Victor D. Hanson — Mexifornia: A State of Becoming and The Case for Trump — Videos

Posted on December 17, 2018. Filed under: Uncategorized | Tags: , , , , , , , |

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Historian Victor Davis Hanson on why he supports Trump

Victor Davis Hanson – Mexifornia: A State of Becoming

May 31, 2003 – Mr. Hanson was interviewed about his book Mexifornia: A State of Becoming, published by Encounter Books. The book looks at the hybrid culture emerging in California and who benefits from different political stances. He responded to telephone calls from viewers.

Victor D. Hanson on Obama’s Last Year & the Problem w/ Elites in Society

Victor Davis Hanson — The New Old World Order

Victor Davis Hanson – Postmodern Ideologies Dismanteled

Victor Davis Hanson: How the left elite cheats the public

Victor Davis Hanson – Immigration Rhetoric vs Reality

Victor Davis Hanson – The 4 Groups that Benefit from Illegal Immigration

Victor Davis Hansen- Keynote Address: California at the Crossroads

 

The Case for Trump Hardcover – March 5, 2019

From an award-winning historian and regular Fox contributor, the true story of how Donald Trump has become one of the most successful presidents in history — and why America needs him now more than ever
 
In The Case for Trump, award-winning historian and political commentator Victor Davis Hanson explains how a celebrity businessman with no political or military experience triumphed over sixteen well-qualified Republican rivals, a Democrat with a quarter-billion-dollar war chest, and a hostile media and Washington establishment to become president of the United States — and an extremely successful president.
Trump alone saw a political opportunity in defending the working people of America’s interior whom the coastal elite of both parties had come to scorn, Hanson argues. And Trump alone had the instincts and energy to pursue this opening to victory, dismantle a corrupt old order, and bring long-overdue policy changes at home and abroad. We could not survive a series of presidencies as volatile as Trump’s. But after decades of drift, America needs the outsider Trump to do what normal politicians would not and could not do.

 

Victor Davis Hanson

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Victor Davis Hanson
Hanson giving a lecture at Kenyon College in May 2005

Hanson giving a lecture at Kenyon College in May 2005
Born September 5, 1953 (age 65)
Fowler, California, U.S.
Occupation Writer, historian, farmer
Subject Military history, history of ancient warfare, ancient agrarianismclassics

Victor Davis Hanson (born September 5, 1953) is an American classicistmilitary historian, columnist, and farmer. He has been a commentator on modern and ancient warfare and contemporary politics for National ReviewThe Washington Times and other media outlets. He is a professor emeritus of classics at California State University, Fresno, and is currently the Martin and Illie Anderson Senior Fellow in classics and military history at Stanford University‘s Hoover Institution. He chairs the Hoover working group on Military History and Contemporary Conflict as well as being the general editor of the Hoover online journal, Strategika. He has been a visiting professor at Hillsdale College where he teaches an intensive course on world, ancient or military history in the autumn semester, as the Wayne and Marcia Buske Distinguished Fellow in History since 2004.[1] Hanson is the author of Carnage and Culture: Landmark Battles in the Rise of Western Power (2001), a New York Times best-selling book.

Hanson was awarded the National Humanities Medal in 2007 by President George W. Bush, and was a presidential appointee in 2007–2008 on the American Battle Monuments Commission that oversees the cemeteries and monuments of U.S. war dead abroad. Hanson is a student of current affairs, particularly regarding the U.S. in the Middle East, national defense issues and illegal immigration. He is also a fifth-generation landowner, growing raisin plants on a family farm in Selma, California, where he resides, and is a commentator on social trends related to farming and agrarianism.

Early life, education and today

Hanson, who is of Swedish and Welsh descent, grew up on a family farm outside of Selma, California in the San Joaquin Valley and has worked there most of his life. His mother, Pauline Davis Hanson, was a lawyer and a California superior court and state appeals court justice, his father was a farmer, educator and junior college administrator. Along with his older brother Nels, a writer, and fraternal twin Alfred, a farmer and biologist, Hanson attended public schools and graduated from Selma High School. Hanson received his BA with highest honors in classics and general college honors, Cowell College, from the University of California, Santa Cruz, in 1975[2] and his PhD in classics from Stanford University in 1980. He is a Protestant Christian.[3] He also won the Raphael Demos scholarship at the College Year in Athens (1973–74) and was a regular member of the American School of Classical Studies, Athens, 1978–79.

Hanson is currently a Senior Fellow at the Hoover Institution and professor emeritus at California State University, Fresno,[4] where he began teaching in 1984, having created the classical studies program at that institution.

In 1991, Hanson was awarded an American Philological Association‘s Excellence in Teaching Award, which is given annually to the nation’s top undergraduate teachers of Greek and Latin, and he was named distinguished alumnus of the year (2006) at University of California, Santa Cruz.[4] He has been a visiting professor of classics at Stanford University (1991–92), a National Endowment for the Humanities fellow at the Center for Advanced Studies in the Behavioral Sciences, Stanford, California (1992–93), an Alexander Onassistraveling fellowship to Greece (1999), as well as Nimitz Fellow at UC Berkeley (2006) and held the visiting Shifrin Chair of Military History at the U.S. Naval AcademyAnnapolis, Maryland (2002–03), and often the William Simon visiting professorship at the School of Public Policy at Pepperdine University (2009–15), and was awarded in 2015 an Honorary Doctorate of Laws from the graduate school at Pepperdine. He gave the Wriston Lecture in 2004 for the Manhattan Institute. He has been a board member of the Bradley Foundationsince 2015, and served on the HF Guggenheim Foundation board for over a decade.

Since 2004, Hanson has written a weekly column syndicated by Tribune Content Agency,[5] as well as a weekly column for National Review Online since 2001, and has not missed a weekly column for either venue since he began. He has been published in The New York TimesWall Street JournalThe Times Literary SupplementThe Daily TelegraphAmerican Heritage, and The New Criterion, among other publications. He was awarded the National Humanities Medal (2007) by President George W. Bush, as well as the Eric Breindel Prize for opinion journalism (2002), and the William F. Buckley Prize (2015). Hanson was also awarded the Claremont Institute’s Statesmanship Award at its annual Churchill Dinner, and the Bradley Prize from the Lynde and Harry Bradley Foundation in 2008.[4]

Writing

Hanson’s Warfare and Agriculture (Giardini 1983), his PhD thesis, argued that Greek warfare could not be understood apart from agrarian life in general, and suggested that the modern assumption that agriculture was irrevocably harmed during classical wars was vastly overestimated. The Western Way of War (Alfred Knopf 1989), for which John Keegan wrote the introduction, explored the combatants’ experiences of ancient Greek battle and detailed the Hellenic foundations of later Western military practice.

The Other Greeks (The Free Press 1995) argued that the emergence of a unique middling agrarian class explains the ascendance of the Greek city-state, and its singular values of consensual government, sanctity of private property, civic militarism and individualism. In Fields Without Dreams (The Free Press 1996, winner of the Bay Area Book Reviewers Award) and The Land Was Everything (The Free Press 2000, a Los Angeles Times notable book of the year), Hanson lamented the decline of family farming and rural communities, and the loss of agrarian voices in American democracy. The Soul of Battle (The Free Press 1999) traced the careers of Epaminondas, the Theban liberator, William Tecumseh Sherman, and George S. Patton, in arguing that democratic warfare’s strengths are best illustrated in short, intense and spirited marches to promote consensual rule, but bog down otherwise during long occupations or more conventional static battle.

In Mexifornia (Encounter 2003)—a personal memoir about growing up in rural California and an account of immigration from Mexico—Hanson predicted that illegal immigration would soon reach crisis proportions, unless legal, measured, and diverse immigration was restored, as well as the traditional melting-pot values of integration, assimilation, and intermarriage.

Ripples of Battle (Doubleday 2003) chronicled how the cauldron of battle affects combatants’ later literary and artistic work, as its larger influence ripples for generations, affecting art, literature, culture, and government. In A War Like No Other (Random House 2005, a New York Times notable book of the year), a history of the Peloponnesian War, Hanson offered an alternative history, arranged by methods of fighting—triremes, hoplites, cavalry, sieges, etc.) in concluding that the conflict marked a brutal watershed event for the Greek city-states. The Savior Generals (Bloomsbury 2013) followed the careers of five great generals, arguing that rare qualities in leadership emerge during hopeless predicaments that only rare individuals can salvage.

The End of Sparta (Bloomsbury 2011) is a novel about a small community of Thespian farmers who join the great march of Epaminondas (369/70 BC) into the heart of the Peloponnese to destroy Spartan hegemony, free the Messenian helots, and spread democracy in the Peloponnese.

In addition, Hanson has edited several collected essays (Hoplites, Routledge 1991), Bonfire of the Humanities (with B. Thornton and J. Heath, ISI 2001), and Makers of Ancient Strategy (Princeton 2010), as well as a number of his own collected articles (An Autumn of War [2002 Anchor], Between War and Peace [Anchor 2004], and The Father of Us All [Bloomsbury 2010]). He has written a number of chapters for scholarly works such as the Cambridge History of War, and the Cambridge History of Ancient Warfare.

Carnage and Culture

Hanson is the author of the 2001 book Carnage and Culture (Doubleday), published in Great Britain and the Commonwealth countries as Why the West Has Won, in which he argued that the military dominance of Western civilization, beginning with the ancient Greeks, results from certain fundamental aspects of Western culture, such as consensual government, a tradition of self-critique, secular rationalism, religious tolerance, individual freedom, free expression, free markets, and individualism. Hanson’s emphasis on cultural exception rejects racial explanations for Western military preeminence and disagrees as well with environmental or geographical determinist explanations such as those put forth by Jared Diamond in Guns, Germs, and Steel (1997).[6]

According to Hanson, Western values such as political freedomcapitalismindividualismdemocracyscientific inquiryrationalism, and open debate form an especially lethal combination when applied to warfare. Non-Western societies can win occasional victories when warring against a society with these Western values, writes Hanson, but the “Western way of war” will likely prevail in the long run. Hanson emphasizes that Western warfare is not necessarily more (or less) moral than war as practiced by other cultures; his argument is simply that the “Western way of war” is unequaled in its emphases on devastation and decisiveness, fueled by superior technology and logistics.

Carnage and Culture examines nine battles throughout history, each of which is used to illustrate a particular aspect of Western culture that Hanson believes contributes to the dominance of Western warfare. The battles or campaigns recounted (with themes in parenthesis) are the Battle of Salamis (480 BC; free citizens), the Battle of Gaugamela (331 BC; the decisive battle of annihilation), the Battle of Cannae (216 BC; civic militarism), the Battle of Tours/Poitiers (732; infantry), the Battle of Tenochtitlan (1521; technology and reason), the Battle of Lepanto (1571; capitalism), the Battle of Rorke’s Drift (1879; discipline), the Battle of Midway (1942; individualism), and the Tet Offensive (1968; dissent).

Though Carnage and Culture appeared before the September 11 attacks of 2001, its message that the “Western way of war” will ultimately prevail made the book a bestseller in the wake of those events. Immediately after 9/11, Carnage and Culture was re-issued with a new afterword by Hanson in which he explicitly stated that the United States government would win its “War on Terror” for the reasons stated in the book.

The American military officer Robert Bateman in a 2007 article on the Media Matters for America website criticized the Hanson thesis, arguing if Hanson’s point about Western armies preferring to seek out a decisive battle of annihilation is rebutted by the Second Punic War, where the Roman attempts to annihilate the Carthaginians instead led to the Carthaginians annihilating the Romans at the Battle of Cannae.[7] Bateman argued that Hanson was wrong about Western armies’ common preferences in seeking out a battle of annihilation, arguing that the Romans only defeated the Carthaginians via the Fabian Strategy of keeping their armies in being and not engaging Hannibal in battle.[7] In his first response, Hanson argued that Bateman was engaged in a “puerile, politically correct” attack on him, and accused Bateman of being motivated by current left-wing politics rather a genuine interest in history.[8] In a second response, Hanson called Bateman’s use of personal, adolescent invectives such as “pervert”, “feces”, and “devil”, as unprofessional and “unhinged”, and had no role in scholarly disagreements, accusing Bateman of being poorly informed of history and geography, as well as engaging in conduct unbecoming a U.S. Army officer.[9] Hanson declared that Bateman was incorrect about the Battle of Yarmoukarguing that the Golan Heights were at the edge of the Eastern Roman Empire, instead of being in the center as Bateman argued, and claimed that the Romans lost because of divided leadership rather than as a result of superior Islamic generalship as Bateman had contended.[9]

In his final responses, Hanson argued that Bateman was unfamiliar with any foreign language, did not understand the practice of translation or scholarly citation, and was utterly confused by basic issues of geography and history.

United States education and classical studies

Hanson co-authored the book Who Killed Homer?: The Demise of Classical Education and the Recovery of Greek Wisdom with John Heath. This book explores the issue of how classical education has declined in the US and what might be done to restore it to its former prominence. This is important, according to Hanson and Heath, because knowledge of the classical Greeks and Romans is necessary to fully understand Western culture. To begin a discussion along these lines the authors state, “The answer to why the world is becoming Westernized goes all the way back to the wisdom of the Greeks—reason enough why we must not abandon the study of our heritage”.[10]

Hanson and Heath, in their populist argument for a return to undergraduate teaching, fault the academic classicists themselves for the decline, accusing them of becoming so infected with political correctness and postmodern thinking, not to mention egoism and money-grubbing (grants, visiting professorships, conference-hopping, promotion based on unreadable publications), that they have lost sight of what Hanson and Heath feel the classics truly represent. They say it this way, “the study of Greek in the last twenty years became a profession, a tiny world—but a world of sorts nonetheless—of jets, conferences, publicity, jargon, and perks.”[11]

The political scientist Francis Fukuyama, reviewing Who Killed Homer? favorably in Foreign Affairs, noted,

The classicists Victoria Cech and Joy Connolly have found Who Killed Homer? to have considerable pitfalls. Reviews of the book have noted several problems with the authors’ perception of classical culture.

Per Victoria Cech, Director of Grants & Program Development,[13]

Per Joy Connolly, Professor of Classics at New York University,[15]

Political views

Hanson is a traditional conservative who voted for George W. Bush in the 2000 and 2004 elections.[17]

He has been described as a neoconservative by some commentators, for his support of maintaining U.S. troops to rebuild society after successful military interventions,[18][19] and has stated, “I came to support neocon approaches first in the wars against the Taliban and Saddam, largely because I saw little alternative.”[20] In 2005, Hanson wrote of why he did not find the Democratic Party populist or reflective of its prior concerns: “The Democratic Party reminds me of the Republicans circa 1965 or so—impotent, shrill, no ideas, conspiratorial, reactive, out-of-touch with most Americans, isolationist, and full of embarrassing spokesmen.”[21]

More recently, Hanson has appeared to reject the term neoconservative, writing in a 2016 column “Hillary’s Neoliberals” that the term neoconservative was coined in the 1970s to describe liberals who moved right on social issues and on maintaining deterrence during the Cold War.[22] Hanson has critiqued the decision of several neoconservatives to declare their support for Hillary Clinton as preferable to Donald Trump on grounds that Clinton has a long history of abuse of office, and is mired in scandal over violations of national security statutes as well as influence peddling between the Clinton Foundation and the State Department. Hanson has attacked these neoconservatives as “neoliberals” who were never entirely proper conservative, arguing that these people had joined the Republican Party out of distaste for the Democratic Party, which had nominated as the presidential candidates George McGovern in 1972 and Jimmy Carter in 1976 as opposed to converting to conservatism.[22] Hanson ended his column that there were now two emerging factions in America—the proverbial ordinary Americans supporting Trump vs. the elites of both the Democratic and Republican parties supporting Clinton.[22] Hanson wrote: “A mostly urban, highly educated, and high-income globalized elite often shares more cultural and political affinities with their counterparts on the other side of the aisle than they do with the lower-middle and working classes of their own parties. Just as Hillary Clinton may feel more comfortable with the old neoconservatives, Trump supporters have little in common with either Clintonites or neocons. Clinton versus Trump is a war of NPRCBS, and the New York Times against the National Enquirerconservative talk radio, and the Drudge Report. Clinton supporters such as former New York mayor Michael Bloomberg, onetime Bush officials Hank Paulsonand Brent Scowcroft, and billionaire Meg Whitman certainly have nothing in common with Republican Trump supporters such as Mike Huckabee and Rush Limbaugh. Culture, not just politics, is rapidly destroying—but also rebuilding—traditional political parties.”[22]

Hanson was a defender of George W. Bush and his policies,[23] especially the Iraq War.[24] He was also a vocal supporter of Bush’s Secretary of Defense Donald Rumsfeld. Hanson wrote of Rumsfeld that he was: “a rare sort of secretary of the caliber of George Marshall” and a “proud and honest-speaking visionary” whose “hard work and insight are bringing us ever closer to victory”.[25]

On the issues pertaining to the constant political turmoil in the Middle East, Hanson emphasizes the lack of individual and political freedom, as well as transparency and self-critique, in many Middle Eastern nations as a major factor retarding economic, technological and cultural progress. He further relates the root cause of radical Islamic terrorism to insecurities resulting from a failure to achieve parity with the West, and a reactionary need to regain honor and pride.[26]

Iraq War

Hanson believed that the Iraq War, given the repeated serial violations by Iraq of UN sanctions, congressional mandates, and the threats that Saddam Hussein posed, in a post-9/11 climate, to the long-term security of the Middle East, was a necessary and worthwhile undertaking—and was, after a flawed occupation, eventually a laudable success that had led to a workable government in 2009 and relative calm in Iraq: analogous to the foundations of the successful American occupation of South Korea in the latter 1950s that led to the democratic society of today. However, he stated in 2008 that he, “… disagreed with many of the decisions made about the Iraq war,” such as the dissolution of the old Iraqi army.[20]

Hanson argued that the “surge” of 2007 had largely won the Iraq War by the beginning of 2009, and that rise of the Islamic State terrorist group which seized control of much of Iraq in mid-2014 was the result of what Hanson sees as the unwise withdrawal of all American troops from Iraq in December 2011, which he blames on the Obama administration.[27] Hanson argued that if only American troops had stayed in Iraq after December 2011, then the government of Prime Minister Nouri al-Maliki would have been less sectarian and the Islamic State group would have never emerged.[28] Hanson argued that the December 2011 withdrawal from Iraq was motivated to help improve Obama’s chances of reelection in 2012, an act that he compared to being equivalent to the United States pulling its troops out of South Korea in 1955, arguing if only the Americans had stayed in Iraq, then that nation would have evolved into a Near Eastern version of South Korea.[29]

The U.S. and the world

In 2004, Hanson gave a mostly favorable review to the book Colossus by the British historian Niall Ferguson, where Ferguson argued that the United States should be an imperial power in the sense of preserving the post war order of global free trade, communications, and commerce, and the principal problem with Americans was that they were unwilling to embrace global leadership in the same way that people in 19th century Britain did.[30] Hanson found much to approve of in Ferguson’s book, writing: “In reality, we should be natural imperialists, given our wealth and expertise. Americans are also endowed with an exceptional moral sense. We are a generous people, whose checkered imperial interventions in the past rarely proved profitable or exploitive.”[30] Hanson agreed with Ferguson that the principal problem with Americans was an unease at playing the role of an imperialistic power, argued that post-1945 histories of Germany and Japan proved the beneficial results of American occupation and predicted that Iraq under American occupation would become just as much a prosperous and democratic society as Germany and Japan are.[30] Hanson praised Ferguson for his defense of the British Empire as a benevolent force and his thesis that the United States should play the same role in the world as the British Empire, writing: “Does Ferguson propose a new American liberal empire? In fact, he does almost, but not before noting that the British Victorians themselves got a bad rap as exploitive colonialists. In fact, the record of the 18th and 19th centuries prove exactly the opposite: Former and once-prosperous colonies, following autonomy, quickly turned into self-induced miseries, while Britain itself thrived as never before once free of these costly obligations. Empire turns out not to be a means of making money, but instead an idealist pursuit to keep sea lanes open, bullies at bay and nations trading rather than fighting. The world has been lucky to have the Americans fill this vacuum, inasmuch as the British once did a pretty good job of it as well.”[30] Hanson, well before the immigration and financial crises of the EU, also praised Ferguson for his very negative picture of the European Union as being both “busy triangulating with our enemies” and “running huge trade deficits with us as we supply their own security needs.” He appears to agree with Ferguson that Europe is undemocratic, and statist, but that with a population in decline and even worse entitlement overspending than the U.S., a more broken melting pot, and socialist response to these issues ensuring Europe will be unable generate the unity or idealism required to supplant the U.S.[30]

Israeli–Arab conflict

In his article Israel did it, Hanson asked why Israel, during the 2006 Lebanon war, was being blamed for responding to attacks by Hezbollah.[31] Hanson was critical of the Middle East policies of the administration of Barack Obama and accused the Obama administration of distancing itself from Israel, despite its exceptional position as a tolerant Western nation in the Middle East, and of preferring the Palestinian Authority and Hamas despite their being anti-Western.[32]

Race relations

Hanson has often argued that in a 21st-century multiracial America there is little overt racism on the part of whites, and that generic complaints of racism too often are automatic from an often privileged African-American elite that uses such charges of racism to advance careerist concerns not often synonymous with those in the inner city.[33] In reference to the Gates affair in which the Harvard professor Henry Louis Gates was arrested in his home when a white policeman responded to a report of a possible break-in, Hanson argued that the policeman’s actions were understandable given that “… African-American males commit crimes at rates both higher than the general population’s, and at levels higher than other minority groups that likewise struggle with poverty and systemic unfairness.”[34]

In a 2012 column titled “The New Racial Derangement Syndrome”, Hanson argued again that class considerations now more often trump racial differences, and that racism in modern America is not confined to any one particular group, citing various statements by prominent African-Americans such as Morgan FreemanSamuel L. JacksonJamie FoxxChris Rock and Rob Parker that he saw as racially chauvinistic and often blatantly anti-white, and thus as signs of a new “racialist derangement” sweeping across black America that had set back considerable progress in making racial considerations prior to 2009 incidental rather than essential to an American citizen’s identity.[35] In a 2015 column titled “The Weariness of the Whiners”, Hanson illustrated the paradoxes of race and class, by citing the talk show hostess Oprah Winfrey‘s claim that she was a victim of racism when a clerk at the Trois Pommes boutique refused to show a $38,000 handbag to her.[33] In a 2016 column, “The New Segregationism”, Hanson lamented growing racial polarization, mostly on the part of elites who take refuge in racial chauvinism when their own careerist concerns are unmet. He used as an example of what he sees as the unlikelihood of the claim that there is anti-black racism in modern America in the complaint by the actor Will Smith that he was not nominated for an Oscar.[36]

Hanson has been critical of the group Black Lives Matter, which he maintains is a group based on “racial chauvinism” and “whining” which has told a “series of lies”—beginning with the “hands up don’t shoot” untruth in the Ferguson shooting of Michael Brown—about the supposedly statistically-proven epidemic of police killings of black men, the majority of which Hanson argued were found to be justified on the basis of current police practice and protocols.[37] Hanson claimed that responsibility for declining racial relations often rested with Barack Obama, whom Hanson suggested had deliberately inflamed racial tensions between whites and blacks, with a series of gratuitous and racially charged commentaries, dating from the 2008 campaign to editorializing about the Trayvon Martin killing case, as a way of securing the votes of black Americans for the Democrats.[38] Hanson faulted Obama for having “…systematically adopted a rhetoric and an agenda that is predicated on dividing up the country according to tribal grievances, in hopes of recalibrating various factions into a majority grievance culture. In large part, he has succeeded politically. But in doing so he has nearly torn the country apart. Indeed, it is no exaggeration to suggest that no other recent president has offered such a level of polarizing and divisive racial bombast.”[39]

Hanson has also been consistently critical of unchecked and unmonitored illegal immigration into the United States from Mexico and the Central American republics, which he sees as threatening to overwhelm the United States with millions of Spanish-speakers who make assimilation difficult and some of whom he charges have criminal records and do not establish a record of work history. In a 2014 column “1984 Redux: Orwellian Illegal Immigration” Hanson wrote that Hispanic groups that use the name La Raza are racialists who have “hijacked” America’s immigration policy to permit non-diverse, illegal, and unrestricted illegal immigration into the United States to further demographically-based political agendas, and who have made often false claims of suffering continual racial prejudice from a supposed prejudiced white majority, while arguing that Latinos as members of La Raza should keep themselves separate from the rest of Americans.[40] Hanson has condemned groups such as the National Council of La Raza as he argued that term La Raza has an unfortunate history as a “racialist term,” whose origins he claims go back to Francoist Spain of Francisco Franco and Benito Mussolini‘s fascist Italy, and those Mexican-American leaders who self-identify with the Francoist term La Raza are themselves guilty of operating as racial separatists.[41] In this regard, Hanson has voiced qualified support for Donald Trump‘s plans to deport illegal immigrants from the United States, after offering a chance for green card residence to those who were vetted and found to have no criminal record, no history of public support, and residence of some duration. Blanket deportation policy, Hanson argued, would be as “unworkable”, as is the present open-borders status quo.[42]

Hanson is also opposed to the unvetted, and often illegal mass influx of mostly young male refugees from the war-torn Middle East into Europe, alluding to the resulting tensions in EU society by using premodern/postmodern allusions to H.G. Well’s 1895 novel The Time Machine that the millions of Muslims fleeing to Europe are the “Morlocks” (i.e. a fierce underclass) who will devour the Europeans who are “Eloi” (i.e. largely defenseless and overly refined creatures).[43] Hanson wrote that: “Europe’s immigration policy is a disaster—and for reasons that transcend the idiocy of allowing the free influx of young male Muslims from a premodern, war-torn Middle East into a postmodern, pacifist, and post-Christian Europe.”[43] Hanson has called the German Chancellor Angela Merkel “unhinged” for welcoming about a million refugees fleeing from the Syrian Civil War into her nation without plans to assimilate or integrate such numbers, instead of sending them to their countries of origin. Hanson has denied that all Syrians fleeing into Europe are refugees from the civil war, writing that uncharacteristically most refugees are “…young, single men from the Middle East who pour into Europe not as political refugees but as opportunists eager for European social largesse”.[44] Hanson wrote “Merkel’s disastrous decision to open the borders of Germany—and with them Europe’s as well—is proving both selfish and suicidal.”[44] Wether Hanson was talking about the continued uninterrupted traveling within the Schengen Area or the lack of enforcement of the external European Union border was unclear.

