||Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
||November 10, 2001 (aged 66)
Eugene, Oregon, U.S.
||Novelist, short story writer, essayist, poet
||One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)
Kenneth Elton “Ken” Kesey (; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.
Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.
In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).
Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs. After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.
Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey. In 1946, the family moved to Springfield, Oregon. Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953. An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.
In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade. According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.” Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon. Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.
Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition. He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”
A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz. Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction. After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.
Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions. Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.
During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.” Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.
Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class. While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.
Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”
Experimentation with psychoactive drugs
At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital where he worked as a night aide. The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people. Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.
Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus. He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).
One Flew Over the Cuckoo’s Nest
While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.” Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.
During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.
The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).
Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.
When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further. This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.” A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.
After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.
Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time.
Death of son
In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament; after he was declared brain-dead two days later his parents gave permission for his organs to be donated.
Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” 
At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill. Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.
Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.
Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.
On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.
In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College. His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.
In 1998, health problems began to weaken him, starting with a stroke that year. On October 25, 2001 Kesey had surgery on his liver to remove a tumor. He did not recover from that operation and died of complications on November 10, 2001, age 66.
The film Gerry (2002) is dedicated to the memory of Ken Kesey.
Some of Kesey’s better-known works include:
- One Flew Over the Cuckoo’s Nest (1962, novel)
- Genesis West: Volume Five (1963, magazine article)
- Sometimes a Great Notion (1964, novel)
- Kesey’s Garage Sale (1973, collection of essays)
- Demon Box (1986, collection of essays and short stories)
- Caverns (1989, novel)
- The Further Inquiry (1990, play)
- Sailor Song (1992, novel)
- Last Go Round (1994, novel, written with Ken Babbs)
- Twister (1994, play)
- Kesey’s Jail Journal (2003, collection of essays)
- ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
- ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
- Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
- Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
- Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
- Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
- Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
- Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
- Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
- Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
- ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14.
Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
- Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
- Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
- Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
- Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
- Jump up^ Too Good to Be True. Retrieved 2014-12-14.
- ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
- Jump up^ Wallace Stegner. Retrieved 2014-12-14.
- Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
- Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
- Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
- Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
- Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
- ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
- Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
- Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
- Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
- Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
- Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
- Jump up^ “https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
- Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en.
- Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
- Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.
- Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
- Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
- Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
- Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
- Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
- Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
- Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
- M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
- Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
- Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
- Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.
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