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What is the meaning of life? Is it possible to find happiness in the midst of suffering? What can you do to take responsibility for your destiny? These questions are answered in the book In Search of Meaning. Viktor Frankl recounts his survival experience in a Nazi concentration camp – and most importantly – how to make sense of life even if we find that we’re lost. The video today has two parts – in the first part, we’ll talk about life in the concentration camp. How was the daily life of those prisoners? In the second part of the video you’ll learn how to find meaning for your life in line with the teachings of the author of the book. If you’re a more sensitive person, go straight to minute 24:50 and jump directly to the second part.

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Viktor Frankl

“What man actually needs is not a tensionless state but rather the striving and struggling for some goal worthy of him. What he needs is not the discharge of tension at any cost, but the call of a potential meaning waiting to be fulfilled by him.” Victor Emil Frankl (1905 – 1997), Austrian neurologist, psychiatrist and Holocaust survivor, devoted his life to studying, understanding and promoting “meaning.” His famous book,Man’s Search for Meaning, tells the story of how he survived the Holocaust by finding personal meaning in the experience, which gave him the will to live through it. He went on to later establish a new school of existential therapy called logotherapy, based in the premise that man’s underlying motivator in life is a “will to meaning,” even in the most difficult of circumstances. Frankl pointed to research indicating a strong relationship between “meaninglessness” and criminal behaviors, addictions and depression. Without meaning, people fill the void with hedonistic pleasures, power, materialism, hatred, boredom, or neurotic obsessions and compulsions. Some may also strive for Suprameaning, the ultimate meaning in life, a spiritual kind of meaning that depends solely on a greater power outside of personal or external control.

Striving to find meaning in one’s life is the primary motivational force in man (Frankl 1992, p. 104).

While Frankl rarely touches on the topic of the pursuit of happiness, he is very concerned with satisfaction and fulfillment in life. We can see this in his preoccupation with addressing depression, anxiety and meaninglessness. Frankl points to research indicating a strong relationship between “meaninglessness” and criminal behavior, addiction and depression. He argues that in the absence of meaning, people fill the resultant void with hedonistic pleasures, power, materialism, hatred, boredom, or neurotic obsessions and compulsions (Frankl 1992, p. 143).

Frankl’s Background

Viktor Frankl was an Austrian neurologist and psychologist who founded what he called the field of “Logotherapy”, which has been dubbed the “Third Viennese School of Psychology” (following Freud and Alder). Logotherapy developed in and through Frankl’s personal experience in the Theresienstadt Nazi concentration camp. The years spent there deeply affected his understanding of reality and the meaning of human life. His most popular book, Man’s Search for Meaning, chronicles his experience in the camp as well as the development of logotherapy. During his time there, he found that those around him who did not lose their sense of purpose and meaning in life were able to survive much longer than those who had lost their way.

Logotherapy

In The Will to Meaning, Frankl notes that “logotherapy aims to unlock the will to meaning in life.” More often than not, he found that people would ponder the meaning of life when for Frankl, it is very clear that, “it is life itself that asks questions of man.” Paradoxically, by abandoning the desire to have “freedom from” we take the “freedom to” make the “decision for” one’s unique and singular life task (Frankl 1988, p. 16).

Logotherapy developed in a context of extreme suffering, depression and sadness and so it is not surprising that Frankl focuses on a way out of these things. His experience showed him that life can be meaningful and fulfilling even in spite of the harshest circumstances. On the other hand, he also warns against the pursuit of hedonistic pleasures because of its tendency to distract people from their search for meaning in life.

Meaning

Only when the emotions work in terms of values can the individual feel pure joy (Frankl 1986, p. 40).

In the pursuit of meaning, Frankl recommends three different courses of action: through deeds, the experience of values through some kind of medium (beauty through art, love through a relationship, etc.) or suffering. While the third is not necessarily in the absence of the first two, within Frankl’s frame of thought, suffering became an option through which to find meaning and experience values in life in the absence of the other two opportunities (Frankl 1992, p. 118).

Though for Frankl, joy could never be an end to itself, it was an important byproduct of finding meaning in life. He points to studies where there is marked difference in life spans between “trained, tasked animals,” i.e., animals with a purpose, than “taskless, jobless animals.” And yet it is not enough simply to have something to do, rather what counts is the “manner in which one does the work” (Frankl 1986, p. 125)

Responsibility

Human freedom is not a freedom from but freedom to (Frankl 1988, p. 16).

As mentioned above, Frankl sees our ability to respond to life and to be responsible to life as a major factor in finding meaning and therefore, fulfillment in life. In fact, he viewed responsibility to be the “essence of existence” (Frankl 1992, 114). He believed that humans were not simply the product of heredity and environment and that they had the ability to make decisions and take responsibility for their own lives. This “third element” of decision is what Frankl believed made education so important; he felt that education must be education towards the ability to make decisions, take responsibility and then become free to be the person you decide to be (Frankl 1986, p. xxv).

Individuality

Frankl is careful to state that he does not have a one-size-fits all answer to the meaning of life. His respect for human individuality and each person’s unique identity, purpose and passions does not allow him to do otherwise. And so he encourages people to answer life and find one’s own unique meaning in life. When posed the question of how this might be done, he quotes from Goethe: “How can we learn to know ourselves? Never by reflection but by action. Try to do your duty and you will soon find out what you are. But what is your duty? The demands of each day.” In quoting this, he points to the importance attached to the individual doing the work and the manner in which the job is done rather than the job or task itself (Frankl 1986, p. 56).

Techniques

Frankl’s logotherapy utilizes several techniques to enhance the quality of one’s life. First is the concept of paradoxical Intention, wherethe therapist encourages the patient to intend or wish for, even if only for a second, precisely what they fear. This is especially useful for obsessive, compulsive and phobic conditions, as well as cases of underlying anticipatory anxiety.

The case of the sweating doctor

A young doctor had major hydrophobia. One day, meeting his chief on the street, as he extended his hand in greeting, he noticed that he was perspiring more than usual. The next time he was in a similar situation he expected to perspire again, and this anticipatory anxiety precipitated excessive sweating. It was a vicious circle … We advised our patient, in the event that his anticipatory anxiety should recur, to resolve deliberately to show the people whom he confronted at the time just how much he could really sweat.A week later he returned to report that whenever he met anyone who triggered his anxiety, he said to himself, “I only sweated out a little before, but now I’m going to pour out at least ten litres!” What was the result of this paradoxical resolution? After suffering from his phobia for four years, he was quickly able, after only one session, to free himself of it for good. (Frankl, 1967)

Dereflection

Another technique is that of dereflection, whereby the therapist diverts the patients away from their problems towards something else meaningful in the world. Perhaps the most commonly known use of this is for sexual dysfunction, since the more one thinks about potency during the sexual act, the less likely one is able to achieve it.

The following is a transcript from Frankl’s advice to Anna, 19-year old art student who displays severe symptoms of incipient schizophrenia. She considers herself as being confused and asks for help.

Patient: What is going on within me?

Frankl: Don’t brood over yourself. Don’t inquire into the source of your trouble. Leave this to us doctors. We will steer and pilot you through the crisis. Well, isn’t there a goal beckoning you – say, an artistic assignment?

Patient: But this inner turmoil ….

Frankl: Don’t watch your inner turmoil, but turn your gaze to what is waiting for you. What counts is not what lurks in the depths, but what waits in the future, waits to be actualized by you….

Patient: But what is the origin of my trouble?

Frankl: Don’t focus on questions like this. Whatever the pathological process underlying your psychological affliction may be, we will cure you. Therefore, don’t be concerned with the strange feelings haunting you. Ignore them until we make you get rid of them. Don’t watch them. Don’t fight them. Imagine, there are about a dozen great things, works which wait to be created by Anna, and there is no one who could achieve and accomplish it but Anna. No one could replace her in this assignment. They will be your creations, and if you don’t create them, they will remain uncreated forever…

Patient: Doctor, I believe in what you say. It is a message which makes me happy.

Discernment of Meaning

Finally, the logotherapist tries to enlarge the patient’s discernment of meaning in at least three ways: creatively, experientially and attitudinally.

a) Meaning through creative values

Frankl writes that “The logotherapist’s role consists in widening and broadening the visual field of the patient so that the whole spectrum of meaning and values becomes conscious and visible to him”. A major source of meaning is through the value of all that we create, achieve and accomplish.

b) Meaning through experiential values

Frankl writes “Let us ask a mountain-climber who has beheld the alpine sunset and is so moved by the splendor of nature that he feels cold shudders running down his spine – let us ask him whether after such an experience his life can ever again seem wholly meaningless” (Frankl,1965).

c) Meaning through attitudinal values

Frankl argued that we always have the freedom to find meaning through meaningful attitudes even in apparently meaningless situations. For example, an elderly, depressed patient who could not overcome the loss of his wife was helped by the following conversation with Frankl:

Frankl asked “What would have happened if you had died first, and your wife would have had to survive you.”

“Oh,” replied the patient, “for her this would have been terrible; how she would have suffered!”

Frankl continued, “You see such a suffering has been spared her; and it is you who have spared her this suffering; but now, you have to pay for it by surviving her and mourning her.” The man said no word, but shook Frankl’s hand and calmly left his office (Frankl, 1992).

Conclusion

Frankl’s surprising resilience amidst his experiences of extreme suffering and sadness speaks to how his theories may have helped him and those around him. As the alarming suicide and depression rates among young teenagers and adults in the United States continue, his call to answer life’s call through logotherapy may be a promising resource.

Bibliography

Frankl, Victor (1992). Man’s Search for Meaning. (4th ed.). Boston, MA: Beacon Press.

Frankl, Victor (1986). The Doctor and the Soul. (3rd ed.). New York, NY: Vintage Books.

Frankl, Victor (1967). Psychotherapy and Existentialism. New York, NY: Washington Square Press.

Frankl, Victor (1988). The Will to Meaning: Foundations and Applications of Logotherapy. New York, NY: Penguin Books.

Frankl, Victor (2000). Recollections: An Autobiography. New York, NY: Perseus Books.

Recommended reading:

The Unheard Cry for Meaning: Psychotherapy and Humanism (Touchstone Books)

The Will to Meaning: Foundations and Applications of Logotherapy (Meridian)

Viktor Frankl

https://www.pursuit-of-happiness.org/history-of-happiness/viktor-frankl/

 

An Overview of Viktor Frankl’s Logotherapy

Meaning in life can help to improve resilience.

 

Getty / Ascent/PKS Media Inc.

 

A Brief History of Viktor Frankl

Viktor Frankl was born March 26, 1905 and died September 2, 1997, in Vienna, Austria. He was influenced during his early life by Sigmund Freud and Alfred Adler, earned a medical degree from the University of Vienna Medical School in 1930. From 1940 to 1942, he was the director of the Neurological Department of the Rothschild Hospital, and from 1946 to 1970 was the director of the Vienna Polyclinic of Neurology.

In 1942, Frankl was deported to a Nazi concentration camp along with his wife, parents, and other family members. He spent time in four camps in total, including Auschwitz, from 1942 to 1945, and was the only member of his family to survive. In 1945, he returned to Vienna and published a book on his theories, based on his records of observations during his time in the camps. By the time of his death, his book, “Man’s Search for Meaning” had been published in 24 languages.

During his career as a professor of neurology and psychiatry, Frankl wrote 30 books, lectured at 209 universities on five continents, and was the recipient of 29 honorary doctorates from universities around the world. He was a visiting professor at Harvard and Stanford, and his therapy, named “logotherapy,” was recognized as the third school of Viennese therapy after Freud’s psychoanalysis and Alfred Adler’s individual psychology. In addition, logotherapy was recognized as one of the scientifically-based schools of psychotherapy by the American Medical Society, American Psychiatric Association, and the American Psychological Association.

 

Understanding Logotherapy

Frankl believed that humans are motivated by something called a “will to meaning,” which equates to a desire to find meaning in life. He argued that life can have meaning even in the most miserable of circumstances, and that the motivation for living comes from finding that meaning. Taking it a step further, Frankl wrote:

Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances.

This opinion was based on his experiences of suffering, and his attitude of finding meaning through the suffering. In this way, Frankl believed that when we can no longer change a situation, we are forced to change ourselves.

 

Fundamentals of Logotherapy

“Logos” is the Greek word for meaning, and logotherapy involves helping a patient find personal meaning in life. Frankl provided a brief overview of the theory in “Man’s Search for Meaning.”

Core Properties

Frankl believed in three core properties on which his theory and therapy were based:

  1. Each person has a healthy core.
  2. One’s primary focus is to enlighten others to their own internal resources and provide them tools to use their inner core.
  3. Life offers purpose and meaning but does not promise fulfillment or happiness.

Methods of Finding Meaning

Going a step further, logotherapy proposes that meaning in life can be discovered in three distinct ways:

  1. By creating a work or doing a deed.
  2. By experiencing something or encountering someone.
  3. By the attitude that we take toward unavoidable suffering.

An example that is often given to explain the basic tenets of logotherapy is the story of Frankl meeting with an elderly general practitioner who was struggling to overcome depression after the loss of his wife. Frankl helped the elderly man to see that his purpose had been to spare his wife the pain of losing him first.

Basic Assumptions

Logotherapy consists of six basic assumptions that overlap with the fundamental constructs and ways of seeking meaning listed above:

1. Body, Mind, and Spirit

The human being is an entity that consists of a body (soma), mind (psyche), and spirit (noos). Frankl argued that we have a body and mind, but the spirit is what we are, or our essence. Note that Frankl’s theory was not based on religion or theology, but often had parallels to these.

2. Life Has Meaning in All Circumstances

Frankl believed that life has meaning in all circumstances, even the most miserable ones. This means that even when situations seem objectively terrible, there is a higher level of order that involves meaning.

3. Humans Have a Will to Meaning

Logotherapy proposes that humans have a will to meaning, which means that meaning is our primary motivation for living and acting, and allows us to endure pain and suffering. This is viewed as differing from the will to achieve power and pleasure.

4. Freedom to Find Meaning

Frankl argues that in all circumstances, individuals have the freedom to access that will to find meaning. This is based on his experiences of pain and suffering and choosing his attitude in a situation that he could not change.

5. Meaning of the Moment

The fifth assumption argues that for decisions to be meaningful, individuals must respond to the demands of daily life in ways that match the values of society or their own conscience.

6. Individuals Are Unique

Frankl believed that every individual is unique and irreplaceable.

 

Logotherapy in Practice

Frankl believed that it was possible to turn suffering into achievement and accomplishment. He viewed guilt as an opportunity to change oneself for the better, and life transitions as the chance to take responsible action.

In this way, this psychotherapy was aimed at helping people to make better use of their “spiritual” resources to withstand adversity. In his books, he often used his own personal experiences to explain concepts to the reader.
Three techniques used in logotherapy include dereflection, paradoxical intention, and Socratic dialogue.
  1. Dereflection: Dereflection is aimed at helping someone focus away from themselves and toward other people so that they can become whole and spend less time being self-absorbed about a problem or how to reach a goal.
  2. Paradoxical intention: Paradoxical intention is a technique that has the patient wish for the thing that is feared most. This was suggested for use in the case of anxiety or phobias, in which humor and ridicule can be used when fear is paralyzing. For example, a person with a fear of looking foolish might be encouraged to try to look foolish on purpose. Paradoxically, the fear would be removed when the intention involved the thing that was feared most.
  3. Socratic dialogue: Socratic dialogue would be used in logotherapy as a tool to help a patient through the process of self-discovery through his or her own words. In this way, the therapist would point out patterns of words and help the client to see the meaning in them. This process is believed to help the client realize an answer that is waiting to be discovered.
It’s easy to see how some of the techniques of logotherapy overlap with newer forms of treatment such as cognitive-behavioral therapy (CBT) or acceptance and commitment therapy (ACT). In this way, logotherapy may be a complementary approach for these behavior and thought-based treatments.

 

Criticisms

Frankl was not without his critics. Some felt he used his time in the Nazi camps as a way to promote his brand of psychotherapy, and others felt his support came only from religious leaders in the United States (indeed, he did recruit ministers and pastoral psychologists to work with him).

In 1961, his ideas were challenged by psychologist Rollo May, known as the founder of the existential movement in the United States, who argued that logotherapy was equivalent to authoritarianism, with the therapist dictating solutions to the patient. In this way, it was felt that the therapist diminished the patient’s responsibility in finding solutions to problems. It is not clear, however, whether this was a fundamental problem of logotherapy, or a failing of Frankl as a therapist himself, as he was said to be arrogant in his manner of speaking to patients.

In this way, it may be that logotherapy argues that there are always clear solutions to problems and that the therapist has the task of finding these for the client. However, Frankl argued that logotherapy actually educates the patient to take responsibility. Regardless, it is clear that in the application of Frankl’s theories, it is important to highlight that the patient must be a participant rather than a recipient in the process.

 

Evidence

More than 1700 empirical and theoretical papers have been published on logotherapy, and more than 59 measurement instruments developed on the topic. While Frank’s early work involved case studies, this eventually evolved to include operationalization of concepts and estimates of clinical effectiveness. In other words, Frankl believed in empirical research and encouraged it.

A systematic review of research evidence pertaining to logotherapy conducted in 2016 found correlations or effects pertaining to logotherapy in the following areas or for the following conditions:

  • Correlation between presence of meaning in life, search for meaning in life, and life satisfaction, happiness
  • Lower meaning in life among patients with mental disorders
  • Search for meaning and presence of meaning as a resilience factor
  • Correlation between meaning in life and suicidal thoughts in cancer patients
  • Effectiveness of a logotherapy program for early adolescents with cancer
  • Effectiveness of logotherapy on depression in children
  • Effectiveness of logotherapy in reducing job burnout, empty nest syndrome
  • Correlation with marital satisfaction

Overall, not surprisingly, there is evidence that meaning in life correlates with better mental health. It is suggested that this knowledge might be applied in areas such as phobias, pain and guilt, grief, as well as for disorders such as schizophrenia, depression, substance abusepost-traumatic stress, and anxiety.

Frankl believed that many illnesses or mental health issues are disguised existential angst and that people struggle with lack of meaning, which he referred to as the “existential vacuum.”

 

Logotherapy in Everyday Life

How might you apply the principles of logotherapy to improve your everyday life?

  • Create something. Just as Frankl suggested, creating something (e.g., art) gives you a sense of purpose, which can add meaning to your life.
  • Develop relationships. The supportive nature of spending time with others will help you to develop more of a sense of meaning in your life.
  • Find purpose in pain. If you are going through something bad, try to find a purpose in it. Even if this is a bit of mental trickery, it will help to see you through. For example, if a family member is going through medical treatments for a disease, view your purpose as being there to support that person.
  • Understand that life is not fair. There is nobody keeping score, and you will not necessarily be dealt a fair deck. However, life can always have meaning, even in the worst of situations.
  • Freedom to find meaning. Remember that you are always free to make meaning out of your life situation. Nobody can take that away from you.
  • Focus on others. Try to focus outside of yourself to get through feeling stuck about a situation.
  • Accept the worst. When you go out seeking the worse, it reduces the power that it has over you.

A Word From Verywell

While concepts of logotherapy continue to be studied to this day, you aren’t likely to hear of people receiving this type of treatment directly. Rather, the components of logotherapy are more likely to be intertwined with other therapies or treatments.

https://www.verywellmind.com/an-overview-of-victor-frankl-s-logotherapy-4159308

Viktor Frankl

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Viktor Frankl
Viktor Frankl2.jpg
Born
Viktor Emil Frankl

26 March 1905

Died 2 September 1997 (aged 92)

Vienna, Austria
Resting place Zentralfriedhof, Vienna, Austria, Old Jewish Section
Nationality Austrian
Education Doctorate in Medicine, 1925, Doctorate in Philosophy, 1948
Alma mater University of Vienna
Occupation Neurologist, psychiatrist
Known for Logotherapy
Existential analysis
Spouse(s) Tilly Grosser, m. 1941
Eleonore Katharina Schwindt, m. 1947
Children Gabriele Frankl-Vesely
Parent(s) Gabriel Frankl and Elsa Frankl

Viktor Emil Frankl (26 March 1905 – 2 September 1997)[1][2] was an Austrian neurologist and psychiatrist as well as a Holocaust survivor. He survived TheresienstadtAuschwitzKaufering and Türkheim. Frankl was the founder of logotherapy, which is a form of existential analysis, the “Third Viennese School of Psychotherapy“. His best-selling book Man’s Search for Meaning (published under a different title in 1959: From Death-Camp to Existentialism, and originally published in 1946 as Trotzdem Ja Zum Leben Sagen: Ein Psychologe erlebt das Konzentrationslager, meaning Nevertheless, Say “Yes” to Life: A Psychologist Experiences the Concentration Camp) chronicles his experiences as a concentration camp inmate, which led him to discover the importance of finding meaning in all forms of existence, even the most brutal ones, and thus, a reason to continue living. Man’s Search for Meaning has sold over 12 million copies and has been translated into 24 different languages.[3] Frankl became one of the key figures in existential therapy and a prominent source of inspiration for humanistic psychologists.[4]

Frankl has been the subject of criticism from several holocaust analysts[5][6] who questioned the levels of Nazi accommodation that the ideology of logotherapy has and Frankl personally willingly pursued in the time periods before Frankl’s internment, when Frankl voluntarily requested to perform unskilled lobotomy experiments approved by the Nazis on Jews,[7] to the time period of his internment, in what is hinted upon in Frankl’s own autobiographical account and later under the investigative light of biographical research.[8][9]

Contents

Life before 1945

Frankl was born in Vienna into a Jewish family of civil servants (Beamtenfamilie). His interest in psychology surfaced early. For the final exam (Matura) in Gymnasium, he wrote a paper on the psychology of philosophical thinking. After graduation from Gymnasium in 1923, he studied medicine at the University of Vienna. In practice he specialized in neurology and psychiatry, concentrating on the topics of depression and suicide. His early development was influenced by his contacts with Sigmund Freud and Alfred Adler, although he would diverge from their teachings.[3][4]

Physician, therapist

During part of 1924 he became the president of the Sozialistische Mittelschüler Österreich, a Social Democratic youth movement for high school students throughout Austria.[1]:59

Between 1928 and 1930, while still a medical student, he organized and offered a special program to counsel high school students free of charge. The program involved the participation of psychologists such as Charlotte Bühler, and it paid special attention to students at the time when they received their report cards. In 1931, not a single Viennese student committed suicide. The success of this program grabbed the attention of the likes of Wilhelm Reich who invited him to Berlin.[2][10][promotional source?][11][non-primary source needed]

From 1933 to 1937, Frankl completed his residency in neurology and psychiatry at the Steinhof Psychiatric Hospital in Vienna. He was responsible for the so-called Selbstmörderpavillon, or “suicide pavilion”. Here, he treated more than 3000 women who had suicidal tendencies.[2][unreliable medical source?] In 1937, he established an independent private practice in neurology and psychiatry at Alser Strasse 32/12 in Vienna.[2]

Beginning with the Nazi takeover of Austria in 1938, he was prohibited from treating “Aryan” patients due to his Jewish identity. In 1940 he started working at the Rothschild Hospital, where he headed its neurological department. This hospital was the only one in Vienna to which Jews were still admitted. His medical opinions (including deliberately false diagnoses[12][better source needed]) saved several patients[example needed] from being euthanised via the Nazi euthanasia program.[citation needed] In December 1941 he married Tilly Grosser.[2][4]

Prisoner, therapist

On 25 September 1942, Frankl, his wife, and his parents were deported to the Nazi Theresienstadt Ghetto in Occupied Czechoslovakia. This Ghetto which housed many of the Jewish middle class, as a “model community” was set up by the Schutzstaffel (SS) with the expressed purpose of fooling Red Cross representatives about the ongoing slave labor, the Holocaust, and, later, the Nazi plan to murder all Jews.[13] There, within the Cultural life of the Theresienstadt ghetto, Frankl worked as a general practitioner in a clinic and wrote and gave lectures. When his skills in psychiatry were noticed by the Nazis, he was assigned to the psychiatric care ward in Block B IV, establishing a camp service of “psychohygiene” or mental health care. He organized a unit to help camp newcomers to overcome shockand grief. Later he set up a suicide watch, assisted by Regina Jonas.[2][14]

On 29 July 1943, Frankl organized a closed event for the Scientific Society in the Theresienstadt Ghetto, and with the help of the equally controversial Judenrat/Jewish collaborator Leo Baeck,[15][16] Frankl offered a series of lectures, including “Sleep and Sleep Disturbances”, “Body and Soul”, “Medical Care of the Soul”, “Psychology of Mountaineering”, “How to keep my nerves healthy?”, “Medical ministry”, “Existential Problems in Psychotherapy”, and “Social Psychotherapy”.[14] Biographers state that Frankl’s father Gabriel, starved to death at Theresienstadt,[17] by Frankl’s account he died of pulmonary edema and pneumonia.[2][4][14]

On 19 October 1944, Frankl, his wife Tilly, Regina Jonas and many others from the Theresienstadt Ghetto, were transported to the Auschwitz death camp in occupied Poland, where he was processed.[citation needed] On 25 October, Frankl is listed as arriving in the southern German Kaufering III, of XI labor camp,[17] which held up to 2,000 male prisoners in earthen huts, who upon its opening in June of that year, the prisoners were required to construct a transport route to connect underground aircraft factories, laying the infrastructure for the mass production of the world’s first jet-powered Messerschmitt Me 262 bomber destroyer, the Nazi response, to regain vital air supremacy, under the growingly unopposed effectiveness of Allied bombing upon the Nazi armament industry.[18][19][20]According to Frankl, his feats of physical initiative at this work camp were such that they did not go unnoticed and he was gifted “premium coupons” in late 1944.[17] According to Frankl’s autobiography, when infected with the ubiquitous typhoid,[2][4] he was allowed to leave the work camp and was offered a move to the so-called rest camp of Türkheim, prison records list his departure from Kaufering as 8 March 1945.[17] Frankl states that in Turkheim he was placed in charge of fifty men with typhus, it was here he rose to the position of “senior block warden” and began writing his book anew, until 27 April 1945, when the camp was liberated by American soldiers.[17]

Frankl’s mother Elsa and brother Walter were murdered at Auschwitz. Frankl’s wife was similarly transported out of Auschwitz and moved to Bergen-Belsen, a facility that housed a considerable number of women and minors, including Anne Frank, where they were forced to work in the shoe recycling labor camp; she would similarly be murdered, from the brutal conditions sometime close to the time of its liberation in 1945.[17] The only survivor of the Holocaust among Frankl’s immediate family was his sister, Stella, who had emigrated from Austria to Australia.[2][4]

Life after 1945

Liberated after several months in concentration camps, Frankl returned to Vienna, where he dictated to stenographer-typists his well known work, “the flood gates had opened”, completing the book, by 1946.[17] Frankl then published his world-famous book entitled, Trotzdem Ja Zum Leben Sagen: Ein Psychologe Erlebt das Konzentrationslager (“Saying Yes to Life in Spite of Everything: A Psychologist Experiences the Concentration Camp”), known in English by the title Man’s Search for Meaning (1959 title: From Death-Camp to Existentialism).[21] In this book, he described the life of an ordinary concentration camp inmate from the objective perspective of a psychiatrist.[4][22] Frankl believed that people are primarily driven by a “striving to find meaning in one’s life,” and that it is this sense of meaning that enables people to overcome painful experiences.

After enduring the suffering in these camps, Frankl concluded that even in the most absurd, painful, and dehumanized situation, life has potential meaning and that, therefore, even suffering is meaningful. This conclusion served as a basis for his logotherapy and existential analysis, which Frankl had described before World War II. He said, “What is to give light must endure burning.”[23]

Frankl’s concentration camp experiences shaped both his therapeutic approach and philosophical outlook, as reflected in his seminal publications.

He often said that even within the narrow boundaries of the concentration camps he found only two races of Men to exist: decent ones and unprincipled ones. These were to be found in all classes, ethnicities, and groups. “Under such conditions, who could blame them for trying to dope themselves?” “These were the men who were employed in the gas chambers and crematoriums, and who knew very well that one day they would have to leave their enforced role of executioner and become victims themselves.”[22]

In 1946, he was appointed to run the Vienna Polyclinic of Neurology. He remained there until 1971. In 1947 he married his second wife Eleonore Katharina Schwindt. She was a practicing Catholic and the couple respected each other’s religious backgrounds, going to both church and synagogue, and celebrating Christmas and Hanukah. They had one daughter, Gabriele, who went on to become a child psychologist.[2][4][24]

In 1948, Frankl earned a Ph.D. in philosophy. His dissertation, The Unconscious God, is an examination of the relation of psychology and religion.[25]

Grave of Viktor Frankl in Vienna

In 1955, he was awarded a professorship of neurology and psychiatry at the University of Vienna, and as visiting professor, he resided at Harvard University (1961), at Southern Methodist University, Dallas (1966), and at Duquesne University, Pittsburgh (1972). Frankl published 39 books, which were translated into as many as 49 languages.[26][promotional source?] He lectured and taught seminars all over the world and received 29 honorary doctoral degrees.[24]

The American Psychiatric Association awarded Frankl the 1985 Oskar Pfister Award for important contributions to religion and psychiatry.[27]

Frankl died of heart failure on 2 September 1997. He was survived by his wife Eleonore, one daughter, two grandchildren and three great-grandchildren.[28]

Controversy

In The Missing Pieces of the Puzzle: A Reflection on the Odd Career of Viktor Frankl, Timothy Pytell of California State University, San Bernardino,[29] conveys the numerous discrepancies and omissions in Frankl’s “Auschwitz survivor” account and later autobiography, which many of his contemporaries, such as Thomas Szasz, similarly have raised.[8] In Frankl’s Search for meaning the book devotes approximately half its contents to describing Auschwitz and the psychology of its prisoners, suggesting a long stay at the death camp, however his wording is contradictory and to Pytell, “profoundly deceptive”, when rather the impression of staying for months, Frankl was held close to the train, in the “depot prisoner” area of Auschwitz and for no more than a few days, he was neither registered there, nor assigned a number before being sent on to a subsidiary work camp of Dachau, known as Kaufering III, the true setting of much of what is described in his book.[30][20][31]

On Frankl’s doctrine that one must instill meaning in the events in one’s life that work and suffering to find meaning, will ultimately lead to fulfillment and happiness. In 1982 the highly cited scholar and holocaust analyst Lawrence L. Langer, who while also critical of Frankl’s distortions on the true experience of those at Auschwitz,[32] and Frankl’s amoral focus on “meaning” that could just as equally be applied to Nazis “finding meaning in making the world free from Jews”,[33] would go on to write “if this [logotherapy] doctrine had been more succinctly worded, the Nazis might have substituted it for the cruel mockery of Arbeit Macht Frei“[“work sets free”, read by those entering Auschwitz].[34] With, in professor Pytell’s view, Langer also penetrating through Frankl’s disturbed subtext that Holocaust “survival [was] a matter of mental health.” Noting Frankl’s tone as almost self-congratulatory and promotional throughout, that “it comes as no surprise to the reader, as he closes the volume, that the real hero of Man’s Search for Meaning is not man, but Viktor Frankl” by the continuation of the very same distortions of reality and the fantasy of world-view meaning-making, that were so disturbingly, precisely what had preturbed civilization into the holocaust-genocide of this era and others, to begin with.[35]

Pytell later would remark on the particularly sharp insight of Langer’s reading of Frankl’s holocaust testimony, noting that with Langer’s criticism published in 1982 before Pytell’s biography, the former had thus drawn the controversial parallels, or accommodations in ideology without the knowledge that Victor Frankl was an advocate/”embraced”[36] the key ideas of the Nazi psychotherapy movement (“will and responsibility”[37]) as a form of therapy in the late 1930s. When at that time Frankl would submit a paper and contributed to the Göring institute in Vienna 1937 and again in early 1938 connecting the logotherapy focus on “world-view” to the “work of some of the leading Nazi psychotherapists”,[38] both at a time before Austria was annexed by Nazi Germany in 1938.[39][40]

The origins of logotherapy, as described by Frankl, were therefore a major issue of continuity that Biographer Pytell argues were potentially problematic for Frankl because he had laid out the main elements of logotherapy while working for/contributing to the Nazi-affiliated Göring Institute. Principally Frankl’s 1937 paper, that was published by the institute.[40] This association, as a source of controversy, that logotherapy was palatable to National Socialism is the reason Pytell suggests, Frankl took two different stances on how the concentration-camp experience affected the course of his psychotherapy theory. Namely, that within the original English edition of Frankl’s most well known book, Man’s Search for Meaning, the suggestion is made and still largely held that logotherapy was itself derived from his camp experience, with the claim as it appears in the original edition, that this form of psychotherapy was “not concocted in the philosopher’s armchair nor at the analyst’s couch; it took shape in the hard school of air-raid shelters and bomb craters; in concentration camps and prisoner of war camps.” Frankl’s statements however to this effect would be deleted from later editions, though in the 1963 edition, a similar statement again appeared on the back of the book jacket of Man’s Search for Meaning.