Along the same lines, Hanson has argued that history proves that multi-cultural societies have too often proved disastrous failures, and that only way of preventing a society from collapsing into tribal bloodbaths is a “common culture, one that artificially suppresses the natural instinct of humans to identify first with their particular tribe”.[39] As an example of what he sees as a law of history, Hanson wrote: “The Italian Roman Republic lasted about 500 years. In contrast, the multiracial Roman Empire that after the Edict of Caracalla in AD 212 made all its diverse peoples equal citizens endured little more than two (often violent) centuries.”[45] Along the same lines Hanson wrote in the 2016 column “Diversity: History’s Pathway to Chaos” that: “Emphasizing diversity has been the pitfall, not the strength, of nations throughout history”.[46] Hanson charged that the current celebration of diversity was destroying America and ended with the statement if the celebration of diversity did not end: “Otherwise, we will end up as 50 separate and rival nations—just like other failed states in history whose diverse tribes and races destroyed themselves in a Hobbesian dog-eat-dog war with one another.”[46] In a 2013 column titled “Western Cultural Suicide”, Hanson wrote: “Multiculturalism—as opposed to the notion of a multiracial society united by a single culture—has become an abject contradiction in the modern Western world… Western hosts lost confidence in the very society that gives us the wealth and leisure to ignore or caricature its foundations. The result is that millions of immigrants flock to the West, enjoy its material security, and yet feel little need to bond with their adopted culture, given that their hosts themselves are ambiguous about what others desperately seek out.”[47]

Writing about the murder of a British soldier by two Nigerian Muslims on the streets of London in May 2013, Hanson wrote the murder reflected what he viewed as cultural decline, stating: “In Britain, as in the West in general, deportation is a fossilized concept. Unity is passé. Patriotism is long suspect. The hip metrosexual cultures of the urban West strain to find fault in their inheritance, and seem to appreciate those who do that in the most cool fashion—but always with the expectation that there will be some poor blokes who, in terms of clean water, medical care, free speech, and dependable electricity, ensure that London is not Lagos, that Stockholm is not Damascus, and that Los Angeles is not Nuevo Laredo.”[47] Through acknowledging that in the early years of the American republic that to be American was to be white, Hanson argued that the “ultimate logic” of the American constitution led to the United States becoming a society where “multiracialism under one common culture” was the norm, but unfortunately in the late 20th century “multiculturalism, in which each particular ethnic group retained its tribal chauvinism and saw itself as separate from the whole” become the new norm.[45]

In July 2013, the Attorney General Eric Holder gave a speech when he mentioned that as a black man the need to deliver “the Talk” to his children, namely he would have to inform his children that some, mostly white people who were going to hate them not because what they did, but simply because of their skin color. In response to Holder’s speech, Hanson wrote a column titled “Facing Facts about Race” where he offered up his own version (and others’) of “the Talk”, namely the need to inform his children to be careful of young black men when venturing into the inner city, who Hanson argued were statistically more likely to commit violent crimes than young men of other races, and that therefore it was understandable for the police to focus on groups with the highest statistical crime rates, which turn out to be young black males.[48]

Hanson wrote his father once had been robbed by young black men, and had given him “the Talk” warning his son to exercise caution in known crime-ridden areas and to note that African-American male youth have a far higher incidence of assault than other groups; and Hanson added that having been robbed himself by black men, he had given “the Talk” warning his children to avoid situations when in dangerous areas and to exercise caution there when encountering groups of young African-American men when alone, whom Hanson argue were statistically more likely to have had criminal records.[48] Hanson therefore criticized Holder and Obama for suggesting that racism may have been a factor in the trial of Hispanic George Zimmerman who had been charged and acquitted of murder with the shooting death of Trayvon Martin—and especially for intruding in an ongoing criminal case before a jury had even been selected.[48] Hanson argued that Zimmerman was later found by a jury of his peers to be justified in shooting Martin in self-defense, and he suggested that Obama was alluding to racism being a factor in the case, to distract attention from his then unpopular presidency.[48]

Referring to the concurrent case at the time of two Vietnamese-Americans killed by a black convicted felon, Hanson wrote: “The world will long remember Trayvon Martin, but few people—and certainly not Barack Obama or Eric Holder, who have a bad habit, in an increasingly multiracial country, of claiming solidarity on the basis of race—will care that Khin Min and Lina Lim were torn to pieces by bullets and a knife. Few will care that they died in a vicious assault that had nothing to do with stereotyping, Stand Your Ground self-defense, weak gun laws, insufficient federal civil-rights legislation, or any of the other causes of interracial violence falsely advanced by the attorney general—but quite a lot to do with an urban culture that for unspoken reasons has spawned an epidemic of disproportionate violent crime on the part of young African-American males.”[48]

Criticism for his views on race relations

In response to “Facing Facts About Race”, the American writer Ta-Nehisi Coates accused Hanson of racism and stupidity.[49] Referring to Hanson’s “Talk”, Coates wrote: “Let us be direct—in any other context we would automatically recognize this “talk” as stupid advice. If I were to tell you that I only employ Asian-Americans to do my taxes because “Asian-Americans do better on the Math SAT,” you would not simply question my sensitivity, but my mental faculties. That is because you would understand that in making an individual decision, employing an ancestral class of millions is not very intelligent. Moreover, were I to tell you I wanted my son to marry a Jewish woman because “Jews are really successful,” you would understand that statement for the stupidity which it is … There is no difference between my argument above and the notion that black boys should be avoided because they are overrepresented in the violent crime stats. But one of the effects of racism is its tendency to justify stupidity.”[49]

The Anglo-American journalist Andrew Sullivan called Hanson’s column “spectacularly stupid”, writing: “Treating random strangers as inherently dangerous because of their age, gender and skin color is a choice to champion fear over reason, a decision to embrace easy racism over any attempt to overcome it”.[50] The American journalist Arthur Stern called “Facing Facts About Race” an “inflammatory” column based upon crime statistics that Hanson never cited, writing: “His presentation of this controversial opinion as undeniable fact without exhaustive statistical proof is undeniably racist.”[51] The Anglo-American journalist Kelefa Sanneh in response to “Facing Facts About Race” wrote that Hanson was wrong to claim that white and Asian-Americans were all victims of black criminals, writing: “It’s strange, then, to read Hanson writing as if the fear of violent crime were mainly a “white or Asian” problem, about which African-Americans might be uninformed, or unconcerned—as if African-American parents weren’t already giving their children more detailed and nuanced versions of Hanson’s “sermon,” sharing his earnest and absurd hope that the right words might keep trouble at bay.”[52]

The Anglo-American journalist John Derbyshire, who was fired from the National Review for writing a similar column in 2012 titled “The Talk: Nonblack Version”, came to Hanson’s defense, praising him for “spot-on observations” about race relations in modern America, through he argued that his column was much superior.[53] In “The Talk: Nonblack Version”, Derbyshire, who had earlier been criticized by Hanson on his advocacy for racial stereotyping well beyond the context of traveling in high crime areas, went well beyond what Hanson had advocated, telling his children not to live in cities with black mayors, never to help a black person in distress, to avoid all public gatherings with large numbers of black people and only have a few black people as friends to avoid allegations of prejudice.[54]Contra Coates, Derbyshire argued in support of Hanson that the best way to avoid being a victim of crime was: “..stay well clear of crowds of unfamiliar blacks. Might application of those rules leave someone with hurt feelings? Probably. So in this pan we have some stranger’s hurt feelings. In the other pan, we have our kids’ safety. What’s the beam doing, Ta-Nehisi?”.[53] Hanson in response to Sanneh’s essay accused him of a “McCarthyite character assassination” and “infantile, if not racialist, logic”.[55]

Confrontation with Iran

Hanson has argued that the U.S. may be forced to take a much more confrontational stance towards Iranian violation of prior nuclear enrichment prohibitions, advocating, if necessary, unilateral responses to the country should it continue its aggressive acts of war. On the Hugh Hewitt show in August 2007, Hanson stated, “We really need to start doing some things beyond talking, and if that is going into Iranian airspace, or buzzing Iranians, or even starting to forget where the border is and taking out some of these training camps, we need to do that and send a message, because they’re a paper tiger. They really are.”[56] In a 2014 column Hanson faulted the Obama administration for engaging in “appeasement” of Iran and of fruitlessly attempting to negotiate an end to the Iranian program to acquire nuclear weapons, predicating if Iran continued enrichment unchecked that: “Accordingly, it is more than likely that in the next two years Iran will become a nuclear power.”[57] As of November 2018, Iran is still not a nuclear power.

China

Hanson has argued that China is an increasingly aggressive power that is set upon eventually dominating East Asia. In a 2014 column titled “Is China copying the Old Imperial Japan?”, Hanson answered his question in the affirmative.[58] Hanson maintained that economically successful Asian nations without the deterrent power of the United States are naturally inclined to expansionism.[58] Hanson claimed that Japan, as a result of late nineteenth-century Meiji era reforms, had become powerful at the same time the United States had temporarily retreated into isolationism which allowed Japan to embark upon an imperialistic foreign policy; that the same thing was happening today with China and the United States under the leadership of Barack Obama.[58] Along these lines, Hanson has cited China for attempting to create its version of “Greater East Asia co-prosperity sphere”, which would incorporate all of East Asia.[59]

Russia

Hanson repeatedly accused President Barack Obama of engaging in “appeasement” of Russia. Hanson argues that Vladimir Putin is the embodiment of “eternal Russia”, an aggressively expansionist and anti-Western nation whose people are innately anti-democratic. In a 2012 column titled “History Never Quite Ends”, Hanson wrote: “From the czars to the Soviet Communists to Vladimir Putin’s cronies, there is something about constitutional government and liberal rule that bothers Mother Russia. The more that progressive outsiders seek to lecture or reform Russians, the more likely they are to bristle and push back with left-wing or right-wing nationalist strongmen. At present, we do not know whether there will be a Czar Vladimir, Comrade Putin, or Putin Inc. in charge, but we fear it does not matter much”.[60] Hanson depicts modern Russia in unflattering terms as “…a disaster of a declining population, corruption, authoritarianism, a warped economy, and a high rate of alcoholism.”[61] Precisely because Russia is so weak, Hanson claims that Putin is driven to aggression against his neighbors with the overwhelmingly support of the Russian people out of a sense of hurt pride and a desire to make Russia great again.[61] In 2014, Hanson called Putin “evil”, writing: “Putin is almost Milton’s Satan—as if, in his seductive evil, he yearns for clarity, perhaps even a smackdown, if not just for himself, for us as well. He is not the better man than Obama but, again like Milton’s Satan, the more interesting, if only because he reminds of us of our own limitations.”[62] In a 2015 column, Hanson wrote about what he views as the aims of Russian foreign policy that:

Hanson stated that Obama’s much heralded “reset” of relations with Russia in 2009 had “empowered” Putin and, in this way, Obama was responsible for the outbreak of the war in Ukraine in 2014.[28][62][63][64] In 2009, Hanson wrote about the “reset”: “…former Soviet republics understand that Russia’s Putin has a de facto green light to “readjust” their present-day, “ad hoc” borders—with President Obama about as clear on any future dispute as candidate Obama was about Georgia.”[65] In 2014, Hanson predicted that Russia might very well invade Estonia in the near future, stating: “Future targeted states, perhaps like Estonia, should understand that they are slated to play the 1939 role of Poland after the earlier Anschluss and dismemberment of Czechoslovakia.”[66] In 2014, Hanson predicted that the Russian-dominated Eurasian Economic Union, which Hanson calls the “Russian Union” would continue to grow, writing: “Soon the Russian Union could dwarf the European Union, as the former consolidates and the latter threatens to fragment.”[67]

In 2015, Hanson wrote:

In another 2015 column, Hanson wrote about he sees as Putin’s mindset that:

Hanson is opposed to the Russian intervention in the Syrian civil war, which he argues is a part of a bid by Putin to construct an anti-American Russian-Syrian-Iranian-Iraqi alliance that will dominate the Middle East and intimidate the Gulf states.[70] Hanson has made the claim that the primary responsibility for the outbreak of the Second World War was not due to Adolf Hitler, but was rather due to the British Prime Minister Neville Chamberlain and the French Premier Édouard Daladier who failed to maintain credible threats of deterrence.[71] Hanson has argued Obama has likewise failed to maintain a credible threat of deterrence, and as such, the world is on the verge of another war comparable to the Second World War.[71] Hanson has predicted that Putin will sometime in the near-future invade one or more of the Baltic states if the United States does not provide more deterrence to Russia.[72]

In 2017, Hanson wrote about the Russia–United States relations:

Works

References …

https://en.wikipedia.org/wiki/Victor_Davis_Hanson

 

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John Birch Society — They’re Back — Eagles Rising — Videos

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Mind blowing speech by Robert Welch in 1958 predicting Insiders plans to destroy America

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History

Formed by Robert Welch in December 1958, The John Birch Society takes its name from the legendary World War II Army Captain John Birch. The organization’s overall goal, never altered in the 50-plus years of its existence, has always been to create sufficient understanding amongst the American people about both their country and its enemies, so that they could protect freedom and ensure continuation of the nation’s independence.

Always an education and action organization, the Society has never deviated from its opposition to communism and any other form of totalitarianism, certainly including the steady drift toward total government currently arising from within our own shores. But the positive promise of what can be built in an atmosphere of freedom has always been more of a motivation for members than any negative fear of what must be opposed.

While the Society has always focused on combating — or occasionally applauding — actions taken by government, the organization was also built on a moral foundation. Its motto proclaims the long-range goal of “Less government, more responsibility, and – with God’s help – a better world.” How much “less” government? Officials point to the U.S. Constitution and claim that adherence to its many limitations on power would result in the federal government being 20 percent its size and 20 percent its cost.

As for “more responsibility,” the Society insists that the Ten Commandments should guide all personal and organizational conduct. Agreeing with numerous pronouncements of our nation’s Founders, Society members believe that national freedom cannot long endure without moral restraint.

Soon after its creation, enemies discovered the Society’s potential to arouse and inform a generally sleeping population. At that point, there arose a totally unfair and withering smear campaign painting the organization and its members with an array of nasty and completely false charges, none of which ever had any validity.

With a membership made up of Americans of all races, colors, creeds, and national origins, the Society is currently enjoying a surge in activity, a large growth in acceptance, and increased hope for a future marked by less government and more responsibility. It is that combination that surely will, with God’s help, lead to the better world desired by all men and women of good will.

https://www.jbs.org/about-jbs/history

The John Birch Society Is Back

Bircher ideas, once on the fringe, are increasingly commonplace in today’s GOP and espoused by friends in high places. And the group is ready to make the most of it.

Robert Welch, founder and president of the John Birch Society, in a May 1961 photo.

Robert Welch, founder and president of the John Birch Society, in a May 1961 photo. | AP Photo

In an unseasonably warm Saturday in January, Jan Carter, a short, graying, 75-year-old retiree, appears pleased. The Central Texas Chapter of the John Birch Society, which Carter leads, is conducting a workshop titled “The Constitution Is the Solution” in the farming town of Holland—home to 1,200 residents, three churches, one stoplight and an annual corn festival. Carter was unsure if anyone would drive to such a remote area early on a weekend morning to get lectured about the Constitution, but, one by one, people are showing, renewing Carter’s “hope that the country can be saved.”

In the Holland Church of Christ, around the corner from a main street lined with abandoned buildings, Carter sits down to talk. She says that the John Birch Society—a group she was convinced could save the nation from a global conspiracy of leftists and communists more than half a century ago—has come roaring back to life in the nick of time. The more she thinks about the situation, the more she sees parallels to the 1950s and 1960s: evil domestic and international terrorists threatening to undo all that is good and holy in the United States.

These days, to the extent that most people know of the John Birch Society—that far-right group founded in the thick of the Cold War to fight communists and preach small government—it’s purely as a historical relic of a bygone era of sock hops and poodle skirts. But the John Birch Society lives. And though it is not the same robust organization it was in its 1960s heyday—when, by some counts, it had as many as 100,000 dues-paying members around the country and 60 full-time staff—after decades of declining membership and influence, the Birchers insist they are making a comeback. And they point to Texas as the epicenter of their restoration.

“There definitely is an increase in [our] activity, particularly in Texas, because Americans are seeking answers, but they can’t quite put their finger on what some of the real problems are,” says Bill Hahn, the John Birch Society’s vice president of communications, who spoke to Politico Magazine on the phone from the Society’s headquarters in Appleton, Wisconsin.

Carter, the head of the Central Texas Chapter, says that statewide, the group’s membership has doubled over the last three years (she declined to disclose exact numbers, as did Hahn, citing Society policy). “State legislators are joining the group,” she says, citing it as proof that their ideas are gaining salience as “more and more people are ready to fight the liberals who preach globalism and want to take away our freedom, our guns, religious values and our heritage.”

In that quest, they have common cause with powerful allies in Texas, including Senator Ted Cruz, Representative Louie Gohmert and a smattering of local officials. Recently at the state level, legislators have authored Bircher-esque bills that have made it further through the lawmaking process than many thought possible in Texas, even just a few years ago—though these are less the cause of the John Birch Society’s influence than an indication of the rise of its particular strain of politics. These include bills that would forbid any government entity from participating in “Agenda 21,” a UN sustainable development effort which JBS pamphlets describe as central to the “UN’s plan to establish control over all human activity”; prevent the theoretical sale of the Alamo to foreigners (since 1885 the state has owned the former mission, Texas’ most visited historic landmark, where the most famous battle of the Texas Revolution occurred); and repeal the Texas DREAM Act, which allows undocumented students who graduate from Texas high schools to pay in-state tuition at public colleges. And last month, Governor Greg Abbott signed the “American Laws for American Courts” Act into law, guarding against what the society has called “Sharia-creep” by prohibiting the use of Islamic Sharia law in Texas’ court system.

This is what the 21st-century John Birch Society looks like. Gone is the organization’s past obsession with ending the supposed communist plot to achieve mind-control through water fluoridation. What remains is a hodgepodge of isolationist, religious and right-wing goals that vary from concrete to abstract, from legitimate to conspiracy minded—goals that don’t look so different from the ideology coming out of the White House. It wants to pull the United States out of NAFTA (which it sees as the slippery slope that will lead us to a single-government North American Union), return America to what they call its Christian foundations, defundthe UN, abolish the departments of education and energy, and slash the federal government drastically. The John Birch Society once fulminated on the idea of Soviet infiltration of the U.S. government; now, it wants to stop the investigation into Russia’s 2016 election meddling and possible collusion with the campaign of President Donald Trump.

The Society’s ideas, once on the fringe, are increasingly commonplace in today’s Republican Party. And where Birchers once looked upon national Republican leaders as mortal enemies, the ones I met in Texas see an ally in the president. “All of us here voted for Trump,” says Carter. “And we’re optimistic about what he will do.”

***

The John Birch Society formed on a frigid Monday morning in December 1958, when 11 of the nation’s richest businessmen braved single-digit temperatures to attend a mysterious meeting in suburban Indianapolis.

They had arrived at the behest of candy magnate Robert Welch, who had made a fortune with his caramel-on-a-stick confection known as the “Sugar Daddy,” and now intended to spend that money defeating the wide-slung Communist conspiracy he was certain had infiltrated the federal government. Welch had invited these men to Indianapolis without giving a reason, and asked them to stay for two days.

After exchanging firm handshakes in the breakfast room of a sprawling, Tudor-style house in the tony Meridian Park neighborhood, Welch explained why he had brought this group together: The United States faced an existential threat from an “international Communist conspiracy” hatched by an “amoral gang of sophisticated criminals.” The power-hungry, God-hating, government worshipers had infiltrated newsrooms, public schools, legislative chambers and houses of worship. They were frighteningly close to total victory—Welch felt it in his gut. “These cunning megalomaniacs seek to make themselves the absolute rulers of a human race of enslaved robots, in which every civilized trait has been destroyed,” Welch wrote in The Blue Book of the John Birch Society, the organization’s founding history.

The chosen few gathered here would form the vanguard of a new political movement, an army of brave American patriots dedicated to preserving the country’s Christian and constitutional foundations. Welch christened the group the John Birch Society—named in memory of a U.S. soldier-turned-Baptist missionary killed by Chinese Communists in 1945—and laid out its goal: Destroying the “Communist conspiracy … or at least breaking its grip on our government and shattering its power within the United States.”

 

 

The Society was Welch’s attempt to root out the reds—an end goal he offered as justification for his opposition to the United Nations (“an instrument of Communist global conquest”), the civil rights movement (an attempt to establish an “independent Negro-Soviet Republic”), public water fluoridation, and Dwight Eisenhower (“a dedicated, conscious agent of the Communist conspiracy”), among myriad other targets of his suspicion.

Prominent Texans quickly became fans. Dallas oilman H.L Hunt, the richest man in the world and a major Republican donor, espoused Bircher views on his popular radio program starting in the 1950s. Dallas Reverend W.A. Criswell, a segregationist and head of the largest Southern Baptist congregation in the world, praised Bircher positions from his pulpit and railed against “the leftists, the liberals, the pinks, and the welfare statists who are soft on communism and easy towards Russia.” Maj. Gen. Edwin Walker, born in small-town Texas and commander of 10,000 troops stationed in post-war Europe, distributed Bircher material to the men under his command. Walker, who called Harry Truman and Eleanor Roosevelt “definitely pink,” resigned after being investigated by the Kennedy administration for engaging in partisan political activity on the job in 1961. East Texas Congressman Martin Dies, the founder of the House Committee on Un-American Activities, was a regular contributor to the Society’s publications in the mid-1960s. These sons of the Lone Star State saw a nation careening towards unfettered Communism. They refused to remain silent.

Popular as Welch’s brand of post-McCarthy McCarthyism was with a certain segment of the right-wing populace, many other conservatives found his beliefs a mixture of detestable and impolitic—including, most famously, William F. Buckley, the founder and editor of National Review.

In the 1950s, Buckley was friendly with Welch, writes Buckley biographer Alvin Felzenberg, even promising to give a “little publicity” to his upstart organization. But the acidity of Welch’s anti-communist paranoia—alleging, for instance, that the cabal of communist agents atop the U.S. government included President Eisenhower, Secretary of State John Foster Dulles and CIA Director Allen Dulles among its ranks—ate away at any relationship with Buckley, who saw such ramblings as a danger to conservatives.

By 1961, Buckley began to see the John Birch Society in general and Welch in particular as threats to the nascent presidential campaign of Senator Barry Goldwater, the rock-ribbed conservative whom Buckley wanted to receive the GOP’s presidential nomination in 1964. If conservatives counted the Birchers as allies, Buckley wrote in an April 1961 National Review column, the left could “anathematize the entire American right wing.”

In the popular memory, it was the first in a series of increasingly antagonistic columns in which Buckley “expelled” the Birchers from the conservative movement. But in reality, the John Birch Society never went away. It was weakened, yes, and its ranks have atrophied drastically. As an organization, the Society lacks its former influence and numbers. It is a pale imitation of its former self. But the increased popularity of the brand of paranoid, conspiracy-minded conservatism it pioneered suggests its finger is still firmly on the pulse of a certain type of anti-government ideology—one that is closer to the levers of power than ever before, especially in Texas, home of Alex Jones, Ron Paul and Ted Cruz.

***

In the annex of the Holland Church of Christ, Carter invites me to look at the assorted John Birch Society literature spread across a white plastic table. Pamphlets forecast the threat posed by Agenda 21, the “UN’s plan to establish control over all human activity.” The New Americanmagazine, the Society’s house organ, warns about the federal government gathering personal data from the pervasive technology all around us—toys, smartphones, appliances, even pacemakers. Nearby, there’s a stack of DVDs with titles like “Exposing Terrorism: Inside the Terror Triangle,” which promises to reveal the real culprits behind global terrorism.

Six people have shown up for part one of the “Constitution Is the Solution” workshop, which consists of six 45-minute lectures on DVD, divided over two Saturday mornings. The session’s official facilitator is Dr. Joyce Jones, a thin, neatly coiffed, middle-aged woman who is, by day, a professor of psychology at Central Texas College in Killeen. Jones hands us worksheets with fill-in-the-blank and multiple-choice questions to answer while we watch. “In other words, we won’t be just zoning out in front of the TV,” she says.

In the first video, “The Dangers of Democracy,” lecturer Robert Brown, a clean-cut white man in a dark suit, defines democracy as “mob rule,” and emphasizes that the United States is a republic, not a democracy. “It wasn’t what government did that made America great,” Brown says in the recording. “It was what government was prevented from doing that made the difference.”

After the first video lecture ends, Dr. Jones offers a quote from Mao Zedong: “Democracies inevitably lead to collectivism, which leads to socialism, which leads to communism, which leads to totalitarianism.”

Welch, who called democracy a “weapon of demagoguery,” ran the JBS as an autocracy, based on his own opinions about what was best, governing it without the democratic nods found in many other members-based groups, lest it suffer from, as he put it, “infiltration, distortion, or disruption.” Considering how much the JBS has declined since its glory days when Welch governed it by fiat, it’s hard not to read the Birchers’ opinions of democracy as words spoken from experience.

The second video lecture stresses that the federal government has overstepped its constitutional authority and encroached on states’ rights. Most of the attendees, all of whom who are white, nod their heads at the mention of state’s rights. Two hours into the workshop we start the third video, which advocates that the Federal Reserve be abolished and the United States return to the gold standard.

One week later, I returned to Holland for part two. While the lectures from the first weekend explained a political theory that could be boiled down to a few things—government programs and socialism are bad; the free market and Christianity are good—the titles of the second set of lectures suggested a more provocative call to action: “Exposing the Enemies of Freedom” and “Constitutional War Powers and the Enemy Within.”

I picked up the worksheet for this week’s video lessons. A multiple-choice question asks you to identify “the Illuminati.” Is it: (A) a myth, (B) an alien race of shape-shifters, or (C) a group founded in the late 1700s, seeking world government? Correct answer: C.

The accompanying lecture warns about a massive, well-organized conspiracy of elites that is determined to destroy religion, glorify immorality, take children from their parents and give them to the state and ultimately form a one-world government. These global elites, we are told, coalesced in Bavaria in 1776 and call themselves the Illuminati. Though the “Illuminati” conspiracy theory has been, of late, widely known and ridiculed, it’s a longtime Bircher hobbyhorse; the Illuminati, Welch wrote in a 1966 essay, has “grandiose dreams of overthrowing all existing human institutions, and of rising out of the resulting chaos as the all-powerful rulers of a ‘new order’ of civilization.”

After learning about the Illuminati, we are lectured about a much newer, but no less pernicious conspiracy: the Council on Foreign Relations. Founded in 1921, the nonpartisan think tank and publisher’s mission is to advocate globalization and free trade. Board members have included banker David Rockefeller, journalist Tom Brokaw and former Secretaries of State Madeleine Albright and Colin Powell. For $19.95, you can order a documentary film from the John Birch Society website called “ShadowRing,” which promises to “set the record straight” on the “criminal deeds” of the Council on Foreign Relations. To the Birchers, CFR shares the same goals as the Illuminati: “to destroy the freedom and independence of the United States and lead our nation into a world government,” in the words of John McManus, the John Birch Society’s president emeritus.

