandleaders Count Basie and Duke Ellington.

  • From 1943 to 1950, Fitzgerald recorded seven songs with the Ink Spots featuring Bill Kenny. Out of all seven recordings, four reached the top of the pop charts including “I’m Making Believe” and “Into Each Life Some Rain Must Fall” which both reached #1.
  • Fitzgerald recorded three Verve studio albums with Armstrong, two albums of standards (1956’s Ella and Louis and 1957’s Ella and Louis Again), and a third album featured music from the Gershwin musical Porgy and Bess. Fitzgerald also recorded a number of sides with Armstrong for Decca in the early 1950s.
  • Fitzgerald is sometimes referred to as the quintessential swing singer, and her meetings with Count Basie are highly regarded by critics. Fitzgerald features on one track on Basie’s 1957 album One O’Clock Jump, while her 1963 album Ella and Basie! is remembered as one of her greatest recordings. With the ‘New Testament’ Basie band in full swing, and arrangements written by a young Quincy Jones, this album proved a respite from the ‘Songbook’ recordings and constant touring that Fitzgerald was engaged in during this period. Fitzgerald and Basie also collaborated on the 1972 album Jazz at Santa Monica Civic ’72, and on the 1979 albums Digital III at Montreux, A Classy Pair and A Perfect Match.
  • Fitzgerald and Joe Pass recorded four albums together toward the end of Fitzgerald’s career. She recorded several albums with piano accompaniment, but a guitar proved the perfect melodic foil for her. Fitzgerald and Pass appeared together on the albums Take Love Easy (1973), Easy Living (1986), Speak Love (1983) and Fitzgerald and Pass… Again (1976).
  • Fitzgerald and Duke Ellington recorded two live albums and two studio albums. Her Duke Ellington Songbook placed Ellington firmly in the canon known as the Great American Songbook, and the 1960s saw Fitzgerald and the ‘Duke’ meet on the Côte d’Azur for the 1966 album Ella and Duke at the Cote D’Azur, and in Sweden for The Stockholm Concert, 1966. Their 1965 album Ella at Duke’s Place is also extremely well received.

Fitzgerald had a number of famous jazz musicians and soloists as sidemen over her long career. The trumpeters Roy Eldridge and Dizzy Gillespie, the guitarist Herb Ellis, and the pianists Tommy Flanagan, Oscar Peterson, Lou Levy, Paul Smith, Jimmy Rowles, and Ellis Larkins all worked with Ella mostly in live, small group settings.

Possibly Fitzgerald’s greatest unrealized collaboration (in terms of popular music) was a studio or live album with Frank Sinatra. The two appeared on the same stage only periodically over the years, in television specials in 1958 and 1959, and again on 1967’s A Man and His Music + Ella + Jobim, a show that also featured Antônio Carlos Jobim. Pianist Paul Smith has said, “Ella loved working with [Frank]. Sinatra gave her his dressing-room on A Man and His Music and couldn’t do enough for her.” When asked, Norman Granz would cite “complex contractual reasons” for the fact that the two artists never recorded together.[34] Fitzgerald’s appearance with Sinatra and Count Basie in June 1974 for a series of concerts at Caesars Palace, Las Vegas, was seen as an important incentive for Sinatra to return from his self-imposed retirement of the early 1970s. The shows were a great success, and September 1975 saw them gross $1,000,000 in two weeks on Broadway, in a triumvirate with the Count Basie Orchestra.

Later life and death

Fitzgerald had suffered from diabetes for several years of her later life, which had led to numerous complications.[7] In 1985, Fitzgerald was hospitalized briefly for respiratory problems,[47] in 1986 for congestive heart failure,[48] and in 1990 for exhaustion.[49] In March 1990 she appeared at the Royal Albert Hall in London, England with the Count Basie Orchestra for the launch of Jazz FM, plus a gala dinner at the Grosvenor House Hotel at which she performed.[50] In 1993, she had to have both of her legs amputated below the knee due to the effects of diabetes.[51] Her eyesight was affected as well.[7]

In 1996, tired of being in the hospital, she wished to spend her last days at home. Confined to a wheelchair, she spent her final days in her backyard of her Beverly Hills mansion on Whittier, with her son Ray and 12-year-old granddaughter, Alice. “I just want to smell the air, listen to the birds and hear Alice laugh,” she reportedly said. On her last day, she was wheeled outside one last time, and sat there for about an hour. When she was taken back in, she looked up with a soft smile on her face and said, “I’m ready to go now.” She died in her home on June 15, 1996 at the age of 79.[7] A few hours after her death, the Playboy Jazz Festival was launched at the Hollywood Bowl. In tribute, the marquee read: “Ella We Will Miss You.”[52] Her funeral was private,[52] and she was buried at Inglewood Park Cemetery in Los Angeles.

Personal life

Fitzgerald married at least twice, and there is evidence that she may have married a third time. Her first marriage was in 1941, to Benny Kornegay, a convicted drug dealer and local dockworker. The marriage was annulled in 1942.[53]

Her second marriage was in December 1947, to the famous bass player Ray Brown, whom she had met while on tour with Dizzy Gillespie’s band a year earlier. Together they adopted a child born to Fitzgerald’s half-sister, Frances, whom they christened Ray Brown, Jr. With Fitzgerald and Brown often busy touring and recording, the child was largely raised by his mother’s aunt, Virginia. Fitzgerald and Brown divorced in 1953, bowing to the various career pressures both were experiencing at the time, though they would continue to perform together.[7]

In July 1957, Reuters reported that Fitzgerald had secretly married Thor Einar Larsen, a young Norwegian, in Oslo. She had even gone as far as furnishing an apartment in Oslo, but the affair was quickly forgotten when Larsen was sentenced to five months’ hard labor in Sweden for stealing money from a young woman to whom he had previously been engaged.[54]

Fitzgerald was also notoriously shy. Trumpet player Mario Bauzá, who played behind Fitzgerald in her early years with Chick Webb, remembered that “she didn’t hang out much. When she got into the band, she was dedicated to her music….She was a lonely girl around New York, just kept herself to herself, for the gig.”[34] When, later in her career, the Society of Singers named an award after her, Fitzgerald explained, “I don’t want to say the wrong thing, which I always do but I think I do better when I sing.”[16]

Fitzgerald was a quiet but ardent supporter of many charities and non-profit organizations, including the American Heart Association and the City of Hope Medical Center. In 1993, she established the Ella Fitzgerald Charitable Foundation.[55]

Discography and collections

Further information: Ella Fitzgerald discography

The primary collections of Fitzgerald’s media and memorabilia reside at and are shared between the Smithsonian Institution and the US Library of Congress [56]

Awards, citations and honors

Fitzgerald won thirteen Grammy Awards,[57] and received the Grammy Lifetime Achievement Award in 1967.[58]

In 1958 Fitzgerald was the first African American female to win at the inaugural show.[59]

Other major awards and honors she received during her career were the Kennedy Center for the Performing Arts Medal of Honor Award, National Medal of Art, first Society of Singers Lifetime Achievement Award, named “Ella” in her honor, Presidential Medal of Freedom, and the George and Ira Gershwin Award for Lifetime Musical Achievement, UCLA Spring Sing, and the UCLA Medal (1987).[60] Across town at the University of Southern California, she received the USC “Magnum Opus” Award which hangs in the office of the Ella Fitzgerald Charitable Foundation. In 1990, she received an honorary doctorate of Music from Harvard University.[61]

Tributes and legacy

Fitzgerald in 1960 by Erling Mandelmann

The career history and archival material from Ella’s long career are housed in the Archives Center at the Smithsonian‘s National Museum of American History, while her personal music arrangements are at the Library of Congress. Her extensive cookbook collection was donated to the Schlesinger Library at Harvard University, and her extensive collection of published sheet music was donated to UCLA.

In 1997, Newport News, Virginia created a music festival with Christopher Newport University to honor Ella Fitzgerald in her birth city. Past performers at the week-long festival include: Diana Krall, Arturo Sandoval, Jean Carne, Phil Woods, Aretha Franklin, Victoria Wyndham, Charles Keating, Freda Payne, Cassandra Wilson, Ethel Ennis, David Sanborn, Jane Monheit, Dianne Reeves, Dee Dee Bridgewater, Ramsey Lewis, Patti Austin, Lalah Hathaway, Ledisi, Chrisette Michele, Natalie Cole, Freddie Jackson, Joe Harnell, Roy Ayers and Ann Hampton Callaway.

Callaway, Dee Dee Bridgewater, and Patti Austin have all recorded albums in tribute to Fitzgerald. Callaway’s album To Ella with Love (1996) features fourteen jazz standards made popular by Fitzgerald, and the album also features the trumpeter Wynton Marsalis. Bridgewater’s album Dear Ella (1997) featured many musicians that were closely associated with Fitzgerald during her career, including the pianist Lou Levy, the trumpeter Benny Powell, and Fitzgerald’s second husband, double bassist Ray Brown. Bridgewater’s following album, Live at Yoshi’s, was recorded live on April 25, 1998, what would have been Fitzgerald’s 81st birthday.

Austin’s album, For Ella (2002) features 11 songs most immediately associated with Fitzgerald, and a twelfth song, “Hearing Ella Sing” is Austin’s tribute to Fitzgerald. The album was nominated for a Grammy. In 2007, We All Love Ella, was released, a tribute album recorded for the 90th anniversary of Fitzgerald’s birth. It featured artists such as Michael Bublé, Natalie Cole, Chaka Khan, Gladys Knight, Diana Krall, k.d. lang, Queen Latifah, Ledisi, Dianne Reeves, Linda Ronstadt, and Lizz Wright, collating songs most readily associated with the “First Lady of Song”. Folk singer Odetta‘s album To Ella (1998) is dedicated to Fitzgerald, but features no songs associated with her. Her accompanist Tommy Flanagan affectionately remembered Fitzgerald on his album Lady be Good … For Ella (1994).

Ella, elle l’a“, a tribute to Fitzgerald written by Michel Berger and performed by French singer France Gall, was a hit in Europe in 1987 and 1988.[62] Fitzgerald is also referred to in the 1976 Stevie Wonder hit “Sir Duke” from his album Songs in the Key of Life, and the song “I Love Being Here With You”, written by Peggy Lee and Bill Schluger. Sinatra’s 1986 recording of “Mack the Knife” from his album L.A. Is My Lady (1984) includes a homage to some of the song’s previous performers, including ‘Lady Ella’ herself. She is also honored in the song “First Lady” by Canadian artist Nikki Yanofsky.

In 2008, the Downing-Gross Cultural Arts Center in Newport News named its brand new 276-seat theater the Ella Fitzgerald Theater. The theater is located several blocks away from her birthplace on Marshall Avenue. The Grand Opening performers (October 11 and 12, 2008) were Roberta Flack and Queen Esther Marrow.

In 2012, Rod Stewart performed a “virtual duet” with Ella Fitzgerald on his Christmas album Merry Christmas, Baby, and his television special of the same name.[63]

There is a bronze sculpture of Fitzgerald in Yonkers, the city in which she grew up, created by American artist Vinnie Bagwell. It is located southeast of the main entrance to the Amtrak/Metro-North Railroad station in front of the city’s old trolley barn. A bust of Fitzgerald is on the campus of Chapman University in Orange, California. On January 9, 2007, the United States Postal Service announced that Fitzgerald would be honored with her own postage stamp.[43] The stamp was released in April 2007 as part of the Postal Service’s Black Heritage series.[64]

https://en.wikipedia.org/wiki/Ella_Fitzgerald

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Henry Robinson Luce (April 3, 1898 – February 28, 1967), was a Chinese-American magazine magnate, who was called “the most influential private citizen in the America of his day”. About the book: https://www.amazon.com/gp/product/080…

He launched and closely supervised a stable of magazines that transformed journalism and the reading habits of upscale Americans. Time summarized and interpreted the week’s news; Life was a picture magazine of politics, culture, and society that dominated American visual perceptions in the era before television; Fortune explored in depth the economy and the world of business, introducing to executives avant-garde ideas such as Keynesianism; and Sports Illustrated explored the motivations and strategies of sports teams and key players. Counting his radio projects and newsreels, Luce created the first multimedia corporation. He was born in China to missionary parents. He envisaged that the United States would achieve world hegemony, and, in 1941, he declared the 20th century would be the “American Century”.

Nightly discussions of the concept of a news magazine led Luce and Hadden, both age 23, to quit their jobs in 1922. Later that same year, they formed Time Inc. Having raised $86,000 of a $100,000 goal, they published the first issue of Time on March 3, 1923. Luce served as business manager while Hadden was editor-in-chief. Luce and Hadden annually alternated year-to-year the titles of president and secretary-treasurer. In 1925, Luce decided to move headquarters to Cleveland, while Hadden was on a trip to Europe. Cleveland was cheaper, and Luce’s first wife, Lila, wanted out of New York. When Hadden returned, he was horrified and moved Time back to New York. Upon Hadden’s sudden death in 1929, Luce assumed Hadden’s position.

Luce launched the business magazine Fortune in February 1930 and acquired Life in order to relaunch it as a weekly magazine of photojournalism in November 1936; he went on to launch House & Home in 1952 and Sports Illustrated in 1954. He also produced The March of Time weekly newsreel. By the mid 1960s, Time Inc. was the largest and most prestigious magazine publisher in the world. (Dwight Macdonald, a Fortune staffer during the 1930s, referred to him as “Il Luce”, a play on the Italian Dictator Mussolini, who was called “Il Duce”).)

President Franklin D. Roosevelt, aware that most publishers were opposed to him, issued a decree in 1943 that blocked all publishers and media executives from visits to combat areas; he put General George Marshall in charge of enforcement. The main target was Luce, who had long opposed FDR. Historian Alan Brinkley argued the move was “badly mistaken”, for had Luce been allowed to travel, he would have been an enthusiastic cheerleader for American forces around the globe. But stranded in New York City, Luce’s frustration and anger expressed itself in hard-edged partisanship.[4] Luce, supported by Editor-in-Chief T. S. Matthews, appointed Whittaker Chambers as acting Foreign News editor in 1944, despite the feuds Chambers had with reporters in the field.[5]

Luce, who remained editor-in-chief of all his publications until 1964, maintained a position as an influential member of the Republican Party.[6] An instrumental figure behind the so-called “China Lobby”, he played a large role in steering American foreign policy and popular sentiment in favor of Nationalist leader Chiang Kai-shek and his wife Soong Mei-ling in their war against the Japanese. (The Chiangs appeared in the cover of Time eleven times between 1927 and 1955.[7])

It has been reported that Luce, during the 1960s, tried LSD and reported that he had talked to God under its influence.[8]

Once ambitious to become Secretary of State in a Republican administration, Luce penned a famous article in Life magazine in 1941, called “The American Century”, which defined the role of American foreign policy for the remainder of the 20th century (and perhaps beyond).

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CreditIllustration by Javier Jaén

Our new president is a private-jet-setting billionaire Ivy League graduate, a real estate tycoon, a TV star and a son of inherited wealth. But he is no longer, by his own calculations, a member of the “elite.” Nor are the men (and the few women) now joining his inner circle — 1-percenters and corporate executives, Harvard and Yale alumni, Silicon Valley entrepreneurs and Goldman Sachs bankers. The true elite apparently sits elsewhere, among those who, in Sarah Palin’s notable 2008 formulation, think “that they’re — I guess — better than anyone else.”

As an adjective, the word “elite” still conveys something positive, even aspirational: elite athlete, elite model, elite travel services. But as a noun, embodied by actual living people, it has become one of the nastiest epithets in American politics. “Elites have taken all the upside for themselves and pushed the downside to the working- and middle-class Americans,” complains Trump’s adviser Steve Bannon (of Harvard, Goldman Sachs and Hollywood). In this formulation, elites are a destructive, condescending collective, plotting against the beleaguered masses outside their ranks.

And in these attacks, the president-elect and his team are deploying one of the most effective partisan political stereotypes of the modern age. For most of American history, anti-elite sentiment was a matter of up versus down, not left versus right. But about half a century ago, the conservative movement set out to claim anti-elite politics as its own. That meant redefining the term away from class and toward culture, where the “elite” could be identified by its liberal ideas, coastal real estate and highbrow consumer preferences. The right-wing Club for Growth captured this type in a famous 2004 attack ad, instructing the Democrat Howard Dean to “take his tax-hiking, government-expanding, latte-drinking, sushi-eating, Volvo-driving, New York Times-reading, body-piercing, Hollywood-loving, left-wing freak show back to Vermont where it belongs.”

By the 1990s, bashing the ‘liberal elite’ had become a favorite blood sport of the American right.

Trump adjusted the formula for the hot topics of the 2016 campaign. “I was on the right side of that issue, as you know, with the people,” he boasted after Brexit, adding that “Hillary, as always, stood with the elites.” His complaints against “political correctness” conjure a world of absurdist campus politics, where overprivileged students squabble over gender pronouns and the fine points of racial victimization. “Media elites” come in for special attack, cordoned off in pens to be mocked and jeered at during rallies, labeled both liars and incompetents.

But Trump has also ventured beyond mere name-calling, turning the 2016 election into a competition between knowledge systems: the tell-it-like-it-is “people” versus the know-it-all “elites.” His campaign insisted for months that pollsters and technocrats and media would be proven wrong by his electoral success. The fact that he did win dealt a blow to an entire worldview, one in which empirical inquiry and truth-telling were supposed to triumph in the end. The question, now, is whether it’s possible to run an executive branch based on hostility toward experts and professionals of all political stripes — and how many billionaires and Ivy Leaguers Trump can appoint before this rhetorical pose begins to break down altogether.

The notion that distant elites might be conspiring against the people comes straight from the Founding Fathers, whose Declaration of Independence lamented the “long train of abuses and usurpations” inflicted upon ordinary Americans by an arrogant British king. From there on, United States history might be seen as a repeating cycle of anti-elite revolt. The Jacksonians rebelled against the Founders’ aristocratic pretensions. Northern “free labor” went to war against the oligarchical slavocracy. And the Populist revolts of the late 19th century adapted this story to modern capitalism, with farmers and laborers rebelling against robber barons, bankers, time-management experts and college-educated professionals.

