David Horowitz — Radicals: Portraits of A Destructive Passion — Videos

Posted on January 22, 2017. Filed under: American History, Articles, Blogroll, Books, Business, Communications, Congress, Constitution, Corruption, Crisis, Culture, Diasters, Documentary, Economics, Education, Employment, Environment, Faith, Family, Foreign Policy, Freedom, Friends, Genocide, government, government spending, history, Illegal, Immigration, Islam, Language, Law, Legal, liberty, Life, Links, Non-Fiction, People, Philosophy, Photos, Police, Political Correctness, Press, Psychology, Radio, Radio, Rants, Raves, Raymond Thomas Pronk, Religious, Religious, Speech, Strategy, Success, Talk Radio, Taxation, Taxes, Technology, Terrorism, Unemployment, Video, War, Water | Tags: , , , , , , , , , , , , , , , , |

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David Horowitz: Democratic Party is marching off the cliff

David Horowitz – Left Illusions: An Intellectual Odyssey

David Horowitz – The Left in Power: Clinton to Obama

Published on Jan 1, 2017

December 14, 2016 – David Horowitz’s speaks about his new book, The Left in Power: Clinton to Obama, which is volume 7 of The Black Book of the American Left, a multi-volume collection of his conservative writings that will, when completed, be the most ambitious effort ever undertaken to define the Left and its agenda.

Horowitz on Hillary Clinton and Saul Alinsky

In Depth with David Horowitz

David Horowitz discusses Radicals and who has influence over the media

David Horowitz – Unholy Alliance: Radical Islam and the American Left

A Most Excellent Explanation of the Left’s Takeover of America

David Horowitz – What The Left Believes

David Horowitz – Take No Prisoners: The Battle Plan for Defeating the Left

Rules for Radicals: What Constitutional Conservatives Should Know About Saul Alinsky

David Horowitz – The Professors: The 101 Most Dangerous Academics in America

David Horowitz interview on Charlie Rose (1997)

David Horowitz – Radical Son: A Generational Odyssey (Part 1)

David Horowitz – Radical Son: A Generational Odyssey (Part 2)

The Black Book of the American Left: The Collected Conservative Writings of David Horowitz

Published on Nov 13, 2013

David Horowitz spent the first part of his life in the world of the Communist-progressive left, a politics he inherited from his mother and father, and later in the New Left as one of its founders. When the wreckage he and his comrades had created became clear to him in the mid-1970s, he left. Three decades of second thoughts then made him this movement’s principal intellectual antagonist. “For better or worse,” as Horowitz writes in the preface to this, the first volume of his collected conservative writings, “I have been condemned to spend the rest of my days attempting to understand how the left pursues the agendas from which I have separated myself, and why.”

David Horowitz – Progressive Racism

David Horowitz

From Wikipedia, the free encyclopedia
For other people named David Horowitz, see David Horowitz (disambiguation).
David Horowitz
David Horowitz by Gage Skidmore.jpg

Horowitz in February 2011
Born David Joel Horowitz
January 10, 1939 (age 78)
Forest Hills, Queens, New York, U.S.
Occupation Conservative activist, writer
Nationality United States
Education MA, University of California at Berkeley
BA, Columbia University
Spouse Elissa Krauthamer (1959–19??; 4 children); Sam Moorman (divorced); Shay Marlowe (1990–?; divorced); April Mullvain Horowitz (current)
Children Jonathan Daniel
Ben Horowitz
Anne Pilat
Sarah Rose Horowitz (deceased)[1]

David Joel Horowitz (born January 10, 1939) is an American conservative writer. He is a founder and current president of the think tank the David Horowitz Freedom Center; editor of the Center’s publication, FrontPage Magazine; and director of Discover the Networks, a website that tracks individuals and groups on the political left. Horowitz founded the organization Students for Academic Freedom to oppose what he believed to be political correctness and leftist orientation in academia.[2]

He has written several books with author Peter Collier, including four on prominent 20th-century American political families that had members elected to the presidency. He and Collier have collaborated on books about current cultural criticism. Horowitz has also worked as a columnist for Salon; its then-editor Joan Walsh described him as a “conservative provocateur.”[3]

Horowitz was raised by parents who were members of the Communist Party USA during the Great Depression; they gave up their membership in 1956 after learning of Joseph Stalin‘s purges and abuses. From 1956–75, Horowitz was an outspoken adherent of the New Left. He later rejected leftism completely and has since become a leading proponent of conservatism. Horowitz has recounted his ideological journey in a series of retrospective books, culminating with his 1996 memoir Radical Son: A Generational Odyssey.

Family background

Horowitz is the son of Phil and Blanche Horowitz, who were high school teachers. His father taught English and his mother taught stenography.[4] During years of labor organizing and the Great Depression, Phil and Blanche Horowitz were long-standing members of the American Communist Party and strong supporters of Joseph Stalin. They left the party after Khrushchev published his report in 1956 about Stalin’s excesses and terrorism of the Soviet populations.[5][6]

According to Horowitz:

Underneath the ordinary surfaces of their lives, my parents and their friends thought of themselves as secret agents. The mission they had undertaken, and about which they could not speak freely except with each other, was not just an idea to them. It was more important to their sense of themselves than anything else they did. Nor were its tasks of a kind they could attend or ignore, depending on their moods. They were more like the obligations of a religious faith. Except that their faith was secular, and the millennium they awaited was being instituted, at that moment, in the very country that had become America’s enemy. It was this fact that made their ordinary lives precarious and their secrecy necessary. If they lived under a cloud of suspicion, it was the result of more than just their political passions. The dropping of the atomic bomb on Hiroshima had created a terror in the minds of ordinary people. Newspapers reported on American spy rings working to steal atomic secrets for the Soviet state. When people read these stories, they inevitably thought of progressives like us. And so did we ourselves. Even if we never encountered a Soviet agent or engaged in a single illegal act, each of us knew that our commitment to socialism implied the obligation to commit treason, too.[7]

After the death of Stalin in 1953, his father Phil Horowitz, commenting on how Stalin’s numerous official titles had to be divided among his successors, told his son, “You see what a genius Stalin was. It took five men to replace him.”[8] According to Horowitz:

The publication of the Khrushchev Report was probably the greatest blow struck against the Soviet Empire during the Cold War. When my parents and their friends opened the morning Times and read its text, their world collapsed—and along with it their will to struggle. If the document was true, almost everything they had said and believed was false. Their secret mission had led them into waters so deep that its tide had overwhelmed them, taking with it the very meaning of their lives.[6]

Horowitz received a BA from Columbia University in 1959, majoring in English, and a master’s degree in English literature at University of California, Berkeley.[citation needed]

Career with the New Left

After completing his graduate degree in the late 1960s, Horowitz lived in London and worked for the Bertrand Russell Peace Foundation.[9][10] He identified as a serious Marxist intellectual.

In 1966, Ralph Schoenman persuaded Bertrand Russell to convene a war crimes tribunal to judge United States involvement in the Vietnam War.[11] Horowitz would write three decades later that he had political reservations about the tribunal and did not take part. He described the tribunal’s judges as formidable, world-famous and radical, including Isaac Deutscher, Jean-Paul Sartre, Stokely Carmichael, Simone de Beauvoir, James Baldwin, and Vladimir Dedijer.[12]

While in London, Horowitz became a close friend of Deutscher, and wrote a biography of him which was published in 1971.[13][14] Horowitz wrote The Free World Colossus: A Critique of American Foreign Policy in the Cold War. In January 1968, Horowitz returned to the United States, where he became co-editor of the New Left magazine Ramparts, based in northern California.[10]

During the early 1970s, Horowitz developed a close friendship with Huey P. Newton, founder of the Black Panther Party. Horowitz later portrayed Newton as equal parts gangster, terrorist, intellectual, and media celebrity.[10] As part of their work together, Horowitz helped raise money for, and assisted the Panthers with, the running of a school for poor children in Oakland. He recommended that Newton hire Betty Van Patter as bookkeeper; she was then working for Ramparts. In December 1974, Van Patter’s body was found floating in San Francisco Harbor; she had been murdered. Horowitz has said he believes the Panthers were behind the killing.[10][15]

In 1976, Horowitz was a “founding sponsor” of James Weinstein‘s magazine In These Times.[16]

Writing on the Right

Following this period, Horowitz rejected Marx and socialism, but kept quiet about his changing politics for nearly a decade. In the spring of 1985, Horowitz and longtime collaborator Peter Collier, who had also become conservative, wrote an article for The Washington Post Magazine entitled “Lefties for Reagan“, later retitled as “Goodbye to All That”. The article explained their change of views and recent decision to vote for a second term for Republican President Ronald Reagan.[17][18][19] In 1986, Horowitz published “Why I Am No Longer a Leftist” in The Village Voice.[20]