And the last, best hope of fighting these nefarious elitist outfits happens to be a group founded by a millionaire at an invitation-only meeting of wealthy industrialists.

***

The John Birch Society isn’t just gaining purchase in the Lone Star state’s tiny backwaters. Texas’s largest cities, Houston and Dallas, are home to active JBS chapters. At 10 minutes past noon on a Thursday in February, about 40 members of the Houston chapter gather at Christine’s Steaks and Seafood in the Bayou City. They have come to the restaurant, which sits next to an eight-lane road lined with shopping centers, to hear a speech from the most famous of the country’s founding fathers.

But George Washington is running late.

Mark Collins, who has a robust career as both a pastor at a Baptist church and an impersonator of America’s first president, had to drive in from Yorktown, Texas, about an hour away. He has portrayed Washington on the floor of the Texas House of Representatives, at former Texas Governor Rick Perry’s Prayer Breakfast, and in the Nicholas Cage movie “National Treasure 2: The Book of Secrets.” When he finally enters the dining room, the 6’4” Collins looks every bit the part, bedecked in yellow breeches, a blue military coat with gold epaulettes and brass buttons the size of half dollars, and a gray revolutionary pigtail. “So happy to be here with you patriots,” he bellows. “The JBS is the tip of the spear.”

Today, Collins is preaching his Americanist gospel to fervent believers in frenetic Houston. The sprawling metropolis, home to the nation’s biggest oil companies, the world’s largest rodeo and former President George H.W. Bush, has exploded from a sleepy mid-sized town to become the nation’s fourth largest city. It’s also among the most ethnically diverse cities in America, though Collins’ audience in the restaurant is entirely white. The pastor stands in front of a banner featuring a bald eagle, a slogan (“Less government, more responsibility, and—with God’s help—a better world.”) and the John Birch Society’s toll-free telephone number, 1-800-JBS-USA1.

“We must teach our children their heritage,” Collins tells the crowd. “We’ve slowly forgotten our principles.” But there is a powerful reason to rejoice, Collins adds, a reason for renewed optimism: God has sent America a new, powerful leader. He’s a good man, a moral man. God has delivered Donald J. Trump to save the United States of America.

The great struggles American patriots face today are not new, Collins shouts. The enthusiastic crowd—people are smiling and clapping—seems to invigorate Collins. He is pacing back and forth, brimming with energy. “And don’t forget this is not the first time the United States has gone to war with Muslims terrorists. In 1801, we waged war against Muslim terrorists in Tripoli.”

Collins is referencing the First Barbary War, which pitted the United States against Algiers, Morocco, Tunis and Tripoli. In 1801, Tripoli seized American merchant vessels and demanded ransom for their return. President Thomas Jefferson refused to pay, and instead sent the Navy. Academic consensus holds that religion had little to do with the war, but Collins’ remark about fighting Muslim terrorists resonates with the crowd, and many in the audience nod their heads as Collins continues.

“And let us not forget in 1774 the government, the British government, tried to ban the original assault rifle … the Brown Bess. That attempt to seize weapons brought about a revolution.” More than a dozen audience members applaud. “Just horrible,” says an elderly woman sitting next to me in a wheelchair.

Collins’ voice grows louder. “Many today don’t realize that we are facing the same gun-control tactics by our own federal government that our forefathers faced from the British,” he says. “Just horrible,” the elderly woman says again.

For 15 minutes, Collins orates on George Washington’s close relationship with Christ. Washington spent the first and last hour of every day in prayer, Collins says. Then, the presidential impersonator lays down a challenge: “Make no mistake, there is a war for the soul of this nation. But with work and sacrifice the United States can be restored as a nation. All it takes is an on-fire minority setting fire in the minds of men.”

***

Chip Berlet, former senior analyst at Political Research Associates in Somerville, Massachusetts, a left-leaning think tank, and co-author of “Right-Wing Populism in America: Too Close for Comfort,” has studied the John Birch Society for three decades.

Berlet tells me the resurgence of the John Birch Society taps into populism which surfaces periodically, especially during times of cultural and demographic upheaval. The nation’s demographic landscape has undergone dramatic shifts since the Birchers’ heyday. From 1955 to 2014, the percentage of U.S. citizens who identified as Protestant sunk from 70 percent to 46 percent, according to polls by Gallup. The percentage of citizens who identified as non-Hispanic white decreased from 89 percent to 63 percent, according to the Pew Research Center. Such changes, mixed with man’s evolutionary tendency toward tribalism, means that many white Christian Americans are full of anxiety.

“The John Birch Society views white Anglo-Saxon Protestant ethnocentrism as the true expression of America,” Berlet says. “They use constitutionalist arguments and conspiracist scapegoating to mask this.”

Placing blame on conspiracies is seductive to social conservatives because of the way their brains are hardwired, says Colin Holbrook, an evolutionary psychologist and research scientist at the University of California, Los Angeles. “It’s not a pathology, nor because they’re less intelligent,” Holbrook tells me.

Holbrook co-authored a 2017 study for the journal Psychological Science, in which subjects were presented with a series of false statements such as, “Terrorist attacks in the U.S. have increased since Sept. 11, 2001,” and “Hotel room keycards are often encoded with personal information that can be read by thieves.”

In Holbrook’s study, social conservatives were more credulous about claims of danger in the world, and the phenomenon has roots in evolutionary psychology—being hyper-aware of threats could potentially save your life. But that evolutionary advantage also makes social conservatives more susceptible to claims about things that could potentially hurt them, according to Holbrook. “That’s what you’re probably seeing with the John Birchers in Texas and the conspiracies they fear,” he says.

After speaking with Holbrook, I thought back to a conversation I had with Jan Carter after the “Constitution is the Solution” workshop in Holland. I told her that it was hard for me to believe that our elected officials are part of a secret conspiracy to form a one-world government, or that they are members of the Illuminati. What about staunchly conservative Texas Republicans, like Gov. Abbott or President George W. Bush?

Carter immediately corrected me. “George W. Bush didn’t have noble intentions. He wanted a one-world government.”

I suggested to Carter that Abbott, at least, seems to genuinely distrust the federal government. He’s a man who, after all, when serving as Texas’ attorney general, sued the Obama administration at least two dozen times. And in April 2015, when some Texans feared that a U.S. military training exercise called “Jade Helm 15” was a covert attempt by the federal government to invade the state, seize Texans’ guns, and imprison conservative citizens in abandoned Wal-Marts, Abbott deployed the Texas State Guard to monitor the U.S. military. It’s tough to imagine a more Bircher-friendly move.

Carter shrugged her shoulders.

“Sometimes politicians do things just for show,” she said.

https://www.google.com/search?rlz=1C1CHBF_enUS774US774&ei=nhCCWvuwBYr4jwTx75HwDQ&q=john+savage+writer&oq=john+savage+writer&gs_l=psy-ab.3…2095.2095.0.2365.1.1.0.0.0.0.83.83.1.1.0….0…1c.1.64.psy-ab..0.0.0….0.BqvP-KfR3Jk

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Getting To Know You — Intimacy — Love — Both Sides Now — Send In The Clowns — Turn Turn Turn — Amazing Grace — Videos

Posted on November 18, 2017. Filed under: Art, Blogroll, Books, Business, Communications, Culture, Dance, Diet, Entertainment, Faith, Family, Films, Food, Health, Law, liberty, Life, Links, Love, media, Money, Movies, Movies, Music, Music, Narcissism, Newspapers, People, Philosophy, Photos, Politics, Psychology, Radio, Radio, Television, Television, Wealth, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , |

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Why we love repetition in music – Elizabeth Hellmuth Margulis

The Beatles All You Need Is Love (Official Promo)

Sternberg’s Triangular Theory of Love

The Secret to Intimacy | The Science of Love

Looks aren’t everything. Believe me, I’m a model. | Cameron Russell

Cameron Russell’s Mission to Make Beauty About Brains

The secret to desire in a long-term relationship | Esther Perel

How to love and be loved | Billy Ward | TEDxFoggyBottom

Tony Robbins Identifies 4 Types of Love | Oprah’s Life Class | Oprah Winfrey Network

How being heartbroken was the best thing to ever happen to me: Emma Gibbs at TEDxSouthBankWomen

Creating extraordinary intimacy in a shutdown world | Michael J. Russer | TEDxUniversityofNevada

TEDxJaffa — Niveen Rizkalla — Getting Intimate with Intimacy

Mork & Mindy (1978-1982)

Published on Nov 15, 2015

Mork & Mindy was the first tv show to display an incredible talent of Robin Williams. The audience instantly fell in love with the “cute and cuddly” alien Mork and his human friend Mindy. I think of this show with great fondness because it’s extremely funny, lovely and kind. It’s the kind of TV product we really need these days. It was a huge hit back in the day and i think the people in 2015 could really use a little happiness it gives. Anyway, here’s a little video, i hope you gonna like it! Song: Walk The Moon – Shut Up and Dance

The Love Story of Mork & Mindy

Mork & Mindy – Never Thought That I Could Love

Mork & Mindy – Getting To Know You

Mork and Mindy – Dance With Me

Bing Crosby – Getting To Know You

JAMES TAYLOR – GETTING TO KNOW YOU

Getting to Know You from The King and I

Yul Brynner and Deborah Kerr perform “Shall We Dance” from The King and I

Julie Andrews – Getting to Know You

Getting to Know You
It’s a very ancient saying
But a true and honest thought
That if you become a teacher
By your pupils you’ll be taught
As a teacher I’ve been learning
You’ll forgive me if I boast
And I’ve now become an expert
On the subject I like most
Getting to know you
Getting to know you
Getting to know all about you
Getting to like you
Getting to hope you like me
Getting to know you
Putting it my way
But nicely
You are precisely
My cup of tea
Getting to know you
Getting to know all about you
Getting to like you
Getting to hope you like me
Getting to know you
Putting it my way
But nicely
You are precisely
My cup of tea
Getting to know you
Getting to feel free and easy
When I am with you
Getting to know what to say
Haven’t you noticed
Suddenly I’m bright and breezy?
Because of all the beautiful and new
Things I’m learning about you
Day by day
Getting to know you
Getting to feel free and easy
When I am with you
Getting to know what to say
Haven’t you noticed
Suddenly I’m bright and breezy?
Because of all the beautiful and new
Things I’m learning about you
Day by day
Songwriters: Oscar Ii Hammerstein / Richard Rodgers
Getting to Know You lyrics © Imagem Music Inc

Both Sides Now

Both Sides Now

Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, I’ve looked at clouds that way
But now they only block the sun they rain and snow on everyone
So many things I would have done, but clouds got in my way
I’ve looked at clouds from both sides now
From up and down and still somehow
It’s cloud’s illusions I recall
I really don’t know clouds at all
Moons and Junes and Ferris wheels the dizzy dancing way you feel
As every fairy tale comes real, I’ve looked at love that way
But now it’s just another show, you leave ’em laughin’ when you go
And if you care don’t let them know, don’t give yourself away
I’ve looked at love from both sides now
From give and take and still somehow
It’s love’s illusions I recall
I really don’t know love at all
Tears and fears and feeling proud, to say, “I love you” right out loud
Dreams and schemes and circus crowds, I’ve looked at life that way
But now old friends are acting strange they shake their heads, they say
I’ve changed
But something’s lost but something’s gained in living every day
I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all
Songwriters: Joni Mitchell
Both Sides Now lyrics © Sony/ATV Music Publishing LLC, Crazy Crow Music / Siquomb Music Publishing

Judy Collins – “Both Sides Now” 1987

Joni Mitchell – Both Sides Now (Live, 1970)

Judy Collins Send in the Clowns

Send in the Clowns
Isn’t it rich?
Are we a pair?
Me here at last on the ground,
You in mid-air,
Where are the clowns?
Isn’t it bliss?
Don’t you approve?
One who keeps tearing around,
One who can’t move,
Where are the clowns?
There ought to be clowns?
Just when I’d stopped opening doors,
Finally knowing the one that I wanted was yours
Making my entrance again with my usual flair
Sure of my lines
No one is there
Don’t you love farce?
My fault, I fear
I thought that you’d want what I want
Sorry, my dear!
But where are the clowns
Send in the clowns
Don’t bother, they’re here
Isn’t it rich?
Isn’t it queer?
Losing my timing this late in my career
But where are the clowns?
There ought to be clowns
Well, maybe next year

JUDY COLLINS – Turn Turn Turn (1966 )

Judy Collins Lyrics

“Turn, Turn, Turn (To Everything There Is A Season)”

Words-adapted from the bible, book of ecclesiastes
Music-pete seegerTo everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heavenA time to be born, a time to die
A time to plant, a time to reap
A time to kill, a time to heal
A time to laugh, a time to weepTo everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time to build up, a time to break down
A time to dance, a time to mourn
A time to cast away stones, a time to gather stones together

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time of love, a time of hate
A time of war, a time of peace
A time you may embrace, a time to refrain from embracing

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose, under heaven

A time to gain, a time to lose
A time to rend, a time to sew
A time to love, a time to hate
A time for peace, I swear its not too late

Celtic Woman – Amazing Grace

The Most Beautiful “Amazing Grace” I’ve ever heard

AMAZING GRACE

Amazing grace, How sweet the sound
That saved a wretch like me.
I once was lost, but now I am found,
Was blind, but now I see.’Twas grace that taught my heart to fear,
And grace my fears relieved.
How precious did that grace appear
The hour I first believed.Through many dangers, toils and snares
I have already come,
‘Tis grace has brought me safe thus far
And grace will lead me home.The Lord has promised good to me
His word my hope secures;
He will my shield and portion be,
As long as life endures.Yea, when this flesh and heart shall fail,
And mortal life shall cease
I shall possess within the veil,
A life of joy and peace.When we’ve been there ten thousand years
Bright shining as the sun,
We’ve no less days to sing God’s praise
Than when we’ve first begun.

The Four Faces of Intimacy

By Beverley Golden

December 16, 2011Health, Healthy Living, Living

Intimacy among animals

 

 

 

 

 

 

 

 

It started with what seemed like a simple question I asked myself. That question, not surprisingly for anyone who knows me, led to a series of additional questions. Somehow, I wasn’t getting clear answers for myself, so I started asking people I came in contact with the same questions. The results were fascinating to me and I wanted to explore the topic more fully. The basic question: “What does intimacy mean to you?

The range of responses was wide and varied. I included both men and women, different ages, some were in relationships and others were not. Most people had to stop for a moment to really think about and put into words what intimacy meant to them. As I looked more deeply at the topic, I found that there are in fact four key types of intimacy.

What Does Intimacy Mean to You?

The people I asked generally started with the most common of the four types of intimacy: Sexual. This wasn’t too much of a surprise because sexual intimacy is probably the most stereotypical and most familiar definition of the word in modern society. Having sex, however, often has less to do with intimacy than with a physical act between people. As it ended up, the people I talked to wanted more than just the act of sex — they wanted some depth. They wanted to feel safe while being vulnerable, wanting to be seen by his/her partner. That made sense, as this form of intimacy also includes a wide range of sensuous activity and sensual expression, so it’s much more than having intercourse.

It’s interesting that the word intercourse is also defined as an “exchange especially of thoughts or feelings.” It’s curious why intimacy is challenging to people in their relationships. I continued to look further.

Connecting Emotionally

The next of the four faces of intimacy is emotional intimacy.This happens when two people feel comfortable sharing their feelings with each other. The goal is to try to be aware and understand the other person’s emotional side. My guess is that women have an easier time with this in very close female friendships, but I’d like to believe that men too are becoming more comfortable experiencing emotional intimacy. This form of intimacy I’ve become comfortable with and see as a healthy part of the give-and-take in all relationships, whether female or male.

Margaret Paul, Ph.D, refers to the fears people have in relation to emotional intimacy. She says, “Many people have two major fears that may cause them to avoid intimacy: the fear of rejection (of losing the other person), and the fear of engulfment (of being invaded, controlled, and losing oneself).” This made some sense to me.

Love and Intimacy

However, if we believe that there are only two major energies we humans experience, love and fear (or an absence of love), then I find it interesting that in this area of intimacy, it seems people have moved from their hearts and love to an energy that stops them from experiencing their true essence and what they often yearn for the most. Love and intimacy.

In her book A Return to Love, the brilliant Marianne Williamson says it most eloquently:

“Love is what we were born with. Fear is what we have learned here. The spiritual journey is the relinquishment or unlearning of fear and the acceptance of love back into our hearts. Love is our ultimate reality and our purpose on earth. To be consciously aware of it, to experience love in ourselves and others, is the meaning of life.”

Even the Bible says, “There is no fear where love exists.” Of course I believe that love and intimacy are highly spiritual. In her book Love for No Reason, Marci Shimoff states, “Love for no reason is your natural state.” She also tells a wonderful story about a spiritual teacher who once said to her, “I love you and it’s no concern of yours.” To love, from your heart, just to love. As I talked about in my piece on what makes a good relationship, my ideal is definitely a loving spiritual partnership.

True Intimacy

I kept wondering if true intimacy could be as simple as a matter of moving back to loving ourselves first? To rediscovering the unconditional love we all were born with? The idea of self-intimacy and self-love is a fascinating concept. I’ll leave these as open-ended questions for you to ask yourselves for now. I was curious to look more closely at the other two types of intimacy.Intellectual Intimacy_conversation between men

 

The next, intellectual intimacy, is something I personally have the most comfort with. This one is about communication, and as someone who lives and breathes words, it’s extremely familiar to me. The ability to share ideas in an open and comfortable way can lead to a very intimate relationship indeed, as I’m fortunate to discover quite frequently. As someone who engages in this type of interaction all the time, it offers me a wonderful and fulfilling form of intimacy. I wondered if this was my strongest area of intimacy.

Experiential Intimacy

The fourth kind of intimacy is experiential intimacy, an intimacy of activity. I realized I experience this every time I get together with a group to create art in a silent process. It’s about letting the art unfold, by working together in co-operation. The essence of this intimate activity is that very little is said to each other, it’s not a verbal sharing of thoughts or feelings, but it’s more about involving yourself in the activity and feeling an intimacy from this involvement.

During a recent encounter I had at a contact improv jam, I realized was actually this form of intimacy. I interacted with a young man, letting our body energy lead the dance, with no eye contact and no words, just movement in a sensual and open, if not dramatic, dance. So, I understood that this experiential intimacy is also, somewhat surprisingly, in my intimacy vocabulary.Intimacy_experiential

 Joining and Separating

Rick Hanson, Ph.D says that having intimacy in our lives requires a natural balance of two great themes — joining and separation — that are in fact central to human life. Almost everyone wants both of them, to varying degrees. He goes on to say, “In other words: individuality and relationship, autonomy and intimacy, separation and joining support each other. They are often seen at odds with each other, but this is so not the case!” This also made perfect sense to me. Yin and yang. Light and dark. All the polarities we live in life, lead to a balance.

My understanding and curiosity were greatly expanded after exploring the four faces of intimacy. Maybe this awareness might make it easier to find your own perfect personal balance between them all. For me, it comes down to our willingness to explore intimacy in all its forms. It’s not necessary that every intimate relationship includes all the different types of intimacy. Ultimately it is each individual’s choice.

What I learned, makes me believe that with some balance in these areas, we might find a deeper connection and understanding of the relationships in our life. I also fully recognize that we all have different definitions of intimacy. Are men and women’s definitions dramatically different? It is a fascinating conversation to continue to explore.

Soul Intimacy

Then, as often happens with perfect synchronicity, I received my daily Gaping Void email by Hugh MacLeod with the subject: Has your soul been seen lately? It went on to say, “I saw your soul today and it made me want to cry with joy and thanks.” The topic was intimacy. What followed was a beautiful way to end my piece.

“Intimacy isn’t strictly about romantic relationships, or even relations with family — sometimes it happens quickly, and often times in ways we hardly notice.

I’m talking about that moment when someone allows the world to see what’s inside… what they are really about. It’s about seeing someone for who and what they are and that the glimpse was offered either voluntarily or without the person’s knowledge. This is an incredible moment where our existence suddenly makes sense and all comes together in a singular place.

For those of you who have experienced this, it’s something that never gets lost in memory or time. It’s like a little mirror we take out every now and then to remember a time when something so complex became so inconceivably simple. It’s pretty incredible.”

This is the essence of what intimacy is really all about. Dare to be vulnerable, dare to be seen.

Intimacy is Key to Being Healthy and Vital

Dr. Christiane Northrup in her newest book “Goddesses Never Age”, tells us that intimacy is an important part of life regardless of age. As she shares, “Age is just a number, and agelessness means not buying into the idea that a number determines everything from your state of health to your attractiveness to your value.” As a member of Team Northrup, a team whose mission is to support people to live their most vital and healthy lives, I invite you to a complimentary health and vitality consultation.

Before we talk to customize a plan for you, find out how healthy you are with the True Health Assessment. The three-part report, identifies your top health risk factors, maps out a recommended lifestyle plan that identifies ways you can improve your health and provides you with individualized nutrition recommendations based on your specific assessment answers.

Now let me ask you my starting question: What does intimacy mean to you?

https://www.beverleygolden.com/the-four-faces-of-intimacy/

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The Pronk Pops Show — Week in Review — November 6 -13, 2017 — Videos

Posted on November 15, 2017. Filed under: American History, Articles, Banking, Blogroll, Books, Business, College, Communications, Congress, conservatives, Constitution, Corruption, Crime, Crisis, Culture, Economics, Education, Employment, Faith, Family, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, government, government spending, Heroes, history, Law, liberty, Life, Links, Macroeconomics, Missiles, Monetary Policy, Money, Music, Non-Fiction, Nuclear, People, Philosophy, Photos, Police, Political Correctness, Politics, Psychology, Radio, Rants, Raves, Raymond Thomas Pronk, Regulations, Security, Strategy, Talk Radio, Tax Policy, Taxation, Trade Policiy, Unemployment, Video, War, Weapons, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

 

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 1000, November 13, 2017

Pronk Pops Show 999, November 10, 2017

Pronk Pops Show 998, November 9, 2017

Pronk Pops Show 997, November 8, 2017

Pronk Pops Show 996, November 6, 2017

Pronk Pops Show 995, November 3, 2017

Pronk Pops Show 994, November 2, 2017

Pronk Pops Show 993, November 1, 2017

Pronk Pops Show 992, October 31, 2017

Pronk Pops Show 991, October 30, 2017

Pronk Pops Show 990, October 26, 2017

Pronk Pops Show 989, October 25, 2017

Pronk Pops Show 988, October 20, 2017

Pronk Pops Show 987, October 19, 2017

Pronk Pops Show 986, October 18, 2017

Pronk Pops Show 985, October 17, 2017

Pronk Pops Show 984, October 16, 2017 

Pronk Pops Show 983, October 13, 2017

Pronk Pops Show 982, October 12, 2017

Pronk Pops Show 981, October 11, 2017

Pronk Pops Show 980, October 10, 2017

Pronk Pops Show 979, October 9, 2017

Pronk Pops Show 978, October 5, 2017

Pronk Pops Show 977, October 4, 2017

Pronk Pops Show 976, October 2, 2017

Pronk Pops Show 975, September 29, 2017

Pronk Pops Show 974, September 28, 2017

Pronk Pops Show 973, September 27, 2017

Pronk Pops Show 972, September 26, 2017

Pronk Pops Show 971, September 25, 2017

Pronk Pops Show 970, September 22, 2017

Pronk Pops Show 969, September 21, 2017

Pronk Pops Show 968, September 20, 2017

Pronk Pops Show 967, September 19, 2017

Pronk Pops Show 966, September 18, 2017

Pronk Pops Show 965, September 15, 2017

Pronk Pops Show 964, September 14, 2017

Pronk Pops Show 963, September 13, 2017

Pronk Pops Show 962, September 12, 2017

Pronk Pops Show 961, September 11, 2017

Pronk Pops Show 960, September 8, 2017

Pronk Pops Show 959, September 7, 2017

Pronk Pops Show 958, September 6, 2017

Pronk Pops Show 957, September 5, 2017

Pronk Pops Show 956, August 31, 2017

Pronk Pops Show 955, August 30, 2017

Pronk Pops Show 954, August 29, 2017

Pronk Pops Show 953, August 28, 2017

Pronk Pops Show 952, August 25, 2017

Pronk Pops Show 951, August 24, 2017

Pronk Pops Show 950, August 23, 2017

Pronk Pops Show 949, August 22, 2017

Pronk Pops Show 948, August 21, 2017

Pronk Pops Show 947, August 16, 2017

Pronk Pops Show 946, August 15, 2017

Pronk Pops Show 945, August 14, 2017

Pronk Pops Show 944, August 10, 2017

Pronk Pops Show 943, August 9, 2017

Pronk Pops Show 942, August 8, 2017

Pronk Pops Show 941, August 7, 2017

Pronk Pops Show 940, August 3, 2017

Image result for trump speech in vietnam APEC 2017U.S. President Donald Trump delivers a speech at the National Assembly in Seoul, South Korea, Nov. 8, 2017.

