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What is the meaning of life? Is it possible to find happiness in the midst of suffering? What can you do to take responsibility for your destiny? These questions are answered in the book In Search of Meaning. Viktor Frankl recounts his survival experience in a Nazi concentration camp – and most importantly – how to make sense of life even if we find that we’re lost. The video today has two parts – in the first part, we’ll talk about life in the concentration camp. How was the daily life of those prisoners? In the second part of the video you’ll learn how to find meaning for your life in line with the teachings of the author of the book. If you’re a more sensitive person, go straight to minute 24:50 and jump directly to the second part.

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Viktor Frankl

“What man actually needs is not a tensionless state but rather the striving and struggling for some goal worthy of him. What he needs is not the discharge of tension at any cost, but the call of a potential meaning waiting to be fulfilled by him.” Victor Emil Frankl (1905 – 1997), Austrian neurologist, psychiatrist and Holocaust survivor, devoted his life to studying, understanding and promoting “meaning.” His famous book,Man’s Search for Meaning, tells the story of how he survived the Holocaust by finding personal meaning in the experience, which gave him the will to live through it. He went on to later establish a new school of existential therapy called logotherapy, based in the premise that man’s underlying motivator in life is a “will to meaning,” even in the most difficult of circumstances. Frankl pointed to research indicating a strong relationship between “meaninglessness” and criminal behaviors, addictions and depression. Without meaning, people fill the void with hedonistic pleasures, power, materialism, hatred, boredom, or neurotic obsessions and compulsions. Some may also strive for Suprameaning, the ultimate meaning in life, a spiritual kind of meaning that depends solely on a greater power outside of personal or external control.

Striving to find meaning in one’s life is the primary motivational force in man (Frankl 1992, p. 104).

While Frankl rarely touches on the topic of the pursuit of happiness, he is very concerned with satisfaction and fulfillment in life. We can see this in his preoccupation with addressing depression, anxiety and meaninglessness. Frankl points to research indicating a strong relationship between “meaninglessness” and criminal behavior, addiction and depression. He argues that in the absence of meaning, people fill the resultant void with hedonistic pleasures, power, materialism, hatred, boredom, or neurotic obsessions and compulsions (Frankl 1992, p. 143).

Frankl’s Background

Viktor Frankl was an Austrian neurologist and psychologist who founded what he called the field of “Logotherapy”, which has been dubbed the “Third Viennese School of Psychology” (following Freud and Alder). Logotherapy developed in and through Frankl’s personal experience in the Theresienstadt Nazi concentration camp. The years spent there deeply affected his understanding of reality and the meaning of human life. His most popular book, Man’s Search for Meaning, chronicles his experience in the camp as well as the development of logotherapy. During his time there, he found that those around him who did not lose their sense of purpose and meaning in life were able to survive much longer than those who had lost their way.

Logotherapy

In The Will to Meaning, Frankl notes that “logotherapy aims to unlock the will to meaning in life.” More often than not, he found that people would ponder the meaning of life when for Frankl, it is very clear that, “it is life itself that asks questions of man.” Paradoxically, by abandoning the desire to have “freedom from” we take the “freedom to” make the “decision for” one’s unique and singular life task (Frankl 1988, p. 16).

Logotherapy developed in a context of extreme suffering, depression and sadness and so it is not surprising that Frankl focuses on a way out of these things. His experience showed him that life can be meaningful and fulfilling even in spite of the harshest circumstances. On the other hand, he also warns against the pursuit of hedonistic pleasures because of its tendency to distract people from their search for meaning in life.

Meaning

Only when the emotions work in terms of values can the individual feel pure joy (Frankl 1986, p. 40).

In the pursuit of meaning, Frankl recommends three different courses of action: through deeds, the experience of values through some kind of medium (beauty through art, love through a relationship, etc.) or suffering. While the third is not necessarily in the absence of the first two, within Frankl’s frame of thought, suffering became an option through which to find meaning and experience values in life in the absence of the other two opportunities (Frankl 1992, p. 118).

Though for Frankl, joy could never be an end to itself, it was an important byproduct of finding meaning in life. He points to studies where there is marked difference in life spans between “trained, tasked animals,” i.e., animals with a purpose, than “taskless, jobless animals.” And yet it is not enough simply to have something to do, rather what counts is the “manner in which one does the work” (Frankl 1986, p. 125)

Responsibility

Human freedom is not a freedom from but freedom to (Frankl 1988, p. 16).

As mentioned above, Frankl sees our ability to respond to life and to be responsible to life as a major factor in finding meaning and therefore, fulfillment in life. In fact, he viewed responsibility to be the “essence of existence” (Frankl 1992, 114). He believed that humans were not simply the product of heredity and environment and that they had the ability to make decisions and take responsibility for their own lives. This “third element” of decision is what Frankl believed made education so important; he felt that education must be education towards the ability to make decisions, take responsibility and then become free to be the person you decide to be (Frankl 1986, p. xxv).

Individuality

Frankl is careful to state that he does not have a one-size-fits all answer to the meaning of life. His respect for human individuality and each person’s unique identity, purpose and passions does not allow him to do otherwise. And so he encourages people to answer life and find one’s own unique meaning in life. When posed the question of how this might be done, he quotes from Goethe: “How can we learn to know ourselves? Never by reflection but by action. Try to do your duty and you will soon find out what you are. But what is your duty? The demands of each day.” In quoting this, he points to the importance attached to the individual doing the work and the manner in which the job is done rather than the job or task itself (Frankl 1986, p. 56).

Techniques

Frankl’s logotherapy utilizes several techniques to enhance the quality of one’s life. First is the concept of paradoxical Intention, wherethe therapist encourages the patient to intend or wish for, even if only for a second, precisely what they fear. This is especially useful for obsessive, compulsive and phobic conditions, as well as cases of underlying anticipatory anxiety.

The case of the sweating doctor

A young doctor had major hydrophobia. One day, meeting his chief on the street, as he extended his hand in greeting, he noticed that he was perspiring more than usual. The next time he was in a similar situation he expected to perspire again, and this anticipatory anxiety precipitated excessive sweating. It was a vicious circle … We advised our patient, in the event that his anticipatory anxiety should recur, to resolve deliberately to show the people whom he confronted at the time just how much he could really sweat.A week later he returned to report that whenever he met anyone who triggered his anxiety, he said to himself, “I only sweated out a little before, but now I’m going to pour out at least ten litres!” What was the result of this paradoxical resolution? After suffering from his phobia for four years, he was quickly able, after only one session, to free himself of it for good. (Frankl, 1967)

Dereflection

Another technique is that of dereflection, whereby the therapist diverts the patients away from their problems towards something else meaningful in the world. Perhaps the most commonly known use of this is for sexual dysfunction, since the more one thinks about potency during the sexual act, the less likely one is able to achieve it.

The following is a transcript from Frankl’s advice to Anna, 19-year old art student who displays severe symptoms of incipient schizophrenia. She considers herself as being confused and asks for help.

Patient: What is going on within me?

Frankl: Don’t brood over yourself. Don’t inquire into the source of your trouble. Leave this to us doctors. We will steer and pilot you through the crisis. Well, isn’t there a goal beckoning you – say, an artistic assignment?

Patient: But this inner turmoil ….

Frankl: Don’t watch your inner turmoil, but turn your gaze to what is waiting for you. What counts is not what lurks in the depths, but what waits in the future, waits to be actualized by you….

Patient: But what is the origin of my trouble?

Frankl: Don’t focus on questions like this. Whatever the pathological process underlying your psychological affliction may be, we will cure you. Therefore, don’t be concerned with the strange feelings haunting you. Ignore them until we make you get rid of them. Don’t watch them. Don’t fight them. Imagine, there are about a dozen great things, works which wait to be created by Anna, and there is no one who could achieve and accomplish it but Anna. No one could replace her in this assignment. They will be your creations, and if you don’t create them, they will remain uncreated forever…

Patient: Doctor, I believe in what you say. It is a message which makes me happy.

Discernment of Meaning

Finally, the logotherapist tries to enlarge the patient’s discernment of meaning in at least three ways: creatively, experientially and attitudinally.

a) Meaning through creative values

Frankl writes that “The logotherapist’s role consists in widening and broadening the visual field of the patient so that the whole spectrum of meaning and values becomes conscious and visible to him”. A major source of meaning is through the value of all that we create, achieve and accomplish.

b) Meaning through experiential values

Frankl writes “Let us ask a mountain-climber who has beheld the alpine sunset and is so moved by the splendor of nature that he feels cold shudders running down his spine – let us ask him whether after such an experience his life can ever again seem wholly meaningless” (Frankl,1965).

c) Meaning through attitudinal values

Frankl argued that we always have the freedom to find meaning through meaningful attitudes even in apparently meaningless situations. For example, an elderly, depressed patient who could not overcome the loss of his wife was helped by the following conversation with Frankl:

Frankl asked “What would have happened if you had died first, and your wife would have had to survive you.”

“Oh,” replied the patient, “for her this would have been terrible; how she would have suffered!”

Frankl continued, “You see such a suffering has been spared her; and it is you who have spared her this suffering; but now, you have to pay for it by surviving her and mourning her.” The man said no word, but shook Frankl’s hand and calmly left his office (Frankl, 1992).

Conclusion

Frankl’s surprising resilience amidst his experiences of extreme suffering and sadness speaks to how his theories may have helped him and those around him. As the alarming suicide and depression rates among young teenagers and adults in the United States continue, his call to answer life’s call through logotherapy may be a promising resource.

Bibliography

Frankl, Victor (1992). Man’s Search for Meaning. (4th ed.). Boston, MA: Beacon Press.

Frankl, Victor (1986). The Doctor and the Soul. (3rd ed.). New York, NY: Vintage Books.

Frankl, Victor (1967). Psychotherapy and Existentialism. New York, NY: Washington Square Press.

Frankl, Victor (1988). The Will to Meaning: Foundations and Applications of Logotherapy. New York, NY: Penguin Books.

Frankl, Victor (2000). Recollections: An Autobiography. New York, NY: Perseus Books.

Recommended reading:

The Unheard Cry for Meaning: Psychotherapy and Humanism (Touchstone Books)

The Will to Meaning: Foundations and Applications of Logotherapy (Meridian)

Viktor Frankl

https://www.pursuit-of-happiness.org/history-of-happiness/viktor-frankl/

 

An Overview of Viktor Frankl’s Logotherapy

Meaning in life can help to improve resilience.

 

Getty / Ascent/PKS Media Inc.

 

A Brief History of Viktor Frankl

Viktor Frankl was born March 26, 1905 and died September 2, 1997, in Vienna, Austria. He was influenced during his early life by Sigmund Freud and Alfred Adler, earned a medical degree from the University of Vienna Medical School in 1930. From 1940 to 1942, he was the director of the Neurological Department of the Rothschild Hospital, and from 1946 to 1970 was the director of the Vienna Polyclinic of Neurology.

In 1942, Frankl was deported to a Nazi concentration camp along with his wife, parents, and other family members. He spent time in four camps in total, including Auschwitz, from 1942 to 1945, and was the only member of his family to survive. In 1945, he returned to Vienna and published a book on his theories, based on his records of observations during his time in the camps. By the time of his death, his book, “Man’s Search for Meaning” had been published in 24 languages.

During his career as a professor of neurology and psychiatry, Frankl wrote 30 books, lectured at 209 universities on five continents, and was the recipient of 29 honorary doctorates from universities around the world. He was a visiting professor at Harvard and Stanford, and his therapy, named “logotherapy,” was recognized as the third school of Viennese therapy after Freud’s psychoanalysis and Alfred Adler’s individual psychology. In addition, logotherapy was recognized as one of the scientifically-based schools of psychotherapy by the American Medical Society, American Psychiatric Association, and the American Psychological Association.

 

Understanding Logotherapy

Frankl believed that humans are motivated by something called a “will to meaning,” which equates to a desire to find meaning in life. He argued that life can have meaning even in the most miserable of circumstances, and that the motivation for living comes from finding that meaning. Taking it a step further, Frankl wrote:

Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances.

This opinion was based on his experiences of suffering, and his attitude of finding meaning through the suffering. In this way, Frankl believed that when we can no longer change a situation, we are forced to change ourselves.

 

Fundamentals of Logotherapy

“Logos” is the Greek word for meaning, and logotherapy involves helping a patient find personal meaning in life. Frankl provided a brief overview of the theory in “Man’s Search for Meaning.”

Core Properties

Frankl believed in three core properties on which his theory and therapy were based:

  1. Each person has a healthy core.
  2. One’s primary focus is to enlighten others to their own internal resources and provide them tools to use their inner core.
  3. Life offers purpose and meaning but does not promise fulfillment or happiness.

Methods of Finding Meaning

Going a step further, logotherapy proposes that meaning in life can be discovered in three distinct ways:

  1. By creating a work or doing a deed.
  2. By experiencing something or encountering someone.
  3. By the attitude that we take toward unavoidable suffering.

An example that is often given to explain the basic tenets of logotherapy is the story of Frankl meeting with an elderly general practitioner who was struggling to overcome depression after the loss of his wife. Frankl helped the elderly man to see that his purpose had been to spare his wife the pain of losing him first.

Basic Assumptions

Logotherapy consists of six basic assumptions that overlap with the fundamental constructs and ways of seeking meaning listed above:

1. Body, Mind, and Spirit

The human being is an entity that consists of a body (soma), mind (psyche), and spirit (noos). Frankl argued that we have a body and mind, but the spirit is what we are, or our essence. Note that Frankl’s theory was not based on religion or theology, but often had parallels to these.

2. Life Has Meaning in All Circumstances

Frankl believed that life has meaning in all circumstances, even the most miserable ones. This means that even when situations seem objectively terrible, there is a higher level of order that involves meaning.

3. Humans Have a Will to Meaning

Logotherapy proposes that humans have a will to meaning, which means that meaning is our primary motivation for living and acting, and allows us to endure pain and suffering. This is viewed as differing from the will to achieve power and pleasure.

4. Freedom to Find Meaning

Frankl argues that in all circumstances, individuals have the freedom to access that will to find meaning. This is based on his experiences of pain and suffering and choosing his attitude in a situation that he could not change.

5. Meaning of the Moment

The fifth assumption argues that for decisions to be meaningful, individuals must respond to the demands of daily life in ways that match the values of society or their own conscience.

6. Individuals Are Unique

Frankl believed that every individual is unique and irreplaceable.

 

Logotherapy in Practice

Frankl believed that it was possible to turn suffering into achievement and accomplishment. He viewed guilt as an opportunity to change oneself for the better, and life transitions as the chance to take responsible action.

In this way, this psychotherapy was aimed at helping people to make better use of their “spiritual” resources to withstand adversity. In his books, he often used his own personal experiences to explain concepts to the reader.
Three techniques used in logotherapy include dereflection, paradoxical intention, and Socratic dialogue.
  1. Dereflection: Dereflection is aimed at helping someone focus away from themselves and toward other people so that they can become whole and spend less time being self-absorbed about a problem or how to reach a goal.
  2. Paradoxical intention: Paradoxical intention is a technique that has the patient wish for the thing that is feared most. This was suggested for use in the case of anxiety or phobias, in which humor and ridicule can be used when fear is paralyzing. For example, a person with a fear of looking foolish might be encouraged to try to look foolish on purpose. Paradoxically, the fear would be removed when the intention involved the thing that was feared most.
  3. Socratic dialogue: Socratic dialogue would be used in logotherapy as a tool to help a patient through the process of self-discovery through his or her own words. In this way, the therapist would point out patterns of words and help the client to see the meaning in them. This process is believed to help the client realize an answer that is waiting to be discovered.
It’s easy to see how some of the techniques of logotherapy overlap with newer forms of treatment such as cognitive-behavioral therapy (CBT) or acceptance and commitment therapy (ACT). In this way, logotherapy may be a complementary approach for these behavior and thought-based treatments.