Frankl over the years would with these widely read statements and others, switch between the claim that logotherapy took shape in the camps to the claim that the camps merely were a testing ground of his already preconceived theories. An uncovering of the matter would occur in 1977 with Frankl revealing on this controversy, though compounding another, stating “People think I came out of Auschwitz with a brand-new psychotherapy. This is not the case.”[17]

In the post war years, Frankl’s attitude towards not pursuing justice nor assigning collective guilt to the Austrian people for collaborating with or acquiescing in the face of Nazism, led to “frayed” relationships between Frankl, many Viennese and the larger American Jewish community, such that in 1978 when attempting to give a lecture at the institute of Adult Jewish Studies in New York, Frankl was confronted with an outburst of boos from the audience and was called a “nazi pig”.[39]

In 1988 Frankl would further “stir up sentiment against him” by being photographed next to and in accepting the Great Silver Medal with Star for Services to the Republic of Austria as a holocaust survivor, from President Waldheim, a controversial president of Austria who concurrent with the medal ceremony, was gripped by revelations that he had lied about his WWII military record and was under investigation for complicity in Nazi War crimes. Frankl’s acceptance of the medal was viewed by a large segment of the international Jewish community as a betrayal and by a disparate group of commentators, that its timing was politically motivated, an attempt to rehabilitate Waldheim’s reputation on the world stage.[41]

None of Frankl’s obituaries mention the unqualified and unskilled brain lobotomy and trepanation medical experiments approved by the Nazis that Frankl performed on Jews who had committed suicide with an overdose of sedatives, in resistance to their impending arrest, imprisonment and enforced labour in the concentration camp system. Operating without any training as a surgeon, Frankl would publish some of the details on his experiments, the methods of insertion of his chosen amphetamine drugs into the brains of these individuals, resulting in at times an alleged partial resuscitation, in 1942, prior to his own internment at Theresienstadt ghetto in September later in that year. Historian Günter Bischof of Harvard University, suggests Frankl’s voluntary request to perform lobotomy experiments could be seen as a way to “ingratiate” himself amongst the Nazis, as the latter were not appreciative of suicide being on arrest records.[17][9][32]

Legacy

Frankl’s logotherapy and existential analysis is considered the third Viennese School of Psychotherapy,[26][promotional source?] among the broad category that comprises existentialists.[42] For Irvin Yalom, Frankl, “who has devoted his career to a study of an existential approach to therapy, has apparently concluded that the lack of meaning is the paramount existential stress. To him, existential neurosis is synonymous with a crisis of meaninglessness”.[42]

He has coined the term noogenic neurosis, and illustrated it with the example of Sunday neurosis. It refers to a form of anxiety resulting from an awareness in some people of the emptiness of their lives once the working week is over.[43] Some complain of a void and a vague discontent.[42] This arises from an existential vacuum, or feeling of meaninglessness, which is a common phenomenon and is characterised by the subjective state of boredom, apathy, and emptiness. One feels cynical, lacks direction, and questions the point of most of life’s activities.[42]

People without a meaning in their life are exposed to aggression, depression and addiction.[22]

Viktor Frankl once recommended that the Statue of Liberty on the East Coast of the United States be complemented by a Statue of Responsibility on the West Coast:

Freedom, however, is not the last word. Freedom is only part of the story and half of the truth. Freedom is but the negative aspect of the whole phenomenon whose positive aspect is responsibleness. In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast.[44][45]

Decorations and awards

Bibliography

His books in English are:

See also

References …

External links[edit]

https://en.wikipedia.org/wiki/Viktor_Frankl

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Dinesh D’Souza — The Big Lie: Exposing The Nazi Roots of The American Left — Videos

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Fascism

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Benito Mussolini (left) and Adolf Hitler(right), the fascist leaders of Italy and Nazi Germany, respectively

Fascism (/ˈfæʃɪzəm/) is a form of radical, right-wingauthoritarian ultranationalism,[1][2][3][4] characterized by dictatorial power, forcible suppression of opposition, and strong regimentation of society and of the economy,[5] which came to prominence in early 20th-century Europe.[6] The first fascist movements emerged in Italy during World War I before it spread to other European countries.[6] Opposed to liberalismMarxism, and anarchism, fascism is placed on the far-right within the traditional left–right spectrum.[6][7][8][9][10][11]

Fascists saw World War I as a revolution that brought massive changes to the nature of war, society, the state, and technology. The advent of total war and the total mass mobilization of society had broken down the distinction between civilians and combatants. A “military citizenship” arose in which all citizens were involved with the military in some manner during the war.[12][13] The war had resulted in the rise of a powerful state capable of mobilizing millions of people to serve on the front lines and providing economic production and logistics to support them, as well as having unprecedented authority to intervene in the lives of citizens.[12][13]

Fascists believe that liberal democracy is obsolete and regard the complete mobilization of society under a totalitarian one-party state as necessary to prepare a nation for armed conflict and to respond effectively to economic difficulties.[14] Such a state is led by a strong leader—such as a dictator and a martial government composed of the members of the governing fascist party—to forge national unity and maintain a stable and orderly society.[14] Fascism rejects assertions that violence is automatically negative in nature and views political violence, war, and imperialism as means that can achieve national rejuvenation.[15][16][17][18] Fascists advocate a mixed economy, with the principal goal of achieving autarky(national economic self-sufficiency) through protectionist and interventionist economic policies.[19]

Since the end of World War II in 1945, few parties have openly described themselves as fascist, and the term is instead now usually used pejoratively by political opponents. The descriptions neo-fascist or post-fascist are sometimes applied more formally to describe parties of the far-right with ideologies similar to, or rooted in, 20th-century fascist movements.[6][20]

Contents

Etymology

The Italian term fascismo is derived from fascio meaning “a bundle of sticks”, ultimately from the Latin word fasces.[21] This was the name given to political organizations in Italy known as fasci, groups similar to guilds or syndicates. According to Mussolini‘s own account, the Fascist Revolutionary Party (Partito Fascista Rivoluzionario or PFR) was founded in Italy in 1915.[22] In 1919, Mussolini founded the Fasci Italiani di Combattimento in Milan, which became the Partito Nazionale Fascista (National Fascist Party) two years later. The Fascists came to associate the term with the ancient Roman fasces or fascio littorio[23]—a bundle of rods tied around an axe,[24] an ancient Roman symbol of the authority of the civic magistrate[25] carried by his lictors, which could be used for corporal and capital punishment at his command.[26][27]

The symbolism of the fasces suggested strength through unity: a single rod is easily broken, while the bundle is difficult to break.[28] Similar symbols were developed by different fascist movements: for example, the Falange symbol is five arrows joined together by a yoke.[29]

Definitions

Historians, political scientists, and other scholars have long debated the exact nature of fascism.[30] Each group described as fascist has at least some unique elements, and many definitions of fascism have been criticized as either too wide or narrow.[31][32]

One common definition of the term focuses on three concepts:

  1. the fascist negations (anti-liberalismanti-communism, and anti-conservatism);
  2. nationalist authoritarian goals of creating a regulated economic structure to transform social relations within a modern, self-determined culture; and
  3. a political aesthetic of romantic symbolism, mass mobilization, a positive view of violence, and promotion of masculinity, youth, and charismatic leadership.[33][34][35]

According to many scholars, fascism—especially once in power—has historically attacked communism, conservatism, and parliamentary liberalism, attracting support primarily from the far-right.[36]

Historian Stanley Payne identifies three main strands in fascism. His typology is regularly cited by reliable sources as a standard definition. First, Payne’s “fascist negations” refers to such typical policies as anti-communism and anti-liberalism. Second, “fascist goals” include a nationalist dictatorship and an expanded empire. Third, “fascist style” is seen in its emphasis on violence and authoritarianism and its exultation of men above women and young against old.[37]

Roger Griffin describes fascism as “a genus of political ideology whose mythic core in its various permutations is a palingenetic form of populistultranationalism“.[38] Griffin describes the ideology as having three core components: “(i) the rebirth myth, (ii) populist ultra-nationalism, and (iii) the myth of decadence”.[39] Fascism is “a genuinely revolutionary, trans-class form of anti-liberal, and in the last analysis, anti-conservative nationalism” built on a complex range of theoretical and cultural influences. He distinguishes an inter-war period in which it manifested itself in elite-led but populist “armed party” politics opposing socialism and liberalism and promising radical politics to rescue the nation from decadence.[40]

Robert Paxton says that fascism is “a form of political behavior marked by obsessive preoccupation with community decline, humiliation, or victimhood and by compensatory cults of unity, energy, and purity, in which a mass-based party of committed nationalist militants, working in uneasy but effective collaboration with traditional elites, abandons democratic liberties and pursues with redemptive violence and without ethical or legal restraints goals of internal cleansing and external expansion”.[41]

Racism was a key feature of German fascism, as they made the Holocaust a high priority. According to the historiography of genocide, “In dealing with the Holocaust, it is the consensus of historians that Nazi Germany targeted Jews as a race, not as a religious group.”[42] Umberto Eco,[43]Kevin Passmore,[44] John Weiss,[45] Ian Adams,[46] and Moyra Grant[47] stress racism as a characteristic component of German fascism. The Encyclopedia Britannica says, “Hitler envisioned the ideal German society as a Volksgemeinschaft, a racially unified and hierarchically organized body in which the interests of individuals would be strictly subordinate to those of the nation, or Volk.”[48] Fascist philosophies vary by application, but remain distinct by one theoretic commonality. All traditionally fall into the far-right sector of any political spectrum, catalyzed by afflicted class identities over conventional social inequities[6]

Historian John Lukacs argues that there is no such thing as generic fascism. He claims that National Socialism and communism are essentially manifestations of populism and that states such as National Socialist Germany and Fascist Italy are more different than similar.[49]

Position in the political spectrum

Most scholars place fascism on the far right of the political spectrum.[6][7][8][9][10][11] Such scholarship focuses on its social conservatism and its authoritarian means of opposing egalitarianism.[50][51] Roderick Stackelberg places fascism—including Nazism, which he says is “a radical variant of fascism”—on the political right by explaining: “The more a person deems absolute equality among all people to be a desirable condition, the further left he or she will be on the ideological spectrum. The more a person considers inequality to be unavoidable or even desirable, the further to the right he or she will be”.[52]

Fascism’s origins, however, are complex and include many seemingly contradictory viewpoints, ultimately centered around a myth of national rebirth from decadence.[53] Fascism was founded during World War I by Italian national syndicalists who drew upon both left-wing organizational tactics and right-wing political views.[54]

Italian Fascism gravitated to the right in the early 1920s.[55][56] A major element of fascist ideology that has been deemed to be far-right is its stated goal to promote the right of a supposedly superior people to dominate, while purging society of supposedly inferior elements.[57]

In the 1920s, the Italian Fascists described their ideology as right-wing in the political program The Doctrine of Fascism, stating: “We are free to believe that this is the century of authority, a century tending to the ‘right,’ a fascist century”.[58][59] Mussolini stated that fascism’s position on the political spectrum was not a serious issue for fascists: “Fascism, sitting on the right, could also have sat on the mountain of the center … These words in any case do not have a fixed and unchanged meaning: they do have a variable subject to location, time and spirit. We don’t give a damn about these empty terminologies and we despise those who are terrorized by these words”.[60]

Major Italian groups politically on the right, especially rich landowners and big business, feared an uprising by groups on the left such as sharecroppers and labour unions.[61] They welcomed Fascism and supported its violent suppression of opponents on the left.[62] The accommodation of the political right into the Italian Fascist movement in the early 1920s created internal factions within the movement. The “Fascist left” included Michele BianchiGiuseppe BottaiAngelo Oliviero OlivettiSergio Panunzio, and Edmondo Rossoni, who were committed to advancing national syndicalism as a replacement for parliamentary liberalism in order to modernize the economy and advance the interests of workers and common people.[63] The “Fascist right” included members of the paramilitary Squadristi and former members of the Italian Nationalist Association (ANI).[63] The Squadristi wanted to establish Fascism as a complete dictatorship, while the former ANI members, including Alfredo Rocco, sought to institute an authoritarian corporatist state to replace the liberal state in Italy while retaining the existing elites.[63] Upon accommodating the political right, there arose a group of monarchist fascists who sought to use fascism to create an absolute monarchy under King Victor Emmanuel III of Italy.[63]

After King Victor Emmanuel III forced Mussolini to resign as head of government and placed him under arrest in 1943, Mussolini was rescued by German forces. While continuing to rely on Germany for support, Mussolini and the remaining loyal Fascists founded the Italian Social Republic with Mussolini as head of state. Mussolini sought to re-radicalize Italian Fascism, declaring that the Fascist state had been overthrown because Italian Fascism had been subverted by Italian conservatives and the bourgeoisie.[64] Then the new Fascist government proposed the creation of workers’ councils and profit-sharing in industry, although the German authorities, who effectively controlled northern Italy at this point, ignored these measures and did not seek to enforce them.[64]

A number of post-World War II fascist movements described themselves as a “third position” outside the traditional political spectrum.[65] Spanish Falangist leader José Antonio Primo de Rivera said: “[B]asically the Right stands for the maintenance of an economic structure, albeit an unjust one, while the Left stands for the attempt to subvert that economic structure, even though the subversion thereof would entail the destruction of much that was worthwhile”.[66]

“Fascist” as a pejorative

The term “fascist” has been used as a pejorative,[67] regarding varying movements across the far right of the political spectrum.[68] George Orwell wrote in 1944 that “the word ‘Fascism’ is almost entirely meaningless … almost any English person would accept ‘bully’ as a synonym for ‘Fascist'”.[68]

Communist states have sometimes been referred to as “fascist”, typically as an insult. For example, it has been applied to Marxist regimes in Cuba under Fidel Castro and Vietnam under Ho Chi Minh.[69] Chinese Marxists used the term to denounce the Soviet Union during the Sino-Soviet Split, and likewise the Soviets used the term to denounce Chinese Marxists[70] and social democracy (coining a new term in “social fascism“).

In the United States, Herbert Matthews of The New York Times asked in 1946: “Should we now place Stalinist Russia in the same category as Hitlerite Germany? Should we say that she is Fascist?”.[71] J. Edgar Hoover, longtime FBI director and ardent anti-communist, wrote extensively of “Red Fascism”.[72] The Ku Klux Klan in the 1920s was sometimes called “fascist”. Historian Peter Amann states that, “Undeniably, the Klan had some traits in common with European fascism—chauvinism, racism, a mystique of violence, an affirmation of a certain kind of archaic traditionalism—yet their differences were fundamental….[the KKK] never envisioned a change of political or economic system.”[73]

Professor Richard Griffiths of the University of Wales[74] wrote in 2005 that “fascism” is the “most misused, and over-used word, of our times”.[32] “Fascist” is sometimes applied to post-World War II organizations and ways of thinking that academics more commonly term “neo-fascist“.[75]

History

Nineteenth-century roots

According to Encyclopædia Britannica[better source needed] the roots of fascism are either tied to the Jacobin movement or a 19th-century backlash against the Enlightenment.[76] Historians such as Irene Collins and Howard C Payne see Napoleon III, who ran a ‘police state’ and suppressed the media, as a forerunner of fascism.[77] According to David Thomson,[78] the Italian Risorgimento of 1871 led to the ‘nemesis of fascism’. William L Shirer[79] sees a continuity from the views of Fichte and Hegel, through Bismarck, to Hitler; Robert Gerwarth speaks of a ‘direct line’ from Bismarck to Hitler.[80] Julian Dierkes sees fascism as a ‘particularly violent form of Imperialism‘.[81]

Fin de siècle era and the fusion of Maurrasism with Sorelianism (1880–1914)

The historian Zeev Sternhell has traced the ideological roots of fascism back to the 1880s and in particular to the fin de siècle theme of that time.[82][83] The theme was based on a revolt against materialismrationalismpositivism, bourgeois society and democracy.[84] The fin-de-siècle generation supported emotionalismirrationalismsubjectivism and vitalism.[85] The fin-de-sièclemindset saw civilization as being in a crisis that required a massive and total solution.[84] The fin-de-siècle intellectual school considered the individual only one part of the larger collectivity, which should not be viewed as an atomized numerical sum of individuals.[84] They condemned the rationalistic individualism of liberal society and the dissolution of social links in bourgeois society.[84]

The fin-de-siècle outlook was influenced by various intellectual developments, including Darwinian biologyWagnerian aestheticsArthur de Gobineau‘s racialismGustave Le Bon‘s psychology; and the philosophies of Friedrich NietzscheFyodor Dostoyevsky and Henri Bergson.[86] Social Darwinism, which gained widespread acceptance, made no distinction between physical and social life, and viewed the human condition as being an unceasing struggle to achieve the survival of the fittest.[86] Social Darwinism challenged positivism’s claim of deliberate and rational choice as the determining behaviour of humans, with social Darwinism focusing on heredity, race, and environment.[86] Social Darwinism’s emphasis on biogroup identity and the role of organic relations within societies fostered legitimacy and appeal for nationalism.[87] New theories of social and political psychology also rejected the notion of human behaviour being governed by rational choice and instead claimed that emotion was more influential in political issues than reason.[86] Nietzsche’s argument that “God is dead” coincided with his attack on the “herd mentality” of Christianity, democracy and modern collectivism; his concept of the übermensch; and his advocacy of the will to power as a primordial instinct, were major influences upon many of the fin-de-siècle generation.[88] Bergson’s claim of the existence of an “élan vital” or vital instinct centred upon free choice and rejected the processes of materialism and determinism; this challenged Marxism.[89]

Gaetano Mosca in his work The Ruling Class (1896) developed the theory that claims that in all societies an “organized minority” will dominate and rule over the “disorganized majority”.[90][91]Mosca claims that there are only two classes in society, “the governing” (the organized minority) and “the governed” (the disorganized majority).[92] He claims that the organized nature of the organized minority makes it irresistible to any individual of the disorganized majority.[92]

French nationalist and reactionary monarchist Charles Maurras influenced fascism.[93] Maurras promoted what he called integral nationalism, which called for the organic unity of a nation and Maurras insisted that a powerful monarch was an ideal leader of a nation. Maurras distrusted what he considered the democratic mystification of the popular will that created an impersonal collective subject.[93] He claimed that a powerful monarch was a personified sovereign who could exercise authority to unite a nation’s people.[93] Maurras’ integral nationalism was idealized by fascists, but modified into a modernized revolutionary form that was devoid of Maurras’ monarchism.[93]

French revolutionary syndicalist Georges Sorel promoted the legitimacy of political violence in his work Reflections on Violence (1908) and other works in which he advocated radical syndicalist action to achieve a revolution to overthrow capitalism and the bourgeoisie through a general strike.[94]In Reflections on Violence, Sorel emphasized need for a revolutionary political religion.[95] Also in his work The Illusions of Progress, Sorel denounced democracy as reactionary, saying “nothing is more aristocratic than democracy”.[96] By 1909 after the failure of a syndicalist general strike in France, Sorel and his supporters left the radical left and went to the radical right, where they sought to merge militant Catholicism and French patriotism with their views—advocating anti-republican Christian French patriots as ideal revolutionaries.[97] Initially Sorel had officially been a revisionist of Marxism, but by 1910 announced his abandonment of socialist literature and claimed in 1914, using an aphorism of Benedetto Croce that “socialism is dead” because of the “decomposition of Marxism”.[98] Sorel became a supporter of reactionary Maurrassian nationalism beginning in 1909 that influenced his works.[98] Maurras held interest in merging his nationalist ideals with Sorelian syndicalism as a means to confront democracy.[99]Maurras stated “a socialism liberated from the democratic and cosmopolitan element fits nationalism well as a well made glove fits a beautiful hand”.[100]

The fusion of Maurrassian nationalism and Sorelian syndicalism influenced radical Italian nationalist Enrico Corradini.[101] Corradini spoke of the need for a nationalist-syndicalist movement, led by elitist aristocrats and anti-democrats who shared a revolutionary syndicalist commitment to direct action and a willingness to fight.[101] Corradini spoke of Italy as being a “proletarian nation” that needed to pursue imperialism in order to challenge the “plutocratic” French and British.[102] Corradini’s views were part of a wider set of perceptions within the right-wing Italian Nationalist Association (ANI), which claimed that Italy’s economic backwardness was caused by corruption in its political class, liberalism, and division caused by “ignoble socialism”.[102] The ANI held ties and influence among conservatives, Catholics and the business community.[102] Italian national syndicalists held a common set of principles: the rejection of bourgeois values, democracy, liberalism, Marxisminternationalism and pacifism; and the promotion of heroismvitalism and violence.[103] The ANI claimed that liberal democracy was no longer compatible with the modern world, and advocated a strong state and imperialism, claiming that humans are naturally predatory and that nations were in a constant struggle, in which only the strongest could survive.[104]

Filippo Tommaso Marinetti, Italian modernist author of the Futurist Manifesto (1909) and later the co-author of the Fascist Manifesto (1919)

Futurism was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto (1908), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics. Marinetti rejected conventional democracy based on majority rule and egalitarianism, for a new form of democracy, promoting what he described in his work “The Futurist Conception of Democracy” as the following: “We are therefore able to give the directions to create and to dismantle to numbers, to quantity, to the mass, for with us number, quantity and mass will never be—as they are in Germany and Russia—the number, quantity and mass of mediocre men, incapable and indecisive”.[105]

Futurism influenced fascism in its emphasis on recognizing the virile nature of violent action and war as being necessities of modern civilization.[106] Marinetti promoted the need of physical training of young men, saying that in male education, gymnastics should take precedence over books, and he advocated segregation of the genders on this matter, in that womanly sensibility must not enter men’s education whom Marinetti claimed must be “lively, bellicose, muscular and violently dynamic”.[107]

Benito Mussolini (here in 1917 as a soldier in World War I), who in 1914 founded and led the Fasci d’Azione Rivoluzionaria to promote the Italian intervention in the war as a revolutionary nationalistaction to liberate Italian-claimed lands from Austria-Hungary

World War I and its aftermath (1914–1929)

At the outbreak of World War I in August 1914, the Italian political left became severely split over its position on the war. The Italian Socialist Party (PSI) opposed the war but a number of Italian revolutionary syndicalists supported war against Germany and Austria-Hungary on the grounds that their reactionary regimes had to be defeated to ensure the success of socialism.[108] Angelo Oliviero Olivetti formed a pro-interventionist fascio called the Fasci of International Action in October 1914.[108] Benito Mussolini upon being expelled from his position as chief editor of the PSI’s newspaper Avanti! for his anti-German stance, joined the interventionist cause in a separate fascio.[109] The term “Fascism” was first used in 1915 by members of Mussolini’s movement, the Fasci of Revolutionary Action.[110]

The first meeting of the Fasci of Revolutionary Action was held on 24 January 1915[111] when Mussolini declared that it was necessary for Europe to resolve its national problems—including national borders—of Italy and elsewhere “for the ideals of justice and liberty for which oppressed peoples must acquire the right to belong to those national communities from which they descended”.[111] Attempts to hold mass meetings were ineffective and the organization was regularly harassed by government authorities and socialists.[112]

German soldiers parading through Lübeck in the days leading up to World War I. Johann Plenge‘s concept of the “Spirit of 1914” identified the outbreak of war as a moment that forged nationalistic German solidarity

Similar political ideas arose in Germany after the outbreak of the war. German sociologist Johann Plenge spoke of the rise of a “National Socialism” in Germany within what he termed the “ideas of 1914” that were a declaration of war against the “ideas of 1789” (the French Revolution).[113]According to Plenge, the “ideas of 1789” that included rights of man, democracy, individualism and liberalism were being rejected in favor of “the ideas of 1914” that included “German values” of duty, discipline, law and order.[113] Plenge believed that racial solidarity (Volksgemeinschaft) would replace class division and that “racial comrades” would unite to create a socialist society in the struggle of “proletarian” Germany against “capitalist” Britain.[113] He believed that the “Spirit of 1914” manifested itself in the concept of the “People’s League of National Socialism”.[114] This National Socialism was a form of state socialism that rejected the “idea of boundless freedom” and promoted an economy that would serve the whole of Germany under the leadership of the state.[114] This National Socialism was opposed to capitalism because of the components that were against “the national interest” of Germany, but insisted that National Socialism would strive for greater efficiency in the economy.[114][115] Plenge advocated an authoritarian rational ruling elite to develop National Socialism through a hierarchical technocratic state.[116]

Impact of World War I

Fascists viewed World War I as bringing revolutionary changes in the nature of war, society, the state and technology, as the advent of total war and mass mobilization had broken down the distinction between civilian and combatant, as civilians had become a critical part in economic production for the war effort and thus arose a “military citizenship” in which all citizens were involved to the military in some manner during the war.[12][13] World War I had resulted in the rise of a powerful state capable of mobilizing millions of people to serve on the front lines or provide economic production and logistics to support those on the front lines, as well as having unprecedented authority to intervene in the lives of citizens.[12][13] Fascists viewed technological developments of weaponry and the state’s total mobilization of its population in the war as symbolizing the beginning of a new era fusing state power with mass politics, technology and particularly the mobilizing myth that they contended had triumphed over the myth of progress and the era of liberalism.[12]

Members of Italy’s Arditi corps (here in 1918 holding daggers, a symbol of their group), which was formed in 1917 as groups of soldiers trained for dangerous missions, characterized by refusal to surrender and willingness to fight to the death. Their black uniforms inspired those of the Italian Fascist movement.

Impact of the Bolshevik Revolution

The October Revolution of 1917—in which Bolshevik communists led by Vladimir Lenin seized power in Russia—greatly influenced the development of fascism.[117] In 1917, Mussolini, as leader of the Fasci of Revolutionary Action, praised the October Revolution, but later he became unimpressed with Lenin, regarding him as merely a new version of Tsar Nicholas.[118] After World War I, fascists have commonly campaigned on anti-Marxist agendas.[117]

Liberal opponents of both fascism and the Bolsheviks argue that there are various similarities between the two, including that they believed in the necessity of a vanguard leadership, had disdain for bourgeois values and it is argued had totalitarian ambitions.[117] In practice, both have commonly emphasized revolutionary action, proletarian nation theories, one-party states and party-armies.[117] However, both draw clear distinctions from each other both in aims and tactics, with the Bolsheviks emphasizing the need for an organized participatory democracy and an egalitarian, internationalist vision for society while the fascists emphasize hyper-nationalism and open hostility towards democracy, envisioning a hierarchical social structure as essential to their aims.

With the antagonism between anti-interventionist Marxists and pro-interventionist Fascists complete by the end of the war, the two sides became irreconcilable. The Fascists presented themselves as anti-Marxists and as opposed to the Marxists.[119] Mussolini consolidated control over the Fascist movement, known as Sansepolcrismo, in 1919 with the founding of the Fasci italiani di combattimento.

The Fascist Manifesto of 1919

In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat (the Fascist Manifesto).[120] The Manifesto was presented on 6 June 1919 in the Fascist newspaper Il Popolo d’Italia. The Manifesto supported the creation of universal suffrage for both men and women (the latter being realized only partly in late 1925, with all opposition parties banned or disbanded);[121] proportional representation on a regional basis; government representation through a corporatist system of “National Councils” of experts, selected from professionals and tradespeople, elected to represent and hold legislative power over their respective areas, including labour, industry, transportation, public health, communications, etc.; and the abolition of the Italian Senate.[122] The Manifesto supported the creation of an eight-hour work day for all workers, a minimum wage, worker representation in industrial management, equal confidence in labour unions as in industrial executives and public servants, reorganization of the transportation sector, revision of the draft law on invalidity insurance, reduction of the retirement age from 65 to 55, a strong progressive tax on capital, confiscation of the property of religious institutions and abolishment of bishoprics, and revision of military contracts to allow the government to seize 85% of profits.[123] It also called for the fulfillment of expansionist aims in the Balkans and other parts of the Mediterranean,[124] the creation of a short-service national militia to serve defensive duties, nationalization of the armaments industry and a foreign policy designed to be peaceful but also competitive.[125]

Residents of Fiume cheer the arrival of Gabriele d’Annunzio and his blackshirt-wearing nationalist raiders, as D’Annunzio and Fascist Alceste De Ambrisdeveloped the quasi-fascist Italian Regency of Carnaro (a city-state in Fiume) from 1919 to 1920 and whose actions by D’Annunzio in Fiume inspired the Italian Fascist movement

The next events that influenced the Fascists in Italy was the raid of Fiume by Italian nationalist Gabriele d’Annunzio and the founding of the Charter of Carnaro in 1920.[126] D’Annunzio and De Ambris designed the Charter, which advocated national-syndicalist corporatistproductionism alongside D’Annunzio’s political views.[127] Many Fascists saw the Charter of Carnaro as an ideal constitution for a Fascist Italy.[128] This behaviour of aggression towards Yugoslavia and South Slavs was pursued by Italian Fascists with their persecution of South Slavs—especially Slovenes and Croats.