In 1987, Horowitz co-hosted a “Second Thoughts Conference” in Washington, D.C., described by Sidney Blumenthal in The Washington Post as his “coming out” as a conservative. According to attendee Alexander Cockburn, Horowitz related how his Stalinist parents had not permitted him or his sister to watch the popular Doris Day and Rock Hudson movies of his youth. Instead, they watched propaganda films from the Soviet Union.[21]

In May 1989, Horowitz, Ronald Radosh, and Peter Collier travelled to Poland for a conference in Kraków calling for the end of Communism.[22] After marching with Polish dissidents in an anti-regime protest, Horowitz spoke about his changing thoughts and why he believed that socialism could not create their future. He said his dream was for the people of Poland to be free.[23]

In 1992, Horowitz and Collier founded Heterodoxy, a monthly magazine focused on exposing what it described as excessive political correctness on United States college and university campuses. It was “meant to have the feel of a samizdat publication inside the gulag of the PC [politically correct] university.” The tabloid was directed at university students, whom Horowitz viewed as being indoctrinated by the entrenched Left in American academia.[24] He has maintained his assault on the political left to the present day. Horowitz wrote in his memoir Radical Son that he thought universities were no longer effective in presenting both sides of political arguments. He thought “left-wing professors” had created a kind of “political terror” on campuses.[25]

In a column in Salon magazine, where he is regularly published,[3] Horowitz described his opposition to reparations for slavery. He believed that it represented racism against blacks, as it defined them only in terms of having descended from slaves. He argues that applying labels like “descendants of slaves” to blacks was damaging and would serve to segregate them from mainstream society.[26]

In keeping with his provocateur position, in 2001 during Black History Month Horowitz purchased, or attempted to purchase, advertising space in several student American university publications to express his opposition to reparations for slavery.[3] Many student papers refused to sell him ad space; at some schools, papers which carried his ads were stolen or destroyed.[3][26] Editor Joan Walsh of Salon wrote that the furor had given Horowitz an overwhelming amount of free publicity.[3][27]

Horowitz supported the interventionist foreign policy associated with the Bush Doctrine. But he wrote against US intervention in the Kosovo War, arguing that it was unnecessary and harmful to U.S. interests.[28][29]

In the early 21st century, he has written critically of libertarian anti-war views.[30][31]

In 2004, Horowitz launched Discover the Networks, a conservative watchdog project that monitors funding for, and various ties among, leftists and progressive causes.[2]

In two books, Horowitz accused Dana L. Cloud, associate professor of communication studies at the University of Texas at Austin, as an “anti-American radical” who “routinely repeats the propaganda of the Saddam regime.”[citation needed] Horowitz accused her and 99 other professors listed in his book, The Professors: The 101 Most Dangerous Academics in America, of the “explicit introduction of political agendas into the classroom.”[32]

Cloud replied in Inside Higher Ed that her experience demonstrates that Horowitz damages professors’ lives by his accusations and that he needs to be viewed as more than a political opponent.

Horowitz’s attacks have been significant. People who read the book or his Web site regularly send letters to university officials asking for her to be fired. Personally, she has received—mostly via e-mail—”physical threats, threats of removing my daughter from my custody, threats of sexual assaults, horrible disgusting gendered things,” she said. That Horowitz doesn’t send these isn’t the point, she said. “He builds a climate and culture that emboldens people,” and as a result, shouldn’t be seen as a defender of academic freedom, but as its enemy.[33]

After discussion, the National Communication Association decided against granting Horowitz a spot as a panelist at its national conference in 2008. He had offered to forego the $7,000 speaking fee originally requested. He wrote in Inside Higher Ed, “The fact that no academic group has had the balls to invite me says a lot about the ability of academic associations to discuss important issues if a political minority wants to censor them.”[33] An association official said the decision was based in part on Horowitz’s request to be provided with a stipend for $500 to hire a personal bodyguard. Association officials decided that having a bodyguard present “communicates the expectation of confrontation and violence.”[33]

Horowitz appeared in Occupy Unmasked, a 2012 documentary portraying the Occupy Wall Street movement as a sinister organization formed to violently destroy the American government.[34]

Academic Bill of Rights

In the early 21st century, Horowitz has concentrated on issues of academic freedom, wanting to protect conservative viewpoints. He, Eli Lehrer, and Andrew Jones published a pamphlet, “Political Bias in the Administrations and Faculties of 32 Elite Colleges and Universities” (2004), in which they find the ratio of Democrats to Republicans at 32 schools to be more than 10 to 1.[35]

Horowitz’s book, The Professors: The 101 Most Dangerous Academics in America (2006), criticizes individual professors for, as he alleges, engaging in indoctrination rather than a disinterested pursuit of knowledge. He says his campaign for academic freedom is ideologically neutral.[36] He published an Academic Bill of Rights (ABR), which he proposes to eliminate political bias in university hiring and grading. Horowitz says that conservatives, and particularly Republican Party members, are systematically excluded from faculties, citing statistical studies on faculty party affiliation.[37] Critics such as academic Stanley Fish have argued that “academic diversity”, as Horowitz defines it, is not a legitimate academic value, and that no endorsement of “diversity” can be absolute.[38]

In 2004 the Georgia General Assembly passed a resolution on a 41–5 vote to adopt a version of the ABR for state educational institutions.[39]

In Pennsylvania, the House of Representatives created a special legislative committee to investigate issues of academic freedom, including whether students who hold unpopular views need more protection. In November 2006 it reported that it had not found evidence of problems [clarification needed] with students’ rights.[40][41][42][43][44][45]

Family

Horowitz has been married four times. He married Elissa Krauthamer, in a Yonkers, New York synagogue on June 14, 1959.[46] They had four children together: Jonathan Daniel, Ben, Sarah Rose (deceased), and Mrs. Anne Pilat. Their daughter Sarah Rose Horowitz died in March 2008 at age 44 from Turner syndrome-related heart complications. She had been a teacher, writer and human rights activist.[1][47] She is the subject of Horowitz’s 2009 book, A Cracking of the Heart.[47]

As an activist, she had cooked meals for the homeless, stood vigil at San Quentin on nights when the state of California executed prisoners, worked with autistic children in public schools and, with the American Jewish World Service, helped rebuild homes in El Salvador after a hurricane, and traveled to India to oppose child labor.[48] In a review of Horowitz’s book, FrontPage magazine associate editor David Swindle wrote that she fused “the painful lessons of her father’s life with a mystical Judaism to complete the task he never could: showing how the Left could save itself from self-destruction.”[49]

Horowitz’s son Ben Horowitz is a technology entrepreneur, investor, and co-founder, along with Marc Andreessen, of the venture capital firm Andreessen Horowitz.[50][51]

Horowitz’s second marriage, to Sam Moorman, ended in divorce. On June 24, 1990, Horowitz married Shay Marlowe in an Orthodox Jewish ceremony conducted at the Pacific Jewish Center by Rabbi Daniel Lapin.[52]They divorced. Horowitz’s fourth and present marriage is to April Mullvain.[53]

Horowitz now describes himself as an agnostic.[54]

Funding

Politico claims that Horowitz’s activities, like the David Horowitz Freedom Center are funded in part by Aubrey & Joyce Chernick and The Bradley Foundation. Politico claimed that during 2008-2010, “the lion’s share of the $920,000 it [David Horowitz Freedom Center] provided over the past three years to Jihad Watch came from Chernick”.[55]

Controversy and criticism

Academia

Some of Horowitz’s accounts of U.S. colleges and universities as bastions of liberal indoctrination have been disputed.[56] For example, Horowitz alleged that a University of Northern Colorado student received a failing grade on a final exam for refusing to write an essay arguing that George W. Bush is a war criminal.[57][58] A spokeswoman for the university said that the test question was not as described by Horowitz and that there were nonpolitical reasons for the grade, which was not an F.[59]

Horowitz identified the professor[60] as Robert Dunkley, an assistant professor of criminal justice at Northern Colorado. Dunkley said Horowitz made him an example of “liberal bias” in academia and yet, “Dunkley said that he comes from a Republican family, is a registered Republican and considers himself politically independent, taking pride in never having voted a straight party ticket,” according to Inside Higher Ed magazine.[60]In another instance, Horowitz said that a Pennsylvania State University biology professor showed his students the film Fahrenheit 9/11 just before the 2004 election in an attempt to influence their votes.[61][62] Pressed by Inside Higher Ed, Horowitz later retracted this claim.[63]

Horowitz has been criticized for material in his books, particularly The Professors: The 101 Most Dangerous Academics in America, by noted scholars such as Columbia University professor Todd Gitlin.[64] The group Free Exchange on Campus issued a 50-page report in May 2006 in which they take issue with many of Horowitz’s assertions in the book: they identify specific factual errors, unsubstantiated assertions, and quotations which appear to be either misquoted or taken out of context.[65][66]