 

Criticisms

Frankl was not without his critics. Some felt he used his time in the Nazi camps as a way to promote his brand of psychotherapy, and others felt his support came only from religious leaders in the United States (indeed, he did recruit ministers and pastoral psychologists to work with him).

In 1961, his ideas were challenged by psychologist Rollo May, known as the founder of the existential movement in the United States, who argued that logotherapy was equivalent to authoritarianism, with the therapist dictating solutions to the patient. In this way, it was felt that the therapist diminished the patient’s responsibility in finding solutions to problems. It is not clear, however, whether this was a fundamental problem of logotherapy, or a failing of Frankl as a therapist himself, as he was said to be arrogant in his manner of speaking to patients.

In this way, it may be that logotherapy argues that there are always clear solutions to problems and that the therapist has the task of finding these for the client. However, Frankl argued that logotherapy actually educates the patient to take responsibility. Regardless, it is clear that in the application of Frankl’s theories, it is important to highlight that the patient must be a participant rather than a recipient in the process.

 

Evidence

More than 1700 empirical and theoretical papers have been published on logotherapy, and more than 59 measurement instruments developed on the topic. While Frank’s early work involved case studies, this eventually evolved to include operationalization of concepts and estimates of clinical effectiveness. In other words, Frankl believed in empirical research and encouraged it.

A systematic review of research evidence pertaining to logotherapy conducted in 2016 found correlations or effects pertaining to logotherapy in the following areas or for the following conditions:

  • Correlation between presence of meaning in life, search for meaning in life, and life satisfaction, happiness
  • Lower meaning in life among patients with mental disorders
  • Search for meaning and presence of meaning as a resilience factor
  • Correlation between meaning in life and suicidal thoughts in cancer patients
  • Effectiveness of a logotherapy program for early adolescents with cancer
  • Effectiveness of logotherapy on depression in children
  • Effectiveness of logotherapy in reducing job burnout, empty nest syndrome
  • Correlation with marital satisfaction

Overall, not surprisingly, there is evidence that meaning in life correlates with better mental health. It is suggested that this knowledge might be applied in areas such as phobias, pain and guilt, grief, as well as for disorders such as schizophrenia, depression, substance abusepost-traumatic stress, and anxiety.

Frankl believed that many illnesses or mental health issues are disguised existential angst and that people struggle with lack of meaning, which he referred to as the “existential vacuum.”

 

Logotherapy in Everyday Life

How might you apply the principles of logotherapy to improve your everyday life?

  • Create something. Just as Frankl suggested, creating something (e.g., art) gives you a sense of purpose, which can add meaning to your life.
  • Develop relationships. The supportive nature of spending time with others will help you to develop more of a sense of meaning in your life.
  • Find purpose in pain. If you are going through something bad, try to find a purpose in it. Even if this is a bit of mental trickery, it will help to see you through. For example, if a family member is going through medical treatments for a disease, view your purpose as being there to support that person.
  • Understand that life is not fair. There is nobody keeping score, and you will not necessarily be dealt a fair deck. However, life can always have meaning, even in the worst of situations.
  • Freedom to find meaning. Remember that you are always free to make meaning out of your life situation. Nobody can take that away from you.
  • Focus on others. Try to focus outside of yourself to get through feeling stuck about a situation.
  • Accept the worst. When you go out seeking the worse, it reduces the power that it has over you.

A Word From Verywell

While concepts of logotherapy continue to be studied to this day, you aren’t likely to hear of people receiving this type of treatment directly. Rather, the components of logotherapy are more likely to be intertwined with other therapies or treatments.

https://www.verywellmind.com/an-overview-of-victor-frankl-s-logotherapy-4159308

Viktor Frankl

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Viktor Frankl
Viktor Frankl2.jpg
Born
Viktor Emil Frankl

26 March 1905

Died 2 September 1997 (aged 92)

Vienna, Austria
Resting place Zentralfriedhof, Vienna, Austria, Old Jewish Section
Nationality Austrian
Education Doctorate in Medicine, 1925, Doctorate in Philosophy, 1948
Alma mater University of Vienna
Occupation Neurologist, psychiatrist
Known for Logotherapy
Existential analysis
Spouse(s) Tilly Grosser, m. 1941
Eleonore Katharina Schwindt, m. 1947
Children Gabriele Frankl-Vesely
Parent(s) Gabriel Frankl and Elsa Frankl

Viktor Emil Frankl (26 March 1905 – 2 September 1997)[1][2] was an Austrian neurologist and psychiatrist as well as a Holocaust survivor. He survived TheresienstadtAuschwitzKaufering and Türkheim. Frankl was the founder of logotherapy, which is a form of existential analysis, the “Third Viennese School of Psychotherapy“. His best-selling book Man’s Search for Meaning (published under a different title in 1959: From Death-Camp to Existentialism, and originally published in 1946 as Trotzdem Ja Zum Leben Sagen: Ein Psychologe erlebt das Konzentrationslager, meaning Nevertheless, Say “Yes” to Life: A Psychologist Experiences the Concentration Camp) chronicles his experiences as a concentration camp inmate, which led him to discover the importance of finding meaning in all forms of existence, even the most brutal ones, and thus, a reason to continue living. Man’s Search for Meaning has sold over 12 million copies and has been translated into 24 different languages.[3] Frankl became one of the key figures in existential therapy and a prominent source of inspiration for humanistic psychologists.[4]

Frankl has been the subject of criticism from several holocaust analysts[5][6] who questioned the levels of Nazi accommodation that the ideology of logotherapy has and Frankl personally willingly pursued in the time periods before Frankl’s internment, when Frankl voluntarily requested to perform unskilled lobotomy experiments approved by the Nazis on Jews,[7] to the time period of his internment, in what is hinted upon in Frankl’s own autobiographical account and later under the investigative light of biographical research.[8][9]

Contents

Life before 1945

Frankl was born in Vienna into a Jewish family of civil servants (Beamtenfamilie). His interest in psychology surfaced early. For the final exam (Matura) in Gymnasium, he wrote a paper on the psychology of philosophical thinking. After graduation from Gymnasium in 1923, he studied medicine at the University of Vienna. In practice he specialized in neurology and psychiatry, concentrating on the topics of depression and suicide. His early development was influenced by his contacts with Sigmund Freud and Alfred Adler, although he would diverge from their teachings.[3][4]

Physician, therapist

During part of 1924 he became the president of the Sozialistische Mittelschüler Österreich, a Social Democratic youth movement for high school students throughout Austria.[1]:59

Between 1928 and 1930, while still a medical student, he organized and offered a special program to counsel high school students free of charge. The program involved the participation of psychologists such as Charlotte Bühler, and it paid special attention to students at the time when they received their report cards. In 1931, not a single Viennese student committed suicide. The success of this program grabbed the attention of the likes of Wilhelm Reich who invited him to Berlin.[2][10][promotional source?][11][non-primary source needed]

From 1933 to 1937, Frankl completed his residency in neurology and psychiatry at the Steinhof Psychiatric Hospital in Vienna. He was responsible for the so-called Selbstmörderpavillon, or “suicide pavilion”. Here, he treated more than 3000 women who had suicidal tendencies.[2][unreliable medical source?] In 1937, he established an independent private practice in neurology and psychiatry at Alser Strasse 32/12 in Vienna.[2]

Beginning with the Nazi takeover of Austria in 1938, he was prohibited from treating “Aryan” patients due to his Jewish identity. In 1940 he started working at the Rothschild Hospital, where he headed its neurological department. This hospital was the only one in Vienna to which Jews were still admitted. His medical opinions (including deliberately false diagnoses[12][better source needed]) saved several patients[example needed] from being euthanised via the Nazi euthanasia program.[citation needed] In December 1941 he married Tilly Grosser.[2][4]

Prisoner, therapist

On 25 September 1942, Frankl, his wife, and his parents were deported to the Nazi Theresienstadt Ghetto in Occupied Czechoslovakia. This Ghetto which housed many of the Jewish middle class, as a “model community” was set up by the Schutzstaffel (SS) with the expressed purpose of fooling Red Cross representatives about the ongoing slave labor, the Holocaust, and, later, the Nazi plan to murder all Jews.[13] There, within the Cultural life of the Theresienstadt ghetto, Frankl worked as a general practitioner in a clinic and wrote and gave lectures. When his skills in psychiatry were noticed by the Nazis, he was assigned to the psychiatric care ward in Block B IV, establishing a camp service of “psychohygiene” or mental health care. He organized a unit to help camp newcomers to overcome shockand grief. Later he set up a suicide watch, assisted by Regina Jonas.[2][14]

On 29 July 1943, Frankl organized a closed event for the Scientific Society in the Theresienstadt Ghetto, and with the help of the equally controversial Judenrat/Jewish collaborator Leo Baeck,[15][16] Frankl offered a series of lectures, including “Sleep and Sleep Disturbances”, “Body and Soul”, “Medical Care of the Soul”, “Psychology of Mountaineering”, “How to keep my nerves healthy?”, “Medical ministry”, “Existential Problems in Psychotherapy”, and “Social Psychotherapy”.[14] Biographers state that Frankl’s father Gabriel, starved to death at Theresienstadt,[17] by Frankl’s account he died of pulmonary edema and pneumonia.[2][4][14]

On 19 October 1944, Frankl, his wife Tilly, Regina Jonas and many others from the Theresienstadt Ghetto, were transported to the Auschwitz death camp in occupied Poland, where he was processed.[citation needed] On 25 October, Frankl is listed as arriving in the southern German Kaufering III, of XI labor camp,[17] which held up to 2,000 male prisoners in earthen huts, who upon its opening in June of that year, the prisoners were required to construct a transport route to connect underground aircraft factories, laying the infrastructure for the mass production of the world’s first jet-powered Messerschmitt Me 262 bomber destroyer, the Nazi response, to regain vital air supremacy, under the growingly unopposed effectiveness of Allied bombing upon the Nazi armament industry.[18][19][20]According to Frankl, his feats of physical initiative at this work camp were such that they did not go unnoticed and he was gifted “premium coupons” in late 1944.[17] According to Frankl’s autobiography, when infected with the ubiquitous typhoid,[2][4] he was allowed to leave the work camp and was offered a move to the so-called rest camp of Türkheim, prison records list his departure from Kaufering as 8 March 1945.[17] Frankl states that in Turkheim he was placed in charge of fifty men with typhus, it was here he rose to the position of “senior block warden” and began writing his book anew, until 27 April 1945, when the camp was liberated by American soldiers.[17]

Frankl’s mother Elsa and brother Walter were murdered at Auschwitz. Frankl’s wife was similarly transported out of Auschwitz and moved to Bergen-Belsen, a facility that housed a considerable number of women and minors, including Anne Frank, where they were forced to work in the shoe recycling labor camp; she would similarly be murdered, from the brutal conditions sometime close to the time of its liberation in 1945.[17] The only survivor of the Holocaust among Frankl’s immediate family was his sister, Stella, who had emigrated from Austria to Australia.[2][4]

Life after 1945

Liberated after several months in concentration camps, Frankl returned to Vienna, where he dictated to stenographer-typists his well known work, “the flood gates had opened”, completing the book, by 1946.[17] Frankl then published his world-famous book entitled, Trotzdem Ja Zum Leben Sagen: Ein Psychologe Erlebt das Konzentrationslager (“Saying Yes to Life in Spite of Everything: A Psychologist Experiences the Concentration Camp”), known in English by the title Man’s Search for Meaning (1959 title: From Death-Camp to Existentialism).[21] In this book, he described the life of an ordinary concentration camp inmate from the objective perspective of a psychiatrist.[4][22] Frankl believed that people are primarily driven by a “striving to find meaning in one’s life,” and that it is this sense of meaning that enables people to overcome painful experiences.

After enduring the suffering in these camps, Frankl concluded that even in the most absurd, painful, and dehumanized situation, life has potential meaning and that, therefore, even suffering is meaningful. This conclusion served as a basis for his logotherapy and existential analysis, which Frankl had described before World War II. He said, “What is to give light must endure burning.”[23]

Frankl’s concentration camp experiences shaped both his therapeutic approach and philosophical outlook, as reflected in his seminal publications.

He often said that even within the narrow boundaries of the concentration camps he found only two races of Men to exist: decent ones and unprincipled ones. These were to be found in all classes, ethnicities, and groups. “Under such conditions, who could blame them for trying to dope themselves?” “These were the men who were employed in the gas chambers and crematoriums, and who knew very well that one day they would have to leave their enforced role of executioner and become victims themselves.”[22]

In 1946, he was appointed to run the Vienna Polyclinic of Neurology. He remained there until 1971. In 1947 he married his second wife Eleonore Katharina Schwindt. She was a practicing Catholic and the couple respected each other’s religious backgrounds, going to both church and synagogue, and celebrating Christmas and Hanukah. They had one daughter, Gabriele, who went on to become a child psychologist.[2][4][24]

In 1948, Frankl earned a Ph.D. in philosophy. His dissertation, The Unconscious God, is an examination of the relation of psychology and religion.[25]

Grave of Viktor Frankl in Vienna

In 1955, he was awarded a professorship of neurology and psychiatry at the University of Vienna, and as visiting professor, he resided at Harvard University (1961), at Southern Methodist University, Dallas (1966), and at Duquesne University, Pittsburgh (1972). Frankl published 39 books, which were translated into as many as 49 languages.[26][promotional source?] He lectured and taught seminars all over the world and received 29 honorary doctoral degrees.[24]

The American Psychiatric Association awarded Frankl the 1985 Oskar Pfister Award for important contributions to religion and psychiatry.[27]

Frankl died of heart failure on 2 September 1997. He was survived by his wife Eleonore, one daughter, two grandchildren and three great-grandchildren.[28]

Controversy

In The Missing Pieces of the Puzzle: A Reflection on the Odd Career of Viktor Frankl, Timothy Pytell of California State University, San Bernardino,[29] conveys the numerous discrepancies and omissions in Frankl’s “Auschwitz survivor” account and later autobiography, which many of his contemporaries, such as Thomas Szasz, similarly have raised.[8] In Frankl’s Search for meaning the book devotes approximately half its contents to describing Auschwitz and the psychology of its prisoners, suggesting a long stay at the death camp, however his wording is contradictory and to Pytell, “profoundly deceptive”, when rather the impression of staying for months, Frankl was held close to the train, in the “depot prisoner” area of Auschwitz and for no more than a few days, he was neither registered there, nor assigned a number before being sent on to a subsidiary work camp of Dachau, known as Kaufering III, the true setting of much of what is described in his book.[30][20][31]