Image result for cartoons two party tyranny

Image result for branco cartoons new political party
Image result for branco cartoons roy moore and mitchel mcconnell

The Pronk Pops Show 1000

November 13, 2017

Story 1: The People of Alabama Will Decide Who Will Represent Them As Their Senator — Not Kentucky Senator Mitch McConnell — Videos —

Story 2: Follow The Money — The Bought and Paid For Political Elitist Establishment of The Two Party Tyranny — Video —

Story 3: Independents United — Independence Party Time — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/14/the-pronk-pops-show-1000-november-13-20017-story-1-the-people-of-alabama-will-decide-who-will-represent-them-in-the-senator-not-kentucky-senator-mitch-mcconnell-videos-story-2-follow-the/

November 14, 2017 07:24 PM PST

The Pronk Pops Show 999

November 10, 2017

Story 1: President Trump Delivers America First Address With Bilateral Trade Agreements With Nations That Want Free But Fair Trade At The Asia-Pacific Economic Cooperation (APEC) Summit in Da Nang, Vietnam — Videos —

Story 2: From Crying To Screaming — Big Lie Media Joins Lying Lunatic Left Losers —   Sky Screaming — Trump Still President — Videos —

Story 3: Let Voters of Alabama Decide Who They Want For Their Senator — Alabama Republican Senate Candidate, Roy Moore, Denies Accusations Made in Washington Post Attack Article  vs. Democratic Senate Candidate, Doug Jones, Supporter for Pro Abortion Planned Parenthood and Women Should Have The Right To Choose Killing Their Babies in The Womb — Denies Civil Rights Protection of Life To Babies Before Birth — Videos

Story 4: Remembering The Veterans in Music — Lili Marleen — We’ll Meet Again — Sky Pilot — We Gotta Get Out Of This Place — Paint it Black  – – War — Where Have All the Flowers Gone? — Blowing In The Wind –Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/10/the-pronk-pops-show-999-november-10-2017-story-1-president-trump-delivers-america-first-address-at-asia-pacific-economic-cooperation-apec-summit-in-da-nang-vietnam-videos-story-2-from-c/

November 11, 2017 02:07 PM PST

The Pronk Pops Show 998

November 9, 2017

Story 1: President Trump’s Address to South Korea’s National Assembly — Great Speech — Americans and Koreans Loved It — Every Breath You Take — Videos —

Story 2: President Trump Tells It Like It Is — Does Not Blame China For Hugh Trade Deficits But Past Administrations — Videos —

Story 3: Republican Party Senate Bill Wants To Delay Tax Cuts To 2019 Instead of Cutting Spending Now — Need New Political Party Advocating Balanced Budgets, Broad Based Consumption Tax,and Term Limits — Voters Will Stay Home Election Day, November 6, 2018 If Congress Does Not Completely Repeal Obamacare and Enact Fundamental Reform of Tax System — Videos —

Story 4: Alabama Republican Candidate for Senator, Roy Moore, Accused of Sexual Misconduct in 1979 — Desperate Democratic Dirt — Let The Voters of Alabama Decide — Accusations Are Not Evidence — Videos

For additional information and videos

https://pronkpops.wordpress.com/2017/11/09/the-pronk-pops-show-998-november-9-2017-story-1-president-trumps-address-to-south-koreas-national-assembly-great-speech-americans-and-koreans-loved-it-every-breath-you-take-videos/

November 08, 2017 08:32 PM PST

The Pronk Pops Show 997

November 8, 20017

Story 1: Communist Chinese Connection To Trade — Nuclear Proliferation — and — Terrorism (TNT) — Peace or War — China Must Destroy North Korea Nuclear Weapons and Missiles or Face The Consequences of Overthrow of Communist Party — U.S.Complete Embargo on All Chinese Trade and Investment —
Story 2: President Trump Meets With Japanese Prime Minster Shinzo Abe and President Moon Jai-in As U.S. Navy Flexes Air Power — All Options Are On The Table — Video —

Story 3: Saudi Arab On The Brink of War With Lebanon Controlled By Iran-backed Lebanese Shi‘ite group Hezbollah — Saudi Arab Blames Iran For Yemen Missile Attack — Purge and Roundup of Royal Prince Continues — Videos —

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/08/the-pronk-pops-show-997-november-7-2017-story-1-communist-chinese-connection-to-trade-nuclear-proliferation-and-terrorism-tnt-peace-or-war-china-must-destroy-north-korea-nuclear-w/

November 07, 2017 11:23 AM PST

The Pronk Pops Show 996

November 6, 2017

Story 1: Atheist Security Guard Dressed In Black and Wearing Body Armor, Devin Patrick Kelley, 26, Entered The First Baptist Church and Shoot and Killed 26, Including 8 Members of A Single Family with Pregnant Mother, Victim Range in Age From 18 Months to 77 Years and Wounded 20, in The Texas Small Town of Sutherland Springs, Population 400,  A Nearby Neighbor, Stephen Willeford, 55, Shot Killer With His Rifle,Three Times, Twice in The Neck and Once in The Side, Killer Died of Wounds, After Brief High Speed Car Chase — The Times They Are A Changin — Blowing In The Wind — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/07/the-pronk-pops-show-996-story-1-atheist-security-guard-dressed-in-black-and-wearing-body-armor-devin-patrick-kelley-26-entered-the-first-baptist-church-and-shoot-and-killed-26-including-8-member/

November 04, 2017 02:25 PM PDT

The Pronk Pops Show 995

November 3, 2017

Story 1: Democrats (Liberal, Progressive & Socialist Wing) and Republicans (Liberal & Progressive Wing) of The Two Party Tyranny Are All Marxist Now — Big Government Bubble Tax Surcharge of 6% Increases Rate From 39.6% to 45.6% — Class Warfare — Eat The Rich — Videos — Part 2 of 2 —

Story 2: Republican Tax Cut Will Not Make America Great Again — Missing Is Real Government Spending Cuts That Results in A Balanced Budget By 2020 or 2024 — Spending Addiction Disorder (SAD) or Government Spending Obesity — Alive and Well — Videos —

Story 3: A Broad Based Consumption Tax Replacing The Current U.S. Income Tax System Along The Lines of The FairTax or Fair Tax Less With Generous Monthly Tax Prebates and Limiting Federal Government Expenditures to 90% of Taxes Collected Will Make America Great Again — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/03/the-pronk-pops-show-995-november-3-2017-story-1-democrats-liberal-progressive-socialist-wing-and-republicans-liberal-progressive-wing-of-the-two-party-tyranny-are-all-marxist-now/

November 03, 2017 06:44 PM PDT

The Pronk Pops Show 994

November 2, 2017

Story 1: President Trump Nominates Fed Governor Jerome Powell To Chair Federal Reserve Board of Governors — Expect Continuation of Interventionist Easy Monetary Policy — More Money Creation or Quantitative Easing When Economy Enters Next Recession in 2018-2019 — Videos —

Part 1 of 2 — Story 2: No Tax Reform By Changing From Income Tax System to Broad Based Consumption Tax — The FairTax or Fair Tax Less — No Middle Class Tax Relief From Payroll Taxes — No Real Cuts in Federal Spending As Budget Deficits Rise with Rising National Debt and Unfunded Liabilities — Spending Addiction Disorder — Government Obesity — Crash Diet of Balanced Budgets Required — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/02/the-pronk-pops-show-994-part-1-of-2-story-1-president-trump-nominates-fed-governor-jerome-powell-to-chair-federal-reserve-board-of-governors-expect-continuation-of-interventionist-easy-monetar/

November 02, 2017 07:06 PM PDT

The Pronk Pops Show 993

November 1, 2017

Story 1: Update of Radical Islamic Terrorist Jihadist Attack in New York City — President Trump “Send Him To Gitmo” as Enemy Combatant and Get Rid of Chain Migration and Diversity Lottery Immigration Program and Replace With Merit Based System of Immigration — Videos — Breaking —

Story 2: Trump Expected To Name Jerome Powell As Next Federal Reserve Chairman Replacing Chair Janet Yellen — A Dove or Continuation of Interventionist Easy Monetary Policy — Better Choice Was John Taylor — Taylor For Fed Chair and Powell for Vice Chair — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/11/01/the-pronk-pops-show-993-november-2-2017-story-1-update-of-radical-islamic-terrorist-jihadist-attack-in-new-york-city-president-trump-send-him-to-gitmo-as-enemy-combatant-and-get-rid-of-chai/

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What DVDs Should I Buy or Binge Watch Both Movies and Television Series — Videos

Posted on October 7, 2017. Filed under: American History, Art, Art, Blogroll, Book, Books, British History, Business, Comedy, Communications, Culture, Education, Entertainment, Environment, Essays, European History, Faith, Family, Fiction, Films, Freedom, Friends, Heroes, history, Investments, Middle East, Movies, Music, Non-Fiction, Plays, Strategy, Success, Television, Wealth, Weather, Welfare, Wisdom, Work, World War II, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , |

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15 Best TV Shows to Binge Watch 2017

9 Shows You Should Binge Watch

TV Shows You Should Binge – Right NOW!

Top 10 TV Shows To Binge Watch With Your BFFs

10 Netflix TV Series That Need Binge Watching

Top 10 Best TV Shows Of All Time

Best Shows to Binge Watch on Netflix Right Now

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TOP 10 Must See Best TV Shows | Netflix Binge Watch Series 2017 HD

Top 10 Showtime Shows of All Time

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Top 20 Movies Every Film Fan Must See – Collider Video

16 Action Films You Need To Watch Before You Die

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WatchMojo March Madness: Greatest Movies of All Time Series

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The Pronk Pops Show — Week in Review — September 8-15, 2017

Posted on September 25, 2017. Filed under: Uncategorized | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 965, September 15, 2017

Pronk Pops Show 964, September 14, 2017

Pronk Pops Show 963, September 13, 2017

Pronk Pops Show 962, September 12, 2017

Pronk Pops Show 961, September 11, 2017

Pronk Pops Show 960, September 8, 2017

Pronk Pops Show 959, September 7, 2017

Pronk Pops Show 958, September 6, 2017

Pronk Pops Show 957, September 5, 2017

Pronk Pops Show 956, August 31, 2017

Pronk Pops Show 955, August 30, 2017

Pronk Pops Show 954, August 29, 2017

Pronk Pops Show 953, August 28, 2017

Pronk Pops Show 952, August 25, 2017

Pronk Pops Show 951, August 24, 2017

Pronk Pops Show 950, August 23, 2017

Pronk Pops Show 949, August 22, 2017

Pronk Pops Show 948, August 21, 2017

Pronk Pops Show 947, August 16, 2017

Pronk Pops Show 946, August 15, 2017

Pronk Pops Show 945, August 14, 2017

Pronk Pops Show 944, August 10, 2017

Pronk Pops Show 943, August 9, 2017

Pronk Pops Show 942, August 8, 2017

Pronk Pops Show 941, August 7, 2017

Pronk Pops Show 940, August 3, 2017

Pronk Pops Show 939, August 2, 2017

Pronk Pops Show 938, August 1, 2017

Pronk Pops Show 937, July 31, 2017

Pronk Pops Show 936, July 27, 2017

Pronk Pops Show 935, July 26, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 933, July 24, 2017

Pronk Pops Show 932, July 20, 2017

Pronk Pops Show 931, July 19, 2017

Pronk Pops Show 930, July 18, 2017

Pronk Pops Show 929, July 17, 2017

Pronk Pops Show 928, July 13, 2017

Pronk Pops Show 927, July 12, 2017

Pronk Pops Show 926, July 11, 2017

Pronk Pops Show 925, July 10, 2017

Pronk Pops Show 924, July 6, 2017

Pronk Pops Show 923, July 5, 2017

Pronk Pops Show 922, July 3, 2017

Pronk Pops Show 921, June 29, 2017

Pronk Pops Show 920, June 28, 2017

Pronk Pops Show 919, June 27, 2017

Pronk Pops Show 918, June 26, 2017

Pronk Pops Show 917, June 22, 2017

Pronk Pops Show 916, June 21, 2017

Pronk Pops Show 915, June 20, 2017

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The Pronk Pops Show 965

September 15, 2017

Breaking Story 1: Radical Islamic Terrorist Attack — Improvised Bucket Bomb Device Explodes In United Kingdom Parson Green Tube Train Station in West London During Morning Rush Hour — 29 Injured None Seriously including Children — Threat Level Raised From Severe To Critical By Prime Minister May — Videos —

Story 2: North Korea Fires Another Ballistic Missile Over Japan — Videos —

Story 3: Conservative Commentator Ben Shapiro Allowed To Speak At University of California, Berkeley, Police Arrested Nine of The Protesters –Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/15/the-pronk-pops-show-965-september-15-2017-breaking-story-1-radical-islamic-terrorist-attack-bucket-bomb-device-explodes-in-united-kingdom-parson-green-tube-train-station-in-west-london-during-rush/

September 16, 2017 01:45 PM PDT

The Pronk Pops Show 964

September 14, 2017

Story 1: Did President Trump Betray His Supporters By Promising Citizenship or Pathway To Citizenship For Illegal Alien “Dreamers”? — Big Lie Media and Lying Lunatic Left Losers (Senate Democratic Leader Chuck Schumer and House Democratic Leader Nancy Pelosi ) Say They Have A Deal or Understanding and Rollover Republicans Support Trump (Senate Majority Leader Mitch McConnell and House Speaker Paul Ryan) — No Wall and No Deportation For 30-60 Million Illegal Aliens Including “Dreamers” — You Were Warned Not To Trust Trump — Rollover Republicans Want Touch-back Amnesty For Illegal Aliens — Hell No — Illegal Aliens Must Go — Trump Has 48 Hours To Confirm or Deny! — Political Suicide Watch Countdown — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/14/the-pronk-pops-show-964-september-14-2017-story-1-did-president-trump-betray-his-supporters-by-promising-citizenship-or-pathway-to-citizenship-for-illegal-alien-dreamers-big-lie-media-and/

September 14, 2017 08:25 PM PDT

The Pronk Pops Show 963

September 13, 2017

Story 1: American Collectivism (Resistance Is Futile) Vs. American Individualism (I Have Not Yet Begun To Fight!) — Federal Income, Capital Gains, Payroll,Estate And Gift Taxes, Budget Deficits, National Debt, Unfunded Liabilities, Democratic And Republican Parties, Two Party Tyranny Of The Warfare And Welfare State And American Empire Are The Past — The Future Is Fair Tax Less, Surplus Budgets, No Debts, No Unfunded Liabilities, And American Independence Party With A Peace And Prosperity Economy, Representative Constitutional American Republic Are The Future — Lead, Follow Or Get Out Of The Way — Those Without Power Cannot Defend Freedom — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/13/the-pronk-pops-show-963-september-13-2017-story-1-american-collectivism-resistance-is-futile-vs-american-individualism-i-have-not-yet-begun-to-fight-federal-income-capital-gains-payrol/

The Pronk Pops Show 960

September 8, 2017

The Breaking and Developing Story 1: Category 4 Hurricane Irma Over 500 Miles Wide Bigger Than Texas with 150 MPH Sustained Winds Slows Down Turns Toward West and Tracks Directly Over All of South Florida — Evacuate Now — Hurricane Irma Will Hit Landfall Sunday Morning With Storm Surge  Up To 12 Feet and Rain Fall 10-18 Inches — Over Florida For 24 Hours — All Day Sunday —  Mass Mandatory Evacuation For South Florida — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/09/the-pronk-pops-show-960-september-8-2017-the-breaking-and-developing-story-1-category-4-hurricane-irma-over-500-miles-wide-bigger-than-texas-with-150-mph-sustained-winds-slows-down-turns-toward-we/

September 09, 2017 01:21 PM PDT

Shows 510-518

Listen To Pronk Pops Podcast or Download Shows 500-509

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Listen To Pronk Pops Podcast or Download Show 112

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Listen To Pronk Pops Podcast or Download Shows 94-97

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Listen To Pronk Pops Podcast or Download Shows 65-67

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The Pronk Pops Show — Week in Review — September 1-9, 2017 — Videos

Posted on September 10, 2017. Filed under: American History, Blogroll, Books, Business, Climate, College, Communications, Congress, conservatives, Constitution, Corruption, Crime, Crisis, Cult, Culture, Demographics, Education, Elections, Employment, Entertainment, Essays, Faith, Family, Fraud, Heroes, history, Homes, Law, liberty, Life, Links, Literacy, Love, Mastery, media, Money, Movies, Newspapers, Non-Fiction, Nuclear Proliferation, People, Philosophy, Photos, Plays, Police, Politics, Presidential Candidates, Press, Programming, Radio, Radio, Rants, Raves, Raymond Thomas Pronk, Television, Television, Video, War, Water, Wealth, Weapons of Mass Destruction, Weather, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 960, September 8, 2017

Pronk Pops Show 959, September 7, 2017

Pronk Pops Show 958, September 6, 2017

Pronk Pops Show 957, September 5, 2017

Pronk Pops Show 956, August 31, 2017

Pronk Pops Show 955, August 30, 2017

Pronk Pops Show 954, August 29, 2017

Pronk Pops Show 953, August 28, 2017

Pronk Pops Show 952, August 25, 2017

Pronk Pops Show 951, August 24, 2017

Pronk Pops Show 950, August 23, 2017

Pronk Pops Show 949, August 22, 2017

Pronk Pops Show 948, August 21, 2017

Pronk Pops Show 947, August 16, 2017

Pronk Pops Show 946, August 15, 2017

Pronk Pops Show 945, August 14, 2017

Pronk Pops Show 944, August 10, 2017

Pronk Pops Show 943, August 9, 2017

Pronk Pops Show 942, August 8, 2017

Pronk Pops Show 941, August 7, 2017

Pronk Pops Show 940, August 3, 2017

Pronk Pops Show 939,  August 2, 2017

Pronk Pops Show 938, August 1, 2017

Pronk Pops Show 937, July 31, 2017

Pronk Pops Show 936, July 27, 2017

Pronk Pops Show 935, July 26, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 933, July 24, 2017

Pronk Pops Show 932, July 20, 2017

Pronk Pops Show 931, July 19, 2017

Pronk Pops Show 930, July 18, 2017

Pronk Pops Show 929, July 17, 2017

Pronk Pops Show 928, July 13, 2017

Pronk Pops Show 927, July 12, 2017

Pronk Pops Show 926, July 11, 2017

Pronk Pops Show 925, July 10, 2017

Pronk Pops Show 924, July 6, 2017

Pronk Pops Show 923, July 5, 2017

Pronk Pops Show 922, July 3, 2017

Pronk Pops Show 921, June 29, 2017

Pronk Pops Show 920, June 28, 2017

Pronk Pops Show 919, June 27, 2017

Pronk Pops Show 918, June 26, 2017

Pronk Pops Show 917, June 22, 2017

Pronk Pops Show 916, June 21, 2017

Pronk Pops Show 915, June 20, 2017

Pronk Pops Show 914, June 19, 2017

Pronk Pops Show 913, June 16, 2017

Pronk Pops Show 912, June 15, 2017

Pronk Pops Show 911, June 14, 2017

Pronk Pops Show 910, June 13, 2017

Pronk Pops Show 909, June 12, 2017

Pronk Pops Show 908, June 9, 2017

Pronk Pops Show 907, June 8, 2017

Pronk Pops Show 906, June 7, 2017

Pronk Pops Show 905, June 6, 2017

Pronk Pops Show 904, June 5, 2017

Pronk Pops Show 903, June 1, 2017

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Image result for hurricane irma Sunday 10 september 2017 5 pm EDTImage result for hurricane irma hits florida 30 minutes ago Image result for hurricane irma latest track

 

The Pronk Pops Show 960

September 8, 2017

The Breaking and Developing Story 1: Category 4 Hurricane Irma Over 500 Miles Wide Bigger Than Texas with 150 MPH Sustained Winds Slows Down Turns Toward West and Tracks Directly Over All of South Florida — Evacuate Now — Hurricane Irma Will Hit Landfall Sunday Morning With Storm Surge  Up To 12 Feet and Rain Fall 10-18 Inches — Over Florida For 24 Hours — All Day Sunday —  Mass Mandatory Evacuation For South Florida — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/09/the-pronk-pops-show-960-september-8-2017-the-breaking-and-developing-story-1-category-4-hurricane-irma-over-500-miles-wide-bigger-than-texas-with-150-mph-sustained-winds-slows-down-turns-toward-we/

September 09, 2017 01:21 PM PDT

The Pronk Pops Show 959

September 7, 2017

The Breaking and Developing Story 1: Mandatory Evacuation Ordered For South Florida — Floridians Flee Monster “Nuclear” Hurricane Irma With Wind Speeds Exceeding 185 MPH That Could Hit Either Coast and Miami/Dade County By Saturday — High Rise Buildings With Glass Windows Near Construction Cranes A Major Concern — Gas Shortage A Serious Major Problem For Those Evacuating — Get Out If You Can Now! — When Will Irma Turn North? — Videos —

Story 2: Perspective Please — Over 1200 Killed by Flood in South Asia (India, Bangladesh, Nepal and Pakistan) vs. Over 60 in Texas By Raining Weather Not Climate Change — Worst Flooding in Decades — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/08/the-pronk-pops-show-959-september-7-2017-the-breaking-and-developing-story-1-mandatory-evacuation-ordered-for-south-florida-floridians-flee-monster-nuclear-hurricane-irma-with-wind-speeds/

September 08, 2017 02:28 PM PDT

The Pronk Pops Show 958

September 6, 2017

Story 1: President Trump Strikes His True Colors Cuts Deal With Democrats — Just Another Big Government Spending Manhattan Liberal Democrat — American “Big Apple” Pie — The Day The Music Died — Videos —

Story 2: The Day The Republican Party and/or President Trump Gives Citizenship To Illegal Alien Dreamers will Be The Day Republican Party Commits Political Suicide and Gives Birth to the American Independence Party — Trump The Flip Flopper –The Night They Drove Old Dixie Down — Helpless — I Shall Be Released — Forever Young — Videos

For additional videos and information:

https://pronkpops.wordpress.com/2017/09/07/the-pronk-pops-show-958-september-6-2017-story-1-president-trump-strikes-his-true-colors-cuts-deal-with-democrats-just-another-big-government-spending-manhattan-liberal-democrat-american-big/

September 07, 2017 01:46 PM PDT

The Pronk Pops Show 957

September 5, 2017

Story 1: Attorney General Sessions Announced The Rescinding of  Deferred Action for Childhood Arrivals (DACA) But Gives Congress Six Months To Enact Law — Deport and Remove All 30-60 Million Estimated Illegal Aliens In The United States — Enforce U.S. Immigration Laws — No Citizenship For Illegal Aliens — Videos —

Story 2: Kim’s Bada Boom — Hydrogen Bomb Test — China Enabled North Korea’s Nuclear and Missile Weapon Programs — China Should Dismantle North Korea’s Nuclear and Missile Programs —  Otherwise on 1 January 2019 U.S. Government Should Impose A Total U.S. Embargo On All Chinese Imports To U.S. and Ban All Exports From U.S. To China Until North Korea’s Nuclear Weapons and Missile Weapon Programs Are Completely Dismantled — Videos —

Story 3: Preparing For Hurricane Irma — Category 5 Destroyer and Killer Hurricane With Sustained Winds Over 180 Miles Per Hour and  Wind Gusts Exceeding 200 Miles Per Hour — Will It Hit Florida? — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/06/the-pronk-pops-show-957-september-5-2017-story-1-attorney-general-sessions-announced-the-rescinding-of-deferred-action-for-childhood-arrivals-daca-but-gives-congress-six-months-to-enact-la/

September 03, 2017 02:54 PM PDT

The Pronk Pop Show 956

August 31, 2017

Part 2 of 2, Story 1: President Trump’s Tax Speech — Very Light On Specifics — Let Congress Fill in The Details — Formula For Failure — Tax Rate Cuts Are Not Fundamental Tax Reform — A Broad Based Consumption Tax Such as The FairTax or Fair Tax Less Not Even Mentioned — What Good Is Dreaming It If You don’t actually do it! — Videos —

For additional information and videos:

https://pronkpops.wordpress.com/2017/09/01/the-pronk-pops-show-956-august-31-2017-part-2-of-2-story-1-president-trumps-tax-speech-very-light-on-specifics-let-congress-fill-in-the-details-formula-for-failure-tax-rate-cuts-are/

September 03, 2017 11:59 AM PDT

The Pronk Pops Show 955

August 30, 2017

Part 1 of 2, Story 1: President Trump’s Tax Speech — Very Light On Specifics — Let Congress Fill in The Details — Formula For Failure — Tax Rate Cuts Are Not Fundamental Tax Reform — A Broad Based Consumption Tax Such as The FairTax or Fair Tax Less Not Even Mentioned — What Good Is Dreaming It If You don’t actually do it! — Videos —

Story 2: Revised Second Estimate of Real GDP Growth in Second Quarter of 2017 Is 3 Percent — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/31/the-pronk-pops-show-755-story-1-president-trumps-tax-speech-very-light-on-specifics-let-congress-fill-in-the-details-formula-for-failure-tax-rate-cuts-are-not-fundamental-tax-reform/

 

 

 

The Pronk Pops Show Podcasts Portfolio

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The Pronk Pops Show — Week In Review –August 15- 25, 2017 — Videos

Posted on August 28, 2017. Filed under: American History, Articles, Blogroll, Business, Climate, Communications, Computers, Computers, Congress, conservatives, Constitution, Corruption, Culture, Economics, Education, Elections, Employment, Environment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, government spending, Health, Health Care, history, Illegal, Immigration, Journalism, Language, Law, Legal, liberty, Life, Links, media, Nuclear, Obamacare, People, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Radio, Radio, Raves, Raymond Thomas Pronk, Strategy, Talk Radio, Tax Policy, Taxation, Taxes, Technology, Television, Television, The Pronk Pops Show, Video, War, Wealth, Weapons, Weapons of Mass Destruction, Weather, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 952, August 25, 2017

Pronk Pops Show 951, August 24, 2017

Pronk Pops Show 950, August 23, 2017

Pronk Pops Show 949, August 22, 2017

Pronk Pops Show 948, August 21, 2017

Pronk Pops Show 947, August 16, 2017

Pronk Pops Show 946, August 15, 2017

Pronk Pops Show 945, August 14, 2017

Pronk Pops Show 944, August 10, 2017

Pronk Pops Show 943, August 9, 2017

Pronk Pops Show 942, August 8, 2017

Pronk Pops Show 941, August 7, 2017

Pronk Pops Show 940, August 3, 2017

Pronk Pops Show 939,  August 2, 2017

Pronk Pops Show 938, August 1, 2017

Pronk Pops Show 937, July 31, 2017

Pronk Pops Show 936, July 27, 2017

Pronk Pops Show 935, July 26, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 933, July 24, 2017

Pronk Pops Show 932, July 20, 2017

Pronk Pops Show 931, July 19, 2017

Pronk Pops Show 930, July 18, 2017

Pronk Pops Show 929, July 17, 2017

Pronk Pops Show 928, July 13, 2017

Pronk Pops Show 927, July 12, 2017

Pronk Pops Show 926, July 11, 2017

Pronk Pops Show 925, July 10, 2017

Pronk Pops Show 924, July 6, 2017

Pronk Pops Show 923, July 5, 2017

Pronk Pops Show 922, July 3, 2017

Pronk Pops Show 921, June 29, 2017

Pronk Pops Show 920, June 28, 2017

Pronk Pops Show 919, June 27, 2017

Pronk Pops Show 918, June 26, 2017

Pronk Pops Show 917, June 22, 2017

Pronk Pops Show 916, June 21, 2017

Pronk Pops Show 915, June 20, 2017

Pronk Pops Show 914, June 19, 2017

Pronk Pops Show 913, June 16, 2017

Pronk Pops Show 912, June 15, 2017

Pronk Pops Show 911, June 14, 2017

Pronk Pops Show 910, June 13, 2017

Pronk Pops Show 909, June 12, 2017

Pronk Pops Show 908, June 9, 2017

Pronk Pops Show 907, June 8, 2017

Pronk Pops Show 906, June 7, 2017

Pronk Pops Show 905, June 6, 2017

Pronk Pops Show 904, June 5, 2017

Pronk Pops Show 903, June 1, 2017

Pronk Pops Show 902, May 31, 2017

Pronk Pops Show 901, May 30, 2017

Pronk Pops Show 900, May 25, 2017

Pronk Pops Show 899, May 24, 2017

Pronk Pops Show 898, May 23, 2017

Pronk Pops Show 897, May 22, 2017

Pronk Pops Show 896, May 18, 2017

Pronk Pops Show 895, May 17, 2017

Pronk Pops Show 894, May 16, 2017

Pronk Pops Show 893, May 15, 2017

Pronk Pops Show 892, May 12, 2017

Pronk Pops Show 891, May 11, 2017

Pronk Pops Show 890, May 10, 2017

Pronk Pops Show 889, May 9, 2017

Pronk Pops Show 888, May 8, 2017

Pronk Pops Show 887, May 5, 2017

Pronk Pops Show 886, May 4, 2017

Pronk Pops Show 885, May 3, 2017

Pronk Pops Show 884, May 1, 2017

Image result for total eclipseImage result for trump speech in phoenixImage result for media calls trump mentally illImage result for hurricane harvey