The first historians to study those Populists described them as heroic crusaders, champions of the “people” against the “powers.” But by the middle of the 20th century, alarmed by the rise of fascism and homegrown demagogues like Senator Joseph McCarthy, a new generation of scholars took a more anxious view of the anti-elite spirit. In his 1955 book “The Age of Reform,” Richard Hofstadter dismissed the Populists as backward-looking, provincial anti-Semites, the latent fascists of their day. Eight years later, his “Anti-Intellectualism in American Life” documented a dangerous suspicion of “the critical mind” that seemed to course through the national culture. From his perspective, the 1952 election captured everything wrong with American political life, with Dwight Eisenhower’s “philistinism” winning over Adlai Stevenson’s “intellect.”

The question is whether it’s possible to run an executive branch based on hostility toward experts and professionals of all political stripes.

Hofstadter did not usually describe his ideal intellectually minded citizens as members of an “elite.” That word conveyed something different — a ruling class that held direct political and economic power. The most famous articulation of this view came from the sociologist C. Wright Mills, in his 1956 assessment of America’s “power elite.” “They rule the big corporations,” Mills wrote. “They run the machinery of the state and claim its prerogatives. They direct the military establishment.” In Mills’s view, these people were tied together not by culture or ideology but by their positions at the helms of large, ever-more-complex institutions. As individuals, they might be Republicans or Democrats, and might live in Ohio or California. The point was that they were in charge of things.

But that vision never gained much traction in mainstream politics, where a more partisan, targeted definition was starting to emerge. William F. Buckley Jr. carved out some essentials in his first book, “God and Man at Yale,” drawing a neat distinction between respectable Ivy-educated men like himself and the socialistic eggheads of the professoriate. Ronald Reagan chose the term “elite” to bring it all together in his famed 1964 speech, “A Time for Choosing,” delivered on behalf of the Republican presidential candidate Barry Goldwater. “This is the issue of this election,” he said: “whether we believe in our capacity for self-government or whether we abandon the American Revolution and confess that a little intellectual elite in a far-distant capitol can plan our lives for us better than we can plan them ourselves.”

Lyndon Johnson won that election in a blowout, but Reagan’s vision of a smug and detached liberal elite helped spark the oncoming “culture wars,” pitting a supposedly indignant Middle America against the liberal snobs of the coasts. By the 1990s, with the rise of right-wing media stars like Rush Limbaugh and Bill O’Reilly, bashing the “liberal elite” had become a favorite blood sport of the American right.

Despite all the abuse hurled their way, some “liberal elites” have accepted at least part of their detractors’ critique, particularly on the progressive left. It was during Bill Clinton’s presidency that the social critic Christopher Lasch published “The Revolt of the Elites and the Betrayal of Democracy,” which mourned that “upper-middle-class liberals” had turned into “petulant, self-righteous, intolerant” scolds, thoroughly out of touch with the concerns of Middle America. Since then, the torch has passed to a younger generation of writers, including MSNBC’s Chris Hayes, whose 2012 “Twilight of the Elites” called for rethinking the entire ethos of liberal “meritocracy” — a system, he argued, that tends to fuel self-congratulation and incompetence at the top while offering little but contempt and dim prospects for those at the bottom.

So as 2017 begins, we find ourselves in a strange and uncertain political moment. Antipathy toward a wealthy, preening managerial class seems to be gaining popularity across the political spectrum — and, oddly, to have helped elect a wealthy, preening incoming president. Meanwhile, both liberal and conservative “elites” are scrambling to figure out what happens if the president-elect continues to reject basic political norms and even routine intelligence briefings. Under a Trump presidency, such “elites” may have no choice but to attempt a radical redefinition of their role in American life. Otherwise, the man in the White House will do it for them.

http://www.nytimes.com/2017/01/03/magazine/how-elites-became-one-of-the-nastiest-epithets-in-american-politics.html?_r=0

Henry Luce

From Wikipedia, the free encyclopedia
Henry Luce
Clare Boothe Luce and Henry Luce NYWTS.jpg

Luce with wife Clare Boothe Luce, a famous playwright and politician (1954)
Born Henry Robinson Luce
April 3, 1898
Tengchow, China
Died February 28, 1967 (aged 68)
Phoenix, Arizona, U.S.
Occupation Publisher; Journalist
Political party Republican
Spouse(s) Lila Ross Hotz (1923–1935)
Clare Boothe Luce
(1935–1967, his death)
Children 3, including Ann Clare Brokaw (step-daughter)
Parent(s) Henry W. Luce and Elizabeth Middleton Root

Henry Robinson Luce (April 3, 1898 – February 28, 1967) was an American magazine magnate who was called “the most influential private citizen in the America of his day”.[1] He launched and closely supervised a stable of magazines that transformed journalism and the reading habits of upscale Americans. Time summarized and interpreted the week’s news; Life was a picture magazine of politics, culture, and society that dominated American visual perceptions in the era before television; Fortune explored in depth the economy and the world of business, introducing to executives avant-garde ideas such as Keynesianism; and Sports Illustrated explored the motivations and strategies of sports teams and key players. Counting his radio projects and newsreels, Luce created the first multimedia corporation. He was born in China to missionary parents. He envisaged that the United States would achieve world hegemony, and, in 1941, he declared the 20th century would be the “American Century“.[2][3]

Life and career

Luce was born in Tengchow, Shandong, China, (now Penglai) on April 3, 1898, the son of Elizabeth Root Luce and Henry Winters Luce, who was a Presbyterian missionary.[3] He received his education in various Chinese and English boarding schools, including the China Inland Mission Chefoo School.

At 15, he was sent to the US to attend the Hotchkiss School in Connecticut, where he edited the Hotchkiss Literary Monthly. It was there he first met Briton Hadden,[3] who would become a lifelong partner. At the time, Hadden served as editor-in-chief of the school newspaper, and Luce worked as an assistant managing editor. Both went on to Yale College, where Hadden served as chairman and Luce as managing editor of The Yale Daily News. Luce was also a member of Alpha Delta Phi and Skull and Bones. After being voted “most brilliant” of his class and graduating in 1920, he parted ways with Hadden to embark for a year on historical studies at Oxford University, followed by a stint as a cub reporter for the Chicago Daily News.

In December 1921, Luce rejoined Hadden to work at The Baltimore News. Recalling his relationship with Hadden, Luce later said, “Somehow, despite the greatest differences in temperaments and even in interests, we had to work together. We were an organization. At the center of our lives — our job, our function — at that point everything we had belonged to each other.”[citation needed]

Magazines

Nightly discussions of the concept of a news magazine led Luce and Hadden, both age 23, to quit their jobs in 1922. Later that same year, they partnered with Robert Livingston Johnson and another Yale classmate to form Time Inc.[4] Having raised $86,000 of a $100,000 goal, they published the first issue of Time on March 3, 1923. Luce served as business manager while Hadden was editor-in-chief. Luce and Hadden annually alternated year-to-year the titles of president and secretary-treasurer while Johnson served as vice president and advertising director. In 1925, Luce decided to move headquarters to Cleveland, while Hadden was on a trip to Europe. Cleveland was cheaper, and Luce’s first wife, Lila, wanted out of New York. When Hadden returned, he was horrified and moved Time back to New York. Upon Hadden’s sudden death in 1929, Luce assumed Hadden’s position.

Luce launched the business magazine Fortune in February 1930 and acquired Life in order to relaunch it as a weekly magazine of photojournalism in November 1936; he went on to launch House & Home in 1952 and Sports Illustrated in 1954. He also produced The March of Time weekly newsreel. By the mid 1960s, Time Inc. was the largest and most prestigious magazine publisher in the world. (Dwight Macdonald, a Fortune staffer during the 1930s, referred to him as “Il Luce”, a play on the Italian Dictator Mussolini, who was called “Il Duce”).)

President Franklin D. Roosevelt, aware that most publishers were opposed to him, issued a decree in 1943 that blocked all publishers and media executives from visits to combat areas; he put General George Marshall in charge of enforcement.[citation needed] The main target was Luce, who had long opposed Roosevelt. Historian Alan Brinkley argued the move was “badly mistaken” and said had Luce been allowed to travel, he would have been an enthusiastic cheerleader for American forces around the globe.[citation needed] However, stranded in New York City, Luce’s frustration and anger expressed itself in blatant partisanship.[5]

Luce, supported by Editor-in-Chief T. S. Matthews, appointed Whittaker Chambers as acting Foreign News editor in 1944, despite the feuds that Chambers had with reporters in the field.[6]

Luce, who remained editor-in-chief of all his publications until 1964, maintained a position as an influential member of the Republican Party.[7] An instrumental figure behind the so-called “China Lobby“, he played a large role in steering American foreign policy and popular sentiment in favor of Kuomintang leader Chiang Kai-shek and his wife, Soong Mei-ling, in their war against the Japanese. (The Chiangs appeared in the cover of Time eleven times between 1927 and 1955.[8])

It has been reported that Luce, during the 1960s, tried LSD and reported that he had talked to God under its influence.[9]

Once ambitious to become Secretary of State in a Republican administration, Luce penned a famous article in Life magazine in 1941, called “The American Century“, which defined the role of American foreign policy for the remainder of the 20th century (and perhaps beyond).[7]

An ardent anti-Soviet, he once demanded John Kennedy invade Cuba, later to remark to his editors that if he did not, his corporation would act like Hearst during the Spanish–American War. The publisher would advance his concepts of US dominance of the “American Century” through his periodicals with the ideals shared and guided by members of his social circle, John Foster Dulles, Secretary of State and his brother, director of the CIA, Allen Dulles. To highlight the cozy extent of their alliance, rumors swirled that the publisher shared the wartime mistress of the spymaster with Clare Booth Luce.[10]

Family

Luce had two children, Peter Paul and Henry Luce III, with his first wife, Lila Hotz. He married his second wife, Clare Boothe Luce in 1935, who had an 11-year-old daughter, Ann Clare Brokaw, whom he raised as his own. He died in Phoenix, Arizona in 1967. According to the Henry Luce Foundation, he died suddenly at age 68 while visiting his home on Fishers Island, New York, of cardiac arrest. At his death, he was said to be worth $100 million in Time Inc. stock.[11] Most of his fortune went to the Henry Luce Foundation. During his life, Luce supported many philanthropies such as Save the Children Federation, the Metropolitan Museum of Art and United Service to China, Inc. He is interred at Mepkin Plantation in South Carolina.

He was honored by the United States Postal Service with a 32¢ Great Americans series (1980–2000) postage stamp.[12] Mr. Luce was inducted into the Junior Achievement U.S. Business Hall of Fame in 1977.

Designed by I. M. Pei, the Luce Memorial Chapel, on the campus of Tunghai University, Taiwan, was constructed in memoriam of Henry Luce’s father.

References

  1. Jump up^ Robert Edwin Herzstein (2005). Henry R. Luce, Time, and the American Crusade in Asia. Cambridge U.P. p. 1.
  2. Jump up^ Editorial (1941-02-17) The American Century, Life Magazine
  3. ^ Jump up to:a b c Baughman, James L. (April 28, 2004). “Henry R. Luce and the Rise of the American News Media”. American Masters (PBS). Retrieved 19 June 2014.
  4. Jump up^ Warburton, Albert (Winter 1962). “Robert L. Johnson Hall Dedicated at Temple University” (PDF). The Emerald of Sigma Pi. Vol. 48 no. 4. p. 111.
  5. Jump up^ Alan Brinkley, The Publisher: Henry Luce and his American Century (2010) pp 302-3
  6. Jump up^ Brinkley, The Publisher: Henry Luce and his American Century (2010) pp 322-93
  7. ^ Jump up to:a b “Henry R. Luce: End of a Pilgrimage”. – TIME. – March 10, 1967
  8. Jump up^ “Time magazine historical search”. Time magazine. Retrieved 19 June 2014.
  9. Jump up^ Maisto, Stephen A., Galizio, Mark, & Connors, Gerald J. (2008). Drug Use and Abuse: Fifth Edition. Belmont: Thomson Higher Education. ISBN 0-495-09207-X
  10. Jump up^ Talbot, David. “The Devils’ Chessboard: Allen Dulles, The CIA and the Rise of America’s Secret Government.” (2015) Harper-Collins, pub., New York, New York pp. 236-238, 444.
  11. Jump up^ Edwin Diamond (October 23, 1972). “Why the Power Vacuum at Time Inc. Continues”. New York Magazine.
  12. Jump up^ “Henry R. Luce”. US Stamp Gallery. April 3, 1998.

Further reading

  • Baughman, James L. “Henry R. Luce and the Business of Journalism.” Business & Economic History On-Line 9 (2011). online
  • Baughman, James L. Henry R. Luce and the Rise of the American News Media (2001) excerpt and text search
  • Brinkley, Alan. The Publisher: Henry Luce and His American Century, Alfred A. Knopf (2010) 531 pp.
  • Brinkley, Alan. What Would Henry Luce Make of the Digital Age?, TIME (April 19, 2010) excerpt and text search
  • Elson, Robert T. Time Inc: The Intimate History of a Publishing Enterprise, 1923-1941 (1968); vol. 2: The World of Time Inc.: The Intimate History, 1941-1960 (1973), official corporate history
  • Herzstein, Robert E. Henry R. Luce, Time, and the American Crusade in Asia (2006) excerpt and text search
  • Herzstein, Robert E. Henry R. Luce: A Political Portrait of the Man Who Created the American Century (1994).
  • Morris, Sylvia Jukes. Rage for Fame: The Ascent of Clare Boothe Luce (1997).
  • Wilner, Isaiah. The Man Time Forgot: A Tale of Genius, Betrayal, and the Creation of Time Magazine, HarperCollins, New York, 2006

External links

https://en.wikipedia.org/wiki/Henry_Luce

W. A. Swanberg

From Wikipedia, the free encyclopedia

William Andrew Swanberg (November 23, 1907 in St. Paul, Minnesota – September 17, 1992 in Southbury, Connecticut)[1] was an American biographer. He may be known best for Citizen Hearst, a biography of William Randolph Hearst, which was recommended by the Pulitzer Prize board in 1962 but overturned by the trustees.[2] He won the 1973 Pulitzer Prize for Biography or Autobiography for his 1972 biography of Henry Luce,[3] and the National Book Award in 1977 for his 1976 biography of Norman Thomas.[4]

Life

Swanberg was born in Saint Paul, Minnesota in 1907, and earned his B.A. at the University of Minnesota in 1930.[5]

With grudging and only partial help from his father, who wanted his son to be a cabinet maker like himself, Swanberg earned his degree, only to find that employment as a journalist with such local daily newspapers as the St. Paul Daily News and the Minneapolis Star was unsatisfactory, as their staff were shrinking during the Great Depression. Swanberg instead held a succession of low-paying manual labor jobs. After five years he followed a college friend to New York City in September 1935. After months of anxious job-hunting he secured an interview at the Dell Publishing Company with president George T. Delacorte Jr. himself, and was hired as an assistant editor of three lowbrow magazines. Money saved in the next months enabled him to return briefly to the Midwest to marry his college sweetheart Dorothy Green, and bring her to New York. He soon began to climb up the editorial ladder at Dell, and by 1939 he was doing well enough to buy a house in Connecticut.

When the United States entered World War II, Swanberg was 34 years old, the father of two children and suffering from a hearing disability. Rejected by the army, he enlisted in the Office of War Information in 1943 and, after training was sent to England following D-Day. In London, amid the V-1 and V-2 attacks, he prepared and edited pamphlets to be air-dropped behind enemy lines in France and later in Norway.[6] With the end of the war he returned in October 1945 to Dell and the publishing world.

Swanberg did not return to magazine editing but instead did freelance work within and without Dell. By 1953 he began carving out time for researching his first book (Sickles), which Scribner’s purchased, beginning a long-term association. Swanberg’s early hopes of newspaper work never materialized, but by the mid-1950s he had established himself as scholarly biographer. His efforts proved to be labor-intensive and required up to four years apiece, even when assisted by the research and transcription efforts of his wife Dorothy. Upon turning 80 in 1987, Swanberg attempted one last biography, about William Eugene “Pussyfoot” Johnson (1862–1945).[7] He was at work on that project when he succumbed to heart failure at his typewriter in Southbury, Connecticut on September 17, 1992.

Swanberg was a Guggenheim fellow in 1960. His papers are archived at Columbia University.

The Hearst Affair

Swanberg’s 1961 book Citizen Hearst: A Biography of William Randolph Hearst was recommended for a Pulitzer Prize for Biography or Autobiography by the advisory board but rejected by the trustees of Columbia University, apparently because they thought that Hearst was not dignified enough to be the subject of the award. It was the first time in 46 years that the trustees rejected a recommendation from the advisory board, and the news caused sales to soar.[1]

Works

In a statistical overview derived from writings by and about William Andrew Swanberg, OCLC/WorldCat [clarification needed] encompasses roughly 30+ works in 100+ publications in 5 languages and 16,000+ library holdings.[8]

Literary Awards

References

  1. ^ Jump up to:a b www.nytimes.com
  2. ^ Jump up to:a b Hohenberg, John. The Pulitzer Diaries: Inside America’s Greatest Prize. 1997. p. 109.
  3. ^ Jump up to:a b “Biography or Autobiography”. Past winners and finalists by category. The Pulitzer Prizes. Retrieved 2012-03-17.
  4. ^ Jump up to:a b “National Book Awards – 1977”. National Book Foundation. Retrieved 2012-03-17.
  5. Jump up^ Gale Contemporary Authors Online. Volume 13.[page needed]
  6. Jump up^ Gale, p. 264
  7. Jump up^ Gale, p. 277
  8. Jump up^ WorldCat Identities: Swanberg, W. A. 1907-

External links

  • W. A. Swanberg Papers Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania

https://en.wikipedia.org/wiki/W._A._Swanberg

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Celtic Woman — You Raise Me Up — Videos

Posted on July 7, 2016. Filed under: Art, Art, Blogroll, Culture, Music | Tags: , , , , , , , , , , , , , , , , , , , , , , , , |

celtic-woman (1)

The all-female musical ensemble Celtic Woman will perform April 21, 2012 at Keller Auditorium in Portland.

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Celtic Woman – You Raise Me Up

Lyrics

When I am down and, oh my soul, so weary;
When troubles come and my heart burdened be;
Then, I am still and wait here in the silence,
Until you come and sit awhile with me.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

There is no life – no life without its hunger;
Each restless heart beats so imperfectly;
But when you come and I am filled with wonder,
Sometimes, I think I glimpse eternity.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up: To more than I can be.

You raise me up: To more than I can be.

Scarborough Fair – Celtic Woman live performance HD

Hayley Westenra, the newest member of Celtic Woman performs “Scarborough Fair” at Slane Castle, Ireland . . .