On Frankl’s doctrine that one must instill meaning in the events in one’s life that work and suffering to find meaning, will ultimately lead to fulfillment and happiness. In 1982 the highly cited scholar and holocaust analyst Lawrence L. Langer, who while also critical of Frankl’s distortions on the true experience of those at Auschwitz,[32] and Frankl’s amoral focus on “meaning” that could just as equally be applied to Nazis “finding meaning in making the world free from Jews”,[33] would go on to write “if this [logotherapy] doctrine had been more succinctly worded, the Nazis might have substituted it for the cruel mockery of Arbeit Macht Frei“[“work sets free”, read by those entering Auschwitz].[34] With, in professor Pytell’s view, Langer also penetrating through Frankl’s disturbed subtext that Holocaust “survival [was] a matter of mental health.” Noting Frankl’s tone as almost self-congratulatory and promotional throughout, that “it comes as no surprise to the reader, as he closes the volume, that the real hero of Man’s Search for Meaning is not man, but Viktor Frankl” by the continuation of the very same distortions of reality and the fantasy of world-view meaning-making, that were so disturbingly, precisely what had preturbed civilization into the holocaust-genocide of this era and others, to begin with.[35]

Pytell later would remark on the particularly sharp insight of Langer’s reading of Frankl’s holocaust testimony, noting that with Langer’s criticism published in 1982 before Pytell’s biography, the former had thus drawn the controversial parallels, or accommodations in ideology without the knowledge that Victor Frankl was an advocate/”embraced”[36] the key ideas of the Nazi psychotherapy movement (“will and responsibility”[37]) as a form of therapy in the late 1930s. When at that time Frankl would submit a paper and contributed to the Göring institute in Vienna 1937 and again in early 1938 connecting the logotherapy focus on “world-view” to the “work of some of the leading Nazi psychotherapists”,[38] both at a time before Austria was annexed by Nazi Germany in 1938.[39][40]

The origins of logotherapy, as described by Frankl, were therefore a major issue of continuity that Biographer Pytell argues were potentially problematic for Frankl because he had laid out the main elements of logotherapy while working for/contributing to the Nazi-affiliated Göring Institute. Principally Frankl’s 1937 paper, that was published by the institute.[40] This association, as a source of controversy, that logotherapy was palatable to National Socialism is the reason Pytell suggests, Frankl took two different stances on how the concentration-camp experience affected the course of his psychotherapy theory. Namely, that within the original English edition of Frankl’s most well known book, Man’s Search for Meaning, the suggestion is made and still largely held that logotherapy was itself derived from his camp experience, with the claim as it appears in the original edition, that this form of psychotherapy was “not concocted in the philosopher’s armchair nor at the analyst’s couch; it took shape in the hard school of air-raid shelters and bomb craters; in concentration camps and prisoner of war camps.” Frankl’s statements however to this effect would be deleted from later editions, though in the 1963 edition, a similar statement again appeared on the back of the book jacket of Man’s Search for Meaning.

Frankl over the years would with these widely read statements and others, switch between the claim that logotherapy took shape in the camps to the claim that the camps merely were a testing ground of his already preconceived theories. An uncovering of the matter would occur in 1977 with Frankl revealing on this controversy, though compounding another, stating “People think I came out of Auschwitz with a brand-new psychotherapy. This is not the case.”[17]

In the post war years, Frankl’s attitude towards not pursuing justice nor assigning collective guilt to the Austrian people for collaborating with or acquiescing in the face of Nazism, led to “frayed” relationships between Frankl, many Viennese and the larger American Jewish community, such that in 1978 when attempting to give a lecture at the institute of Adult Jewish Studies in New York, Frankl was confronted with an outburst of boos from the audience and was called a “nazi pig”.[39]

In 1988 Frankl would further “stir up sentiment against him” by being photographed next to and in accepting the Great Silver Medal with Star for Services to the Republic of Austria as a holocaust survivor, from President Waldheim, a controversial president of Austria who concurrent with the medal ceremony, was gripped by revelations that he had lied about his WWII military record and was under investigation for complicity in Nazi War crimes. Frankl’s acceptance of the medal was viewed by a large segment of the international Jewish community as a betrayal and by a disparate group of commentators, that its timing was politically motivated, an attempt to rehabilitate Waldheim’s reputation on the world stage.[41]

None of Frankl’s obituaries mention the unqualified and unskilled brain lobotomy and trepanation medical experiments approved by the Nazis that Frankl performed on Jews who had committed suicide with an overdose of sedatives, in resistance to their impending arrest, imprisonment and enforced labour in the concentration camp system. Operating without any training as a surgeon, Frankl would publish some of the details on his experiments, the methods of insertion of his chosen amphetamine drugs into the brains of these individuals, resulting in at times an alleged partial resuscitation, in 1942, prior to his own internment at Theresienstadt ghetto in September later in that year. Historian Günter Bischof of Harvard University, suggests Frankl’s voluntary request to perform lobotomy experiments could be seen as a way to “ingratiate” himself amongst the Nazis, as the latter were not appreciative of suicide being on arrest records.[17][9][32]

Legacy

Frankl’s logotherapy and existential analysis is considered the third Viennese School of Psychotherapy,[26][promotional source?] among the broad category that comprises existentialists.[42] For Irvin Yalom, Frankl, “who has devoted his career to a study of an existential approach to therapy, has apparently concluded that the lack of meaning is the paramount existential stress. To him, existential neurosis is synonymous with a crisis of meaninglessness”.[42]

He has coined the term noogenic neurosis, and illustrated it with the example of Sunday neurosis. It refers to a form of anxiety resulting from an awareness in some people of the emptiness of their lives once the working week is over.[43] Some complain of a void and a vague discontent.[42] This arises from an existential vacuum, or feeling of meaninglessness, which is a common phenomenon and is characterised by the subjective state of boredom, apathy, and emptiness. One feels cynical, lacks direction, and questions the point of most of life’s activities.[42]

People without a meaning in their life are exposed to aggression, depression and addiction.[22]

Viktor Frankl once recommended that the Statue of Liberty on the East Coast of the United States be complemented by a Statue of Responsibility on the West Coast:

Freedom, however, is not the last word. Freedom is only part of the story and half of the truth. Freedom is but the negative aspect of the whole phenomenon whose positive aspect is responsibleness. In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast.[44][45]

Decorations and awards

Bibliography

His books in English are:

See also

References …

External links[edit]

https://en.wikipedia.org/wiki/Viktor_Frankl

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Richard Condon — The Whisper of The Axe– The Manchurian Candidate — Prizzi’s Honor — Videos

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The Manchurian Candidate – opening scene

The Manchurian Candidate Interviews(1962 film)

The Manchurian Candidate (1962) – Assassination Scene (12/12) | Movieclips

The Remaker: The Manchurian Candidate 1962 vs. 2004

The Manchurian Candidate (1962): Classical Film Review

The Manchurian Candidate – Film, Literature and the New World Order

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Prizzis Honor 1985

Prizzi’s Honor

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Prizzis Honor 1985

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Anjelica Huston – Prizzi’s Honor – last scene

About the Archive

This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.

Occasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to archive_feedback@nytimes.com.

Richard Condon, the fiendishly inventive novelist and political satirist who wrote “The Manchurian Candidate,” “Winter Kills” and “Prizzi’s Honor,” among other books, died yesterday at Presbyterian Hospital in Dallas. He was 81.

Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in “The Manchurian Candidate.” That novel, published in 1959, subsequently became a cult film classic, directed by John Frankenheimer. In this spellbinding story, Raymond Shaw, an American prisoner of war (played in the film by Laurence Harvey), is brainwashed and becomes a Communist agent and assassin.

When the 1962 film was re-released in 1988, Janet Maslin wrote in The New York Times that it was “arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence.”

Mr. Condon was a popular novelist who earned serious critical attention, although he did not always win favorable reviews. His response: “I’m a man of the marketplace as well as an artist.” And he added, “I’m a pawnbroker of myth.” Though others made claims that his novels were prophetic, he admitted only that they were “sometimes about five and a half minutes ahead of their time.”

In “Winter Kills,” a President, evidently modeled on John F. Kennedy, is assassinated in a conspiracy involving the Central Intelligence Agency and the underworld. Obsessed by politics, Mr. Condon once said: “Every book I’ve ever written has been about the abuse of power. I feel very strongly about that. I’d like people to know how deeply their politicians are wronging them.” That abuse could be in contemporary life or as long ago as the 15th century, as in his novel “A Trembling Upon Rome.”

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Politicians like Senator Joseph R. McCarthy and President Richard M. Nixon appeared in various guises in his work, Nixon as Walter Slurrie in “Death of a Politician.” Speaking about politics and political thrillers, Mr. Condon once said, “It’s the villains that make good literature, because they’re the only ones in the story who know what they want.”

He did not write his first novel until he was 42, but, once started, he never stopped. The first, “The Oldest Confession” (1958), was filmed as “The Happy Thieves,” starring Rex Harrison and Rita Hayworth. The novel was a success, but the film was a failure, whereas the second, “The Manchurian Candidate,” was popular in both forms. Eventually he wrote 26 novels and two works of nonfiction, “And Then We Moved to Rossenarra,” a memoir of the years he lived in Ireland, and “The Mexican Stove,” a cookbook he wrote with his daughter Wendy Jackson.

When asked how he knew so much about crime families, he said he first learned about the subject as a boy on the streets of Washington Heights. He was born in Manhattan and graduated from De Witt Clinton High School. Because his grades were so poor, he never went to college. He worked as an elevator operator, a hotel clerk and a waiter, then sold an article to Esquire magazine. While working as a copywriter for an advertising agency, he met a model named Evelyn Hunt, whom he married in 1938. Copywriting led him into movie publicity, with his first stop the Disney organization.

For 22 years, he was a movie publicist, working for almost every major Hollywood studio. With characteristic panache, he later described himself as “a drummer boy for the gnomes and elves of the silver screen.” During this period, he saturated himself with movies, watching eight a week. They were, he said, mostly bad films, but they taught him the art of storytelling and the need for the novelist to be entertaining.

In the late 1950’s, he left Hollywood and returned to New York to become a novelist. The idea for “The Oldest Confession” came while he was on location with “The Pride and the Passion” at El Escorial, outside Madrid. Fascinated by Old Master paintings, he wrote his book about art thievery. The consecutive success of “The Oldest Confession” and “The Manchurian Candidate” enabled him to devote himself to fiction.

In 1959, he began a series of migrations, first to Mexico, then to Switzerland, finally to Ireland. His travels added to his backlog of knowledge, but he continued to set most of his novels in the United States. Through the 1960’s and into the 70’s, his books received mixed reviews, with some of the more admiring notices going to “An Infinity of Mirrors” in 1964. “Winter Kills,” in 1974, drew favorable attention, with Christopher Lehmann-Haupt saying in his review in The Times that it was “a grand entertainment” and “the best book Mr. Condon has written since ‘The Manchurian Candidate.’ “

After writing a series of novels in Ireland, Mr. Condon moved back to the United States, settling in Dallas in 1980. In Texas, he had his next comeback, with “Prizzi’s Honor,” about the Prizzi family of mobsters in Brooklyn. John Huston turned the novel into a hit film, starring Jack Nicholson, Kathleen Turner and Anjelica Huston. The screenplay, by Mr. Condon and Janet Roach, was nominated for an Academy Award. Several years later, Mr. Condon completed the fictional cycle with “Prizzi’s Family,” “Prizzi’s Glory” and “Prizzi’s Money,” published in 1994.

Among his other novels are “Some Angry Angel,” “A Talent for Loving,” “Arigato” and “Emperor of America.”

Throughout his life, Mr. Condon displayed a wry, even diabolical streak. He often named his characters after real people. For example, the characters in Raymond Shaw’s infantry squad in “The Manchurian Candidate” were named for people associated with the Phil Silvers television show, “You’ll Never Get Rich.” His longest-running character, Dr. Weiler, was named after A. H. Weiler, a former film critic for The Times. In various Condon novels, Dr. Weiler turns up as an obstetrician, a cardiologist, a psychiatrist and the royal physician.

Mr. Condon is survived by his wife; two daughters, Ms. Jackson, of Dallas, and Deborah Condon, who lives near Salisbury in England, and three grandchildren.

Brainwashed

Where the “Manchurian Candidate” came from.

Most people know John Frankenheimer’s movie “The Manchurian Candidate,” which stars Frank Sinatra, Laurence Harvey, Janet Leigh, and Angela Lansbury in the story of an American soldier who is captured in Korea and programmed by Chinese Communists to kill on command. And most people probably think of the movie as a classic of Cold War culture, like “On the Beach” and “Invasion of the Body Snatchers”—a popular work articulating the anxieties of an era. In fact, “The Manchurian Candidate” was a flop. It was released in the fall of 1962, failed to recover its costs, and was pulled from distribution two years later, after the assassination of John F. Kennedy. It turned up a few times on television, but it was not shown in a movie theatre again until 1987, which—nearly the end of the Cold War—is the year its popularity dates from. The true artifact of Cold War culture is the novel, by Richard Condon, that the movie was based on.

Condon’s book came out in 1959 and was a best-seller. It was praised in the Times (“a wild, vigorous, curiously readable melange”) and The New Yorker (“a wild and exhilarating satire”); Time named it one of the Ten Best Bad Novels—which, from a publisher’s point of view, is far from the worst thing that might be said about a book. The novel’s success made Condon rich; he spent most of the rest of his life abroad, producing many more works in the genre that Timehad identified, including “Winter Kills,” in 1974, and, in 1982, “Prizzi’s Honor.” His adaptation of that novel for the John Huston movie received an Academy Award nomination in 1986. He died in 1996.

Condon was a cynic of the upbeat type, not unlike Tom Wolfe: his belief that everything is basically shit did not get in the way of his pleasure in making fun of it. He learned that attitude in the finest school for it on earth, Hollywood. Before he was a novelist, Condon was a movie publicist. He began, in 1936, at Walt Disney Productions, where he promoted “Fantasia” and “Dumbo,” among other animated masterpieces, and moved on to a succession of studios, finishing up at United Artists, which he left in 1957. He didn’t know what he wanted to do next; he just wanted out. “The only thing I knew how to do was spell,” he later explained, so he did the logical thing and became a writer. Condon claimed that his work in Hollywood had given him three ulcers. He also claimed that he had seen, during his years there, ten thousand movies, an experience that he believed gave him (his words) “an unconscious grounding in storytelling.”

Frankenheimer called “The Manchurian Candidate” “one of the best books I ever read,” but admirers of Frankenheimer’s movie have not been so gracious. Greil Marcus, in a characteristically overheated appreciation of the movie in the British Film Institute’s Film Classics series, calls the novel a “cheaply paranoid fantasy,” and he goes on, “That the story would lodge in the nation’s psyche and stay there was the work of other hands.” The film historian David Thomson describes it as “a book written so that an idiot could film it.” No doubt Condon wrote “The Manchurian Candidate” with a movie deal in mind. It was his second novel; his first, called “The Oldest Confession,” was also made into a movie—“The Happy Thieves,” starring Rex Harrison (a flop that stayed a flop). But the claim that Condon’s “Manchurian Candidate” is not much more than a draft for the screenplay (which was written by George Axelrod, the author of “The Seven Year Itch”) is peculiar. Michael Crichton writes books that any idiot can film; he practically supplies camera angles. But Condon’s is not an easy book to film, in part because its tone is not readily imitated cinematically, and in part because much of it is, or was in 1962, virtually unfilmable. Strange as the movie is—a thriller teetering on the edge of camp—the book is stranger.

Time, a magazine whose editors, after all, have daily experience with overcooked prose, was not wrong in seeing something splendid in the badness of Condon’s book. “The Manchurian Candidate” may be pulp, but it is very tony pulp. It is a man in a tartan tuxedo, chicken à la king with shaved truffles, a signed LeRoy Neiman. It’s Mickey Spillane with an M.F.A., and a kind of summa of the styles of paperback fiction circa 1959. The writing is sometimes hardboiled:

The slightest touchy thing he said to her could knock the old cat over sideways with an off-key moan. But what could he do? He had elected himself Head Chump when he stepped down from Valhalla and telephoned this sweaty little advantage-taker.