Allegations of racism

Chip Berlet, writing for the Southern Poverty Law Center (SPLC), identified Horowitz’s Center for the Study of Popular Culture as one of 17 “right-wing foundations and think tanks support[ing] efforts to make bigoted and discredited ideas respectable.”[67] Berlet accused Horowitz of blaming slavery on “black Africans … abetted by dark-skinned Arabs” and of “attack[ing] minority ‘demands for special treatment’ as ‘only necessary because some blacks can’t seem to locate the ladder of opportunity within reach of others,’ rejecting the idea that they could be the victims of lingering racism.”[67][not in citation given]

Horowitz published an open letter to Morris Dees, president of the SPLC, saying that “[this reminder] that the slaves transported to America were bought from African and Arab slavers” was a response to demands that only whites pay reparations to blacks. He said he never held Africans and Arabs solely responsible for slavery. He said that Berlet’s accusation of racism was a “calculated lie” and asked that the report be removed.[68] The SPLC refused Horowitz’s request.[69] Horowitz has criticized Berlet and the SPLC on his website and personal blog.[70][71]

In 2008, while speaking at University of California, Santa Barbara (UCSB), he criticized Arab culture, saying it was rife with antisemitism.[72][73] He referred to the Palestinian keffiyeh, a traditional Arab head covering that became associated with PLO leader Yasser Arafat, as a symbol of terrorism. In response, UCSB professor Walid Afifi said that Horowitz was “preaching hate” and smearing Arab culture.[73]

Criticizing Islamic organizations

Horowitz has used university student publications and lectures at universities as venues for publishing provocative advertisements or lecturing on issues related to Islamic student and other organizations. In April 2008, his ‘David Horowitz Freedom Center’ advertised in the Daily Nexus, the University of California Santa Barbara school newspaper, saying that the Muslim Students’ Association (MSA) had links with the Muslim Brotherhood, Al Qaeda, and Hamas.[74]

In May 2008, Horowitz, speaking at UCSB, said that the Muslim Students’ Association supports “a second Holocaust of the Jews”.[73] The MSA said they were a peaceful organization and not a political group.[74] The MSA’s faculty adviser said the group had “been involved in interfaith activities with Jewish student groups, and they’ve been involved in charity work for national disaster relief.”[73] Horowitz ran the ad in The GW Hatchet, the student newspaper of George Washington University in Washington, D.C. Jake Sherman, the newspaper’s editor-in-chief, said claims the MSA was radical were “ludicrous”. He vowed to review his newspaper’s editorial and advertising policies.[75]

Horowitz published a 2007 piece in the Columbia University student newspaper, saying that, according to [unnamed and undocumented] public opinion polls, “between 150 million and 750 million Muslims support a holy war against Christians, Jews and other Muslims.”[76] Speaking at the University of Massachusetts Amherst in February 2010, Horowitz compared Islamists to Nazis, saying: “Islamists are worse than the Nazis, because even the Nazis did not tell the world that they want to exterminate the Jews.”[77]

Horowitz created a campaign for what he called “Islamo-Fascism Awareness Week” in parody of multicultural awareness activities. He helped arrange for leading critics of radical Islam to speak at more than a hundred college campuses in October 2007.[78] As a speaker he has met with intense hostility.[79][80][81]

In a 2011 review of anti-Islamic activists in the US, the Southern Poverty Law Center identified Horowitz as one of 10 people in the United States’ “Anti-Muslim Inner Circle”.[82]

Conservatism

Horowitz’s Frontpage Magazine published Ron Radosh‘s critical review of Diana West‘s book American Betrayal. Conservatives John Earl Haynes and Harvey Klehr, scholars of Soviet espionage, defended Horowitz for publishing the review and Radosh for writing it.[83] Vladimir Bukovsky, a Soviet dissident, rejected Radosh’s criticisms and said it was an attempt to portray West as a historically inept conspiracy-monger.[84]Horowitz defended the review in an article on Breitbart’s Big Government website.[85]

Other

In 2007, Lawrence Auster (January 26, 1949 – March 29, 2013) stated that Horowitz had rejected him from publishing in Frontpage Magazine for making racist statements.[86][87]

Books and other publications

Histories

(all co-authored with Peter Collier)

  • The Rockefellers: An American Dynasty (New York: Holt, Rinehart and Winston, 1976) ISBN 0-03-008371-0
  • The Kennedys: An American Drama (New York: Summit Books/Simon & Schuster, 1985) ISBN 0-671-44793-9
  • The Fords: An American Epic (New York: Summit Books/Simon & Schuster, 1987) ISBN 0-671-66951-6
  • The Roosevelts: An American Saga (1994)

https://en.wikipedia.org/wiki/David_Horowitz

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Mark K. Updegrove — Indomitable Will: LBJ in the Presidency — Videos

Posted on December 19, 2016. Filed under: American History, Banking, Blogroll, Books, College, Communications, Congress, Constitution, Corruption, Crime, Economics, Education, Elections, Employment, Faith, Family, Farming, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, government, government spending, High School, history, Immigration, Language, Law, liberty, Links, Literacy, Macroeconomics, media, Monetary Policy, Money, Money, Newspapers, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Press, Psychology, Radio, Rants, Raves, Strategy, Success, Talk Radio, Tax Policy, Taxation, Taxes, Television, Unemployment, Video, War, Wealth, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , |

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BookTV: Mark Updegrove, “Indomitable Will: LBJ in the Presidency”

“Indomitable Will: LBJ in the Presidency” — Mark Updegrove

“LBJ” with Mark Updegrove, Rob Reiner & Woody Harrelson

Indomitable Will: LBJ in the Presidency

Published on May 11, 2012

Mark Updegrove, named “one of the country’s best historians” by CNN, is director of the Lyndon Baines Johnson Presidential Library and Museum. He discussed his book, “Indomitable Will,” which provides a portrait of LBJ through the stories and recollections of those who were with him everyday during his presidency. The session was moderated by Terri Garner, director of the William J. Clinton Presidential Library.

This footage has been provided by the Clinton School of Public Service. The Clinton School of Public Service is the only school in the nation to offer a Master’s Degree in public service. It is located on the grounds of the William J. Clinton Presidential Library. The Clinton School’s Distinguished Lecture Series are speakers whom speak at the Clinton School, and can be attended by the general public through reserving a seat. More about the Clinton School of Public Service can be found at the link below;

An Intimate View of the Indomitable LBJ

LBJ: The 36th President of the United States

36 Lyndon Johnson

PBS LBJ Part 1

Presidency of LBJ

LBJ Documentary “The Great Society”

LBJ: From Senate Majority Leader to President, 1958-1964

How LBJ Mastered the Senate: The Most Riveting Political Biography of Our Time (2002)

The Most Riveting Political Biography of Our Time: The Definitive Portrait of LBJ (2002)

How Did LBJ Make His Money? The Disturbing Story of His Political Rise and Corruption (1990)

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 1 of 3.

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 2 of 3.

The Open Mind: The Years of Lyndon Johnson: The Passage of Power, Part 3 of 3.

The Open Mind: Lyndon Johnson – ‘Master of the Senate’

The Open Mind: Lyndon Johnson – ‘Master of the Senate’ Part 2

The Open Mind: On History, Biography, Literature… and Robert Caro, Part 1 of 2

The Open Mind: On History, Biography, Literature… and Robert Caro, Part 2 of 2

How to Write a Great Biography: Authors Explain the Secrets to Success (1999)

Q&A: Robert Caro – Part 1

Published on May 7, 2012

Pulitzer prize winning author and historian Robert Caro discusses his newly released biography of Lyndon Johnson entitled “The Years of Lyndon Johnson: The Passage of Power.” This is his fourth book in the Johnson biographical series and Caro promises a fifth and final book in the future. The period covered in the book is from 1958 until early 1964.

Q&A: Robert Caro – Part 2

Robert Caro: Understanding Power (Full Length Version)

The Art of Political Power, with Robert Caro and William Hague

LBJ Versus The Kennedy’s: Chasing Demons

Death of LBJ as it broke

Indomitable Will

From Wikipedia, the free encyclopedia
Indomitable Will: LBJ in the Presidency
Indomitable Will - LBJ in the Presidency.jpg
Author Mark K. Updegrove
Country United States
Language English
Publisher Crown Publishing Group
Publication date
March 13, 2012
Media type Hardcover
Pages 400

Indomitable Will: LBJ in the Presidency is a biography of Lyndon Baines Johnson by Mark K. Updegrove, published in 2012.