Are you going to Scarborough fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
He once was a true love of mine

Tell him to make me a cambric shirt
Parsley, sage, rosemary and thyme
Without no seam nor needlework
Then he’ll be a true love of mine

Tell him to find me an acre of land
Parsley, sage, rosemary and thyme
Between the salt water and the sea strand
Then he’ll be a true love of mine

Are you going to Scarborough fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
He once was a true love of mine….. ♫ ♥ ♫ ♥ ♫ ♥ ♫ ♥ – √j˙·٠•●♥

Celtic Woman, New Journey Live at Slane Castle, Ireland 2006

Celtic Woman – The Voice

Celtic Woman – The Call

Celtic Woman The Sky and the Dawn and the Sun

Celtic Woman – True Colours

Celtic Woman – Galway Bay

Celtic Woman – O, America!

Lyrics

O, America you’re calling,
I can hear you calling me…
You are calling me to be true to thee,
True to thee… I will be.

O, America no weeping,
Let me heal your wounded heart.
I will keep you in my keeping,
Till there be… a new start.

And I will answer you, and I will take your hand,
And lead you… to the sun…
And I will stand by you…do all that I can do,
And we will be… as one.

O, America I hear you,
From your prairies to the sea,
From your mountains grand, and all through this land,
You are beautiful to me.

And… O, America you’re calling,
I can hear you calling me…
You are calling me to be true to thee,
True to thee… I will be.

And I will answer you, and I will take your hand,
And lead you… to the sun…
And I will stand by you… do all that I can do,
And we will be…as one.

O, America you’re calling…
I will ever answer thee.

Celtic Woman – Danny Boy

Celtic Woman – The Moon’s A Harsh Mistress

Celtic Woman – Over the rainbow

Celtic Woman – Fields Of Gold

Celtic Woman — Orinoco Flow

Celtic Woman – Sailing

Shenandoah Violin Solo – Mairead Nesbitt

Celtic Woman – The Prayer

Celtic Woman – Pie Jesu

Celtic Woman – Ave Maria

Celtic Woman / Chloe Agnew – ”O Holy Night”

Celtic Woman – Amazing Grace

Celtic Woman – May It Be

Celtic Woman – Nocturne

Celtic Woman – Awakening

Celtic Woman – The Lost Rose Fantasia

Celtic Woman – A New Journey – Spanish Lady

Celtic Woman – Tír na nÓg ft. Oonagh

Celtic Woman – A Spaceman Came Travelling

[yotube=https://www.youtube.com/watch?v=kXSyqK9ERRs]

Lisa Kelly – The Blessing

Celtic Woman – A Tribute to Broadway: I Dreamed a Dream / Circle of Life

Celtic Woman – Bridge Over Troubled Water

Celtic Woman – You’ll Never Walk Alone

When you walk through the storm
Hold your head up high
And don’t be afraid of the dark
At the end of the storm is a golden sky
And the sweet silver song of the lark

Walk on, through the wind
Walk on, through the rain
Though your dreams be tossed and blown
Walk on, walk on, with hope in your heart
And you’ll never walk alone
You’ll never walk alone

When you walk through the storm
Hold your head up high
And don’t be afraid of the dark
At the end of the storm is a golden sky
And the sweet silver song of the lark

Walk on, walk on, with hope in your heart
And you’ll never walk alone
You’ll never walk, you’ll never walk alone

Celtic Woman – Little Drummer Boy

Celtic Woman – Away In A Manger 

Celtic Woman-Silent Night

Celtic Woman – O Holy Night 

Celtic Woman – Home For Christmas (Live From Dublin 2013)

CELTIC WOMAN SHOW

Celtic Woman at the Helix Center in Dublin, Ireland

Celtic Woman Greatest Hits – Celtic Woman Best Songs

BACKSTAGE Celtic Woman Songs the from heart

Celtic Woman : 10th Anniversary

Meet the Artist – David Downes

Meet the Artist – Máiréad Nesbitt

Meet the Artist – Lisa Kelly

Send Me a Song – Lisa Kelly

Let It Go – Lisa Kelly

Lisa Kelly

Lisa Kelly & Mairead Nesbitt Undercover Interview

Meet the Artist – Chloë Agnew

Chloe Agnew Walking in the air

Hayley Westenra – May It Be

Celtic Woman

From Wikipedia, the free encyclopedia
Celtic Woman
Celtic Woman performs at Macquarie Shopping Centre, Sydney.jpg

Celtic Woman performs at Macquarie Shopping Centre, Sydney, in August of 2012.
From left to right, Lisa Lambe, Susan McFadden, Chloe Agnew, and Mairead Nesbitt.
Background information
Origin Ireland
Genres
Years active 2004–present
Labels Manhattan
Website CelticWoman.com
Members Máiréad Carlin
Susan McFadden
Éabha McMahon
Máiréad Nesbitt
Past members Chloë Agnew
Órla Fallon
Lynn Hilary
Lisa Kelly
Lisa Lambe
Méav Ní Mhaolchatha
Deirdre Shannon
Alex Sharpe
Hayley Westenra

Celtic Woman is an all-female Irish musical ensemble conceived and created by David Kavanagh, Sharon Browne[1][2] and David Downes, a former musical director of the Irish stage show Riverdance.[3][4] In 2004, he recruited five Irish female musicians who had not previously performed together: vocalists Chloë Agnew, Órla Fallon, Lisa Kelly and Méav Ní Mhaolchatha, and fiddler Máiréad Nesbitt, and shaped them into the first lineup of the group that he named “Celtic Woman,” a specialty breed. Downes chose a repertoire that ranged from traditional Celtic tunes to modern songs.

The group’s line-up has changed over the years; in 2009, the group consisted of Chloë Agnew, Lynn Hilary, Lisa Kelly, Alex Sharpe and fiddler Máiréad Nesbitt; Alex Sharpe left the group in May 2010.[5] Ten albums have been released under the name “Celtic Woman:” Celtic Woman, Celtic Woman: A Christmas Celebration, Celtic Woman: A New Journey, Celtic Woman: The Greatest Journey, Celtic Woman: Songs from the Heart, Celtic Woman: Lullaby, Celtic Woman: Believe, Celtic Woman: Home for Christmas,” “Celtic Woman: Emerald – Musical Gems. and Celtic Woman: Destiny. The group has undertaken a number of world tours. Cumulatively, albums by Celtic Woman have sold over nine million records worldwide.[6]

The foundation for Celtic music’s popularity outside Ireland and Europe was built by tapping into the success of artists such as Enya, Moya Brennan and Clannad, along with stage shows Riverdance and Lord of the Dance. Celtic Woman has been described as being “Riverdance for the voice.”[7]

Celtic Woman has been named Billboard World Album Artist of the Year six times.[8][9]

Members

Current

The current members of Celtic Woman are (in alphabetical order of family name):

  • Máiréad Carlin (5 December 1988) is an Irish singer and a member of the ensemble Celtic Woman.[10] Carlin was born in Derry, Northern Ireland. She began her career at the age of 15 when she won the title role of ‘The Rose’ in BBC Talents ‘Young Singers’ competition in The Little Prince (opera) by Rachel Portman. Máiréad has since performed for the President of Ireland, celebrated the Irish Anthem for the England-Ireland Rugby International to a TV audience of millions and recently, she has shared the stage with Snow Patrol and The Priests at the 2013 BBC TV Gala Concert ‘Sons and Daughters’ to mark Derry’s year as City of Culture.[10] She also recorded the City of Culture anthem ‘Let The River Run’ with Glee star Damian McGinty.[10] Carlin subsequently released the single under her own label Iris Records/Walled City Records. After finishing her degree, Máiréad was signed to Decca Records and recorded her debut album, ‘Songbook’ with the London Philharmonic Orchestra in Air Studios and British Grove Studios. On 5 August 2013, the Celtic Woman website reported that Chloë Agnew would be taking a break from Celtic Woman to work on solo projects, and on 23 August 2013, it reported that Máiréad Carlin would be taking Chloë’s place.
  • Susan McFadden (8 February 1983) is an actress and singer born in Dublin, Ireland. She has also been a member of the all-female Celtic music group, Celtic Woman, since 2012. She is the younger sister of former Westlife member, Brian McFadden. In 2008, McFadden recorded two songs for the CD Act One – Songs From The Musicals Of Alexander S. Bermange, an album of 20 brand new recordings by 26 West End stars, released in November 2008 on Dress Circle Records. She played the lead role of Milly in the stage adaption of Seven Brides For Seven Brothers, with Steven Houghton. McFadden starred in the original west end cast of the musical Legally Blonde at the Savoy Theatre in London’s West End playing Elle Woods after originating the role of Serena. Official reviews and audience reaction were extremely positive. On 5 January 2012, McFadden was named as a replacement for Lisa Kelly, then going on maternity leave, in the all- female ensemble Celtic Woman.[11] McFadden debuted with Celtic Woman in February at Nashville, Tennessee for the kickoff of the “Believe” North American Tour and continued with the European, Australian and South African Tours in 2012. After Lisa Kelly announced her departure from the group in January 2013, McFadden has since become a full-time member of Celtic Woman.
  • Éabha McMahon (9 December 1992) is Celtic Woman’s newest member. She replaced Lynn Hilary in their brand new tour, Destiny.
  • Máiréad Nesbitt (pronounced “mah-raid”) (19 April 1979) is an Irish classical and Celtic music performer, most notably as a fiddle player and violinist. She is currently the fiddler for the group Celtic Woman. She has been a piano player since the age of four, and began playing the violin at age six. She spent some time as fiddler for the Irish group Coolfin, and recorded an album with them.[12] Nesbitt broke into the wider world in 1996 when she was invited to perform in the Michael Flatley show Lord of the Dance.[13]There, she played lead fiddle until 1998, at which time she went with Flatley to his second show, Feet of Flames. She toured in this production, again as lead fiddler, until leaving in 2001. Nesbitt also played on the original soundtracks to both shows, as well as for the soundtrack to Riverdance. In 2004, Nesbitt was invited to play violin for a performance at the Helix Theatre in Dublin, called “Celtic Woman.”[14] The popularity of this and subsequent performances on television and live albums led to five tours across theUnited States. Celtic Woman has released a total of eight albums to date: Celtic Woman, Celtic Woman: A Christmas Celebration, Celtic Woman: A New Journey, Celtic Woman: The Greatest Journey, Celtic Woman: Songs from the Heart, Celtic Woman: Lullaby,Celtic Woman: Believe, and Celtic Woman: Home for Christmas. Nesbitt is featured as a soloist on Walt Disney’s direct to DVD film Tinker Bell. Joel McNeely composed music specifically to fit Nesbitt’s distinctive style, and collaborated with her to further polish the music for Celtic authenticity.[13][15] Shortly before Thanksgiving, 2011, Nesbitt married Jim Mustapha, Jr., lighting director for Celtic Woman, in Maui, Hawaiʻi.

Past

The past members of Celtic Woman are (in alphabetical order of family name):