Sometimes it adopts a police-blotter, “degree-zero” mode:

“Thank you, Major. Dismiss,” the general said. Marco left the office at four twenty-one in the afternoon. General Jorgenson shot himself to death at four fifty-five.

Occasionally, and usually in an inconvenient place, it drops a mot recherché:

Raymond’s mother came out of her chair, spitting langrel. [“Langrel”: irregular pieces of iron loaded into shell casings for the purpose of ripping the enemy’s sails in naval battles; obsolete.]

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He clutched the telephone like an osculatorium and did not allow himself to think about what lay beyond that instant. [“Osculatorium”: medieval Latin, for a tablet that is kissed during the Mass. There appears to be no connotation involving clutching.]

It signals feeling by waxing poetic:

Such an instant ago he had paddled their wide canoe across that lake of purple wine toward a pin of light high in the sky which would widen and widen and widen while she slept until it had blanched the blackness.

It signals wisdom by waxing incomprehensible:

There is an immutable phrase at large in the languages of the world that places fabulous ransom on every word in it: The love of a good woman. It means what it says and no matter what the perspective or stains of the person who speaks it, the phrase defies devaluing. The bitter and the kind can chase each other around it, this mulberry bush of truth and consequence, and the kind may convert the bitter and the bitter may emasculate the kind but neither can change its meaning because the love of a good woman does not give way to arbitrage.

And, when appropriate, it salivates:

Her lithe, solid figure seemed even more superb because of her flawless carriage. She wore a Chinese dressing gown of a shade so light that it complemented the contrasting color of her eyes. Her long and extremely beautiful legs were stretched out before her on the chaise longue, and any man but her son or her husband, seeing what she had and yet knowing that this magnificent forty-nine-year-old body was only a wasted uniform covering blunted neural energy, might have wept over such a waste.

Some people like their bananas ripe to the point of blackness. “The Manchurian Candidate” is a very ripe banana, and, for those who have the taste for it, delectable.

The magnificent forty-nine-yearold body in the last passage belongs to the mother of Raymond, the assassin, who in Frankenheimer’s movie is played by Angela Lansbury as a proper and steely middle-aged matron. For Condon, though, Raymond’s mother is no matron. She is a sexually predatory heroin addict who commits double incest. She is the serpent in the suburban garden of Cold War domesticity, and, in imagining her and her history, Condon almost certainly had in the back of his mind the book that, three years earlier, had become the first blockbuster in American publishing, Grace Metalious’s “Peyton Place”—a story that also had to be sanitized for the movies. The plot of “Peyton Place” turns on incest (as, for that matter, does the plot of “Lolita,” a sensation when the American edition came out, in 1958). But the luridness of Condon’s novel did not make it to the screen. There is no equivalent in the movie, for example, of the proto-Pynchonesque sequence in which Raymond’s stepfather, Johnny Iselin, attempts to have sex with an Eskimo. Frankenheimer’s idea of satire was a lot more conventional than Condon’s. He was also a Hollywood filmmaker, of course, and obliged to observe a different decorum.

Counterintuitive as it sounds, the secret to making a successful thriller, as Michael Crichton and Tom Clancy have demonstrated, is to slow down the action occasionally with disquisitions on Stuff It Is Interesting to Know—how airplanes are made, how nuclear submarines work, how to build an atomic bomb. Ideally, this information is also topical, food for the national appetite of the day. In “The Manchurian Candidate,” the topic is brainwashing.

Fear of Communist brainwashing seems an example of Cold War hysteria, but in the nineteen-fifties the fear was not without basis. United Nations ground forces began military action in Korea on July 5, 1950. On July 9th, an American soldier who had been captured just two days earlier delivered a radio speech consisting of North Korean propaganda. Similar broadcasts by captured soldiers continued throughout the war. At the end of the war, the Army estimated that one out of every seven American prisoners of war had collaborated with the enemy. (The final, generally accepted estimate is one out of ten.) Twenty-one Americans refused to return to the United States; forty announced that they had become Communists; and fourteen were court-martialled, and eleven of those were convicted.

The term “brainwashing” was coined by a journalist named Edward Hunter, who had served in the Morale Operations section of the U.S. Office of Strategic Services during the Second World War, which he spent mostly in Asia, and who became an outspoken anti-Communist. Hunter’s book “Brainwashing in Red China: The Calculated Destruction of Men’s Minds” appeared in 1951. In it, he explained that “brainwashing” was his translation of the Chinese term hsi-nao, which means “cleansing of the mind,” and which he said he had heard frequently when speaking with Europeans who had been caught inside China in 1949, the year of Mao’s revolution.

In 1955, two years after the armistice ending the Korean War, the Army issued a huge report on the treatment of American prisoners called “POW: The Fight Continues After the Battle.” The Army had interviewed all surviving prisoners of war on the ships that brought them back across the Pacific—more than four thousand soldiers—and had learned that many of them underwent intensive indoctrination by Chinese Communists. The Chinese had carefully segregated the prisoners they had identified as incorrigibles, sometimes housing them in separate camps, and had subjected the prisoners they judged to be potential converts to five hours of indoctrination a day, in classes that combined propaganda by the instructors with “confessions” by the prisoners. In some cases, physical torture accompanied the indoctrination, but in general the Chinese used the traditional methods of psychological coercion: repetition and humiliation. The Army discovered that a shocking number of prisoners had, to one degree or another, succumbed. Some were persuaded to accuse the United States, in signed statements, of engaging in germ warfare—a charge that was untrue but was widely believed in many countries.

The Army report instigated a popular obsession with brainwashing that lasted well into 1957. Stories about the experiences of American prisoners appeared in The Saturday Evening PostLife, the Times Magazine, and The New Yorker. The term itself became a synonym for any sort of effective persuasion, and writers struggled with the question of whether aspects of contemporary American life, such as advertising and psychiatric therapy, might really be forms of brainwashing. Condon must have read much of this material; he did know Andrew Salter’s “Conditioned Reflex Therapy” (1949), a book he has the Chinese psychiatrist in his novel, Yen Lo, cite in the speech in which he announces his successful brainwashing of the American prisoners. Yen Lo names a number of other studies of hypnosis and conditioning, including “The Seduction of the Innocent,” by Frederic Wertham, an alarmist account of the way comic books corrupt the minds of American youth. (Yen Lo evidently has, in addition to his other exceptional powers, a crystal ball, since “Seduction of the Innocent” was not published until 1954, after the Korean War was over.) These books and articles apparently persuaded Condon that brainwashing, or psychological conditioning using a combination of hypnosis and Pavlovian methods, was a real possibility—as the recent experience of the Korean P.O.W.s had persuaded many other Americans that it was.

Condon’s book played on the fear that brainwashing could be permanent, that minds could be altered forever. By the time Frankenheimer’s movie came out, though, it had become clear that most conditioning is temporary. In 1961, in “Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China,” the psychiatrist Robert Jay Lifton, who had conducted some of the shipboard interviews with returning P.O.W.s, concluded that the indoctrination of prisoners was a long-term failure. All of the “converts” eventually returned to the United States, and the former prisoners who had come home praising the good life to be had in North Korea soon reverted to American views.

Still, conditioning is the theme (if “theme” is not too grand a term) of Condon’s novel. Even before Raymond falls into the hands of Yen Lo, he is psychologically conditioned, by his mother’s behavior, to despise everyone. His mother is conditioned, by her early incest, to betray everyone. And the American people are conditioned, by political propaganda, to believe her McCarthy-like husband’s baseless charges about Communists in the government. It is not, in Condon’s vision, the Communist world on one side and the free world on the other. It is just the manipulators and the manipulated, the conditioners and the conditioned, the publicists and the public. In such a world, it’s probably better to be the publicist, if you can deal with the ulcers.

Frank Sinatra, who plays Marco, the only friend Raymond has, is supposed to have asked his friend Jack Kennedy for his approval before Frankenheimer’s movie was released. United Artists was apparently afraid that the assassination scene might give some nut an idea. Kennedy, as it happened, loved the movie; he was, after all, the world’s most famous Ian Fleming fan. He was killed a year after “The Manchurian Candidate” came out. Did Lee Harvey Oswald see it? The problem has been examined in depth by John Loken, in a book called “Oswald’s Trigger Films” (2000). Loken concludes that although the evidence is not definitive, Oswald almost certainly did see it. “The Manchurian Candidate” opened in Dallas in November, 1962, and played there for several months; Oswald, who was living in Dallas at the time, had a habit of going to the movies by himself (he was in a movie theatre when he was arrested on November 22, 1963); and Loken has determined that the bus Oswald probably took to work passed within ten yards of a theatre where the movie was playing. (Loken is much struck by the fact that references to “The Manchurian Candidate” are almost nonexistent in the literature, official and otherwise, on the Kennedy assassination. He concludes, in the spirit of all scholars of that assassination, that “the probable Oswald connection, so utterly obvious if one but thinks about it, has been suppressed for decades by a powerful conglomerate that might aptly be called the ‘media-entertainment complex.’ ”)

Immediately after Kennedy was shot, Condon got a call from a newspaper reporter asking if he felt responsible. Condon couldn’t see the relevance, and he was not being defensive. He had not introduced political assassination to popular American culture. Robert Penn Warren’s “All the King’s Men” was published in 1946 and was made into a movie in 1949; a version for television, directed by Sidney Lumet, was broadcast in 1958. Assassination is the subject of John Huston’s “We Were Strangers” (1949) and Lewis Allen’s “Suddenly” (1954), also starring Frank Sinatra. Oswald might easily have seen those movies as well. More to the point: “The Manchurian Candidate” is the story of a man programmed to kill at the command of other people. What self-respecting assassin would take such a character for his role model? Either Oswald acted according to his own wishes, in which case he wasn’t imitating Condon’s killer, or he really was programmed by the Communists, in which case the question isn’t whether Oswald saw Frankenheimer’s movie but whether his Communist masters did.

United Artists withdrew “The Manchurian Candidate” from theatres in 1964, although the movie could occasionally be seen on television and in art houses. In 1972, Sinatra bought the rights and, in 1975, removed it from circulation entirely. Whether or not he was motivated by guilt over Kennedy’s death is unclear. He did, however, give his daughter Tina permission to produce a remake, and it is being shot, this fall, by Jonathan Demme. (Demme’s previous movie, “The Truth About Charlie,” was also a remake, of Stanley Donen’s “Charade,” of 1963. His method, judging from that effort, is to update the story and then salt it with allusions to the period of the original. “Charade” was filmed in Paris at the time of the French New Wave, and so in Demme’s version there are appearances by Charles Aznavour, Agnès Varda, and the grave of François Truffaut—none of which have anything to do with the story. Demme has reportedly set “The Manchurian Candidate” in the time of the Gulf War; Liev Schreiber plays Raymond, Meryl Streep is his dragon mother, and Marco is played by Denzel Washington. We can be fairly confident that at some point Denzel Washington will be seen listening to a Frank Sinatra song.)

The Kennedy assassination does not fulfill Condon and Frankenheimer’s prophecy. On the contrary, it buries it. If any assassin might plausibly have been a Communist puppet, it was Oswald, a man who had lived in the Soviet Union for three years, who had a Russian wife, and who once handed out leaflets for an outfit called the Fair Play for Cuba Committee. These facts were widely known within hours of Oswald’s arrest, and yet the theory that he was an agent who was directed, wittingly or not, by Communist handlers has never been an important part of the folklore of the Kennedy assassination. Until the late nineteen-seventies, the official line (endorsed, incidentally, by Condon at the time) was that Oswald acted alone. Dissenters from that view have been drawn mainly to theories involving the Mafia and the Central Intelligence Agency, even though hooking Oswald up with those entities requires a far greater imaginative stretch than associating him with the Soviets. Almost no one thinks of Kennedy (except in some convoluted way) as a casualty of the Cold War, and his death does not represent the culmination of the national anxiety about Communist infiltration. It represents the end of that obsession, and of the panic that Condon’s novel and Frankenheimer’s movie both so happily exploit. ♦

  • Louis Menand, a staff writer since 2001, was awarded the National Humanities Medal in 2016.

https://www.newyorker.com/magazine/2003/09/15/brainwashed

RICHARD CONDON BOOKS IN ORDER

Publication Order of Prizzi Books

Prizzi’s Honor (1982) Hardcover  Paperback  Kindle
Prizzi’s Family (1986) Hardcover  Paperback  Kindle
Prizzi’s Glory (1988) Hardcover  Paperback  Kindle
Prizzi’s Money (1994) Hardcover  Paperback  Kindle

Publication Order of Standalone Novels

The Oldest Confession (1958) Hardcover  Paperback  Kindle
The Manchurian Cadidate (1959) Hardcover  Paperback  Kindle
Some Angry Angel (1960) Hardcover  Paperback  Kindle
A Talent for Loving aka The Great Cowboy Race (1961) Hardcover  Paperback  Kindle
An Infinity of Mirrors (1964) Hardcover  Paperback  Kindle
Any God Will Do (1966) Hardcover  Paperback  Kindle
The Ecstasy Business (1967) Hardcover  Paperback  Kindle
Mile High (1969) Hardcover  Paperback  Kindle
The Vertical Smile (1971) Hardcover  Paperback  Kindle
Arigato (1972) Hardcover  Paperback  Kindle
Winter Kills (1974) Hardcover  Paperback  Kindle
The Star-spangled Crunch (1975) Hardcover  Paperback  Kindle
Money is Love (1975) Hardcover  Paperback  Kindle
The Whisper of the Axe (1976) Hardcover  Paperback  Kindle
The Abandoned Woman (1977) Hardcover  Paperback  Kindle
Bandicoot (1978) Hardcover  Paperback  Kindle
Death of A Politician (1978) Hardcover  Paperback  Kindle
The Entwining (1980) Hardcover  Paperback  Kindle
A Trembling Upon Rome (1983) Hardcover  Paperback  Kindle
Emperor of America (1990) Hardcover  Paperback  Kindle
The Final Addiction (1991) Hardcover  Paperback  Kindle
The Venerable Bead (1992) Hardcover  Paperback  Kindle

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Before he began writing fiction stories, Richard Thomas Condon worked for Walt Disney productions as a press agent in the movie business for 20 years where he spent most of his time in the major studios. Prior his moderate success in Hollywood, Condon also worked in the US Merchant Marine. He actually started writing in 1957 in his forties. He often complained of wasting a lot of time in Hollywood when he was employed as an ad writer by United Artists. His boss, Max Youngstein later fired him after deducting amounts from Condon’s salary without his knowledge. Youngstein also offered him a house overlooking a Mexican ocean and told him to write his book, The Manchurian Candidate (1959) which was his second novel. The book was used to make a movie in 1962, making Richard Condon famous. His other book, Prizzi’s Honor (1982) was also made into a successful movie.