 

The Pronk Pops Show 952

August 25, 2017

Weather Warning — Part 2 of 2 —  Story 1: Hurricane Harvey Messes With Texas and Louisiana — Upgraded To Category 4 Hurricane — A Real Disaster — Up to 40 To 60 Inches of Rain Possible and Wind Speeds From 131 – 155 Miles Per Hour Winds — Flood Surges 13-18 Feet — Will Hit Friday Evening or Early Saturday Morning —  Damages Extreme — Rain For Next Four Days — Gas Prices Will Rise If Refineries Closed/Flooded — 20 Cent Plus Spike Per Gallon in Gasoline Prices — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/25/the-pronk-pops-show-952-august-25-2017-weather-warning-part-2-of-2-story-1-hurricane-harvey-messes-with-texas-and-louisiana-upgraded-to-category-4-hurricane-a-real-disaster/

August 26, 2017 10:23 AM PDT

The Pronk Pops Show 951

August 24, 2017

Weather Warning — Part 1 Of 2 — Will Be Revised And Updated Friday — Story 1: Hurricane Harvey Tracking Towards Texas Gulf Coast — Stock Up On Gasoline, Water, Bread, Milk — Up To 3 Feet Of Rain And Wind Speeds From 111-130 Miles Per Hour — Winds Will Hit Late Friday Or Early Saturday Morning — Category 3 Hurricane — Damage Extensive — Will Hurricane Harvey Change Course? — Videos

For additional information and videos:

pronkpops.wordpress.com/2017/08/25/the-pronk-pops-show-951-august-24-2017-weather-warning-part-1-of-2-will-be-revised-and-updated-friday-story-1-hurricane-harvey-tracking-towards-texas-gulf-coast-stock-up-on-gasoline-wate/

August 24, 2017 08:19 PM PDT

The Pronk Pops Show 950

August 23, 2017

Story 1: President Trump Unplugged In Phoenix Rally — Great Effective Speech Drives Lying Lunatic Left Mad — Trump Derangement Syndrome Massive Outbreak — Videos —

Story 2: Old Left, New Left, Far Left — Lying Lunatic Left Losers and Big Lie Media Use Same Saul Alinsky Tactics — Label Opponents As Crazy, Mad, or Mentally Ill or To Get Elected — Then Start Another War — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/24/the-pronk-pops-show-950-august-23-2017-story-1-president-trump-unplugged-in-phoenix-rally-great-effective-speech-drives-lying-lunatic-left-mad-trump-derangement-syndrome-massive-outbreak/

August 24, 2017 06:48 PM PDT

The Pronk Pops Show 749

August 22, 2017

Story 1: No Sale President Trump — Stop Watching and Being Spooked By 24 — Bring All The Troops Home Now! — Stop Wasting Time, Money and Lives Being Policemen of The World and Foreign Nation Building — Yes To American Constitutional Republic — No To American Unconstitutional Empire — All Empires Decline and Fall — End The Warfare and Welfare State and Renew The Peace and Prosperity Economy With A Free Enterprise Market Capitalist System — Follow The Money: National Interest in Afghanistan Is Drugs and Minerals — The Gambler — Reality Television Presidency or 24/7 Trump — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/23/the-pronk-pops-show-749-august-22-2017-story-1-no-sale-president-trump-stop-watching-and-being-spooked-by-24-bring-all-the-troops-home-now-stop-wasting-time-money-and-lives-being-police/

August 22, 2017 07:27 PM PDT

The Pronk Pops Show 948

August 21, 2017

Story 1: Eclipse Totality — Moon Shadow — Here Comes The Sun — The Primary Cause of Climate Change — Videos —

Story 2: Bannon Breitbart Banishment– Interventionist War Mongering Generals and Political Establishment Winning — Trump Just Another Big Government Liberal Democrat Presidents (Woodrow Wilson, Franklin D. Roosevelt, and Lyndon B. Johnson) — Videos —

Story 3: The Democrat Party of Slavery, Segregation, Klu Klux Klan, and White Supremacy Rewrites History By Tearing Down Confederate Soldier Statues That They Put Up — Admit It Democrats Are Racists That Play Race Cards — Lying Lunatic Left Losers — Videos —

Story 4: The Radical Islamic Terrorists Killed and Captured –13 Killed and Injured 100 in Barcelona Thursday — Videos

August 22, 2017 06:36 PM PDT

The Pronk Pops Show 947

August 16, 2017

Story 1: Big Lie Media Driving Voters Out Of The Democratic Party and Republican Parties — Three Cheers For Big Lie Media — Credibility Going Going Gone With Prevaricating Progressive Propaganda — Videos —

Story 2: Bannon Blistering Blasts — Collectivist Clowns Losing with Identity Politics of Victims and Emotions — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/17/the-pronk-pops-show-747-story-1-big-lie-media-driving-voters-out-of-the-democratic-party-and-republican-parties-three-cheers-for-big-lie-media-credibility-going-going-gone-with-prevaricating-p/

August 16, 2017 04:50 PM PDT

The Pronk Pops Show 946

August 15, 2017

Story 1: Trump Takes On Government Regulation Permitting Process for Infrastructure With Executive Order — Videos

Story 2: President Trump Takes On Corporate Executives Manufacturing Abroad and Big Lie Media On Charlottesville — I Need The Facts — Videos —

Story 3: Will Trump Cave To Critics of Bannon? If Trump Does He Will Lose A Large Part Of His Voter Base And Some Talk Radio Supporters — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/15/the-pronk-pops-show-946-august-15-2017-story-1-trump-takes-on-government-regulation-permitting-process-for-infer-structure-with-executive-order-videos-story-2-president-trump-takes-on-corporat/

 

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Shows 946-952

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Listen To Pronk Pops Podcast or Download Shows 916-925

Listen To Pronk Pops Podcast or Download Shows 906-915

Listen To Pronk Pops Podcast or Download Shows 889-896

Listen To Pronk Pops Podcast or Download Shows 884-888

Listen To Pronk Pops Podcast or Download Shows 878-883

Listen To Pronk Pops Podcast or Download Shows 870-877

Listen To Pronk Pops Podcast or Download Shows 864-869

Listen To Pronk Pops Podcast or Download Shows 857-863

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Listen To Pronk Pops Podcast or Download Shows 845-849

Listen To Pronk Pops Podcast or Download Shows 840-844

Listen To Pronk Pops Podcast or Download Shows 833-839

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Listen To Pronk Pops Podcast or Download Shows 821-826

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Listen To Pronk Pops Podcast or Download Shows 806-814

Listen To Pronk Pops Podcast or Download Shows 800-805

Listen To Pronk Pops Podcast or Download Shows 793-799

Listen To Pronk Pops Podcast or Download Shows 785-792

Listen To Pronk Pops Podcast or Download Shows 777-784

Listen To Pronk Pops Podcast or Download Shows 769-776

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Listen To Pronk Pops Podcast or DownloadShows 713-719

Listen To Pronk Pops Podcast or DownloadShows 705-712

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Listen To Pronk Pops Podcast or Download Shows 685-694

Listen To Pronk Pops Podcast or Download Shows 675-684

Listen To Pronk Pops Podcast or Download Shows 668-674

Listen To Pronk Pops Podcast or Download Shows 660-667

Listen To Pronk Pops Podcast or Download Shows 651-659

Listen To Pronk Pops Podcast or Download Shows 644-650

Listen To Pronk Pops Podcast or Download Shows 637-643

Listen To Pronk Pops Podcast or Download Shows 629-636

Listen To Pronk Pops Podcast or Download Shows 617-628

Listen To Pronk Pops Podcast or Download Shows 608-616

Listen To Pronk Pops Podcast or Download Shows 599-607

Listen To Pronk Pops Podcast or Download Shows 590-598

Listen To Pronk Pops Podcast or Download Shows 585- 589

Listen To Pronk Pops Podcast or Download Shows 575-584

Listen To Pronk Pops Podcast or Download Shows 565-574

Listen To Pronk Pops Podcast or Download Shows 556-564

Listen To Pronk Pops Podcast or Download Shows 546-555

Listen To Pronk Pops Podcast or Download Shows 538-545

Listen To Pronk Pops Podcast or Download Shows 532-537

Listen To Pronk Pops Podcast or Download Shows 526-531

Listen To Pronk Pops Podcast or Download Shows 519-525

Listen To Pronk Pops Podcast or Download Shows 510-518

Listen To Pronk Pops Podcast or Download Shows 500-509

Listen To Pronk Pops Podcast or Download Shows 490-499

Listen To Pronk Pops Podcast or Download Shows 480-489

Listen To Pronk Pops Podcast or Download Shows 473-479

Listen To Pronk Pops Podcast or Download Shows 464-472

Listen To Pronk Pops Podcast or Download Shows 455-463

Listen To Pronk Pops Podcast or Download Shows 447-454

Listen To Pronk Pops Podcast or Download Shows 439-446

Listen To Pronk Pops Podcast or Download Shows 431-438

Listen To Pronk Pops Podcast or Download Shows 422-430

Listen To Pronk Pops Podcast or Download Shows 414-421

Listen To Pronk Pops Podcast or Download Shows 408-413

Listen To Pronk Pops Podcast or Download Shows 400-407

Listen To Pronk Pops Podcast or Download Shows 391-399

Listen To Pronk Pops Podcast or Download Shows 383-390

Listen To Pronk Pops Podcast or Download Shows 376-382

Listen To Pronk Pops Podcast or Download Shows 369-375

Listen To Pronk Pops Podcast or Download Shows 360-368

Listen To Pronk Pops Podcast or Download Shows 354-359

Listen To Pronk Pops Podcast or Download Shows 346-353

Listen To Pronk Pops Podcast or Download Shows 338-345

Listen To Pronk Pops Podcast or Download Shows 328-337

Listen To Pronk Pops Podcast or Download Shows 319-327

Listen To Pronk Pops Podcast or Download Shows 307-318

Listen To Pronk Pops Podcast or Download Shows 296-306

Listen To Pronk Pops Podcast or Download Shows 287-295

Listen To Pronk Pops Podcast or Download Shows 277-286

Listen To Pronk Pops Podcast or Download Shows 264-276

Listen To Pronk Pops Podcast or Download Shows 250-263

Listen To Pronk Pops Podcast or Download Shows 236-249

Listen To Pronk Pops Podcast or Download Shows 222-235

Listen To Pronk Pops Podcast or Download Shows 211-221

Listen To Pronk Pops Podcast or Download Shows 202-210

Listen To Pronk Pops Podcast or Download Shows 194-201

Listen To Pronk Pops Podcast or Download Shows 184-193

Listen To Pronk Pops Podcast or Download Shows 174-183

Listen To Pronk Pops Podcast or Download Shows 165-173

Listen To Pronk Pops Podcast or Download Shows 158-164

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Listen To Pronk Pops Podcast or Download Shows 143-150

Listen To Pronk Pops Podcast or Download Shows 135-142

Listen To Pronk Pops Podcast or Download Shows 131-134

Listen To Pronk Pops Podcast or Download Shows 124-130

Listen To Pronk Pops Podcast or Download Shows 121-123

Listen To Pronk Pops Podcast or Download Shows 118-120

Listen To Pronk Pops Podcast or Download Shows 113 -117

Listen To Pronk Pops Podcast or Download Show 112

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Listen To Pronk Pops Podcast or Download Shows 106-108

Listen To Pronk Pops Podcast or Download Shows 104-105

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Listen To Pronk Pops Podcast or Download Shows 94-97

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The Pronk Pops Show — Week In Review — July 20-27, 2017 — Videos

Posted on July 29, 2017. Filed under: American History, Articles, Blogroll, Business, Central Intelligence Agency (CIA), Communications, Computers, Computers, Congress, Constitution, Crime, Defense Intelligence Agency (DIA), Defense Intelligence Agency (DIA), Documentary, Economics, Education, Employment, External Hard Drives, Farming, Federal Bureau of Investigation (FBI), Federal Bureau of Investigation (FBI), Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, government, government spending, Health Care, history, Internal Revenue Service (IRS), Investments, IRS, Islam, Journalism, Law, liberty, Life, Links, Literacy, media, Narcissism, National Security Agency (NSA), National Security Agency (NSA_, Newspapers, Obamacare, People, Philosophy, Photos, Political Correctness, Politics, Press, Psychology, Radio, Radio, Rants, Raves, Raymond Thomas Pronk, Security, Spying, Strategy, Success, Supreme Court, Talk Radio, Tax Policy, Taxes, Technology, Television, Terrorism, Transportation, Unemployment, Video, War, Wealth, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 936,  July 27, 2017

Pronk Pops Show 935,  July 26, 2017

Pronk Pops Show 934,  July 25, 2017

Pronk Pops Show 934,  July 25, 2017

Pronk Pops Show 933,  July 24, 2017

Pronk Pops Show 932,  July 20, 2017

Pronk Pops Show 931,  July 19, 2017

Pronk Pops Show 930,  July 18, 2017

Pronk Pops Show 929,  July 17, 2017

Pronk Pops Show 928,  July 13, 2017

Pronk Pops Show 927,  July 12, 2017

Pronk Pops Show 926,  July 11, 2017

Pronk Pops Show 925,  July 10, 2017

Pronk Pops Show 924,  July 6, 2017

Pronk Pops Show 923,  July 5, 2017

Pronk Pops Show 922,  July 3, 2017 

Pronk Pops Show 921,  June 29, 2017

Pronk Pops Show 920,  June 28, 2017

Pronk Pops Show 919,  June 27, 2017

Pronk Pops Show 918,  June 26, 2017 

Pronk Pops Show 917,  June 22, 2017

Pronk Pops Show 916,  June 21, 2017

Pronk Pops Show 915,  June 20, 2017

Pronk Pops Show 914,  June 19, 2017

Pronk Pops Show 913,  June 16, 2017

Pronk Pops Show 912,  June 15, 2017

Pronk Pops Show 911,  June 14, 2017

Pronk Pops Show 910,  June 13, 2017

Pronk Pops Show 909,  June 12, 2017

Pronk Pops Show 908,  June 9, 2017

Pronk Pops Show 907,  June 8, 2017

Pronk Pops Show 906,  June 7, 2017

Pronk Pops Show 905,  June 6, 2017

Pronk Pops Show 904,  June 5, 2017

Pronk Pops Show 903,  June 1, 2017

Pronk Pops Show 902,  May 31, 2017

Pronk Pops Show 901,  May 30, 2017

Pronk Pops Show 900,  May 25, 2017

Pronk Pops Show 899,  May 24, 2017

Pronk Pops Show 898,  May 23, 2017

Pronk Pops Show 897,  May 22, 2017

Pronk Pops Show 896,  May 18, 2017

Pronk Pops Show 895,  May 17, 2017

Pronk Pops Show 894,  May 16, 2017

Pronk Pops Show 893,  May 15, 2017

Pronk Pops Show 892,  May 12, 2017

Pronk Pops Show 891,  May 11, 2017

Pronk Pops Show 890,  May 10, 2017

Pronk Pops Show 889,  May 9, 2017

Pronk Pops Show 888,  May 8, 2017

Pronk Pops Show 887,  May 5, 2017

Pronk Pops Show 886,  May 4, 2017

Pronk Pops Show 885,  May 3, 2017

Pronk Pops Show 884,  May 1, 2017

Pronk Pops Show 883 April 28, 2017

Pronk Pops Show 882: April 27, 2017

Pronk Pops Show 881: April 26, 2017

Pronk Pops Show 880: April 25, 2017

Pronk Pops Show 879: April 24, 2017

Pronk Pops Show 878: April 21, 2017

Pronk Pops Show 877: April 20, 2017

Pronk Pops Show 876: April 19, 2017

Pronk Pops Show 875: April 18, 2017

Pronk Pops Show 874: April 17, 2017

Pronk Pops Show 873: April 13, 2017

Pronk Pops Show 872: April 12, 2017

Pronk Pops Show 871: April 11, 2017

Pronk Pops Show 870: April 10, 2017

Pronk Pops Show 869: April 7, 2017

Pronk Pops Show 868: April 6, 2017

Pronk Pops Show 867: April 5, 2017

Pronk Pops Show 866: April 3, 2017

 

Image result for branco cartoons r repeal of obamacareImage result for branco cartoons big government republicans failure to repeal obamacare

Image result for branco cartoons big government republicans failure to repeal obamacare

Image result for cartoons obama, rice, brennan spied on trump and american people

The Pronk Pops Show 936

July 27, 2017

Story 1surprisedbama Spy Scandal: Obama Administration Officials Including National Security Adviser Rice, CIA Director Brennan and United Nations Ambassador Power Spied On American People and Trump Campaign By Massive Unmasking Using Intelligence Community For Political Purposes — An Abuse of Power and Felonies Under U.S. Law — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/28/the-pronk-pops-show-936-story-1obama-spy-scandal-obama-administration-officials-including-national-security-adviser-rice-cia-director-brennan-and-united-nations-ambassador-power-spied-on-american/

July 28, 2017 07:12 PM PDT

The Pronk Pops Show 935

July 26, 2017

Story 1: Trump Targets Transgender Troops — No More Gender Reassignment Surgeries In Military and Veterans Hospital — Cuts Spending By Millions Per Year — What is Next? — No More Free Viagra — Tranny Boys/Girls No More — Videos —

Story 2: Senate Fails To Pass Senator Rand Paul’s Total Repeal Amendment — Tea Party Revival Calling For Primary Challenge Against Rollover Republican Senators Shelley Moore Capito of West Virginia, Susan Collins of Maine, Dick Heller of Nevada, John McCain of Arizona, Rob Portman of Ohio, Lamar Alexander of Tennessee and Lisa Murkowski of Alaska — All Republicans in Name Only — Really Big Government Democrats — Videos —

Story 3: Trump Rally in Ohio — Neither A Rally Nor A Movement Is Not A Political Party That Votes in Congress — New Viable and Winning American Independence Party Is What Is Needed –Videos

For additional information and videos:

https://wordpress.com/post/pronkpops.wordpress.com/26375

July 27, 2017 02:28 PM PDT

The Pronk Pops Show 934

July 26, 2017

Story 1: Pence Breaks Tie — Senate Will Debate How To Proceed With Obamacare Repeal and Replace — Videos —

Story 2: Congress Overwhelming Passes New Sanctions on Russia, Iran and North Korea — Long Overdue — Videos —

Story 3: Trump Again Critical Of Attorney General Sessions Apparently For Not Prosecuting Leakers and Going After Clinton Foundation Crimes — What about Obama Administration’s Spying On Trump — An Abuse of Power Using Intelligence Community for Political Purposes — Will Trump Dump Sessions? If He Does Trump Will Start To Lose His Supporters in Talk Radio and Voter Base — Direct Deputy Attorney Rod Rosenstein To Fire Mueller — If He Won’t Fire Him — Fire Both Mueller and Rosenstein —  Punish Your Enemies and Reward Your Friends President Trump! — “In Your Guts You Know He is Nuts” —  Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/25/the-pronk-pops-show-934-july-24-2017-breaking-breaking-story-1-pence-breaks-tie-senate-will-debate-how-to-proceed-with-obamacare-repeal-and-replace-videos-story-2-congress-overwhel/

July 26, 2017 07:00 PM PDT

The Pronk Pops Show 933

July 24, 2017

Story 1: The American People Do Not Care About Phony Russian/Trump Collusion Conspiracy of The Lying Lunatic Left, Delusional Democrats and Big Lie Media — They’re Coming To Take You Away To The Funny Farm To Play with Your Ding-a-Ling — Videos —

Story 2: Trump Should Read Saul Alinski Rules For Radicals To Understand What Is Going On — Then Have Department of Justice Investigate The Clinton Charitable Foundation For Public Corruption and  Obama Administration For Abuse of Power Using Intelligence Community for Political Purposes And Then  Fire Mueller For Conflicts of Interests — The Sooner The Better — Go On Offense Stop Playing Defense — Just Do It! — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/24/the-pronk-pops-show-923-july-24-2017-story-1-the-american-people-do-not-care-about-phony-russiantrump-collusion-conspiracy-of-the-lying-lunatic-left-delusional-democrats-and-big-lie-media-the/

July 22, 2017 01:17 PM PDT

The Pronk Pops Show 932

July 20, 2017

Story 1: O.J. Simpson Granted Parole When Eligible — The Juice Will Soon Be Loose — Videos —

Story 2: President Trump’s First Six Months — Videos —

Story 3: President Trump Will Keep Attorney General Sessions For Now — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/20/the-pronk-pops-show-932-story-1-o-j-simpson-granted-parole-when-eligible-the-juice-will-soon-be-loose-videos-story-2-president-trumps-first-six-months-videos-story-3-president-tr/

July 22, 2017 10:49 AM PDT

The Pronk Pops Show 931

July 19, 2017

Story 1: “Obamacare Failed” Says President Trump — Wants Obamacare Completely  Repealed and Replaced Sooner or Later — Obama Lied To American People — Does President Trump Understand The Relationship Between Pre-existing Conditions, Guaranteed Issue, Community Rating and Adverse Selection — Many Doubt Trump Really Understands The Relationship That Is The Real Reason Obamacare Was Designed To Fail From The Beginning So It Could Be Replaced By Single Payer Government Health Care — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/20/the-pronk-pops-show-931-july-19-2017-story-1-obamacare-failed-says-president-trump-wants-obamacare-completely-repealed-and-replaced-sooner-or-later-obama-lied-to-american-people/

July 19, 2017 07:34 PM PDT

The Pronk Pops Show 930

July 18, 2017

Story 1: Will Trump Challenge The Washington Establishment To Achieve His Promises? You Betcha. Will He Win? Long Shot –A Movement Is Not A Viable Political Party That Can Beat The Democratic Party and Republican Party and Their Allies In The Big Government Bureaucracies, Big Lie Media and The Owner Donor Class — Votes Count — Independence Party???– Videos —

Story 2: Replace Republicans With D and F Conservative Review Grades and Scores Root and Branch With Real Conservatives, Classical Liberals and Libertarians Until New Political Party Is Formed and Becomes A Viable Party — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/19/the-pronk-pops-show-970-july-18-2017-story-1-will-trump-challenge-the-washington-establishment-to-achieve-his-promises-yes-will-he-win-long-shot-a-movement-is-not-a-viable-political-party-tha/

July 19, 2017 01:38 PM PDT

The Pronk Pops Show 929

July 17, 2017

Story 1: Downsizing The Federal Government or Draining The Swap: Trump Should Permanently Close 8 Departments Not Appoint People To Run Them — Cut All Other Department Budgets by 20% — Video —

Story 2: Federal Spending Breaks $4 Trillion for Fiscal Year 2017 —

Story 3: The American People and President Trump Vs. Political Elitist Establishment of The Big Government Democratic and Republican Parties — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/18/the-pronk-pops-show-929-july-17-2017-story-1-downsizing-the-federal-government-or-draining-the-swap-trump-should-permanently-close-8-departments-not-appoint-people-to-run-them-cut-all-other-de/

July 17, 2017 08:21 PM PDT

The Pronk Pops Show 928

July 13, 2017

Story 1: Senate Revised Republican Repeal and Replacement Bill A Betrayal of Voters Who Gave Republicans Control of Senate and House — Does Not Repeal All Obamacare Mandates, Regulations and Taxes but Does Bailout Insurance Industry and States Who Extended Medicaid Benefits — Trump Should Veto This Betrayal By Republican Establishment of Republican Voters — Videos —

Story 2: Estimated insolvency date of Social Security’s Trust fund is 2034 — and Medicare’s Hospital Trust Fund is 2029 —  Social Security and Medicare Benefits Will Be Cut or Taxes Raised or Combination of Benefit Cuts and Tax Increases — Videos —

Story 3: Trump’s Broken Promises and Kept Promises — Good Intentions are Not Enough — Only Results Count — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/15/the-pronk-pops-show-928-july-13-2017-story-1-senate-revised-republican-repeal-and-replacement-bill-a-betray-of-voters-who-gave-republicans-control-of-senate-and-house-does-not-repeal-all-obamac/

July 14, 2017 05:00 PM PDT

The Pronk Pops Show 927

July 12, 2017

Story 1: Putin’s Sting — How Russian Intelligence Service (FSB) Played The Washington Political Elitist Establishment (Democrats and Republicans) And Big Lie Media And How They Fell Hook, Line and Sinker for Russian Intelligence Disinformation Campaign — Russian Trump Dossier — The Dangers of Opposition Research, Confirmation Bias, True Believers, Useful Idiots, Blind Ambition and Two Party Tyranny — The Sting Redux — Videos —

Story 2: Republican Sellout The Republican Voter Base By Not Repealing Obamacare Completely — Leaves Many Obamacare Regulations, Subsidies, and Taxes In Place –Republican Replacement of Obamacare  Is A Big Bailout Bill of Insurance Industry — The Stupid Republican Party About To Commit Political Suicide — Rest In Peace — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/13/the-pronk-pops-show-927-july-12-2017-story-1-putins-sting-how-russian-intelligence-played-the-washington-political-elitist-establishment-democrats-and-republicans-and-big-lie-media-and-the/

July 12, 2017 08:04 PM PDT

The Pronk Pops Show 926

July 11, 2017

Story 1: Much Ado About Nothing — What Dirt Did The Russians Have On Hillary Clinton? — Donald Trump Jr. Wanted To Know — Smells Like A Russian Setup and/or Democrat Dirty Trick — Who Leaked The Emails To New York Times? — American People Ignoring Paranoid Progressive Propaganda of Big Lie Media — Still Waiting For Any Evidence of Trump/Russian/Putin Collusion — Clinton Collusion Conspiracy Crashing — Desperate Delusional Democrat Deniers of Reality — Videos —