Plot summary

Indomitable Will is a compilation of original interviews, personal accounts and recollections of individuals who knew, worked with and for President Lyndon Johnson during his five years as President of the United States. Sources include the Reverend Billy Graham, Carl Bernstein, Liz Carpenter, George H. W. Bush, Walter Mondale, Harry Middleton, Rose Kennedy, Gerald R. Ford, Helen Thomas, Ted Kennedy, and Bill Moyers, who served as White House Press Secretary in the Johnson Administration.[1]

The book focuses on the extensive legislation passed during Johnson’s Presidency and includes photographs, transcripts from his telephone conversations, and previously unpublished documents.[2][3]

The author is a Presidential historian who has written two additional non-fiction works based on the lives of American Presidents: Baptism by Fire: Eight Presidents Who Took Office in Times of Crisis (2009), and Second Acts: Presidential Lives and Legacies After the White House (2006).[4]

References

  1. Jump up^ Hendricks, David. “Express-News business writer and columnist”. MySanAntonio. Retrieved 5 June 2012.
  2. Jump up^ Langan, Michael. “News Book Reviewer”. Buffalo News. Retrieved 5 June 2012.
  3. Jump up^ Monaco, Frances. “Reviewer”. The Post and Courier. Retrieved 5 June 2012.
  4. Jump up^ “The U.S. National Archives and Records Administration”. The U.S. National Archives and Records Administration. Retrieved 5 June 2012.

External links

https://en.wikipedia.org/wiki/Indomitable_Will

Mark K. Updegrove[1] (born August 25, 1961) is an American author, historian, journalist, television commentator, and director of the Lyndon Baines Johnson Library and Museum in Austin, Texas.

Early life and education

Updegrove was born outside Philadelphia in Abington, PA, on Aug. 25, 1961. He attended high school in Newtown, PA, at the George School, which honored him with its Distinguished Alumnus Award in 2015.[2] He attended Guilford College in Greensboro, NC, and graduated from the University of Maryland, College Park, with a Bachelor of Arts in economics in 1984.

Career

Magazine Publishing

Updegrove spent much of his early career in magazine publishing, including serving as manager of Time Magazine in Los Angeles; president of Time Canada, Time’s separate Canadian edition and operation; and, publisher of Newsweek.

Lyndon Baines Johnson Library and Museum

Since October 2009, Updegrove has served as the fourth director of the Lyndon Baines Johnson Presidential Library in Austin, Texas.

Former U.S. Secretary of State Henry Kissinger and Mark Updegrove at The Vietnam War Summit at the LBJ Presidential Library in 2016. Photo by Jay Godwin.

Under Updegrove’s direction, the library partnered with the Aspen Institute on Medicare and Medicaid Turn 50, in Washington, D.C, in April 2015, and in November 2015, partnered with WETA-TV, on In Performance at the White House: A Celebration of American Creativity, which aired on PBS, to mark the 50th anniversary of the creation of the National Endowment for the Arts and the National Endowment for the Humanities.

Early in his tenure at the library, Updegrove oversaw the $11 million renovation of the library’s core exhibits on Lyndon Johnson and his administration, which opened in December 2012.[3][4]

Updegrove’s December 2014 Politico article, What ‘Selma’ Gets Wrong,[5] ignited a controversy over the portrayal of Lyndon Johnson as an obstructionist on voting rights in the film Selma, touching off a debate about the importance of accuracy in films based on historic events. In January 2015, Updegrove addressed the issue on CBS’ Face the Nation.[6]

Adjunct Professor/Lecturer

In 2013 and 2015, Updegrove taught The Johnson Years for Liberal Arts Honors students as an adjunct professor at The University of Texas at Austin. He has spoken extensively at numerous colleges and universities, museums, presidential libraries, and other public speaking forums.

Selected publications

Books

  • Destiny of Democracy: The Civil Rights Summit at the LBJ Presidential Library (University of Texas Press, 2015)
  • Indomitable Will: LBJ in the Presidency (Crown Publishers, 2012)[7]
  • Baptism By Fire: Eight Presidents Who Took Office During Times of Crisis (St. Martins Press, 2009)[8]
  • Second Acts: Presidential Lives and Legacies After the White House (Lyons Press, 2006)[9]

References

  1. Jump up^ Staff, Public Affairs. “Mark Updegrove Named New Director of LBJ Library”. The U.S. National Archives and Records Administration. The U.S. National Archives and Records Administration. Retrieved 9 April 2012.
  2. Jump up^ “Alumni Award Recipient 2015 – George School”. Retrieved 2016-08-15.
  3. Jump up^ Shannon, Kelley. “LBJ library in Austin to unveil $10 million update Dec. 22”. The Dallas Morning News. Retrieved 24 January 2013.
  4. Jump up^ Baskas, Harriet. “Oval Office audio tapes highlight redesigned LBJ Presidential Library”. NBC News. Retrieved 24 January 2013.
  5. Jump up^ “What ‘Selma’ Gets Wrong”. Politico. Retrieved 13 May 2015.
  6. Jump up^ “Does the film “Selma” portray LBJ unfairly?”. Face the Nation. Retrieved 15 August 2016.
  7. Jump up^ Ealy, Charles. “‘Indomitable Will’ seeks to give LBJ due credit”. statesman.com. Retrieved 14 April 2012.
  8. Jump up^ Heilbrunn, Jacob. “Crisis Management”. The New York Times Company. Retrieved 16 January 2009.
  9. Jump up^ “Second Acts: Presidential Lives and Legacies After the White House”. Publishers Weekly. Retrieved 6 June 2006. |first1= missing |last1= in Authors list (help)

External links

https://en.wikipedia.org/wiki/Mark_K._Updegrove

 

The Years of Lyndon Johnson

From Wikipedia, the free encyclopedia
  (Redirected from The Passage of Power)

The Years of Lyndon Johnson is a biography of Lyndon B. Johnson by the American writer Robert Caro. Four volumes have been published, running to more than 3,000 pages in total, detailing Johnson’s early life, education, and political career. A fifth volume will deal with the bulk of Johnson’s presidency. The series is published by Alfred A. Knopf.

Book One: The Path to Power (1982)

In the first volume, The Path to Power, Caro retraced Johnson’s early life growing up in the Texas Hill Country and Washington, D.C.. (Caro moved to these areas for months to interview numerous people who knew Johnson and his family.) This volume covers Johnson’s life through his failed 1941 campaign for the United States Senate. This book was released on November 12, 1982. It won the 1982 National Book Critics Circle Award. It was a finalist for the 1983 National Book Award, hardcover autobiography or biography.[1]

Book Two: Means of Ascent (1990)

In the second volume, Means of Ascent, Caro detailed Johnson’s life from the aftermath of Johnson’s first bid to his election to the U.S. Senate in 1948. Much of the book deals with Johnson’s bitterly contested Democratic primary against Coke R. Stevenson in that year. The book was released on March 7, 1990.

Book Three: Master of the Senate (2002)

In the third volume, Master of the Senate, Caro chronicles Johnson’s rapid ascent in United States Congress, including his tenure as Senate majority leader. This 1,167-page work examines in particular Johnson’s battle to pass a landmark civil rights bill through Congress without it tearing apart his party, whose southern bloc was anti-civil rights with the northern faction more supportive of civil rights. Although its scope was limited, the ensuing Civil Rights Act of 1957 was the first such legislation since the Reconstruction era. The book was released on April 23, 2002. It won the 2003 Pulitzer Prize for Biography or Autobiography, the 2002 National Book Award for Nonfiction,[2] the 2002 Los Angeles Times Book Prize for Biography, and the 2002 D.B. Hardeman Prize.[3]

Book Four: The Passage of Power (2012)

In the fourth volume, The Passage of Power, Caro covers Johnson’s life from 1958 to 1964, the challenges Johnson faced upon his assumption of the presidency, and the significant accomplishments in the months after Kennedy’s assassination.[4] The 736-page book was released on May 1, 2012. It won the National Book Critics Circle Award (2012; Biography),[5] the Los Angeles Times Book Prize (2012; Biography),[6] the Mark Lynton History Prize (2013), the American History Book Prize (2013)[7] and the Biographers International Organization‘s Plutarch Award (2013).[8] It was a finalist for the National Book Award for Nonfiction (2012).[9] It was selected as one of Time magazine’s Best Books of the Year (non-fiction #2).

Book five

In November 2011, Caro estimated that the fifth and final volume would require another two to three years to write.[10] In March 2013, he affirmed a commitment to completing the series with a fifth volume.[11] As of April 2014, he was continuing to research the book.[12]

Themes of the series

Throughout the biography, Caro examines the acquisition and use of political power in American democracy, from the perspective both of those who wield it and those who are at its mercy. In an interview with Kurt Vonnegut and Daniel Stern, he once said: “I was never interested in writing biography just to show the life of a great man,” saying he wanted instead “to use biography as a means of illuminating the times and the great forces that shape the times—particularly political power.”[13]

Caro’s books portray Johnson as alternating between scheming opportunist and visionary progressive. Caro argues, for example, that Johnson’s victory in the 1948 runoff for the Democratic nomination for the U.S. Senate was achieved through extensive fraud and ballot stuffing, just as Johnson had lost his 1941 senate race because his opponent stuffed the ballot boxes more than Johnson. Caro also highlights some of Johnson’s campaign contributions, such as those from the Texas construction firm Brown & Root; in 1962 the company was acquired by another Texas firm, Halliburton, which became a major contractor in the Vietnam War. Despite these criticisms, Caro’s portrayal of Johnson also notes his struggles on behalf of progressive causes such as the Voting Rights Act of 1965.