Richard Condon was a thriller and satirical novelist, born and raised in New York City and best known for his conspiratorial books like The Oldest Confession (1958), Some Angry Angel (1960), A Talent of Loving (1961), An Infinity of Mirrors (1964) and many more novels. Condon’s writing was famous for its fascination with trivia, complex plotting, and hatred for those in power. For instance, his most popular novel The Manchurian Candidate was highly criticized because it seemed to disturbingly overshadow the assassination of President John F. Kennedy. Furthermore, several books feature a thinly disguised version of Richard Nixon. His characters were driven by family loyalty, and with obsession, usually political and sexual. His plots had elements of a typical tragedy involving protagonists who are led by their pride to places where they destroy what they love. One of his most notable books, Mile High (1969) was best defined as secret history. In the novel, And Then We Moved to Rossenara, Richard Condon gives a humorous autobiography that recounts the various places he has lived in the world and his family’s move to Rossenarra, Ireland in the 1970s.

Apart from writing novels, Richard Condon also wrote some popular book series and bestsellers including; Prizzi’s Honor (1986), Prizzi’s Family (1986), Prizzi’s Glory (1988) and Prizzi’s Money (1994). He died in 1996.

Prizzi’s Honor was Richard Condon’s first book in the Prizzi’s series. This is not an ordinary story of a boy-meets-girl. Prizzis is the most influential Mafia family in New York. Their faithful lieutenant, Charley Partanna has affections for Irene Walker who works as a tax consultant in Los Angeles. She also does freelancing which pays her more. She is also a Mob’s hit woman. She cons the Prizzis an unforgivably huge amount of money. Indeed, this is a very dangerous moonlighting which eventually conflicts Charley’s oldest loyalties with his latest one. This book mixes character and caricature easily, making it one of his best books since The Manchurian Candidate.

The second book in the Prizzi’s series is the Prizzi’s Family. Here, Charley Partanna works for the Prizzi family as a hitman by day and studies for his high school exam by night. When he is not studying, he is juggling two beautiful women, probably more than he can handle. One, Maerose, is the granddaughter of Charley’s boss and is hungry for honor, power and Charley of course. The other, Mardell, is a sensational, one-third fantasy, two-thirds legs. This is a problem to Charley, but hormones seem to keep obstructing him. This book is funny and cheerful, and foams with perversity, obsessional religious mania, rascality, greed and lust, and assault and battery, making it a good read.

The next book in the series is Prizzi’s Glory. In this successful last volume in Prizzi trilogy series, the Prizzi family cleans up the environment, immersing huge benefits. They finally appear as a cruel, vivid and comic portrait of the America’s best-run Mafia institution. For the change, a tired, bored and depressed Charley Fontana weds Maerose, but this does not help because Don Corrado has thought of a bigger change, Prizzi’s respectability. Money flows to the Prizzi’s family through dubious activities like gambling, extortion, prostitution, loan-sharking, and narcotics. Don Corrado uses the money to control a new scam, a national political power which Charley heads. This book offers an accomplished and entertaining satire for a feat of joyful reading.

The last book in the Prizzi’s series is Prizzi’s Money. Richard Condon showcases the Prizzi family’s saga of organized crime. Here, Julia Asbury outwits the Prizzis, walking away with a huge amount of their money (a billion & a quarter) to start a new life. She does this after discovering that the Prizzis and her husband had double-crossed her.

Another noticeable writing style by Richard Condon was the use of real-life names in his books. Condon used names of real people as characters in his writings, but generally minor/peripheral ones. One of the most common names used in all of his novels includes F.M. Heller, Franz Heller, F. Marx Heller, and Frank Heller which are variations of Franklin M. Heller. In real life, Heller was, in fact, a television director based in New York City from the 1950s to 1970s and first lived on Long Island before moving to a house along Rockrimmon Road, Stamford, Connecticut. Starting with Mile High, Rockrimmon House and Rockrimmon Road have been frequently mentioned in the novels. All the fictional Hellers also shared a devotion for needlework and grew a thick-white beard similar to the real-life Heller who made a needlework depiction in Condon’s manor house in Ireland. Condon also had a great actor friend, Allan Melvin, who he wrote a nightclub act. Melvin also played Cpl. Henshaw in The Phil Servers Show which Condon was publicizing. Several Condon books particularly Prizzi’s Honor showcases Melvini as a prominent hit man.

Richard Condon’s legend is not only showcased in his wonderful writings but also some popular films that were adapted from his novels. The films include; The Manchurian Candidate (1962 and 2004), The Talent of Loving (1969), Winter Kills (1979), Prizzi’s Honor (1985), and The Happy Thieves from the novel The Oldest Confession (1962). The Manchurian Candidate is recognized as one of the best films of all time. The book combined several elements including; satire, nefarious conspiracies, black humor, outrage at financial and political corruption in America, as well as breath-taking elements from spy fiction and thrillers, and grotesque and horrific violence.

https://www.bookseriesinorder.com/richard-condon/

Condon, Richard 1915-1996 (Richard Thomas Condon)

Condon, Richard 1915-1996 (Richard Thomas Condon)
PERSONAL:
Born March 18, 1915, in New York, NY; died April 9, 1996, in Dallas, TX; son of Richard Aloysius and Martha Irene Condon; married Evelyn Rose Hunt, January 14, 1938; children: Deborah Weldon, Wendy Jackson. Education: Graduated from high school in New York, NY.

CAREER:
Writer. Publicist in New York, NY, and Hollywood, CA, for Walt Disney Productions, 1936-41, Twentieth Century-Fox Film Corp., 1941-45, Richard Condon, Inc., 1945-48, and Paramount Pictures Corp., 1948-53, and in Europe and Great Britain for United Artists Corp., 1953-57; novelist. Producer, with Jose Ferrer, of Broadway shows Twentieth Century and Stalag 17, 1951-52.

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MEMBER:
International Confederation of Book Actors (honorary life president), Dramatists Guild, Authors Guild, Authors League of America.

AWARDS, HONORS:
Writers Guild of America award, Bafta Award from British Academy of Film and Television Sciences, and Academy Award nomination, all 1986 for screen adaptation of Prizzi’s Honor,.

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WRITINGS:
And Then We Moved to Rossenarra; or, The Art of Emigrating, Dial (New York, NY), 1973.

(With daughter, Wendy Jackson) The Mexican Stove: What to Put on It and in It, Doubleday (Garden City, NY), 1973, reprinted, Taylor Publishing, 1988.

NOVELS
The Oldest Confession (Book-of-the-Month Club alternate selection), Appleton-Century-Crofts (New York, NY), 1958.

The Manchurian Candidate, McGraw (New York, NY), 1959, reprinted, Four Walls Eight Windows (New York, NY), 2003.

Some Angry Angel: A Mid-Century Faerie Tale, McGraw (New York, NY), 1960.

A Talent for Loving; or, The Great Cowboy Race, McGraw (New York, NY), 1961.

An Infinity of Mirrors, Random House (New York, NY), 1964.

Any God Will Do, Random House (New York, NY), 1965.

The Ecstasy Business, Dial (New York, NY), 1967.

Mile High (Literary Guild alternate selection), Dial (New York, NY), 1968.

The Vertical Smile (Literary Guild selection), Dial (New York, NY), 1971.

Arigato, Dial (New York, NY), 1972.

Winter Kills, Dial (New York, NY), 1974.

The Star Spangled Crunch, Bantam (New York, NY), 1974.

Money Is Love, Dial (New York, NY), 1975.

The Whisper of the Axe, Dial (New York, NY), 1976.

The Abandoned Woman: A Tragedy of Manners, Dial (New York, NY), 1977.

Bandicoot, Dial (New York, NY), 1978.

Death of a Politician, Richard Marek (New York, NY), 1978.

The Entwining, Richard Marek (New York, NY), 1980.

Prizzi’s Honor (second novel in trilogy; Book-of-the-Month Club joint main selection; also see below), Coward, McCann & Geoghegan (New York, NY), 1982.

A Trembling upon Rome, Putnam (New York, NY), 1983.

Prizzi’s Family (first novel in trilogy; Literary Guild joint main selection), Putnam, 1986.

Prizzi’s Glory (third novel in trilogy), Dutton (New York, NY), 1988.

The Final Addiction, Saint Martin’s Press (New York, NY), 1991.

Prizzi’s Money, Crown Publishing (New York, NY), 1994.

SCREENPLAYS
(With Janet Roach) Prizzi’s Honor (adaptation; see above), Twentieth Century-Fox Film Corp., 1985.

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Also author screenplay for A Talent for Loving, 1969, and The Summer Music; author of the play Men of Distinction, produced on Broadway, 1953. Contributor to periodicals, including Holiday, Nation, Vogue, Harper’s, Gourmet, Esquire, Travel and Leisure, and Sunday Times magazine. Novels have been published in twenty-two languages and in braille.

ADAPTATIONS:
Books have been adapted for film, including The Oldest Confession released as the film The Happy Thieves, 1962; Winter Kill, 1979; and The Manchurian Candidate, 1962, and adapted remake, Paramount Pictures, 2004.

SIDELIGHTS:
Novelist Richard Condon began writing at age forty-two following a successful career as a movie publicist. Condon’s reputation as a writer of political thrillers was secured with his first two novels, The Oldest Confession and The Manchurian Candidate. Condon’s body of work included over twenty novels, two nonfiction books, a handful of plays and screenplays, and numerous articles on his twin passions, food and travel. This output netted him an income of about two and a half million dollars.

Condon took full advantage of his freedom as a writer. Although he resided in the United States later in life, for nineteen years Condon and his family lived in countries such as France, Spain, Switzerland, and Ireland. Condon’s focus in his novels, however, usually reflected his concerns about American society, particularly the United States government. Condon’s preoccupation with examining abuses of power made him into a cult figure of sorts to readers who shared his convictions. Condon’s novels are entertaining, despite their underlying seriousness. This assessment is compatible with Condon’s personal goals as a writer, which he discussed in a People magazine interview with Anne Maier. “I have never written for any other reason than to earn a living. This is certainly true of other writers, but some poor souls get mightily confused with art. I am a public entertainer who sees his first duty as the need to entertain himself.”

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Most of the material for Condon’s blend of reality and bizarre invention came from “the dirty linen closets of politics and money,” according to a New York Review of Books contributor Thomas R. Edwards. “His view—it might be called Condon’s Law—is that when you don’t know the whole truth, the worst you can imagine is bound to be close.” Edwards added: “[He] isn’t an analyst but an exploiter of our need to believe the worst. He does it skillfully, but his books would be less fun than they are if one didn’t suspect that he believes the worst too, that his pictures of a world of fools eternally at the mercy of knaves are also pictures of what, with anger and disgust, he takes to be the case.”

Condon’s second novel, The Manchurian Candidate, was published in 1959 and remains Condon’s most highly acclaimed novel, one that critics frequently cite as a standard of comparison for his later works. The title of the book refers to the main character, Raymond Shaw, a soldier who becomes a prisoner of war in Korea and is unknowingly brainwashed into committing crimes for his former captors after he returns to the United States. Commenting on this novel, reviewers distinguished carefully between Condon’s writing and literature. Most reviewers noted the novel’s many appeals. Michael Rogers, writing a Library Journal review of a 2003 reprint of the novel, commented that “any fan of political thrillers will enjoy this one.”

Condon followed The Manchurian Candidate with several relatively successful novels. Nevertheless, several of Condon’s subsequent novels generally fell out of favor with critics. In 1974, however, his novel Winter Kills was enthusiastically received. Winter Kills closely parallels the lives of members of the Kennedy family. The main character, Nick Thirkield, is the half-brother of John F. Kennedy analogue Tim Kegan, a young, liberal Irish president who is assassinated by a lone maniac. The assassin is caught and charged with the murder, but when Thirkield learns that another man may also have been involved, he has the case reopened.

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Several reviewers found themselves pleasantly surprised by Winter Kills. New York Times Book Review contributor Leo Braudy, for example, commented that Winter Kills is “a triumph of satire and knowledge, with a delicacy of style and a command of tone that puts Condon once again into the first rank of American novelists.” Braudy explained: “Winter Kills succeeds so brilliantly because the Kennedy assassination furnished Condon with a familiar mythic landscape through which his Gulliver-like hero can wander, simultaneously prey to Lilliputian politics, Brobdingnagian physicality, Laputan science, and Houyhnhnm moralism.” Christopher Lehmann-Haupt expressed a like opinion in the New York Times: “By the time I reached the end of the novel’s incredibly complex plot and had followed Nick Thirkield through the many blind alleys and trapdoors that eventually bring him face to face with the person behind his brother’s assassination, I was a Richard Condon fan once more.”

Extrapolation contributor Joe Sanders observed: “In Condon’s novels, politics determines the shape of society, but politics is not a voluntary, cooperative activity, entered into for some common end; it is a device by which a few clever people manipulate many others to gain their selfish ends.” Lehmann-Haupt expressed disappointment with the ending because he “caught on too early what the ultimate outcome would be,” but he found the novel’s conclusion satisfying. He wrote: “It may not be true that America is run by a small, conspiring oligarchy. It may not be true that things happen in the White House at the whim of movie stars and labor leaders, of courtesans and generals. But the possibilities are no longer inconceivable.”

Winter Kills was made into a critically acclaimed but briefly run film of the same title. Although Condon was not directly involved in the making of Winter Kills, the film’s quality drew his attention and support. After two years of filming for which most of the cast and crew were never paid, Winter Kills opened in New York in 1979 to favorable reviews. The film’s three-week run in showcase theaters was followed by disappearance from theatres, raising Condon’s conspiracy suspicions. Condon’s paranoia was further incited by the murder of one of the producers shortly after the film’s opening; two years later the second producer was sentenced to forty years in prison on a drug charge. The movie was briefly re-released in 1982 and 1983.

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Condon’s novel Prizzi’s Honor dealt with a similarly sensitive milieu: organized crime. Although this setting has been exploited by several other authors, notably Mario Puzo, reviewers believed that Condon’s novel offered a fresh outlook. Charles Champlin observed in the Los Angeles Times Book Review: “Condon, once again accepting the perceived reality as police leaks, newspaper exposes and Puzo have given it to us—complete with Sicilian litany of consiglieri, caporegimes, sottocapos, soldati, and a godfather with a lethal wheeze and a mind Machiavelli might envy—steps over it to present an outrageous and original love story.” New York Times Book Review contributor Robert Asahina noted: “Richard Condon is not Mario Puzo; suspense, not the family saga, is his forte. And he winds the mainspring of the plot so tight that the surprise ending will knock your reading glasses off. Yet Prizzi’s Honor is also a sendup of the prevailing sentimental picture of the underworld. To Mr. Condon, there is honor among these thieves—but it is precisely in the name of omerta that the fratellanza has been willing to ‘cheat, corrupt, scam, and murder anybody who stands between them and a buck.’”

The novel’s love interest involves Charley Partanna, a gourmet cook, compulsive house cleaner, and hit man for the Prizzi family; and Irene Walker, a tax consultant and freelance killer for hire. “It is something of a challenge to a novelist to create a love interest in a story that pairs two ruthless murderers,” observed Times Literary Supplement contributor Alan Bold. “Irene is presented as a colder fish than Charley—she has risen to the top of her profession on account of her ability to murder without remorse. She is as sound a psychopath as Charley. Condon suggests, however, that such creatures are capable of a great passion and Charley, for one, is sure that his love is the real thing.” New York Times contributor Susan Bolotin likewise commented on the originality of this pairing: “If boy-meets-girl/boy-gets-girl love stories seem poisonously tiresome to you, Richard Condon’s boisterous new novel may prove the perfect antidote. It’s true that Prizzi’s Honor starts off with a familiar melody, … but the book soon turns into a fugue with variations so intricate that the genre may never recover.”