  • Chloë Agnew (9 June 1989) in Dublin, Ireland is an Irish singer who is a former member of the Celtic music group Celtic Woman, as well as its youngest member. In 1998, Agnew represented Ireland and was the winner of the Grand Prix at the First International Children’s Song Competition in Cairo with a song called The Friendship Tree. She then began to perform pantomime at the Olympia Theatre in Dublin and continued in that role for four years. In 2000, aged 11, Agnew approached director David Downes about recording a song to raise money for the children of Afghanistan. With his help, she recorded Angel of Mercy for the album This Holy Christmas Night, which raised over £20,000 for the Afghan Children’s Charity Fund in 2001. That same year, she joined the Christ Church Cathedral Girls’ Choir, and remained a member for three years.[16] In 2002, she was signed to Celtic Collections, and with the backing of Downes, she recorded her debut album, Chloë. In 2004, she released her second album, Chloë: Walking in the Air.She also recorded a companion DVD for her second album, released in Europe in 2004 and in North America in 2007. She appeared as part of the group Celtic Woman at The Helix in Dublin in 2004. As of August 2013, she has recorded eight albums with the group and has taken part in several world tours. On 5 August 2013, the Celtic Woman website announced that Agnew would be taking a break from Celtic Woman to focus on solo projects. Her position was filled by Derry-born singer Máiréad Carlin. Agnew has a soprano vocal range. After leaving Celtic Woman, she was chosen to be the special guest of the Celtic Thunder cruise. She, along with former Celtic Thunder member Paul Byrom, was also a special guest of Lisa Kelly’s concerts called The Voice of Ireland and A Celtic Christmas. Agnew was also part of Ethan Bortnick‘s concert with another former Celtic Thunder member Damian McGinty.
  • Órlagh Fallon (24 August 1974), professionally known as Órla Fallon, is an Irish soloist, songwriter and former member of the group Celtic Woman and the chamber choir Anúna.[17][18] Her debut album, The Water is Wide, was released in Europe in 2000 and in North America in 2006. In 2005, she was featured on The Duggans album Rubicon along with peers Moya Brennan and other members of Clannad. In 2004, Fallon sent a demo offer to composer David Downes, who was then working on the concept of Celtic Woman. Due to her unique vocal abilities, Downes contacted Fallon and asked if she would like to be a part of Celtic Woman, then only envisaged to be a one-night show. Fallon agreed, and became one of the founding members of the group. In some songs, Fallon has performed the harp as well as singing – some examples of the songs she has performed are “Isle of Innisfree” and “Carrickfergus.” She has also performed the harp for fellow Celtic Woman member Chloe Agnew’s performance of Guun’s “Ave Maria.” Fallon was featured in the self-titled debut album Celtic Woman, Celtic Woman: A Christmas Celebration, and Celtic Woman: A New Journey, as well as in the tie-in PBS television specials and DVDs filmed in 2004, 2007, and 2006 respectively. She also toured with the group in 2005 on the inaugural North American Tour, the 2006-07 A New Journey tour, and again in 2007-08 on the second A New Journey tour. In 2009, Fallon announced that she would be leaving Celtic Woman to have a full break and spend time with her family, and was replaced as a member of Celtic Woman by actress and vocalist Alex Sharpe. In 2009, Fallon appeared as a guest vocalist on Jim Brickman‘s “It’s a Beautiful World” tour and PBS special, and released her second album Distant Shore in September of that year. This was followed in March 2010 with her third album Music of Ireland: Welcome Home. In December 2010, Fallon released a PBS Celtic Christmas special and tie-in CD, titled Órla Fallon’s Celtic Christmas, the first time any former Celtic Woman member had starred in their own PBS special. In this special, as well as Fallon’s own songs, there were also songs which featured a few guest singers, including former fellow Celtic Woman member Méav Ní Mhaolchatha, in which they sung a duet together (“Do you hear what I hear”), and American Idol runner up David Archuleta, who joined Fallon on stage to perform “Silent Night,” “Pat a Pan,” and the finale song of “Here we come A-Wassailing,” which Ní Mhaolchatha was also featured in. This was the second Christmas album she recorded, the first being Winter, Fire & Snow: A Celtic Christmas Collection in September 2010. In March 2011, Fallon released another album, Órla Fallon: My Land, which tied in with another PBS special.[19][20] Another solo album,Lullaby Time, was released in 2012. She married her husband John and together they have a son Freddie.
  • Lynn Hilary (21 April) is an Irish singer, guitarist, and songwriter. She also has performed as a featured soprano soloist in the all-female ensemble Celtic Woman. She was born in Dublin, Ireland, and completed a Bachelor of Music performance degree in 2005 at the DIT College of Music.[21] Initially singing classical music,[22] Hilary joined the Irish choral group Anúna[17][23] in 2000. She also performed the lead vocal of the piece “Cloudsong” from Riverdance at the Opening Ceremony of the 2003 Special Olympics in Croke Park, Dublin, and toured the US with Riverdance in 2006 as a featured soloist.[24] In 2007, longtime Celtic Woman member Méav Ní Mhaolchatha decided to leave the group to focus on her solo career. As a result, Hilary joined the group in time to feature in the A New Journey tour, which started on 10 October 2007 in Estero, FL. She was the first time member to join the group since its inception in 2004.[25] On 14 February 2014, it was announced that Lynn would be returning to Celtic Woman for their Emerald tour in March while Lisa Lambe goes on a short ‘leave of absence.’ Lambe is expected to return in the summer and it is unknown at this point whether Lynn’s return to Celtic Woman is temporary or permanent. Hilary will be releasing her first album since 2009, titled “Saturn Return” which is due later in 2014. According to the Celtic Woman website, Hilary has rejoined with the music ensemble for their next album and will continue to be a member of Celtic Woman until the end of 2015.
  • Lisa Kelly (Irish Laoise Ní Cheallaigh) (7 May 1977) is a singer of both classical and Celtic music. She has taken part in many musical theatre productions and concerts, and is a founding and former member of the musical group Celtic Woman.[26][27][28][29][30]She has played several principal roles, such as “Velma Kelly” in Chicago, “Florence” in Chess, “Laurey” in Oklahoma!, “Maria” in West Side Story and “Sandy” in Grease. After deciding to take a break from her day job in the computer industry to return to theatre, she played the lead role in the Christmas pantomime Jack and the Beanstalk at Dublin’s Gaiety Theatre. This led to her being cast in the American production of Riverdance – The Show as lead female vocalist in 2000, a position she held for five years while touring. While touring with Riverdance, Lisa met Australian dancer Scott Porter, who later became her husband. During this time, Lisa also met fellow vocalist Lynn Hilary, who would later go on to become a member of Celtic Woman in 2007 as a replacement forMéav Ní Mhaolchatha. Kelly was one of the Riverdance vocalists who appeared in the 2003 Special Olympics opening ceremony when they performed ‘Cloudsong.’ This was in support of Lynn, who had the leading vocal role at the start of the song. In 2002, Lisa was asked to record a solo album with director David Downes on the Celtic Collections label. The resulting debut album, Lisa, was released in 2003. Songs featured on this CD are “Carrickfergus”, “Siúil A Rún”, “The Deer’s Cry”, “Lift the Wings”, “The Soft Goodbye”, “Home and the Heartland”, “Homecoming”, “Now We Are Free”, “Dubhdarra”, “May It Be“, and “Send Me a Song”. Lisa was again approached by Downes in 2004, and asked to be part of Celtic Woman, originally planned as a one-night event at Dublin’s Helix Theatre. The group has since released several albums and DVD performances of their concerts and embarked on several world tours. During the A New Journey tour, and again during the “Believe” 2012 tour, Lisa took a break for the birth of her children. She was replaced by Alex Sharpe who later became a full-time member of Celtic Woman when Orla Fallon left. Later, in the Believe tour, she was replaced by Susan McFadden. In 2009, Lisa Kelly sang the main title song If You Believe for the Disney movie Tinker Bell and the Lost Treasure. Lisa was one of four people involved who were connected to Celtic Woman – the others being violinist/fiddler Máiréad Nesbitt, musical director and composer David Downes, and former member and vocalist Méav Ní Mhaolchatha. In December 2011, Lisa announced that she was taking a maternity leave and would not participate in the 2012 Believe Tour. She was replaced by Susan McFadden, the younger sister of Brian McFadden. At the time it was thought to be a short-term departure only; however, in January 2013 Lisa announced her departure from Celtic Woman and moved to Peachtree City, Georgia, USA, where she announced the opening of The Lisa Kelly Voice Academy, indicating a switch from performing to teaching. The new voice academy is being run in conjunction with her husband Scott Porter, the former CEO of Celtic Woman Ltd. She also starred in the concert titled The Voice of Ireland, featuring fellow Celtic Woman performer Chloë Agnew and former Celtic Thunder member Paul Byrom. On 13 December 2014, she starred in the concert titled A Celtic Christmas, featuring fellow Celtic Woman performer Chloë Agnew, former Celtic Woman choir performer Dermot Kiernan, and former Celtic Thunder member Paul Byrom, along with performances by the Kelly Porter Dance Academy.
  • Lisa Lambe (1 August 1984) is an Irish singer and actress and a former member of the ensemble Celtic Woman. After Celtic Woman’s Songs From the Heart Tour, in November 2010, Lynn Hilary announced that she was leaving the group to return to Ireland. It was later announced that Lisa Lambe would join the group as part of the 2011 tour lineup. On the official Celtic Woman website, she said that she was “delighted to be joining Celtic Woman! It is a privilege to be part of this amazing show and I am looking forward to it being an incredible experience.”[10] In early 2014, Celtic Woman announced Lisa Lambe would leave to reprise her role as Sorcha in Breaking Dad, the sequel to Between a Foxrock and a Hard Place, in which she had previously played a role and whose run at the Gaiety Theatre in Dublin, Ireland, lasted from 25 April to 17 May. However, she was scheduled to return in the summer.
  • Méav Ní Mhaolchatha (/ˈmv n ˈwlxɑːhɑː/ mayv nee wayl-khah-hah), mononymously known as Méav, is an Irish singer, songwriter and recording artist specialising in the traditional music of her homeland. She was one of the original soloists in the musical ensemble Celtic Woman, which has sold over six million albums. Méav has a husband named Tom and two daughters named Anna and Catherine. Between 1994 and 1998 Méav was a member of the Irish chamber choir Anúna.[17] As a choral singer and soloist, she recorded four albums with Anúna: Omnis (1995), Omnis Special Edition (1996), Deep Dead Blue (1996), and Behind the Closed Eye (1997).[31] In 2006 a collection of her solo and choral work with Anúna, Celtic Dreams, was released on Valley Entertainment Records. She appeared as a member of Anúna in Riverdance: The Show. Méav gained musical stardom as a founding member of the group Celtic Woman in 2004. Her singing is a prominent element of Celtic Woman’s first three albums, Celtic Woman, Celtic Woman: A Christmas Celebration, and Celtic Woman: A New Journey.
In 2005, Méav was expecting her first child and took maternity leave to await the birth of her first daughter, Anna. During tours, she was replaced by Irish singer Deirdre Shannon. In 2006, she returned to record the New Journey CD and DVD and toured extensively with the group in the US and Japan in 2006 and 2007. She has been featured in Celtic Woman: The Greatest Journey Essential Collection. In 2007, following the filming of Celtic Woman’s Christmas DVD at the Helix, Dublin, Méav left Celtic Woman to concentrate on her solo career. She performed a series of solo concerts in New England, USA. In 2009, she returned to the stage performing in her native Dublin to rave reviews. She also gave birth to her second daughter, Catherine and recorded “Where the Sunbeams Play” for the Disney film Tinker Bell and the Lost Treasure. In 2010, she was a special guest of Órla Fallon’s Celtic Christmas concert in Nashville, singing “Do You Hear What I Hear?” in a duet with Fallon, her solo version of “O Holy Night” accompanied by harp and the finale song “Here We Come A-wassailing” with the rest of the cast, including American singing stars David Archuleta and Vince Gill, recorded, aired on PBS and released on CD and DVD. Méav also featured as a guest soloist on the Celtic Woman Christmas album Home for Christmas. This was the first time Méav had appeared with Celtic Woman since she left the group in 2007. Méav was also featured in the Celtic Woman PBS special, “Home for Christmas”, which was recorded on 7 August 2013. It was announced just recently[when?] that Méav would return to Celtic Woman for a month in Lynn’s place, and that Lynn would return in April.
  • Deirdre Shannon is an Irish singer who has toured with a variety of Celtic music groups, such as Anúna,[17] Celtic Thunder and Celtic Woman.[32] Shannon began her professional career in 1996 when she was selected to be a member of the Irish choir Anúna. On 1 October 2006, Shannon released her solo album, simply entitled Deirdre Shannon. She has also been a principal singer in the group in Celtic Woman, but she was never featured in the studio DVDs. Playing the role of the Gentlewoman, Shannon also sings “Harry’s Game” as well as other songs in Celtic Thunder: Storm which was released on CD and DVD on 20 September 2011.
  • Alex Sharpe (4 May 1972) is an Irish performer known for her live roles in London’s West End and on the Irish stage (both the Olympic and Gaiety Theatres). She is well known for performing with Celtic Woman from 2008 to 2010. She was a featured soloist at Andrew Lloyd Webber’s 60th birthday celebration (2008) with the RTE Orchestra and she recently released a solo album titled Be Still My Soul (2014). She began her career portraying Dorothy in The Wizard of Oz at the Olympia Theatre in Dublin.[33] Her career in Musical Theatre continued, as she played Janet in The Rocky Horror Show, Young Sally in Follies in Concert, Jenny in Aspects of Love, and Mila in Aloha Kamano by Sean Purcell.[33] She was asked to play Éponine in Les Misérables for the Cameron Mackintosh Company in England and Ireland and in the Concert Tour of Les Misérables.[33][34] Alex created the role of Bernadette in the Andrew Lloyd Webber/Ben Elton Musical The Beautiful Game. On her return to Ireland she played the role of Kate Foley inThe Wireman in the Gaiety Theatre, Dublin.[33] When founding member of Celtic Woman Lisa Kelly went on maternity leave, Sharpe became a temporary member of the ensemble in 2008. In 2009, Sharpe became a permanent member of Celtic Woman, in effect replacing Órla Fallon. She has toured with the ensemble on their 2009 ‘Isle of Hope’ tour, and has recorded a CD and DVD with the group, both entitled Celtic Woman: Songs from the Heart, released in January 2010.[35] The group toured North America from February to May 2010 on their ‘Songs from the Heart’ tour.[36] After the tour finished, Sharpe announced she would be leaving Celtic Woman to be with her family full-time.[37] In 2014 she released a solo album titled “Be Still My Soul.” She has a twelve-year-old son, Jacob.
  • Hayley Westenra (10 April 1987)[38][39] is a New Zealand singer, classical crossover artist,[40] songwriter and UNICEF Ambassador. Her first internationally released album, Pure, reached No. 1 on the UK classical charts in 2003 and has sold more than two million copies worldwide. Pure is the fastest-selling international début classical album to date, having made Westenra an international star at age 16. In August 2006, she joined the Irish group Celtic Woman, was featured on their Celtic Woman: A New Journey CD and DVD, toured with them on their 2007 Spring Tour, and was also featured on their DVD, The Greatest Journey: Essential Collection, released in 2008. Westenra recorded the end-title song for Disney‘s movie Mulan II.[41] They also featured her in the national Radio Disney music education tour for middle-school students. On 24 August 2003, Westenra performed on the stage with opera tenor José Carreras and Bryn Terfel in front of the capacity crowd of 10,000 people from Faenol Festival in Wales.[42][43] In 2004, Westenra was recorded a live DVD, Hayley Westenra: Live from New Zealand, featured duet with baritone Teddy Tahu Rhodes and soprano Sophie Westenra in St. James Theatre. David Horn, the producer of her live TV special, which aired on PBSGreat Performances, said, “Her singing is so gorgeous, it’s reminiscent of the great boy-soprano sound of Anglican church choirs.”[44][45][46]

Albums

Celtic Woman was taped on 15 September 2004 for PBS television at The Helix, Dublin, Ireland, in front of a sold-out audience. Organized by producer Sharon Browne, Chairman & CEO Dave Kavanagh, television producer and director Avril MacRory, and musical director and composer David Downes, this performance was first broadcast on PBS during March 2005 in the United States, and within weeks the group’s eponymous debut album, Celtic Woman, reached No. 1 on Billboard‘s World Music chart, eventually breakingAndrea Bocelli‘s long-standing record of chart-topping longevity on 22 July 2006 by having stayed at No. 1 for 68 weeks.[47] The album held the top position on the Billboard World Music chart for 81 weeks total.[48] Much of the group’s success in America has been credited to the extensive PBS publicity throughout 2005. The live performance at The Helix was released on DVD alongside the studio album.

The release of the second album, Celtic Woman: A Christmas Celebration, on 19 October 2006 knocked their first album to the No. 2 spot on the World Music chart.[48]

In preparation for their third studio album, Celtic Woman performed at Slane Castle in County Meath, Ireland, on 23 and 24 August 2006, with this show airing on PBS during December 2006. The studio album, titled Celtic Woman: A New Journey, was released on 30 January 2007. As with their debut, the live performance was released on DVD simultaneously. This album immediately hit the Billboard 200 at No. 4[49] and the Billboard World Music chart at No. 1,[50] moving their previous two releases down a notch and securing the top three positions on that chart for the group.

In response to the popularity of the performance at Slane Castle in 2006, PBS aired a special concert of Celtic Woman performing again in The Helix Theatre, Dublin, Ireland on 7 December 2007. This performance included songs from the group’s second album,Celtic Woman: A Christmas Celebration.

A fourth album, Celtic Woman: The Greatest Journey, was released on 28 October 2008. The group’s fifth album, Celtic Woman: Songs from the Heart, was released 26 January 2010. It peaked at No. 48 in July 2010 on the ARIA Top 50 Albums chart.[51]

The group recently released their sixth album, Lullaby, available through PBS pledge or the QVC shopping website.[52] On 15 February 2011, it was released by other major retailers as a limited edition album. It reached No. 1 on the World Charts and No. 3 on the Children’s Charts, a first for Celtic Woman.

The group filmed a new special on 6 and 7 September 2011 at the Fox Theater in Atlanta for PBS broadcast and DVD release. It is titled Celtic Woman: Believe. The show aired on PBS stations on 3 December 2011. The CD/DVD was released on 24 January 2012.[53]

On 9 October 2012, the group released its second worldwide Christmas album Home for Christmas. This album features the voices of Lisa Lambe, Chloë Agnew, Meav Ni Mhaolchatha, and Mairead Nesbitt on the fiddle. Another Christmas album, Celtic Woman: Silent Night was released on the same day for the United States exclusively.

In July 2013, Celtic Woman released a promotional video on its YouTube channel for a new PBS special, due to be screened in early 2014. On 24 February 2014, Celtic Woman released a new CD/DVD set and PBS Special, called Celtic Woman: Emerald – Musical Gems. It features Lisa Lambe, Chloë Agnew, Mairead Nesbitt, and Susan McFadden. The DVD was filmed in April 2013 at a tour stop in South Bend, Indiana and was aired on PBS, starting in March.[54]

The group filmed a new special in August 2015, called Celtic Woman: Destiny.

Tours

Celtic Woman has performed three tours in America, with additional performances overseas. The group appeared live in more than a dozen US cities in 2005 for their original album debut.[55] The group toured the United States twice with their “Celtic Woman: A New Journey” tour, visiting 88 cities in 2007 and over 75 cities in 2008. In early April 2008 it was announced that The High Kings would be opening the act for the group through June 2008.[56]

The 2009 Isle of Hope Tour was announced in late 2008, and features a blend of original music from composer David Downes and Brendan Graham (the author of the group favourite “You Raise Me Up“), renditions of songs such as “Fields of Gold” and “Have I Told You Lately That I Love You” and traditional performances of “Danny Boy”, “The Sky and the Dawn and the Sun” and “Spanish Lady”. This tour finished on 22 November 2009.

The 2010–11 tour called Songs from the Heart, featured some of the same music and some new music. The tour featured Chloë Agnew, Lisa Kelly, Lynn Hilary, Alex Sharpe, and Mairead Nesbitt. It began in February 2010.[57][58] PBS television presented a special concert starting 28 November 2009. It was taped in HD at the Powerscourt House & Gardens in Enniskerry, County Wicklow, Ireland. It included a 27-member film orchestra, Discovery Gospel choir, 12-member Aontas Choir, 10-member Extreme Rhythm Drummers with an 11-piece bag pipe ensemble.[59]

A second “Songs from the Heart” tour opened in February 2011 with Agnew, Kelly, new member Lisa Lambe, and Nesbitt and consisted of about 80 concerts in North America in spring 2011[60] and 10 performances in Germany and Austria during summer 2011.[61]

The Symphony Tour featuring songs from their Christmas Album A Christmas Celebration took place during December 2011.[62]

The BELIEVE 2012 North American Tour ran between February 2012 and April 2012.[63] Following directly onto this, the BELIEVE European tour took place between May and June 2012.[64] Lisa Kelly, who was expecting her fourth child, did not participate in the 2012 tours,[65] and was replaced by Susan McFadden,[65] the younger sister of former Westlife member Brian McFadden.

Another Symphony Tour was announced for the 2012 Christmas season, featuring Agnew, Lambe, Nesbitt and McFadden. The tour began on 1 December and continued on till 22 December. Celtic Woman took “Believe” on tour again from February to June 2013, with the same line-up. On 15 January 2013, Lisa Kelly announced her intentions to open “The Lisa Kelly Voice Academy”, located in Peachtree City, GA. In addition to this, Kelly confirmed that she will not be returning to Celtic Woman. Her husband, Scott Porter, also announced his departure as CEO of Celtic Woman.

Celtic Woman took “Believe” to Europe in October 2013 and visited the US on their Symphony Tour in December 2013. The Australian Tour for “Believe”, previously scheduled for September 2013, was rescheduled to January 2014. Celtic Woman toured in the US from February to June 2014 on their Emerald Tour to celebrate the heritage of the Emerald Isles and to promote their new album called Celtic Woman: Emerald Musical Gems. Lynn Hilary will be coming back for the Emerald Tour as Lisa Lambe is leaving in mid-March for a role in the play Breaking Dad, Ross O’Carroll-Kelly’s sequel to Between Foxrock and a Hard Place, in which Lisa had played Sorcha. Breaking Dad, will run from 25 April to 17 May at the Gaiety Theatre in Dublin, Ireland.[66] As well as the US, Celtic Woman visited Brazil, the UK, and Europe in Autumn 2014 on their Emerald Tour – making their debut in Brazil and the UK.

Additionally, Celtic Woman toured the US for their Symphony Tour in December 2014 and again for the Tenth Anniversary Tour in March 2015 to celebrate the group’s 10th anniversary. Also, Celtic Woman’s November 2014 European Tour, which was part of the Emerald World Tour, was rescheduled from November 2014 to February 2015, and is now part of the Tenth Anniversary Tour instead of the Emerald Tour. They will also visit Australia for the 10th Anniversary Tour in September 2015 for the first time since the Believe Tour in January 2014, and will return to the UK again in November 2015.[dated info]

Membership

The original performers in Celtic Woman were Chloë Agnew, Órla Fallon, Lisa Kelly, Méav Ní Mhaolchatha, and Máiréad Nesbitt. During Méav’s pregnancy in 2005, Deirdre Shannon was selected to fill her place during tours. Méav returned to the group in time to record A New Journey and tour for that album, coinciding with Deirdre’s departure from the group in February 2006.

The second line-up change was announced on 6 September 2006, with the announcement that Hayley Westenra officially joined Celtic Woman on 24 August 2006.[67] As well as being featured on the album and DVD for A New Journey, Hayley alternated with Méav during tour events to maintain the live five-person line-up.[68]

On 20 August 2007, Méav left Celtic Woman to focus on her solo career. Méav’s replacement, Lynn Hilary, made her first appearance on 10 October 2007 in Estero, Florida, United States.[69][70]

In December 2007, Lisa Kelly, who was expecting a new child in 2008, took maternity leave from the group. Alex Sharpe filled her position on the A New Journey tour during this leave.[71] It was announced on the group’s website in 2009 that Órla Fallon was taking a full break to spend time with her family and to focus on recording a new solo album, and that as a result of this, Alex would be replacing Órla as a member of Celtic Woman.

For the 2009 Isle of Hope Tour, the group comprised vocalists Chloë Agnew, Lynn Hilary, Lisa Kelly, and Alex Sharpe; and fiddler Máiréad Nesbitt. This group completed the entire 2009 tour as well as the first leg of the Songs from the Heart tour, from February to May 2010, with this line-up. After the tour ended, it was announced that Alex Sharpe would take a full-time break from Celtic Woman to spend time with her family.[5]

After the Songs from the Heart tour, in November 2010, Lynn Hilary announced that she was leaving the group to return to Ireland.[72] Singer and actress Lisa Lambe joined the group as a replacement for Lynn in early 2011.

In December 2011, Lisa Kelly announced that she would be taking maternity leave from the group after the “Symphony Tour” was over. The group’s website announced in January 2012 that actress Susan McFadden would be filling in for Kelly until she returned to the group. However, Kelly announced the opening of “The Lisa Kelly Voice Academy” in Peachtree City, Georgia, in January 2013 indicating that she was moving on from performing to teaching. Susan has since become a full member of the line-up and will appear on the new Celtic Woman PBS special and DVD, due for release in early 2014.