Story 2: When Will Attorney General Sessions Appoint A Special Counsel To Investigate Intelligence Community Leaks and Hillary Clinton Mishandling of Classified Documents and Related Pay for Play Public Corruption of Clinton Foundation? — Was Democratic Hired Opposition Research firm Fusion GPS and Christopher Steel Formerly of British Intelligent MI-6 Agent A Cutout For The Russian Disinformation Campaign Included in The Donald Trump — Russia Dossier? — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/12/the-pronk-pops-show-926-july-11-2017-story-1-much-ado-about-nothing-what-dirt-did-the-russians-have-on-hillary-clinton-donald-trump-jr-wanted-to-know-smells-like-a-russian-setup-andor/

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Shows 926-936

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Southern Rock Star Gregg Allman Dies at Age 69 — Rest in Peace — Videos

Posted on May 27, 2017. Filed under: Art, Articles, Blogroll, Entertainment, liberty, Life, media, Money, Music, Music, People, Philosophy, Photos, Raves, Video, Welfare, Work, Writing | Tags: , , , , , , , , |

Gregg Allman, icon of Southern Rock, dead at 69

Gregg Allman Dies At 69

CBS This Morning: Gregg Allman Today

Gregg Allman – Tuesday’s Gone (Lynyrd Skynyrd – One More For The Fans)

Gregg Allman – “Tuesday’s Gone” – Skynyrd Tribute Concert @ Fox Theatre, Atlanta 11.12.2014

Gregg Allman – I’m No Angel

Gregg Allman LIVE – “I’m No Angel” | Back to Macon, GA

Gregg Allman 01/21/2012 “These Days”

Gregg Allman (and Redd Foxx) on Late Night, November 18, 1987

The Allman Brothers Band – After The Crash

The Big Interview Sneak Peek: Gregg Allman

GREGG ALLMAN DEAD AT 69 — The Last Time We Saw Him in 2014 | TMZ

“Midnight Rider” with Vince Gill, Gregg Allman and Zac Brown

The Allman Brothers Band – Midnight Rider – 9/10/1973 – Grand Opera House (Official)

Allman Brothers Band – Blue Sky

Gregg Allman performing soulful version of Come And Go Blues

Gregg Allman – Come And Go Blues – 12/11/1981 – unknown (Official)

The Allman Brothers Band – Ramblin’ Man – 7/12/1986 – Starwood Amphitheatre (Official)

The Allman Brothers Band – Ramblin’ Man – 12/16/1981 – Capitol Theatre (Official)

The Allman Brothers Band – Whipping Post – 9/23/1970 – Fillmore East (Official)

The Allman Brothers Band – Full Concert – 09/23/70 – Fillmore East (OFFICIAL)

The Allman Brothers Band – Full Concert – 01/16/82 – University Of Florida Bandshell (OFFICIAL)

The Allman Brothers Band – Jessica (EPIC Version!!!); Wanee Festival 2014-04-11

The Allman Brothers Band – Melissa – 7/29/1981 – NBC Studios (Official)

“Melissa” featuring Jackson Browne and Gregg Allman

The Allman Brothers Band – Soulshine live

The Allman Brothers Band – Soulshine – 8/14/1994 – Woodstock 94 (Official)

Gregg Allman – Queen of Hearts – 07/03/13

The Gregg Allman Band 1982 – Queen of Hearts – Saenger Theatre New Orleans

Allman Brothers Band – A Decade of Hits 1969-1979

The Allman Brothers Band enters the Rock and Roll Hall of Fame

Gregg Allman on Regis & Kathie Lee, 1991

Gregg Allman Reminisces On His Allman Brothers Days – CONAN on TBS

Howard Stern interviews Gregg Allman (05/22/12)

Gregg Allman interview – PART 1 of 14 – Dickey Betts – Saenger Theater New Orleans 1982

Gregg Allman interview PART 2 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 3 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 4 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 5 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 6 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 7 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 8 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 9 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 10 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 11 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 12 of 14 – Cher – Saenger Theater New Orleans 1982

Gregg Allman interview PART 13 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 14 of 14- Saenger Theater New Orleans 1982

Gregg Allman, Southern Rock Pioneer, Dies at 69

Gregg Allman Tour Bus Crash

REX/SHUTTERSTOCK

MAY 27, 2017 | 12:34PM PT

Gregg Allman, whose hard-jamming, bluesy sextet the Allman Brothers Band was the pioneering unit in the Southern rock explosion of the ‘70s, died Saturday due to currently unknown causes. He was 69.

As recently as April 24, reports surfaced claiming Allman was in hospice. His manager previously denied those reports to Variety, which Allman then substantiated in a Facebook post. However, he had suffered a number of ailments in recent years — including an irregular heartbeat, a respiratory infection, a hernia and a liver transplant — and cancelled many scheduled tour dates in recent months due to undisclosed health reasons.

For his work with the Allman Brothers, the legendary band he cofounded with his late brother Duane, and as a solo artist, Allman is one of the leading lights of Southern Rock. While the group’s greatest work was done before and shortly after Duane’s death in 1971, they stayed together, off and on, over 45 years and remain a singular influence on Southern rock and jam-band musicians. They were a top-drawing touring outfit until October 2014, when the group finally closed the book on their career with a series of dates at their longtime favorite venue, New York’s Beacon Theatre.

Allman’s solo career always played second to that of the band, but he enjoyed solo success with 1973’s “Laid Back” and 1987’s “I’m No Angel,” both of which were certified gold. In 2011 he released an unexpectedly strong album entitled “Low Country Blues” that was produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), who, along with instrumentalists like pianist Dr. John and guitarist Doyle Bramhall II, brought Allman back to his gutsy roots with stellar results.

With his older sibling, guitarist Duane Allman, the singer-keyboardist-guitarist-songwriter led one of the most popular concert attractions of the rock ballroom era; the group’s 1971 set “At Fillmore East,” recorded at Bill Graham’s New York hall, was a commercial breakthrough that showed off the band’s prodigious songcraft and instrumental strengths.

After Duane Allman’s death in a motorcycle accident weeks after the live album’s release, his younger brother led the band through four more stormy decades of playing and recording. The Allman Brothers Band’s latter-day history proved tumultuous, with other fatalities, disbandings, regroupings and very public battles with drugs and alcohol on the part of its surviving namesake.

Though Gregg Allman’s highly publicized addictions, his tabloid-ready marriage to pop vocalist Cher, and his equally public disputes with co-founding guitarist Dickey Betts came under harsh and sometimes mocking scrutiny over the years, Allman prevailed as the linchpin of an act that maintained popularity over four decades and opened the commercial door for such other Southern acts as Lynyrd Skynyrd and the Marshall Tucker Band.

As a member of the Allman Brothers Band, Allman was inducted into the Rock and Roll Hall of Fame in 1995 and was honored with a Grammy Lifetime Achievement Award in 2012.

He was born Gregory LeNoir Allman on Dec. 8, 1947, in Nashville; brother Duane was born 13 months earlier in the same hospital. In 1949, his father was shot to death by a man he offered a ride to in a bar. As their mother was studying accounting to support the family, the brothers were sent to a Tennessee military school at an early age.

The Allmans became attracted to music after seeing a 1960 concert by R&B singer Jackie Wilson in Daytona Beach, FL, where the family had moved the year before. Using money from a paper route (augmented by his mother), Gregg bought a guitar, and taught Duane his first chords. Both played guitar in the bands they founded after returning to the military academy in their teens.

Their pro bands the Escorts and the Allman Joys, which favored R&B, blues and rock covers, found work on the Florida club circuit in the mid-‘60s; Gregg began playing keyboards in the latter unit. The Allman Joys were playing without success in St. Louis when Bill McEuen, manager of the Nitty Gritty Dirt Band, met them and offered to set them up in Los Angeles.

Renamed Hour Glass, the L.A.-based group cut two unsuccessful pop-oriented albums for Liberty Records in 1967-68. Duane chafed at the direction being forced on the combo and fled for Alabama, where he became a prominent session guitarist at FAME Studios in Muscle Shoals, AL. Gregg remained in L.A. to fulfill obligations to Liberty, but was summoned to Jacksonville, FL, in 1969 by his brother, who envisioned a new blues-based band with two guitarist and two drummers, featuring members of another local combo, the 31st of February.

Calling themselves the Allman Brothers Band, the new unit – the Allmans, guitarist Betts, bassist Berry Oakley and drummers Butch Trucks and Jai Johanny “Jaimoe” Johanson – was signed by Otis Redding’s former manager Phil Walden for management and as an act on his Macon, GA-based label Capricorn Records. The group moved to Macon, which became its base for the duration.

Neither of the ABB’s first two albums was an enormous success: Its self-titled bow peaked at No. 188 in 1969, while sophomore set “Idlewild South” topped out at No. 38 in 1970. But they established Gregg Allman as a vocal, instrumental and songwriting power: His compositions included such future staples of the band’s live set as “Not My Cross to Bear,” “Dreams,” “Whipping Post” and “Midnight Rider.”

Though problems with hard drug abuse were already surfacing in the band, the Allmans became a huge concert attraction in the South; the enthusiastic sponsorship of promoter Graham led to high-profile gigs at New York’s Filllmore East (where the band attained a rabid following) and San Francisco’s Fillmore.

The Allmans made their commercial mark with “At Fillmore East”: The expansive, Tom Dowd-produced two-record set, recorded during two nights at the venue, shot to No.13 ultimately sold more than 1 million copies and became one of the defining concert recordings of its day. However, Duane Allman’s tragic death at 24 on a Macon street on Oct. 29, 1971, cast a shadow over its success.

The band completed a follow-up two-LP set, “Eat a Peach,” as a quintet, with live numbers featuring Duane filling out the contents. The 1972 package rose to No. 4 nationally and went platinum, but disaster again struck: In a mishap eerily similar to Duane Allman’s fatal crash, hard-drinking bassist Oakley died after driving his bike into the side of a truck that November.

Shaken by the deaths of his brother and Oakley and increasingly incapacitated by heroin, cocaine and alcohol, Gregg Allman ceded much of the band’s songwriting and front man duties to Betts; as he noted in “My Cross to Bear,” his 2012 memoir, “Up until then, we’d never really had a front man; Dickey took it upon himself to create that role.”

The ABB released its only No. 1 album, “Brothers and Sisters,” in 1973; the record was powered to the top by the Betts-penned No. 2 single “Ramblin’ Man,” the group’s only top-10 45.

Allman retreated from the group to cut his solo debut “Laid Back” in 1973; rising to No. 13, it would be his most popular work away from the band for nearly 40 years, and it spawned his only top-20 solo single, a down-tempo remake of “Midnight Rider.”

On the heels of the lugubrious but popular “Win, Lose or Draw” (No. 5, 1975), the group set out on its biggest, and costliest, tour to date. The ABB flew to its dates on a lavishly appointed private jet previously used by the Rolling Stones and Led Zeppelin; in his book, Allman recalls, “The first time we walked onto the plane, ‘Welcome Allman Brothers’ was spelled out in cocaine on the bar.”

The ABB returned from the 41-date tour with a mere $100,000 in hand, owing to over-the-top spending. This financial catastrophe was compounded by the indictment of the group’s security man (and Allman’s drug bag man) Scooter Herring on cocaine distribution charges; Allman testified against Herring before a grand jury and at his trial, which netted a 75-year prison sentence.

Addicted to heroin and embroiled in inter-band conflict with Betts, Allman began spending more time in Los Angeles with Cher, whom he had wed in June 1975. The incongruous couple was followed avidly by gossip columnists. In the wake of an unsuccessful 1977 solo album, “Playin’ Up a Storm” (No. 42), Allman and Cher released their only duo album, “Two the Hard Way”; embarrassingly credited to “Allman and Woman,” the set failed to chart, and its accompanying tour witnessed scuffles between hostile camps of fans in the audiences. Allman and Cher divorced in 1978.

Membership in the ABB rotated repeatedly for the remainder of the group’s career, which saw ever-diminishing contributions from writer Allman. He authored just one song for the group’s final Capricorn album, “Enlightened Rogues” (No. 27, 1979); the financially unstable imprint crashed within a year of its release. Allman was also a minor contributor to a pair of slick, poorly received albums for Arista Records in 1980-81.

During the band’s protracted hiatus of the ‘80s, Allman issued a pair of solo sets; the more popular of the two, 1987’s “I’m No Angel” (No. 30, 1987), spawned the titular radio hit.

Encouraged by airplay on the burgeoning “classic rock” radio format, the ABB reconvened for a 1989 tour. In 1990, the group recorded “Seven Turns” (No. 53) with “Fillmore East” producer Tom Dowd; the group also began multi-night residencies at New York’s Beacon Theatre, which became an annual tradition. They issued four commercially unrewarding albums – two studio sets and two concert releases – between 1991 and 1995.

Following a drunken appearance at the Rock and Roll Hall of Fame induction ceremony in New York in January 1995, onetime junkie Allman, after 11 stints in rehab, finally stopped drinking on his own, under the 24-hour watch of two nurses.

Following the exit of longtime guitarist Warren Haynes and bassist Allen Woody and the recruitment of Butch Trucks’ young nephew Derek Trucks on guitar, the ABB cut the live “Peakin’ at the Beacon” in 2000. Tension within the band had reached the breaking point, and, following a severely worded fax to Betts from the other members and subsequent legal arbitration, the Allman Brothers Band’s other founding guitarist made his exit.

The front line of Allman, Haynes and Derek Trucks and the group’s founding drummers were heard on the Allman Brothers Band’s studio collection “Hittin’ the Note” (No. 37, 2003) and the live “One Way Out” (No. 190, 2004). After 45 years in business, the band was formally dissolved after an October 2014 show at the Beacon.

Allman’s old habits caught up with him in the ‘00s. Diagnosed with hepatitis C – a disease common to intravenous drug users – in 2007, he learned that he was suffering from liver cancer in 2008. He underwent successful liver transplant surgery at the Mayo Clinic in 2010.

Before his surgery, Allman entered the studio to record his first solo album in 13 years. “Low Country Blues,” a striking and powerful recital of old blues songs, augmented by one Allman-Haynes original and produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), garnered the best reviews of his career, collected a Grammy Award nomination and became his highest-charting solo release, reaching No. 5 in early 2011.

However, health problems and catastrophe continued to dog him. He cut short a 2011 European tour because of respiratory issues, which ultimately mandated lung surgery. He faced a drug relapse spurred by painkillers, and did a stint in rehab. In 2014, a film based on his 2012 memoir, “Midnight Rider,” ceased production after a camera assistant on director Randall Miller’s feature was killed by a freight train on the first day of shooting.

Married and divorced six times, Allman is survived by three sons and two daughters, all by different mothers. Four of the children are professional musicians.

http://variety.com/2017/music/people-news/gregg-allman-dies-dead-69-southern-rock-1202446640/

Gregg Allman

From Wikipedia, the free encyclopedia
Gregg Allman
Gregg Allman (5880514910).jpg

Allman performing in 2011
Born Gregory LeNoir Allman
December 8, 1947
Nashville, Tennessee, U.S.
Died May 27, 2017 (aged 69)
Savannah, Georgia, U.S.
Cause of death Complications from liver cancer
Occupation
  • Singer-songwriter
  • musician
Years active 1960–2017
Spouse(s) Shelley Jefts (m. 1971; div. 1972)
Janice Mulkey (m. 1973; div. 1974)
Cher (m. 1975; div. 1979)
Julie Bindas (m. 1979; div. 1984)
Danielle Galliano (m. 1989; div. 1994)
Stacey Fountain (m. 2001; div. 2008)
Children 5; including Devon and Elijah Blue
Musical career
Genres
Instruments
  • Vocals
  • keyboards
  • guitar
Labels
Associated acts
Website greggallman.com

Gregory LeNoir “Gregg” Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter.

He is best known for performing in the Allman Brothers Band. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida. He and his brother, Duane Allman, developed an interest in music in their teens, and began performing in the Allman Joys in the mid-1960s. In 1967, they relocated to Los Angeles and were renamed the Hour Glass, releasing two albums for Liberty Records. In 1969, he and Duane regrouped to form the Allman Brothers Band, which settled in Macon, Georgia.

The Allman Brothers Band began to reach mainstream success by the early 1970s, with their live album At Fillmore East representing a commercial and artistic breakthrough. Shortly thereafter, Duane was killed in a motorcycle crash in 1971. The following year, the band’s bassist, Berry Oakley was also killed in a motorcycle accident very close to the location of Duane’s wreck. Their 1973 album Brothers and Sisters became their biggest hit, and Allman pursued a solo career afterward, releasing his debut album, Laid Back the same year. Internal turmoil took over the group, leading to a 1975 breakup. Allman was married to pop star Cher for the rest of the decade, while he continued his solo career with the Gregg Allman Band. After a brief Allman Brothers reunion and a decade of little activity, he reached an unexpected peak with the hit single “I’m No Angel” in 1987. After two more solo albums, the Allman Brothers reformed for a third and final time in 1989, and continued performing until 2014. He released his most recent solo album, Low Country Blues, in 2011, and his next, Southern Blood, is set to be released in 2017.

For his work in music, Allman was referred to as a Southern rock pioneer[1] and received numerous awards, including several Grammys; he was inducted into the Rock and Roll Hall of Fame and the Georgia Music Hall of Fame. His distinctive voice placed him in 70th place in the Rolling Stone list of the “100 Greatest Singers of All Time”.[2] Allman released an autobiography, My Cross to Bear, in 2012.

Early life

Allman and his brother Duane attended Castle Heights Military Academy in Lebanon, Tennessee in their childhood.

Allman was born Gregory LeNoir Allman at St. Thomas Hospital on December 8, 1947 in Nashville, Tennessee, to Willis Turner Allman and Geraldine Robbins Allman.[3] The couple had met during World War II in Raleigh, North Carolina, when Allman was on leave from the U.S. Army, and were later married. They moved to Vanleer, Tennessee, in 1945.[citation needed] Their first child, Duane Allman, was born in Nashville in 1946.

In 1949, Willis Allman, having been recently promoted to captain, offered a hitchhiker a ride home and was subsequently shot and killed.[4]Geraldine moved to Nashville with her two sons, and she never remarried.[5] Lacking money to support her children, she enrolled in college to become a Certified Public Accountant (CPA)—state laws at the time, according to her son, required students to live on-campus.[6] As a result, Gregg and his older brother were sent to Castle Heights Military Academy in nearby Lebanon.[3] A young Gregg interpreted these actions as evidence of his mother’s dislike for him, though he later came to understand the reality: “She was actually sacrificing everything she possibly could—she was working around the clock, getting by just by a hair, so as to not send us to an orphanage, which would have been a living hell.”[7]

While his brother adapted to his surroundings with a defiant attitude, Allman felt largely depressed at the school. With little to do, he studied often and developed an interest in medicine—had he not gone into music, he hoped to become a dentist.[8] He was rarely hazed at Castle Heights as his brother protected him, but often suffered beatings from instructors when he received poor grades.[9] The brothers returned to Nashville upon their mother’s graduation. Growing up, he continually fought with Duane, though he knew that he loved him and that it was typical of brothers. Duane was a mischievous older child, who constantly played pranks on his younger sibling.[10] The family moved to Daytona Beach, Florida, in 1959.[6] Gregg tended to look forward to his summer breaks, where he spent time with his uncles in Nashville, who he came to view in a fatherly regard.[11] Allman would later recall two separate events in his life that led to his interest in music. In 1960, the two brothers attended a concert in Nashville with Jackie Wilson headlining alongside Otis Redding, B.B. King, and Patti LaBelle.[8] Allman was also exposed to music through Jimmy Banes, a mentally challenged neighbor of his grandmother in Nashville. Banes introduced Allman to the guitar and the two began spending time on his porch each day as he played music.[12]

Gregg worked as a paperboy to afford a Silvertone guitar, which he purchased at a Sears when he saved up enough funds.[6] He and his brother often fought to play the instrument, though there was “no question that music brought” the two together.[13] In Daytona, they joined a YMCA group called the Y Teens, their first experience performing music with others.[14] He and Duane returned to Castle Heights in their teen years, where they formed a band, the Misfits.[15] Despite this, he still felt “lonesome and out of place,” and quit the academy.[16] He returned to Daytona Beach and pursued music further, and the duo formed another band, the Shufflers, in 1963.[14] He attended high school at Seabreeze High School, where he graduated in 1965.[17]However, he grew undisciplined in his studies as his interests diverged: “Between the women and the music, school wasn’t a priority anymore.”[18]

Music career

Early bands (1960–1968)

“We would rehearse every day in the club, go have lunch, rehearse some more, go home and take a shower, then go to the gig. Sometimes we would rehearse after we got home from the gig too, just get out the acoustics and play. The next day, we’d go have breakfast, go rehearse, and do it all over again. We rehearsed constantly.”

—Allman on his musical evolution[19]

The two Allman brothers began meeting various musicians in the Daytona Beach area. They met a man named Floyd Miles, and they began to jam with his band, the Houserockers. “I would just sit there and study Floyd […] I studied how he phrased his songs, how he got the words out, and how the other guys sang along with him,” he would later recall.[20] They later formed their first “real” band, the Escorts, which performed a mix of top 40 and rhythm and blues music at clubs around town.[21] Duane, who took the lead vocal role on early demos, encouraged his younger brother to sing instead.[22] He and Duane often spent all of their money on records as educational material, as they attempted to learn songs from them. The group performed constantly as music became their entire focus; Allman missed his high school graduation because he was performing that evening.[23] In his autobiography, Allman recalls listening to Nashville R&B station WLAC at night and discovering artists such as Muddy Waters, which later became central to his musical evolution.[19] He narrowly missed being drafted into the Vietnam War by intentionally shooting himself in the foot.[24]

The Escorts evolved into the Allman Joys, the brothers’ first successful band. After a successful summer run locally, they hit the road in fall 1965 for a series of performances throughout the Southeast; their first show outside of Daytona was at the Stork Club in Mobile, Alabama—where they were booked for 22 weeks straight.[25] Afterwards, they were booked at the Sahara Club in nearby Pensacola, Florida, for several weeks.[26] Allman later regarded Pensacola as “a real turning point in my life,” as it was where he learned how to capture audiences and about stage presence.[27] He also received his first Vox keyboard there, and learned how to play it over the ensuing tour.[28] By the following summer, they were able to book time at a studio in Nashville, where they recorded several songs, aided by a plethora of drugs. These recordings were later released as Early Allman in 1973, to Allman’s dismay.[29] He soon grew tired of performing covers and began writing original compositions.[30] They settled in St. Louis for a time, where in the spring of 1967 they began performing alongside Johnny Sandlin and Paul Hornsby, among others, under various names. They considered disbanding, but Bill McEuen, manager of the Nitty Gritty Dirt Band, convinced the band to relocate to Los Angeles, outright giving them the funds to do so.[31]

He arranged a recording contract with Liberty Records in June 1967,[32] and they began to record an album under the new name the Hour Glass, suggested by their producer, Dallas Smith. Recording was a difficult experience; “the music had no life to it—it was poppy, preprogrammed shit,” Allman felt.[33] Though they considered themselves sellouts, they needed money to live.[33] At concerts, they declined to play anything off their debut album, released that October, instead opting to play the blues.[34] Such gigs were sparse, however, as Liberty only allowed one performance per month.[35] After some personnel changes, they recorded their second album, Power of Love, released in March 1968. It contained more original songs by Allman, though they still felt constricted by its process. They embarked on a small tour, and recorded some new demos at FAME Studios in Muscle Shoals, Alabama.[36] Liberty disliked the recordings, and the band broke up when Duane explicitly told off executives. They threatened to freeze the band, so they would be unable to record for any other label for seven years.[37]Allman stayed behind to appease the label, giving them the rights to a solo album. The rest of the band mocked Allman, viewing him as too scared to leave and return to the South.[37]

Meanwhile, Duane Allman had returned to Florida where he met Butch Trucks, a drummer in the band the 31st of February. In October 1968, the 31st of February, aided by Gregg and Duane Allman, recorded several songs.[38] Allman returned to Los Angeles to fulfill his deal with Liberty, writing more original songs on the Hammond organ at the studio.[39] Duane began doing session work at Fame in Muscle Shoals during this time, where he began putting together a new band. He phoned his brother with the proposition of joining the new band—which would have two guitarists and two drummers. With his deal at Liberty fulfilled, he drove to Jacksonville, Florida, in March 1969 to jam with the new band. Allman at first thought two drummers would be a tortuous experience, but found himself pleasantly surprised by the successful jam.[40] He called the birth of the group “one of the finer days in my life […] I was starting to feel like I belonged to something again.”[41]

The Allman Brothers Band and mainstream success

Formation and touring (1969–1971)

The Allman Brothers Band moved to Macon, Georgia,[42] and forged a strong brotherhood, spending countless hours rehearsing, consuming psychedelic drugs, and hanging out in Rose Hill Cemetery, where they would write songs—”I’d be lying if I said I didn’t have my way with a lady or two down there,” said Allman.[43][44] The group remade old blues numbers like “Trouble No More” and “One Way Out“, in addition to improvised jams such as “Mountain Jam“.[45] Gregg, who had struggled to write in the past, became the band’s sole songwriter, composing songs such as “Whipping Post” and “Black-Hearted Woman.”[46] The group’s self-titled debut album was released in November 1969 through Atco and Capricorn Records,[47] but received a poor commercial response, selling less than 35,000 copies upon initial release.[48] The band played continuously in 1970, performing over 300 dates on the road,[49][50] which contributed to a larger following.[51] Oakley’s wife rented a large Victorian home in Macon and the band moved into what they dubbed “the Big House” in March 1970.[52] Their second record, Idlewild South (named after a farmhouse on a lake outside of Macon they rented),[53] was issued by Atco and Capricorn Records in September 1970, less than a year after their debut.[53]

Elder brother Duane Allman, who was killed in a motorcycle crash in 1971

Their fortunes began to change over the course of 1971, where the band’s average earnings doubled.[54] “We realized that the audience was a big part of what we did, which couldn’t be duplicated in a studio. A lightbulb finally went off; we needed to make a live album,” said Allman.[55] At Fillmore East, recorded at the Fillmore East in New York, was released in July 1971 by Capricorn.[56] While previous albums by the band had taken months to hit the charts (often near the bottom of the top 200), the record started to climb the charts after a matter of days.[57] At Fillmore East peaked at number thirteen on Billboard‘s Top Pop Albums chart, and was certified gold by the Recording Industry Association of America that October, becoming their commercial and artistic breakthrough.[57] Although suddenly very wealthy and successful, much of the band and its entourage now struggled with addiction to numerous drugs; they all agreed to quit heroin, but cocaine remained a problem.[58] His last conversation with his brother was an argument over the substance, in which Gregg lied. In his autobiography, Allman wrote: “I have thought of that lie every day of my life […] told him that lie, and he told me that he was sorry and that he loved me.”[59]