Despite opposition from Charley’s father, Charley and Irene are wed. Condon takes the couple through a convoluted plot that includes “a kidnapping, international financial intrigue, a gangland war, police on the take, the power struggle within the family, contract killings, [and] lots of jolly sex,” wrote Bolotin. According to several reviewers, Condon’s exploration of the seamier side of organized crime is distressing. Best Sellers contributor Tony Bednarczyk wrote: “There is solid storytelling, but the subject raises disturbing questions about morals, and/or the lack thereof. It is a fast-paced, very readable story, but one feels a bit guilty for being interested in what comes next.” While Time critic Michael Demarest also believed that Prizzi’s Honor, “like most of [Condon’s] books, comes sometimes too close to the truth for comfort,” he nevertheless concluded: “Condon’s stylish prose and rich comedic gift once again spice a moral sensibility that has animated sixteen novels since The Manchurian Candidate appeared in 1962. If wit and irony could somehow neutralize villainy, the novelist would make a fine FBI director.” Other reviewers expressed similarly laudatory views. Champlin wrote: “Condon is once again the storytelling satirist with a sharp eye and a high velocity typewriter. Prizzi’s Honor may not be his best work but it ranks well up in the canon.” Concluded Asahina: “Twenty years after The Manchurian Candidate, it’s nice to know that Mr. Condon is still up to his sly tricks. In his case, at least, it’s a pleasure that—as he tells us an old Sicilian proverb has it—‘The less things change, the more they remain the same.’”

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Prizzi’s Honor was also made into a successful film of the same title, with Jack Nicholson and Kathleen Turner playing the roles of Charley Partanna and Irene Walker. The film was nominated for several Academy Awards, and the screenplay, adapted by Condon and coauthor Janet Roach, received awards from the Writers Guild of America and the British Academy of Film and Television Sciences. The project was initiated and eventually directed by John Huston.

Huston and movie critics alike believed that Prizzi’s Honor was faithful to the novel, a feat they attribute to Condon and Roach’s skillfully adapted screenplay. Chi-cago Tribune contributor Gene Siskel described Prizzi’s Honor as “a classic piece of moviemaking,” and Los Angeles Times film critic Sheila Benson noted: “To say the film is the treasure of the year would be to badmouth it in this disastrous season. Prizzi’s Honor would be the vastly original centerpiece of a great year.” Benson also wrote: “In its dangerous mix of love and murder, Huston is traversing terrain that he (and certainly The Manchurian Candidate author Condon) blazed decades ago. This ’80s-version denouement may distress the squeamish, but it’s right in keeping with Prizzi honor.”

BIOGRAPHICAL AND CRITICAL SOURCES:
BOOKS
Bestsellers 90, Issue 3, Thomson Gale (Detroit, MI), 1990.

Condon, Richard, Death of a Politician, Richard Marek (New York, NY), 1978.

Contemporary Authors Autobiography Series, Volume I, Thomson Gale (Detroit, MI), 1984.

Contemporary Literary Criticism, Thomson Gale (Detroit, MI), Volume IV, 1975, Volume VI, 1976, Volume VIII, 1978, Volume X, 1979, Volume XLIV, 1987.

Newquist, Roy, Conversations, Volume I, Rand McNally (Chicago, IL), 1967.

PERIODICALS
Best Sellers, June, 1982, Tony Bednarczyk, review of Prizzi’s Honor; December, 1986.

Chicago Tribune, June 14, 1985, Gene Siskel, review of Prizzi’s Honor (film adaptation).

Daily Variety, March 8, 2002, Dana Harris and Sharon Swart, “‘Candidate’ for Redo: Paramount Plans Remake of 1962 Classic,” p. 1.

Extrapolation, summer, 1984, Joe Sanders, article about author.

Library Journal, November 1, 2003, Michael Rogers, review of The Manchurian Candidate, p. 129.

Los Angeles Times, June 14, 1985, Sheila Benson, review of Prizzi’s Honor (film adaptation).

Los Angeles Times Book Review, April 25, 1982, Charles Champlin, review of Prizzi’s Honor.

Modern Language Quarterly, September, 2006, Micahel Szalay, review of The Manchurian Candidate, p. 363.

New Statesman, September 5, 1975, review of Money is Love, p. 285; August 13, 1976, review of The Whisper of the Axe, p. 216.

Newsweek, September 14, 1964, review of Manchurian Candidate; June 9, 1975, review of Money Is Love, p. 81.

New Yorker August 25, 1975, review of Money Is Love, p. 87; December 11, 1978, review of Death of a Politician, p. 206; October 28, 1991, review of The Final Addiction, p. 119.

New York Review of Books, February 8, 1979, Thomas R. Edwards, review of Death of a Politician, p. 35.

New York Times, May 24, 1974, Christopher Lehmann-Haupt, review of Winter Kills; May 21, 1976; April 20, 1982, Susan Bolotin, review of Prizzi’s Honor, p. 25.

New York Times Book Review, May 26, 1974, Leo Braudy, review of Winter Kills; May 25, 1975, review of Money Is Love, p. 12; May 23, 1976, review of The Whisper of the Axe, p. 4; April 18, 1982, Robert Asahina, review of Prizzi’s Honor, p. 12; September 4, 1983, John Jay Osborn, Jr., review of A Trembling upon Rome, p. 4; September 28, 1986, Jimmy Breslin, review of Prizzi’s Family, p. 13; October 9, 1988, Vincent Patrick, review of Prizzi’s Glory, p. 24; February 11, 1990, Roy Blount, Jr., review of Emperor of America, p. 14; November 17, 1991, Bill Kent, review of The Final Addiction, p. 20; December 13, 1992, Donald E. Westlake, review of The Venerable Bead, p. 9; February 6, 1994, Joe Queenan, review of Prizzi’s Money, p. 9.

People, December 8, 1986, Anne Maier, interview with author.

Spectator, September 21, 1974, review of Winter Kills, p. 372.

Texas Monthly, August, 1994, William Cobb, “The Don of Dallas,” interview with author, p. 42.

Time, June 2, 1975, review of Money Is Love, p. 72; May 17, 1982, Michael Demarest, review of Prizzi’s Honor, p. 82; September 22, 1986, John Skow, review of Prizzi’s Family, p. 95; September 19, 1988, review of Prizzi’s Glory, p. 95.

Times Literary Supplement, June 11, 1982, Alan Bold, review of Prizzi’s Honor.

ONLINE
Internet Movie Database,http://www.imdb.com/ (December 4, 2006), information on author’s film work.

OBITUARIES
PERIODICALS
New York Times, April 10, 1996, Mel Gussow.

Time, April 22, 1996, p. 33.

U.S. News & World Report, April 22, 1996, p. 26.

https://www.encyclopedia.com/arts/educational-magazines/condon-richard-1915-1996-richard-thomas-condon

Books by Richard Condon
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Richard Condon

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Richard Condon
Born Richard Thomas Condon
March 18, 1915
New York CityNew York, U.S.
Died April 9, 1996 (aged 81)
DallasTexas, U.S.
Occupation Novelist
Genre Fiction

Richard Thomas Condon (March 18, 1915 in New York City – April 9, 1996 in Dallas, Texas) was a prolific and popular American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other mediums, such as cinema. All 26 books were written in distinctive Condon style, which combined fast-pace, outrage, and frequent humor while focusing almost obsessively at monetary greed and political corruption. Condon himself once said: “Every book I’ve ever written has been about abuse of power. I feel very strongly about that. I’d like people to know how deeply their politicians wrong them.”[1] Condon’s books were occasionally bestsellers, and many of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.

Condon’s writing was known for its complex plotting, fascination with trivia, and loathing for those in power; at least two of his books featured thinly disguised versions of Richard Nixon.[citation needed] His characters tend to be driven by obsession, usually sexual or political, and family loyalty. His plots often have elements of classical tragedy, with protagonists whose pride leads them to destroy what they love. Some of his books, most notably Mile High (1969), are perhaps best described as secret history.[citation needed] And Then We Moved to Rossenarra is a humorous autobiographical recounting of various places in the world where he had lived and his family’s 1970s move to Rossenarra, Co. Kilkenny, Ireland.

Contents

Early life[edit]

Born in New York City, Condon attended DeWitt Clinton High School.[2]

After service in the United States Merchant Marine, Condon achieved moderate success as a Hollywood publicist, ad writer and Hollywood agent. Condon turned to writing in 1957. Employed by United Artists as an ad writer, he complained that he was wasting time in Hollywood and wanted to write a novel. Without Condon’s knowledge, his boss, Max E. Youngstein, deducted money from his salary, then fired him after a year, returning the amount of money he had deducted in the form of a Mexican bank account and the key to a house overlooking the ocean in Mexico. Youngstein told him to write his book.[3] His second novel, The Manchurian Candidate (1959), featured a dedication to Youngstein and was made into a successful film.

Basic theme throughout Condon’s books[edit]

In Mile High, his eighth novel, one primarily about how a single spectacularly ruthless gangster named Eddie West imposes Prohibition upon an unwary populace, Condon sums up the theme of all his books in a single angry cri de coeur:

“Prohibition fused the amateurism and catch-as-catch-can national tendencies of the early days of the republic with a more modern, highly organized lust for violence and the quick buck. It fused the need to massacre twelve hundred thousand American Indians and ten million American buffalo, the lynching bees, the draft riots, bread riots, gold riots and race riots, the constant wars, the largest rats in the biggest slums, boxing and football, the loudest music, the most strident and exploitative press with the entire wonderful promise of tomorrow and tomorrow, always dragging the great nation downward into greater violence and more unnecessary deaths, into newer and more positive celebration of nonlife, all so that the savage, simple-minded people might be educated into greater frenzies of understanding that power and money are the only desirable objects for this life.”[4]

“Manchurian Candidate”[edit]

Although not perhaps actually originated by Condon himself, his use of “the Manchurian Candidate” made that phrase a part of the English language. Frank Rich, for example, in his column in the “Sunday Opinion” of The New York Times of August 17, 2008, writes about Barack Obama with a reference to both a well-known actress and a well-known plot element in the first movie version of Condon’s 1959 book:

“[Obama’s] been done in by that ad with Britney [Spears] and Paris [Hilton] and a new international crisis that allows [John] McCain to again flex his Manchurian Candidate military cred. Let the neocons identify a new battleground for igniting World War III… and McCain gets with the program as if Angela Lansbury has just dealt him the Queen of Hearts“.[5]

“The fiction of information”[edit]

Condon’s works are difficult to categorize precisely: A 1971 Time magazine review declared that, “Condon was never a satirist: he was a riot in a satire factory. He raged at Western civilization and every last one of its works. He decorticated the Third Reich, cheese fanciers, gossip columnists and the Hollywood star system with equal and total frenzy.” [6] The headline of his obituary in The New York Times called him a “political novelist”,[7] but went on to say that, “Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in ‘The Manchurian Candidate.'”[7] Although his books combined many different elements, including occasional outright fantasy and science fiction, they were, above all, written to entertain the general public. He had, however, a genuine disdain, outrage, and even hatred for many of the mainstream political corruptions that he found so prevalent in American life. In a 1977 quotation, he said that:[8]

“…people are being manipulated, exploited, murdered by their servants, who have convinced these savage, simple-minded populations that they are their masters, and that it hurts the head, if one thinks. People accept servants as masters. My novels are merely entertaining persuasions to get the people to think in other categories.”

With his long lists of absurd trivia and “mania for absolute details”, Condon was, along with Ian Fleming, one of the early exemplars of those called by Pete Hamill in a New York Times review, “the practitioners of what might be called the New Novelism… Condon applies a dense web of facts to fiction…. There might really be two kinds of fiction: the fiction of sensibility and the fiction of information… As a practitioner of the fiction of information, no one else comes close to him.”[9]

Quirks and characteristics[edit]

Condon attacked his targets wholeheartedly but with a uniquely original style and wit that made almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, playwright George Axelrod (The Seven Year ItchWill Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:

“The arrival of a new novel by Richard Condon is like an invitation to a party…. the sheer gusto of the prose, the madness of his similes, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be.”

Metaphors and similes[edit]

From his 1975 novel, Money Is Love, comes a fine example of the “lunacy of his metaphors”: “Mason took in enough cannabis smoke to allow a Lipan Apache manipulating a blanket over it to transmit the complete works of Tennyson.” [10]

The Manchurian Candidate offers:

“The effects of the narcotics, techniques, and suggestions… achieved a result that approximated the impact an entire twenty-five-cent jar of F. W. Woolworth vanishing cream might have on vanishing an aircraft carrier of the Forrestal class when rubbed into the armor plate.”[11]

Lists and trivia[edit]

Condon was also enamored of long lists of detailed trivia that, while at least marginally pertinent to the subject at hand, are almost always an exercise in gleeful exaggeration and joyful spirits. In An Infinity of Mirrors, for instance, those in attendance of the funeral of a famous French actor and notable lover are delineated as:

Seven ballerinas of an amazing spectrum of ages were at graveside. Actresses of films, opera, music halls, the theatre, radio, carnivals, circuses, pantomimes, and lewd exhibitions mourned in the front line. There were also society leaders, lady scientists, women politicians, mannequins, couturières, Salvation Army lassies, all but one of his wives, a lady wrestler, a lady matador, twenty-three lady painters, four lady sculptors, a car-wash attendant, shopgirls, shoplifters, shoppers, and the shopped; a zoo assistant, two choir girls, a Métro attendant from the terminal at the Bois de Vincennes, four beauty-contest winners, a chambermaid; the mothers of children, the mothers of men, the grandmothers of children and the grandmothers of men; and the general less specialized, female public-at-large which had come from eleven European countries, women perhaps whom he had only pinched or kissed absent-mindedly while passing through his busy life. They attended twenty-eight hundred and seventy strong, plus eleven male friends of the deceased.[12]

Writing about The Whisper of the Axe in the daily book review column of Friday, May 21, 1976, in the New York Times, Richard R. Lingeman praised the book in particular and Condon in general for his “extravagance of invention unique with him.” [13]

Not everyone was as exhilarated by Condon’s antics, however. In a long Times Sunday review just two days after Lingeman’s, Roger Sale excoriated Condon as a writer of “how-to books” in general, this book in particular, and Condon’s habit of using lists: “A lot of it is done with numbers arbitrarily chosen to falsely simulate precision.” [14]

Real-life names in his books[edit]

All of Condon’s books have, to an unknown degree, the names of real people in them as characters, generally very minor or peripheral. The most common, which appears in all of his books, is some variation of Franklin M. Heller. Among them are F.M. Heller, Frank Heller, Franz Heller, and F. Marx Heller. The real-life Heller was apparently a television director in New York City in the 1950s, ’60s, and 70s, who initially lived on Long Island and then moved to a house on Rockrimmon Road in Stamford, Connecticut.[15] Beginning with Mile High in 1969, mentions of a Rockrimmon Road or Rockrimmon House also began to appear regularly in the novels. Late in life Heller grew a thick white beard and became a devotee of needlework—both traits that the fictional Hellers shared, sometimes to ludicrous effect, as when a battle-hardened Admiral Heller is depicted issuing orders while absorbed in needlework. The real-life Heller made one needlework depiction of the manor house in Ireland in which Condon was living at the time.