In 2012, Méav Ní Mhaolchatha returned briefly to Celtic Woman to record Celtic Woman: Home for Christmas, the first time she had appeared with the group since her departure in 2007. Méav returned to the group again, albeit on a temporary basis, in August 2013 to film the Celtic Woman: Home for Christmas PBS show and DVD. At the same time, it was announced on the Celtic Woman website on 5 August 2013 that Chloë Agnew would be taking a break from Celtic Woman to work on solo projects. In addition to this, she was not featured in the PBS special and DVD for Celtic Woman: Home for Christmas. On 23 August 2013 it was announced that Derry-born singer Mairead Carlin would be taking Chloë’s place.[10]

Shortly before the beginning of the Emerald Tour on 14 February 2014, management announced that Lisa Lambe would be leaving the tour at the beginning of March, with Lynn Hilary returning to take her place. Lambe was, however, slated to return during the summer, though no specific date was given.[citation needed]

It was announced late 2014 that Lisa Lambe will be leaving Celtic Woman for a while to work on a solo album.[citation needed] Former Celtic Woman, Lynn Hilary, will again be returning in Lambe’s place. It was later announced that former Celtic Woman Alex Sharpe will be returning for the 10th Anniversary tour along with Méav Ní Mhaolchatha. The current lineup is Méav Ní Mhaolchatha, Lynn Hilary, Alex Sharpe, Mairead Nesbitt, Mairead Carlin, and Susan McFadden, with all but Nesbitt and McFadden serving 2 at a time on a rotating basis for the US tour ending June 2015. The lineup for the fall is McFadden, Carlin, Nesbitt and newest member Éabha McMahon.

When asked how the group members got along, member Lisa Kelly responded,

“We get along because we’re so different. Chloë Agnew is hip, Méav Ní Mhaolchatha is rational, Orla Fallon is angelic, and Mairead Nesbitt is energetic.”[73]

According to Chloë Agnew, the friendship between the vocalists was the number one question they were asked. She explained:

“I think people are always looking for a ‘Desperate Housewives’ story, that they all hate each other and nobody actually gets along. It’s all for show. And the truth of the matter is, it’s not. The reality is we do all get along. The five of us are like sisters, best friends.”[74]

Discography

Title Date of release Media format Region Chart peaks
Celtic Woman 1 March 2005 CD & DVD International USA: #53 [75]
Celtic Woman: A Christmas Celebration 3 October 2006 CD & DVD International USA: #35 [75]
Celtic Woman: A New Journey 30 January 2007 CD & DVD International USA: #4 [75]
Celtic Woman: A Celtic Family Christmas[76] 14 October 2008 CD US USA: #89 [75]
Celtic Woman: The Greatest Journey 28 October 2008 CD & DVD International USA: #75 [75]
Celtic Woman: Songs from the Heart 26 January 2010 CD & DVD International UK: #122 [77]USA: #9 [75]
Celtic Woman: Lullaby 15 February 2011 CD International USA: #126 [75]
Celtic Woman: Believe (Compilation) 25 May 2011 CD & DVD Japan
Celtic Woman: An Irish Journey[78] 3 October 2011 CD EU
Celtic Woman: A Celtic Christmas[79] 25 November 2011 CD EU
Celtic Woman: Believe[80] 24 January 2012 CD & DVD International (except Japan) USA: #13 [75]
Celtic Woman: Home for Christmas 9 October 2012 CD, DVD & Blu-ray International USA: #43 [75]
Celtic Woman: Silent Night[81] 9 October 2012 CD US
Celtic Woman: Emerald – Musical Gems[82] 24 February 2014 CD, DVD & Blu-ray International USA: #29 [75]
Celtic Woman: O Christmas Tree 21 October 2014 CD US
Celtic Woman: Destiny 23 October 2015 CD, DVD DE, International USA: #60 [75]

The original Celtic Woman five performed “Song for the Mira” with multiple Grammy Award winner Anne Murray for her 2007 EMI release “Anne Murray Duets: Friends & Legends.” A “Song of the Mira” performance/interview montage appears on a DVD which was included with “Anne Murray’s Christmas Album,” released in 2008.

Awards and honours

In 2007 Celtic Woman won an EBBA Award.[83] Each year the European Border Breakers Awards (EBBA) recognise the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year.

https://en.wikipedia.org/wiki/Celtic_Woman

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Leonard Rosen — All Cry Chaos — Videos

Posted on February 21, 2016. Filed under: American History, Articles, Blogroll, Books, British History, Business, Communications, Congress, Constitution, Economics, Education, Employment, Environment, Food, Freedom, Friends, history, liberty, Life, Links, media, Money, People, Philosophy, Photos, Politics, Talk Radio, Video, Wealth, Welfare, Wisdom, Work | Tags: , , , , , , , , , , , , , , |

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Mathematics is the art of giving the same name to different things.

~Henri Poincare

Book Trailer: “All Cry Chaos” by Leonard Rosen

Leonard Rosen talks about Chaos Theory, his writing process, and the pleasure of audiobooks

Leonard Rosen – All Cry Chaos

Chaos Theory

The Science and Psychology of the Chaos Theory

The Strange New Science of Chaos

Fractals – Hunting The Hidden Dimension

Complexity: Life, Scale, & Civilization

TEDxRotterdam – Igor Nikolic – Complex adaptive systems

Where Good Ideas Come From | Steven Johnson | TED Talks

Dirk Helbing: Rethinking Economics Based on Complexity Theory

Henri Poincaré

Rick Astley – Never Gonna Give You Up

It is the harmony of the diverse parts, their symmetry, their happy balance; in a word it is all that introduces order, all that gives unity, that permits us to see clearly and to comprehend at once both the ensemble and the details.

~Henri Poincare

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The Results Are In: Cruz and Clinton Win Most Delegates In A Very Close Race — Videos

Posted on February 13, 2016. Filed under: American History, Art, Articles, Blogroll, Business, Communications, Corruption, Culture, Economics, Elections, Employment, Entertainment, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, history, Illegal, Immigration, IRS, Law, Legal, liberty, Life, Links, media, Music, Music, Newspapers, People, Philosophy, Photos, Politics, Presidential Candidates, Radio, Radio, Rants, Raves, Regulations, Religion, Religious, Speech, Strategy, Talk Radio, Tax Policy, Taxation, Taxes, Television, Terrorism, Unemployment, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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The Pronk Pops Show 613, January 28, 2016, Story 1: The Trump Tease– Will Trump Be At Debate? If Not, Fox Is The Loser — What a Diff’rence a Day Makes — Videos

Posted on February 2, 2016. Filed under: American History, Articles, Blogroll, Business, Communications, Computers, Congress, Constitution, Corruption, Culture, Demographics, Documentary, Economics, Education, Employment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, government, government spending, history, Illegal, Immigration, Law, Legal, liberty, Life, Links, media, Money, Music, Music, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Press, Programming, Psychology, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Television, Trade Policiy, Video, Water, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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The Tyranny of The Two Party System — The Big Government Democratic and Republican Parties — Is That All There Is? — Trump Best Odds — ‘We Are Led By Very, Very Stupid People’ — Corrupt Criminal Class — Bought and Paid For — Videos

Posted on December 23, 2015. Filed under: American History, Articles, Blogroll, Books, Business, Comedy, Communications, Congress, Constitution, Corruption, Crime, Crisis, Documentary, Economics, Employment, Family, Federal Government, Fiscal Policy, Foreign Policy, Fraud, Freedom, Friends, government, government spending, history, Illegal, Immigration, Inflation, Islam, Law, Legal, liberty, Life, Links, Literacy, media, Microeconomics, Money, Music, Music, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Radio, Rants, Raves, Strategy, Talk Radio, Taxation, Taxes, Technology, Terrorism, Unemployment, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Desert Duel — The Outsider Leaders (Trump (41%) /Cruz (14%) Takeout The Insider Followers (Rubio (10%), Bush (3%), Kasich (3%), Christie( 2%) The Nowhere Men — Help — Trump/Cruz Ticket and Next President and Vice President of United States — Make America Great Again — Make America Safe Again! — Videos

Posted on December 23, 2015. Filed under: American History, Articles, Blogroll, Business, College, Constitution, Corruption, Crime, Economics, Education, Elections, Employment, Faith, Family, Federal Government, Fiscal Policy, Foreign Policy, Freedom, government, government spending, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Macroeconomics, media, Monetary Policy, Money, Music, Music, Newspapers, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Press, Psychology, Public Sector, Radio, Radio, Rants, Raves, Talk Radio, Taxation, Taxes, Television, Unemployment, Unions, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Mainstream Media Mob Electronic Lynching of Dr. Ben Carson — Attempted Assassination Fails — Limbaugh Unmasked The Perpetrators — The Conservative Right Strikes Back — Videos

Posted on November 9, 2015. Filed under: American History, Articles, Blogroll, Business, College, Communications, Congress, Constitution, Crisis, Economics, Education, Elections, Faith, Family, Foreign Policy, Freedom, Friends, government spending, history, Language, Law, liberty, Life, Links, media, Money, Newspapers, People, Philosophy, Photos, Politics, Presidential Candidates, Press, Psychology, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Television, Unemployment, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 570: November 6, 2015 

Pronk Pops Show 569: November 5, 2015 

Pronk Pops Show 568: November 4, 2015 

Pronk Pops Show 567: November 3, 2015 

Pronk Pops Show 566: November 2, 2015

Pronk Pops Show 565: October 30, 2015

Pronk Pops Show 564: October 29, 2015 

Pronk Pops Show 563: October 28, 2015 

Pronk Pops Show 562: October 27, 2015 

Pronk Pops Show 561: October 26, 2015 

Pronk Pops Show 560: October 23, 2015

Pronk Pops Show 559: October 22, 2015 

Pronk Pops Show 558: October 21, 2015

Pronk Pops Show 557: October 20, 2015 

Pronk Pops Show 556: October 19, 2015

Pronk Pops Show 555: October 16, 2015

Pronk Pops Show 554: October 15, 2015 

Pronk Pops Show 553: October 14, 2015

Pronk Pops Show 552: October 13, 2015 

Pronk Pops Show 551: October 12, 2015 

Pronk Pops Show 550: October 9, 2015 

Pronk Pops Show 549: October 8, 2015 

Pronk Pops Show 548: October 7, 2015 

Pronk Pops Show 547: October 5, 2015

Pronk Pops Show 546: October 2, 2015 

Pronk Pops Show 545: October 1, 2015 

Pronk Pops Show 544: September 30, 2015 

Pronk Pops Show 543: September 29, 2015 

Pronk Pops Show 542: September 28, 2015 

Pronk Pops Show 541: September 25, 2015 

Pronk Pops Show 540: September 24, 2015 

Pronk Pops Show 539: September 23, 2015 

Pronk Pops Show 538: September 22, 2015 

Pronk Pops Show 537: September 21, 2015 

Pronk Pops Show 536: September 18, 2015 

Pronk Pops Show 535: September 17, 2015 

Pronk Pops Show 534: September 16, 2015 

Pronk Pops Show 533: September 15, 2015  

Pronk Pops Show 532: September 14, 2015 

Pronk Pops Show 531: September 11, 2015

Pronk Pops Show 530: September 10, 2015 

Pronk Pops Show 529: September 9, 2015 

Pronk Pops Show 528: September 8, 2015 

Pronk Pops Show 527: September 4, 2015 

Pronk Pops Show 526: September 3, 2015  

Pronk Pops Show 525: September 2, 2015 

Pronk Pops Show 524: August 31, 2015  

Pronk Pops Show 523: August 27, 2015  

Pronk Pops Show 522: August 26, 2015 

Pronk Pops Show 521: August 25, 2015 

Pronk Pops Show 520: August 24, 2015 

Pronk Pops Show 519: August 21, 2015 

Pronk Pops Show 518: August 20, 2015  

Pronk Pops Show 517: August 19, 2015 

Pronk Pops Show 516: August 18, 2015

Pronk Pops Show 515: August 17, 2015

Pronk Pops Show 514: August 14, 2015

Pronk Pops Show 513: August 13, 2015

Pronk Pops Show 512: August 12, 2015

Pronk Pops Show 511: August 11, 2015

Pronk Pops Show 510: August 10, 2015

Story 1: Mainstream Media Mob Electronic Lynching of Dr. Ben Carson — Attempted Assassination Fails — Limbaugh Unmasked The Perpetrators — The Conservative Right Strikes Back — Videos

a lie

Ben Carson Thanks ‘Biased’ Media After Raising $3.5 Million In One Week

Ben Carson On Biased Media and Trump This Week FULL Interview

Dr. Ben Carson Talks West Point With Bill O’Reilly

Scrutinizing Ben Carson – Donald Trump – O’Reilly Talking points

Ben Carson Holds Press Conference On West Point Scholarship False Claims (11-6-15)

November 6, 2015: GOP Presidential candidate Dr. Ben Carson addressed the media this evening on the alleged false claims he made in his book, “Gifted Hands”, including that he received a full scholarship offer to West Point and that he allegedly tried to stab a friend and hit his mother with a hammer.

Ben Carson strikes back at the press

Glenn Beck Exposes Obama’s Fraudulent History and Radicalized Beliefs

Report Questions Ben Carson’s West Point Story, Campaign Pushes Back – Cavuto

Ben Carson: “I was offered a full scholarship to West Point” (Oct 9, 2015) | Charlie Rose

Ben Carson thinks Egypt’s pyramids were built by Joseph

Carson: Egypt’s Pyramids Built To Store Grain

Republican presidential candidate Ben Carson stood by his belief that Egypt’s great pyramids were built by the Biblical figure Joseph to store grain, an assertion dismissed by experts. (Nov. 5)

Ben Carson: How I Got into Politics (Oct. 9, 2015) | Charlie Rose

Dr. Benjamin Carson’s Amazing Speech at the National Prayer Breakfast with Obama Present

Fox News: Ben Carson Admits Story About Getting Into West Point Was NOT TRUE

Carson Campaign: Politico Story About West Point Acceptance Not True

The Politico, Lies about Ben Carson

Politico: Carson admits fabricating scholarship story

audio 11/6/15 RUSH LIMBAUGH: POLITICO & MEDIA TRYING TO TAKEDOWN BEN CARSON

Hillary’s Vicious Media Tools Now Getting Brutal On Ben Carson (Limbaugh)

Rush Limbaugh – November 6, 2015 Full Podcast

Rush Limbaugh Explains Why Trump And Carson Are Circling The Top Of The Tier

Rush Limbaugh: Trump is driving the GOP establishment insane

Rush Limbaugh: Only Trump or Carson can stop GOP donor agenda

Dr. Ben Carson’s response to a 10-year old boy-Amazing!

Dr. Carson’s amazing speech at CPAC 2014

INCREDIBLE: DR. BEN CARSON STOPS BY “THE VIEW” AND DEMOLISHES LIBERALISM

RUSH: Dr. Ben Carson Has Everyone In Democrat Party Scared To Death

RUSH LIMBAUGH NAILS IT ABOUT BEN CARSON

“There is not a single person in the media today that could wear Dr. Benjamin Carson’s uniform, whatever uniform he puts on in a day, a business suit, if it’s surgical scrubs, there’s not a single member of the media that could do anything close to what Ben Carson has done with his life. ”

Ben Carson: Debate audience picked up on media bias

Ben Carson on CNN: Full interview, part 1

Ben Carson on CNN: Full interview, part 2

Ben Carson on CNN: Full interview, part 3

Mark Levin – Obama the “Red Diaper Baby”

Unearthed: Obama Admits Mentor Was Communist Agitator Frank Marshall Davis

The Untold Story of Barack Obama’s Mentor

(CNN) Andy Martin’s discovery that Obama’s father is communist Frank Marshall Davis

Paul Kengor & Glenn Beck “The Communist” on GBTV Frank Marshall Davis Barack Obama’s Mentor

Van Jones: ‘Ben Carson Bewilders, I Think, Most Black Democrats’

Hillary’s Vicious Media Tools Now Getting Brutal On Ben Carson (Limbaugh)

audio 11/6/15 BEN CARSON TO CNN, “ASK HILLARY THE SAME QUESTIONS”

Poll: Ben Carson is 9 points ahead of Hillary! (Limbaugh)

Psychological Warfare, Credibility

Enemy of the State (1998)

Peggy Lee — Is That All There Is? 1969

Latest Polls

Friday, November 6
Race/Topic   (Click to Sort) Poll Results Spread
Iowa Republican Presidential Caucus CNN/ORC Carson 23, Trump 25, Rubio 13, Cruz 11, Bush 5, Fiorina 4, Jindal 4, Huckabee 2, Christie 3, Kasich 2, Paul 2, Santorum 0, Graham 2, Pataki 0 Trump +2
Iowa Democratic Presidential Caucus CNN/ORC Clinton 55, Sanders 37, O’Malley 3 Clinton +18
President Obama Job Approval Gallup Approve 49, Disapprove 47 Approve +2
President Obama Job Approval Rasmussen Reports Approve 45, Disapprove 54 Disapprove +9
Thursday, November 5
Race/Topic   (Click to Sort) Poll Results Spread
North Carolina Republican Presidential Primary Elon University Carson 31, Trump 19, Rubio 10, Cruz 10, Bush 5, Fiorina 3, Huckabee 3, Kasich 1, Christie 2, Paul 2, Santorum 0, Graham 1, Jindal 0, Walker, Perry Carson +12
North Carolina Democratic Presidential Primary Elon University Clinton 57, Sanders 24, O’Malley 3 Clinton +33
North Carolina: Trump vs. Clinton Elon University Clinton 50, Trump 40 Clinton +10
North Carolina: Carson vs. Clinton Elon University Carson 48, Clinton 44 Carson +4
North Carolina: Rubio vs. Clinton Elon University Rubio 46, Clinton 45 Rubio +1
North Carolina: Bush vs. Clinton Elon University Clinton 47, Bush 43 Clinton +4
North Carolina: Fiorina vs. Clinton Elon University Clinton 48, Fiorina 42 Clinton +6
Michigan: Trump vs. Clinton WXYZ-TV/Detroit Free Press Clinton 46, Trump 38 Clinton +8
Michigan: Carson vs. Clinton WXYZ-TV/Detroit Free Press Carson 46, Clinton 40 Carson +6
Michigan: Trump vs. Sanders WXYZ-TV/Detroit Free Press Sanders 48, Trump 36 Sanders +12
Michigan: Carson vs. Sanders WXYZ-TV/Detroit Free Press Carson 45, Sanders 36 Carson +9
President Obama Job Approval Quinnipiac Approve 42, Disapprove 54 Disapprove +12
President Obama Job Approval Monmouth Approve 44, Disapprove 48 Disapprove +4
President Obama Job Approval Reuters/Ipsos Approve 42, Disapprove 52 Disapprove +10
Congressional Job Approval Monmouth Approve 13, Disapprove 77 Disapprove +64
Direction of Country Monmouth Right Direction 21, Wrong Track 68 Wrong Track +47
Direction of Country Reuters/Ipsos Right Direction 27, Wrong Track 58 Wrong Track +31

LIMBAUGH: CARSON IS VICTIM OF ‘ELECTRONIC LYNCHING’

Media ‘telling an outright lie’ in ‘an assassination attempt’

Talk-radio kingpin Rush Limbaugh shredded Politico and accused the news site and mainstream media of coordinating an “assassination attempt” against Dr. Ben Carson on Friday.