Influence of the series

Politicians in particular have responded most strongly to The Years of Lyndon Johnson:

  • Tom Daschle, a former Senate majority leader, once told the newspaper Roll Call after reading Master of the Senate that “I think the thing you learn from reading that magnificent book is that every day, this body makes history.”
  • Walter Mondale, a former US vice president, described Master of the Senate as a “superb work of history.”
  • Gordon Brown, a former British prime minister, said of the series: “It’s a wonderfully written set of books. The stories are quite breathtaking … These books challenge the view of history that politics is just about individual maneuvering. It’s about ideas and principled policy achievements. That’s what makes it one of the great political biographies.”[14]
  • William Hague, a former British Conservative Party leader and foreign secretary, nominated Means of Ascent as the book he would most like to have with him on a desert island, in the BBC Radio 4 program Desert Island Discs. He later wrote: “I explained that it was the best political biography of any kind, that I had ever read. I said it conveyed more brilliantly than any other publication what it really feels like to be a politician … When a fourth volume finally completes the set, this will be nothing short of a magnificent history of 20th century America.”[14]
  • Michael Howard, another former Conservative Party leader, encountered the series after swapping houses with Caro for a holiday. He said, “For Caro, writing a biography is writing a thriller—in Johnson’s case, a Western. You can’t stop turning the pages. He doesn’t like Johnson, but the facts are there so you can make your own judgments. I can’t recommend this book highly enough.”[14]

See also

Bibliography

  • Caro, Robert A., The Years of Lyndon Johnson: The Path to Power. 1982. Alfred a Knopf Inc., New York. (ISBN 0-679-72945-3). xxiii + 882 p. + 48 p. of plates: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: Means of Ascent. 1990. Alfred a Knopf Inc., New York. (ISBN 0-679-73371-X). xxxiv + 506 pp.
  • Caro, Robert A., Master of the Senate: The Years of Lyndon Johnson. 2002. Alfred a Knopf Inc, New York. (ISBN 0-394-72095-4). xxiv + 1167 pp.
  • Caro, Robert A., The Passage of Power: The Years of Lyndon Johnson. 2012. Alfred a Knopf Inc, New York. (ISBN 0-375-71325-5). 736 pp.

References

  1. Jump up^ “National Book Awards – 1983”. National Book Foundation. Retrieved 2012-02-20.
  2. Jump up^ “National Book Awards – 2002”. National Book Foundation. Retrieved 2012-02-20. (With acceptance speech.)
  3. Jump up^ “Recipients of the D. B. Hardeman Prize”. LBJ Foundation. Retrieved 18 October 2014.
  4. Jump up^ Kakutani, Michiko (April 29, 2012). “A Nation’s Best and Worst, Forged in a Crucible”. New York Times.
  5. Jump up^ John Williams (March 1, 2013). “Robert A. Caro, Ben Fountain Among National Book Critics Circle Winners”. New York Times. Retrieved March 1, 2013.
  6. Jump up^ Staff writer (April 19, 2013). “Announcing the 2012 Los Angeles Times Book Prize winners”. LA Times. Retrieved April 21, 2013.
  7. Jump up^ Jennifer Schuessler (February 20, 2013). “Another Prize for Robert Caro”. New York Times. Retrieved December 3, 2013.
  8. Jump up^ “Biographers International Organization, The Plutarch Award”.
  9. Jump up^ “National Book Award Finalists Announced Today”. Library Journal. October 10, 2012. Retrieved 2012-11-15.
  10. Jump up^ Associated Press (November 1, 2011). “APNewsBreak: Caro’s fourth LBJ book coming in May”. CNSNews.com. Retrieved May 29, 2014.
  11. Jump up^ Erik Spanberg (March 8, 2013). “Catching up with award-winning LBJ biographer Robert Caro”. The Christian Science Monitor. Retrieved May 29, 2014.
  12. Jump up^ Patrick Beach (April 5, 2014). “Caro, LBJ biographer, is hard at work on book No. 5”. Austin American-Statesman. Retrieved May 29, 2014.
  13. Jump up^ Barbara Stone, ed. (1999). “The Round Table: Fiction, Biography And The Use Of Power”. Hampton Shorts. Water Mill, N.Y.: Hamptons Literary Publications. IV. ISBN 0-9658652-2-3.
  14. ^ Jump up to:a b c “Reviews”. http://www.robertcaro.com. Robert A. Caro. Retrieved 6 November 2015.

External links

https://en.wikipedia.org/wiki/The_Years_of_Lyndon_Johnson#Book_Four:_The_Passage_of_Power_.282012.29

Robert Caro

From Wikipedia, the free encyclopedia
Robert Caro
Robert Caro at the 2012 Texas Book Festival.
Born Robert Allan Caro
October 30, 1935 (age 81)
New York City, New York, United States
Residence Upper West Side
Education
Occupation Biographer
Notable work The Power Broker
The Years of Lyndon Johnson
Religion Judaism
Spouse(s) Ina Joan Sloshberg Caro (m. 1957)[3]
Children Chase A. Caro
Parent(s) Benjamin and Cele (Mendelow) Caro
Writing career
Genre Non-fiction
Notes
MAYBE LATER

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Robert Allan Caro (born October 30, 1935) is an American journalist and author known for his celebrated biographies of United States political figures Robert Moses and Lyndon B. Johnson.

After working for many years as a reporter, Caro wrote The Power Broker (1974), a biography of New York urban planner Robert Moses, which was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century.[5] He has since written four of a planned five volumes of The Years of Lyndon Johnson (1982, 1990, 2002, 2012), a biography of the former president.

For his biographies, he has won two Pulitzer Prizes in Biography, the National Book Award, the Francis Parkman Prize (awarded by the Society of American Historians to the book that “best exemplifies the union of the historian and the artist”), two National Book Critics Circle Awards, the H.L. Mencken Award, the Carr P. Collins Award from the Texas Institute of Letters, the D.B. Hardeman Prize, and a Gold Medal in Biography from the American Academy of Arts and Letters.

Life and career[edit]

Caro was born in New York City, the son of Cele (née Mendelow) and Benjamin Caro.[3] He “grew up on Central Park West at 94th Street. His father, a businessman, spoke Yiddish as well as English, but he didn’t speak either very often. He was ‘very silent,’ Caro said, and became more so after Caro’s mother died, after a long illness, when he [Caro] was 12.” It was his mother’s deathbed wish that he should go to the Horace Mann School, an exclusive private school in the Riverdale section of The Bronx. As a student there, Caro translated an edition of his school newspaper into Russian and mailed 10,000 copies to students in the USSR. He graduated in 1953.[6] He went on to Princeton University, where he majored in English. He became managing editor of The Daily Princetonian, second to R.W. Apple, Jr., later a prominent editor at The New York Times.[7]

His writings, both in class and out, had been lengthy since his years at Horace Mann. A short story he wrote for The Princeton Tiger, the school’s humor magazine, took up almost an entire issue. His senior thesis on existentialism in Hemingway was so long, Caro claims, that the university’s English department subsequently established a maximum length for senior theses by its students. He graduated cum laude in 1957.[1][7]

According to a 2012 New York Times Magazine profile, “Caro said he now thinks that Princeton, which he chose because of its parties, was one of his mistakes, and that he should have gone to Harvard. Princeton in the mid-1950s was hardly known for being hospitable towards the Jewish community, and though Caro says he did not personally suffer from anti-Semitism, he saw plenty of students who did.” He had a sports column in the Princetonian and also wrote for the Princeton Tiger humor magazine.[7] He was a Carnegie Fellow at Columbia University and a Nieman Fellow at Harvard University.

Caro began his professional career as a reporter with the New Brunswick Daily Home News (now merged into the Home News Tribune) in New Jersey. He took a brief leave to work for the Middlesex County Democratic Party as a publicist. He left politics after an incident where he was accompanying the party chair to polling places on election day. A police officer reported to the party chair that some African-Americans Caro saw being loaded into a police van, under arrest, were poll watchers who “had been giving them some trouble.” Caro left politics right there. “I still think about it,” he recalled in the 2012 Times Magazine profile. “It wasn’t the roughness of the police that made such an impression. It was the—meekness isn’t the right word—the acceptance of those people of what was happening.”[7]

From there he went on to six years as an investigative reporter with the Long Island newspaper Newsday. One of the articles he wrote was a long series about why a proposed bridge across Long Island Sound from Rye to Oyster Bay, championed by Robert Moses, would have been inadvisable, requiring piers so large it would disrupt tidal flows in the sound, among other problems. Caro believed that his work had influenced even the state’s powerful governor Nelson Rockefeller to reconsider the idea, until he saw the state’s Assembly vote overwhelmingly to pass a preliminary measure for the bridge.[7]

“That was one of the transformational moments of my life,” Caro said years later. It led him to think about Moses for the first time. “I got in the car and drove home to Long Island, and I kept thinking to myself: ‘Everything you’ve been doing is baloney. You’ve been writing under the belief that power in a democracy comes from the ballot box. But here’s a guy who has never been elected to anything, who has enough power to turn the entire state around, and you don’t have the slightest idea how he got it.'”[7]

Work[edit]

The Power Broker[edit]

Main article: The Power Broker

Caro spent the academic year of 1965–1966 as a Nieman Fellow at Harvard University. During a class on urban planning and land use, the experience of watching Moses returned to him.