Italian Fascists in 1920

In 1920, militant strike activity by industrial workers reached its peak in Italy and 1919 and 1920 were known as the “Red Years”.[129]Mussolini and the Fascists took advantage of the situation by allying with industrial businesses and attacking workers and peasants in the name of preserving order and internal peace in Italy.[130]

Fascists identified their primary opponents as the majority of socialists on the left who had opposed intervention in World War I.[128] The Fascists and the Italian political right held common ground: both held Marxism in contempt, discounted class consciousness and believed in the rule of elites.[131] The Fascists assisted the anti-socialist campaign by allying with the other parties and the conservative right in a mutual effort to destroy the Italian Socialist Party and labour organizations committed to class identity above national identity.[131]

Fascism sought to accommodate Italian conservatives by making major alterations to its political agenda—abandoning its previous populismrepublicanism and anticlericalism, adopting policies in support of free enterprise and accepting the Catholic Church and the monarchy as institutions in Italy.[132] To appeal to Italian conservatives, Fascism adopted policies such as promoting family values, including promotion policies designed to reduce the number of women in the workforce limiting the woman’s role to that of a mother. The fascists banned literature on birth control and increased penalties for abortion in 1926, declaring both crimes against the state.[133] Though Fascism adopted a number of anti-modern positions designed to appeal to people upset with the new trends in sexuality and women’s rights—especially those with a reactionary point of view—the Fascists sought to maintain Fascism’s revolutionary character, with Angelo Oliviero Olivetti saying: “Fascism would like to be conservative, but it will [be] by being revolutionary”.[134] The Fascists supported revolutionary action and committed to secure law and order to appeal to both conservatives and syndicalists.[135]

Prior to Fascism’s accommodations to the political right, Fascism was a small, urban, northern Italian movement that had about a thousand members.[136] After Fascism’s accommodation of the political right, the Fascist movement’s membership soared to approximately 250,000 by 1921.[137]

Fascist violence in 1922

Beginning in 1922, Fascist paramilitaries escalated their strategy from one of attacking socialist offices and homes of socialist leadership figures to one of violent occupation of cities. The Fascists met little serious resistance from authorities and proceeded to take over several northern Italian cities.[138] The Fascists attacked the headquarters of socialist and Catholic labour unions in Cremona and imposed forced Italianization upon the German-speaking population of Trent and Bolzano.[138] After seizing these cities, the Fascists made plans to take Rome.[138]

Benito Mussolini with three of the four quadrumvirsduring the March on Rome (from left to right: unknown, de Bono, Mussolini, Balbo and de Vecchi)

On 24 October 1922, the Fascist party held its annual congress in Naples, where Mussolini ordered Blackshirts to take control of public buildings and trains and to converge on three points around Rome.[138] The Fascists managed to seize control of several post offices and trains in northern Italy while the Italian government, led by a left-wing coalition, was internally divided and unable to respond to the Fascist advances.[139] King Victor Emmanuel III of Italy perceived the risk of bloodshed in Rome in response to attempting to disperse the Fascists to be too high.[140] Victor Emmanuel III decided to appoint Mussolini as Prime Minister of Italy and Mussolini arrived in Rome on 30 October to accept the appointment.[140] Fascist propaganda aggrandized this event, known as “March on Rome“, as a “seizure” of power because of Fascists’ heroic exploits.[138]

Fascist Italy

Historian Stanley G. Payne says Fascism in Italy was:

A primarily political dictatorship….The Fascist Party itself had become almost completely bureaucratized and subservient to, not dominant over, the state itself. Big business, industry, and finance retained extensive autonomy, particularly in the early years. The armed forces also enjoyed considerable autonomy….The Fascist militia was placed under military control….The judicial system was left largely intact and relatively autonomous as well. The police continued to be directed by state officials and were not taken over by party leaders…nor was a major new police elite created….There was never any question of bringing the Church under overall subservience…. Sizable sectors of Italian cultural life retained extensive autonomy, and no major state propaganda-and-culture ministry existed….The Mussolini regime was neither especially sanguinary nor particularly repressive.[141]

Mussolini in power

Upon being appointed Prime Minister of Italy, Mussolini had to form a coalition government because the Fascists did not have control over the Italian parliament.[142] Mussolini’s coalition government initially pursued economically liberal policies under the direction of liberal finance minister Alberto De Stefani, a member of the Center Party, including balancing the budget through deep cuts to the civil service.[142] Initially, little drastic change in government policy had occurred and repressive police actions were limited.[142]

The Fascists began their attempt to entrench Fascism in Italy with the Acerbo Law, which guaranteed a plurality of the seats in parliament to any party or coalition list in an election that received 25% or more of the vote.[143] Through considerable Fascist violence and intimidation, the list won a majority of the vote, allowing many seats to go to the Fascists.[143] In the aftermath of the election, a crisis and political scandal erupted after Socialist Party deputy Giacomo Matteotti was kidnapped and murdered by a Fascist.[143] The liberals and the leftist minority in parliament walked out in protest in what became known as the Aventine Secession.[144] On 3 January 1925, Mussolini addressed the Fascist-dominated Italian parliament and declared that he was personally responsible for what happened, but insisted that he had done nothing wrong. Mussolini proclaimed himself dictator of Italy, assuming full responsibility over the government and announcing the dismissal of parliament.[144] From 1925 to 1929, Fascism steadily became entrenched in power: opposition deputies were denied access to parliament, censorship was introduced and a December 1925 decree made Mussolini solely responsible to the King.[145]

Catholic Church

In 1929, the Fascist regime briefly gained what was in effect a blessing of the Catholic Church after the regime signed a concordat with the Church, known as the Lateran Treaty, which gave the papacy state sovereignty and financial compensation for the seizure of Church lands by the liberal state in the nineteenth century, but within two years the Church had renounced Fascism in the Encyclical Non Abbiamo Bisogno as a “pagan idolotry of the state” which teaches “hatred, violence and irreverence”.[146] Not long after signing the agreement, by Mussolini’s own confession the Church had threatened to have him “excommunicated”, in part because of his intractable nature and that he had “confiscated more issues of Catholic newspapers in the next three months than in the previous seven years”.[147] By the late 1930s, Mussolini became more vocal in his anti-clerical rhetoric, repeatedly denouncing the Catholic Church and discussing ways to depose the pope. He took the position that the “papacy was a malignant tumor in the body of Italy and must ‘be rooted out once and for all,’ because there was no room in Rome for both the Pope and himself”.[148] In her 1974 book, Mussolini’s widow Rachele stated that her husband had always been an atheist until near the end of his life, writing that her husband was “basically irreligious until the later years of his life”.[149]

The National Socialists of Germany employed similar anti-clerical policies. The Gestapo confiscated hundreds of monasteries in Austria and Germany, evicted clergymen and laymen alike and often replaced crosses with a swastikas.[150] Referring to the swastika as the “Devil’s Cross”, church leaders found their youth organizations banned, their meetings limited and various Catholic periodicals censored or banned. Government officials eventually found it necessary to place “Nazis into editorial positions in the Catholic press”.[151] Up to 2,720 clerics, mostly Catholics, were arrested by the Gestapo and imprisoned inside of Germany’s Dachau concentration camp, resulting in over 1,000 deaths.[152]

Corporatist economic system

The Fascist regime created a corporatist economic system in 1925 with creation of the Palazzo Vidioni Pact, in which the Italian employers’ association Confindustria and Fascist trade unions agreed to recognize each other as the sole representatives of Italy’s employers and employees, excluding non-Fascist trade unions.[153] The Fascist regime first created a Ministry of Corporations that organized the Italian economy into 22 sectoral corporations, banned workers’ strikes and lock-outs and in 1927 created the Charter of Labour, which established workers’ rights and duties and created labour tribunals to arbitrate employer-employee disputes.[153] In practice, the sectoral corporations exercised little independence and were largely controlled by the regime and employee organizations were rarely led by employees themselves, but instead by appointed Fascist party members.[153]

Aggressive foreign policy

In the 1920s, Fascist Italy pursued an aggressive foreign policy that included an attack on the Greek island of Corfu, aims to expand Italian territory in the Balkans, plans to wage war against Turkey and Yugoslavia, attempts to bring Yugoslavia into civil war by supporting Croat and Macedonian separatists to legitimize Italian intervention and making Albania a de facto protectorate of Italy, which was achieved through diplomatic means by 1927.[154] In response to revolt in the Italian colony of Libya, Fascist Italy abandoned previous liberal-era colonial policy of cooperation with local leaders. Instead, claiming that Italians were a superior race to African races and thereby had the right to colonize the “inferior” Africans, it sought to settle 10 to 15 million Italians in Libya.[155] This resulted in an aggressive military campaign known as the Pacification of Libya against natives in Libya, including mass killings, the use of concentration camps and the forced starvation of thousands of people.[155] Italian authorities committed ethnic cleansing by forcibly expelling 100,000 Bedouin Cyrenaicans, half the population of Cyrenaica in Libya, from their settlements that was slated to be given to Italian settlers.[156][157]

Hitler adopts Italian model

Nazis in Munich during the Beer Hall Putsch

The March on Rome brought Fascism international attention. One early admirer of the Italian Fascists was Adolf Hitler, who less than a month after the March had begun to model himself and the Nazi Party upon Mussolini and the Fascists.[158] The Nazis, led by Hitler and the German war hero Erich Ludendorff, attempted a “March on Berlin” modeled upon the March on Rome, which resulted in the failed Beer Hall Putsch in Munich in November 1923.[159]

International impact of the Great Depression and the buildup to World War II

Benito Mussolini (left) and Adolf Hitler (right)

The conditions of economic hardship caused by the Great Depression brought about an international surge of social unrest. According to historian Philip Morgan, “the onset of the Great Depression…was the greatest stimulus yet to the diffusion and expansion of fascism outside Italy”.[160] Fascist propaganda blamed the problems of the long depression of the 1930s on minorities and scapegoats: “JudeoMasonicbolshevik” conspiracies, left-wing internationalism and the presence of immigrants.

In Germany, it contributed to the rise of the National Socialist German Workers’ Party, which resulted in the demise of the Weimar Republic and the establishment of the fascist regime, Nazi Germany, under the leadership of Adolf Hitler. With the rise of Hitler and the Nazis to power in 1933, liberal democracy was dissolved in Germany and the Nazis mobilized the country for war, with expansionist territorial aims against several countries. In the 1930s, the Nazis implemented racial laws that deliberately discriminated against, disenfranchised and persecuted Jews and other racial and minority groups.

Fascist movements grew in strength elsewhere in Europe. Hungarian fascist Gyula Gömbös rose to power as Prime Minister of Hungary in 1932 and attempted to entrench his Party of National Unity throughout the country. He created an eight-hour work day, a forty-eight-hour work week in industry and sought to entrench a corporatist economy; and pursued irredentist claims on Hungary’s neighbors.[161] The fascist Iron Guard movement in Romaniasoared in political support after 1933, gaining representation in the Romanian government and an Iron Guard member assassinated Romanian prime minister Ion Duca.[162] During the 6 February 1934 crisisFrance faced the greatest domestic political turmoil since the Dreyfus Affair when the fascist Francist Movement and multiple far-right movements rioted en masse in Paris against the French government resulting in major political violence.[163] A variety of para-fascist governments that borrowed elements from fascism were formed during the Great Depression, including those of GreeceLithuaniaPoland and Yugoslavia.[164]

Integralists marching in Brazil

In the Americas, the Brazilian Integralists led by Plínio Salgado claimed as many as 200,000 members although following coup attempts it faced a crackdown from the Estado Novo of Getúlio Vargas in 1937.[165] In the 1930s, the National Socialist Movement of Chile gained seats in Chile‘s parliament and attempted a coup d’état that resulted in the Seguro Obrero massacre of 1938.[166]

During the Great Depression, Mussolini promoted active state intervention in the economy. He denounced the contemporary “supercapitalism” that he claimed began in 1914 as a failure because of its alleged decadence, its support for unlimited consumerism and its intention to create the “standardization of humankind”.[167] Fascist Italy created the Institute for Industrial Reconstruction (IRI), a giant state-owned firm and holding company that provided state funding to failing private enterprises.[168] The IRI was made a permanent institution in Fascist Italy in 1937, pursued Fascist policies to create national autarky and had the power to take over private firms to maximize war production.[168] While Hitler’s regime only nationalized 500 companies in key industries by the early 1940s,[169] Mussolini declared in 1934 that “[t]hree-fourths of Italian economy, industrial and agricultural, is in the hands of the state”.[170] Due to the worldwide depression, Mussolini’s government was able to take over most of Italy’s largest failing banks, who held controlling interest in many Italian businesses. The Institute for Industrial Reconstruction, a state-operated holding company in charge of bankrupt banks and companies, reported in early 1934 that they held assets of “48.5 percent of the share capital of Italy”, which later included the capital of the banks themselves.[171] Political historian Martin Blinkhorn estimated Italy’s scope of state intervention and ownership “greatly surpassed that in Nazi Germany, giving Italy a public sector second only to that of Stalin’s Russia”.[172] In the late 1930s, Italy enacted manufacturing cartels, tariff barriers, currency restrictions and massive regulation of the economy to attempt to balance payments.[173] Italy’s policy of autarky failed to achieve effective economic autonomy.[173] Nazi Germany similarly pursued an economic agenda with the aims of autarky and rearmament and imposed protectionist policies, including forcing the German steel industry to use lower-quality German iron ore rather than superior-quality imported iron.[174]

World War II (1939–1945)

In Fascist Italy and Nazi Germany, both Mussolini and Hitler pursued territorial expansionist and interventionist foreign policy agendas from the 1930s through the 1940s culminating in World War II. Mussolini called for irredentist Italian claims to be reclaimed, establishing Italian domination of the Mediterranean Sea and securing Italian access to the Atlantic Ocean and the creation of Italian spazio vitale (“vital space”) in the Mediterranean and Red Sea regions.[175] Hitler called for irredentist German claims to be reclaimed along with the creation of German Lebensraum(“living space”) in Eastern Europe, including territories held by the Soviet Union, that would be colonized by Germans.[176]

Emaciated male inmate at the Italian Rab concentration camp

From 1935 to 1939, Germany and Italy escalated their demands for territorial claims and greater influence in world affairs. Italy invaded Ethiopia in 1935resulting in its condemnation by the League of Nations and its widespread diplomatic isolation. In 1936, Germany remilitarized the industrial Rhineland, a region that had been ordered demilitarized by the Treaty of Versailles. In 1938, Germany annexed Austria and Italy assisted Germany in resolving the diplomatic crisis between Germany versus Britain and France over claims on Czechoslovakia by arranging the Munich Agreement that gave Germany the Sudetenland and was perceived at the time to have averted a European war. These hopes faded when Hitler violated the Munich Agreement by ordering the invasion and partition of Czechoslovakia between Germany and a client state of Slovakia in 1939. At the same time from 1938 to 1939, Italy was demanding territorial and colonial concessions from France and Britain.[177] In 1939, Germany prepared for war with Poland, but attempted to gain territorial concessions from Poland through diplomatic means.[178] The Polish government did not trust Hitler’s promises and refused to accept Germany’s demands.[178]

The invasion of Poland by Germany was deemed unacceptable by Britain, France and their allies, resulting in their mutual declaration of war against Germany that was deemed the aggressor in the war in Poland, resulting in the outbreak of World War II. In 1940, Mussolini led Italy into World War II on the side of the Axis. Mussolini was aware that Italy did not have the military capacity to carry out a long war with France or the United Kingdom and waited until France was on the verge of imminent collapse and surrender from the German invasion before declaring war on France and the United Kingdom on 10 June 1940 on the assumption that the war would be short-lived following France’s collapse.[179] Mussolini believed that following a brief entry of Italy into war with France, followed by the imminent French surrender, Italy could gain some territorial concessions from France and then concentrate its forces on a major offensive in Egypt where British and Commonwealth forces were outnumbered by Italian forces.[180] Plans by Germany to invade the United Kingdom in 1940 failed after Germany lost the aerial warfare campaign in the Battle of Britain. In 1941, the Axis campaign spread to the Soviet Union after Hitler launched Operation Barbarossa. Axis forces at the height of their power controlled almost all of continental Europe. The war became prolonged—contrary to Mussolini’s plans—resulting in Italy losing battles on multiple fronts and requiring German assistance.

Corpses of victims of the German Buchenwald concentration camp

During World War II, the Axis Powers in Europe led by Nazi Germany participated in the extermination of millions of Poles, Jews, Gypsies and others in the genocide known as the Holocaust.

After 1942, Axis forces began to falter. In 1943, after Italy faced multiple military failures, the complete reliance and subordination of Italy to Germany, the Allied invasion of Italy and the corresponding international humiliation, Mussolini was removed as head of government and arrested on the order of King Victor Emmanuel III, who proceeded to dismantle the Fascist state and declared Italy’s switching of allegiance to the Allied side. Mussolini was rescued from arrest by German forces and led the German client state, the Italian Social Republic from 1943 to 1945. Nazi Germany faced multiple losses and steady Soviet and Western Allied offensives from 1943 to 1945.

On 28 April 1945, Mussolini was captured and executed by Italian communist partisans. On 30 April 1945, Hitler committed suicide. Shortly afterwards, Germany surrendered and the Nazi regime was systematically dismantled by the occupying Allied powers. An International Military Tribunal was subsequently convened in Nuremberg. Beginning in November 1945 and lasting through 1949, numerous Nazi political, military and economic leaders were tried and convicted of war crimes, with many of the worst offenders receiving the death penalty.

Post-World War II (1945–present)

Juan PerónPresident of Argentina from 1946 to 1955 and 1973 to 1974, admired Italian Fascism and modelled his economic policies on those pursued by Fascist Italy

The victory of the Allies over the Axis powers in World War II led to the collapse of many fascist regimes in Europe. The Nuremberg Trials convicted several Nazi leaders of crimes against humanity involving the Holocaust. However, there remained several movements and governments that were ideologically related to fascism.

Francisco Franco‘s Falangist one-party state in Spain was officially neutral during World War II and it survived the collapse of the Axis Powers. Franco’s rise to power had been directly assisted by the militaries of Fascist Italy and Nazi Germany during the Spanish Civil War and Franco had sent volunteers to fight on the side of Nazi Germany against the Soviet Union during World War II. The first years were characterized by a repression against the anti-fascist ideologies, a deep censorship and the suppression of democratic institutions (elected Parliament, Constitution of 1931, Regional Statutes of Autonomy). After World War II and a period of international isolation, Franco’s regime normalized relations with the Western powers during the Cold War, until Franco’s death in 1975 and the transformation of Spain into a liberal democracy.

Giorgio Almirante, leader of the Italian Social Movement from 1969 to 1987

Historian Robert Paxton observes that one of the main problems in defining fascism is that it was widely mimicked. Paxton says: “In fascism’s heyday, in the 1930s, many regimes that were not functionally fascist borrowed elements of fascist decor in order to lend themselves an aura of force, vitality, and mass mobilization”. He goes on to observe that Salazar “crushed Portuguese fascism after he had copied some of its techniques of popular mobilization”. [181] Paxton says that: “Where Franco subjected Spain’s fascist party to his personal control, Salazar abolished outright in July 1934 the nearest thing Portugal had to an authentic fascist movement, Rolão Preto’s blue-shirted National Syndicalists […] Salazar preferred to control his population through such “organic” institutions traditionally powerful in Portugal as the Church. Salazar’s regime was not only non-fascist, but “voluntarily non-totalitarian,” preferring to let those of its citizens who kept out of politics “live by habit”.[182] Historians tend to view the Estado Novo as para-fascist in nature,[183]possessing minimal fascist tendencies.[184] In Argentina, Peronism, associated with the regime of Juan Perón from 1946 to 1955 and 1973 to 1974, was influenced by fascism.[185] Between 1939 and 1941, prior to his rise to power, Perón had developed a deep admiration of Italian Fascism and modelled his economic policies on Italian Fascist policies.[185]

The term neo-fascism refers to fascist movements after World War II. In Italy, the Italian Social Movement led by Giorgio Almirante was a major neo-fascist movement that transformed itself into a self-described “post-fascist” movement called the National Alliance (AN), which has been an ally of Silvio Berlusconi‘s Forza Italia for a decade. In 2008, AN joined Forza Italia in Berlusconi’s new party The People of Freedom, but in 2012 a group of politicians split from The People of Freedom, refounding the party with the name Brothers of Italy. In Germany, various neo-Nazi movements have been formed and banned in accordance with Germany’s constitutional law which forbids Nazism. The National Democratic Party of Germany (NPD) is widely considered a neo-Nazi party, although the party does not publicly identify itself as such.

Golden Dawn demonstration in Greece in 2012

After the onset of the Great Recession and economic crisis in Greece, a movement known as the Golden Dawn, widely considered a neo-Nazi party, soared in support out of obscurity and won seats in Greece‘s parliament, espousing a staunch hostility towards minorities, illegal immigrants and refugees. In 2013, after the murder of an anti-fascist musician by a person with links to Golden Dawn, the Greek government ordered the arrest of Golden Dawn’s leader Nikolaos Michaloliakos and other Golden Dawn members on charges related to being associated with a criminal organization.

Tenets

Robert O. Paxton finds that the transformations undertaken by fascists in power were “profound enough to be called ‘revolutionary.'” They “often set fascists into conflict with conservatives rooted in families, churches, social rank, and property.” Paxton argues:

[F]ascism redrew the frontiers between private and public, sharply diminishing what had once been untouchably private. It changed the practice of citizenship from the enjoyment of constitutional rights and duties to participation in mass ceremonies of affirmation and conformity. It reconfigured relations between the individual and the collectivity, so that an individual had no rights outside community interest. It expanded the powers of the executive—party and state—in a bid for total control. Finally, it unleashed aggressive emotions hitherto known in Europe only during war or social revolution.[186]

Nationalism

Ultranationalism combined with the myth of national rebirth is a key foundation of fascism.[187] Dylan Riley argues that in Italy in the early 1920s:

Neither organized socialism nor the Italian liberals championed the democratic demands of the left nationalists. Fascism stepped into this vacuum, constituting itself as an antisocialist and antiliberal civil society movement. It was the failure of this counterhegemonic movement that would lead to the fascist seizure of power. Veterans’ organizations are the clearest manifestation of civic mobilization in postwar Italy.[188]

The fascist view of a nation is of a single organic entity that binds people together by their ancestry and is a natural unifying force of people.[189]Fascism seeks to solve economic, political and social problems by achieving a millenarian national rebirth, exalting the nation or race above all else and promoting cults of unity, strength and purity.[41][190][191][192][193] European fascist movements typically espouse a racist conception of non-Europeans being inferior to Europeans.[194] Beyond this, fascists in Europe have not held a unified set of racial views.[194] Historically, most fascists promoted imperialism, although there have been several fascist movements that were uninterested in the pursuit of new imperial ambitions.[194]

Totalitarianism

Fascism promotes the establishment of a totalitarian state.[195] It opposes liberal democracy, rejects multi-party systems and supports a one-party state. Mussolini’s The Doctrine of Fascism (1932) – partly ghostwritten by philosopher Giovanni Gentile,[196] who Mussolini described as “the philosopher of Fascism” – states: “The Fascist conception of the State is all-embracing; outside of it no human or spiritual values can exist, much less have value. Thus understood, Fascism is totalitarian, and the Fascist State—a synthesis and a unit inclusive of all values—interprets, develops, and potentiates the whole life of a people”.[197] In The Legal Basis of the Total State, Nazi political theorist Carl Schmitt described the Nazi intention to form a “strong state which guarantees a totality of political unity transcending all diversity” in order to avoid a “disastrous pluralism tearing the German people apart”.[198]

Fascist states pursued policies of social indoctrination through propaganda in education and the media and regulation of the production of educational and media materials.[199][200] Education was designed to glorify the fascist movement and inform students of its historical and political importance to the nation. It attempted to purge ideas that were not consistent with the beliefs of the fascist movement and to teach students to be obedient to the state.[201]

Economy

Fascism presented itself as a third position,[when?] alternative to both international socialism and free market capitalism.[202] While fascism opposed mainstream socialism, it sometimes regarded itself as a type of nationalist “socialism” to highlight their commitment to national solidarity and unity.[203][204] Fascists opposed international free market capitalism, but supported a type of productive capitalism.[115][205] Economic self-sufficiency, known as autarky, was a major goal of most fascist governments.[206]

Fascist governments advocated resolution of domestic class conflict within a nation in order to secure national solidarity.[207] This would be done through the state mediating relations between the classes (contrary to the views of classical liberal-inspired capitalists).[208] While fascism was opposed to domestic class conflict, it was held that bourgeois-proletarian conflict existed primarily in national conflict between proletarian nations versus bourgeois nations.[209] Fascism condemned what it viewed as widespread character traits that it associated as the typical bourgeois mentality that it opposed, such as materialism, crassness, cowardice, inability to comprehend the heroic ideal of the fascist “warrior”; and associations with liberalism, individualism and parliamentarianism.[210] In 1918, Mussolini defined what he viewed as the proletarian character, defining proletarian as being one and the same with producers, a productivist perspective that associated all people deemed productive, including entrepreneurs, technicians, workers and soldiers as being proletarian.[211] He acknowledged the historical existence of both bourgeois and proletarian producers, but declared the need for bourgeois producers to merge with proletarian producers.[211]

While fascism denounced the mainstream internationalist and Marxist socialisms, it claimed to economically represent a type of nationalist productivist socialism that while condemning parasitical capitalism, it was willing to accommodate productivist capitalism within it.[205] This was derived from Henri de Saint Simon, whose ideas inspired the creation of utopian socialism and influenced other ideologies, that stressed solidarity rather than class war and whose conception of productive people in the economy included both productive workers and productive bosses to challenge the influence of the aristocracy and unproductive financial speculators.[212] Saint Simon’s vision combined the traditionalist right-wing criticisms of the French Revolution combined with a left-wing belief in the need for association or collaboration of productive people in society.[212] Whereas Marxism condemned capitalism as a system of exploitative property relations, fascism saw the nature of the control of credit and money in the contemporary capitalist system as abusive.[205] Unlike Marxism, fascism did not see class conflict between the Marxist-defined proletariat and the bourgeoisie as a given or as an engine of historical materialism.[205] Instead, it viewed workers and productive capitalists in common as productive people who were in conflict with parasitic elements in society including: corrupt political parties, corrupt financial capital and feeble people.[205] Fascist leaders such as Mussolini and Hitler spoke of the need to create a new managerial elite led by engineers and captains of industry—but free from the parasitic leadership of industries.[205] Hitler stated that the Nazi Party supported bodenständigen Kapitalismus(“productive capitalism”) that was based upon profit earned from one’s own labour, but condemned unproductive capitalism or loan capitalism, which derived profit from speculation.[213]

Fascist economics supported a state-controlled economy that accepted a mix of private and public ownership over the means of production.[214] Economic planning was applied to both the public and private sector and the prosperity of private enterprise depended on its acceptance of synchronizing itself with the economic goals of the state.[215] Fascist economic ideology supported the profit motive, but emphasized that industries must uphold the national interest as superior to private profit.[215]

While fascism accepted the importance of material wealth and power, it condemned materialism which identified as being present in both communism and capitalism and criticized materialism for lacking acknowledgement of the role of the spirit.[216] In particular, fascists criticized capitalism not because of its competitive nature nor support of private property, which fascists supported—but due to its materialism, individualism, alleged bourgeois decadence and alleged indifference to the nation.[217] Fascism denounced Marxism for its advocacy of materialist internationalist class identity, which fascists regarded as an attack upon the emotional and spiritual bonds of the nation and a threat to the achievement of genuine national solidarity.[218]

In discussing the spread of fascism beyond Italy, historian Philip Morgan states:

Since the Depression was a crisis of laissez-faire capitalism and its political counterpart, parliamentary democracy, fascism could pose as the ‘third-way’ alternative between capitalism and Bolshevism, the model of a new European ‘civilization’. As Mussolini typically put it in early 1934, “from 1929…fascism has become a universal phenomenon… The dominant forces of the 19th century, democracy, socialism, liberalism have been exhausted…the new political and economic forms of the twentieth-century are fascist'(Mussolini 1935: 32).[160]

Fascists criticized egalitarianism as preserving the weak, and they instead promoted social Darwinist views and policies.[219][220] They were in principle opposed to the idea of social welfare, arguing that it “encouraged the preservation of the degenerate and the feeble.”[221] The Nazi Party condemned the welfare system of the Weimar Republic, as well as private charity and philanthropy, for supporting people whom they regarded as racially inferior and weak, and who should have been weeded out in the process of natural selection.[222] Nevertheless, faced with the mass unemployment and poverty of the Great Depression, the Nazis found it necessary to set up charitable institutions to help racially-pure Germans in order to maintain popular support, while arguing that this represented “racial self-help” and not indiscriminate charity or universal social welfare.[223] Thus, Nazi programs such as the Winter Relief of the German People and the broader National Socialist People’s Welfare (NSV) were organized as quasi-private institutions, officially relying on private donations from Germans to help others of their race—although in practice those who refused to donate could face severe consequences.[224] Unlike the social welfare institutions of the Weimar Republic and the Christian charities, the NSV distributed assistance on explicitly racial grounds. It provided support only to those who were “racially sound, capable of and willing to work, politically reliable, and willing and able to reproduce.” Non-Aryans were excluded, as well as the “work-shy”, “asocials” and the “hereditarily ill.”[225] Under these conditions, by 1939, over 17 million Germans had obtained assistance from the NSV, and the agency “projected a powerful image of caring and support” for “those who were judged to have got into difficulties through no fault of their own.”[225] Yet the organization was “feared and disliked among society’s poorest” because it resorted to intrusive questioning and monitoring to judge who was worthy of support.[226]

Action

Fascism emphasizes direct action, including supporting the legitimacy of political violence, as a core part of its politics.[17][227] Fascism views violent action as a necessity in politics that fascism identifies as being an “endless struggle”.[228] This emphasis on the use of political violence means that most fascist parties have also created their own private militias (e.g. the Nazi Party’s Brown shirts and Fascist Italy’s Blackshirts).

The basis of fascism’s support of violent action in politics is connected to social Darwinism.[228] Fascist movements have commonly held social Darwinist views of nations, races and societies.[229] They say that nations and races must purge themselves of socially and biologically weak or degenerate people, while simultaneously promoting the creation of strong people, in order to survive in a world defined by perpetual national and racial conflict.[230]

Age and gender roles

Members of the Piccole Italiane, an organization for girls within the National Fascist Party in Italy

Members of the League of German Girls, an organization for girls within the Nazi Party in Germany

Fascism emphasizes youth both in a physical sense of age and in a spiritual sense as related to virility and commitment to action.[231] The Italian Fascists’ political anthem was called Giovinezza (“The Youth”).[231] Fascism identifies the physical age period of youth as a critical time for the moral development of people who will affect society.[232]

Walter Laqueur argues that:

The corollaries of the cult of war and physical danger were the cult of brutality, strength, and sexuality….[fascism is] a true counter-civilization: rejecting the sophisticated rationalist humanism of Old Europe, fascism sets up as its ideal the primitive instincts and primal emotions of the barbarian.[233]

Italian Fascism pursued what it called “moral hygiene” of youth, particularly regarding sexuality.[234] Fascist Italy promoted what it considered normal sexual behaviour in youth while denouncing what it considered deviant sexual behaviour.[234] It condemned pornography, most forms of birth control and contraceptive devices (with the exception of the condom), homosexuality and prostitution as deviant sexual behaviour, although enforcement of laws opposed to such practices was erratic and authorities often turned a blind eye.[234] Fascist Italy regarded the promotion of male sexual excitation before puberty as the cause of criminality amongst male youth, declared homosexuality a social disease and pursued an aggressive campaign to reduce prostitution of young women.[234]

Mussolini perceived women’s primary role as primarily child bearers and men, warriors—once saying: “War is to man what maternity is to the woman”.[235] In an effort to increase birthrates, the Italian Fascist government gave financial incentives to women who raised large families and initiated policies intended to reduce the number of women employed.[236] Italian Fascism called for women to be honoured as “reproducers of the nation” and the Italian Fascist government held ritual ceremonies to honour women’s role within the Italian nation.[237] In 1934, Mussolini declared that employment of women was a “major aspect of the thorny problem of unemployment” and that for women, working was “incompatible with childbearing”. Mussolini went on to say that the solution to unemployment for men was the “exodus of women from the work force”.[238]

The German Nazi government strongly encouraged women to stay at home to bear children and keep house.[239] This policy was reinforced by bestowing the Cross of Honor of the German Mother on women bearing four or more children. The unemployment rate was cut substantially, mostly through arms production and sending women home so that men could take their jobs. Nazi propaganda sometimes promoted premarital and extramarital sexual relations, unwed motherhood and divorce, but at other times the Nazis opposed such behaviour.[240]

The Nazis decriminalized abortion in cases where fetuses had hereditary defects or were of a race the government disapproved of, while the abortion of healthy pure German, Aryan fetuses remained strictly forbidden.[241] For non-Aryans, abortion was often compulsory. Their eugenics program also stemmed from the “progressive biomedical model” of Weimar Germany.[242] In 1935, Nazi Germany expanded the legality of abortion by amending its eugenics law, to promote abortion for women with hereditary disorders.[241] The law allowed abortion if a woman gave her permission and the fetus was not yet viable[243][244] and for purposes of so-called racial hygiene.[245][246]

The Nazis said that homosexuality was degenerate, effeminate, perverted and undermined masculinity because it did not produce children.[247] They considered homosexuality curable through therapy, citing modern scientism and the study of sexology, which said that homosexuality could be felt by “normal” people and not just an abnormal minority.[248] Open homosexuals were interned in Nazi concentration camps.[249]

Palingenesis and modernism

Fascism emphasizes both palingenesis (national rebirth or re-creation) and modernism.[250] In particular, fascism’s nationalism has been identified as having a palingenetic character.[187]Fascism promotes the regeneration of the nation and purging it of decadence.[250] Fascism accepts forms of modernism that it deems promotes national regeneration while rejecting forms of modernism that are regarded as antithetical to national regeneration.[251] Fascism aestheticized modern technology and its association with speed, power and violence.[252] Fascism admired advances in the economy in the early 20th century, particularly Fordism and scientific management.[253] Fascist modernism has been recognized as inspired or developed by various figures—such as Filippo Tommaso MarinettiErnst JüngerGottfried BennLouis-Ferdinand CélineKnut HamsunEzra Pound and Wyndham Lewis.[254]

In Italy, such modernist influence was exemplified by Marinetti who advocated a palingenetic modernist society that condemned liberal-bourgeois values of tradition and psychology, while promoting a technological-martial religion of national renewal that emphasized militant nationalism.[255] In Germany, it was exemplified by Jünger who was influenced by his observation of the technological warfare during World War I and claimed that a new social class had been created that he described as the “warrior-worker”.[256] Jünger like Marinetti emphasized the revolutionary capacities of technology and emphasized an “organic construction” between human and machine as a liberating and regenerative force in that challenged liberal democracy, conceptions of individual autonomy, bourgeois nihilism and decadence.[256] He conceived of a society based on a totalitarian concept of “total mobilization” of such disciplined warrior-workers.[256]

Criticism

Fascism has been widely criticized and condemned in modern times since the defeat of the Axis Powers in World War II.