Condon was a great friend of actor Allan Melvin, having written a nightclub act for him. Condon later became a publicist for The Phil Silvers Show (“Sgt. Bilko”), on which Melvin played Cpl. Henshaw. Melvin’s name shows up in several Condon books, most prominently as hitman Al (the Plumber) Melvini in “Prizzi’s Honor” (a play on Melvin’s “Al the Plumber” character in Liquid-Plumr commercials.) In The Manchurian Candidate, with the exception of Marco, Shaw and Mavole, all of Marco’s platoon members are named for the cast/crew of “Bilko”: (Nat) Hiken, (Maurice) Gosfield, (Jimmy) Little, (Phil) Silvers, (Allan) Melvin, (Mickey) Freeman and (Harvey) Lembeck.

Career in films[edit]

For many years a Hollywood publicity man for Walt Disney and other studios, Condon took up writing relatively late in life and his first novel, The Oldest Confession, was not published until he was 43. The demands of his career with United Artists—promoting dreadful movies such as The Pride and the Passion and A King and Four Queens—led to a series of bleeding ulcers and a determination to do something else.

His next book, The Manchurian Candidate, combined all the elements that defined his works for the next 30 years: nefarious conspiracies, satire, black humor, outrage at political and financial corruption in the American scene, breath-taking elements from thrillers and spy fiction, horrific and grotesque violence, and an obsession with the minutiae of food, drink, and fast living. It quickly made him, for a few years at least, the center of a cult devoted to his works. As he rapidly produced more and more books with the same central themes, however, this following fell away and his critical reputation diminished. Still, over the next three decades Condon produced works that returned him to favor, both with the critics and the book-buying public, such as Mile HighWinter Kills, and the first of the Prizzi books, Prizzi’s Honor.

Of his numerous books that were turned into Hollywood movies, The Manchurian Candidate was filmed twice. The first version, in 1962, which starred Frank SinatraLaurence HarveyJanet Leigh, and Angela Lansbury, followed the book with great fidelity, and is now highly regarded as a glimpse into the mindset of its era. Janet Maslin, writing already over two decades ago, said in The New York Times In 1996 that it was “arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence.”[7]

The Keener’s Manual[edit]

Beginning with his first book, The Oldest Confession, Condon frequently prefaced his novels with excerpts of verse from a so-called Keener’s Manual; these epigraphs foreshadowed the theme of the book or, in several instances, gave the book its title. The Keener’s Manual, however, was a fictional invention by Condon and does not actually exist. A “keen” is a “lamentation for the dead uttered in a loud wailing voice or sometimes in a wordless cry” [16] and a “keener” is a professional mourner, usually a woman in Ireland, who “utters the keen… at a wake or funeral.” [17]

Five of Condon’s first six books derived their titles from the fictional manual, the only exception being his most famous book, The Manchurian Candidate. The epigraph in The Manchurian Candidate, however, “I am you and you are me /and what have we done to each other?” is a recurring theme in earlier Condon’s books: in various forms it also appears as dialog in both The Oldest Confession and Some Angry Angel. Among other epigraphs, the last line of “The riches I bring you /Crowding and shoving, /Are the envy of princes: /A talent for loving.” is the title of Condon’s fourth novel. His fifth and sixth novels, An Infinity of Mirrors and Any God Will Do, also derive their titles from excerpts of the manual.

Plagiarism charge[edit]

In 1998 a California software engineer noticed several paragraphs in The Manchurian Candidate that appeared nearly identical to portions of the celebrated 1934 novel I, Claudius by the English writer Robert Graves. She wrote about the apparent plagiarism on her website but her discovery went unnoticed by most of the world until Adair Lara, a longtime San Francisco Chronicle staff writer, wrote a lengthy article about the accusation in 2003.[18] Reprinting the paragraphs in question, she also solicited the opinion of a British forensic linguist, who concluded that Condon had unquestionably plagiarized at least two paragraphs of Graves’s work. By this time, however, more than seven years had passed since Condon’s death and Lara’s article also failed to generate any literary interest outside the Chronicle.

In Some Angry Angel, the book that followed The Manchurian Candidate, Condon makes a direct reference to Graves. In a long, convoluted passage on page 25 Condon reflects on “mistresses” and their relationship—a peripheral one, to the reader—to Graves’s writings about “Major Male” Deities and “Major Female” Deities. As Angel was published only a year after Candidate, there is no question, therefore, about Condon’s familiarity with the works of Robert Graves.[19]

Condon’s familiarity with Graves is also in evidence on p. 127 of his first novel, The Oldest Confession. One of the characters in the book purchases a copy of Graves’ Antigua, Penny, Puce!

Works[edit]

All novels except as noted:

Films adapted from Condon novels[edit]

Articles[edit]

  • “‘Manchurian Candidate’ in Dallas”. The Nation, December 28, 1963.

References[edit]

This article incorporates material from the Citizendium article “Richard Condon“, which is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License but not under the GFDL.

  1. ^ Locus, The Magazine of the Science Fiction & Fantasy Field, from their May, 1996, issue #424, obituary of Condon, exact page unknown
  2. ^ Buckley, Tom. “THE LITERARY CONSPIRACIES OF RICHARD CONDON”The New York Times, September 2, 1979. Accessed September 14, 2009.
  3. ^ Max E. Youngstein – Biography
  4. ^ Mile High, The Dial Press, New York, 1969, Library of Congress Catalog Card Number: 77-80497, page 156
  5. ^ The New York Times, Sunday, August 17, 2008, Sunday Opinion, “The Candidate We Still Don’t Know” at [1]
  6. ^ Time magazine, “Cheese”, March 4, 1971, at
  7. Jump up to:a b c The New York Times, Wednesday, April 10, 1996, Obituaries, “Richard Condon, Political Novelist, Dies at 81; Wrote ‘Manchurian Candidate’ and ‘Prizzi'” at [2]
  8. ^ Who’s Who in Spy Fiction, Donald McCormick, Sphere Books Ltd., London, 1977, page 64
  9. ^ “For Eddie West, power was all that mattered,” by Pete Hamill, The New York Times, August 31, 1969, at
  10. ^ Time Magazine, “Liederkranz”, a book review by John Skow, June 2, 1975
  11. ^ The Manchurian Candidate, by Richard Condon, paperback edition, Signet, New York, November, 1962, fifth printing, page 261
  12. ^ An Infinity of Mirrors, by Richard Condon, paperback edition, Fawcett Crest, New York, September, 1965, page 36
  13. ^ “A Thriller of the Condon Class”, by Richard R. Lingeman, The New York Times, May 21, 1976, at [3]
  14. ^ Roger Sale, May 23, 1976, in The New York Times, at
  15. ^ Remembrance of Frank Heller,” by Ira Skutch, at
  16. ^ Merriam-Webster’s Collegiate Dictionary, Eleventh Edition, Merriam-Webster, Inc., Springfield, Massachusetts, 2004, ISBN 0-87779-807-9
  17. ^ Webster’s New International Dictionary of the English Language, Second Edition, Unabridged, G. & C. Merriam Co., Publishers, Springfield, Massachusetts, 1943
  18. ^ “Has a local software engineer unmasked ‘The Manchurian Candidate’? Menlo Park woman says author Richard Condon plagiarized”, by Adair Lara, in the San Francisco Chronicle,October 4, 2003; the entire article can be read at [4]
  19. ^ Some Angry Angel: A Mid-Century Faerie Tale, McGraw-Hill, New York, 1960, Library of Congress Catalog Card Number: 60-8826, page 25

 

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Story 1: Chinese ships caught shipping oil to North Korea — After Winter Olympics Eliminate North Korea and Islamic Republic of Iran Nuclear and Missile Threats — Videos

Posted on December 28, 2017. Filed under: American History, Articles, Blogroll, Books, British History, Chinese, Communications, Congress, conservatives, Corruption, Crisis, Cult, Culture, Diet, Documentary, Economics, Elections, Employment, European History, Family, Farming, Food, Foreign Policy, Freedom, Genocide, government spending, Health, history, Law, Life, Links, media, Newspapers, People, Philosophy, Photos, Politics, Radio, Rants, Raves, Regulations, Talk Radio, Taxation, Taxes, Trade, Video | Tags: , , , , , , , , , , , , |

 Story 1: Chinese ships caught shipping oil to North Korea — After Winter Olympics Eliminate North Korea and Islamic Republic of Iran Nuclear and Missile Threats — VideosSee the source imageSee the source imageSee the source imageSee the source imageSee the source imageSee the source imageSee the source imageImage result for china ships oil to north korea See the source image

Report: Chinese ships caught selling oil to North Korea

China exported no oil products to North Korea in November: customs data

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Is China secretly selling oil to Kim Jong-un? US satellites ‘have spotted Beijing tankers transferring fuel to North Korean ships 30 times in three months’ despite UN trade embargo

  • Satellite images ‘show Chinese and North Korean ships tied together off China’
  • South Korea claims there have been 30 such transactions in just three months 
  • Such trades are banned under a UN resolution adopted in September this year

US satellites have spotted Chinese tankers transferring oil to North Korean ships 30 times in three months – despite strict UN trade embargoes, it has been claimed.

Overhead images appear to show ships from the two countries shackled together for a fuel transfer in the West Sea off China.

Such ship-to-ship trades are banned under a UN Security Council resolution adopted in September.

But according to South Korean government sources, American satellites have pictured large vessels from both China and North Korea illegally trading in a stretch of the West Sea on multiple occasions.

US satellites have spotted Chinese tankers transferring oil to North Korean ships 30 times in three months - despite strict UN trade embargoes, it has been claimed. One picture (above), reportedly taken on October 19, shows a ship called Ryesonggang 1 connected to a Chinese vessel in the West Sea off China

One picture, reportedly taken on October 19, shows a ship called Ryesonggang 1 connected to a Chinese vessel, The Chosun Ilbo reports.

The US Treasury Department later placed six North Korean shipping and trading companies and 20 of their vessels on sanctions list.

It said the activity appeared to show attempts to bypass sanctions, though it has not been suggested that Chinese authorities were aware of the transactions.

Cai Jian, an expert on North Korea at Fudan University in Shanghai, said: ‘This is a natural outcome of the tightening of the various sanctions against North Korea.

The tightening ‘reflects China’s stance’, he said.

Professor of political science at the Pusan National University in South Korea told the Telegraph the reports were easily believable.

He said: ‘There is a lot of under-the-radar on the Chinese side. Beijing does not police the border strictly or enforce the sanctions toughly. This could be that.’

It comes a day after Chinese customs data was revealed claiming Beijing exported no oil products to North Korea in November.

The figures apparently go above and beyond sanctions imposed earlier this year by the United Nations in a bid to limit petroleum shipments to the isolated country.

Tensions have flared anew over North Korea’s ongoing nuclear and missile programmes, pursued in defiance of years of U.N. resolutions. Last week, the U.N. Security Council imposed new caps on trade with North Korea, including limiting oil product shipments to just 500,000 barrels a year.

Beijing also imported no iron ore, coal or lead from North Korea in November, the second full month of the latest trade sanctions imposed by U.N.

China, the main source of North Korea’s fuel, did not export any gasoline, jet fuel, diesel or fuel oil to its isolated neighbour last month, data from the General Administration of Customs showed on Tuesday.

Sanctions have been placed on Kim Jong-un's secretive nation after he accelerated his nuclear and missile programmes

Sanctions have been placed on Kim Jong-un’s secretive nation after he accelerated his nuclear and missile programmes

November was the second straight month China exported no diesel or gasoline to North Korea. The last time China’s jet fuel shipments to Pyongyang were at zero was in February 2015.

‘This is a natural outcome of the tightening of the various sanctions against North Korea,’ said Cai Jian, an expert on North Korea at Fudan University in Shanghai.

The tightening ‘reflects China’s stance’, he said.

Chinese Foreign Ministry spokeswoman Hua Chunying said she didn’t know any details about the oil products export situation.

‘As a principle, China has consistently fully, correctly, conscientiously and strictly enforced relevant U.N. Security Council resolutions on North Korea. We have already established a set of effective operating mechanisms and methods,’ she said at a regular briefing on Tuesday, without elaborating.

Since June, state-run China National Petroleum Corp (CNPC) has suspended sales of gasoline and diesel to North Korea, concerned that it would not get paid for its goods, Reuters previously reported.

Beijing’s move to turn off the taps completely is rare.

In March 2003, China suspended oil supplies to North Korea for three days after Pyongyang fired a missile into waters between the Korean Peninsula and Japan.

It is unknown if China still sells crude oil to Pyongyang. Beijing has not disclosed its crude exports to North Korea for several years.

Industry sources say China still supplies about 520,000 tonnes, or 3.8 million barrels, of crude a year to North Korea via an aging pipeline. That is a little more than 10,000 barrels a day, and worth about $200 million a year at current prices.

North Korea also sources some of its oil from Russia.

Chinese exports of corn to North Korean in November also slumped, down 82 percent from a year earlier to 100 tonnes, the lowest since January. Exports of rice plunged 64 percent to 672 tonnes, the lowest since March.

Trade between North Korea and China has slowed through the year, particularly after China banned coal purchases in February. In November, China’s trade with North Korea totalled $388 million, one of the lowest monthly volumes this year.

China has renewed its call on all countries to make constructive efforts to ease tensions on the Korean peninsula, urging the use of peaceful means to resolve issues.

But tensions flared again after North Korea on Nov. 29 said it had tested a new intercontinental ballistic missile that put the U.S. mainland within range of its nuclear weapons.

Meanwhile Chinese exports of liquefied petroleum gas to North Korea, used for cooking, rose 58 percent in November from a year earlier to 99 tonnes. Exports of ethanol, which can be turned into a biofuel, gained 82 percent to 3,428 cubic metres.

http://www.dailymail.co.uk/news/article-5214787/China-ships-selling-oil-sanction-hit-North-Korea.html#ixzz52boFYOhA

 

Where The North Korean Crisis Meets The Iran Nuclear Deal

 Opinions expressed by Forbes Contributors are their own.

This article was originally published at Stratfor.com.

By Reva Goujon

By virtue of its military might, the United States has the unique ability to quickly — and credibly — place its most intractable adversaries under existential threat. Command over the world’s most powerful military gives a country options, and the option of regime change can be a tempting one for Washington as it tries to work through some of its more maddening foreign policy dilemmas.

A government living under the constant, lurking threat of decapitation does not particularly enjoy stewing in its own paranoia over what social fissures its enemies can exploit, which allies they can turn and what chain of events could finally push the United States into action. That’s why a nuclear deterrent is such an alluring prospect: What better way to kill your adversaries’ fantasy of regime change than to stand with them as near-equals on a nuclear plane?

This is North Korea’s rationale as the country closes in on demonstrating that it has a fully functional nuclear weapon and delivery arsenal. But Washington’s nuclear dilemma doesn’t end with Pyongyang. Whether Tehran attempts to return to its treacherous path toward nuclear armament rests in large part on just how seriously the White House entertains and attempts to execute a policy of regime change.

Preventing Another North Korea

North Korea is set to prove to the world that it has attained a nuclear deterrent. With the Nov. 29 test of its longest-range intercontinental ballistic missile yet — and plenty more demonstrations to come in the months ahead — the country is on track to show that it could field a reliable, nuclear-armed intercontinental ballistic missile capable of reaching the United States and that it has the arsenal necessary to weather a first strike. The window to launch a preventive strike on North Korea is rapidly closing. And in turn, the odds are growing that the United States, along with the countries in and around the Korean Peninsula, will have to accept the reality of a nuclear-armed North Korea and prepare instead for a pre-emptive strike in case Pyongyang decides to launch an attack.