They were talking one day about highways and where they got built…and here were these mathematical formulas about traffic density and population density and so on, and all of a sudden I said to myself: “This is completely wrong. This isn’t why highways get built. Highways get built because Robert Moses wants them built there. If you don’t find out and explain to people where Robert Moses gets his power, then everything else you do is going to be dishonest.”[7]

To do so, Caro began work on a biography of Moses, The Power Broker: Robert Moses and the Fall of New York, also a study of Caro’s favorite theme: the acquisition and use of power. He expected it would take nine months to complete, but instead it took him until 1974.[7] The work was based on extensive research and 522 interviews, including seven interviews with Moses himself, several with Michael Madigan (who worked for Moses for 35 years); and numerous interviews with Sidney Shapiro (Moses’s general manager for forty years); as well as interviews with men who worked for and knew Moses’s mentor, New York Governor Al Smith.

His wife Ina functioned as his research assistant. Her master’s thesis on the Verrazano-Narrows Bridge stemmed from this work. At one point she sold the family home and took a teaching job so Robert would be financially able to finish the book.[7]

The Power Broker is widely viewed [1] as a seminal work because it combined painstaking historical research with a smoothly flowing narrative writing style. The success of this approach was evident in his chapter on the construction of the Cross-Bronx Expressway, where Caro reported the controversy from all perspectives, including that of neighborhood residents. The result was a work of powerful literary as well as academic interest.

The Years of Lyndon Johnson[edit]

Following The Power Broker, Caro turned his attention to President Lyndon B. Johnson. Caro retraced Johnson’s life by temporarily moving to rural Texas and Washington, D.C., in order to better understand Johnson’s upbringing and to interview anyone who had known Johnson. The work, entitled The Years of Lyndon Johnson, was originally intended as a trilogy, but is projected to encompass five volumes:

  1. The Path to Power (1982) covers Johnson’s life up to his failed 1941 campaign for the United States Senate.
  2. Means of Ascent (1990) commences in the aftermath of that defeat and continues through his election to that office in 1948.
  3. Master of the Senate (2002) chronicles Johnson’s rapid ascent and rule as Senate Majority Leader.
  4. The Passage of Power (2012) details the 1960 election, LBJ’s life as vice president, the JFK assassination and his first days as president.
  5. In November 2011, Caro announced that the full project had expanded to five volumes with the fifth requiring another two to three years to write.[8][9][10] It will cover Johnson and Vietnam, the Great Society and civil rights era, his decision not to run in 1968, and eventual retirement.

Caro’s books portray Johnson as a complex and contradictory character: at the same time a scheming opportunist and visionary progressive. Caro argues, for example, that Johnson’s victory in the 1948 runoff for the Democratic nomination for the U.S. Senate was only achieved through extensive fraud and ballot box stuffing, though this is set in the practices of the time and in the context of Johnson’s previous defeat in his 1941 race for the Senate, the victim of exactly similar chicanery. Caro also highlighted some of Johnson’s campaign contributions, such as those from the Texas construction firm Brown and Root; in 1962 the company was acquired by another Texas firm, Halliburton, which became a major contractor in the Vietnam War. In addition, Caro argued that Johnson was awarded the Silver Star in World War II for political as well as military reasons, and that he later lied to journalists and the public about the circumstances for which it was awarded. Caro’s portrayal of Johnson also notes his struggles on behalf of progressive causes such as the Voting Rights Act, and his consummate skill in getting this enacted in spite of intense opposition from Southern Democrats.

Among sources close to the late president, Johnson’s widow Lady Bird Johnson “spoke to [Caro] several times and then abruptly stopped without giving a reason, and Bill Moyers, Johnson’s press secretary, has never consented to be interviewed, but most of Johnson’s closest friends, including John Connally and George Christian, Johnson’s last press secretary, who spoke to Caro practically on his deathbed, have gone on the record”.[7]

Publisher-editor[edit]

Caro’s books have been published by Alfred A. Knopf, first under editor in chief Robert Gottlieb and then by Sonny Mehta, “who took over the Johnson project – enthusiastically – after Gottlieb’s departure in 1987.” Gottlieb, five years Caro’s senior, suggested the Johnson project to Caro in 1974 in preference to the planned follow-up to the Moses volume, a biography of Fiorello LaGuardia that was then abandoned. The ex-President had recently died and Caro had already decided, before meeting with Gottlieb on the subject, to undertake the Texan’s biography; he “wanted to write about power”.[11] Gottlieb has continued as editor of Caro’s books since leaving Knopf and excerpted Volume 2 of the Johnson biography at The New Yorker when he was editor in chief there.[7]

Awards[edit]

For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, twice won the National Book Critics Circle Award for the Best Nonfiction Book of the Year, and has won virtually every other major literary honor, including the National Book Award, the Gold Medal in Biography from the American Academy of Art and Letters, and the Francis Parkman Prize.

In October 2007, Caro was named a “Holtzbrinck Distinguished Visitor” at the American Academy in Berlin, Germany but then was unable to attend.

In 2010, he received the National Humanities Medal from President Obama, the highest award in the humanities given in the United States. Delivering remarks at the end of the ceremony, the President said, “I think about Robert Caro and reading The Power Broker back when I was 22 years old and just being mesmerized, and I’m sure it helped to shape how I think about politics.”[12] In 2011, Robert Caro was the recipient of the 2011 BIO Award given each year by members of Biographers International “to a colleague who had made a major contribution in the advancement of the art and craft of real life depiction.”[13]

Family[edit]

Caro has described his wife, Ina Caro, as “the whole team” on all five of his books. She sold their house and took a job teaching school to fund work on The Power Broker and is the only person other than himself who conducted research for his books.[20]

Ina is the author of The Road from the Past: Traveling through History in France (1996),[21] a book which Arthur Schlesinger Jr. called, at the presentation of her honorary Doctor of Humane Letters from The City University of New York in 2011, “the essential traveling companion… for all who love France and its history.”[22] Newsweek reviewer Peter Prescott commented, “I’d rather go to France with Ina Caro than with Henry Adams or Henry James. The unique premise of her intelligent and discerning book is so startling that it’s a wonder no one has thought of it before.”[23] Ina frequently writes about their travels through France in her Paris to the Past blog. In June 2011, W. W. Norton published her second book, Paris to the Past: Traveling through French History by Train (2011).[24]

The Caros have a son, Chase, a disbarred lawyer, and three grandchildren. Chase Caro was sentenced to 2.5 to 7.5 years in prison by County Court Judge Susan Cacace after pleading guilty to grand larceny.[25][relevant? ] Caro has a younger sibling, Michael, who is now a retired real estate manager.[7]

Pop culture references[edit]

In film[edit]

In The Stepford Wives (2004), Nicole Kidman‘s character attends a book club meeting with the Stepford wives and attempts to discuss the third volume of Caro’s The Years of Lyndon Johnson, but the group chooses to review a book of Christmas crafts.

In television[edit]

In the last episode of season one of the U.S. TV series House of Cards, a copy of The Passage of Power can be seen lying on the desk of protagonist Frank Underwood (played by Kevin Spacey).

In the television series The Simpsons, the episode “Treehouse of Horror XVI” features the character Lisa seen reading Master of the Senate in the vignette “Bart A.I.” Caro later guest-starred on the episode “Love Is a Many-Splintered Thing“.