Anti-democratic and tyrannical

Hitler and Spanish dictator Francisco Franco in Meeting at Hendaye, on 23 October 1940

One of the most common and strongest criticisms of fascism is that it is a tyranny.[257] Fascism is deliberately and entirely non-democratic and anti-democratic.[258][259][260]

Unprincipled opportunism

Some critics of Italian fascism have said that much of the ideology was merely a by-product of unprincipled opportunism by Mussolini and that he changed his political stances merely to bolster his personal ambitions while he disguised them as being purposeful to the public.[261] Richard Washburn Child, the American ambassador to Italy who worked with Mussolini and became his friend and admirer, defended Mussolini’s opportunistic behaviour by writing: “Opportunist is a term of reproach used to brand men who fit themselves to conditions for the reasons of self-interest. Mussolini, as I have learned to know him, is an opportunist in the sense that he believed that mankind itself must be fitted to changing conditions rather than to fixed theories, no matter how many hopes and prayers have been expended on theories and programmes”.[262] Child quoted Mussolini as saying: “The sanctity of an ism is not in the ism; it has no sanctity beyond its power to do, to work, to succeed in practice. It may have succeeded yesterday and fail to-morrow. Failed yesterday and succeed to-morrow. The machine first of all must run!”.[262]

Some have criticized Mussolini’s actions during the outbreak of World War I as opportunist for seeming to suddenly abandon Marxist egalitarianinternationalism for non-egalitarian nationalism and note to that effect that upon Mussolini endorsing Italy’s intervention in the war against Germany and Austria-Hungary, he and the new fascist movement received financial support from foreign sources, such as Ansaldo (an armaments firm) and other companies[263] as well as the British Security Service MI5.[264] Some, including Mussolini’s socialist opponents at the time, have noted that regardless of the financial support he accepted for his pro-interventionist stance, Mussolini was free to write whatever he wished in his newspaper Il Popolo d’Italia without prior sanctioning from his financial backers.[265] Furthermore, the major source of financial support that Mussolini and the fascist movement received in World War I was from France and is widely believed to have been French socialists who supported the French government’s war against Germany and who sent support to Italian socialists who wanted Italian intervention on France’s side.[266]

Mussolini’s transformation away from Marxism into what eventually became fascism began prior to World War I, as Mussolini had grown increasingly pessimistic about Marxism and egalitarianism while becoming increasingly supportive of figures who opposed egalitarianism, such as Friedrich Nietzsche.[267] By 1902, Mussolini was studying Georges Sorel, Nietzsche and Vilfredo Pareto.[268] Sorel’s emphasis on the need for overthrowing decadent liberal democracy and capitalism by the use of violence, direct actiongeneral strikes and neo-Machiavellianappeals to emotion impressed Mussolini deeply.[269] Mussolini’s use of Nietzsche made him a highly unorthodox socialist, due to Nietzsche’s promotion of elitism and anti-egalitarian views.[267]Prior to World War I, Mussolini’s writings over time indicated that he had abandoned the Marxism and egalitarianism that he had previously supported in favour of Nietzsche’s übermenschconcept and anti-egalitarianism.[267] In 1908, Mussolini wrote a short essay called “Philosophy of Strength” based on his Nietzschean influence, in which Mussolini openly spoke fondly of the ramifications of an impending war in Europe in challenging both religion and nihilism: “[A] new kind of free spirit will come, strengthened by the war, … a spirit equipped with a kind of sublime perversity, … a new free spirit will triumph over God and over Nothing”.[106]

Ideological dishonesty

Fascism has been criticized for being ideologically dishonest. Major examples of ideological dishonesty have been identified in Italian fascism’s changing relationship with German Nazism.[270][271] Fascist Italy’s official foreign policy positions were known to commonly utilize rhetorical ideological hyperbole to justify its actions, although during Dino Grandi‘s tenure as Italy’s foreign minister the country engaged in realpolitik free of such fascist hyperbole.[272] Italian fascism’s stance towards German Nazism fluctuated from support from the late 1920s to 1934, when it celebrated Hitler’s rise to power and meeting with Hitler in 1934; to opposition from 1934 to 1936 after the assassination of Italy’s allied leader in AustriaEngelbert Dollfuss, by Austrian Nazis; and again back to support after 1936, when Germany was the only significant power that did not denounce Italy’s invasion and occupation of Ethiopia.

After antagonism exploded between Nazi Germany and Fascist Italy over the assassination of Austrian Chancellor Dollfuss in 1934, Mussolini and Italian fascists denounced and ridiculed Nazism’s racial theories, particularly by denouncing its Nordicism, while promoting Mediterraneanism.[271] Mussolini himself responded to Nordicists’ claims of Italy being divided into Nordic and Mediterranean racial areas due to Germanic invasions of Northern Italy by claiming that while Germanic tribes such as the Lombards took control of Italy after the fall of Ancient Rome, they arrived in small numbers (about 8,000) and quickly assimilated into Roman culture and spoke the Latin language within fifty years.[273] Italian fascism was influenced by the tradition of Italian nationalists scornfully looking down upon Nordicists’ claims and taking pride in comparing the age and sophistication of ancient Roman civilization as well as the classical revival in the Renaissance to that of Nordic societies that Italian nationalists described as “newcomers” to civilization in comparison.[270] At the height of antagonism between the Nazis and Italian fascists over race, Mussolini claimed that the Germans themselves were not a pure race and noted with irony that the Nazi theory of German racial superiority was based on the theories of non-German foreigners, such as Frenchman Arthur de Gobineau.[274] After the tension in German-Italian relations diminished during the late 1930s, Italian fascism sought to harmonize its ideology with German Nazism and combined Nordicist and Mediterranean racial theories, noting that Italians were members of the Aryan Race, composed of a mixed Nordic-Mediterranean subtype.[271]

In 1938, Mussolini declared upon Italy’s adoption of antisemitic laws that Italian fascism had always been antisemitic,[271] In fact, Italian fascism did not endorse antisemitism until the late 1930s when Mussolini feared alienating antisemitic Nazi Germany, whose power and influence were growing in Europe. Prior to that period there had been notable Jewish Italians who had been senior Italian fascist officials, including Margherita Sarfatti, who had also been Mussolini’s mistress.[271] Also contrary to Mussolini’s claim in 1938, only a small number of Italian fascists were staunchly antisemitic (such as Roberto Farinacci and Giuseppe Preziosi), while others such as Italo Balbo, who came from Ferrara which had one of Italy’s largest Jewish communities, were disgusted by the antisemitic laws and opposed them.[271] Fascism scholar Mark Neocleous notes that while Italian fascism did not have a clear commitment to antisemitism, there were occasional antisemitic statements issued prior to 1938, such as Mussolini in 1919 declaring that the Jewish bankers in London and New York were connected by race to the Russian Bolsheviks and that eight percent of the Russian Bolsheviks were Jews.[275]

See also

References …

https://en.wikipedia.org/wiki/Fascism

 

 

 

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G.K. Noyer — Voltaire’s Revolution — Videos

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Voltaire’s Revolution

Voltaire, the pen name of François-Marie Arouet (1694-1778), was one of the most influential leaders of the French Enlightenment. His defense of individual freedom of conscience and his criticisms of religious fanaticism and oppressive orthodoxy had a telling effect on Western history, inspiring several leading founders of America’s new laws.

This is the first English translation of many of his key texts from his famous pamphlet war for tolerance, written from 1750 to 1768, originally published under pseudonyms to avoid imprisonment and to educate the average citizen. Included are “The Sermon of Rabbi Akib” (a searing attack on anti-Semitism),  “Prayer to God” (from the famous Treatise on Tolerance), the hugely popular “Catechism of the Honest Man,” “The Dinner at Count Boulainvillier’s,” and other witty, sometimes acerbic pieces that point out the errors in the Bible, the corruption of the clergy, and the religiously-inspired persecutions, both of his day and across the ages. Many of these pamphlets were burned in a losing battle by the authorities.

With a lengthy introduction and copious notes by the editor and translator, plus an appendix including first-hand accounts of the battle by noted mathematician and French revolutionary Condorcet, Frederick the Great, Irish writer Oliver Goldsmith, and others, this excellent compilation will be a welcome addition to the libraries of anyone with an interest in human rights and freedom of thought.

https://www.microsoft.com/en-us/p/voltaires-revolution/fgqpf3h0d0nr?activetab=pivot%3aoverviewtab

 

G.K. Noyer

GOODREADS AUTHOR

 

Born  suburb of Detroit, The United States

 

Influences Voltaire, Norman Torrey, René Pomeau, Theodore Besterman, Haydn Mason, …more

 

Member Since December 2010

A writer from Michigan, where she wrote for a PBS affiliate and radio, GK Noyer lives in France (not because of Voltaire, but it helped the research). Predominantly a TV scriptwriter and translator for years, this is her first book, and the 20+ years of research it reflects was first undertaken in view of writing a screenplay on Voltaire. A few years back, the discovery of the near disappearance of the Enlightenment from our schoolbooks along with the increasing polarization over religion then suggested that this book might be a better place to start. Here are a couple of reviews that offer more details: http://www.openlettersmonthly.com/boo…
and http://www.factsandarts.com/essays/g-…More links and info are available on the GK Noyer Fac…more

Voltaire Biography

voltaireVoltaire (21 November 1694 – 30 May 1778) was a French writer, essayist, and philosopher – he was known for his wit, satire, and defence of civil liberties. He sought to defend freedom of religious and political thought and played a major role in the Enlightenment period of the eighteenth century.

“Love truth, but pardon error.”

– Voltaire

Voltaire was a prolific writer, producing more than 20,000 letters and over 2,000 books and pamphlets. Despite strict censorship laws, he frequently risked large penalties by breaking them and questioning the establishment.

Short Biography of Voltaire

voltaire

Voltaire was born François-Marie Arouet, in Paris. He was educated by Jesuits at the Collège Louis-le-Grand (1704–1711), becoming fluent in Greek, Latin and the major European languages.

His father tried to encourage Voltaire to become a lawyer, but Voltaire was more interested in becoming a writer. Instead of studying to be a lawyer, he began writing poetry and mild criticisms of the church and state. His humorous, satirical writing made him popular with sections of Paris society, though they also started attracting the attention of the censors.

In 1726, he was exiled to England after being involved in a scuffle with a French nobleman. The nobleman used his wealth to have him arrested, and this would cause Voltaire to try and reform the French judicial system. After this first imprisonment in the Bastilles, he changed his name to Voltaire – signifying his departure from his past. He also used numerous other pen names throughout the course of his life, in a bid to escape censorship.

Voltaire spent three years in England, where he was influenced by British writers, such as William Shakespeare and also the different political system, which saw a constitutional monarchy rather than an absolute monarchy as in France. He also learnt from great scientists, such as Sir Isaac Newton. Voltaire was particularly impressed by the Scottish Enlightenment thinkers, such as Adam Smith and David Hume, saying once:

“We look to Scotland for all our ideas of civilisation”

Although he had much in common with fellow French Enlightenment philosopher Jean Jacques Rousseau, the pair often disagreed and had a prickly relationship. However, after Rousseau wrote Emile / Vicaire Savoyard, Voltaire offered Rousseau a safe haven because he appreciated Rousseau’s attack on religious hypocrisy. Rousseau regretted not replying to Voltaire’s offer.

On returning to France, he wrote letters praising the British system of government and their greater respect for freedom of speech. This enraged the French establishment, and again he was forced to flee Paris.

Seeking a safe place, Voltaire began a collaboration with Marquise du Chatelet. During this time, Voltaire wrote on Newton’s scientific theories and helped to make Newton’s ideas accessible to a much wider section of European society. He also began attacking the church’s relationship with the state. Voltaire argued for the separation of religion and state and also allowing freedom of belief and religious tolerance. Voltaire had a mixed opinion of the Bible and was willing to criticise it. Though not professing a religion, he believed in God, as a matter of reason.

“What is faith? Is it to believe that which is evident? No. It is perfectly evident to my mind that there exists a necessary, eternal, supreme, and intelligent being. This is no matter of faith, but of reason.” On Catholicism

In a letter to Frederick II, King of Prussia, (5 January 1767) he once wrote:

“Ours [religion] is without a doubt the most ridiculous, the most absurd, and the most blood-thirsty ever to infect the world.”

In 1744, Voltaire returned to Paris, where he began a relationship with his niece, Marie Louise Mignot. They remained together until his death.

For a brief time, he was invited by Frederick the Great, to Potsdam. Here, Voltaire wrote more articles of a scientific nature, but later incurred the displeasure of the king as he started satirising the abuses of power within the state.

In 1759, he wrote his best-known work – Candide, ou l’Optimisme (Candide, or Optimism) This was a satire on the philosophy of Leibniz. After a brief stay in Geneva, he settled for 20 years in Ferny on the French border.

In his later life, Voltaire continued to write and also to support persecuted religious minorities. He was visited by some of the leading European intellectuals of the day – such as James Boswell and Adam Smith.

In 1778, he died after shortly returning to Paris. Some of his enemies claimed he made a deathbed conversion to Catholicism, but this is disputed.

In February of that year, fearing he would die, he wrote:

“I die adoring God, loving my friends, not hating my enemies, and detesting superstition.”

Voltaire was secretly buried before a pronouncement could be made public.

Three years after his death, on 11 July 1791, he was brought back to Paris to be enshrined in the Pantheon. It is said up to a million people came to see Voltaire – now considered a French hero and fore-runner of the French revolution.

Influence of Voltaire

  • Voltaire revolutionised the art of history. He sought to avoid bias and included discussion of social and economic issues, moving away from dry military accounts.
  • Voltaire argued for an extension of education, hoping greater literacy would free society from ignorance.
  • Voltaire wrote poems and plays, including two epics. Voltaire politicised writing by showing that even poetry and romance could be laced with satire and political polemic. Often it was indirect criticism that was most effective.
  • Voltaire was a passionate and persistent critic of those in power who misused their position. By attacking the abuses of the absolute monarchy and church, he paved the way for a less deferential attitude which was a significant underlying cause of the French revolution.
  • At a time of religious persecution, Voltaire illustrated how religious dogmas were created by human ignorance and led to needless bloodshed and suffering.
  • Voltaire was a key figure of the enlightenment which sought to use a range of scientific and literary books to explain the underlying nature of life. Voltaire believed no one book or dogma could explain everything. But, true understanding required the use of reason and an open mind.

Citation: Pettinger, Tejvan. “Biography of Voltaire”, Oxford, www.biographyonline.net – 3 February 2013. Last updated 7 February 2018.

Voltaire Quotes

“It does not require great art, or magnificently trained eloquence, to prove that Christians should tolerate each other. I, however, am going further: I say that we should regard all men as our brothers. What? The Turk my brother? The Chinaman my brother? The Jew? The Siam? Yes, without doubt; are we not all children of the same father and creatures of the same God?”

– Voltaire A Treatise on Toleration (1763)

https://www.biographyonline.net/writers/voltaire.html

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PRAISE

“An essential book for Anglophones studying Voltaire, philosophy, and the separation of religion from government.”

Portland Book Review

“I count myself as a Voltaire enthusiast but had never bothered to unearth some of these gems… No other book offers such a lively collection of Voltairian prose in so few pages.”

Facts & Arts

“It would be nice to think Voltaire’s Revolution will add to the ranks of the admirers. If this much wit and brilliance (all very adroitly translated) can’t manage that, probably nothing can.”

Open Letters Monthly

https://www.penguinrandomhouse.com/books/249737/voltaires-revolution-by-gk-noyer/9781633880382/

Voltaire

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Voltaire
Portrait by Nicolas de Largillière, c. 1724

Portrait by Nicolas de Largillière, c. 1724
Born François-Marie Arouet
21 November 1694
ParisKingdom of France
Died 30 May 1778 (aged 83)
Paris, Kingdom of France
Resting place Panthéon, Paris, France
Occupation Writer, philosopher
Language French
Nationality French
Alma mater Collège Louis-le-Grand
Partner Émilie du Châtelet (1733–1749)

Philosophy career

Era Age of Enlightenment
Region Western philosophy
French philosophy
School Lumières
Philosophes
Deism
Classical liberalism
Main interests
Political philosophyliteraturehistoriographybiblical criticism
Notable ideas
Philosophy of history,[1] freedom of religionfreedom of speechseparation of church and state

François-Marie Arouet (French: [fʁɑ̃swa maʁi aʁwɛ]; 21 November 1694 – 30 May 1778), known by his nom de plume Voltaire (/vɒlˈtɛər/;[2]French: [vɔltɛːʁ]), was a French Enlightenment writer, historian and philosopher famous for his wit, his criticism of Christianity, especially the Roman Catholic Church, and his advocacy of freedom of religionfreedom of speech, and separation of church and state.

Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets.[3] He was an outspoken advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.

Biography

François-Marie Arouet was born in Paris, the youngest of the five children of François Arouet (19 August 1649 – 1 January 1722), a lawyer who was a minor treasury official, and his wife, Marie Marguerite Daumard (c. 1660 – 13 July 1701), whose family was on the lowest rank of the French nobility.[4] Some speculation surrounds Voltaire’s date of birth, because he claimed he was born on 20 February 1694 as the illegitimate son of a nobleman, Guérin de Rochebrune or Roquebrune.[5] Two of his older brothers—Armand-François and Robert—died in infancy, and his surviving brother Armand and sister Marguerite-Catherine were nine and seven years older, respectively.[6] Nicknamed “Zozo” by his family, Voltaire was baptized on 22 November 1694, with François de Castagnère, abbé de Châteauneuf [fr], and Marie Daumard, the wife of his mother’s cousin, standing as godparents.[7] He was educated by the Jesuits at the Collège Louis-le-Grand(1704–1711), where he was taught Latin, theology, and rhetoric;[8] later in life he became fluent in Italian, Spanish, and English.[9]

By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, who wanted him to become a lawyer.[10] Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father found out, he sent Voltaire to study law, this time in CaenNormandy. But the young man continued to write, producing essays and historical studies. Voltaire’s wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Châteauneuf [fr], the brother of Voltaire’s godfather.[11] At The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer (known as ‘Pimpette’).[11] Their affair, considered scandalous, was discovered by de Châteauneuf and Voltaire was forced to return to France by the end of the year.[12]

Voltaire was imprisoned in the Bastille from 16 May 1717 to 15 April 1718 in a windowless cell with ten-foot-thick walls.[13]

Most of Voltaire’s early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government. As a result, he was twice sentenced to prison and once to temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his daughter, resulted in an eleven-month imprisonment in the Bastille.[14] The Comédie-Française had agreed in January 1717 to stage his debut play, Œdipe, and it opened in mid-November 1718, seven months after his release.[15] Its immediate critical and financial success established his reputation.[16] Both the Régent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation.[17]

He mainly argued for religious tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects people’s rights.[18][19]

Name

The author adopted the name Voltaire in 1718, following his incarceration at the Bastille. Its origin is unclear. It is an anagram of AROVET LI, the Latinized spelling of his surname, Arouet, and the initial letters of le jeune (“the young”).[20] According to a family tradition among the descendants of his sister, he was known as le petit volontaire (“determined little thing”) as a child, and he resurrected a variant of the name in his adult life.[21] The name also reverses the syllables of Airvault, his family’s home town in the Poitou region.[22]

Richard Holmes[23] supports the anagrammatic derivation of the name, but adds that a writer such as Voltaire would have intended it to also convey connotations of speed and daring. These come from associations with words such as voltige (acrobatics on a trapeze or horse), volte-face (a spinning about to face one’s enemies), and volatile (originally, any winged creature). “Arouet” was not a noble name fit for his growing reputation, especially given that name’s resonance with à rouer (“to be beaten up”) and roué (a débauché).

In a letter to Jean-Baptiste Rousseau in March 1719, Voltaire concludes by asking that, if Rousseau wishes to send him a return letter, he do so by addressing it to Monsieur de Voltaire. A postscript explains: “J’ai été si malheureux sous le nom d’Arouet que j’en ai pris un autre surtout pour n’être plus confondu avec le poète Roi“, (“I was so unhappy under the name of Arouet that I have taken another, primarily so as to cease to be confused with the poet Roi.”)[24] This probably refers to Adenes le Roi, and the ‘oi’ diphthong was then pronounced like modern ‘ouai’, so the similarity to ‘Arouet’ is clear, and thus, it could well have been part of his rationale. Voltaire is known also to have used at least 178 separate pen names during his lifetime.[25]

Early fiction

Voltaire’s next play, Artémire, set in ancient Macedonia, opened on 15 February 1720. It was a flop and only fragments of the text survive.[26] He instead turned to an epic poem about Henry IV of France that he had begun in early 1717.[27] Denied a licence to publish, in August 1722 Voltaire headed north to find a publisher outside France. On the journey, he was accompanied by his mistress, Marie-Marguerite de Rupelmonde, a young widow.[28]

At Brussels, Voltaire and Rousseau met up for a few days, before Voltaire and his mistress continued northwards. A publisher was eventually secured in The Hague.[29] In the Netherlands, Voltaire was struck and impressed by the openness and tolerance of Dutch society.[30] On his return to France, he secured a second publisher in Rouen, who agreed to publish La Henriadeclandestinely.[31] After Voltaire’s recovery from a month-long smallpox infection in November 1723, the first copies were smuggled into Paris and distributed.[32] While the poem was an instant success, Voltaire’s new play, Mariamne, was a failure when it first opened in March 1724.[33] Heavily reworked, it opened at the Comédie-Française in April 1725 to a much-improved reception.[33] It was among the entertainments provided at the wedding of Louis XV and Marie Leszczyńska in September 1725.[33]

Great Britain

In early 1726, a young French nobleman, the chevalier de Rohan-Chabot, taunted Voltaire about his change of name, and Voltaire retorted that his name would be honored while de Rohan would dishonor his.[34] Infuriated, de Rohan arranged for Voltaire to be beaten up by thugs a few days later.[35] Seeking compensation, redress, or revenge, Voltaire challenged de Rohan to a duel, but the aristocratic de Rohan family arranged for Voltaire to be arrested and imprisoned in the Bastille on 17 April 1726 without a trial or an opportunity to defend himself.[36][37] Fearing an indefinite prison sentence, Voltaire suggested that he be exiled to England as an alternative punishment, which the French authorities accepted.[38] On 2 May, he was escorted from the Bastille to Calais, where he was to embark for Britain.[39]

Elémens de la philosophie de Neuton, 1738

In England, Voltaire lived largely in Wandsworth, with acquaintances including Everard Fawkener.[40] From December 1727 to June 1728 he lodged at Maiden Lane, Covent Garden, now commemorated by a plaque, to be nearer to his British publisher.[41] Voltaire circulated throughout English high society, meeting Alexander PopeJohn GayJonathan SwiftLady Mary Wortley MontaguSarah, Duchess of Marlborough, and many other members of the nobility and royalty.[42] Voltaire’s exile in Great Britain greatly influenced his thinking. He was intrigued by Britain’s constitutional monarchy in contrast to French absolutism, and by the country’s greater support of the freedoms of speech and religion.[43] He was influenced by the writers of the age, and developed an interest in earlier English literature, especially the works of Shakespeare, still relatively unknown in continental Europe.[44] Despite pointing out his deviations from neoclassical standards, Voltaire saw Shakespeare as an example that French writers might emulate, since French drama, despite being more polished, lacked on-stage action. Later, however, as Shakespeare’s influence began growing in France, Voltaire tried to set a contrary example with his own plays, decrying what he considered Shakespeare’s barbarities. Voltaire may have been present at the funeral of Isaac Newton,[a]and met Newton’s niece, Catherine Conduitt.[41] In 1727, he published two essays in English, Upon the Civil Wars of France, Extracted from Curious Manuscripts and Upon Epic Poetry of the European Nations, from Homer Down to Milton.[41]

After two and a half years in exile, Voltaire returned to France, and after a few months living in Dieppe, the authorities permitted him to return to Paris.[45]At a dinner, French mathematician Charles Marie de La Condamine proposed buying up the lottery that was organized by the French government to pay off its debts, and Voltaire joined the consortium, earning perhaps a million livres.[46] He invested the money cleverly and on this basis managed to convince the Court of Finances that he was of good conduct and so was able to take control of a capital inheritance from his father that had hitherto been tied up in trust. He was now indisputably rich.[47][48]

Further success followed, in 1732, with his play Zaïre, which when published in 1733 carried a dedication to Fawkener that praised English liberty and commerce.[49] At this time he published his views on British attitudes toward government, literature, religion and science in a collection of essays in letter form entitled Letters Concerning the English Nation (London, 1733).[50] In 1734, they were published in French as Lettres philosophiques in Rouen.[51][b] Because the publisher released the book without the approval of the royal censor and Voltaire regarded the British constitutional monarchy as more developed and more respectful of human rights (particularly religious tolerance) than its French counterpart, the French publication of Letters caused a huge scandal; the book was publicly burnt and banned, and Voltaire was forced again to flee Paris.[18]

Château de Cirey

In the frontispiece to Voltaire’s book on Newton’s philosophy, Émilie du Châteletappears as Voltaire’s muse, reflecting Newton’s heavenly insights down to Voltaire.[52]

In 1733, Voltaire met Émilie du Châtelet, a mathematician and married mother of three who was 12 years his junior and with whom he was to have an affair for 16 years.[53] To avoid arrest after the publication of Letters, Voltaire took refuge at her husband’s château at Cirey-sur-Blaise, on the borders of Champagne and Lorraine.[54] Voltaire paid for the building’s renovation,[55] and Émilie’s husband, the Marquis du Châtelet, sometimes stayed at the château with his wife and her lover.[56] The relationship had a significant intellectual element. Voltaire and the Marquise du Châtelet collected around 21,000 books, an enormous number for the time.[57] Together, they studied these books and performed experiments in the natural sciences at Cirey, which included an attempt to determine the nature of fire.[58]

Having learned from his previous brushes with the authorities, Voltaire began his habit of keeping out of personal harm’s way and denying any awkward responsibility.[59] He continued to write plays, such as Mérope (or La Mérope française) and began his long research into science and history. Again, a main source of inspiration for Voltaire were the years of his British exile, during which he had been strongly influenced by the works of Sir Isaac Newton. Voltaire strongly believed in Newton’s theories; he performed experiments in optics at Cirey,[60] and was one of the sources for the famous story of Newton and the apple falling from the tree, which he had learned from Newton’s niece in London and first mentioned in his Letters.[41]

Pastel by Maurice Quentin de La Tour, 1735

In the fall of 1735, Voltaire was visited by Francesco Algarotti, who was preparing a book about Newton in Italian.[61] Partly inspired by the visit, the Marquise translated Newton’s Latin Principia into French in full, and it remained the definitive French translation into the 21st century.[18] Both she and Voltaire were also curious about the philosophies of Gottfried Leibniz, a contemporary and rival of Newton. While Voltaire remained a firm Newtonian, the Marquise adopted certain aspects of Leibniz’s arguments against Newton.[18][62] Voltaire’s own book Elements of Newton’s Philosophy made Newton accessible and understandable to a far greater public, and the Marquise wrote a celebratory review in the Journal des savants.[18][63] Voltaire’s work was instrumental in bringing about general acceptance of Newton’s optical and gravitational theories in France.[18][64]

Voltaire and the Marquise also studied history, particularly those persons who had contributed to civilization. Voltaire’s second essay in English had been “Essay upon the Civil Wars in France”. It was followed by La Henriade, an epic poem on the French King Henri IV, glorifying his attempt to end the Catholic-Protestant massacres with the Edict of Nantes, and by a historical novel on King Charles XII of Sweden. These, along with his Letters on the English mark the beginning of Voltaire’s open criticism of intolerance and established religions.[citation needed] Voltaire and the Marquise also explored philosophy, particularly metaphysics, the branch of philosophy that deals with being and with what lies beyond the material realm, such as whether or not there is a God and whether people have souls. Voltaire and the Marquise analyzed the Bible and concluded that much of its content was dubious.[65] Voltaire’s critical views on religion are reflected in his belief in separation of church and state and religious freedom, ideas that he had formed after his stay in England.