Shortly after At Fillmore East was certified gold in domestic sales, Duane was killed in a motorcycle accident in Macon.[60] At his funeral the next day, Gregg performed “Melissa”, which was his brother’s favorite song.[61] After the service, he confided in his bandmates that they should continue. He left for Jamaica to get away from Macon, and was in grief for the following few weeks.[62] “I tried to play and I tried to sing, but I didn’t do too much writing. In the days and weeks that followed, […] I wondered if I’d ever find the passion, the energy, the love of making music,” he remembered.[62] As the band took some time apart to process their loss, At Fillmore East became a major success in the U.S. “What we had been trying to do for all those years finally happened, and he was gone.”[63] Allman later expanded upon his brother’s passing in his autobiography:

“When I got over being angry, I prayed to him to forgive me, and I realized that my brother had a blast. […] Not that I got over it—I still ain’t gotten over it. I don’t know what getting over it means, really. I don’t stand around crying anymore, but I think about him every day of my life. […] Maybe a lot of learning how to grieve was that I had to grow up a little bit and realize that death is part of life. Now I can talk to my brother in the morning, and he answers me at night. I’ve opened myself to his death and accepted it, and I think that’s the grieving process at work.”[64]

Mainstream success and fame (1972–1976)

Allman performing with the Allman Brothers in 1975

After Duane’s death, the band held a meeting on their future; it was clear all wanted to continue, and after a short period, the band returned to the road.[65] They completed their third studio album, Eat a Peach, that winter, which raised each member’s spirits: “The music brought life back to us all, and it was simultaneously realized by every one of us. We found strength, vitality, newness, reason, and belonging as we worked on finishing Eat a Peach“, said Allman.[66] Eat a Peach was released the following February, and it became the band’s second hit album, shipping gold and peaking at number four on Billboard‘s Top 200 Pop Albums chart.[67] “We’d been through hell, but somehow we were rolling bigger than ever,” Allman recalled.[68] Betts had to convince the band members to tour, since all other members were reluctant.[69] The Allman Brothers Band played 90 shows in 1972 in support of the record. “We were playing for him and that was the way to be closest to him,” said Trucks.[69] The band purchased 432 acres of land in Juliette, Georgia for $160,000 and nicknamed it “the Farm”; it soon became a group hangout.[70] Oakley, however, was visibly suffering from the death of his friend,[71] and he too was killed in a motorcycle crash in November 1972.[72] “Upset as I was, I kind of breathed a sigh of relief, because Berry’s pain was finally over,” Allman said.[68]

The band unanimously decided to carry on, and enlisted Lamar Williams on bass and Chuck Leavell on piano. The band began recording Brothers and Sisters, their follow-up album, and Betts became the group’s de facto leader during the recording process.[73] Meanwhile, after some internal disagreements, Allman began recording a solo album, which he titled Laid Back. The sessions for both albums often overlapped and its creation caused tension within the rest of the band.[74] Both albums were released in the autumn of 1973, with Brothers and Sisters cemented the Allman Brothers’ place among the biggest rock bands of the 1970s. “Everything that we’d done before—the touring, the recording—culminated in that one album,” Allman recalled.[75]Ramblin’ Man“, Betts’ country-infused number, received interest from radio stations immediately, and it rose to number two on the Billboard Hot 100.[67] The Allman Brothers Band returned to touring, playing larger venues, receiving more profit and dealing with less friendship, miscommunication and spiraling drug problems.[67][76] This culminated in a backstage brawl when the band played with the Grateful Dead at Washington‘s RFK Stadium in June 1973, which resulted in the firing of three of the band’s longtime roadies.[77] The band played arenas and stadiums almost solely as their drug use escalated. In 1974, the band was regularly making $100,000 per show, and was renting the Starship, a customized Boeing 720B used by Led Zeppelin and the Rolling Stones.[78] “When [we] got that goddamn plane, it was the beginning of the end,” said Allman.[79]

In between tours, Allman embarked on another tour to promote Laid Back. He brought along the musicians who helped record the album as his band, and hired a full string orchestra to accompany the group.[74] A live album of material from the tour was released as The Gregg Allman Tour later that year, to help recoup costs for the tour.[80] It went up against Betts’ first solo record, Highway Call, prompting some to dub their relationship a rivalry. Their relationships became increasingly frustrated, amplified by heavy drug and alcohol abuse.[81] In January 1975, Allman began a relationship with pop star Cher—which made him more “famous for being famous than for his music,” according to biographer Alan Paul.[82] The sessions that produced 1975’s Win, Lose or Draw, the last album by the original Allman Brothers Band, were disjointed and inconsistent. Allman was spending more time in Los Angeles with Cher.[83] Their time off from one another the previous fall “only exaggerated the problems between our personalities. With each day there was more and more space between us; the Brotherhood was fraying, and there wasn’t a damn thing any of us could do to stop it.”[84]

Upon its release, it was considered subpar and sold less than its predecessor; the band later remarked that they were “embarrassed” about the album.[85] From August 1975 to May 1976, the Allman Brothers Band played 41 shows to some of the biggest crowds of their career.[86] Gradually, the members of the band grew apart during these tours, with sound checks and rehearsals “[becoming] a thing of the past.”[86] Allman later pointed to a benefit for presidential candidate Jimmy Carter as the only real “high point” in an otherwise “rough, rough tour.” The shows were considered lackluster and the members were excessive in their drug use.[87][88] The “breaking point” came when Allman testified in the trial of security man Scooter Herring.[67]Bandmates considered him a “snitch,” and he received death threats, leading to law-enforcement protection.[89] Herring was convicted on five counts of conspiracy to distribute cocaine and received a 75-year prison sentence, which were later overturned as he received a lesser sentence.[89] For his part, Allman always maintained that Herring had told him to take the deal and he would take the fall for it, but nevertheless, the band refused to communicate with him.[89] As a result, the band finally broke up; Leavell, Williams, and Jaimoe continued playing together in Sea Level, Betts formed Great Southern, and Allman founded the Gregg Allman Band.[90]

Mid-career and struggles

Marriages, breakups, and music (1977–1981)

Allman married Cher in June 1975, and the two lived in Hollywood during their years together as tabloid favorites.[4] Their marriage produced one son, Elijah Blue Allman, who was born in July 1976.[91] He recorded his second solo album, Playin’ Up a Storm, with the Gregg Allman Band, and it was released in May 1977. He also worked on an collaborative album with Cher titled Two the Hard Way, which, upon its release, was a massive failure.[73] The couple went to Europe to tour in support of both albums,[92] though the crowd reception was mixed.[93] With a combination of Allman Brothers fans and Cher fans, fights often broke out in venues, which led Cher to cancel the tour.[94] Turmoil began to overwhelm their relationship, and the two divorced in 1978.[95] Allman returned to Daytona Beach to stay with his mother, spending the majority of his time partying, chasing women, and touring with the Nighthawks, a blues band.[96]In a 2011 interview with WBUR’s On Point, Allman told host Tom Ashbrook that he was also uncomfortable with his wife’s celebrity lifestyle.

The Allman Brothers Band reunited in 1978, hiring two new members: guitarist Dan Toler and bassist David Goldflies.[90] Betts had approached Allman during his time in Daytona regarding a reunion.[97] Allman remembered that each member had their own reasons for rejoining, though he surmised it was a combination of displeasure with how things ended, missing each other, and a need for money.[98] The band’s reunion album, Enlightened Rogues, was released in February 1979 and was a mild commercial success.[99][100] Betts’ lawyer, Steve Massarsky, began managing the group,[100] and led the band to sign with Arista, who pushed the band to “modernize” their sound.[101] Their first Arista effort, Reach for the Sky (1980), was produced by Nashville songwriters Mike Lawler and Johnny Cobb.[101] Drugs remained a problem with the band, particularly among Betts and Allman.[102] The band again grew apart, replacing Jaimoe with Toler’s brother Frankie.[103] “One of the real blights on the history of the Allman Brothers Band was that Jaimoe, this gentle man, was fired from this organization,” said Allman later.[104]Not long after, “the band changed managers, hiring the promoter John Scher after Massarsky eased himself out, reportedly saying, ‘It’s a million-dollar headache and a quarter-million-dollar job.'”[105]

For their second and final album with Arista, Brothers of the Road, they collaborated with a “name producer” (John Ryan, of Styx and the Doobie Brothers), who pushed the band even harder to change their sound.[106]Straight from the Heart” was the album’s single, which became a minor hit but heralded the group’s last appearance on the top 40 charts.[107] The band, considering their post-reunion albums “embarrassing,” subsequently broke up in 1982 after clashing with Clive Davis, who rejected every producer the band suggested for a possible third album, including Tom Dowd and Johnny Sandlin.[108] “We broke up in ’82 because we decided we better just back out or we would ruin what was left of the band’s image,” said Betts.[108] The band’s final performance came on Saturday Night Live in January 1982, where they performed “Southbound” and “Leavin’.”[109] “It was like a whole different band made those records […] In truth, though, I was just too drunk most of the time to care one way or the other,” Allman would recall.[110]

Downtime, a surprise hit, and another reformation (1982–1990)

“No two ways about it, the ’80s were rough. […] It was seven years of going, “What is it that I do?” Being self-employed your whole life, that becomes a certain rock, a reinforcement. When that’s gone, not only are you bored stiff, but you just want to cry—”What do I do? I know I used to serve a purpose.”[111]

—Allman reflecting on his career in the 1980s

Allman spent much of the 1980s adrift and living in Sarasota, Florida with friends Marcia and Chuck Boyd.[112] His alcohol abuse was at one of its worst points, with Allman consuming “a minimum of a fifth of vodka a day.”[113] He felt the local police pursued him heavily, due to his tendency to get inebriated and “go jam anywhere.”[114] He was arrested and charged with a DUI; as a result, he spent five days in jail and was charged $1,000.[111] While he did not consider himself “washed up,” he noted in his autobiography that “there’s that fear of everybody forgetting about you.”[111] Southern rock faded from popular culture and electronic music formed much of the pop music of the decade. “There was hardly anybody playing live music, and those who did were doing it for not much money, in front of some die-hard old hippies in real small clubs,” he later recalled.[115] Nevertheless, he reformed the Gregg Allman Band and toured nationwide.[116] He often went to Telstar Studios to rehearse and write new songs. At one point, he attempted to reconnect with his children, though, according to him, “it just wasn’t a good situation.”[117]

By 1986, he felt tired of having little funds, and teamed up with former bandmate Betts for several performances together. It led to two Allman Brothers reunion performances that summer. Eventually, tension would arise and they would spend time apart again.[118] After recording several demos in Los Angeles, Allman was offered a recording contract by Epic Records.[119] He recorded his third solo release, I’m No Angel, at Criteria in Miami. Released in 1987, the title track became a surprise hit on radio. Allman released another solo album the following year, Just Before the Bullets Fly, though it did not sell as well as its predecessor. His alcohol abuse continued in the late 1980s, as he moved to Los Angeles and lived at the Riot House.[120] He married Danielle Galliano in a midlife crisis wherein he felt he would one day be too “old and ugly” to get married.[120] The marriage began with Allman overdosing at the Riot House—”so our marriage started off with a bang,” he said.[121] He dabbled in acting for the first time, taking a small part in the film Rush Week (1989),[122] and he sang the opening track to the film Black Rain (1989).[120]

The Allman Brothers Band celebrated its twentieth anniversary in 1989, and the band reunited for a summer tour, with Jaimoe once again on drums.[123] In addition, they featured guitarist Warren Haynes and pianist Johnny Neel, both from the Dickey Betts Band, and bassist Allen Woody, who was hired after open auditions held at Trucks’s Florida studio.[123] The classic rock radio format had given the band’s catalog songs new relevance, as did a multi-CD retrospective box set, Dreams.[124] Epic, who had worked with Allman on his solo career, signed the band. Danny Goldberg became the band’s manager; he had previously worked with acts such as Led Zeppelin and Bonnie Raitt.[125] The group were initially reluctant to tour, but found they performed solidly; in addition, former roadies such as “Red Dog” returned.[126] The band returned to the studio with longtime producer Tom Dowd for 1990’s Seven Turns, which was considered a return to form.[67][127]Good Clean Fun” and “Seven Turns” each became big hits on the Mainstream Rock Tracks chart. The addition of Haynes and Woody had “reenergized” the ensemble.[128] Neel left the group in 1990, and the band added percussionist Marc Quiñones, formerly of Spyro Gyra, the following year.[129]

Reforming the band and breaking addictions (1991–2000)

The band began touring heavily,[130] which helped build a new fan base: “We had to build a fan base all over again, but as word of mouth spread about how good the music was, more and more people took notice. It felt great, man, and that really helped the music,” Allman recalled.[131] Their next studio effort, Shades of Two Worlds (1992), produced the crowd favorite “Nobody Knows”.[132] Allman took his second and final acting role in Rush (1991), a crime drama. Allman greatly enjoyed the experience: “It was a different facet of the entertainment industry, and I wanted to see how those people worked together.”[133] The band grew contentious over a 1993 tour, in which Betts was arrested when he shoved two police officers.[130]Despite the growing tension, Haynes remained a member and Betts returned.[134] Their third post-reunion record, Where It All Begins (1994), was recorded entirely live.[134] The band continued to tour with greater frequency, attracting younger generations with their headlining of the H.O.R.D.E. Festival.[107][135] Allman’s daughter, Island, came to live with him in Los Angeles, and despite early struggles, they eventually grew very close.[136] “Island is the love of my life, she really is,” he would later write.[97]

For much of the 1990s, Allman lived in Marin County, California, spending his free time with close friends and riding his motorcycle.[137] The band was inducted into the Rock and Roll Hall of Fame in January 1995; Allman was severely inebriated and could not make it through his acceptance speech.[138] Seeing the ceremony broadcast on television later, Allman was mortified, providing a catalyst for his final, successful attempt to quit alcohol and substance abuse. He hired two in-home nurses that switched twelve-hour shifts to help him through the process.[139]He was immensely happy to finally quit alcohol, writing later in his autobiography: “Did I get any positive anything out of all that? And you’ve got to admit to yourself, no, I didn’t. You can see what happened and that by the grace of God, you finally quit before it killed you.”[139] Allman recorded a fifth solo album, Searching for Simplicity, which was quietly released on 550 Music.[73]Despite positive developments in his personal life, things began declining among the band members. During their 1996 run at the Beacon, turmoil came to a breaking point between Allman and Betts, nearly causing a cancellation of a show and causing another band breakup.[140] Haynes and Woody left to focus on Gov’t Mule, feeling as though a break was imminent with the Allman Brothers Band.[141][142]

The group recruited Oteil Burbridge of the Aquarium Rescue Unit to replace Woody on bass, and Jack Pearson on guitar.[143] Concerns arose over the increasing loudness of Allman Brothers shows, which were largely centered on Betts.[142] Pearson, struggling with tinnitus, left as a result following the 1999 Beacon run.[144] Trucks phoned his nephew, Derek Trucks, to join the band for their thirtieth anniversary tour.[145] The Beacon run in 2000, captured on Peakin’ at the Beacon, was ironically considered among the band’s worst performances; an eight-show spring tour led to even more strained relations in the group.[146] “It had ceased to be a band—everything had to be based around what Dickey was playing,” said Allman.[147] Anger boiled over within the group towards Betts, which led to all original members sending him a letter, informing him of their intentions to tour without him for the summer.[148] All involved contend that the break was temporary, but Betts responded by hiring a lawyer and suing the group, which led to a permanent divorce.[147] That August, Woody was found dead in a hotel room in New York,[149] which hit Allman particularly hard.[150] In 2001, Haynes rejoined the band for their Beacon run,[149] setting the stage for over a decade of stability within the group.

Later years

Touring and health problems (2000–2014)

Allman during the Allman Brothers Band’s annual residency at the Beacon Theater in New York in 2009

Allman moved to Savannah, Georgia, in 2000, purchasing five acres on the Belfast River.[151] The last incarnation of the Allman Brothers Band was well-regarded among fans and the general public, and remained stable and productive.[67][107] The band released their final studio recording, Hittin’ the Note (2003), to critical acclaim.[107] Allman co-wrote many songs on the record with Haynes, and he regarded it as his favorite album by the group since their earliest days. The band continued to tour throughout the 2000s, remaining a top touring act, regularly attracting more than 20,000 fans.[67]The decade closed with a successful run at the Beacon Theater, in celebration of the band’s fortieth anniversary.[152] “That [2009 run] was the most fun I’ve ever had in that building,” said Allman, and it was universally regarded within the band as a career highlight.[153][154][107] The run featured numerous special guests, including Eric Clapton, whom all in the band regarded as the most “special” guest, due to his association with Duane.[155]

He was diagnosed with hepatitis C in 2007—which he attributed to a dirty tattoo needle.[156] By the next year, they had discovered three tumors within his liver, and he was recommended to the Mayo Clinic in Jacksonville by a Savannah doctor for a liver transplant.[157] He went on a waiting list and after five months, he underwent a successful liver transplant in 2010.[158] He was reluctant to pursue a new solo album after the death of longtime producer Tom Dowd in 2002, but eventually recorded with producer T-Bone Burnett on his seventh release, Low Country Blues.[159] He was initially reluctant to Burnett’s suggestion to not bring his normal band, but he eventually became very positive about the recording, later calling it “a true highlight of my career.”[160] It went unreleased during his health problems, and during that time, it became something of a confidence booster: “When things got real bad, real painful, I would just think about this record and it was kind of a life support system.”[159] Upon its release in January 2011, it represented Allman’s highest ever chart peak in the United States, debuting at number five.[161]

He promoted the album heavily in Europe, until he had to cancel the rest of the trip due to an upper respiratory condition.[162] This infection led to a lung surgery later that year.[151] He went to rehab in 2012 for addiction following his medical treatments.[163] That year, Allman released his memoir, My Cross to Bear, which was thirty years in the making.[164] It eventually got optioned to be turned into a feature film—titled Midnight Rider—that was eventually canceled after a train accident on set caused the death of a member of the crew. In 2014, a tribute concert was held celebrating Allman’s career; it was later released as All My Friends: Celebrating The Songs & Voice Of Gregg Allman.[165] The same year, the Allman Brothers Band performed their final concerts, as Haynes and Derek Trucks desired to depart the group.[166][167]

Recent events (2015–2017)

After the dissolution of the Allman Brothers, Allman kept busy performing music with his band, releasing the live album Gregg Allman Live: Back to Macon, GA in 2015.[168] His health problems remained; he had atrial fibrillation. As a result, he attempted to grow healthier, switching to a gluten-free vegan diet.[165] He attempted to keep a light schedule at the advice of doctors, who warned that too many performances might amplify his conditions. Allman’s mother, Geraldine, died in July 2015 at the age of 98.[168] On April 6, 2016, Allman’s tour bus carrying his crew and horns crashed into a hillside in Jackson County, West Virginia. Allman was not among those injured.[169] One month later, he received an honorary doctorate from Mercer University in Macon, presented by former President Jimmy Carter.[170]

Allman recorded his last album, Southern Blood, with producer Don Was at FAME Studios in Muscle Shoals, Alabama. The album was recorded with his then-current backing band.[171] It is set for a January 2017 release.[172]

Personal life

Allman’s brother Duane died in a motorcycle accident in Macon, Georgia, in October 1971. “Duane was the father of the band,” Gregg Allman later told Guitar Player magazine. “Somehow he had this real magic about him that would lock us all in, and we’d take off.”

While enjoying great commercial success, Allman was in a downward spiral in his personal life. He became a heroin addict and was arrested on drug charges in 1976. To avoid jail, Allman agreed to testify against Scooter Herring, his road manager. Herring was later found guilty on narcotics distribution charges and sentenced to 75 years in prison.[173] Allman’s testimony was seen as a betrayal by his bandmates, who swore that they would never work with him again.

In 2007, Allman was diagnosed with hepatitis C. The condition “was laying dormant for awhile and just kind of crept up on me. I was worn out. I had to sleep 10 or 11 hours a day to two or three [hours],” he explained to Billboard. He had a liver transplant in 2010.[174] In April 2017, he denied reports that he had entered hospice care, but was resting at home on doctor’s orders.[175]

Marriages, relationships and children

Allman’s partners included Shelley Kay Winters, Janice Blair, Cher, Julie Bindas, Ganielle J P Galiana and Stacey Fountain. In 2012 he announced an engagement on the Piers Morgan show to Shannon Williams.[176]

Allman had five children – son Devon Allman, 44, lead singer of Honeytribe, from his marriage to Shelley Kay Winters, Elijah Blue Allman, 40, lead singer of Deadsy, from his marriage to Cher, Delilah Island Allman, 35, from his marriage to Julie Bindas, Michael Sean Allman, 50, from a relationship with former waitress Mary Lynn Green, and Layla Brooklyn Allman, 23, from a relationship with radio journalist Shelby Blackburn.[176]

Death

Following a series of health problems,[177] Allman died at his home in Savannah, Georgia, on May 27, 2017 due to complications of liver cancer. He was 69.[178][179][180][181]

Discography

Studio
Live

See also

References

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O brother where art thou — Videos

Posted on May 11, 2017. Filed under: American History, Art, Art, Blogroll, Communications, Culture, history, Music, People, Philosophy, Raves, Raymond Thomas Pronk | Tags: , , , , , , , , , , |

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Down In The River To Pray

O Brother,Where Art Thou? ” Three Sirens-,,Go to Sleep Little Baby!”

O Brother Where Art Though – The Soggy Bottom Boys – I Am A

O Brother, Where Art Thou? – Constant Sorrow [HD]

In The Jailhouse Now

O Brother, Where Art Thou? (1/10) Movie CLIP – Yours Truly (2000) HD

O Brother, Where Art Thou? (2/10) Movie CLIP – We’re in a Tight Spot! (2000) HD

O Brother, Where Art Thou? (3/10) Movie CLIP – Crossroads (2000) HD

O Brother, Where Art Thou? (4/10) Movie CLIP – Baby Face Nelson (2000) HD

The Sirens – O Brother, Where Art Thou? (5/10) Movie CLIP (2000) HD

O Brother, Where Art Thou? (6/10) Movie CLIP – Horny Toad (2000) HD

O Brother, Where Art Thou? (7/10) Movie CLIP – Big Dan Teague (2000) HD

O Brother, Where Art Thou? (8/10) Movie CLIP – Klan Rally (2000)

O Brother, Where Art Thou? (9/10) Movie CLIP – Saved by the Flood

O Brother, Where Art Thou? (10/10) Movie CLIP – The South Is Gonna Change (2000) HD

O Brother, Where Art Thou?

From Wikipedia, the free encyclopedia
O Brother, Where Art Thou?
O brother where art thou ver1.jpg

Theatrical release poster
Directed by Joel Coen
Produced by
  • Ethan Coen
Written by
  • Ethan Coen
  • Joel Coen
Based on The Odyssey
by Homer
Starring
Music by T Bone Burnett
Cinematography Roger Deakins
Edited by
Production
company
Distributed by
Release date
  • October 19, 2000
Running time
107 minutes
Country
  • United Kingdom[1]
  • United States[1]
  • France[1]
Language English
Budget $26 million[2]
Box office $71.9 million[3]

O Brother, Where Art Thou? is a 2000 adventure film written, produced, and directed by Joel and Ethan Coen, and starring George Clooney, John Turturro, and Tim Blake Nelson, with John Goodman, Holly Hunter, and Charles Durning in supporting roles. Set in 1937 rural Mississippi[4] during the Great Depression, the film’s story is a modern satire loosely based on Homer‘s epic poem, Odyssey. The title of the film is a reference to the 1941 film Sullivan’s Travels, in which the protagonist (a director) wants to film O Brother, Where Art Thou?, a fictional book about the Great Depression.[5]

Much of the music used in the film is period folk music,[6] including that of Virginia bluegrass singer Ralph Stanley.[7] The movie was one of the first to extensively use digital color correction, to give the film an autumnal, sepia-tinted look.[8] The film received positive reviews, and the American folk music soundtrack won a Grammy for Album of the Year in 2001.[9] The original band soon became popular after the film release and the country and folk musicians who were dubbed into the film, such as John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Sharp, and others, joined together to perform the music from the film in a Down from the Mountain concert tour which was filmed for TV and DVD.[6]

Plot

Three convicts, Ulysses Everett McGill, Pete Hogwallop, and Delmar O’Donnell escape from a chain gang and set out to retrieve a supposed treasure Everett buried before the area is flooded to make a lake. The three get a lift from a blind man driving a handcar on a railway. He tells them, among other prophecies, that they will find a fortune but not the one they seek. The trio make their way to the house of Wash, Pete’s cousin. They sleep in the barn, but Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. Wash’s son helps them escape.

They pick up Tommy Johnson, a young black man, who claims he sold his soul to the devil in exchange for the ability to play guitar. In need of money, the four stop at a radio broadcast tower where they record a song as The Soggy Bottom Boys. That night, the trio part ways with Tommy after their car is discovered by the police. Unbeknownst to them, the recording becomes a major hit.

Near a river, the group hears singing. They see three women washing clothes and singing. The women drug them with corn whiskey and they lose consciousness. Upon waking, Delmar finds Pete’s clothes lying next to him, empty except for a toad. Delmar is convinced the women were Sirens and transformed Pete into the toad. Later, one-eyed Bible salesman Big Dan Teague invites them for a picnic lunch, then mugs them and kills the toad.

Everett and Delmar arrive in Everett’s home town. Everett confronts his wife Penny, who changed her last name and told his daughters he was dead. He gets into a fight with Vernon T. Waldrip, her new “suitor.” They later see Pete working on a chain gang. Later that night, they sneak into Pete’s holding cell and free him. As it turns out, the women had dragged Pete away and turned him in to the authorities. Under torture, Pete gave away the treasure’s location to the police. Everett then confesses that there is no treasure. He made it up to convince the guys he was chained with to escape with him. Pete is enraged at Everett, because he had two weeks left on his original sentence, and must serve fifty more years for the escape.

The trio stumble upon a Ku Klux Klan rally, who are planning to hang Tommy. The trio disguise themselves as Klansmen and attempt to rescue Tommy. However, Big Dan, a Klan member, reveals their identities. Chaos ensues, and the Grand Wizard reveals himself as Homer Stokes, a candidate in the upcoming gubernatorial election. The trio rush Tommy away and cut the supports of a large burning cross, leaving it to fall on Big Dan.