In fact, Limbaugh went even further, calling the onslaught of attacks an “electronic lynching being conducted against the Republican African-American candidate by a majority-white mainstream American liberal media.”

In a damning accusation Friday, Politico claimed Carson’s campaign “admitted he did not tell the truth” about having been accepted into the U.S. Military Academy at West Point.

A Carson spokesperson made a response to an inquiry by Politico into the veracity of a story in the surgeon’s autobiography, “Gifted Hands,” that the then-17-year-old was offered a full scholarship after a meeting in 1969 with Gen. William Westmoreland in 1969.

Dr. Ben Carson’s inspiring manifesto, “America the Beautiful: Rediscovering What Made This Nation Great” – $4.95 today only at the WND Superstore!

Politico reported West Point had no record of either Carson’s application or admission.

However, a Carson spokesman told the Daily Caller on Friday, “The Politico story is an outright lie.”

Doug Watts said, “The campaign never admitted to anything,” and Carson “[N]ever said he was admitted or even applied” to West Point.

“I want to show you how this works. I want to share with you some headlines that have run during the course of this program,” Limbaugh said, blasting Politico as a “liar,” and listing the following media reports Friday:

Several of the news outlets – including Politico – amended their original headlines with the Carson campaign called the Politico story “an outright lie.”

In a press conference late Friday, Carson ripped into combative reporters:

If you look at one of the websites that West Point has today, it says government offer for full scholarship to West Point. So they use that very language themselves. So almost 50 years ago, they may have been using that language as well.

They were very impressed with what I had done. I had become the city executive officer in less time than anybody else had ever done that. They were saying, “You would be a tremendous addition to the military, and we can get you into West Point with a full scholarship. I simply said, “I want to be a doctor. I really appreciate it. I’m very flattered.” And I moved on. So it didn’t go on any further than that. …

I think what it shows, and what these kinds of things show, is that there is a desperation on behalf of some to try to find a way to tarnish me because they have been looking through everything. They have been talking to everybody I’ve ever known, everybody I’ve ever seen, [saying], “There’s got to be a scandal. There’s got to be something. He’s having an affair, there’s gotta be something.” They are getting desperate. So next week it’ll be my kindergarten teacher who says that I peed in my pants. I mean, this is just ridiculous. But it’s OK because I totally expect it.

Dr. Carson explained that, as the top ROTC student in Detroit 50 years ago, he was invited to “a number of events because of my position.” In that role, he was invited to meet Gen. Westmoreland.

“That was also a time, as I recall, that several of the high brass told me that I would be somebody that they would be interested in in the military. It was an offer to me. I interpreted it as an offer. … They told me this was available to me because of my accomplishments and that they would be delighted for me to do it. And I told them immediately that my intention was to become a physician. It always has been, and I was very honored but I would not be pursuing that.”

Carson said he “made it clear” in his book that he, in fact, only applied to one college because he had just enough money for one application fee.

When relentlessly pressed about his childhood years, Carson told reporters, “My prediction is that all of you guys trying to pile on is actually going to help me, because, when I go out to these book signings and I see these thousands of people, they say, ‘Don’t let the media get you down. Don’t let them disturb you. Please continue to fight for us.’ They understand that this is a witch hunt. …

“Let me just say one thing. I do not remember this level of scrutiny for one President Barack Obama when he was running. In fact, I remember just the opposite. I remember people just [saying], ‘Oh well, we won’t really talk about that. We won’t talk about that relationship. Well, Frank Marshall Davis, we don’t want to talk about that. Bernardine Dohrn, Bill Ayers, we don’t really know him. You know, all the things that Jeremiah Wright was saying, oh, not a big problem.’

“[Obama] goes to Occidental College, doesn’t do all that well, and somehow ends up at Columbia University. His records are sealed. Why are his records sealed? Why are you guys not interested in why his records are sealed? Why are you not interested in that? Let me ask you that. Can somebody tell me why? … Now you’re saying that something that happened with the words ‘a scholarship was offered’ was the big deal, but the president of the United States, his academic records being sealed is not? Tell me how there’s equivalence there.”

Carson told reporters he wouldn’t “sit back and let you be completely unfair without letting the American people know what’s going on.”

He added, “And the American people are waking up to your games.”
 http://www.wnd.com/2015/11/limbaugh-carson-is-victim-of-electronic-lynching/#sXtuGSojLqHGJlxX.99

Read more at http://www.wnd.com/2015/11/limbaugh-carson-is-victim-of-electronic-lynching/#sXtuGSojLqHGJlxX.99

New front-runner Ben Carson faces closer scrutiny of his life story

By David Weigel and David A. Fahrenthold

Republican presidential candidate Ben Carson — now making the transition from living legend to scrutinized candidate — faced new questions Friday about the way he tells his powerful life story.

For years, Carson has said he was offered a “full scholarship” to the U.S. Military Academy when he was a high-achieving high school Army ROTC cadet in the late 1960s. But Carson never applied to West Point, was never accepted and never received a formal scholarship offer. In fact, West Point does not offer scholarships; all cadets attend free.

The story was first reported Friday by Politico. Carson responded to the resulting controversy by saying that when he spoke of an “offer,” he referred to informal, verbal statements of encouragement from military leaders he met through the ROTC, the Reserve Officers’ Training Corps .

“I was told that because of my accomplishments, they would be able to manage to get me into West Point and that I wouldn’t have to pay anything,” Carson said on the Christian Broadcasting Network. He said he decided not to apply and went to Yale University instead to pursue medicine. “There was no application process [at West Point]. I never even started down that path,” Carson said.

Carson’s campaign cast the episode as new evidence of persecution of the candidate by the news media. Tension between Carson and the media came to a boil Friday night in Florida, where at a combative news conference the candidate asked why President Obama had not been subjected to such scrutiny.

 “The words ‘a scholarship was offered’ were a big deal, but the president of the United States’ academic records being sealed is not?” he said.

The original Politico report declared that Carson had “fabricated” a story about “his application and acceptance” at West Point. It also claimed that the candidate had “admitted” the fabrication.

Carson’s campaign vehemently denied those statements.

The Politico story seemed to mischaracterize a small but key detail in the way Carson has told the story. In many cases, Carson implied only that he received a formal offer from West Point. He never said explicitly that he had been accepted or even that he had applied.

“It gives journalism a bad name,” said Armstrong Williams, Carson’s close friend and business manager. “It only fits into Dr. Carson’s narrative of a witch hunt” by the media.

By mid-afternoon, Politico posted a new version of its story that no longer included the wording that Carson had “fabricated” a part of his biography. Later in the day, the news site posted an editor’s note stating that the story should have made clear that Carson never claimed to have applied for admission to West Point.

“We continue to stand by the story,” Politico spokeswoman Lauren Edmonds said in a statement. “We updated it to reflect Ben Carson’s on the record response to the New York Times and other new details, which underscore the validity of our original reporting.”

As the day went on, conservative media voices chimed in to agree with Carson. “It’s almost like the Politico is the official leak machine for the Republican establishment,” Rush Limbaugh said on his syndicated radio show. Radio host and blogger Erick Erickson replaced an entire post about “the beginning of Ben Carson’s end” with one about a “demonstrably false” Politico report.

Carson, 64, achieved worldwide fame for his daring surgeries at Johns Hopkins Hospital in Baltimore and for his story of rising out of poverty in southwest Detroit. This week, as Carson has challenged Donald Trump for the lead in the Republican presidential primary contest, there has been a new focus on Carson’s personal beliefs and on the way he tells his life story.

First, the Web site BuzzFeed posted a 17-year-old video of a commencement speech in which Carson offers an alternative theory about why the ancient Egyptians built the pyramids. In Carson’s telling, they were not built to be tombs, as historians and archeologists say. Instead, they were built for grain storage, in keeping with the biblical story of Joseph, in which the patriarch counseled the pharaoh to store up grain for years of famine.

Carson told CBS News this week that he still believes that the pyramids were granaries, saying the proof was in sealed chambers inside the structures. “You would need that if you were trying to preserve grain for a long period of time,” he said.

Then, CNN sought to verify a key part of Carson’s life story: that, as a young man in Detroit, he had committed acts of violence, including smashing a boy’s nose with a thrown rock, attempting to stab a friend in the abdomen and threatening his own mother with a hammer during an argument.

CNN interviewed nine people who knew Carson during his childhood and who said that the violent incidents did not fit their recollections of him.

Carson said CNN did not speak with the right people. “I was generally a nice person,” he told the network. “It’s just that I had a very bad temper. So unless you were the victim of that temper, why would you know?”

It was an unusually odd situation: a presidential candidate insisting, in the face of skepticism, that he really did have a history of violence.

The part of Carson’s life at issue Friday — the “offer” he got, or did not get, from West Point — is a story that Carson has told repeatedly in books, interviews and speeches.

He tells it in the context of his rapid rise through high school Army ROTC, which ended with him as the top-ranking cadet in Detroit.

“I was offered a full scholarship to West Point,” Carson wrote in his 1990 memoir, “Gifted Hands.” “I didn’t refuse the scholarship outright, but I let them know that a military career wasn’t where I saw myself going. As overjoyed as I felt to be offered such a scholarship, I wasn’t really tempted. The scholarship would have obligated me to spend four years in military service after I finished college, precluding my chances to go on to medical school.”

In that account and others, Carson seems to rely on loose, broad definitions for the words “offer” and “scholarship.”

In fact, applicants to West Point must be sponsored by a member of Congress or the secretary of the Army. If accepted, they attend tuition-free: There are no “scholarships” at West Point beyond the benefits that all cadets get.

Doug Watts, a spokesman for Carson’s campaign, said Carson never completed the process for acceptance by West Point and never had an official sponsor. Indeed, in “Gifted Hands,” Carson makes clear that he actually applied only to one school: Yale.

“Each college required a ten-dollar non-returnable entrance fee sent with the application,” Carson wrote. “I had exactly ten dollars, so I could apply only to one.”

Still, his campaign spokesman said, it was proper to say Carson had an “offer” of a scholarship because military leaders had told him that his acceptance would be a sure thing.

“He was told by the ROTC commander that he could have an appointment,” Watts said. “Dr. Carson rejected the offer, did not apply or pursue admission. Had he done so, and been accepted, that would have been tantamount to a scholarship, the same that all cadets receive.”

In one of his books, Carson also made a similar claim about a scholarship offer from another school.

“The University of Michigan had offered me a scholarship, but I wanted to go farther from home,” he wrote in his 1999 book, “The Big Picture.”

A spokesman for the University of Michigan, Rick Fitzgerald, said he could not confirm that account. The university no longer has records from that time. Carson’s camp said the scenario was similar to that involving West Point: He had decided to apply elsewhere and never submitted an application.

https://www.washingtonpost.com/politics/newly-minted-frontrunner-ben-carson-faces-new-scrutiny-of-his-life-story/2015/11/06/8877e032-84b8-11e5-8ba6-cec48b74b2a7_story.html

Exclusive: Carson claimed West Point ‘scholarship’ but never applied

Republican hits POLITICO story, later admits to The New York Times he wasn’t offered aid.

11/06/15 11:29 AM EST

Updated 11/06/15 03:42 PM EST

Republican presidential candidate Ben Carson on Friday conceded that he never applied nor was granted admission to West Point and attempted to recast his previous claims of a full scholarship to the military academy — despite numerous public and written statements to the contrary over the last few decades.

West Point has occupied a central place in Carson’s personal story for years. According to a tale told in his book, “Gifted Hands,” the then-17 year old was introduced in 1969 to Gen. William Westmoreland, who had just ended his command of U.S. forces in Vietnam, and the two dined together. That meeting, according to Carson’s telling, was followed by the offer of a “full scholarship” to the military academy.

Story Continued Below

West Point, however, has no record of Carson applying, much less being extended admission.

“In 1969, those who would have completed the entire process would have received their acceptance letters from the Army Adjutant General,” said Theresa Brinkerhoff, a spokeswoman for the academy. She said West Point has no records that indicate Carson even began the application process. “If he chose to pursue (the application process), then we would have records indicating such,” she said.

When presented by POLITICO with these facts, Carson’s campaign conceded he never applied.

“Dr. Carson was the top ROTC student in the City of Detroit,” campaign manager Barry Bennett wrote in an email to POLITICO. “In that role he was invited to meet General Westmoreland. He believes it was at a banquet. He can’t remember with specificity their brief conversation but it centered around Dr. Carson’s performance as ROTC City Executive Officer.”

“He was introduced to folks from West Point by his ROTC Supervisors,” Bennett added. “They told him they could help him get an appointment based on his grades and performance in ROTC. He considered it but in the end did not seek admission.”

In an interview with The New York Times following the POLITICO story, Mr. Carson said: “I don’t remember all the specific details. Because I had done so extraordinarily well you know I was told that someone like me – they could get a scholarship to West Point. But I made it clear I was going to pursue a career in medicine.”

“It was, you know, an informal ‘with a record like yours we could easily get you a scholarship to West Point.’”

Carson would have needed to seek admission in order to receive an offer of free education from West Point. Also, according to West Point, there is no such thing as a “full scholarship” to the military academy, as Carson represented in his book.

An application to West Point begins with a nomination by a member of Congress or another prominent government or military official. After that, a rigorous vetting process begins. If offered admission, all costs are covered for all students; indeed there are no “full scholarships,” per se.

The statement from Carson’s campaign manager on Friday went on to say: “There are ‘Service Connected’ nominations for stellar High School ROTC appointments. Again he was the top ROTC student in Detroit. I would argue strongly that an Appointment is indeed an amazing full scholarship. Having ran several Congressional Offices I am very familiar with the Nomination process.

“Again though his Senior Commander was in touch with West Point and told Dr. Carson he could get in, Dr. Carson did not seek admission.”

Ben Carson has repeatedly claimed he was offered a full scholarship from West Point. He conveys the story in at least two other books, “You Have a Brain” and “Take the Risk.” Carson repeated his West Point claim as recently as Aug. 13, when he fielded questions from supporters on Facebook.

And in October, Carson shared the story with Charlie Rose: “I had a goal of achieving the office of city executive officer [in JROTC]. Well, no one had ever done that in that amount of time … Long story short, it worked, I did it. I was offered full scholarship to West Point, got to meet General Westmoreland, go to Congressional Medal dinners, but decided really my pathway would be medicine.”

The Carson campaign pushed back against POLTICO’s story after its publication, with Carson himself telling Christian Broadcasting Network’s “The Brody File” that the media “will go through all lengths trying to discredit me.” According to a tweet from the show, Carson said, of the mainstream media, “they’ll ask my kindergarten teacher, ‘did I ever wet my pants.’”

The concession from Carson’s campaign comes as serious questions about other points of fact in Carson’s personal narrative are questioned, including the seminal episode in which he claimed to have attempted to stab a close friend. Similarly, details have emerged that cast doubt on the nature of Carson’s encounter with one of the most prominent military men of that era.

The West Point spokeswoman said it certainly is possible Carson talked with Westmoreland, and perhaps the general even encouraged him to apply to West Point. However, she said, the general would have explained the benefits of a West Point education without guaranteeing him entry.

In “Gifted Hands,” Carson says he excelled in his ROTC program at Detroit’s Southwestern High School, earning the respect of his superiors — just a couple years after anger problems led him to try to murder a friend. He attained the rank of second lieutenant by his senior year of high school and became the student leader of the city’s ROTC programs.

In May of his senior year, he was chosen to march in the city’s Memorial Day parade.

“I felt so proud, my chest bursting with ribbons and braids of every kind. To make it more wonderful, we had important visitors that day. Two soldiers who had won the Congressional Medal of Honor in Viet Nam were present,” he wrote. “More exciting to me, General William Westmoreland (very prominent in the Viet Nam war) attended with an impressive entourage. Afterward, Sgt. Hunt” — his high school ROTC director — “introduced me to General Westmoreland, and I had dinner with him and the Congressional Medal winners. Later I was offered a full scholarship to West Point.”

But, according to records of Westmoreland’s schedule that were provided by the U.S. Army, the general did not visit Detroit around Memorial Day in 1969 or have dinner with Carson. In fact, the general’s records suggest he was in Washington that day and played tennis at 6:45 p.m.

There are, however, several reports of an event in February of that year, similar to the one Carson described. Then, Westmoreland was the featured guest at a 1,500-person banquet to celebrate Medal of Honor recipient Dwight Johnson. The event drew prominent guests, including the governor at the time, the mayor of Detroit, the president of Ford Motor Company and nine previous Medal of Honor awardees, according to an Associated Press account of the event.

Carson, a leader of the city’s ROTC program at the time, may have been among the invited guests at the $10-a-plate event.

Carson’s later retelling of the events in this period of his life downplays his meeting with Westmoreland and that event’s link to a West Point acceptance. In his January 2015 book, “You Have a Brain,” — a book geared toward teenagers — Carson again recalls his rapid rise through his high school ROTC program to become the top student officer in the city.

“That position allowed me the chance to meet four-star general William Westmoreland, who had commanded all American forces in Vietnam before being promoted to Army Chief of Staff at the Pentagon in Washington, D.C.,” he wrote. “I also represented the Junior ROTC at a dinner for Congressional Medal of Honor winners, marched at the front of Detroit’s Memorial Day parade as head of an ROTC contingent, and was offered a full scholarship to West Point.”

Carson has said he turned down the supposed offer of admission because he knew he wanted to be a doctor and attending West Point would have required four years of military service after graduation.

Cecil Murphey, who ghostwrote “Gifted Hands,” told POLITICO that his memory of Carson’s exchange with Westmoreland was hazy.

“My gut response is that it was not a private meeting, but there were others there,” he said in an email. “The general took a liking to Ben and opened doors.”

http://www.politico.com/story/2015/11/ben-carson-west-point-215598#ixzz3qkUVQcJd

Ben Carson admits he lied about West Point scholarship, insists stories about troubled childhood are true

BY MEG WAGNER

Ben Carson admitted Friday that he lied about earning a prestigious scholarship to West Point while controversy over the validity of his troubled kid-to-renowned doctor narrative reached a crescendo.