In August 1736, Frederick the Great, then Crown Prince of Prussia and a great admirer of Voltaire, initiated a correspondence with him.[66] That December, Voltaire moved to Holland for two months and became acquainted with the scientists Herman Boerhaave and ‘s Gravesande.[67] From mid-1739 to mid-1740 Voltaire lived largely in Brussels, at first with the Marquise, who was unsuccessfully attempting to pursue a 60-year-old family legal case regarding the ownership of two estates in Limburg.[68] In July 1740, he traveled to the Hague on behalf of Frederick in an attempt to dissuade a dubious publisher, van Duren, from printing without permission Frederick’s Anti-Machiavel.[69] In September Voltaire and Frederick (now King) met for the first time in Moyland Castlenear Cleves and in November Voltaire was Frederick’s guest in Berlin for two weeks;[70] in September 1742 they met in Aix-la-Chapelle.[71] Voltaire was sent to Frederick’s court in 1743 by the French government as an envoy and spy to gauge Frederick’s military intentions in the War of the Austrian Succession.[72]

Though deeply committed to the Marquise, Voltaire by 1744 found life at the château confining. On a visit to Paris that year, he found a new love—his niece. At first, his attraction to Marie Louise Mignot was clearly sexual, as evidenced by his letters to her (only discovered in 1957).[73][74] Much later, they lived together, perhaps platonically, and remained together until Voltaire’s death. Meanwhile, the Marquise also took a lover, the Marquis de Saint-Lambert.[75]

Prussia

Die Tafelrunde by Adolph von Menzel: guests of Frederick the Great at Sanssouci, including members of the Prussian Academy of Sciences and Voltaire (third from left)

After the death of the Marquise in childbirth in September 1749, Voltaire briefly returned to Paris and in mid-1750 moved to Prussia at the invitation of Frederick the Great.[76] The Prussian king (with the permission of Louis XV) made him a chamberlain in his household, appointed him to the Order of Merit, and gave him a salary of 20,000 French livres a year.[77] He had rooms at Sanssouci and Charlottenburg Palace.[78] Life went well for Voltaire at first,[79] and in 1751 he completed Micromégas, a piece of science fiction involving ambassadors from another planet witnessing the follies of humankind.[80] However, his relationship with Frederick the Great began to deteriorate after he was accused of theft and forgery by a Jewish financier, Abraham Hirschel, who had invested in Saxon government bonds on behalf of Voltaire at a time when Frederick was involved in sensitive diplomatic negotiations with Saxony.[81]

He encountered other difficulties: an argument with Maupertuis, the president of the Berlin Academy of Science and a former rival for Émilie’s affections, provoked Voltaire’s Diatribe du docteur Akakia (“Diatribe of Doctor Akakia”), which satirized some of Maupertuis’s theories and his abuse of power in his persecutions of a mutual acquaintance, Johann Samuel König. This greatly angered Frederick, who ordered all copies of the document burned.[82] On 1 January 1752, Voltaire offered to resign as chamberlain and return his insignia of the Order of Merit; at first, Frederick refused until eventually permitting Voltaire to leave in March.[83] On a slow journey back to France, Voltaire stayed at Leipzig and Gotha for a month each, and Kassel for two weeks, arriving at Frankfurt on 31 May. The following morning, he was detained at the inn where he was staying by Frederick’s agents, who held him in the city for over three weeks while they, Voltaire and Frederick argued by letter over the return of a satirical book of poetry Frederick had lent to Voltaire. Marie Louise joined him on 9 June. She and her uncle only left Frankfurt in July after she had defended herself from the unwanted advances of one of Frederick’s agents and Voltaire’s luggage had been ransacked and valuable items taken.[84]

Voltaire’s attempts to vilify Frederick for his agents’ actions at Frankfurt were largely unsuccessful. Voltaire responded by composing Mémoires pour Servir à la Vie de M. de Voltaire, a work published after his death that paints a largely negative picture of his time spent with Frederick. However, the correspondence between them continued, and though they never met in person again, after the Seven Years’ War they largely reconciled.[85]

Geneva and Ferney

Voltaire’s château at Ferney, France

Voltaire’s slow progress toward Paris continued through MainzMannheimStrasbourg, and Colmar,[86] but in January 1754 Louis XV banned him from Paris,[87] so instead he turned for Geneva, near which he bought a large estate (Les Délices) in early 1755.[88] Though he was received openly at first, the law in Geneva, which banned theatrical performances, and the publication of The Maid of Orleans against his will soured his relationship with Calvinist Genevans.[89] In late 1758, he bought an even larger estate at Ferney, on the French side of the Franco-Swiss border.[90]

Early in 1759, Voltaire completed and published Candide, ou l’Optimisme (Candide, or Optimism). This satire on Leibniz‘s philosophy of optimistic determinism remains the work for which Voltaire is perhaps best known. He would stay in Ferney for most of the remaining 20 years of his life, frequently entertaining distinguished guests, such as James BoswellAdam SmithGiacomo Casanova, and Edward Gibbon.[c] In 1764, he published one of his best-known philosophical works, the Dictionnaire philosophique, a series of articles mainly on Christian history and dogmas, a few of which were originally written in Berlin.[37]

From 1762, he began to champion unjustly persecuted people, the case of Huguenot merchant Jean Calas being the most celebrated.[37] Calas had been tortured to death in 1763, supposedly because he had murdered his eldest son for wanting to convert to Catholicism. His possessions were confiscated and his two daughters were taken from his widow and were forced into Catholic convents. Voltaire, seeing this as a clear case of religious persecution, managed to overturn the conviction in 1765.[91]

Voltaire was initiated into Freemasonry a little over a month before his death. On 4 April 1778, Voltaire attended la Loge des Neuf Sœurs in Paris, and became an Entered ApprenticeFreemason. According to some sources, “Benjamin Franklin … urged Voltaire to become a freemason; and Voltaire agreed, perhaps only to please Franklin.”[92][93][94] However, Benjamin Franklin was merely a visitor at the time Voltaire was initiated, the two only met a month before Voltaire’s death, and their interactions with each other were brief.[95]

House in Paris where Voltaire died

Death and burial

Jean-Antoine Houdon, Voltaire, 1778, National Gallery of Art

In February 1778, Voltaire returned for the first time in over 25 years to Paris, among other reasons to see the opening of his latest tragedy, Irene.[96] The five-day journey was too much for the 83-year-old, and he believed he was about to die on 28 February, writing “I die adoring God, loving my friends, not hating my enemies, and detesting superstition.” However, he recovered, and in March he saw a performance of Irene, where he was treated by the audience as a returning hero.[37]

He soon became ill again and died on 30 May 1778. The accounts of his deathbed have been numerous and varying, and it has not been possible to establish the details of what precisely occurred. His enemies related that he repented and accepted the last rites given by a Catholic priest, or that he died under great torment, while his adherents told how he was defiant to his last breath.[97] According to one story of his last words, his response to a priest at his deathbed urging him to renounce Satan was “Now is not the time for making new enemies.”[98] However, this appears to have originated from a joke first published in a Massachusetts newspaper in 1856, and was only attributed to Voltaire in the 1970s.[99]

Because of his well-known criticism of the Church, which he had refused to retract before his death, Voltaire was denied a Christian burial in Paris,[100]but friends and relations managed to bury his body secretly at the Abbey of Scellières in Champagne, where Marie Louise’s brother was abbé.[101] His heart and brain were embalmed separately.[102]

Voltaire’s tomb in the Paris Panthéon

Regarding Voltaire as a forerunner of the French Revolution, the National Assembly of France had his remains brought back to Paris, and enshrined in the Panthéon on 11 July 1791.[103][d] It is estimated that a million people attended the procession, which stretched throughout Paris. There was an elaborate ceremony, complete with an orchestra, and the music included a piece that André Grétry had composed especially for the event, which included a part for the “tuba curva” (an instrument that originated in Roman times as the cornu but had recently been revived under a new name).[106]

Writings

History

Voltaire had an enormous influence on the development of historiography through his demonstration of fresh new ways to look at the past. Guillaume de Syon argues:

Voltaire recast historiography in both factual and analytical terms. Not only did he reject traditional biographies and accounts that claim the work of supernatural forces, but he went so far as to suggest that earlier historiography was rife with falsified evidence and required new investigations at the source. Such an outlook was not unique in that the scientific spirit that 18th-century intellectuals perceived themselves as invested with. A rationalistic approach was key to rewriting history.[107]

Voltaire’s best-known histories are History of Charles XII (1731), The Age of Louis XIV (1751), and his Essay on the Customs and the Spirit of the Nations (1756). He broke from the tradition of narrating diplomatic and military events, and emphasized customs, social history and achievements in the arts and sciences. The Essay on Customs traced the progress of world civilization in a universal context, thereby rejecting both nationalism and the traditional Christian frame of reference. Influenced by Bossuet‘s Discourse on the Universal History (1682), he was the first scholar to make a serious attempt to write the history of the world, eliminating theological frameworks, and emphasizing economics, culture and political history. He treated Europe as a whole, rather than a collection of nations. He was the first to emphasize the debt of medieval culture to Middle Eastern civilization, but otherwise was weak on the Middle Ages. Although he repeatedly warned against political bias on the part of the historian, he did not miss many opportunities to expose the intolerance and frauds of the church over the ages. Voltaire advised scholars that anything contradicting the normal course of nature was not to be believed. Although he found evil in the historical record, he fervently believed reason and educating the illiterate masses would lead to progress.

Voltaire explains his view of historiography in his article on “History” in Diderot’s Encyclopédie: “One demands of modern historians more details, better ascertained facts, precise dates, more attention to customs, laws, mores, commerce, finance, agriculture, population.” Voltaire’s histories imposed the values of the Enlightenment on the past, but at the same time he helped free historiography from antiquarianism, Eurocentrism, religious intolerance and a concentration on great men, diplomacy, and warfare.[108][109] Yale professor Peter Gay says Voltaire wrote “very good history”, citing his “scrupulous concern for truths”, “careful sifting of evidence”, “intelligent selection of what is important”, “keen sense of drama”, and “grasp of the fact that a whole civilization is a unit of study”.[110]

Poetry

From an early age, Voltaire displayed a talent for writing verse and his first published work was poetry. He wrote two book-long epic poems, including the first ever written in French, the Henriade, and later, The Maid of Orleans, besides many other smaller pieces.[citation needed]

The Henriade was written in imitation of Virgil, using the alexandrine couplet reformed and rendered monotonous for modern readers but it was a huge success in the 18th and early 19th century, with sixty-five editions and translations into several languages. The epic poem transformed French King Henry IV into a national hero for his attempts at instituting tolerance with his Edict of Nantes. La Pucelle, on the other hand, is a burlesque on the legend of Joan of Arc.

Prose

Frontispiece and first page of an early English translation by T. Smollett et al. of Voltaire’s Candide, 1762

Many of Voltaire’s prose works and romances, usually composed as pamphlets, were written as polemicsCandide attacks the passivity inspired by Leibniz’s philosophy of optimism through the character Pangloss’s frequent refrain that circumstances are the “best of all possible worlds“. L’Homme aux quarante ecus (The Man of Forty Pieces of Silver), addresses social and political ways of the time; Zadig and others, the received forms of moral and metaphysical orthodoxy; and some were written to deride the Bible. In these works, Voltaire’s ironic style, free of exaggeration, is apparent, particularly the restraint and simplicity of the verbal treatment.[111] Candide in particular is the best example of his style. Voltaire also has—in common with Jonathan Swift—the distinction of paving the way for science fiction’s philosophical irony, particularly in his Micromégas and the vignette Plato’s Dream (1756).

In general, his criticism and miscellaneous writing show a similar style to Voltaire’s other works. Almost all of his more substantive works, whether in verse or prose, are preceded by prefaces of one sort or another, which are models of his caustic yet conversational tone. In a vast variety of nondescript pamphlets and writings, he displays his skills at journalism. In pure literary criticism his principal work is the Commentaire sur Corneille, although he wrote many more similar works—sometimes (as in his Life and Notices of Molière) independently and sometimes as part of his Siècles.[112]

Voltaire’s works, especially his private letters, frequently contain the word “l’infâme” and the expression “écrasez l’infâme“, or “crush the infamous”.[113]The phrase refers to abuses of the people by royalty and the clergy that Voltaire saw around him, and the superstition and intolerance that the clergy bred within the people.[114] He had felt these effects in his own exiles, the burnings of his books and those of many others, and in the hideous sufferings of Jean Calas and François-Jean de la Barre.[115] He stated in one of his most famous quotes that “Superstition sets the whole world in flames; philosophy quenches them.”[116]

The most oft-cited Voltaire quotation is apocryphal. He is incorrectly credited with writing, “I disapprove of what you say, but I will defend to the death your right to say it.” These were not his words, but rather those of Evelyn Beatrice Hall, written under the pseudonym S. G. Tallentyre in her 1906 biographical book The Friends of Voltaire. Hall intended to summarize in her own words Voltaire’s attitude towards Claude Adrien Helvétius and his controversial book De l’esprit, but her first-person expression was mistaken for an actual quotation from Voltaire. Her interpretation does capture the spirit of Voltaire’s attitude towards Helvetius; it had been said Hall’s summary was inspired by a quotation found in a 1770 Voltaire letter to an Abbot le Riche, in which he was reported to have said, “I detest what you write, but I would give my life to make it possible for you to continue to write.”[117] Nevertheless, scholars believe there must have again been misinterpretation, as the letter does not seem to contain any such quote.[e]

Voltaire’s first major philosophical work in his battle against “l’infâme” was the Traité sur la tolérance (Treatise on Tolerance), exposing the Calas affair, along with the tolerance exercised by other faiths and in other eras (for example, by the Jews, the Romans, the Greeks and the Chinese). Then, in his Dictionnaire philosophique, containing such articles as “Abraham”, “Genesis”, “Church Council”, he wrote about what he perceived as the human origins of dogmas and beliefs, as well as inhuman behavior of religious and political institutions in shedding blood over the quarrels of competing sects. Amongst other targets, Voltaire criticized France’s colonial policy in North America, dismissing the vast territory of New Franceas “a few acres of snow” (“quelques arpents de neige“).

Letters

Voltaire also engaged in an enormous amount of private correspondence during his life, totalling over 20,000 letters. Theodore Besterman‘s collected edition of these letters, completed only in 1964, fills 102 volumes.[118] One historian called the letters “a feast not only of wit and eloquence but of warm friendship, humane feeling, and incisive thought.”[119]

In Voltaire’s correspondence with Catherine the Great he derided democracy. He wrote, “Almost nothing great has ever been done in the world except by the genius and firmness of a single man combating the prejudices of the multitude.”[120]

Religious views

Voltaire at 70; engraving from 1843 edition of his Philosophical Dictionary

Like other key Enlightenment thinkers, Voltaire was a deist.[121] He challenged orthodoxy by asking: “What is faith? Is it to believe that which is evident? No. It is perfectly evident to my mind that there exists a necessary, eternal, supreme, and intelligent being. This is no matter of faith, but of reason.”[122][123] Voltaire held mixed views of the Abrahamic religions but had a favourable view of Hinduism.

In a 1763 essay, Voltaire supported the toleration of other religions and ethnicities: “It does not require great art, or magnificently trained eloquence, to prove that Christians should tolerate each other. I, however, am going further: I say that we should regard all men as our brothers. What? The Turk my brother? The Chinaman my brother? The Jew? The Siam? Yes, without doubt; are we not all children of the same father and creatures of the same God?”[124]

In one of his many denunciations of priests of every religious sect, Voltaire describes them as those who “rise from an incestuous bed, manufacture a hundred versions of God, then eat and drink God, then piss and shit God.”[125]

Christianity

Historians have described Voltaire’s description of the history of Christianity as “propagandistic”.[126] Voltaire is partially responsible for the misattribution of the expression Credo quia absurdum to the Church Fathers.[127] In a letter to Frederick II, King of Prussia, dated 5 January 1767, he wrote about Christianity:

La nôtre [religion] est sans contredit la plus ridicule, la plus absurde, et la plus sanguinaire qui ait jamais infecté le monde.[128]
“Ours [i.e., the Christian religion] is assuredly the most ridiculous, the most absurd and the most bloody religion which has ever infected this world. Your Majesty will do the human race an eternal service by extirpating this infamous superstition, I do not say among the rabble, who are not worthy of being enlightened and who are apt for every yoke; I say among honest people, among men who think, among those who wish to think. … My one regret in dying is that I cannot aid you in this noble enterprise, the finest and most respectable which the human mind can point out.”[129][130]

In La bible enfin expliquée, he expressed the following attitude to lay reading of the Bible:

It is characteristic of fanatics who read the holy scriptures to tell themselves: God killed, so I must kill; Abraham lied, Jacob deceived, Rachel stole: so I must steal, deceive, lie. But, wretch, you are neither Rachel, nor Jacob, nor Abraham, nor God; you are just a mad fool, and the popes who forbade the reading of the Bible were extremely wise.[131]

Voltaire’s opinion of the Bible was mixed. Although influenced by Socinian works such as the Bibliotheca Fratrum Polonorum, Voltaire’s skeptical attitude to the Bible separated him from Unitarian theologians like Fausto Sozzini or even Biblical-political writers like John Locke.[132] His statements on religion also brought down on him the fury of the Jesuits and in particular Claude-Adrien Nonnotte.[133][134][135][136] This did not hinder his religious practice, though it did win for him a bad reputation in certain religious circles. The deeply Christian Wolfgang Amadeus Mozart wrote to his father the year of Voltaire’s death, saying, “The arch-scoundrel Voltaire has finally kicked the bucket …”[137] Voltaire was later deemed to influence Edward Gibbon in claiming that Christianity was a contributor to the fall of the Roman Empire in his book The History of the Decline and Fall of the Roman Empire:

As Christianity advances, disasters befall the [Roman] empire—arts, science, literature, decay—barbarism and all its revolting concomitants are made to seem the consequences of its decisive triumph—and the unwary reader is conducted, with matchless dexterity, to the desired conclusion—the abominable Manicheism of Candide, and, in fact, of all the productions of Voltaire’s historic school—viz., “that instead of being a merciful, ameliorating, and benignant visitation, the religion of Christians would rather seem to be a scourge sent on man by the author of all evil.”[138]

However, Voltaire also acknowledged the self-sacrifice of Christians. He wrote: “Perhaps there is nothing greater on earth than the sacrifice of youth and beauty, often of high birth, made by the gentle sex in order to work in hospitals for the relief of human misery, the sight of which is so revolting to our delicacy. Peoples separated from the Roman religion have imitated but imperfectly so generous a charity.”[139] Yet, according to Daniel-Rops, Voltaire’s “hatred of religion increased with the passage of years. The attack, launched at first against clericalism and theocracy, ended in a furious assault upon Holy Scripture, the dogmas of the Church, and even upon the person of Jesus Christ Himself, who [he] depicted now as a degenerate”.[140] Voltaire’s reasoning may be summed up in his well-known saying, “Those who can make you believe absurdities can make you commit atrocities“.

Judaism

According to Orthodox rabbi Joseph Telushkin, the most significant Enlightenment hostility against Judaism was found in Voltaire;[141] thirty of the 118 articles in his Dictionnaire philosophiquedealt with Jews and described them in consistently negative ways.[142][143] For example, in Voltaire’s A Philosophical Dictionary, he wrote of Jews: “In short, we find in them only an ignorant and barbarous people, who have long united the most sordid avarice with the most detestable superstition and the most invincible hatred for every people by whom they are tolerated and enriched.”[144]

On the other hand, Peter Gay, a contemporary authority on the Enlightenment,[141] also points to Voltaire’s remarks (for instance, that the Jews were more tolerant than the Christians) in the Traité sur la tolérance and surmises that “Voltaire struck at the Jews to strike at Christianity”. Whatever anti-semitism Voltaire may have felt, Gay suggests, derived from negative personal experience.[145] Bertram Schwarzbach’s far more detailed studies of Voltaire’s dealings with Jewish people throughout his life concluded that he was anti-biblical, not anti-semitic. His remarks on the Jews and their “superstitions” were essentially no different from his remarks on Christians.[146]

Telushkin states that Voltaire did not limit his attack to aspects of Judaism that Christianity used as a foundation, repeatedly making it clear that he despised Jews.[141] Arthur Hertzberg claims that Gay’s second suggestion is also untenable, as Voltaire himself denied its validity when he remarked that he had “forgotten about much larger bankruptcies through Christians”.[clarification needed][147]

Some authors link Voltaire’s anti-Judaism to his polygenism. According to Joxe Azurmendi this anti-Judaism has a relative importance in Voltaire’s philosophy of history. However, Voltaire’s anti-Judaism influences later authors like Ernest Renan.[148]

According to the historian Will Durant, Voltaire had initially condemned the persecution of Jews on several occasions including in his work Henriade.[149] As stated by Durant, Voltaire had praised the simplicity, sobriety, regularity, and industry of Jews. However, subsequently, Voltaire had become strongly anti-Semitic after some regrettable personal financial transactions and quarrels with Jewish financiers. In his Essai sur les moeurs Voltaire had denounced the ancient Hebrews using strong language; a Catholic priest had protested against this censure. The anti-Semitic passages in Voltaire’s Dictionnaire philosophique were criticized by Issac Pinto in 1762. Subsequently, Voltaire agreed with the criticism of his anti-Semitic views and stated that he had been “wrong to attribute to a whole nation the vices of some individuals”;[150] he also promised to revise the objectionable passages for forthcoming editions of the Dictionnaire philosophique, but failed to do so.[150]

Islam

Voltaire’s views about Islam remained negative as he considered the Quran to be ignorant of the laws of physics.[151] In a 1740 letter to Frederick II of Prussia, Voltaire ascribes to Muhammad a brutality that “is assuredly nothing any man can excuse” and suggests that his following stemmed from superstition. Referring to the prophet, Voltaire continued in his letter, “But that a camel-merchant should stir up insurrection in his village; that in league with some miserable followers he persuades them that he talks with the angel Gabriel; that he boasts of having been carried to heaven, where he received in part this unintelligible book, each page of which makes common sense shudder; that, to pay homage to this book, he delivers his country to iron and flame; that he cuts the throats of fathers and kidnaps daughters; that he gives to the defeated the choice of his religion or death: this is assuredly nothing any man can excuse, at least if he was not born a Turk, or if superstition has not extinguished all natural light in him.”[152]

In 1748, after having read Henri de Boulainvilliers and George Sale,[153] he wrote again about Mohammed and Islam in an article, “De l’Alcoran et de Mahomet” (On the Quran and on Mohammed). In the article, Voltaire maintained that Mohammed was a “sublime charlatan”[f] Drawing also on complementary information in the “Oriental Library” of Herbelot, Voltaire, according to René Pomeau, had a judgement of the Qur’an where he found the book in spite of “the contradictions, the absurdities, the anachronisms”, “rhapsody, without connection, without order, and without art”.[154][155][156][157] Thus he “henceforward conceded”[157] that “if his book was bad for our times and for us, it was very good for his contemporaries, and his religion even more so. It must be admitted that he removed almost all of Asia from idolatry” and that “it was difficult for such a simple and wise religion, taught by a man who was constantly victorious, could hardly fail to subjugate a portion of the earth.” He considered that “its civil laws are good; its dogma is admirable which it has in common with ours” but that “his means are shocking; deception and murder”.[158]

In his Essay on the Manners and Spirit of Nations (published 1756), Voltaire deals with the history of Europe before Charlemagne to the dawn of the age of Louis XIV, and that of the colonies and the East. As a historian he devoted several chapters to Islam,[159][160][161] Voltaire highlighted the Arabian, Turkish courts, and conducts.[157][162][163][162] Here he called Mohammed a “poet”, and stated that he was not an illiterate.[164] As a “legislator”, he “changed the face of part of Europe [and] one half of Asia.”[165][166][167] In chapter VI, Voltaire finds similarities between Arabs and ancient Hebrews, that they both kept running to battle in the name of God, and sharing a passion for the spoils of war.[168] Voltaire continues that, “It is to be believed that Mohammed, like all enthusiasts, violently struck by his ideas, first presented them in good faith, strengthened them with fantasy, fooled himself in fooling others, and supported through necessary deceptions a doctrine which he considered good.”[169][170] He thus compares “the genius of the Arab people” with “the genius of the ancient Romans”.[171]

Drama Mahomet

The tragedy Fanaticism, or Mahomet the Prophet (FrenchLe fanatisme, ou Mahomet le Prophete) was written in 1736 by Voltaire. The play is a study of religious fanaticism and self-serving manipulation. The character Muhammad orders the murder of his critics.[172] Voltaire described the play as “written in opposition to the founder of a false and barbarous sect.”[173]

Voltaire described Muhammad as an “impostor”, a “false prophet”, a “fanatic” and a “hypocrite”.[174][175] Defending the play, Voltaire said that he “tried to show in it into what horrible excesses fanaticism, led by an impostor, can plunge weak minds”.[176] When Voltaire wrote in 1742 to César de Missy, he described Mohammed as deceitful.[177][178]

In his play, Mohammed was “whatever trickery can invent that is most atrocious and whatever fanaticism can accomplish that is most horrifying. Mahomet here is nothing other than Tartuffe with armies at his command.”[179][180] After later having judged that he had made Mohammed in his play “somewhat nastier than he really was”,[181] Voltaire claims that Muhammad stole the idea of an angel weighing both men and women from Zoroastrians, who are often referred to as “Magi“. Voltaire continues about Islam, saying:

Nothing is more terrible than a people who, having nothing to lose, fight in the united spirit of rapine and of religion.[182]

In a 1745 letter recommending the play to Pope Benedict XIV, Voltaire described Muhammad as “the founder of a false and barbarous sect” and “a false prophet”. Voltaire wrote: “Your holiness will pardon the liberty taken by one of the lowest of the faithful, though a zealous admirer of virtue, of submitting to the head of the true religion this performance, written in opposition to the founder of a false and barbarous sect. To whom could I with more propriety inscribe a satire on the cruelty and errors of a false prophet, than to the vicar and representative of a God of truth and mercy?”[183][184] His view was modified slightly for Essai sur les Moeurs et l’Esprit des Nations, although they remained negative.[185][186][125][187] In 1751, Voltaire performed his play Mohametonce again, with great success.[188]

Hinduism

Commenting on the sacred texts of the Hindus, the Vedas, Voltaire observed:

The Veda was the most precious gift for which the West had ever been indebted to the East.[189]

He regarded Hindus as “a peaceful and innocent people, equally incapable of hurting others or of defending themselves.”[190] Voltaire was himself a supporter of animal rights and was a vegetarian.[191] He used the antiquity of Hinduism to land what he saw as a devastating blow to the Bible’s claims and acknowledged that the Hindus’ treatment of animals showed a shaming alternative to the immorality of European imperialists.[192]

Views on race and slavery

Voltaire rejected the biblical Adam and Eve story and was a polygenist who speculated that each race had entirely separate origins.[193][194] According to William Cohen, like most other polygenists, Voltaire believed that because of their different origins blacks did not entirely share the natural humanity of whites.[195] According to David Allen Harvey, Voltaire often invoked racial differences as a means to attack religious orthodoxy, and the Biblical account of creation.[196]

His most famous remark on slavery is found in Candide, where the hero is horrified to learn “at what price we eat sugar in Europe” after coming across a slave in French Guiana who has been mutilated for escaping, who opines that, if all human beings have common origins as the Bible taught, it makes them cousins, concluding that “no one could treat their relatives more horribly”. Elsewhere, he wrote caustically about “whites and Christians [who] proceed to purchase negroes cheaply, in order to sell them dear in America”. Voltaire has been accused of supporting the slave trade as per a letter attributed to him,[197][198][199] although it has been suggested that this letter is a forgery “since no satisfying source attests to the letter’s existence.”[200]

In his Philosophical Dictionary, Voltaire endorses Montesquieu‘s criticism of the slave trade: “Montesquieu was almost always in error with the learned, because he was not learned, but he was almost always right against the fanatics and the promoters of slavery.”[201]

Zeev Sternhell argues that despite his shortcomings, Voltaire was a forerunner of liberal pluralism in his approach to history and non-European cultures.[202] Voltaire wrote, “We have slandered the Chinese because their metaphysics is not the same as ours … This great misunderstanding about Chinese rituals has come about because we have judged their usages by ours, for we carry the prejudices of our contentious spirit to the end of the world.”[202] In speaking of Persia, he condemned Europe’s “ignorant audacity” and “ignorant credulity”. When writing about India, he declares, “It is time for us to give up the shameful habit of slandering all sects and insulting all nations!”[202] In Essai sur les mœurs et l’esprit des nations, he defended the integrity of the Native Americans and wrote favorably of the Inca Empire.[203]

Appreciation and influence

According to Victor Hugo: “To name Voltaire is to characterize the entire eighteenth century.”[204] Goethe regarded Voltaire to be the greatest literary figure in modern times, and possibly of all times.[205] According to Diderot, Voltaire’s influence on posterity would extend far into the future.[206][g] Napoleon commented that till he was sixteen he “would have fought for Rousseau against the friends of Voltaire, today it is the opposite…The more I read Voltaire the more I love him. He is a man always reasonable, never a charlatan, never a fanatic.”[207] Frederick the Greatcommented on his good fortune for having lived in the age of Voltaire, and corresponded with him throughout his reign until Voltaire’s death.[208] In England, Voltaire’s views influenced GodwinPaineMary WollstonecraftBenthamByron and Shelley.[205] Macaulay made note of the fear that Voltaire’s very name incited in tyrants and fanatics.[209][h]

In Russia, Catherine the Great had been reading Voltaire for sixteen years prior to becoming Empress in 1762.[208][210] In October 1763, she began a correspondence with the philosopher that continued till his death. The content of these letters has been described as being akin to a student writing to a teacher.[211] Upon Voltaire’s death, the Empress purchased his library, which was then transported and placed in The Hermitage.[212] Alexander Herzen remarked that “The writings of the egoist Voltaire did more for liberation than those of the loving Rousseau did for brotherhood.”[213] In his famous letter to N. V. GogolVissarion Belinsky wrote that Voltaire “stamped out the fires of fanaticism and ignorance in Europe by ridicule.”[214]

In his native Paris, Voltaire was viewed as the defender of Jean Calas and Pierre Sirven.[205] Although he failed in securing the annulment of la Barre‘s execution for “blasphemies” against Christianity, despite a protracted campaign, the criminal code that sanctioned the execution was revised during Voltaire’s lifetime.[215] In 1764, Voltaire successfully intervened and secured the release of Claude Chamont for the crime of attending Protestant services. When Comte de Lally was executed for treason in 1766, Voltaire wrote a 300-page document absolving de Lally. Subsequently, in 1778, the judgment against de Lally was expunged just before Voltaire’s death. The Genevan Protestant minister Pomaret once said to Voltaire, “You seem to attack Christianity, and yet you do the work of a Christian.”[216] Frederick the Great noted the significance of a philosopher capable of influencing judges to change their unjust decisions, commenting that this alone is sufficient to ensure the prominence of Voltaire as a humanitarian.[216]

Under the French Third Republic, anarchists and socialists often invoked Voltaire’s writings in their struggles against militarism, nationalism, and the Catholic Church.[217] The section condemning the futility and imbecility of war in the Dictionnaire philosophique was a frequent favorite, as were his arguments that nations can only grow at the expense of others.[218] Following the liberation of France from the Vichy regime in 1944, Voltaire’s 250th birthday was celebrated in both France and the Soviet Union, honoring him as “one of the most feared opponents” of the Nazi collaborators and someone “whose name symbolizes freedom of thought, and hatred of prejudice, superstition, and injustice.”[219]

Jorge Luis Borges stated that “not to admire Voltaire is one of the many forms of stupidity” and included his short fiction such as Micromégas in “The Library of Babel” and “A Personal Library.”[220] Gustave Flaubert believed that France had erred gravely by not following the path forged by Voltaire instead of Rousseau.[221] Most architects of modern America were adherents of Voltaire’s views.[205] According to Will Durant:

Italy had a Renaissance, and Germany had a Reformation, but France had Voltaire; he was for his country both Renaissance and Reformation, and half the Revolution.[204] He was first and best in his time in his conception and writing of history, in the grace of his poetry, in the charm and wit of his prose, in the range of his thought and his influence. His spirit moved like a flame over the continent and the century, and stirs a million souls in every generation.[222]

Voltaire and Rousseau

Voltaire’s junior contemporary Jean-Jacques Rousseau commented on how Voltaire’s book Letters on the English played a great role in his intellectual development.[223] Having written some literary works and also some music, in December 1745 Rousseau wrote a letter introducing himself to Voltaire, who was by then the most prominent literary figure in France, to which Voltaire replied with a polite response. Subsequently, when Rousseau sent Voltaire a copy of his book Discourse on Inequality, Voltaire replied, noting his disagreement with the views expressed in the book:

No one has ever employed so much intellect to persuade men to be beasts. In reading your work one is seized with a desire to walk on four paws [marcher à quatre pattes]. However, as it is more than sixty years since I lost that habit, I feel, unfortunately, that it is impossible for me to resume it.[224]

Subsequently, commenting on Rousseau’s romantic novel Julie, or the New Heloise, Voltaire stated:

No more about Jean-Jacques’ romance if you please. I have read it, to my sorrow, and it would be to his if I had time to say what I think of this silly book.[225]

Voltaire speculated that the first half of Julie had been written in a brothel and the second half in a lunatic asylum.[226] In his Lettres sur La Nouvelle Heloise, written under a pseudonym, Voltaire offered criticism highlighting grammatical mistakes in the book:

Paris recognized Voltaire’s hand and judged the patriarch to be bitten by jealousy.[225]

In reviewing Rousseau’s book Emile after its publication, Voltaire dismissed it as “a hodgepodge of a silly wet nurse in four volumes, with forty pages against Christianity, among the boldest ever known.” He expressed admiration for the section in this book titled Profession of Faith of the Savoyard Vicar, calling it “fifty good pages…it is regrettable that they should have been written by…such a knave.”[227] He went on to predict that Emile would be forgotten after a month.[226]

In 1764, Rousseau published Lettres de la montagne, containing nine letters on religion and politics. In the fifth letter he wondered why Voltaire had not been able to imbue the Genevan councilors, who frequently met him, “with that spirit of tolerance which he preaches without cease, and of which he sometimes has need”. The letter continued with an imaginary speech delivered by Voltaire, imitating his literary style, in which he accepts authorship for the book Sermon of the Fifty—a book whose authorship Voltaire had repeatedly denied because it contained many heresies.[228]

In 1772, when a priest sent Rousseau a pamphlet denouncing Voltaire, Rousseau responded with a defense of Voltaire:

He has said and done so many good things that we should draw the curtain over his irregularities.[228]

In 1778, when Voltaire was given unprecedented honors at the Théâtre-Français,[229] an acquaintance of Rousseau ridiculed the event. This was met by a sharp retort from Rousseau:

How dare you mock the honors rendered to Voltaire in the temple of which he is the god, and by the priests who for fifty years have been living off his masterpieces?[230]

On 2 July 1778, Rousseau died one month after Voltaire’s death.[231] In October 1794, Rousseau’s remains were moved to the Panthéon, where they were placed near the remains of Voltaire.[232][i]

Louis XVI, while incarcerated in the Temple, had remarked that Rousseau and Voltaire had “destroyed France”, by which he meant his dynasty.[233][j]

Legacy

Voltaire perceived the French bourgeoisie to be too small and ineffective, the aristocracy to be parasitic and corrupt, the commoners as ignorant and superstitious, and the Church as a static and oppressive force useful only on occasion as a counterbalance to the rapacity of kings, although all too often, even more rapacious itself. Voltaire distrusted democracy, which he saw as propagating the idiocy of the masses.[235] Voltaire long thought only an enlightened monarch could bring about change, given the social structures of the time and the extremely high rates of illiteracy, and that it was in the king’s rational interest to improve the education and welfare of his subjects. But his disappointments and disillusions with Frederick the Great changed his philosophy somewhat, and soon gave birth to one of his most enduring works, his novella Candide, ou l’Optimisme (Candide, or Optimism, 1759), which ends with a new conclusion: “It is up to us to cultivate our garden.” His most polemical and ferocious attacks on intolerance and religious persecutions indeed began to appear a few years later. Candide was also burned and Voltaire jokingly claimed the actual author was a certain ‘Demad’ in a letter, where he reaffirmed the main polemical stances of the text.[236]

He is remembered and honored in France as a courageous polemicist who indefatigably fought for civil rights (as the right to a fair trial and freedom of religion) and who denounced the hypocrisies and injustices of the Ancien Régime. The Ancien Régime involved an unfair balance of power and taxes between the three Estates: clergy and nobles on one side, the commoners and middle class, who were burdened with most of the taxes, on the other. He particularly had admiration for the ethics and government as exemplified by the Chinese philosopher Confucius.[237]

Voltaire is also known for many memorable aphorisms, such as “Si Dieu n’existait pas, il faudrait l’inventer” (“If God did not exist, it would be necessary to invent him”), contained in a verse epistle from 1768, addressed to the anonymous author of a controversial work on The Three Impostors. But far from being the cynical remark it is often taken for, it was meant as a retort to atheistic opponents such as d’HolbachGrimm, and others.[238] He has had his detractors among his later colleagues. The Scottish Victorian writer Thomas Carlyle argued that “Voltaire read history, not with the eye of devout seer or even critic, but through a pair of mere anti-catholic spectacles.”[239]

The town of Ferney, where Voltaire lived out the last 20 years of his life, was officially named Ferney-Voltaire in honor of its most famous resident in 1878.[240] His château is a museum. Voltaire’s library is preserved intact in the National Library of Russia at Saint Petersburg, Russia. In the Zurich of 1916, the theatre and performance group who would become the early avant-garde movement Dada named their theater The Cabaret Voltaire. A late-20th-century industrial music group then named themselves after the theater. Astronomers have bestowed his name to the Voltaire crater on Deimos and the asteroid 5676 Voltaire.[241]

Voltaire was also known to have been an advocate for coffee, as he was reported to have drunk it 50–72 times per day. It has been suggested that high amounts of caffeine acted as a mental stimulant to his creativity.[242] His great-grand-niece was the mother of Pierre Teilhard de Chardin, a Catholic philosopher and Jesuit priest.[243][244] His book Candide was listed as one of The 100 Most Influential Books Ever Written, by Martin Seymour-Smith.