Bibliography[edit]

  • Caro, Robert A., The Power Broker: Robert Moses and the Fall of New York. 1974. Alfred A. Knopf Inc., New York. (ISBN 0394480767). ix + 1246 pp. + xxxiv pp.: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: The Path to Power. 1982. Alfred A. Knopf Inc., New York. (ISBN 0394499735). xxiii + 882 p. + 48 p. of plates: illus.
  • Caro, Robert A., The Years of Lyndon Johnson: Means of Ascent. 1990. Alfred A. Knopf Inc., New York. (ISBN 0394528352). xxxiv + 506 pp.
  • Caro, Robert A., The Years of Lyndon Johnson: Master of the Senate. 2002. Alfred A. Knopf Inc, New York. (ISBN 0-394-52836-0). xxiv + 1167 pp.
  • Caro, Robert A., The Years of Lyndon Johnson: The Passage of Power. 2012. Alfred A. Knopf Inc, New York. (ISBN 978-0-679-40507-8). 752 pp.
  • Zinsser, William Knowlton (ed.), Extraordinary Lives: The Art and Craft of American Biography, Houghton Mifflin, ISBN 0-395-48617-3

https://en.wikipedia.org/wiki/Robert_Caro

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Ken Kasey — One Flew Over the Cuckoo’s Nest — Individualism vs. Collectivism — Hillary Clinton is Nurse Ratched — The Big Nurse — Medication Time — Medication Time — I don’t trust you. –Videos

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One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo's Nest poster.jpg

Theatrical release poster
Directed by Miloš Forman
Produced by Saul Zaentz
Michael Douglas
Screenplay by Lawrence Hauben
Bo Goldman
Based on One Flew Over the Cuckoo’s Nest
by Ken Kesey
Starring Jack Nicholson
Louise Fletcher
William Redfield
Music by Jack Nitzsche
Cinematography Haskell Wexler
Bill Butler[1]
Edited by Richard Chew[2]
Sheldon Kahn
Lynzee Klingman
Production
company
Fantasy Films
Distributed by United Artists
Release dates
  • November 19, 1975
Running time
133 minutes
Country United States
Language English
Budget $3 million[3]
Box office $109 million[3]

One Flew Over the Cuckoo’s Nest is a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel One Flew Over the Cuckoo’s Nest by Ken Kesey. The film stars Jack Nicholson and features a supporting cast of Louise Fletcher, William Redfield, Will Sampson, and Brad Dourif.

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo’s Nest is No. 33 on the American Film Institute‘s 100 Years… 100 Movies list. The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Nightin 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards.

In 1993, the film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

Plot

In 1963, Oregon, recidivist criminal Randle McMurphy is moved to a mental institution after serving a short sentence on a prison farm after raping a teenager. Though not actually mentally ill, McMurphy hopes to avoid hard labour and serve the rest of his sentence in a relaxed environment. Upon arriving at the hospital, he finds the ward run by the steely, strict Nurse Ratched, who subtly suppresses the actions of her patients through a passive-aggressive routine, intimidating the patients.

The other patients include anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to childish tantrums; delusional Martini; the well-educated, paranoid Dale Harding; belligerent Max Taber; epileptic Jim Sefelt; and “Chief” Bromden, a tall Native American believed to be deaf and mute. Ratched soon sees McMurphy’s lively, rebellious presence to be a threat to her authority, confiscating the patients’ cigarettes and rationing them. During his time in the ward, McMurphy gets into a battle of wits with Ratched. He steals a hospital bus, escaping with several patients to go on a fishing trip, encouraging his friends to become more self-confident.

McMurphy learns his sentence may become indefinite, and he makes plans to escape, exhorting Chief to throw a hydrotherapy cart through a window. He, Chief, and Cheswick get into a fight with the orderlies after the latter becomes agitated over his stolen cigarettes. Ratched sends them to the “shock shop”, and McMurphy discovers Chief can actually speak, feigning illness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to have brain damage, but reveals the treatment has charged him up even more. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched leaves for the night.

McMurphy sneaks two women, Candy and Rose, into the ward and bribes the night guard. After a night of partying, McMurphy and Chief prepare to escape, inviting Billy to come with them. He refuses, not ready to leave the hospital. McMurphy instead convinces him to have sex with Candy. Ratched arrives in the morning to find the ward in disarray and most of the patients unconscious. She discovers Billy and Candy together, the former now free of his stutter, until Ratched threatens to inform his mother about his escapade. Billy is overwhelmed with fear and locks himself in the doctor’s office and commits suicide. The enraged McMurphy strangles Ratched, before being knocked out by an orderly.

Ratched comes back with a neck brace and a scratchy voice. Rumours spread that McMurphy escaped rather than be taken “upstairs”. Later that night, Chief sees McMurphy being returned to his bed. He discovers McMurphy has lobotomy scars on his forehead, and smothers his friend with a pillow. Chief finally throws the hydrotherapy cart through the window and escapes into the night, cheered on by the men.

Cast

Production

Filming began in January 1975 and concluded approximately three months later,[4] and was shot on location in Salem, Oregon and the surrounding area, as well as on the Oregon coast.[5][6] It was also shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.[7]

Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical terrorist group The Weather Underground were being interviewed while hiding from the law. However, Miloš Forman said he had terminated Wexler over mere artistic differences. Both Wexler and Butler received Academy Awardnominations for Best Cinematography for One Flew Over the Cuckoo’s Nest, though Wexler said there was “only about a minute or two minutes in that film I didn’t shoot.”[8]

According to Butler, Jack Nicholson refused to speak to Forman: “…[Jack] never talked to Milos at all, he only talked to me.”[1]

Reception

The film was met with overwhelming critical acclaim; Roger Ebert said “Miloš Forman’s One Flew Over the Cuckoo’s Nest is a film so good in so many of its parts that there’s a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance.”[9] Ebert would later put the film on his “Great Movies” list.[10] A.D. Murphy of Variety wrote a mixed review as well,[11] as did Vincent Canby: writing in The New York Times, Canby called the film “a comedy that can’t quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.”[12]

The film opens with original music by composer Jack Nitzsche, featuring an eerie bowed saw (performed by Robert Armstrong) and wine glasses. Commenting on the score, reviewer Steven McDonald has said, “The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times — even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time it tilts completely over into a strange little world of its own …”[13]

The film went on to win the “Big Five” Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, andBest Adapted Screenplay for Laurence Hauben and Bo Goldman. The film currently has a 95% “Certified Fresh” rating at Rotten Tomatoes with an average rating of 8.9/10.[14] Its consensus states “The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s — and testament to the director’s vision that the film retains its power more than three decades later.”

One Flew Over the Cuckoo’s Nest is considered to be one of the greatest American films. Ken Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.[15] Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it,[16] a fact confirmed by Chuck Palahniuk who wrote, “The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked.”[17]

In 1993, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.[18]

Awards and honors

Award Category Nominee Result
Academy Award Academy Award for Best Picture Michael Douglas and Saul Zaentz Won
Academy Award for Best Director Miloš Forman Won
Academy Award for Best Actor Jack Nicholson Won
Academy Award for Best Actress Louise Fletcher Won
Academy Award for Writing Adapted Screenplay Laurence Hauben and Bo Goldman Won
Academy Award for Best Supporting Actor Brad Dourif Nominated
Academy Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
Academy Award for Film Editing Richard Chew, Lyzee Klingman and Sheldon Kahn Nominated
Academy Award for Original Music Score Jack Nitzsche Nominated
Golden Globe Award Golden Globe Award for Best Motion Picture – Drama Michael Douglas and Saul Zaentz Won
Golden Globe Award for Best Director – Motion Picture Miloš Forman Won
Golden Globe Award for Best Actor – Motion Picture Drama Jack Nicholson Won
Golden Globe Award for Best Actress – Motion Picture Drama Louise Fletcher Won
Golden Globe Award for Best Screenplay Laurence Hauben and Bo Goldman Won
Golden Globe Award for New Star of the Year – Actor Brad Dourif Won
BAFTA Award BAFTA Award for Best Film Michael Douglas and Saul Zaentz Won
BAFTA Award for Best Direction Miloš Forman Won
BAFTA Award for Best Actor in a Leading Role Jack Nicholson Won
BAFTA Award for Best Actress in a Leading Role Louise Fletcher Won
BAFTA Award for Best Actor in a Supporting Role Brad Dourif Won
BAFTA Award for Best Editing Richard Chew, Lynzee Klingman and Sheldon Kahn Won
BAFTA Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
BAFTA Award for Best Adapted Screenplay Laurence Hauben and Bo Goldman Nominated