The 2016 GOP candidate said he fabricated a part of his 1996 autobiography, “Gifted Hands,” in which he claimed he was given a “full scholarship” to the U.S. Military Academy just hours after he rebuked accusations that he lied about his violent outbursts as a child and teenager.

In the nearly 20-year-old book, Carson boasted about his transformation from rage-filled boy to refined neurosurgeon, describing how he once tried to hit his mother with a hammer and attempted to stab one of his friends to death.

His former classmates, however, said they don’t remember the Republican as a rough kid.

BEN CARSON STILL THINKS JOSEPH BUILT PYRAMIDS TO STORE GRAIN 

“I don’t know nothing about that,” Gerald Ware, Carson’s classmate at Detroit’s Southwestern High School, told CNN. “It would have been all over the whole school.”

PHOTO TAKEN OCT. 28, 2015BRENNAN LINSLEY/AP

Republican Presidential candidate Ben Carson claimed in his 1996 book that he had a violent childhood full of moments of ‘pathological anger.’

CNN spoke with nine people Carson grew up with. Not one remembered the Republican’s self-proclaimed violent outbursts.

While Carson slammed the CNN report, calling it a “bunch of lies” and “pathetic,” he did admit that there is at least one falsehood in the book: A story about how Gen. William Westmoreland offered the then-17-year-old a full-ride to West Point.

Carson said that as the leader of his high school’s Junior ROTC program, he attended a 1969 Memorial Day dinner for Congressional Medal of Honor winners. There, he met with General Westmoreland.

“Later I was offered a full scholarship to West Point,” he wrote.

BEN CARSON OVERTAKES TRUMP IN NATIONAL POLLING AVERAGE 

Carson may have met Westmoreland at the 1969 banquet — which was held in February, not May — but the general would not have promised the student a scholarship, West Point told POLITICO. All costs are covered for admitted West Point students, so “full ride” scholarships don’t exist.

Carson was “introduced to folks from West Point by his ROTC Supervisors” at a banquet, Carson’s campaign manager Barry Bennett said. While they may have discussed application process, Carson never applied or received a scholarship.

Instead, he attended Yale University before going on to the University of Michigan’s medical school.

West Point said it has no records of Carson applying to or enrolling in the academy.

Carson admitted he “doesn’t remember all the specific details” of meeting Westmoreland.

Ben Carson’s Violent Childhood Called Into Question as Classmates Don’t Remember
NY Daily News

“Because I had done so extraordinarily well you know I was told someone like me – they could get a scholarship to West Point,” Carson told the New York Times.

Despite the scholarship lie, Carson defended the rest of the book Friday, saying all the stories about his violent childhood are true.

In the 19-year-old book, Carson claimed he once tried to strike his mother with a hammer as they argued over clothing. His brother Curtis stepped in and disarmed the boy before he could physically harm their mother.

Carson also said he physically attacked at least two of his school friends.

In the seventh grade he hit a boy named Jerry with a lock after he teased Carson for saying something “stupid” in English class.

Carson wrote that he was given a MIKE GROLL/ASSOCIATED PRESS

Carson wrote that he was given a “full scholarship” to West Point.

“I swung at him, lock in hand. The blow slammed into his forehead, and he groaned, staggering backward, blood seeping from a three-inch gash,” Carson wrote.

Two years later, in the ninth grade, he tried to stab a friend who he identified in the book only as “Bob.” The blade stuck Bob’s belt buckle, breaking the blade and leaving the teen unharmed.

“I was trying to kill somebody,” Carson wrote of the knife attack, calling it a moment of “pathological anger.”

The teenage Carson ran to the bathroom after the failed stabbing and prayed. Since then, he has never had a problem with his temper, he claimed in the book.

Carson’s classmates remembered him as introverted and studious — someone who was more likely to be found in the library than in the middle of a schoolyard fight.

Carson's classmates have described him as a quiet, shy student, not an angry young man.

Carson’s classmates have described him as a quiet, shy student, not an angry young man.

“He was a quiet, shy kid, not too outgoing,” said his junior high and high school classmate Jerry Dixon. “Bennie stayed home a lot or went to the library to work.”

Dixon said he is not the Jerry the doctor-turned-politician beat with a lock — and said he had never even heard of such an incident.

Carson refused to reveal the names of his victims in a Friday interview on CNN, saying to name them would be “victimizing.”

He admitted that he changed the names in his autobiography, but maintained both “Bob” and “Jerry” are real people who will only be identified if they chose to come forward on their own.

“Tell me what makes you think you’re going to find those specific people?” Carson asked CNN’s Alisyn Camerota. “What is your methodology? Because I don’t understand it.”

Carson’s campaign adviser Armstrong Williams also refused to identify the candidate’s alleged victims or provide any kind of documentation showing disciplinary actions for his claimed school fights.

“Why would anyone cooperate with your obvious witch hunt?” Armstrong Williams wrote to CNN in an email last week, the day before Halloween. “No comment and moving on…… Happy Halloween!!!!!”

Donald Trump quickly weighed in on his rival’s controversy.

“The Carson story is either a total fabrication or, if true, even worse-trying to hit mother over the head with a hammer or stabbing friend!” he tweeted Thursday.

http://www.nydailynews.com/news/politics/ben-carson-violent-childhood-called-question-article-1.2425591

Ben Carson Says He Was Never Accepted to West Point

Photo
Ben Carson prepared to board his campaign bus after appearing at a book signing in Fort Lauderdale, Fla., on Thursday.

Ben Carson prepared to board his campaign bus after appearing at a book signing in Fort Lauderdale, Fla., on Thursday.Credit Joe Raedle/Getty Images

A report on Friday said Ben Carson had acknowledged never having applied to West Point, raising questions about his repeated assertions that he had turned down a scholarship to attend the military academy.

According to the report, in Politico, West Point had no record that Mr. Carson, who has been leading in some national polls in the race for the Republican presidential nomination, had applied. When Politico approached Mr. Carson’s campaign with the information, his campaign manager, Barry Bennett, in a statement, explained that Mr. Carson had considered an offer to receive help getting an appointment to the academy, but he did not apply.

In repeated references to West Point over the years, Mr. Carson has strongly implied that he had a standing offer to attend.

In his statement, Mr. Bennett said, “Dr. Carson was the top R.O.T.C. student in the City of Detroit.”

Referring to Gen. William C. Westmoreland, the Army chief of staff at the time, Mr. Bennett added: “In that role he was invited to meet General Westmoreland. He believes it was at a banquet. He can’t remember with specificity their brief conversation but it centered around Dr. Carson’s performance as R.O.T.C. city executive officer.”

“He was introduced to folks from West Point by his R.O.T.C. supervisors,” Mr. Bennett said. “They told him they could help him get an appointment based on his grades and performance in R.O.T.C. He considered it but in the end did not seek admission.”

In an interview with The New York Times on Friday, Mr. Carson said: “I don’t remember all the specific details. Because I had done so extraordinarily well you know I was told that someone like me – they could get a scholarship to West Point. But I made it clear I was going to pursue a career in medicine.”

“It was, you know, an informal ‘with a record like yours we could easily get you a scholarship to West Point.’”

Mr. Carson has recounted the episode of being offered a scholarship at various points in telling his triumphant personal story. (Technically, West Point does not offer scholarships; it is free to attend.)

In his recent book, “You Have a Brain,” Mr. Carson described how he decided which college to attend: “I still had the scholarship offer from West Point as a result of my R.O.T.C. achievements.”

More recently, in a Facebook post in August responding to a question, he wrote that he had been “thrilled to get an offer from West Point.”

“But I knew medicine is what I wanted to do. So I applied to only one school. (it was all the money I had). I applied to Yale and thank God they accepted me. I often wonder what might have happened had they said no.”

The revelation came just a couple of days after a CNN report questioned the accuracy of Mr. Carson’s accounts of violent episodes in his youth, which are central to his often-told story of personal redemption through faith and hard work, one that has made him a favorite of evangelical Christian voters. On Friday, shortly before the Politico report was published, Mr. Carson attacked the CNN report as a “bunch of lies.”

http://www.nytimes.com/politics/first-draft/2015/11/06/ben-carson-west-point/

Ben Carson defends his telling of an informal offer from West Point

By David Weigel

Ben Carson defended his long-told story of a “scholarship” to West Point today, responding to scrutiny by saying that he merely had received an “informal” offer of a free ride to the military academy.

“Because I had done so extraordinarily well you know I was told that someone like me [could] get a scholarship to West Point,” Carson told the New York Times. “It was, you know, an informal ‘with a record like yours we could easily get you a scholarship to West Point.'”

Allies of the former neurosurgeon, who has slowly risen to the top of 2016 Republican primary polls, had been making a similar case all day. The argument — which depends on a careful parsing of verbs — is that he never applied, even after being told he’d be a sure-thing candidate. The point, which found many takers in conservative media, was that the controversy could be dismissed as a witch hunt.

That reasoning came together Friday morning, after Politico published a story titled “Ben Carson admits fabricating West Point scholarship.” After confirming that Carson had never applied to West Point, and that a meeting Carson described with Gen. William Westmoreland apparently did not happen when the candidate had claimed, the story quoted Carson campaign manager Barry Bennett’s new explanation.

“He was introduced to folks from West Point by his ROTC Supervisors,” Bennett said. “They told him they could help him get an appointment based on his grades and performance in ROTC. He considered it but in the end did not seek admission.”

[The Fix: Ben Carson didn’t get a ‘full scholarship’ from West Point. That’s a big problem for his campaign.]

West Point cadets must be sponsored by a member of Congress or the Secretary of the Army. But Doug Watts, a spokesman for the campaign, said that Carson never completed — nor claimed to have completed — the process for acceptance into West Point, and those never had an official sponsor.

“He was told by the ROTC Commander that he could have an appointment,” explained Watts. “Dr. Carson rejected the offer, did not apply or pursue admission. Had he done so, and been accepted, that would have been tantamount to a scholarship, the same that all cadets receive.”

In an interview, Carson’s close friend Armstrong Williams argued that Politico had written a false headline off of Bennett’s accurate quote.

“In the story itself, the campaign does not say Dr. Carson applied to West Point,” Williams said of Politico. “Dr. Carson boasts about his scores in ROTC. Westmoreland encourages him to apply. As Dr. Carson says, they were impressed by his scores, but he never applied. They said to him, we could get you in. This guy got into Yale — obviously he could have got in. The headline was a fabrication.”

Carson, whose steady rise to the top of presidential primary polls has started to draw media scrutiny his way, is depending on a loose interpretation of the word “scholarship.” There is no tuition at West Point; there is no equivalent of a “scholarship” as generally understood at most universities. In his memoir “Gifted Hands” and in anecdotes about the offer, Carson never says that he “applied,” only that some “scholarship” came his way after a meeting with Westmoreland and “congressional medal winners.”

“I was offered a full scholarship to West Point,” Carson wrote. “I didn’t refuse the scholarship outright, but I let them know that a military career wasn’t where I saw myself going. As overjoyed as I felt to be offered such a scholarship, I wasn’t really tempted. The scholarship would have obligated me to spend four years in military service after I finished college, precluding my chances to go on to medical school.”

That description of the offer came with its own problems — it is not, for example, impossible for a West Point graduate to complete his service, then become a doctor. But Carson’s allies insist that the gap between “applying” and being offered a “scholarship” debunks the Politico story. Indeed, in “Gifted Hands,” Carson repeatedly described how he had only $10 to submit with a college application, limiting his choices.

“Each college required a ten-dollar non-returnable entrance fee sent with the application,” Carson wrote. “I had exactly ten dollars, so I could apply only to one.”

In an August 2015 Facebook post, Carson described that situation again, to tell a questioner that he applied only to Yale.

“I was the highest student ROTC member in Detroit and was thrilled to get an offer from West Point,” wrote Carson. “But I knew medicine is what I wanted to do. So I applied to only one school. (It was all the money I had). I applied to Yale and thank God they accepted me.”

Williams, who had not spoken to Carson since Politico’s story went online, insisted that it was “shoddy journalism” and oversold what Carson himself had claimed.

“It gives journalism a bad name,” said Williams. “It only fits into Dr. Carson’s narrative of a witch hunt.”

On Friday afternoon, conservative talkers like Rush Limbaugh, Hugh Hewitt, and Sean Hannity criticized the coverage that had made Carson out as a dissembler. But at least one of his rivals sense a political opportunity in the scrum.

“Well, I think it’s really the beginning of the end,” said Donald Trump in an interview.

https://www.washingtonpost.com/news/post-politics/wp/2015/11/06/ben-carsons-allies-defend-west-point-story-he-got-an-offer-did-not-apply/

Ben Carson’s ‘West Point’ story isn’t totally accurate. Here’s why that could be a problem.

By Chris Cillizza

Ben Carson’s admission Friday to Politico that he had not been offered and accepted a full scholarship to West Point could be a major problem for a presidential candidate whose appeal is almost entirely built on his remarkable personal story.

In two of his books — the popular “Gifted Hands” as well as a newer book entitled “You Have a Brain” — Carson tells the West Point story as part of his aspirational life that began in poverty in Detroit and continued through a decorated career as a world-renowned pediatric neurosurgeon.

Now we know that story is, at best, somewhat misleading. It is of course possible that Carson was either led to believe he might have been given a scholarship to the military academy if he had applied or simply misunderstood a conversation he participated in. That is the direction the Carson team appears to be headed, saying in a statement of his meeting with then-Gen. William Westmoreland: “He can’t remember with specificity their brief conversation but it centered around Dr. Carson’s performance as ROTC City Executive Officer.”

Regardless of whether the West Point story is a simple misunderstanding or something more nefarious, what it will do is raise this simple question: What else in Ben Carson’s remarkable biography might not be totally, 100 percent accurate?

Even before the West Point story broke, Carson was dealing with suggestions that his recounting of his tough childhood highlighted by a terrible temper and a series of altercations with his mother — among other people — might not be true.

CNN report, which was based on interviews with nine people who knew Carson as a young man, argues that the violent portrait he paints of himself doesn’t jibe with the person they knew. “All of the people interviewed expressed surprise about the incidents Carson has described,” reads the CNN story. “No one challenged the stories directly. Some of those interviewed expressed skepticism, but noted that they could not know what had happened behind closed doors.”

Carson spent Thursday insisting that the people who were directly involved in these purported attacks weren’t the people that CNN had spoken to and, therefore, the report had no merit.

Now, with the West Point story raging, Carson will come under even more pressure to explain some of the fuzzier parts of his personal biography. And if any other inconsistencies or outright falsehoods come out amid that heightened scrutiny, it could spell curtains for a Carson campaign that has just moved into the pole position in the Republican primary race.

https://www.washingtonpost.com/news/the-fix/wp/2015/11/06/ben-carson-didnt-get-a-full-scholarship-west-point-thats-a-big-problem-for-his-campaign/

With question over West Point offer, Ben Carson feels the glare of the front-runner’s spotlight

Timothy M. Phelps

retired Baltimore neurosurgeon Ben Carson has reached the top in several recent national polls, he is also experiencing new scrutiny as a front-runner for the Republican presidential nomination.

On Friday, his name dominated political news with a Politico report that his campaign “admits fabricating a West Point scholarship” in his autobiography, though that reference was later taken out of the story. The story also quoted a West Point spokeswoman as saying the famous military academy had no record of an application from Carson.

Barry Bennett, Carson’s campaign manager, said in an interview that Carson’s book,“Gifted Hands,” was accurate when Carson wrote, “I was offered a full scholarship to West Point.”

“I would not have used the word ‘full scholarship.’ I would have said ‘nomination,’ but it’s not a fabrication, it’s not a lie,” Bennett said in an interview. At West Point, tuition and other expenses are paid by the government.

Bennett said that Carson, who he said was the top high school Junior ROTC officer in Detroit, was offered a nomination to West Point by ROTC officials in the city. He said he did not have names, but that the campaign and others are trying to locate them to corroborate Carson’s story.

Later, Carson told Fox News’ Bill O’Reilly that his account of the West Point episode “could have been more clarified. I told it as I understood it.”

Also, Theresa Brinkerhoff, the chief of media relations at West Point, said that a comment she made to Politico was “misconstrued.”

Politico wrote that West Point had no record of Carson applying to the academy, but Brinkerhoff said in an interview that the academy does not keep records beyond three years if a candidate does not attend the school. The academy has no way of knowing whether Carson applied, Brinkerhoff said.

In the end, Bennett confirmed that Carson had not applied. In his book, Carson wrote that he never had any interest in any career other than medicine. “I remembered the scholarship offer from West Point. A teaching career? Business? None of these areas held any real interest,” he said.

Clearly, however, Carson has left an impression that the offer to go to the academy came from West Point itself. On Facebook in August, Carson took a question from someone named Bill, who “wanted to know if it was true that I was offered a slot at West Point after high school. Bill, that is true. I was the highest student ROTC member in Detroit and was thrilled to get an offer from West Point. But I knew medicine is what I wanted to do. So I applied to only one school.”

Carson went to Yale.

Carson was also involved in a contentious interview Friday morning on CNN. Anchor Alisyn Camerota badgered him about reports by the network that it had been unable to locate some childhood friends or family members Carson mentions having assaulted in his autobiography.

In his book, Carson says he once tried to stab a person he refers to as Bob. On Friday, Carson told CNN that person was really a family member by another name who did not want to be identified. Other childhood friends mentioned in the book could decide for themselves whether to come forward, he said.

Bennett said the political attacks were a function of national polls over the past week showing him ahead of Donald Trump and all other Republicans for the nomination.