In the 1950s, the bibliographer and translator Theodore Besterman started to collect, transcribe and publish all of Voltaire’s writings.[245] He founded the Voltaire Institute and Museum in Genevawhere he began publishing collected volumes of Voltaire’s correspondence.[245] On his death in 1976, he left his collection to the University of Oxford, where the Voltaire Foundation became established as a department.[246][247] The Foundation has continued to publish the Complete Works of Voltaire, a complete chronological series which is expected to reach completion in 2018, reaching around 200 volumes, fifty years after the series began.[247][248] It also publishes the series Oxford University Studies in the Enlightenment, begun by Bestermann as Studies on Voltaire and the Eighteenth Century, which has reached more than 500 volumes.[247]

Chronology

Works

Non-fiction

History

Novellas

  • The One-eyed Street Porter, Cosi-sancta (1715)
  • Plato’s Dream (1737)
  • Micromégas (1738)
  • The World as it Goes (1750)
  • Memnon (1750)
  • Bababec and the Fakirs (1750)
  • Timon (1755)
  • The Travels of Scarmentado (1756)
  • The Two Consoled Ones (1756)
  • Zadig, or, Destiny (1757)
  • Candide, or Optimism (1758)
  • Story of a Good Brahman (1759)
  • The King of Boutan (1761)
  • The City of Cashmere (1760)
  • An Indian Adventure (1764)
  • The White and the Black (1764)
  • Jeannot and Colin (1764)
  • The Blind Judges of Colors (1766)
  • The Princess of Babylon (1768)
  • The Man with Forty Crowns (1768)
  • The Letters of Amabed (1769)
  • The Huron, or Pupil of Nature (1771)
  • The White Bull (1772)
  • An Incident of Memory (1773)
  • The History of Jenni (1774)
  • The Travels of Reason (1774)
  • The Ears of Lord Chesterfield and Chaplain Goudman (1775)

Plays

Voltaire wrote between fifty and sixty plays, including a few unfinished ones.[249] Among them are:

Collected works

  • Oeuvres complètes de Voltaire, A. Beuchot (ed.). 72 vols. (1829–40)
  • Oeuvres complètes de Voltaire, Louis E.D. Moland and G. Bengesco (eds.}. 52 vols. (1877–85)
  • Oeuvres complètes de Voltaire, Theodore Besterman, et al. (eds.). 144 vols. (1968–2018)

See also

References …

Bibliography

Further reading

In French

  • Korolev, S. Voltaire et la reliure des livres // Revue Voltaire. Paris, 2013. #13. pp. 233–40.
  • René PomeauLa Religion de Voltaire, Librairie Nizet, Paris, 1974.
  • Valérie Crugten-André, La vie de Voltaire [1]

Primary sources

  • Morley, J., The Works of Voltaire, A Contemporary Version, (21 vol 1901), online edition

External links

https://en.wikipedia.org/wiki/Voltaire

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Richard Condon — The Whisper of The Axe– The Manchurian Candidate — Prizzi’s Honor — Videos

Posted on December 29, 2018. Filed under: American History, Articles, Blogroll, Book, Books, Chinese, College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Cult, Culture, Defense Intelligence Agency (DIA), Drug Cartels, Education, Entertainment, Ethic Cleansing, European History, Faith, Family, Federal Bureau of Investigation (FBI), Federal Government, Fiction, Films, Foreign Policy, Fraud, Freedom, Friends, Genocide, government, government spending, history, Homicide, Language, liberty, Life, Literacy, Mastery, media, Movies, Movies, Narcissism, National Security Agency (NSA), Newspapers, Oil, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Psychology, Raves, Raymond Thomas Pronk, Resources, Reviews, Television, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , |

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The Manchurian Candidate – opening scene

The Manchurian Candidate Interviews(1962 film)

The Manchurian Candidate (1962) – Assassination Scene (12/12) | Movieclips

The Remaker: The Manchurian Candidate 1962 vs. 2004

The Manchurian Candidate (1962): Classical Film Review

The Manchurian Candidate – Film, Literature and the New World Order

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Prizzis Honor 1985

Prizzi’s Honor

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Prizzis Honor 1985

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Anjelica Huston – Prizzi’s Honor – last scene

About the Archive

This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.

Occasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to archive_feedback@nytimes.com.

Richard Condon, the fiendishly inventive novelist and political satirist who wrote “The Manchurian Candidate,” “Winter Kills” and “Prizzi’s Honor,” among other books, died yesterday at Presbyterian Hospital in Dallas. He was 81.

Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in “The Manchurian Candidate.” That novel, published in 1959, subsequently became a cult film classic, directed by John Frankenheimer. In this spellbinding story, Raymond Shaw, an American prisoner of war (played in the film by Laurence Harvey), is brainwashed and becomes a Communist agent and assassin.

When the 1962 film was re-released in 1988, Janet Maslin wrote in The New York Times that it was “arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence.”

Mr. Condon was a popular novelist who earned serious critical attention, although he did not always win favorable reviews. His response: “I’m a man of the marketplace as well as an artist.” And he added, “I’m a pawnbroker of myth.” Though others made claims that his novels were prophetic, he admitted only that they were “sometimes about five and a half minutes ahead of their time.”

In “Winter Kills,” a President, evidently modeled on John F. Kennedy, is assassinated in a conspiracy involving the Central Intelligence Agency and the underworld. Obsessed by politics, Mr. Condon once said: “Every book I’ve ever written has been about the abuse of power. I feel very strongly about that. I’d like people to know how deeply their politicians are wronging them.” That abuse could be in contemporary life or as long ago as the 15th century, as in his novel “A Trembling Upon Rome.”

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Politicians like Senator Joseph R. McCarthy and President Richard M. Nixon appeared in various guises in his work, Nixon as Walter Slurrie in “Death of a Politician.” Speaking about politics and political thrillers, Mr. Condon once said, “It’s the villains that make good literature, because they’re the only ones in the story who know what they want.”

He did not write his first novel until he was 42, but, once started, he never stopped. The first, “The Oldest Confession” (1958), was filmed as “The Happy Thieves,” starring Rex Harrison and Rita Hayworth. The novel was a success, but the film was a failure, whereas the second, “The Manchurian Candidate,” was popular in both forms. Eventually he wrote 26 novels and two works of nonfiction, “And Then We Moved to Rossenarra,” a memoir of the years he lived in Ireland, and “The Mexican Stove,” a cookbook he wrote with his daughter Wendy Jackson.

When asked how he knew so much about crime families, he said he first learned about the subject as a boy on the streets of Washington Heights. He was born in Manhattan and graduated from De Witt Clinton High School. Because his grades were so poor, he never went to college. He worked as an elevator operator, a hotel clerk and a waiter, then sold an article to Esquire magazine. While working as a copywriter for an advertising agency, he met a model named Evelyn Hunt, whom he married in 1938. Copywriting led him into movie publicity, with his first stop the Disney organization.

For 22 years, he was a movie publicist, working for almost every major Hollywood studio. With characteristic panache, he later described himself as “a drummer boy for the gnomes and elves of the silver screen.” During this period, he saturated himself with movies, watching eight a week. They were, he said, mostly bad films, but they taught him the art of storytelling and the need for the novelist to be entertaining.

In the late 1950’s, he left Hollywood and returned to New York to become a novelist. The idea for “The Oldest Confession” came while he was on location with “The Pride and the Passion” at El Escorial, outside Madrid. Fascinated by Old Master paintings, he wrote his book about art thievery. The consecutive success of “The Oldest Confession” and “The Manchurian Candidate” enabled him to devote himself to fiction.

In 1959, he began a series of migrations, first to Mexico, then to Switzerland, finally to Ireland. His travels added to his backlog of knowledge, but he continued to set most of his novels in the United States. Through the 1960’s and into the 70’s, his books received mixed reviews, with some of the more admiring notices going to “An Infinity of Mirrors” in 1964. “Winter Kills,” in 1974, drew favorable attention, with Christopher Lehmann-Haupt saying in his review in The Times that it was “a grand entertainment” and “the best book Mr. Condon has written since ‘The Manchurian Candidate.’ “

After writing a series of novels in Ireland, Mr. Condon moved back to the United States, settling in Dallas in 1980. In Texas, he had his next comeback, with “Prizzi’s Honor,” about the Prizzi family of mobsters in Brooklyn. John Huston turned the novel into a hit film, starring Jack Nicholson, Kathleen Turner and Anjelica Huston. The screenplay, by Mr. Condon and Janet Roach, was nominated for an Academy Award. Several years later, Mr. Condon completed the fictional cycle with “Prizzi’s Family,” “Prizzi’s Glory” and “Prizzi’s Money,” published in 1994.

Among his other novels are “Some Angry Angel,” “A Talent for Loving,” “Arigato” and “Emperor of America.”

Throughout his life, Mr. Condon displayed a wry, even diabolical streak. He often named his characters after real people. For example, the characters in Raymond Shaw’s infantry squad in “The Manchurian Candidate” were named for people associated with the Phil Silvers television show, “You’ll Never Get Rich.” His longest-running character, Dr. Weiler, was named after A. H. Weiler, a former film critic for The Times. In various Condon novels, Dr. Weiler turns up as an obstetrician, a cardiologist, a psychiatrist and the royal physician.

Mr. Condon is survived by his wife; two daughters, Ms. Jackson, of Dallas, and Deborah Condon, who lives near Salisbury in England, and three grandchildren.

Brainwashed

Where the “Manchurian Candidate” came from.

Most people know John Frankenheimer’s movie “The Manchurian Candidate,” which stars Frank Sinatra, Laurence Harvey, Janet Leigh, and Angela Lansbury in the story of an American soldier who is captured in Korea and programmed by Chinese Communists to kill on command. And most people probably think of the movie as a classic of Cold War culture, like “On the Beach” and “Invasion of the Body Snatchers”—a popular work articulating the anxieties of an era. In fact, “The Manchurian Candidate” was a flop. It was released in the fall of 1962, failed to recover its costs, and was pulled from distribution two years later, after the assassination of John F. Kennedy. It turned up a few times on television, but it was not shown in a movie theatre again until 1987, which—nearly the end of the Cold War—is the year its popularity dates from. The true artifact of Cold War culture is the novel, by Richard Condon, that the movie was based on.

Condon’s book came out in 1959 and was a best-seller. It was praised in the Times (“a wild, vigorous, curiously readable melange”) and The New Yorker (“a wild and exhilarating satire”); Time named it one of the Ten Best Bad Novels—which, from a publisher’s point of view, is far from the worst thing that might be said about a book. The novel’s success made Condon rich; he spent most of the rest of his life abroad, producing many more works in the genre that Timehad identified, including “Winter Kills,” in 1974, and, in 1982, “Prizzi’s Honor.” His adaptation of that novel for the John Huston movie received an Academy Award nomination in 1986. He died in 1996.

Condon was a cynic of the upbeat type, not unlike Tom Wolfe: his belief that everything is basically shit did not get in the way of his pleasure in making fun of it. He learned that attitude in the finest school for it on earth, Hollywood. Before he was a novelist, Condon was a movie publicist. He began, in 1936, at Walt Disney Productions, where he promoted “Fantasia” and “Dumbo,” among other animated masterpieces, and moved on to a succession of studios, finishing up at United Artists, which he left in 1957. He didn’t know what he wanted to do next; he just wanted out. “The only thing I knew how to do was spell,” he later explained, so he did the logical thing and became a writer. Condon claimed that his work in Hollywood had given him three ulcers. He also claimed that he had seen, during his years there, ten thousand movies, an experience that he believed gave him (his words) “an unconscious grounding in storytelling.”

Frankenheimer called “The Manchurian Candidate” “one of the best books I ever read,” but admirers of Frankenheimer’s movie have not been so gracious. Greil Marcus, in a characteristically overheated appreciation of the movie in the British Film Institute’s Film Classics series, calls the novel a “cheaply paranoid fantasy,” and he goes on, “That the story would lodge in the nation’s psyche and stay there was the work of other hands.” The film historian David Thomson describes it as “a book written so that an idiot could film it.” No doubt Condon wrote “The Manchurian Candidate” with a movie deal in mind. It was his second novel; his first, called “The Oldest Confession,” was also made into a movie—“The Happy Thieves,” starring Rex Harrison (a flop that stayed a flop). But the claim that Condon’s “Manchurian Candidate” is not much more than a draft for the screenplay (which was written by George Axelrod, the author of “The Seven Year Itch”) is peculiar. Michael Crichton writes books that any idiot can film; he practically supplies camera angles. But Condon’s is not an easy book to film, in part because its tone is not readily imitated cinematically, and in part because much of it is, or was in 1962, virtually unfilmable. Strange as the movie is—a thriller teetering on the edge of camp—the book is stranger.

Time, a magazine whose editors, after all, have daily experience with overcooked prose, was not wrong in seeing something splendid in the badness of Condon’s book. “The Manchurian Candidate” may be pulp, but it is very tony pulp. It is a man in a tartan tuxedo, chicken à la king with shaved truffles, a signed LeRoy Neiman. It’s Mickey Spillane with an M.F.A., and a kind of summa of the styles of paperback fiction circa 1959. The writing is sometimes hardboiled:

The slightest touchy thing he said to her could knock the old cat over sideways with an off-key moan. But what could he do? He had elected himself Head Chump when he stepped down from Valhalla and telephoned this sweaty little advantage-taker.

Sometimes it adopts a police-blotter, “degree-zero” mode:

“Thank you, Major. Dismiss,” the general said. Marco left the office at four twenty-one in the afternoon. General Jorgenson shot himself to death at four fifty-five.

Occasionally, and usually in an inconvenient place, it drops a mot recherché:

Raymond’s mother came out of her chair, spitting langrel. [“Langrel”: irregular pieces of iron loaded into shell casings for the purpose of ripping the enemy’s sails in naval battles; obsolete.]

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He clutched the telephone like an osculatorium and did not allow himself to think about what lay beyond that instant. [“Osculatorium”: medieval Latin, for a tablet that is kissed during the Mass. There appears to be no connotation involving clutching.]

It signals feeling by waxing poetic:

Such an instant ago he had paddled their wide canoe across that lake of purple wine toward a pin of light high in the sky which would widen and widen and widen while she slept until it had blanched the blackness.

It signals wisdom by waxing incomprehensible:

There is an immutable phrase at large in the languages of the world that places fabulous ransom on every word in it: The love of a good woman. It means what it says and no matter what the perspective or stains of the person who speaks it, the phrase defies devaluing. The bitter and the kind can chase each other around it, this mulberry bush of truth and consequence, and the kind may convert the bitter and the bitter may emasculate the kind but neither can change its meaning because the love of a good woman does not give way to arbitrage.

And, when appropriate, it salivates:

Her lithe, solid figure seemed even more superb because of her flawless carriage. She wore a Chinese dressing gown of a shade so light that it complemented the contrasting color of her eyes. Her long and extremely beautiful legs were stretched out before her on the chaise longue, and any man but her son or her husband, seeing what she had and yet knowing that this magnificent forty-nine-year-old body was only a wasted uniform covering blunted neural energy, might have wept over such a waste.

Some people like their bananas ripe to the point of blackness. “The Manchurian Candidate” is a very ripe banana, and, for those who have the taste for it, delectable.

The magnificent forty-nine-yearold body in the last passage belongs to the mother of Raymond, the assassin, who in Frankenheimer’s movie is played by Angela Lansbury as a proper and steely middle-aged matron. For Condon, though, Raymond’s mother is no matron. She is a sexually predatory heroin addict who commits double incest. She is the serpent in the suburban garden of Cold War domesticity, and, in imagining her and her history, Condon almost certainly had in the back of his mind the book that, three years earlier, had become the first blockbuster in American publishing, Grace Metalious’s “Peyton Place”—a story that also had to be sanitized for the movies. The plot of “Peyton Place” turns on incest (as, for that matter, does the plot of “Lolita,” a sensation when the American edition came out, in 1958). But the luridness of Condon’s novel did not make it to the screen. There is no equivalent in the movie, for example, of the proto-Pynchonesque sequence in which Raymond’s stepfather, Johnny Iselin, attempts to have sex with an Eskimo. Frankenheimer’s idea of satire was a lot more conventional than Condon’s. He was also a Hollywood filmmaker, of course, and obliged to observe a different decorum.

Counterintuitive as it sounds, the secret to making a successful thriller, as Michael Crichton and Tom Clancy have demonstrated, is to slow down the action occasionally with disquisitions on Stuff It Is Interesting to Know—how airplanes are made, how nuclear submarines work, how to build an atomic bomb. Ideally, this information is also topical, food for the national appetite of the day. In “The Manchurian Candidate,” the topic is brainwashing.

Fear of Communist brainwashing seems an example of Cold War hysteria, but in the nineteen-fifties the fear was not without basis. United Nations ground forces began military action in Korea on July 5, 1950. On July 9th, an American soldier who had been captured just two days earlier delivered a radio speech consisting of North Korean propaganda. Similar broadcasts by captured soldiers continued throughout the war. At the end of the war, the Army estimated that one out of every seven American prisoners of war had collaborated with the enemy. (The final, generally accepted estimate is one out of ten.) Twenty-one Americans refused to return to the United States; forty announced that they had become Communists; and fourteen were court-martialled, and eleven of those were convicted.

The term “brainwashing” was coined by a journalist named Edward Hunter, who had served in the Morale Operations section of the U.S. Office of Strategic Services during the Second World War, which he spent mostly in Asia, and who became an outspoken anti-Communist. Hunter’s book “Brainwashing in Red China: The Calculated Destruction of Men’s Minds” appeared in 1951. In it, he explained that “brainwashing” was his translation of the Chinese term hsi-nao, which means “cleansing of the mind,” and which he said he had heard frequently when speaking with Europeans who had been caught inside China in 1949, the year of Mao’s revolution.

In 1955, two years after the armistice ending the Korean War, the Army issued a huge report on the treatment of American prisoners called “POW: The Fight Continues After the Battle.” The Army had interviewed all surviving prisoners of war on the ships that brought them back across the Pacific—more than four thousand soldiers—and had learned that many of them underwent intensive indoctrination by Chinese Communists. The Chinese had carefully segregated the prisoners they had identified as incorrigibles, sometimes housing them in separate camps, and had subjected the prisoners they judged to be potential converts to five hours of indoctrination a day, in classes that combined propaganda by the instructors with “confessions” by the prisoners. In some cases, physical torture accompanied the indoctrination, but in general the Chinese used the traditional methods of psychological coercion: repetition and humiliation. The Army discovered that a shocking number of prisoners had, to one degree or another, succumbed. Some were persuaded to accuse the United States, in signed statements, of engaging in germ warfare—a charge that was untrue but was widely believed in many countries.

The Army report instigated a popular obsession with brainwashing that lasted well into 1957. Stories about the experiences of American prisoners appeared in The Saturday Evening PostLife, the Times Magazine, and The New Yorker. The term itself became a synonym for any sort of effective persuasion, and writers struggled with the question of whether aspects of contemporary American life, such as advertising and psychiatric therapy, might really be forms of brainwashing. Condon must have read much of this material; he did know Andrew Salter’s “Conditioned Reflex Therapy” (1949), a book he has the Chinese psychiatrist in his novel, Yen Lo, cite in the speech in which he announces his successful brainwashing of the American prisoners. Yen Lo names a number of other studies of hypnosis and conditioning, including “The Seduction of the Innocent,” by Frederic Wertham, an alarmist account of the way comic books corrupt the minds of American youth. (Yen Lo evidently has, in addition to his other exceptional powers, a crystal ball, since “Seduction of the Innocent” was not published until 1954, after the Korean War was over.) These books and articles apparently persuaded Condon that brainwashing, or psychological conditioning using a combination of hypnosis and Pavlovian methods, was a real possibility—as the recent experience of the Korean P.O.W.s had persuaded many other Americans that it was.

Condon’s book played on the fear that brainwashing could be permanent, that minds could be altered forever. By the time Frankenheimer’s movie came out, though, it had become clear that most conditioning is temporary. In 1961, in “Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China,” the psychiatrist Robert Jay Lifton, who had conducted some of the shipboard interviews with returning P.O.W.s, concluded that the indoctrination of prisoners was a long-term failure. All of the “converts” eventually returned to the United States, and the former prisoners who had come home praising the good life to be had in North Korea soon reverted to American views.

Still, conditioning is the theme (if “theme” is not too grand a term) of Condon’s novel. Even before Raymond falls into the hands of Yen Lo, he is psychologically conditioned, by his mother’s behavior, to despise everyone. His mother is conditioned, by her early incest, to betray everyone. And the American people are conditioned, by political propaganda, to believe her McCarthy-like husband’s baseless charges about Communists in the government. It is not, in Condon’s vision, the Communist world on one side and the free world on the other. It is just the manipulators and the manipulated, the conditioners and the conditioned, the publicists and the public. In such a world, it’s probably better to be the publicist, if you can deal with the ulcers.

Frank Sinatra, who plays Marco, the only friend Raymond has, is supposed to have asked his friend Jack Kennedy for his approval before Frankenheimer’s movie was released. United Artists was apparently afraid that the assassination scene might give some nut an idea. Kennedy, as it happened, loved the movie; he was, after all, the world’s most famous Ian Fleming fan. He was killed a year after “The Manchurian Candidate” came out. Did Lee Harvey Oswald see it? The problem has been examined in depth by John Loken, in a book called “Oswald’s Trigger Films” (2000). Loken concludes that although the evidence is not definitive, Oswald almost certainly did see it. “The Manchurian Candidate” opened in Dallas in November, 1962, and played there for several months; Oswald, who was living in Dallas at the time, had a habit of going to the movies by himself (he was in a movie theatre when he was arrested on November 22, 1963); and Loken has determined that the bus Oswald probably took to work passed within ten yards of a theatre where the movie was playing. (Loken is much struck by the fact that references to “The Manchurian Candidate” are almost nonexistent in the literature, official and otherwise, on the Kennedy assassination. He concludes, in the spirit of all scholars of that assassination, that “the probable Oswald connection, so utterly obvious if one but thinks about it, has been suppressed for decades by a powerful conglomerate that might aptly be called the ‘media-entertainment complex.’ ”)

Immediately after Kennedy was shot, Condon got a call from a newspaper reporter asking if he felt responsible. Condon couldn’t see the relevance, and he was not being defensive. He had not introduced political assassination to popular American culture. Robert Penn Warren’s “All the King’s Men” was published in 1946 and was made into a movie in 1949; a version for television, directed by Sidney Lumet, was broadcast in 1958. Assassination is the subject of John Huston’s “We Were Strangers” (1949) and Lewis Allen’s “Suddenly” (1954), also starring Frank Sinatra. Oswald might easily have seen those movies as well. More to the point: “The Manchurian Candidate” is the story of a man programmed to kill at the command of other people. What self-respecting assassin would take such a character for his role model? Either Oswald acted according to his own wishes, in which case he wasn’t imitating Condon’s killer, or he really was programmed by the Communists, in which case the question isn’t whether Oswald saw Frankenheimer’s movie but whether his Communist masters did.

United Artists withdrew “The Manchurian Candidate” from theatres in 1964, although the movie could occasionally be seen on television and in art houses. In 1972, Sinatra bought the rights and, in 1975, removed it from circulation entirely. Whether or not he was motivated by guilt over Kennedy’s death is unclear. He did, however, give his daughter Tina permission to produce a remake, and it is being shot, this fall, by Jonathan Demme. (Demme’s previous movie, “The Truth About Charlie,” was also a remake, of Stanley Donen’s “Charade,” of 1963. His method, judging from that effort, is to update the story and then salt it with allusions to the period of the original. “Charade” was filmed in Paris at the time of the French New Wave, and so in Demme’s version there are appearances by Charles Aznavour, Agnès Varda, and the grave of François Truffaut—none of which have anything to do with the story. Demme has reportedly set “The Manchurian Candidate” in the time of the Gulf War; Liev Schreiber plays Raymond, Meryl Streep is his dragon mother, and Marco is played by Denzel Washington. We can be fairly confident that at some point Denzel Washington will be seen listening to a Frank Sinatra song.)

The Kennedy assassination does not fulfill Condon and Frankenheimer’s prophecy. On the contrary, it buries it. If any assassin might plausibly have been a Communist puppet, it was Oswald, a man who had lived in the Soviet Union for three years, who had a Russian wife, and who once handed out leaflets for an outfit called the Fair Play for Cuba Committee. These facts were widely known within hours of Oswald’s arrest, and yet the theory that he was an agent who was directed, wittingly or not, by Communist handlers has never been an important part of the folklore of the Kennedy assassination. Until the late nineteen-seventies, the official line (endorsed, incidentally, by Condon at the time) was that Oswald acted alone. Dissenters from that view have been drawn mainly to theories involving the Mafia and the Central Intelligence Agency, even though hooking Oswald up with those entities requires a far greater imaginative stretch than associating him with the Soviets. Almost no one thinks of Kennedy (except in some convoluted way) as a casualty of the Cold War, and his death does not represent the culmination of the national anxiety about Communist infiltration. It represents the end of that obsession, and of the panic that Condon’s novel and Frankenheimer’s movie both so happily exploit. ♦

  • Louis Menand, a staff writer since 2001, was awarded the National Humanities Medal in 2016.

https://www.newyorker.com/magazine/2003/09/15/brainwashed

RICHARD CONDON BOOKS IN ORDER

Publication Order of Prizzi Books

Prizzi’s Honor (1982) Hardcover  Paperback  Kindle
Prizzi’s Family (1986) Hardcover  Paperback  Kindle
Prizzi’s Glory (1988) Hardcover  Paperback  Kindle
Prizzi’s Money (1994) Hardcover  Paperback  Kindle

Publication Order of Standalone Novels

The Oldest Confession (1958) Hardcover  Paperback  Kindle
The Manchurian Cadidate (1959) Hardcover  Paperback  Kindle
Some Angry Angel (1960) Hardcover  Paperback  Kindle
A Talent for Loving aka The Great Cowboy Race (1961) Hardcover  Paperback  Kindle
An Infinity of Mirrors (1964) Hardcover  Paperback  Kindle
Any God Will Do (1966) Hardcover  Paperback  Kindle
The Ecstasy Business (1967) Hardcover  Paperback  Kindle
Mile High (1969) Hardcover  Paperback  Kindle
The Vertical Smile (1971) Hardcover  Paperback  Kindle
Arigato (1972) Hardcover  Paperback  Kindle
Winter Kills (1974) Hardcover  Paperback  Kindle
The Star-spangled Crunch (1975) Hardcover  Paperback  Kindle
Money is Love (1975) Hardcover  Paperback  Kindle
The Whisper of the Axe (1976) Hardcover  Paperback  Kindle
The Abandoned Woman (1977) Hardcover  Paperback  Kindle
Bandicoot (1978) Hardcover  Paperback  Kindle
Death of A Politician (1978) Hardcover  Paperback  Kindle
The Entwining (1980) Hardcover  Paperback  Kindle
A Trembling Upon Rome (1983) Hardcover  Paperback  Kindle
Emperor of America (1990) Hardcover  Paperback  Kindle
The Final Addiction (1991) Hardcover  Paperback  Kindle
The Venerable Bead (1992) Hardcover  Paperback  Kindle

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Before he began writing fiction stories, Richard Thomas Condon worked for Walt Disney productions as a press agent in the movie business for 20 years where he spent most of his time in the major studios. Prior his moderate success in Hollywood, Condon also worked in the US Merchant Marine. He actually started writing in 1957 in his forties. He often complained of wasting a lot of time in Hollywood when he was employed as an ad writer by United Artists. His boss, Max Youngstein later fired him after deducting amounts from Condon’s salary without his knowledge. Youngstein also offered him a house overlooking a Mexican ocean and told him to write his book, The Manchurian Candidate (1959) which was his second novel. The book was used to make a movie in 1962, making Richard Condon famous. His other book, Prizzi’s Honor (1982) was also made into a successful movie.

Richard Condon was a thriller and satirical novelist, born and raised in New York City and best known for his conspiratorial books like The Oldest Confession (1958), Some Angry Angel (1960), A Talent of Loving (1961), An Infinity of Mirrors (1964) and many more novels. Condon’s writing was famous for its fascination with trivia, complex plotting, and hatred for those in power. For instance, his most popular novel The Manchurian Candidate was highly criticized because it seemed to disturbingly overshadow the assassination of President John F. Kennedy. Furthermore, several books feature a thinly disguised version of Richard Nixon. His characters were driven by family loyalty, and with obsession, usually political and sexual. His plots had elements of a typical tragedy involving protagonists who are led by their pride to places where they destroy what they love. One of his most notable books, Mile High (1969) was best defined as secret history. In the novel, And Then We Moved to Rossenara, Richard Condon gives a humorous autobiography that recounts the various places he has lived in the world and his family’s move to Rossenarra, Ireland in the 1970s.

Apart from writing novels, Richard Condon also wrote some popular book series and bestsellers including; Prizzi’s Honor (1986), Prizzi’s Family (1986), Prizzi’s Glory (1988) and Prizzi’s Money (1994). He died in 1996.