Others

American Film Institute

See also

References

  1. ^ Jump up to:a b Townsend, Sylvia (19 December 2014). “Haskell Wexler and the Making of ‘One Flew Over the Cuckoo’s Nest'”. Retrieved 13 April2015.
  2. Jump up^ Chew was listed as “supervising editor” in the film’s credits, but was included in the nomination for an editing Academy Award.
  3. ^ Jump up to:a b “One Flew Over the Cuckoo’s Nest, Box Office Information”.Box Office Mojo. Retrieved January 22, 2012.
  4. Jump up^ One Flew Over the Cuckoo’s Nest at the American Film Institute
  5. Jump up^ Story Notes for One Flew Over the Cuckoo’s Nest
  6. Jump up^ “Hollywood’s Love Affair with Oregon Coast Continues”. Retrieved15 June 2015.
  7. Jump up^ Oregon State Hospital – A documentary film (Mental Health Association of Portland)
  8. Jump up^ Anderson, John. “Haskell Wexler, Oscar-Winning Cinematographer, Dies at 93.” The New York Times, December 27, 2015.
  9. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, January 1, 1975
  10. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, February 2, 2003.
  11. Jump up^ Variety.com – A.D. Murphy, Variety, November 7, 1975
  12. Jump up^ Canby, Vincent (November 28, 1975). “Critic’s Pick: One Flew Over the Cuckoo’s Nest”. The New York Times.
  13. Jump up^ AllMusic: Review by Steven McDonald
  14. Jump up^ “One Flew over the Cuckoo’s Nest Movie Reviews, Pictures – Rotten Tomatoes”. Retrieved 2010-08-19.
  15. Jump up^ Carnes, Mark Christopher, Paul R. Betz, et al. (1999). American National Biography, Volume 26. New York: Oxford University Press USA. ISBN 0-19-522202-4. p. 312,
  16. Jump up^ Carnes, p. 312
  17. Jump up^ Foreword of One Flew Over the Cuckoo’s Nest, Copyright 2007 by Chuck Palahniuk. Available in the 2007 Edition published by Penguin Books
  18. Jump up^ “U.S. National Film Registry — Titles”. Retrieved September 2,2016.
  19. Jump up^ AFI’s 100 Years…100 Heroes and Villains Nominees

External links

https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)

Could Hillary’s smile cost her the election? Twitter mocks Clinton’s ‘creepy grandma’ grin as she smirks her way through presidential debate

With her opponent dogged by accusations of sexual assault, Hillary Clinton had strong odds as she entered the third presidential debate on Wednesday.

Only one thing seemed to threaten her chances of victory: her smile.

The Democratic candidate faced a flood of insults as she took to the stage at the University of Las Vegas, with many viewers confessing they were ‘creeped out’ by her stubborn grin.

Hundreds took to Twitter to describe her smile as ‘scary’ and ‘creepy’.

Hillary Clinton's unrelenting smile at Wednesday's presidential debate made for uncomfortable viewing for some voters 

Hillary Clinton’s unrelenting smile at Wednesday’s presidential debate made for uncomfortable viewing for some voters

Social media mocks Hillary Clinton’s ‘creepy grandma’ grin

Others questioned why, when being slammed with insults from her opponent, her expression did not drop.

‘Hillary Clinton’s smile is the scariest thing I’ve ever seen in my life,’ said one observer.

‘When Hillary smiles she looks like an evil snake,’ another commented.

‘What to do when you don’t have a response? Smile like a chipmunk,’ remarked another.

‘Whoever told Hillary Clinton to smile less since the first debate gave great advice,’ mused a different viewer.

Others, ever-so-slightly more charmed by her cheerful demeanor, likened her to a happy grandmother.

The Democratic candidate beamed as she listened to Donald Trump slam her political record and campaign policies 

Her glee remained written all over her face as Trump continued to slate her, much to viewers' confusion 

Her glee remained written all over her face as Trump continued to slate her, much to viewers’ confusion

Twitter users were quick to mock her expression as they watched the debate on Wednesday 

Twitter users were quick to mock her expression as they watched the debate on Wednesday

Clinton's happy expression became a talking point at earlier debates. It continued to peak viewers' interests at her final showdown with Trump on Wednesday (above) e

Clinton’s happy expression became a talking point at earlier debates. It continued to peak viewers’ interests at her final showdown with Trump on Wednesday (above)

‘Hillary Clinton is so cute it’s something about her I just want her to tuck me in and give me a kiss with her coffee breath,’ one commented.

It was not the first time her facial expression sparked interest among voters.

After the first presidential debate on September 26, political commentators shared some free advice with the candidate online.

‘Who told Hillary Clinton to keep smiling like she’s at her granddaughter’s birthday party?’ said David Frum, senior editor of The Atlantic, at the time.

The discussion had the same hallmarks of bizarre criticisms made earlier this month about Donald Trump’s incessant sniffing.

Viewers were distracted throughout the second presidential debate by the Republican candidate’s runny nose, complaining in their droves about it online. 
http://www.dailymail.co.uk/news/article-3854016/Could-Hillary-s-smile-cost-election-Twitter-mocks-Clinton-s-creepy-grandma-grin-smirks-way-presidential-debate.html#ixzz4Nf3WfCyu

Ken Kesey

From Wikipedia, the free encyclopedia
Not to be confused with Kenny Casey (disambiguation).
Ken Kesey
Born Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
Died November 10, 2001 (aged 66)
Eugene, Oregon, U.S.[1][2]
Occupation Novelist, short story writer, essayist, poet
Nationality American
Genre Beat, postmodernism
Literary movement Merry Pranksters
Notable works One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)

Kenneth Elton “Ken” Kesey (/ˈkz/; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.

Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.[3]

In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).

Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs.[4][5] After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.

Biography

Early life

Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey.[1] In 1946, the family moved to Springfield, Oregon.[2] Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953.[2] An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.[6]

In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade.[2] According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.”[7] Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon.[8] Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.[9]

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition.[1][10][11] He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”[12][13]

A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz.[14] Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction.[15] After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.

Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions.[16] Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.[2]

During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.”[17] Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.[18]

Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.[17]The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class.[19] While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.

Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”[20]

Experimentation with psychoactive drugs

At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital[21] where he worked as a night aide.[22] The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people.[2] Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus.[23] He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).

One Flew Over the Cuckoo’s Nest

While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.”[24] Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.[24]

During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.

The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.[25]

Merry Pranksters

When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.[26] This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.

After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life.[27] He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Death of son

In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament;[11] after he was declared brain-dead two days later his parents gave permission for his organs to be donated.[28]

Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” [29]

At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill.[30] Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.[31]

Final years

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.[citation needed]

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.[citation needed]

On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.[citation needed]

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College.[citation needed] His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.[citation needed]

Death

In 1998, health problems began to weaken him, starting with a stroke that year.[2] On October 25, 2001 Kesey had surgery on his liver to remove a tumor.[2] He did not recover from that operation and died of complications on November 10, 2001, age 66.[2]

Legacy

The film Gerry (2002) is dedicated to the memory of Ken Kesey.[32]

Works

Some of Kesey’s better-known works include:[33]

Footnotes

  1. ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
  2. ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
  3. Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
  4. Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
  5. Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
  6. Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
  7. Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
  8. Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
  9. Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
  10. Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
  11. ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14. Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
  12. Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
  13. Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
  14. Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
  15. Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
  16. Jump up^ Too Good to Be True. Retrieved 2014-12-14.
  17. ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
  18. Jump up^ Wallace Stegner. Retrieved 2014-12-14.
  19. Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
  20. Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
  21. Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
  22. Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
  23. Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
  24. ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
  25. Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
  26. Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
  27. Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
  28. Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
  29. Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
  30. Jump up^ https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
  31. Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en. Missing or empty |title= (help)
  32. Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
  33. Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.

Further reading

  • Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
  • Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
  • Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
  • Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
  • Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
  • Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
  • Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
  • M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
  • Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
  • Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
  • Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.

External links

https://en.wikipedia.org/wiki/Ken_Kesey

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DALLAS, TX - JULY 12: Police officers arrive at an interfaith memorial service, honoring five slain police officers, at the Morton H. Meyerson Symphony Center on July 12, 2016 in Dallas, Texas. A sniper opend fire following a Black Lives Matter march in Dallas killing five police officers and injuring 12 others. (Photo by Tom Pennington/Getty Images)

DALLAS, TX – JULY 12: Police officers arrive at an interfaith memorial service, honoring five slain police officers, at the Morton H. Meyerson Symphony Center on July 12, 2016 in Dallas, Texas. A sniper opend fire following a Black Lives Matter march in Dallas killing five police officers and injuring 12 others. (Photo by Tom Pennington/Getty Images)

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A Police officer stands guard at a baracade following the sniper shooting in Dallas on July 7, 2016. A fourth police officer was killed and two suspected snipers were in custody after a protest late Thursday against police brutality in Dallas, authorities said. One suspect had turned himself in and another who was in a shootout with SWAT officers was also in custody, the Dallas Police Department tweeted. / AFP / Laura Buckman (Photo credit should read LAURA BUCKMAN/AFP/Getty Images)

A Police officer stands guard at a baracade following the sniper shooting in Dallas on July 7, 2016.

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DALLAS, TX - JULY 8: Flags fly at half mast at Dallas City Hall following the fatal shootings of five police officers on July 8, 2016 in Dallas, Texas. Micah Xavier Johnson has been identified as the suspected sniper in the fatal shooting of five police officers, and injuring seven more at a Black Lives Matter demonstration held on July 7, 2016 in Dallas, Texas. Stewart F. House/Getty Images/AFP

DALLAS, TX – JULY 8: Flags fly at half mast at Dallas City Hall following the fatal shootings of five police officers on July 8, 2016 in Dallas, Texas. Micah Xavier Johnson has been identified as the suspected sniper in the fatal shooting of five police officers, and injuring seven more at a Black Lives Matter demonstration held on July 7, 2016 in Dallas, Texas. Stewart F. House/Getty Images/AFP

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