“Somewhere, there is a panicked candidate running for the Republican presidential nomination who is spreading a lot of dirt,” Bennett said.

http://www.latimes.com/nation/politics/la-na-ben-carson-20151106-story.html

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Listen To Pronk Pops Podcast or Download Show 490-499

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Sandy Denny and Judy Collins — Who Knows Where The Time Goes — Videos

Posted on September 28, 2015. Filed under: Blogroll, Culture, Entertainment, Music, Poetry, Video, Wisdom, Writing | Tags: , , , , , , , , |

sandy dennysandy denny 2

album cover who
  sandy-denny colorLayout 1

Who knows where the time goes – Fairport Convention

Fairport Convention – Who Knows Where The Time Goes (with Sandy Denny)

Sandy Denny – Live At The BBC (1971)

Judy Collins — Who Knows Where the Time Goes

Collins_Judy_062.jpgalbum who know  Judy Collins life-judy-collinswho knows where the time goes  Judy-Collins

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Do You Believe in Magic of The Trump Tour — Promises, Promises, Promises — One Position Paper On Trump Website — Did You Ever Have To Make Up Your Mind? — Videos

Posted on September 15, 2015. Filed under: Blogroll | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 533: September 15, 2015  

Pronk Pops Show 532: September 14, 2015 

Pronk Pops Show 531: September 11, 2015

Pronk Pops Show 530: September 10, 2015 

Pronk Pops Show 529: September 9, 2015 

Pronk Pops Show 528: September 8, 2015 

Pronk Pops Show 527: September 4, 2015 

Pronk Pops Show 526: September 3, 2015  

Pronk Pops Show 525: September 2, 2015 

Pronk Pops Show 524: August 31, 2015  

Pronk Pops Show 523: August 27, 2015  

Pronk Pops Show 522: August 26, 2015 

Pronk Pops Show 521: August 25, 2015 

Pronk Pops Show 520: August 24, 2015 

Pronk Pops Show 519: August 21, 2015 

Pronk Pops Show 518: August 20, 2015  

Pronk Pops Show 517: August 19, 2015 

Pronk Pops Show 516: August 18, 2015

Pronk Pops Show 515: August 17, 2015

Pronk Pops Show 514: August 14, 2015

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Pronk Pops Show 512: August 12, 2015

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Pronk Pops Show 509: July 24, 2015

Pronk Pops Show 508: July 20, 2015

Pronk Pops Show 507: July 17, 2015

Pronk Pops Show 506: July 16, 2015

Pronk Pops Show 505: July 15, 2015

Pronk Pops Show 504: July 14, 2015

Pronk Pops Show 503: July 13, 2015

Pronk Pops Show 502: July 10, 2015

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Pronk Pops Show 500: July 8, 2015

Pronk Pops Show 499: July 6, 2015

Pronk Pops Show 498: July 2, 2015

Pronk Pops Show 497: July 1, 2015

Pronk Pops Show 496: June 30, 2015

Pronk Pops Show 495: June 29, 2015

Pronk Pops Show 494: June 26, 2015

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Pronk Pops Show 492: June 24, 2015

Pronk Pops Show 491: June 23, 2015

Pronk Pops Show 490: June 22, 2015

Pronk Pops Show 489: June 19, 2015

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Pronk Pops Show 486; June 16, 2015

Pronk Pops Show 485: June 15, 2015

Pronk Pops Show 484: June 12, 2015

Pronk Pops Show 483: June 11, 2015

Pronk Pops Show 482; June 10, 2015

Pronk Pops Show 481: June 9, 2015

Pronk Pops Show 480: June 8, 2015

Pronk Pops Show 479: June 5, 2015

Pronk Pops Show 478: June 4, 2015

Pronk Pops Show 477: June 3, 2015

Pronk Pops Show 476: June 2, 2015

Pronk Pops Show 475: June 1, 2015

Story 1: Do You Believe in Magic of The Trump Tour — Promises, Promises, Promises — One Position Paper On Trump Website  —  Did You Ever Have To Make Up Your Mind? — Videos

Election 2016 Presidential Polls

Tuesday, September 15
Race/Topic   (Click to Sort) Poll Results Spread
2016 Republican Presidential Nomination CBS News/NYT Trump 27, Carson 23, Bush 6, Cruz 5, Rubio 6, Huckabee 6, Fiorina 4, Walker 2, Kasich 3, Paul 3, Christie 1, Santorum 1, Perry 1, Jindal 0, Graham 0 Trump +4
New Hampshire 2016 Democratic Primary Monmouth Sanders 43, Clinton 36, Biden 13, O’Malley 2, Webb 1, Chafee 1 Sanders +7
Florida Republican Presidential Primary PPP (D) Trump 28, Carson 17, Bush 13, Rubio 10, Cruz 9, Fiorina 7, Kasich 5, Huckabee 3, Walker 2, Christie 2, Jindal 1, Paul 0, Santorum 1, Perry 0 Trump +11
Florida Democratic Presidential Primary PPP (D) Clinton 55, Sanders 18, Biden 17, O’Malley 2, Chafee 1, Webb 1 Clinton +37
Monday, September 14
Race/Topic   (Click to Sort) Poll Results Spread
2016 Republican Presidential Nomination ABC/Wash Post Trump 33, Carson 20, Bush 8, Cruz 7, Rubio 7, Huckabee 3, Fiorina 2, Walker 2, Kasich 3, Paul 5, Christie 1, Santorum 1, Perry 1, Jindal 1, Graham 0 Trump +13
2016 Democratic Presidential Nomination ABC/Wash Post Clinton 42, Sanders 24, Biden 21, O’Malley 2, Webb 1, Chafee 1 Clinton +18
New Hampshire Republican Presidential Primary Monmouth Trump 28, Carson 17, Kasich 11, Fiorina 7, Bush 7, Cruz 8, Paul 4, Walker 2, Rubio 4, Christie 2, Huckabee 1, Graham 1, Pataki 1, Santorum 1, Jindal 0 Trump +11

The Lovin’ Spoonful – Do You Believe In Magic – 1965

Do You Believe In Magic – The Lovin’ Spoonful – Lyrics

Lyrics

Do you believe in magic, in a young girl’s heart?
How the music can free her, whenever it starts
And it’s magic, if the music is groovy
It makes you feel happy like an old-time movie
I’ll tell you about the magic and it’ll free your soul
But it’s like tryin’ to tell a stranger ’bout rock and roll

If you believe in magic, don’t bother to choose
If it’s jug band music or rhythm and blues
Just go and listen, it’ll start with a smile
It won’t wipe off your face, no matter how hard you try
Your feet start tapping and you can’t seem to find
How you got there, so just blow your mind

If you believe in magic, come along with me
We’ll dance until mornin’ ’til there’s just you and me
And maybe, if the music is right
I’ll meet you tomorrow, sort of late at night
And we’ll go dancing, baby, then you’ll see
How the magic’s in the music and the music’s in me

Yeah, do you believe in magic?
Yeah, believe in the magic of a young girl’s soul
Believe in the magic of rock and roll
Believe in the magic that can set you free
Oh, talkin’ ’bout magic

Do you believe in magic?
(Do you believe like I believe?)
Do you believe, believer?
(Do you believe like I believe?)
Do you believe in magic?
(Do you believe like I believe?)

WATCH: O’Reilly Grills Trump on Taxes, Hillary, Carson and More

Donald Trump tells Dallas crowd he’ll reduce taxes

Donald Trump Surging In The Polls With Women – Donald Trump Speaking In Dallas

FULL SPEECH:Donald Trump-Campaign Rally Dallas, Texas Mon. 9/14/2015

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Trump Make America Great Again

Where’s The Fence

The Lovin’ Spoonful – Did You Ever Have To Make Up Your Mind

Lyrics

Did You Ever Have To Make Up Your Mind
Lovin’ Spoonful

Did you ever have to make up your mind
Pick up on one and leave the other behind
It’s not often easy and not often kind
Did you ever have to make up your mind

Did you ever have to finally decide
Say yes to one and let the other one ride
There’s so many changes and tears you must hide
Did you ever have to finally decide

Sometimes there’s one with big blue eyes, cute as a bunny
With hair down to here, and plenty of money
And just when you think she’s that one in the world
You heart gets stolen by some mousey little girl

And then you know you’d better make up your mind…
Sometimes you really dig a girl the moment you kiss her
And then you get distracted by her older sister
When in walks her father and takes you a line
And says, “You better go home, son, and make up your mind”

And then you bet you’d better finally decide..

“Summer in the City” – Loving Spoonful – HQ Audio

John Sebastian — The Lovin’ Spoonful

washington-square-park-summer5

.

John Sebastian – Younger Generation @ Woodstock 1969

John Sebastian – Darling Be Home Soon @ Woodstock 1969

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Show 532-533

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Listen To Pronk Pops Podcast or Download Show 414-421

Listen To Pronk Pops Podcast or Download Show 408-413

Listen To Pronk Pops Podcast or Download Show 400-407

Listen To Pronk Pops Podcast or Download Show 391-399

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Listen To Pronk Pops Podcast or Download Show 369-375

Listen To Pronk Pops Podcast or Download Show 360-368

Listen To Pronk Pops Podcast or Download Show 354-359

Listen To Pronk Pops Podcast or Download Show 346-353

Listen To Pronk Pops Podcast or Download Show 338-345

Listen To Pronk Pops Podcast or Download Show 328-337

Listen To Pronk Pops Podcast or Download Show 319-327

Listen To Pronk Pops Podcast or Download Show 307-318

Listen To Pronk Pops Podcast or Download Show 296-306

Listen To Pronk Pops Podcast or Download Show 287-295

Listen To Pronk Pops Podcast or Download Show 277-286

Listen To Pronk Pops Podcast or Download Show 264-276

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Listen To Pronk Pops Podcast or Download Show 194-201

Listen To Pronk Pops Podcast or Download Show 184-193

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Listen To Pronk Pops Podcast or Download Show 158-164

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The Big Chill — Videos

Posted on July 29, 2015. Filed under: American History, Art, Babies, Blogroll, Culture, Entertainment, history, Law, liberty, Life, Literacy, Love, media, Money, Movies, Music, People, Philosophy, Religion, Video, Wisdom, Writing | Tags: , , , , , , , , , , |

The Big Chill 1983 Comedy / Drama Movies Full Movie

Rolling Stones – You Can’t Always Get What You Want (The David Frost Show 1969)

Procol Harum ‘A Whiter Shade Of Pale’ 1967

A Whiter Shade Of Pale – Procol Harum

Spencer Davis Group – “Gimme Some Lovin” (1966)

Percy Sledge – When a Man Loves a Woman (1966)

Percy Sledge & Michael Bolton – When A Man Loves A Woman

The band – The Weight (Take a load off Annie/Fanny)

ARETHA FRANKLIN – NATURAL WOMAN – 1977

My Girl

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A Summer Story (1988) — Videos

Posted on July 29, 2015. Filed under: Babies, Blogroll, Books, College, Communications, Culture, Education, Entertainment, Fiction, Freedom, Friends, Love, media, Movies, Music, Vacations, Video, Wisdom, Writing | Tags: , , , , , , |

A Summer Story (1988) full movie

A Summer Story

From Wikipedia, the free encyclopedia
A Summer Story
Directed by Piers Haggard
Produced by Danton Rissner
Written by John Galsworthy
Penelope Mortimer
Starring James Wilby
Imogen Stubbs
Susannah York
Kenneth Colley
Music by Georges Delerue
Cinematography Kenneth MacMillan
Edited by Ralph Sheldon
Release dates
  • 11 August 1988(New York City New York)
Running time
95 minutes
Country United Kingdom
Language English

A Summer Story is a British drama film released in 1988. Directed by Piers Haggard, with a script written by Penelope Mortimer, it stars James Wilby, Imogen Stubbs, and Susannah York.[1] In 1902, a young gentleman visiting a rural area has an intense love affair with a village girl. Twenty years later, he is passing that way again. The film is based on the John Galsworthy story The Apple Tree.

Plot

In the summer of 1902 Frank Ashton, an educated young man from London, is on a walking holiday in Devon with a friend. When he falls and twists his ankle, Ashton is helped at a nearby farmhouse and stays there for a few days to recover, while his friend goes on. Ashton quickly falls for the village girl who looks after him, Megan David, and she falls in love with him, to the great distress of her cousin Joe Narracombe, who wants her for himself. Ashton and Megan spend a night together, and after that he takes the train to a seaside town to cash a cheque at a bank, promising to return the next morning and take Megan away with him and marry her.

On arrival in the town, Ashton finds a branch of his bank, but it will not cash his cheque, insisting on first contacting his branch in London. While he is delayed, Ashton meets an old school friend, staying at a local hotel with his three sisters, of whom the oldest is Stella Halliday. Thanks to the bank’s delays, he misses the train he needed to catch to make his rendezvous with Megan. During the day that follows, he spends more time with his friend and his sisters, and while Stella flirts with him he begins to have second thoughts about marrying Megan.

Megan then travels to the seaside town looking for Ashton, carrying her luggage for running away. He sees her on the beach and follows her into the town, but when she turns and catches a glimpse of him, he hides.

Twenty years later, Ashton is married to Stella and they are motoring through Devon. They have no children. Ashton visits the farm where he seduced Megan and is recognized. He learns that Megan was heart-broken about losing him and also that she died soon after giving birth to a son, who she named “Francis”, or Frank. He is taken to see Megan’s grave, which is at the spot where he had arranged to meet her. She had asked to be buried there, to wait for his return. In motoring away with Stella, Ashton passes his son, young Frank, who gives him a friendly wave.

Cast

  • Camilla Power – Sabina Halliday
  • Juliette Fleming – Freda Halliday
  • Sukie Smith – Betsy
  • John Savident – Bank Clerk
  • Rachel Joyce – Post Office Girl
  • Patrick Morris – Pierrot 1
  • Paul Allain – Pierrot 2
  • Christopher Majeika – Pierrot 3
  • James Wilson – Pierrot 4

References

  1. Jump up^ A Summer Story at bfi.org.uk

External links

https://en.wikipedia.org/wiki/A_Summer_Story

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Obama The Tyrant Races To Have The United Nations Security Council Pass The Traitorous Terrorist Treaty Before Congress Votes It Down — Congress and President Betray The United States Constitution –Just Walk Way From Both Political Parties — Never Again Fasicism — Videos

Posted on July 20, 2015. Filed under: American History, Ammunition, Articles, Babies, Banking, Blogroll, Bomb, Books, British History, Bunker Busters, Business, Central Intelligence Agency (CIA), College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Defense Intelligence Agency (DIA), Diasters, Dirty Bomb, Documentary, Drones, Economics, Education, Ethic Cleansing, European History, Faith, Family, Federal Bureau of Investigation (FBI), Federal Bureau of Investigation (FBI), Federal Communications Commission, Federal Government Budget, Fiscal Policy, Fraud, Freedom, Friends, Genocide, government, government spending, Illegal, Immigration, Islam, Language, Law, Legal, liberty, Life, media, Middle East, Missiles, Monetary Policy, Money, Music, National Security Agency (NSA_, Natural Gas, Non-Fiction, Nuclear, Nuclear Proliferation, Oil, Philosophy, Photos, Pistols, Police, Politics, Press, Public Sector, Radio, Rants, Raves, Regulations, Religious, Resources, Securities and Exchange Commission, Security, Speech, Talk Radio, Tax Policy, Taxation, Taxes, Terrorism, Unemployment, Union, Unions, Video, War, Wealth, Weapons, Weapons of Mass Destruction, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 508: July 20, 2015

Pronk Pops Show 507: July 17, 2015

Pronk Pops Show 506: July 16, 2015

Pronk Pops Show 505: July 15, 2015

Pronk Pops Show 504: July 14, 2015

Pronk Pops Show 503: July 13, 2015

Pronk Pops Show 502: July 10, 2015

Pronk Pops Show 501: July 9, 2015

Pronk Pops Show 500: July 8, 2015

Pronk Pops Show 499: July 6, 2015

Pronk Pops Show 498: July 2, 2015

Pronk Pops Show 497: July 1, 2015

Pronk Pops Show 496: June 30, 2015

Pronk Pops Show 495: June 29, 2015

Pronk Pops Show 494: June 26, 2015

Pronk Pops Show 493: June 25, 2015

Pronk Pops Show 492: June 24, 2015

Pronk Pops Show 491: June 23, 2015

Pronk Pops Show 490: June 22, 2015

Pronk Pops Show 489: June 19, 2015

Pronk Pops Show 488: June 18, 2015

Pronk Pops Show 487: June 17, 2015

Pronk Pops Show 486; June 16, 2015

Pronk Pops Show 485: June 15, 2015

Pronk Pops Show 484: June 12, 2015

Pronk Pops Show 483: June 11, 2015

Pronk Pops Show 482; June 10, 2015

Pronk Pops Show 481: June 9, 2015

Pronk Pops Show 480: June 8, 2015

Pronk Pops Show 479: June 5, 2015

Pronk Pops Show 478: June 4, 2015

Pronk Pops Show 477: June 3, 2015

Pronk Pops Show 476: June 2, 2015

Pronk Pops Show 475: June 1, 2015

Pronk Pops Show 474; May 29, 2015

Pronk Pops Show 473: May 28, 2015

Pronk Pops Show 472: May 27, 2015

Pronk Pops Show 471: May 26, 2015

Pronk Pops Show 470: May 22, 2015

Pronk Pops Show 469: May 21, 2015

Pronk Pops Show 468: May 20, 2015

Pronk Pops Show 467: May 19, 2015

Pronk Pops Show 466: May 18, 2015

Pronk Pops Show 465: May 15, 2015

Pronk Pops Show 464; May 14, 2015

Pronk Pops Show 463; May 13, 2015

Pronk Pops Show 462: May 8, 2015

Pronk Pops Show 461: May 7, 2015

Pronk Pops Show 460; May 6, 2015

Pronk Pops Show 459: May 4, 2015

Pronk Pops Show 458: May 1, 2015

Pronk Pops Show 457: April 30, 2015

Pronk Pops Show 456: April 29, 2015

Pronk Pops Show 455: April 28, 2015

Pronk Pops Show 454: April 27, 2015

Pronk Pops Show 453: April 24, 2015

Pronk Pops Show 452: April 23, 2015

Pronk Pops Show 451: April 22, 2015

Pronk Pops Show 450: April 21, 2015

Pronk Pops Show 449: April 20, 2015

Pronk Pops Show 448: April 17, 2015

Pronk Pops Show 447: April 16, 2015

Pronk Pops Show 446: April 15, 2015

Pronk Pops Show 445: April 14, 2015

Pronk Pops Show 444: April 13, 2015

Pronk Pops Show 443: April 9, 2015

Pronk Pops Show 442: April 8, 2015

Pronk Pops Show 441: April 6, 2015

Pronk Pops Show 440: April 2, 2015

Pronk Pops Show 439: April 1, 2015

Story 1: Obama The Tyrant Races To Have The United Nations Security Council Pass The Traitorous Terrorist Treaty Before Congress Votes It Down — Congress and President Betray The United States Constitution — Just Walk Way From Both Political Parties — Never Again Fasicism — Videos

Incredible! New George S Patton speech! Iran & modern warfare

The Iran nuclear deal. Good deal or bad deal?

George Pataki: Iran deal is bad for civilized world

White House, Democrats divided over Iran nuclear deal