Prizzi’s Honor was Richard Condon’s first book in the Prizzi’s series. This is not an ordinary story of a boy-meets-girl. Prizzis is the most influential Mafia family in New York. Their faithful lieutenant, Charley Partanna has affections for Irene Walker who works as a tax consultant in Los Angeles. She also does freelancing which pays her more. She is also a Mob’s hit woman. She cons the Prizzis an unforgivably huge amount of money. Indeed, this is a very dangerous moonlighting which eventually conflicts Charley’s oldest loyalties with his latest one. This book mixes character and caricature easily, making it one of his best books since The Manchurian Candidate.

The second book in the Prizzi’s series is the Prizzi’s Family. Here, Charley Partanna works for the Prizzi family as a hitman by day and studies for his high school exam by night. When he is not studying, he is juggling two beautiful women, probably more than he can handle. One, Maerose, is the granddaughter of Charley’s boss and is hungry for honor, power and Charley of course. The other, Mardell, is a sensational, one-third fantasy, two-thirds legs. This is a problem to Charley, but hormones seem to keep obstructing him. This book is funny and cheerful, and foams with perversity, obsessional religious mania, rascality, greed and lust, and assault and battery, making it a good read.

The next book in the series is Prizzi’s Glory. In this successful last volume in Prizzi trilogy series, the Prizzi family cleans up the environment, immersing huge benefits. They finally appear as a cruel, vivid and comic portrait of the America’s best-run Mafia institution. For the change, a tired, bored and depressed Charley Fontana weds Maerose, but this does not help because Don Corrado has thought of a bigger change, Prizzi’s respectability. Money flows to the Prizzi’s family through dubious activities like gambling, extortion, prostitution, loan-sharking, and narcotics. Don Corrado uses the money to control a new scam, a national political power which Charley heads. This book offers an accomplished and entertaining satire for a feat of joyful reading.

The last book in the Prizzi’s series is Prizzi’s Money. Richard Condon showcases the Prizzi family’s saga of organized crime. Here, Julia Asbury outwits the Prizzis, walking away with a huge amount of their money (a billion & a quarter) to start a new life. She does this after discovering that the Prizzis and her husband had double-crossed her.

Another noticeable writing style by Richard Condon was the use of real-life names in his books. Condon used names of real people as characters in his writings, but generally minor/peripheral ones. One of the most common names used in all of his novels includes F.M. Heller, Franz Heller, F. Marx Heller, and Frank Heller which are variations of Franklin M. Heller. In real life, Heller was, in fact, a television director based in New York City from the 1950s to 1970s and first lived on Long Island before moving to a house along Rockrimmon Road, Stamford, Connecticut. Starting with Mile High, Rockrimmon House and Rockrimmon Road have been frequently mentioned in the novels. All the fictional Hellers also shared a devotion for needlework and grew a thick-white beard similar to the real-life Heller who made a needlework depiction in Condon’s manor house in Ireland. Condon also had a great actor friend, Allan Melvin, who he wrote a nightclub act. Melvin also played Cpl. Henshaw in The Phil Servers Show which Condon was publicizing. Several Condon books particularly Prizzi’s Honor showcases Melvini as a prominent hit man.

Richard Condon’s legend is not only showcased in his wonderful writings but also some popular films that were adapted from his novels. The films include; The Manchurian Candidate (1962 and 2004), The Talent of Loving (1969), Winter Kills (1979), Prizzi’s Honor (1985), and The Happy Thieves from the novel The Oldest Confession (1962). The Manchurian Candidate is recognized as one of the best films of all time. The book combined several elements including; satire, nefarious conspiracies, black humor, outrage at financial and political corruption in America, as well as breath-taking elements from spy fiction and thrillers, and grotesque and horrific violence.

https://www.bookseriesinorder.com/richard-condon/

Condon, Richard 1915-1996 (Richard Thomas Condon)

Condon, Richard 1915-1996 (Richard Thomas Condon)
PERSONAL:
Born March 18, 1915, in New York, NY; died April 9, 1996, in Dallas, TX; son of Richard Aloysius and Martha Irene Condon; married Evelyn Rose Hunt, January 14, 1938; children: Deborah Weldon, Wendy Jackson. Education: Graduated from high school in New York, NY.

CAREER:
Writer. Publicist in New York, NY, and Hollywood, CA, for Walt Disney Productions, 1936-41, Twentieth Century-Fox Film Corp., 1941-45, Richard Condon, Inc., 1945-48, and Paramount Pictures Corp., 1948-53, and in Europe and Great Britain for United Artists Corp., 1953-57; novelist. Producer, with Jose Ferrer, of Broadway shows Twentieth Century and Stalag 17, 1951-52.

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MEMBER:
International Confederation of Book Actors (honorary life president), Dramatists Guild, Authors Guild, Authors League of America.

AWARDS, HONORS:
Writers Guild of America award, Bafta Award from British Academy of Film and Television Sciences, and Academy Award nomination, all 1986 for screen adaptation of Prizzi’s Honor,.

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WRITINGS:
And Then We Moved to Rossenarra; or, The Art of Emigrating, Dial (New York, NY), 1973.

(With daughter, Wendy Jackson) The Mexican Stove: What to Put on It and in It, Doubleday (Garden City, NY), 1973, reprinted, Taylor Publishing, 1988.

NOVELS
The Oldest Confession (Book-of-the-Month Club alternate selection), Appleton-Century-Crofts (New York, NY), 1958.

The Manchurian Candidate, McGraw (New York, NY), 1959, reprinted, Four Walls Eight Windows (New York, NY), 2003.

Some Angry Angel: A Mid-Century Faerie Tale, McGraw (New York, NY), 1960.

A Talent for Loving; or, The Great Cowboy Race, McGraw (New York, NY), 1961.

An Infinity of Mirrors, Random House (New York, NY), 1964.

Any God Will Do, Random House (New York, NY), 1965.

The Ecstasy Business, Dial (New York, NY), 1967.

Mile High (Literary Guild alternate selection), Dial (New York, NY), 1968.

The Vertical Smile (Literary Guild selection), Dial (New York, NY), 1971.

Arigato, Dial (New York, NY), 1972.

Winter Kills, Dial (New York, NY), 1974.

The Star Spangled Crunch, Bantam (New York, NY), 1974.

Money Is Love, Dial (New York, NY), 1975.

The Whisper of the Axe, Dial (New York, NY), 1976.

The Abandoned Woman: A Tragedy of Manners, Dial (New York, NY), 1977.

Bandicoot, Dial (New York, NY), 1978.

Death of a Politician, Richard Marek (New York, NY), 1978.

The Entwining, Richard Marek (New York, NY), 1980.

Prizzi’s Honor (second novel in trilogy; Book-of-the-Month Club joint main selection; also see below), Coward, McCann & Geoghegan (New York, NY), 1982.

A Trembling upon Rome, Putnam (New York, NY), 1983.

Prizzi’s Family (first novel in trilogy; Literary Guild joint main selection), Putnam, 1986.

Prizzi’s Glory (third novel in trilogy), Dutton (New York, NY), 1988.

The Final Addiction, Saint Martin’s Press (New York, NY), 1991.

Prizzi’s Money, Crown Publishing (New York, NY), 1994.

SCREENPLAYS
(With Janet Roach) Prizzi’s Honor (adaptation; see above), Twentieth Century-Fox Film Corp., 1985.

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Also author screenplay for A Talent for Loving, 1969, and The Summer Music; author of the play Men of Distinction, produced on Broadway, 1953. Contributor to periodicals, including Holiday, Nation, Vogue, Harper’s, Gourmet, Esquire, Travel and Leisure, and Sunday Times magazine. Novels have been published in twenty-two languages and in braille.

ADAPTATIONS:
Books have been adapted for film, including The Oldest Confession released as the film The Happy Thieves, 1962; Winter Kill, 1979; and The Manchurian Candidate, 1962, and adapted remake, Paramount Pictures, 2004.

SIDELIGHTS:
Novelist Richard Condon began writing at age forty-two following a successful career as a movie publicist. Condon’s reputation as a writer of political thrillers was secured with his first two novels, The Oldest Confession and The Manchurian Candidate. Condon’s body of work included over twenty novels, two nonfiction books, a handful of plays and screenplays, and numerous articles on his twin passions, food and travel. This output netted him an income of about two and a half million dollars.

Condon took full advantage of his freedom as a writer. Although he resided in the United States later in life, for nineteen years Condon and his family lived in countries such as France, Spain, Switzerland, and Ireland. Condon’s focus in his novels, however, usually reflected his concerns about American society, particularly the United States government. Condon’s preoccupation with examining abuses of power made him into a cult figure of sorts to readers who shared his convictions. Condon’s novels are entertaining, despite their underlying seriousness. This assessment is compatible with Condon’s personal goals as a writer, which he discussed in a People magazine interview with Anne Maier. “I have never written for any other reason than to earn a living. This is certainly true of other writers, but some poor souls get mightily confused with art. I am a public entertainer who sees his first duty as the need to entertain himself.”

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Most of the material for Condon’s blend of reality and bizarre invention came from “the dirty linen closets of politics and money,” according to a New York Review of Books contributor Thomas R. Edwards. “His view—it might be called Condon’s Law—is that when you don’t know the whole truth, the worst you can imagine is bound to be close.” Edwards added: “[He] isn’t an analyst but an exploiter of our need to believe the worst. He does it skillfully, but his books would be less fun than they are if one didn’t suspect that he believes the worst too, that his pictures of a world of fools eternally at the mercy of knaves are also pictures of what, with anger and disgust, he takes to be the case.”

Condon’s second novel, The Manchurian Candidate, was published in 1959 and remains Condon’s most highly acclaimed novel, one that critics frequently cite as a standard of comparison for his later works. The title of the book refers to the main character, Raymond Shaw, a soldier who becomes a prisoner of war in Korea and is unknowingly brainwashed into committing crimes for his former captors after he returns to the United States. Commenting on this novel, reviewers distinguished carefully between Condon’s writing and literature. Most reviewers noted the novel’s many appeals. Michael Rogers, writing a Library Journal review of a 2003 reprint of the novel, commented that “any fan of political thrillers will enjoy this one.”

Condon followed The Manchurian Candidate with several relatively successful novels. Nevertheless, several of Condon’s subsequent novels generally fell out of favor with critics. In 1974, however, his novel Winter Kills was enthusiastically received. Winter Kills closely parallels the lives of members of the Kennedy family. The main character, Nick Thirkield, is the half-brother of John F. Kennedy analogue Tim Kegan, a young, liberal Irish president who is assassinated by a lone maniac. The assassin is caught and charged with the murder, but when Thirkield learns that another man may also have been involved, he has the case reopened.

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Several reviewers found themselves pleasantly surprised by Winter Kills. New York Times Book Review contributor Leo Braudy, for example, commented that Winter Kills is “a triumph of satire and knowledge, with a delicacy of style and a command of tone that puts Condon once again into the first rank of American novelists.” Braudy explained: “Winter Kills succeeds so brilliantly because the Kennedy assassination furnished Condon with a familiar mythic landscape through which his Gulliver-like hero can wander, simultaneously prey to Lilliputian politics, Brobdingnagian physicality, Laputan science, and Houyhnhnm moralism.” Christopher Lehmann-Haupt expressed a like opinion in the New York Times: “By the time I reached the end of the novel’s incredibly complex plot and had followed Nick Thirkield through the many blind alleys and trapdoors that eventually bring him face to face with the person behind his brother’s assassination, I was a Richard Condon fan once more.”

Extrapolation contributor Joe Sanders observed: “In Condon’s novels, politics determines the shape of society, but politics is not a voluntary, cooperative activity, entered into for some common end; it is a device by which a few clever people manipulate many others to gain their selfish ends.” Lehmann-Haupt expressed disappointment with the ending because he “caught on too early what the ultimate outcome would be,” but he found the novel’s conclusion satisfying. He wrote: “It may not be true that America is run by a small, conspiring oligarchy. It may not be true that things happen in the White House at the whim of movie stars and labor leaders, of courtesans and generals. But the possibilities are no longer inconceivable.”

Winter Kills was made into a critically acclaimed but briefly run film of the same title. Although Condon was not directly involved in the making of Winter Kills, the film’s quality drew his attention and support. After two years of filming for which most of the cast and crew were never paid, Winter Kills opened in New York in 1979 to favorable reviews. The film’s three-week run in showcase theaters was followed by disappearance from theatres, raising Condon’s conspiracy suspicions. Condon’s paranoia was further incited by the murder of one of the producers shortly after the film’s opening; two years later the second producer was sentenced to forty years in prison on a drug charge. The movie was briefly re-released in 1982 and 1983.

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Condon’s novel Prizzi’s Honor dealt with a similarly sensitive milieu: organized crime. Although this setting has been exploited by several other authors, notably Mario Puzo, reviewers believed that Condon’s novel offered a fresh outlook. Charles Champlin observed in the Los Angeles Times Book Review: “Condon, once again accepting the perceived reality as police leaks, newspaper exposes and Puzo have given it to us—complete with Sicilian litany of consiglieri, caporegimes, sottocapos, soldati, and a godfather with a lethal wheeze and a mind Machiavelli might envy—steps over it to present an outrageous and original love story.” New York Times Book Review contributor Robert Asahina noted: “Richard Condon is not Mario Puzo; suspense, not the family saga, is his forte. And he winds the mainspring of the plot so tight that the surprise ending will knock your reading glasses off. Yet Prizzi’s Honor is also a sendup of the prevailing sentimental picture of the underworld. To Mr. Condon, there is honor among these thieves—but it is precisely in the name of omerta that the fratellanza has been willing to ‘cheat, corrupt, scam, and murder anybody who stands between them and a buck.’”

The novel’s love interest involves Charley Partanna, a gourmet cook, compulsive house cleaner, and hit man for the Prizzi family; and Irene Walker, a tax consultant and freelance killer for hire. “It is something of a challenge to a novelist to create a love interest in a story that pairs two ruthless murderers,” observed Times Literary Supplement contributor Alan Bold. “Irene is presented as a colder fish than Charley—she has risen to the top of her profession on account of her ability to murder without remorse. She is as sound a psychopath as Charley. Condon suggests, however, that such creatures are capable of a great passion and Charley, for one, is sure that his love is the real thing.” New York Times contributor Susan Bolotin likewise commented on the originality of this pairing: “If boy-meets-girl/boy-gets-girl love stories seem poisonously tiresome to you, Richard Condon’s boisterous new novel may prove the perfect antidote. It’s true that Prizzi’s Honor starts off with a familiar melody, … but the book soon turns into a fugue with variations so intricate that the genre may never recover.”

Despite opposition from Charley’s father, Charley and Irene are wed. Condon takes the couple through a convoluted plot that includes “a kidnapping, international financial intrigue, a gangland war, police on the take, the power struggle within the family, contract killings, [and] lots of jolly sex,” wrote Bolotin. According to several reviewers, Condon’s exploration of the seamier side of organized crime is distressing. Best Sellers contributor Tony Bednarczyk wrote: “There is solid storytelling, but the subject raises disturbing questions about morals, and/or the lack thereof. It is a fast-paced, very readable story, but one feels a bit guilty for being interested in what comes next.” While Time critic Michael Demarest also believed that Prizzi’s Honor, “like most of [Condon’s] books, comes sometimes too close to the truth for comfort,” he nevertheless concluded: “Condon’s stylish prose and rich comedic gift once again spice a moral sensibility that has animated sixteen novels since The Manchurian Candidate appeared in 1962. If wit and irony could somehow neutralize villainy, the novelist would make a fine FBI director.” Other reviewers expressed similarly laudatory views. Champlin wrote: “Condon is once again the storytelling satirist with a sharp eye and a high velocity typewriter. Prizzi’s Honor may not be his best work but it ranks well up in the canon.” Concluded Asahina: “Twenty years after The Manchurian Candidate, it’s nice to know that Mr. Condon is still up to his sly tricks. In his case, at least, it’s a pleasure that—as he tells us an old Sicilian proverb has it—‘The less things change, the more they remain the same.’”

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Prizzi’s Honor was also made into a successful film of the same title, with Jack Nicholson and Kathleen Turner playing the roles of Charley Partanna and Irene Walker. The film was nominated for several Academy Awards, and the screenplay, adapted by Condon and coauthor Janet Roach, received awards from the Writers Guild of America and the British Academy of Film and Television Sciences. The project was initiated and eventually directed by John Huston.

Huston and movie critics alike believed that Prizzi’s Honor was faithful to the novel, a feat they attribute to Condon and Roach’s skillfully adapted screenplay. Chi-cago Tribune contributor Gene Siskel described Prizzi’s Honor as “a classic piece of moviemaking,” and Los Angeles Times film critic Sheila Benson noted: “To say the film is the treasure of the year would be to badmouth it in this disastrous season. Prizzi’s Honor would be the vastly original centerpiece of a great year.” Benson also wrote: “In its dangerous mix of love and murder, Huston is traversing terrain that he (and certainly The Manchurian Candidate author Condon) blazed decades ago. This ’80s-version denouement may distress the squeamish, but it’s right in keeping with Prizzi honor.”

BIOGRAPHICAL AND CRITICAL SOURCES:
BOOKS
Bestsellers 90, Issue 3, Thomson Gale (Detroit, MI), 1990.

Condon, Richard, Death of a Politician, Richard Marek (New York, NY), 1978.

Contemporary Authors Autobiography Series, Volume I, Thomson Gale (Detroit, MI), 1984.

Contemporary Literary Criticism, Thomson Gale (Detroit, MI), Volume IV, 1975, Volume VI, 1976, Volume VIII, 1978, Volume X, 1979, Volume XLIV, 1987.

Newquist, Roy, Conversations, Volume I, Rand McNally (Chicago, IL), 1967.

PERIODICALS
Best Sellers, June, 1982, Tony Bednarczyk, review of Prizzi’s Honor; December, 1986.

Chicago Tribune, June 14, 1985, Gene Siskel, review of Prizzi’s Honor (film adaptation).

Daily Variety, March 8, 2002, Dana Harris and Sharon Swart, “‘Candidate’ for Redo: Paramount Plans Remake of 1962 Classic,” p. 1.

Extrapolation, summer, 1984, Joe Sanders, article about author.

Library Journal, November 1, 2003, Michael Rogers, review of The Manchurian Candidate, p. 129.

Los Angeles Times, June 14, 1985, Sheila Benson, review of Prizzi’s Honor (film adaptation).

Los Angeles Times Book Review, April 25, 1982, Charles Champlin, review of Prizzi’s Honor.

Modern Language Quarterly, September, 2006, Micahel Szalay, review of The Manchurian Candidate, p. 363.

New Statesman, September 5, 1975, review of Money is Love, p. 285; August 13, 1976, review of The Whisper of the Axe, p. 216.

Newsweek, September 14, 1964, review of Manchurian Candidate; June 9, 1975, review of Money Is Love, p. 81.

New Yorker August 25, 1975, review of Money Is Love, p. 87; December 11, 1978, review of Death of a Politician, p. 206; October 28, 1991, review of The Final Addiction, p. 119.

New York Review of Books, February 8, 1979, Thomas R. Edwards, review of Death of a Politician, p. 35.

New York Times, May 24, 1974, Christopher Lehmann-Haupt, review of Winter Kills; May 21, 1976; April 20, 1982, Susan Bolotin, review of Prizzi’s Honor, p. 25.

New York Times Book Review, May 26, 1974, Leo Braudy, review of Winter Kills; May 25, 1975, review of Money Is Love, p. 12; May 23, 1976, review of The Whisper of the Axe, p. 4; April 18, 1982, Robert Asahina, review of Prizzi’s Honor, p. 12; September 4, 1983, John Jay Osborn, Jr., review of A Trembling upon Rome, p. 4; September 28, 1986, Jimmy Breslin, review of Prizzi’s Family, p. 13; October 9, 1988, Vincent Patrick, review of Prizzi’s Glory, p. 24; February 11, 1990, Roy Blount, Jr., review of Emperor of America, p. 14; November 17, 1991, Bill Kent, review of The Final Addiction, p. 20; December 13, 1992, Donald E. Westlake, review of The Venerable Bead, p. 9; February 6, 1994, Joe Queenan, review of Prizzi’s Money, p. 9.

People, December 8, 1986, Anne Maier, interview with author.

Spectator, September 21, 1974, review of Winter Kills, p. 372.

Texas Monthly, August, 1994, William Cobb, “The Don of Dallas,” interview with author, p. 42.

Time, June 2, 1975, review of Money Is Love, p. 72; May 17, 1982, Michael Demarest, review of Prizzi’s Honor, p. 82; September 22, 1986, John Skow, review of Prizzi’s Family, p. 95; September 19, 1988, review of Prizzi’s Glory, p. 95.

Times Literary Supplement, June 11, 1982, Alan Bold, review of Prizzi’s Honor.

ONLINE
Internet Movie Database,http://www.imdb.com/ (December 4, 2006), information on author’s film work.

OBITUARIES
PERIODICALS
New York Times, April 10, 1996, Mel Gussow.

Time, April 22, 1996, p. 33.

U.S. News & World Report, April 22, 1996, p. 26.

https://www.encyclopedia.com/arts/educational-magazines/condon-richard-1915-1996-richard-thomas-condon

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    Richard Condon

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Richard Condon

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Richard Condon
Born Richard Thomas Condon
March 18, 1915
New York CityNew York, U.S.
Died April 9, 1996 (aged 81)
DallasTexas, U.S.
Occupation Novelist
Genre Fiction

Richard Thomas Condon (March 18, 1915 in New York City – April 9, 1996 in Dallas, Texas) was a prolific and popular American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other mediums, such as cinema. All 26 books were written in distinctive Condon style, which combined fast-pace, outrage, and frequent humor while focusing almost obsessively at monetary greed and political corruption. Condon himself once said: “Every book I’ve ever written has been about abuse of power. I feel very strongly about that. I’d like people to know how deeply their politicians wrong them.”[1] Condon’s books were occasionally bestsellers, and many of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.

Condon’s writing was known for its complex plotting, fascination with trivia, and loathing for those in power; at least two of his books featured thinly disguised versions of Richard Nixon.[citation needed] His characters tend to be driven by obsession, usually sexual or political, and family loyalty. His plots often have elements of classical tragedy, with protagonists whose pride leads them to destroy what they love. Some of his books, most notably Mile High (1969), are perhaps best described as secret history.[citation needed] And Then We Moved to Rossenarra is a humorous autobiographical recounting of various places in the world where he had lived and his family’s 1970s move to Rossenarra, Co. Kilkenny, Ireland.

Contents

Early life[edit]

Born in New York City, Condon attended DeWitt Clinton High School.[2]

After service in the United States Merchant Marine, Condon achieved moderate success as a Hollywood publicist, ad writer and Hollywood agent. Condon turned to writing in 1957. Employed by United Artists as an ad writer, he complained that he was wasting time in Hollywood and wanted to write a novel. Without Condon’s knowledge, his boss, Max E. Youngstein, deducted money from his salary, then fired him after a year, returning the amount of money he had deducted in the form of a Mexican bank account and the key to a house overlooking the ocean in Mexico. Youngstein told him to write his book.[3] His second novel, The Manchurian Candidate (1959), featured a dedication to Youngstein and was made into a successful film.

Basic theme throughout Condon’s books[edit]

In Mile High, his eighth novel, one primarily about how a single spectacularly ruthless gangster named Eddie West imposes Prohibition upon an unwary populace, Condon sums up the theme of all his books in a single angry cri de coeur:

“Prohibition fused the amateurism and catch-as-catch-can national tendencies of the early days of the republic with a more modern, highly organized lust for violence and the quick buck. It fused the need to massacre twelve hundred thousand American Indians and ten million American buffalo, the lynching bees, the draft riots, bread riots, gold riots and race riots, the constant wars, the largest rats in the biggest slums, boxing and football, the loudest music, the most strident and exploitative press with the entire wonderful promise of tomorrow and tomorrow, always dragging the great nation downward into greater violence and more unnecessary deaths, into newer and more positive celebration of nonlife, all so that the savage, simple-minded people might be educated into greater frenzies of understanding that power and money are the only desirable objects for this life.”[4]

“Manchurian Candidate”[edit]

Although not perhaps actually originated by Condon himself, his use of “the Manchurian Candidate” made that phrase a part of the English language. Frank Rich, for example, in his column in the “Sunday Opinion” of The New York Times of August 17, 2008, writes about Barack Obama with a reference to both a well-known actress and a well-known plot element in the first movie version of Condon’s 1959 book:

“[Obama’s] been done in by that ad with Britney [Spears] and Paris [Hilton] and a new international crisis that allows [John] McCain to again flex his Manchurian Candidate military cred. Let the neocons identify a new battleground for igniting World War III… and McCain gets with the program as if Angela Lansbury has just dealt him the Queen of Hearts“.[5]

“The fiction of information”[edit]

Condon’s works are difficult to categorize precisely: A 1971 Time magazine review declared that, “Condon was never a satirist: he was a riot in a satire factory. He raged at Western civilization and every last one of its works. He decorticated the Third Reich, cheese fanciers, gossip columnists and the Hollywood star system with equal and total frenzy.” [6] The headline of his obituary in The New York Times called him a “political novelist”,[7] but went on to say that, “Novelist is too limited a word to encompass the world of Mr. Condon. He was also a visionary, a darkly comic conjurer, a student of American mythology and a master of conspiracy theories, as vividly demonstrated in ‘The Manchurian Candidate.'”[7] Although his books combined many different elements, including occasional outright fantasy and science fiction, they were, above all, written to entertain the general public. He had, however, a genuine disdain, outrage, and even hatred for many of the mainstream political corruptions that he found so prevalent in American life. In a 1977 quotation, he said that:[8]

“…people are being manipulated, exploited, murdered by their servants, who have convinced these savage, simple-minded populations that they are their masters, and that it hurts the head, if one thinks. People accept servants as masters. My novels are merely entertaining persuasions to get the people to think in other categories.”

With his long lists of absurd trivia and “mania for absolute details”, Condon was, along with Ian Fleming, one of the early exemplars of those called by Pete Hamill in a New York Times review, “the practitioners of what might be called the New Novelism… Condon applies a dense web of facts to fiction…. There might really be two kinds of fiction: the fiction of sensibility and the fiction of information… As a practitioner of the fiction of information, no one else comes close to him.”[9]

Quirks and characteristics[edit]

Condon attacked his targets wholeheartedly but with a uniquely original style and wit that made almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, playwright George Axelrod (The Seven Year ItchWill Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:

“The arrival of a new novel by Richard Condon is like an invitation to a party…. the sheer gusto of the prose, the madness of his similes, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be.”

Metaphors and similes[edit]

From his 1975 novel, Money Is Love, comes a fine example of the “lunacy of his metaphors”: “Mason took in enough cannabis smoke to allow a Lipan Apache manipulating a blanket over it to transmit the complete works of Tennyson.” [10]

The Manchurian Candidate offers:

“The effects of the narcotics, techniques, and suggestions… achieved a result that approximated the impact an entire twenty-five-cent jar of F. W. Woolworth vanishing cream might have on vanishing an aircraft carrier of the Forrestal class when rubbed into the armor plate.”[11]

Lists and trivia[edit]

Condon was also enamored of long lists of detailed trivia that, while at least marginally pertinent to the subject at hand, are almost always an exercise in gleeful exaggeration and joyful spirits. In An Infinity of Mirrors, for instance, those in attendance of the funeral of a famous French actor and notable lover are delineated as:

Seven ballerinas of an amazing spectrum of ages were at graveside. Actresses of films, opera, music halls, the theatre, radio, carnivals, circuses, pantomimes, and lewd exhibitions mourned in the front line. There were also society leaders, lady scientists, women politicians, mannequins, couturières, Salvation Army lassies, all but one of his wives, a lady wrestler, a lady matador, twenty-three lady painters, four lady sculptors, a car-wash attendant, shopgirls, shoplifters, shoppers, and the shopped; a zoo assistant, two choir girls, a Métro attendant from the terminal at the Bois de Vincennes, four beauty-contest winners, a chambermaid; the mothers of children, the mothers of men, the grandmothers of children and the grandmothers of men; and the general less specialized, female public-at-large which had come from eleven European countries, women perhaps whom he had only pinched or kissed absent-mindedly while passing through his busy life. They attended twenty-eight hundred and seventy strong, plus eleven male friends of the deceased.[12]

Writing about The Whisper of the Axe in the daily book review column of Friday, May 21, 1976, in the New York Times, Richard R. Lingeman praised the book in particular and Condon in general for his “extravagance of invention unique with him.” [13]

Not everyone was as exhilarated by Condon’s antics, however. In a long Times Sunday review just two days after Lingeman’s, Roger Sale excoriated Condon as a writer of “how-to books” in general, this book in particular, and Condon’s habit of using lists: “A lot of it is done with numbers arbitrarily chosen to falsely simulate precision.” [14]

Real-life names in his books[edit]

All of Condon’s books have, to an unknown degree, the names of real people in them as characters, generally very minor or peripheral. The most common, which appears in all of his books, is some variation of Franklin M. Heller. Among them are F.M. Heller, Frank Heller, Franz Heller, and F. Marx Heller. The real-life Heller was apparently a television director in New York City in the 1950s, ’60s, and 70s, who initially lived on Long Island and then moved to a house on Rockrimmon Road in Stamford, Connecticut.[15] Beginning with Mile High in 1969, mentions of a Rockrimmon Road or Rockrimmon House also began to appear regularly in the novels. Late in life Heller grew a thick white beard and became a devotee of needlework—both traits that the fictional Hellers shared, sometimes to ludicrous effect, as when a battle-hardened Admiral Heller is depicted issuing orders while absorbed in needlework. The real-life Heller made one needlework depiction of the manor house in Ireland in which Condon was living at the time.

Condon was a great friend of actor Allan Melvin, having written a nightclub act for him. Condon later became a publicist for The Phil Silvers Show (“Sgt. Bilko”), on which Melvin played Cpl. Henshaw. Melvin’s name shows up in several Condon books, most prominently as hitman Al (the Plumber) Melvini in “Prizzi’s Honor” (a play on Melvin’s “Al the Plumber” character in Liquid-Plumr commercials.) In The Manchurian Candidate, with the exception of Marco, Shaw and Mavole, all of Marco’s platoon members are named for the cast/crew of “Bilko”: (Nat) Hiken, (Maurice) Gosfield, (Jimmy) Little, (Phil) Silvers, (Allan) Melvin, (Mickey) Freeman and (Harvey) Lembeck.

Career in films[edit]

For many years a Hollywood publicity man for Walt Disney and other studios, Condon took up writing relatively late in life and his first novel, The Oldest Confession, was not published until he was 43. The demands of his career with United Artists—promoting dreadful movies such as The Pride and the Passion and A King and Four Queens—led to a series of bleeding ulcers and a determination to do something else.

His next book, The Manchurian Candidate, combined all the elements that defined his works for the next 30 years: nefarious conspiracies, satire, black humor, outrage at political and financial corruption in the American scene, breath-taking elements from thrillers and spy fiction, horrific and grotesque violence, and an obsession with the minutiae of food, drink, and fast living. It quickly made him, for a few years at least, the center of a cult devoted to his works. As he rapidly produced more and more books with the same central themes, however, this following fell away and his critical reputation diminished. Still, over the next three decades Condon produced works that returned him to favor, both with the critics and the book-buying public, such as Mile HighWinter Kills, and the first of the Prizzi books, Prizzi’s Honor.