The result will be a new and unstable pattern of nuclear deterrence in the 21st century, one in which the unique challenges of communicating with the North Korean government will leave the door open to potential miscalculations. More Cold War-era arms agreements that rest on reliable communication among nuclear peers will come under threat. China and Russia, after all, fear that the irreversible buildup of the United States’ ballistic missile defense network will undermine their own strategic deterrents and will have less incentive to abide by obsolete arms pacts as a result. Despite continued calls for diplomacy to bring Pyongyang to the table and somehow prevent North Korea from crossing the nuclear Rubicon, the chances are slim that Kim Jong Un’s administration will trust a last-ditch negotiation. No amount of security guarantees from the United States will persuade Pyongyang that Washington, its allies or even Beijing has wholly abandoned their designs for regime change. Furthermore, Kim has commissioned an assassination campaign with global reach to ensure that any potential alternatives to his rule are eliminated early on. With its survival on the line, North Korea has an existential commitment to achieve its nuclear objectives.

The United States is weighing the risks of carrying out a preventive military campaign to avoid entering the dangerous new global order. But the associated costs of starting a war in Northeast Asia and plunging the world into recession make this scenario less likely. Even though he inherited a near-impossible timeline to neutralize the threat, U.S. President Donald Trump won’t take kindly to North Korea fulfilling its nuclear ambitions on his watch. When the time comes to reckon with this reality, his administration will probably reframe the issue as the product of decades of negligent and ineffective policy. The president will then set his sights on Iran, vowing to avoid a repeat of such a colossal failure in U.S. foreign policy.

In fact, the effort to shift attention from North Korea to Iran has been underway for some time. Trump has made clear that he sees the Joint Comprehensive Plan of Action (JCPOA) — the deal his predecessor, along with four other countries, made with Iran to deter it from pursuing nuclear capabilities — as flimsy and wholly insufficient. The U.S. administration, moreover, has expressed its frustration that the deal’s terms inhibit the imposition of economic sanctions in response to other threats from Iran. By decertifyng the JCPOA, Trump meant to send the message that he was serious about confronting the Islamic republic. To strike a deal in the first place, the previous administration and the JCPOA’s other signatories had to focus negotiations solely on Iran’s nuclear program, setting aside broader problems, such as Tehran’s covert support for militant proxies, its development of ballistic missiles and its alleged human rights abuses. The International Atomic Energy Agency and the JCPOA’s other parties affirm that Iran is upholding its end of the agreement. Yet the current occupants of the White House have used infractions unrelated to the deal, such as ballistic missile testing, to blur the JCPOA’s terms and justify reintroducing sanctions.

Iran Recalculates

Consequently, Iran will have much to contemplate in the coming year as it weighs the pros and cons of abiding by the JCPOA. Compared with North Korea, Iran sees a nuclear deterrent as more of a luxury than a strict necessity. Iran’s reliance on global energy trade, its heavy exposure to intelligence oversight from hawkish neighbors like Israel and its people’s ability to channel economic discontent into political change make its pursuit of nuclear arms more perilous. At the same time, the country’s layered political structure, formidable security apparatus, challenging terrain and ability to disrupt traffic in the Strait of Hormuz offer it useful insulation against its adversaries’ attempts to bring down the clerical government. In addition, Iran’s influence across the Middle East gives it leverage with the United States. Either by helping U.S. interests, for example in the fight against the Islamic State, or by hindering them — through threatening maritime vessels or backing militant proxies against U.S. allies — Tehran can influence its dealings with Washington. These factors led Iran to conclude that it could strike a bargain with the United States over its nuclear program to get economic reprieve from sanctions and reduce the potential for a military conflict in the Persian Gulf.

But the JCPOA wasn’t just about the nuclear program. Implicit in the framework was a deeper understanding between Washington and Tehran. Both sides understood there would remain a number of points of contention between them as they competed in proxy battlegrounds across the region. Still, in signing the deal, the United States was downgrading the potential for conflict in the Gulf region, thereby signaling to Tehran that it was taking any earlier plans for regime change off the table.

Now, in trying to directly discredit the JCPOA, the Trump administration risks stripping away those security guarantees and putting Iran back in an existential mindset that could push it onto the nuclear path once more.

A spate of leaks and acknowledgments from the U.S. president himself over the past year have revealed Trump’s disdain for anyone trying to block his Iran agenda and his respect for hawks on Iran policy. (The former group includes Secretary of State Rex Tillerson, while the latter category includes U.S. Ambassador to the U.N. Nikki Haley, CIA Director Mike Pompeo and Sen. Tom Cotton, who has been rumored to be next in line to head the CIA should Trump decide to replace Tillerson with Pompeo.) The more frustrated he becomes with the North Korean dilemma, the more energy the U.S. president has put into lining up loyalists to try to limit interference in his agenda for Iran. Two key figures in the Middle East have exerted heavy influence over that agenda: Saudi Crown Prince Mohammed bin Salman and Israeli Prime Minister Benjamin Netanyahu. The two leaders, in fact, are so eager for the opportunity to shape a more aggressive U.S. policy toward Iran that they are downplaying their animosity for each other and collaborating in the open.

Iran’s leaders will now have to assess how far the U.S.-Saudi-Israeli triumvirate will go in trying to contain their country. Iran still has the benefit of a strong European defense for the JCPOA. The White House would risk a major confrontation with the Continent’s powers were it to attempt to unilaterally end sanctions waivers and reinstate secondary sanctions on foreign firms doing business with Iran. And enforcing additional sanctions would be difficult without buy-in from Iran’s main trading partners. With that in mind, Tehran will probably take care in the coming months to avoid blatantly violating the JCPOA and driving the Europeans back to the United States’ side on sanctions — even as a growing competition with Washington emboldens Iran’s hard-line politicians. At the same time, Tehran will look for ways to strengthen its burgeoning relationship with Russia to counterbalance the U.S.-Saudi-Israeli alliance.

Even if the framework of the JCPOA survives, however tenuously, Iran will still be on alert for other aggressive U.S.-backed efforts to destabilize its political system. After all, if the United States, Israel and Saudi Arabia believe that the nuclear deal is fundamentally flawed and that they must compel Tehran back to the negotiating table, they’ll need to find ways to credibly threaten the Iranian government’s continued existence. Iran will be on the lookout for a range of threats, from a concerted military campaign against its Lebanese proxy militia, Hezbollah, to a cyberattack on its critical infrastructure to covert efforts to sow sedition in the Islamic republic. And even if the United States could coerce Iran to renegotiate the nuclear deal, Washington’s reputation for honoring that kind of pact is already deep in question. Agreeing to abandon the quest for nuclear weapons didn’t save Libyan leader Moammar Gadhafi, as Pyongyang and Tehran well know.

Overturning the JCPOA will compound the challenges the United States faces in finding diplomatic solutions to nuclear-sized problems. Moreover, a nuclear-armed North Korea would only complicate matters further. The cash-strapped country may find its coveted deterrent to be a lucrative asset in a pinch. And should the United States convince Iran of the JCPOA’s impending demise, Pyongyang may have a willing customer in Tehran.

The Luxury of Distance

Trump’s more assertive stance toward Iran isn’t an anomaly in U.S. foreign policy. Since the JCPOA took effect — a milestone that was arguably necessary to reduce the threat of military conflict in the Persian Gulf and to freeze Iran’s nuclear program — the Islamic republic’s economic recovery and re-engagement with the West has threatened to upset the balance of power in the Middle East. Iran, free from the fetters of sanctions, suddenly had more energy and resources to throw into its proxy battles in the region, at the expense of critical Sunni powers. The United States, in turn, was bound to shore up support for its Sunni allies and seek out new ways to keep Iran contained, regardless of who was conducting policy in the White House.

Even so, there is such thing as an overcorrection in policymaking. Trump’s willingness to wholeheartedly endorse the Saudi plan for cutting Iran back down to size sets him apart from his political contemporaries and predecessors. Along with trying to discredit the JCPOA, the U.S. administration has backed Riyadh’s short-sighted campaigns to isolate Qatar and to try to force a Saudi agenda down the Lebanese government’s throat. These moves, all sorely lacking in subtlety, at times suggest an ideological bent to target Iran at any cost.

But the United States doesn’t have to shoulder the historical baggage and the centuries of animosity that drive competition in the Middle East. It has the luxury of distance, from which it can manipulate the balance of power at will. In other words, while Israel and Saudi Arabia perceive Iran to be an existential threat, the same may not be true for the United States. Its removal from the situation gives Washington the space to manage Iran through a more assertive policy of strategic containment that stops short of reintroducing the menace of regime change and thus keeps the country from having to resort to more extreme measures. Therein lies the difference between strategic and ideological policymaking. As the North Korea conundrum gives rise to a more precarious age of nuclear deterrence, that difference will matter all the more.

This article was originally published by Stratfor Worldview, a leading geopolitical intelligence platform and advisory firm based in Austin, Texas.

https://www.forbes.com/sites/stratfor/2017/12/07/where-the-north-korean-crisis-meets-the-iran-nuclear-deal/#56ded7c9e9a6

Scoop: U.S. and Israel reach joint plan to counter Iran

Donald Trump and Benjamin Netanyahu shake hands after delivering a speech during a visit to the Israel Museum on May 23, 2017 in Jerusalem, Israel. Photo: Lior Mizrahi/Getty Images

The U.S. and Israel have reached a joint strategic work plan to counter Iranian activity in the Middle East. U.S. and Israeli officials said the joint understandings were reached in a secret meeting between senior Israeli and U.S. delegations at the White House on December 12th.

What it means: A senior U.S. official said that after two days of talks the U.S. and Israel reached at a joint document which included understandings on countering Iranian actions in the region. The U.S. official said the document goal’s was to translate President Trump’s Iran speech to joint U.S.-Israeli strategic goals regarding Iran and to set up a joint work plan.

At the table: The Israeli team was headed by national security adviser Meir Ben-Shabbat and included senior representatives of the Israeli military, Ministry of Defense, Foreign Ministry and intelligence community. The U.S. side was headed by national security adviser H.R. McMaster and included senior representatives from the National Security Council, State Department, Department of Defense and the intelligence community.

As part of the understandings that were reached the U.S. and Israel decided to form several working groups according to the joint goals:
  1. Covert and diplomatic action to block Iran’s path to nuclear weapons – according to the U.S. official this working group will deal with diplomatic steps that can be taken as part of the Iran nuclear deal to further monitor and verify that Iran is not violating the deal. It also includes diplomatic steps outside of the nuclear deal to put more pressure on Iran. The working group will deal with possible covert steps against the Iranian nuclear program.
  2. Countering Iranian activity in the region, especially the Iranian entrenchment efforts in Syria and the Iranian support for Hezbollah and other terror groups. This working group will also deal with drafting U.S.-Israeli policy regarding the “day after” in the Syrian civil war.
  3. Countering Iranian ballistic missiles development and the Iranian “precision project” aimed at manufacturing precision guided missiles in Syria and Lebanon for Hezbollah to be used against Israel in a future war.
  4. Joint U.S.-Israeli preparation for different escalation scenarios in the region concerning Iran, Syria, Hezbollah in Lebanon and Hamas in Gaza.

Senior Israeli officials confirmed that the U.S. and Israel have arrived at strategic understandings regarding Iran that would strengthen the cooperation in countering regional challenges.

The Israeli officials said:

“[T]he U.S. and Israel see eye to eye the different developments in the region and especially those that are connected to Iran. We reached at understandings regarding the strategy and the policy needed to counter Iran. Our understandings deal with the overall strategy but also with concrete goals, way of action and the means which need to be used to get obtain those goals.”

https://www.axios.com/scoop-u-s-and-israel-reach-joint-plan-to-counter-iran-2520518565.html

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Story 1: When Will The Chinese People Overthrow The Communist Party of China? — Massive Censorship By Controlling The Internet — Videos

Posted on December 26, 2017. Filed under: American History, Blogroll, Books, Chinese, Communications, Computers, Computers, Crisis, Cult, Documentary, Elections, Employment, Energy, External Hard Drives, Faith, Family, Foreign Policy, Freedom, Friends, Genocide, government, Health Care, history, Language, Law, liberty, Life, Links, media, Media Streamers, Mobile Phones, Natural Gas, Newspapers, Non-Fiction, Oil, People, Photos, Radio, Rants, Raves, Regulations, Religious, Reviews, Security, Speech, Spying, Strategy, Success, Talk Radio, Technology, Television, Television, Terrorism, Torture, Video, War, Wealth, Weapons, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , |

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China hands down harshest sentence yet in crackdown on activists

By Christian Shepherd

Reuters 

China sentenced a prominent rights activist to eight years in jail for subversion on Tuesday, his lawyer said, the harshest sentence passed in a government crackdown on activism that began more than two years ago.

In a separate case, a rights lawyer avoided criminal punishment despite being found guilty of inciting subversion, because he admitted his crimes, the Chinese court trying him said.

Wu Gan, a blogger better known by his online name “Super Vulgar Butcher”, plans to appeal against the eight-year sentence handed down by the Tianjin Municipality’s No. 2 Intermediate People’s Court, his lawyer, Yan Xin, told Reuters.

The harshness of the sentence prompted the German embassy in Beijing to issue a statement expressing disappointment.

Wu regularly championed sensitive cases of government abuses of power, both online and in street protests. He was detained in May 2015 and charged with subversion.

The activist criticized China’s political system online and used performance art to create disturbances, as well as insulting people and spreading false information, according to a statement from the court posted on its website.

“He carried out a string of criminal actions to subvert state power and overthrow the socialist system and seriously harmed state security and social stability,” the court said.

Before his arrest, Wu used his platform to cast doubt on the official version of events in an incident in early May 2015, in which a police officer shot a petitioner in a train station in northern Heilongjiang province.

Wu’s refusal to bow to pressure or admit guilt likely explains his harsh sentence, said Kit Chan, Hong Kong-based director of China Human Rights Lawyers Concern Group.

“Wu Gan is being punished for his non-conformity,” she said.

His sentence is the most severe in what rights groups have called an unprecedented attack on China’s rights activists and lawyers, known as the 709 crackdown, which began in full force on July 9, 2015.

The hardline approach to rights activism has shown no sign of softening as Chinese President Xi Jinping enters his second five-year term in office.

In the other case concluded on Tuesday, rights lawyer Xie Yang received no punishment after being found guilty of inciting subversion and disrupting court order, the Changsha Intermediate People’s Court said on social media.

The court released a video of the proceedings, in which Xie said he accepted the outcome and would not appeal. He also thanked authorities and said he will be a law-abiding citizen.

Xie had worked on numerous cases deemed sensitive by Chinese authorities, such as defending supporters of Hong Kong’s pro-democracy protests. In May, he confessed to the charges against him in what rights groups called a scripted “sham” trial.

In January, Xie’s wife and lawyer released detailed accounts of torture suffered by Xie at the hands of the authorities, which were widely reported on in the international media.

Chinese state media branded those reports “fake news” and said the accounts were concocted as a means of gaining attention. Xie’s lawyer told Reuters he stands by the account.

“In both cases these have been serious concerns about violations of due process of law,” the German embassy in Beijing said in a statement.

The decision to hand down both sentences the day after Christmas, when there would likely be less attention from diplomats and international observers, “reeks of cynical political calculation”, said Patrick Poon, Hong Kong-based researcher for Amnesty International.

Asked about the verdicts, China’s foreign ministry spokeswoman Hua Chunying told a regular briefing that Amnesty is biased when it comes to China and should not be believed, adding that China abides by the rule of law.

https://ca.news.yahoo.com/china-hands-down-harshest-sentence-yet-multi-rights-023955698.html

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