Of his numerous books that were turned into Hollywood movies, The Manchurian Candidate was filmed twice. The first version, in 1962, which starred Frank SinatraLaurence HarveyJanet Leigh, and Angela Lansbury, followed the book with great fidelity, and is now highly regarded as a glimpse into the mindset of its era. Janet Maslin, writing already over two decades ago, said in The New York Times In 1996 that it was “arguably the most chilling piece of cold war paranoia ever committed to film, yet by now it has developed a kind of innocence.”[7]

The Keener’s Manual[edit]

Beginning with his first book, The Oldest Confession, Condon frequently prefaced his novels with excerpts of verse from a so-called Keener’s Manual; these epigraphs foreshadowed the theme of the book or, in several instances, gave the book its title. The Keener’s Manual, however, was a fictional invention by Condon and does not actually exist. A “keen” is a “lamentation for the dead uttered in a loud wailing voice or sometimes in a wordless cry” [16] and a “keener” is a professional mourner, usually a woman in Ireland, who “utters the keen… at a wake or funeral.” [17]

Five of Condon’s first six books derived their titles from the fictional manual, the only exception being his most famous book, The Manchurian Candidate. The epigraph in The Manchurian Candidate, however, “I am you and you are me /and what have we done to each other?” is a recurring theme in earlier Condon’s books: in various forms it also appears as dialog in both The Oldest Confession and Some Angry Angel. Among other epigraphs, the last line of “The riches I bring you /Crowding and shoving, /Are the envy of princes: /A talent for loving.” is the title of Condon’s fourth novel. His fifth and sixth novels, An Infinity of Mirrors and Any God Will Do, also derive their titles from excerpts of the manual.

Plagiarism charge[edit]

In 1998 a California software engineer noticed several paragraphs in The Manchurian Candidate that appeared nearly identical to portions of the celebrated 1934 novel I, Claudius by the English writer Robert Graves. She wrote about the apparent plagiarism on her website but her discovery went unnoticed by most of the world until Adair Lara, a longtime San Francisco Chronicle staff writer, wrote a lengthy article about the accusation in 2003.[18] Reprinting the paragraphs in question, she also solicited the opinion of a British forensic linguist, who concluded that Condon had unquestionably plagiarized at least two paragraphs of Graves’s work. By this time, however, more than seven years had passed since Condon’s death and Lara’s article also failed to generate any literary interest outside the Chronicle.

In Some Angry Angel, the book that followed The Manchurian Candidate, Condon makes a direct reference to Graves. In a long, convoluted passage on page 25 Condon reflects on “mistresses” and their relationship—a peripheral one, to the reader—to Graves’s writings about “Major Male” Deities and “Major Female” Deities. As Angel was published only a year after Candidate, there is no question, therefore, about Condon’s familiarity with the works of Robert Graves.[19]

Condon’s familiarity with Graves is also in evidence on p. 127 of his first novel, The Oldest Confession. One of the characters in the book purchases a copy of Graves’ Antigua, Penny, Puce!

Works[edit]

All novels except as noted:

Films adapted from Condon novels[edit]

Articles[edit]

  • “‘Manchurian Candidate’ in Dallas”. The Nation, December 28, 1963.

References[edit]

This article incorporates material from the Citizendium article “Richard Condon“, which is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License but not under the GFDL.

  1. ^ Locus, The Magazine of the Science Fiction & Fantasy Field, from their May, 1996, issue #424, obituary of Condon, exact page unknown
  2. ^ Buckley, Tom. “THE LITERARY CONSPIRACIES OF RICHARD CONDON”The New York Times, September 2, 1979. Accessed September 14, 2009.
  3. ^ Max E. Youngstein – Biography
  4. ^ Mile High, The Dial Press, New York, 1969, Library of Congress Catalog Card Number: 77-80497, page 156
  5. ^ The New York Times, Sunday, August 17, 2008, Sunday Opinion, “The Candidate We Still Don’t Know” at [1]
  6. ^ Time magazine, “Cheese”, March 4, 1971, at
  7. Jump up to:a b c The New York Times, Wednesday, April 10, 1996, Obituaries, “Richard Condon, Political Novelist, Dies at 81; Wrote ‘Manchurian Candidate’ and ‘Prizzi'” at [2]
  8. ^ Who’s Who in Spy Fiction, Donald McCormick, Sphere Books Ltd., London, 1977, page 64
  9. ^ “For Eddie West, power was all that mattered,” by Pete Hamill, The New York Times, August 31, 1969, at
  10. ^ Time Magazine, “Liederkranz”, a book review by John Skow, June 2, 1975
  11. ^ The Manchurian Candidate, by Richard Condon, paperback edition, Signet, New York, November, 1962, fifth printing, page 261
  12. ^ An Infinity of Mirrors, by Richard Condon, paperback edition, Fawcett Crest, New York, September, 1965, page 36
  13. ^ “A Thriller of the Condon Class”, by Richard R. Lingeman, The New York Times, May 21, 1976, at [3]
  14. ^ Roger Sale, May 23, 1976, in The New York Times, at
  15. ^ Remembrance of Frank Heller,” by Ira Skutch, at
  16. ^ Merriam-Webster’s Collegiate Dictionary, Eleventh Edition, Merriam-Webster, Inc., Springfield, Massachusetts, 2004, ISBN 0-87779-807-9
  17. ^ Webster’s New International Dictionary of the English Language, Second Edition, Unabridged, G. & C. Merriam Co., Publishers, Springfield, Massachusetts, 1943
  18. ^ “Has a local software engineer unmasked ‘The Manchurian Candidate’? Menlo Park woman says author Richard Condon plagiarized”, by Adair Lara, in the San Francisco Chronicle,October 4, 2003; the entire article can be read at [4]
  19. ^ Some Angry Angel: A Mid-Century Faerie Tale, McGraw-Hill, New York, 1960, Library of Congress Catalog Card Number: 60-8826, page 25

 

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Sharyl Attkisson — The Smear: How Shady Political Operatives and Fake News CONTROL What You See, What You Think, and HOW YOU VOTE — Videos

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Sharyl Attkisson
American author
Sharyl Attkisson is an American author and host of the weekly Sunday public affairs program Full Measure with Sharyl Attkisson, which airs on television stations operated by the Sinclair Broadcast Group. She was formerly an investigative correspondent in the Washington bureau for CBS News. Wikipedia
BornJanuary 26, 1961 (age 57 years), Sarasota, FL

 

Sharyl Attkisson

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Sharyl Attkisson
AttkissonB52.jpg

Attkisson on a USAF B-52 in 1999
Born Sharyl Lynn Thompson
26 January 1961 (age 57)
SarasotaFloridaU.S.
Residence Leesburg, Virginia
Education
Occupation Writer, journalist, television correspondent
Spouse(s) James Howard Attkisson (m. 1984)
Children daughter (born ~1995)
Website sharylattkisson.com
fullmeasure.news
Notes

Sharyl Attkisson (born January 26, 1961[4]) is an American author and host of the weekly Sunday public affairs program Full Measure with Sharyl Attkisson, which airs on television stations operated by the Sinclair Broadcast Group.[5] She was formerly an investigative correspondent in the Washington bureau for CBS News. She had also substituted as anchor for the CBS Evening News. She resigned from CBS News on March 10, 2014, after 21 years with the network. Her book Stonewalled reached number 3 on The New York Times e-book non-fiction best seller list in November 2014[6] and number 5 on The New York Times combined print and e-book non-fiction best-seller list the same week.[7]

 

Early life

Attkisson was born in 1961 in SarasotaFlorida.[8] Her step-father is an orthopedic surgeon, and her brother is an emergency room physician. Attkisson graduated from the University of Florida with a degree in broadcast journalism in 1982.[9]

Career

Attkisson began her broadcast journalism career in 1982 as a reporter at WUFT-TV, the PBS station in Gainesville, Florida. She later worked as an anchor and reporter at WTVX-TV Fort Pierce/West Palm Beach, Florida from 1982–1985, WBNS-TV, the CBS affiliate in Columbus, Ohio from 1985–86, and WTVT Tampa, Florida (1986–1990).[10]

1990s

From 1990–1993, Attkisson was an anchor for CNN, and also served as a key anchor for CBS space exploration coverage in 1993.[11] Attkisson left CNN in 1993,[12] moving to CBS, where she anchored the television news broadcast CBS News Up to the Minute and became an investigative correspondent based in Washington, D.C.[10]

She served on the University of Florida‘s Journalism College Advisory Board (1993–1997) and was its chair in 1996.[10] The University gave her an Outstanding Achievement Award in 1997. From 1997 to 2003, Attkisson simultaneously hosted CBS News Up to the Minuteand the PBS health-news magazine HealthWeek.[13]

2000s

Attkisson received an Investigative Reporters and Editors (I.R.E.) Finalist award for Dangerous Drugs in 2000.[14] In 2001, Attkisson received an Investigative Emmy Award nomination for Firestone Tire Fiasco from the National Academy of Television Arts and Sciences.[15]

In 2002, she co-authored a college textbook, Writing Right for Broadcast and Internet News; later that same year she won an Emmy Award for her Investigative Journalism about the American Red Cross.[10] The award was presented in New York City on September 10, 2002.[16] Attkisson was part of the CBS News team that received RTNDA-Edward R. Murrow Awards in 2005 for Overall Excellence.[14]

In 2006, Attkisson served as Capitol Hill correspondent for CBS,[17] as one of a small number of female anchors covering the 2006 midterms.[18] Attkisson was part of the CBS News team that received RTNDA-Edward R. Murrow Awards in 2008 for Overall Excellence.[14]

In 2008, Attkisson reported that a claim by Hillary Clinton to have dodged sniper fire in Bosnia was unfounded: Clinton’s trip to Bosnia was risky, Attkisson said, but no real bullets were dodged. Attkisson was on the trip with Clinton.[19] The day after Attkisson’s report on the CBS Evening News, Clinton admitted there was no sniper fire and said she “misspoke.” [20][21] In 2009, Attkisson won an Investigative Emmy Award for Business and Financial Reporting for her exclusive reports on the Troubled Asset Relief Program (TARP) and the bank bailout.[14] The award was presented on December 7 at Fordham University‘s Lincoln Center Campus in New York City.[22]

2010s

Attkisson returned to the University of Florida as a keynote speaker at the College of Journalism and Communications in 2010.[9] That same year, she received an Emmy Award nomination for her investigations into members of Congress, and she also received a 2010 Emmy Award nomination for her investigation into waste of tax dollars.[23] In July 2011, Attkisson was nominated for an Emmy Award for her Follow the Money investigations into Congressional travel to the Copenhagen climate summit, and problems with aid to Haiti earthquake victims.[14][24]

In 2011, Paul Offit criticized Attkisson’s reporting on vaccines as “damning by association” and lacking sufficient evidence in his book Deadly Choices .[25] In the medical literature, Attkisson has been accused of using problematic rhetorical tactics to “imply that because there is no conclusive answer to certain problems, vaccines remain a plausible culprit.”[26]

In 2012, CBS News accepted an Investigative Reporting Award given to Attkisson’s reporting on ATF’s Fast and Furious gunwalker controversy. The award was from Accuracy in Media, a non-profit news media watchdog group, and was presented at a Conservative Political Action Conference.[27]

In June 2012, Attkisson’s investigative reporting for the Gunwalker story also won the CBS Evening News the Radio and Television News Directors Association’s National Edward R. Murrow Award for Excellence in Video Investigative Reporting. The award was presented October 8, 2012 in New York City.[28] In July 2012, Attkisson’s Gunwalker: Fast and Furious reporting received an Emmy Award.[29]

On March 10, 2014, Attkisson resigned from CBS News in what she stated was an “amicable” parting.[30][31] Politico reported that according to sources within CBS there had been tensions leading to “months of hard-fought negotiations” – that Attkisson had been frustrated over what she perceived to be the network’s liberal bias and lack of dedication to investigative reporting, as well as issues she had with the network’s corporate partners, while some colleagues within the network saw her reporting as agenda-driven and doubted her impartiality.[31]

Later that year, her book Stonewalled: One Reporter’s Fight for Truth Against the Forces of Obstruction, Intimidation, and Harassment in Obama’s Washington (Harpers) was published.[7] In this work, she accused CBS of protecting the Obama administration by not giving enough coverage to such stories as the 2012 Benghazi attack and slow initial enrollments under Obamacare.[32] The book was a New York Times Best Seller.[7]

The Smear: How Shady Political Operatives and Fake News Control What You See, What You Think, and How You Vote was published by HarperCollins in summer 2017.[33]

Report of Attkisson’s computer being hacked

In May 2013, while still employed at CBS, Attkisson alleged that her personal and work computers had been “compromised” for more than two years.[34] CBS News stated that it had investigated her work computer and found evidence of multiple unauthorized accesses by a third party in late 2012.[35] The U.S. Department of Justice denied any involvement.[36] In her 2014 book, she reported that a forensic examination revealed that her personal computer was hacked with keystroke logging spyware, enabling an intruder to read all her e-mail messages and gain access to the passwords for her financial accounts.[37]

In late January 2015, Attkisson appeared before the Senate Judiciary Committee[38] during a confirmation hearing for Loretta Lynch, President Obama’s nominee to replace outgoing Attorney General Eric Holder. As part of her appearance in front of that committee, a report by the Office of Inspector General (OIG) was released[39] stating that “their investigation was not able to substantiate… allegations that Attkisson’s computers were subject to remote intrusions by the FBI, other government personnel, or otherwise” and the deletion seen in Attkisson’s video “appeared to be caused by the backspace key being stuck, rather than a remote intrusion”.[40][41][42] “CBS News told the OIG that they did not conduct any analysis on her personal computer.”[43]

In February 2015, The Washington Examiner clarified that the OIG did not examine the CBS News computer that Attkison claimed was compromised, but only inspected Attkisson’s personal devices.[44]

In March 2015, Attkisson and her family filed a suit against Holder, Patrick R. Donahoe and unnamed agents of the US Department of Justice, the US Postal Service and the United States in the Superior Court of the District of Columbia claiming to have been subject to illegal surveillance activities.[45][46] Her claim was dismissed in 2017, with the court finding “that the complaint fails to allege sufficient facts [which] make a plausible claim that either defendant personally engaged in the alleged surveillance”.[47]

Personal life

Attkisson has reached fourth-degree black belt in taekwondo.[8] She is married and has a daughter.[48]

References

  1. Jump up^ GROVE, LLOYD (November 4, 2014). “Sharyl Attkisson: ‘I Don’t Care What People Think’ About My Reporting”Daily Beast. Retrieved 2017-11-19.[permanent dead link]
  2. Jump up^ Peterson, Nolan (March 13, 2014). “Return to her roots”.Siesta Key Observer. Retrieved 2017-11-20.
  3. Jump up^ Florida, Marriages, 1970 – 1999, Certificate 010953, Volume 5540
  4. Jump up^ Gill, Kay (2007). Who, a Directory of Prominent PeopleOmnigraphicsISBN 9780780808096. Retrieved December 4,2012.
  5. Jump up^ Erik Wemple (April 22, 2015). “Sinclair Broadcast Group to launch Sunday show hosted by Sharyl Attkisson”The Washington PostNash Holdings LLC. Retrieved November 22,2015.
  6. Jump up^ “NYT Best Seller List”The New York Times. Retrieved August 8, 2016.
  7. Jump up to:a b c “Best Sellers: Combined Print & E-Book Nonfiction”The New York Times. November 23, 2014. Retrieved November 4,2015.
  8. Jump up to:a b “Sharyl Attkisson, Investigative Correspondent”. CBS. Archived from the original on November 21, 2013. Retrieved June 29, 2011.
  9. Jump up to:a b “21st Century Newsroom”University of Florida. Retrieved June 29, 2011.
  10. Jump up to:a b c d “Sharyl Attkisson full biography”. CBS Interactive. Archived from the original on August 16, 2013. Retrieved November 28, 2012.
  11. Jump up^ Hogan, Alfred. “Televising the Space Age: A descriptive chronology of CBS News special coverage of space exploration from 1957 to 2003” (PDF). University of Maryland. p. 260. Retrieved June 29, 2011.
  12. Jump up^ “TV Notes”Pittsburgh Post-Gazette. May 28, 1993. p. 42. Retrieved June 29, 2011.
  13. Jump up^ “Sharyl Attkisson–About This Person”The New York Times. The New York Times Company. Retrieved June 29, 2011.
  14. Jump up to:a b c d e “Sharyl Attkisson profile”CBS News. Archived from the original on November 19, 2013. Retrieved August 30, 2012.
  15. Jump up^ “The 22nd Annual News and Documentary Emmy Award Nominees Announced by the National Academy of Television Arts and Sciences” (PDF). National Academy of Television Arts and Sciences. July 19, 2001. Archived from the original (PDF) on December 29, 2014. Retrieved December 29, 2014Correspondent Sharyl Attkisson
  16. Jump up^ “23rd Annual; News & Documentary Emmy Awards – With Prominent 9/11 Coverage”Emmy online.org. Archived from the original on November 23, 2010. Retrieved August 30, 2012.
  17. Jump up^ “Sharyl Attkisson Is Named Cbs News Capitol Hill Correspondent”. CBS Corporation. Retrieved June 25, 2014.
  18. Jump up^ Stanley, Alessandra (November 8, 2006). “Election Coverage Still a Men’s Club”The New York Times. The New York Times Company. Retrieved June 29, 2011.
  19. Jump up^ “Video shows tarmac welcome, no snipers”Tampa Bay Times. March 25, 2008. Retrieved November 1, 2014.
  20. Jump up^ “Clinton says she “misspoke’ about dodging sniper fire”The New York Times. Retrieved November 7, 2016.
  21. Jump up^ “Clinton say she “misspoke” about sniper fire”CNN. Retrieved November 7, 2016.
  22. Jump up^ “7th Annual Business & Financial Emmy Awards – Nominations”Emmy Oonline. Archived from the original on April 26, 2013. Retrieved August 30, 2012.
  23. Jump up^ “Full List of Nominations for the 2010 News and Documentary Emmy Awards: Television Industry news, TV ratings, analysis, celebrity event photos”TVWeek. Retrieved June 25, 2014.
  24. Jump up^ Attkisson 2011 Emmy nomination Archived September 19, 2011, at the Wayback Machine., emmyonline.tv; accessed October 28, 2014.
  25. Jump up^ Offit, Paul (2011). Deadly Choices: How the Anti-Vaccine Movement Threatens Us AllISBN 0465023568.
  26. Jump up^ Kata, Anna (28 May 2012). “Anti-vaccine activists, Web 2.0, and the postmodern paradigm – An overview of tactics and tropes used online by the anti-vaccination movement”Vaccine30(25): 3778–3779. doi:10.1016/j.vaccine.2011.11.112.
  27. Jump up^ “Loesch, Attkisson to receive AIM awards”Politico. February 7, 2012. Retrieved February 10, 2012.
  28. Jump up^ “2012 National Edward R. Murrow Award Winners”. Radio Television Digital News Association. Archived from the originalon October 15, 2012. Retrieved June 13, 2012.
  29. Jump up^ “33rd Annual News & Documentary Emmy Awards nominations” (PDF). Emmy Online. Retrieved August 30, 2012.
  30. Jump up^ Macneal, Caitlin (March 10, 2014). “CBS Investigative Reporter Sharyl Attkisson Resigns From Network”Talking Points Memo. Retrieved March 11, 2014.
  31. Jump up to:a b Byers, Dylan (March 10, 2014). “Sharyl Attkisson resigns from CBS News”Politico. Retrieved March 11, 2014.
  32. Jump up^ Smith, Kyle (October 25, 2014), “Ex-CBS reporter’s book reveals how liberal media protects Obama”New York Post, retrieved November 3, 2014
  33. Jump up^ “New book: Sharyl Attkisson reveals the ghastly world of political smears, fake news”The Washington Times. July 4, 2017. Retrieved August 5, 2017.
  34. Jump up^ Mirkinson, Jack (May 21, 2013). “CBS’ Sharyl Attkisson: My Computers Were Compromised, ‘Could Be Some Relationship’ To DOJ Scandals”The Huffington Post. Retrieved November 1,2014.
  35. Jump up^ “CBS News Confirms Sharyl Attkisson’s Computer Breached”The Huffington Post. June 14, 2013. Retrieved November 1, 2014.
  36. Jump up^ “Sharyl Attkisson’s Computer Not Compromised, DOJ Says”The Huffington Post. May 22, 2013. Retrieved November 1, 2014.
  37. Jump up^ Smith, Kyle; Golding, Bruce (October 27, 2014), “Ex-CBS reporter: Government agency bugged my computer”New York Post, retrieved October 28, 2014
  38. Jump up^ “Why is Sharyl Attkisson testifying at Loretta Lynch’s confirmation hearing?”The Washington Post.
  39. Jump up^ “DOJ OIG Report – Sharyl Attkisson”Scribd.
  40. Jump up^ Hattem, Julian. “Watchdog: Attkisson wasn’t hacked, had ‘delete’ key stuck”The Hill. Retrieved 2016-04-05.
  41. Jump up^ Groch-Begley, Hannah; Strupp, Joe (October 31, 2014). “Computer Security Experts: Attkisson Video Of Purported “Hacking” Likely Just A Stuck Backspace Key”Media Matters for America. Retrieved January 5, 2015.
  42. Jump up^ Fisher, Max (October 31, 2014). “The video of Sharyl Attkisson getting “hacked” actually just shows a stuck delete key”Vox. Retrieved November 2, 2014.
  43. Jump up^ “Media Matters report on Attkisson claims”Media Matters for America. January 29, 2015.
  44. Jump up^ T. Becket Adams (February 3, 2015). “Sharyl Attkisson: What was left out of reports on hacking”The Washington Examiner. Retrieved 22 November 2015The IG did not rule out computer intrusions. It did not substantiate but neither did it rule out.
  45. Jump up^ “Attkisson sues government over computer intrusions”The Washington Post. May 1, 2015. Retrieved March 6, 2015.
  46. Jump up^ “Editorial Opinion re Attkisson” (PDF). The Washington Post. January 5, 2015. Retrieved March 6, 2015.
  47. Jump up^ Judge Tosses Reporter’s Claim of Obama-Era Wiretaps
  48. Jump up^ “Attkisson biography”Television newsc enter. Retrieved March 11, 2014.

External links

https://en.wikipedia.org/wiki/Sharyl_Attkisson

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Lawrence B. Lindsey — Conspiracies of The Ruling Class: How To Break Their Grip Forever — Videos

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Lawrence B. Lindsey

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Lawrence B. Lindsey
Governor Lawrence B Lindsey 140501.jpg
4th Director of the National Economic Council
In office
January 20, 2001 – December 12, 2002
President George W. Bush
Preceded by Gene Sperling
Succeeded by Steve Friedman
Personal details
Born July 18, 1954 (age 64)
PeekskillNew YorkU.S.
Political party Republican
Spouse(s) Susan Lindsey (Divorced 2013)
Children 3
Residence Clifton, Virginia
Education Bowdoin College (BA)
Harvard University (MAPhD)

Lawrence B. “Larry” Lindsey (born July 18, 1954) is an American economist. He was director of the National Economic Council (2001–2002), and the assistant to the president on economic policy for the U.S. President George W. Bush. He played a leading role in formulating President Bush’s $1.35 trillion tax cut plan, convincing candidate Bush that he needed an “insurance policy” against an economic turndown. He left the White House in December 2002 and was replaced by Stephen Friedman after a dispute over the projected cost of the Iraq War. Lindsey estimated the cost of the Iraq War could reach $200 billion, while Defense Secretary Donald Rumsfeld estimated that it would cost less than $50 billion.[1]

 

Biography and achievements

Lindsey was born on July 18, 1954 in Peekskill, New York. He graduated from Lakeland Senior High School in Shrub Oak, New York in 1972. An alumnus of Alpha Rho Upsilon fraternity at Bowdoin College, he received his A.B. magna cum laude and Phi Beta Kappa from Bowdoin and his A.M. and Ph.D. in economics from Harvard University.

He is the author of The Growth Experiment: How the New Tax Policy is Transforming the U.S. Economy (Basic Books, New York, 1990, ISBN 978-0465050703), Economic Puppetmasters: Lessons from the Halls of Power (AEI Press, Washington, D.C., 1999, ISBN 978-0844740812), What A President Should Know …but most learn too late: An Insiders View On How To Succeed In The Oval Office (Rowman & Littlefield Publishers, Inc., Maryland, 2008, ISBN 978-0742562226), and Conspiracies of the Ruling Class: How to Break Their Grip Forever (Simon & Schuster, 2016, ISBN 978-1501144233). Also he has contributed numerous articles to professional publications. His honors and awards include the Distinguished Public Service Award of the Boston Bar Association, 1994; an honorary degree from Bowdoin College, 1993; selection as a Citicorp/Wriston Fellow for Economic Research, 1988; and the Outstanding Doctoral Dissertation Award from the National Tax Association, 1985.

During the Reagan Administration, he served three years on the staff of the Council of Economic Advisers as Senior Staff Economist for Tax Policy. He then served as Special Assistant to the President for Policy Development during the first Bush administration

Lindsey served as a Member of the Board of Governors of the Federal Reserve System for five years from November 1991 to February 1997. Additionally, Lindsey was Chairman of the Board of the Neighborhood Reinvestment Corporation, a national public/private community redevelopment organization, from 1993 until his departure from the Federal Reserve.

From 1997 to January 2001, Lindsey was a Resident Scholar and holder of the Arthur F. Burns Chair in Economics at the American Enterprise Institute in Washington, D.C. He was also Managing Director of Economic Strategies, an economic advisory service based in New York City. During 1999 and throughout 2000 he served as then-Governor George W. Bush’s chief economic advisor for his presidential campaign. He is a former associate professor of Economics at Harvard University.

Lindsey is Chief Executive Officer of the Lindsey Group,[2] which he runs with a former colleague from the National Economic Council and writes for The Wall Street JournalWeekly Standardand other publications. He was a visiting scholar at the American Enterprise Institute.

Controversies

Lindsey is famous for spotting the emergence of the late 1990s U.S. stock market bubble back in 1996 while a Governor of the Federal Reserve. According to the meeting transcripts for September of that year, Lindsey challenged the expectation that corporate earnings would grow 11½ percent a year continually. He said, “Readers of this transcript five years from now can check this fearless prediction: profits will fall short of this expectation.” According to the Bureau of Economic Analysis, corporate profits as a share of national income eroded from 1997 until 2001. Stock prices eventually collapsed, starting their decline in March 2000, though the S&P500 remained above its 1996 level, casting doubt on the assertion that there was a stock market bubble in 1996.

In contrast to Chairman Greenspan, Lindsey argued that the Federal Reserve had an obligation to prevent the stock market bubble from growing out of control. He argued that “the long term costs of a bubble to the economy and society are potentially great…. As in the United States in the late 1920s and Japan in the late 1980s, the case for a central bank ultimately to burst that bubble becomes overwhelming. I think it is far better that we do so while the bubble still resembles surface froth and before the bubble carries the economy to stratospheric heights.” During the 2000 Presidential campaign, Governor Bush was criticized for picking an economic advisor who had sold all of his stock in 1998.[citation needed]

According to the Washington Post,[3] Lindsey was on an advisory board to Enron along with Paul Krugman before joining the White House. Lindsey and his colleagues warned Enron that the economic environment was riskier than they perceived.

Cost of the Iraq War

On September 15, 2002, in an interview with the Wall Street Journal, Lindsey estimated the high limit on the cost of the Bush administration’s plan in 2002 of invasion and regime change in Iraq to be 1–2% of GNP, or about $100–$200 billion.[4][5] Mitch DanielsDirector of the Office of Management and Budget, discounted this estimate as “very, very high” and Defense Secretary Donald Rumsfeld stated that the costs would be under $50 billion.[1] Rumsfeld called Lindsey’s estimate “baloney”.[6]

As of 2007 the cost of the invasion and occupation of Iraq exceeded $400 billion, and the Congressional Budget Office in August 2007 estimated that appropriations would eventually reach $1 trillion or more.[7]

In October 2007, the Congressional Budget Office estimated that by 2017, the total costs of the wars in Iraq and Afghanistan could reach $2.4 trillion. In response, Democratic RepresentativeAllen Boyd criticized the administration for firing Lindsey, saying “They found him a job outside the administration.”[8]

Presidential Campaign Leadership

Lindsey has been a senior advisor to several Republican campaigns. He led the economic team for then Governor George W. Bush’s successful presidential campaign in 2000, earning the trust of the future President who said at the time “I am very fond of Larry Lindsey and I value his advice”. [9] During the 2008 Presidential election, Lindsey served as Fred Thompson’s Senior Economic Advisor. [10] In 2012, Lindsey predicted on election day that Republican Mitt Romney would defeat President Obama. [11] In April 2016, Lindsey supported Ted Cruz over his only remaining opponent, current President Trump, explaining that Cruz was the best candidate because he had an economic program deserving of the “top grade”. [12]

References

  1. Jump up to:ab Wolk, Martin (2006-05-17). “Cost of Iraq war could surpass $1 trillion”. MSNBC. Retrieved 2008-03-10Back in 2002, the White House was quick to distance itself from Lindsey’s view. Mitch Daniels, director of the White House budget office, quickly called the estimate “very, very high.” Lindsey himself was dismissed in a shake-up of the White House economic team later that year, and in January 2003, Defense Secretary Donald Rumsfeld said the budget office had come up with “a number that’s something under $50 billion.” He and other officials expressed optimism that Iraq itself would help shoulder the cost once the world market was reopened to its rich supply of oil.
  2. Jump up^ http://www.thelindseygroup.com/bios/
  3. Jump up^ Once a Friend and Ally, Now a Distant MemoryWashington Post
  4. Jump up^ Davis, Bob (September 16, 2002). “Bush Economic Aide Says the Cost Of Iraq War May Top $100 Billion”The Wall Street Journal. Reprinted in Congressional Record, vol. 148, issue 117, 107th Congress, pp. S8643-S8644.[dead link]
  5. Jump up^ Engel, Matthew (September 17, 2002). “Cost of war put at $200bn, but that’s nothing, says US adviser”The Guardian. Retrieved July 23, 2011.
  6. Jump up^ Bryne, John (2008-03-18). “Price of Iraq war now outpaces Vietnam”. The Raw Story. Archived from the original on 2008-03-21. Retrieved 2008-03-18.
  7. Jump up^ Bender, Bryan (2007-08-01). “Analysis says war could cost $1 trillion”The Boston Globe. Retrieved 2008-03-10.
  8. Jump up^ “Congress told of war costs up to $2.4 trillion by 2017”The Register-Guard. October 25, 2007. Retrieved 2007-10-25.[dead link]
  9. Jump up^ Gosselin, Peter “Bush’s Economic Advisor Lindsey Is Man of Contradictions”LA Times, 02 January 2000.
  10. Jump up^ “Larry Lindsey Named as Fred Thompson’s Senior Economic Advisor”, 17 September 2007.
  11. Jump up^ “Larry Lindsey Changes Election Prediction”,CNBC, 6 November 2012.
  12. Jump up^ “Grading the candidates: Larry Lindsey”,CNBC, 18 April 2016.

External links

https://en.wikipedia.org/wiki/Lawrence_B._Lindsey

Lawrence B. Lindsey

Back to scholar list

  • Tax policy
  • Monetary policy
  • Fiscal policy
  • International economic development
Lawrence B. Lindsey has held leading positions in government, academia, and business. He has been assistant to the president and director of the National Economic Council at the White House. He also served as a governor of the Federal Reserve System, special assistant to the president for domestic economic policy, and senior staff economist for tax policy at the President’s Council of Economic Advisers. Mr. Lindsey taught economics at Harvard University and is currently president and CEO of the Lindsey Group. He is the author of Economic Puppet Masters (AEI Press, 1999) and The Growth Experiment (Basic Books, 1990).

Experience

  • President and CEO, Lindsey Group, 2003-present
  • Assistant to the President for Economic Policy and Director of the National Economic Council, White House, 2001-2002
  • Chief Economic Adviser, George W. Bush Campaign, 1999-2000
  • Arthur F. Burns Scholar in Economics, AEI, 1997-2001
  • Managing Director, Economic Strategies, 1997-2001
  • Chairman, Board of the Neighborhood Reinvestment Corporation, 1993-97
  • Governor, Federal Reserve System, 1991-97
  • Special Assistant to the President for Domestic Economic Policy, White House, 1989-91
  • Associate Professor, Harvard University, 1984-89
  • Citicorp/Wriston Fellow for Economic Research, 1988
  • Senior Staff Economist for Tax Policy, President’s Council of Economic Advisers, 1981-84

Education

Ph.D., M.A., economics, Harvard University
A.B., Bowdoin College

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