Everett convinces Pete, Delmar and Tommy to help him win his wife back. They sneak into a Stokes campaign gala dinner she is attending, disguised as musicians. The group begins a performance of their radio hit. The crowd recognizes the song and goes wild. Homer recognizes them as the group who humiliated his mob. When he demands the group be arrested and reveals his white supremacist views, the crowd runs him out of town on a rail. Pappy O’Daniel, the incumbent candidate, seizes the opportunity, endorses the Soggy Bottom Boys and grants them full pardons. Penny agrees to marry Everett with the condition that he find her original ring.

The next morning, the group sets out to retrieve the ring, which is at a cabin in the valley, which Everett earlier claimed was the location of his treasure. The police, having learned of the place from Pete, arrest the group. Dismissing their claims of receiving pardons, Sheriff Cooley orders them hanged. Just as Everett prays to God, the valley is flooded and they are saved. Tommy finds the ring in a desk that floats by, and they return to town. However, when Everett presents the ring to Penny, it turns out it wasn’t her ring, and she doesn’t even remember where she put it.

Cast

  • George Clooney as Ulysses Everett McGill, a man who is imprisoned for practicing law without a license. He claims to have escaped from prison so he can find a stash of money he had hidden, though in reality it is so he can get back to his family before his wife remarries. He corresponds to Odysseus (Ulysses) in the Odyssey.[10]
  • John Turturro, as Pete Hogwallop, a fellow criminal who reveals little about his past. He believes in being true to one’s kin, even when his cousin Washington B. Hogwallop betrays him. He dreams of moving out west and opening a fine restaurant, where he will be the maître d’. He agreed to go along with the breakout, though he only had two weeks left on his sentence.
  • Tim Blake Nelson as Delmar O’Donnell, a small-time crook imprisoned for robbing a Piggly Wiggly in Yazoo City; he initially claims innocence but later admits he is guilty. Delmar says he will spend his share of Everett’s nonexistent money buying back his family farm, believing, “You ain’t no kind of man if you ain’t got land.”
  • Chris Thomas King as Tommy Johnson, a skilled blues musician. He is the accompanying guitarist in the Soggy Bottom Boys. He claims he sold his soul to the devil in exchange for his skill on the guitar. He shares his name and story with Tommy Johnson, a blues musician with a mysterious past, who is said to have sold his soul to the devil at the Crossroads (a story more often attributed to Robert Johnson).[11][12]
  • Frank Collison as Washington B. “Wash” Hogwallop, Pete’s paternal cousin. He removes the escapees’ chains but later betrays the men to the police.
  • John Goodman as Daniel “Big Dan” Teague, a one-eyed man who masquerades as a bible salesman and mugs Everett and Delmar. He later reveals the identity of the trio when they are disguised at a Ku Klux Klan rally, but they kill him by cutting loose a burning cross, which falls on him and the Klansmen. He corresponds to the cyclops Polyphemus in the Odyssey.[10]
  • Holly Hunter as Penny, Everett’s ex-wife, who is fed up with Everett’s wheeling and dealing. She divorces him while he is in prison, telling their children he was hit by a Louisville & Nashville train. She is engaged to Vernon T. Waldrip until Everett wins her back. She corresponds to Penelope in the Odyssey.[10] (Penelope is an icon of the faithful wife, as she rejected her many suitors, stalling for time while awaiting Odysseus’ return.)
  • Charles Durning as Menelaus “Pappy” O’Daniel, the incumbent Governor of Mississippi. He is frequently seen berating his son and his campaign managers, who are depicted as simpletons. The character is based on Texas governor W. Lee “Pappy” O’Daniel.[13](Flensted-Jensen elaborates on the connection between the fictional and the real Pappy O’Daniel.)[10] He corresponds to Menelaus in the Odyssey.
  • Daniel von Bargen as Sheriff Cooley, a ruthless rural sheriff who, with his bloodhound, pursues the trio for the duration of the film. It is implied several times that he is the devil incarnate, and Cooley fits Tommy Johnson’s description of Satan: Cooley’s sunglasses evoke Satan’s “big empty eyes.” He eventually ambushes the escapees after they have been pardoned by the governor. He intends to hang them nonetheless, but when the valley is flooded, he, his men, and his dog all drown. He corresponds to Poseidon in the Odyssey.[10] He has been compared to Boss Godfrey in Cool Hand Luke.[14]
  • Wayne Duvall as Homer Stokes, the reform candidate in the upcoming election for Governor. He travels the countryside with a dwarf, who depicts the “little man”, and a broom, with which he promises to “sweep this state clean”. He is secretly an Imperial Wizard in the Ku Klux Klan. He falsely identifies Everett, Pete, and Delmar as people of color because they are dirty.
  • Ray McKinnon as Vernon T. Waldrip, Penny’s bona fide suitor and the manager of Homer Stokes’s election campaign. It has been suggested that his name is a nod to novelist Howard Waldrop, whose novella A Dozen Tough Jobs is one of the inspirations for the film.[15] He corresponds to the Suitors of Penelope in the Odyssey.[10]
  • Michael Badalucco as George Nelson, a bipolar bank robber who dislikes being called “Baby Face”. The real George Nelson died in 1934, three years before the story is set. Nelson died in a shootout known as the Battle of Barrington rather than by electric chair, as suggested in the film.
  • Stephen Root as Mr. Lund, the blind radio station manager who records Everett’s story in the song “Man of Constant Sorrow” and makes him known throughout the state. He corresponds to Homer.[10]
  • Lee Weaver as the Blind Seer, a mysterious railroad man who accurately predicts the outcome of the trio’s adventure as well as several other incidents. He corresponds to Tiresias in the Odyssey.[10]

Production

The idea of O Brother, Where Art Thou? arose spontaneously. Work on the script began long before the start of production in December 1997 and was at least half-written by May 1998. Despite the fact that Ethan described the Odyssey as “one of my favorite storyline schemes”, neither of the brothers had read the epic and were only familiar with its content through adaptations and numerous references to the Odyssey in popular culture.[16] According to the brothers, Nelson (who has a degree in classics from Brown University)[17][18] was the only person on the set who had read the Odyssey.[19]

The title of the film is a reference to the 1941 Preston Sturges film Sullivan’s Travels, in which the protagonist (a director) wants to direct a film about the Great Depression called O Brother, Where Art Thou?[5] that will be a “commentary on modern conditions, stark realism, and the problems that confront the average man”. Lacking any experience in this area, the director sets out on a journey to experience the human suffering of the average man but is sabotaged by his anxious studio. The film has some similarity in tone to Sturges’s film, including scenes with prison gangs and a black church choir. The prisoners at the picture show scene is also a direct homage to a nearly identical scene in Sturges’s film.[20]

Joel Coen revealed in a 2000 interview that he came to Phoenix, Arizona, to offer the lead role to Clooney. Clooney agreed to do the role immediately, without reading the script. He stated that he liked even the Coens’ least successful films.[21] Clooney did not immediately understand his character and sent the script to his uncle Jack who lived in Kentucky and asked him to read the entire script into a tape recorder.[22] Unknown to Clooney, in his recording, Jack, a devout Baptist, omitted all instances of the words “damn” and “hell” from the Coens’ script, which only became known to Clooney after the directors pointed this out to him in the middle of shooting.[22]

This was the fourth film of the brothers in which John Turturro has starred. Other actors in O Brother, Where Art Thou? who had worked previously with the Coens include John Goodman (three films), Holly Hunter (two), Michael Badalucco and Charles Durning (one film each).

The Coens used digital color correction to give the film a sepia-tinted look.[8] Joel stated this was because the actual set was “greener than Ireland.” [22] Cinematographer Roger Deakins stated, “Ethan and Joel favored a dry, dusty Delta look with golden sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colors dictated by the scene and natural skin tones that were all shades of the rainbow.”[23] Initially the crew tried to perform the color correction using a physical process, however after several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally.[22]

This was the fifth film collaboration between the Coen Brothers and Deakins, and it was slated to be shot in Mississippi at a time of year when the foliage, grass, trees, and bushes would be a lush green.[23] It was filmed near locations in Canton, Mississippi and Florence, South Carolina in the summer of 1999.[24] After shooting tests, including film bipack and bleach bypass techniques, Deakins suggested digital mastering be used.[23] Deakins subsequently spent 11 weeks fine-tuning the look, mainly targeting the greens, making them a burnt yellow and desaturating the overall image in the digital files.[8] This made it the first feature film to be entirely color corrected by digital means, narrowly beating Nick Park‘s Chicken Run.[8]

O Brother, Where Art Thou? was the first time a digital intermediate was used on the entirety of a first-run Hollywood film that otherwise had very few visual effects. The work was done in Los Angeles by Cinesite using a Spirit DataCine for scanning at 2K resolution, a Pandora MegaDef to adjust the color, and a Kodak Lightning II recorder to put out to film.[25]

A major theme of the film is the connection between old-time music and political campaigning in the Southern U.S. It makes reference to the traditions, institutions, and campaign practices of bossism and political reform that defined Southern politics in the first half of the 20th century.

The Ku Klux Klan, at the time a political force of white populism, is depicted burning crosses and engaging in ceremonial dance. The character Menelaus “Pappy” O’Daniel, the governor of Mississippi and host of the radio show The Flour Hour, is similar in name and demeanor to W. Lee “Pappy” O’Daniel,[26] one-time Governor of Texas and later U.S. Senator from that state.[27] W. Lee O’Daniel was in the flour business, and used a backing band called the Light Crust Doughboys on his radio show.[28] In one campaign, W. Lee O’Daniel carried a broom,[29] an oft-used campaign device in the reform era, promising to sweep away patronage and corruption.[29] His theme song had the hook, “Please pass the biscuits, Pappy”, emphasizing his connection with flour.[28]

While the film borrows from real-life politics, differences are obvious between the characters in the film and historical political figures. The O’Daniel of the movie used “You Are My Sunshine” as his theme song (which was originally recorded by real-life Governor of Louisiana James Houston “Jimmie” Davis[30]) and Homer Stokes, as the challenger to the incumbent O’Daniel, portrays himself as the “reform candidate”, using a broom as a prop.

Music

Music in the film was originally conceived as a major component of the film, not merely as a background or a support. Producer and musician T-Bone Burnett worked with the Coens while the script was still in its working phases, and the soundtrack was recorded before filming commenced.[31]

Much of the music used in the film is period-specific folk music,[6] including that of Virginia bluegrass singer Ralph Stanley.[7] The musical selection also includes religious music, including Primitive Baptist and traditional African American gospel, most notably the Fairfield Four, an a cappella quartet with a career extending back to 1921 who appear in the soundtrack and as gravediggers towards the film’s end. Selected songs in the film reflect the possible spectrum of musical styles typical of the old culture of the American South: gospel, delta blues, country, swing and bluegrass.[32][33]

The use of dirges and other macabre songs is a theme that often recurs in Appalachian music[34] (“O Death”, “Lonesome Valley”, “Angel Band“, “I Am Weary”) in contrast to bright, cheerful songs (“Keep On the Sunny Side”, “In the Highways”) in other parts of the film.

The voices of the Soggy Bottom Boys were provided by Dan Tyminski (lead vocal on “Man of Constant Sorrow”), Nashville songwriter Harley Allen, and the Nashville Bluegrass Band‘s Pat Enright.[35] The three won a CMA Award for Single of the Year[35] and a Grammy Award for Best Country Collaboration with Vocals, both for the song “Man of Constant Sorrow”.[9] Tim Blake Nelson sang the lead vocal on “In the Jailhouse Now“.[5]

“Man of Constant Sorrow” has five variations: two are used in the film, one in the music video, and two in the soundtrack album. Two of the variations feature the verses being sung back-to-back, and the other three variations feature additional music between each verse.[36] Though the song received little significant radio airplay,[37] it reached #35 on the U.S. Billboard Hot Country Singles & Tracks chart in 2002.[38] The version of “I’ll Fly Away” heard in the film is performed not by Krauss and Welch (as it is on the CD and concert tour), but by the Kossoy Sisters with Erik Darling accompanying on long-neck five-string banjo, recorded in 1956 for the album Bowling Green on Tradition Records.[39]

Release

The film premiered at the AFI Film Festival on October 19, 2000.[1] It grossed $71,868,327 worldwide[3] off its $26 million budget.[2]

Reception

Review aggregation website Rotten Tomatoes gives it a score of 77% based on 147 reviews and an average score of 7.1/10. The consensus reads: “Though not as good as Coen brothers’ classics such as Blood Simple, the delightfully loopy O Brother, Where Art Thou? is still a lot of fun.”[40] The film holds an average score of 69/100 on Metacritic based on 30 reviews.[41]

Roger Ebert gave two and a half out of four stars to the film, saying all the scenes in the film were “wonderful in their different ways, and yet I left the movie uncertain and unsatisfied”.[42]

Awards

The film was selected into the main competition of the 2000 Cannes Film Festival.[43]

The film also received two Academy Award nominations at the 73rd Academy Awards: Best Adapted Screenplay and Best Cinematography. Cinematographer Roger Deakins was recognized with both Academy Award and ASC Outstanding Achievement Award nominations for his work on the film.[23]

For his portrayal of Ulysses Everett McGill, George Clooney received the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film was also nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy.

The film is recognized by American Film Institute in these lists:

The Soggy Bottom Boys

The Soggy Bottom Boys, the musical group that the main characters form, serve as accompaniment for the film. The name is an homage to the Foggy Mountain Boys, a bluegrass band led by Lester Flatt and Earl Scruggs.[45] In the film, the songs credited to the band are lip-synched by the actors, except that Tim Blake Nelson does sing his own vocals on “In the Jailhouse Now.” The actual musicians are Dan Tyminski (guitar and lead vocals), Harley Allen, and Pat Enright.[46][47] The band’s hit single is Dick Burnett‘s “Man of Constant Sorrow,” a song that had already enjoyed much success in real life.[48] After the film’s release, the fictitious band became so popular that the country and folk musicians who were dubbed into the film, such as Ralph Stanley, John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Sharp, and others, all got together and performed the music from the film in a Down from the Mountain concert tour which was filmed for TV and DVD.[6]

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Douglas Preston — Impact — Videos

Posted on February 18, 2017. Filed under: Art, Blogroll, Books, Communications, Corruption, Crime, Crisis, Culture, Entertainment, Family, Geology, Heroes, Homicide, Law, liberty, Life, Links, Literacy, Literature, media, Non-Fiction, People, Philosophy, Photos, Physics, Police, Psychology, Rants, Raves, Science, Security, Strategy, Success, Technology, Terrorism, Video, War, Wealth, Work, Writing | Tags: , , , , , , |

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Impact by Douglas Preston–Audiobook Excerpt

Author Interview with Douglas Preston on his book, Blasphemy

Interview with Suspense Author Doug Preston

Douglas Preston: The Lost City of the Monkey God

Ask Amy: Ken Follett- Interview by Douglas Preston

Douglas Preston

From Wikipedia, the free encyclopedia
Douglas Preston
Born Douglas Jerome Preston
May 20, 1956 (age 60)
Cambridge, Massachusetts
Occupation Novelist, journalist
Nationality American
Alma mater Pomona College
Genre Thriller, Techno-thriller, Adventure, Non-Fiction
Notable works Agent Pendergast Series, The Monster of Florence, Wyman Ford series, Gideon Crew series
Spouse Christine Preston
Relatives Richard Preston, David Preston
Website
www.prestonchild.com

Douglas Jerome Preston (born May 20, 1956) is an American author of techno-thriller and horror novels. He has written numerous novels, and although he is most well known for his collaborations with Lincoln Child (including the Agent Pendergast series and Gideon Crew series), he has also written six solo novels, primarily including the Wyman Ford series. He also has authored a number of non-fiction books on history, science, exploration, and true crime.

Life and career

Preston was born in Cambridge, Massachusetts. A graduate of the Cambridge School of Weston in Weston, Massachusetts, and Pomona College in Claremont, California, Preston began his writing career at the American Museum of Natural History in New York.

From 1978 to 1985, Preston worked for the American Museum of Natural History in New York City as a writer, editor, and manager of publications. He served as managing editor for the journal Curator and was a columnist for Natural History magazine.[1] In 1985 he published a history of the museum, Dinosaurs In The Attic: An Excursion into the American Museum of Natural History, which chronicled the explorers and expeditions of the museum’s early days. The editor of that book at St. Martin’s Press was his future writing partner, Lincoln Child.[2] They soon collaborated on a thriller set in the museum titled Relic. It was subsequently made into a motion picture by Paramount Pictures starring Penelope Ann Miller, Tom Sizemore, and Linda Hunt.

In 1986, Preston moved to New Mexico and began to write full-time. Seeking an understanding of the first moment of contact between Europeans and Native Americans in America, he retraced on horseback Francisco Vásquez de Coronado‘s violent and unsuccessful search for the legendary Seven Cities of Gold. That thousand mile journey across the American Southwest resulted in the book Cities of Gold: A Journey Across the American Southwest. Since that time, Preston has undertaken many long horseback journeys retracing historic or prehistoric trails, for which he was inducted into the Long Riders’ Guild.[3] He has also participated in expeditions in other parts of the world, including a journey deep into Khmer Rouge-held territory in the Cambodian jungle with a small army of soldiers, to become the first Westerner to visit a lost Angkor temple. He was the first person in 3,000 years to enter an ancient Egyptian burial chamber in a tomb known as KV5 in the Valley of the Kings.[4] In 1989 and 1990 he taught nonfiction writing at Princeton University. Currently, he’s an active member of the Authors Guild,[5] as well as the International Thriller Writers organization.[6]

Writing career

With his frequent collaborator Lincoln Child, he created the character of FBI Special Agent Pendergast, who appears in many of their novels, including Relic, The Cabinet of Curiosities, Brimstone, and White Fire. Additional novels by the Preston and Child team include Mount Dragon, Riptide, Thunderhead, and The Ice Limit. Later, the duo created the Gideon Crew series, which consists of Gideon’s Sword, Gideon’s Corpse, and The Lost Island.

For his solo career, Preston’s fictional debut was Jennie, a novel about a chimpanzee who is adopted by an American family. His next novel was The Codex, a treasure hunt novel with a style that was much closer to the thriller genre of his collaborations with Child. The Codex introduced the characters of Tom Broadbent and Sally Colorado. Tom and Sally return in Tyrannosaur Canyon, which also features the debut of Wyman Ford, an ex-CIA agent and (at the time) a monk-in-training. Following Tyrannosaur Canyon, Ford leaves the monastery where he is training, forms his own private investigation company, and replaces Broadbent as the main protagonist of Preston’s solo works. Ford subsequently returns in Blasphemy, Impact, and The Kraken Project.

In addition to his collaborations with Child and his solo fictional universe, Preston has written several non-fiction books of his own, mainly dealing with the history of the American Southwest. He has written about archaeology and paleontology for The New Yorker magazine and has also been published in Smithsonian, Harper’s, The Atlantic, Natural History, and National Geographic.[7][8][9][10][11]

In May, 2011, Pomona College conferred on Preston the degree of Doctor of Letters (Honoris Causa).[12] He is the recipient of writing awards in the United States and Europe.[citation needed]

Involvement in the “Monster of Florence” case

Main article: Monster of Florence

In 2000, Preston moved to Florence, Italy with his young family and became fascinated with an unsolved local murder mystery involving a serial killer nicknamed the “Monster of Florence“. The case and his problems with the Italian authorities are the subject of his 2008 book The Monster of Florence, co-authored with Italian journalist Mario Spezi. The book spent three months on the New York Timesbestseller list and won a number of journalism awards in Europe and the United States.[citation needed] It is being developed into a movie by 20th Century Fox, produced by George Clooney. Clooney will play the role of Preston.[13][14]

Involvement in the Amanda Knox case

Preston has criticized the conduct of Italian prosecutor Giuliano Mignini[15] in the trial of American student Amanda Knox, one of three convicted, and eventually cleared,[16] of the murder of British student Meredith Kercher in Perugia in 2007. In 2009, Preston argued on 48 Hours on CBS that the case against Knox was “based on lies, superstition, and crazy conspiracy theories”.[17] In December 2009, after the verdict had been announced, he described his own interrogation by Mignini on Anderson Cooper 360° on CNN. Preston said of Mignini, “this is a very abusive prosecutor. He makes up theories. He’s … obsessed with satanic sex.”[18]

“Operation Thriller” USO Tour

In 2010, Preston participated in the first USO tour sponsored by the International Thriller Writers organization,[19] along with authors David Morrell, Steve Berry, Andy Harp, and James Rollins. After visiting with military personnel at National Navy Medical Center and Walter Reed Army Medical Center, the group spent several days in Kuwait and Iraq, marking “the first time in the USO’s 69-year history that authors visited a combat zone.”[20] Of the experience, Preston said, “As always, we learn a great deal from all of the amazing and dedicated people we meet.”[21]

Authors United

In 2014, during a disagreement over terms between Hachette Book Group and Amazon.com, Inc.,[22] Preston initiated an effort which became known as Authors United.[23] During the contract dispute, books by Hachette authors faced significant shipment delays, blocked availability, and reduced discounts on the Amazon website.[24] Frustrated with tactics he felt unjustly injured authors who were caught in the middle, Preston began garnering the support of like-minded authors from a variety of publishers. In the first open letter from Authors United, over 900 signatories urged Amazon to resolve the dispute and end the policy of sanctions, while calling on readers to contact CEO Jeff Bezos to express their support of authors.[25][26]Not long after, a second open letter, signed by over 1100 authors, was sent to Amazon’s board of directors asking if they personally approved the policy of hindering the sale of certain books.[27]

Describing the motivation behind the campaign, Preston explained: “This is about Amazon’s bullying tactics against authors. Every time they run into difficulty negotiating with a publisher, they target authors’ books for selective retaliation. The authors who were first were from university presses and small presses… Amazon is going to be negotiating with publishers forever. Are they really going to target authors every time they run into a problem with a publisher?”[28]

Bibliography

Novels

  • Preston, Douglas (1994). Jennie. New York: St. Martin’s Press.

Tom Broadbent Novels

Wyman Ford Novels

Collaborations with Lincoln Child

Agent Pendergast series
Gideon Crew series
Short fiction
  • “Gone Fishing” from Thriller: Stories to Keep You Up All Night (2006)
  • “Extraction” [eBook] (2012)
  • “Gaslighted: Slappy the Ventriloquist Dummy vs. Aloysius Pendergast” [eBook] (2014) [35]

Non-fiction

  • Dinosaurs In the Attic: An Excursion into the American Museum of Natural History (1986)
  • Cities of Gold: A Journey Across the American Southwest in Pursuit of Coronado (1992) [36]
  • Talking to the Ground: One Family’s Journey on Horseback Across the Sacred Land of the Navajo (1996)
  • The Royal Road: El Camino Real from Mexico City to Santa Fe (1998)
  • Ribbons of Time: The Dalquest Research Site [photography by Walter W. Nelson, text by Preston] (2006)
  • The Monster of Florence: A True Story [with Mario Spezi] (2008)
  • Trial By Fury: Internet Savagery and the Amanda Knox Case [Kindle Single eBook] (2013)
  • Preston, Douglas (May 6, 2013). “The El Dorado machine : a new scanner’s rain-forest discoveries”. Our Far-Flung Correspondents. The New Yorker. 89 (12): 34–40.
  • The Black Place: Two Seasons [photography by Walter W. Nelson, essay by Preston] (2014)
  • The Lost City of the Monkey God: A True Story (2017)

See also

ttps://en.wikipedia.org/wiki/Douglas_Preston

Impact (novel)

From Wikipedia, the free encyclopedia
Impact
Impact-bookcover.jpg

Hardcover edition
Author Douglas Preston
Country United States
Language English
Series Wyman Ford
Genre Thriller, Science fiction
Publisher Forge Books
Publication date
January 5, 2010
Media type Print (hardback)
Pages 368 pp
ISBN 978-0-7653-1768-1
Preceded by Blasphemy
Followed by The Kraken Project

Impact is a science fiction thriller novel by American writer Douglas Preston, published on January 5, 2010 by Forge Books. The novel is the third book in the Wyman Ford series.[1][2] The book was reviewed on All Things Considered in February 2010.[citation needed]

Plot summary

Ex-CIA agent Wyman Ford returns to Cambodia to investigate the source of radioactive gemstones and uncovers an unusual impact crater. A young woman on the other side of the world photographs a meteoroid‘s passage in the atmosphere with her telescope and deduces that it must have struck on one of the islands just offshore from Round Pond, Maine. A NASA scientist analyzing data from the Mars Mapping Orbiter (MMO) spots unusual spikes in gamma ray activity. These threads intersect with discovery of an alien device that has apparently been on Deimos, one of the two moons of Mars, for at least 100 million years. Something has caused it to activate and fire a strangelet at Earth, setting off the events in the novel.

Timeline

The events in this novel follow those of The Codex, Tyrannosaur Canyon, and Blasphemy. As such, Wyman Ford is the protagonist once again (having appeared in Tyrannosaur Canyon and Blasphemy), and the character of Stanton Lockwood III (who debuted in Blasphemy) also returns.

See also

References

External links

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Ella Fitzgerald — Videos

Posted on February 5, 2017. Filed under: American History, Art, Culture, Entertainment, history, Music, Music, People, Photos, Video, Wisdom, Writing | Tags: , , , , , , |

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Ella Fitzgerald – My Funny Valentine (High Quality – Remastered)

Benny Goodman & Ella Fitzgerald – Goodnight My Love (1937)

Manhattan – Ella Fitzgerald lyrics

Ella Fitzgerald – The Very Thought Of You (lyrics on screen)

Ella Fitzgerald- “It Don’t Mean A Thing If It Ain’t Got That Swing” 1957 (RITY Archives)

Ella Fitzgerald – Midnight Sun – LIVE 1958

Ella Fitzgerald in Copenhagen 1965

Ella Fitzgerald – Summertime (1968)

Summertime,
And the livin’ is easy
Fish are jumpin’
And the cotton is high

Oh, Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry

One of these mornings
You’re going to rise up singing
Then you’ll spread your wings
And you’ll take to the sky

But ’til that morning
There’s a’nothing can harm you
With your daddy and mammy
Standing by
Don’t you cry

Ella Fitzgerald How High is the moon

Ella Fitzgerald and Louis Armstrong – Summertime

Ella & Louis – Cheek to Cheek

Ella Fitzgerald & Louis Armstrong: Dream A Little Dream Of Me

Ella Fitzgerald & Louis Armstrong – Stars Fell On Alabama (1956)

Ella Fitzgerald & Louis Armstrong – Tenderly (Verve Records 1956)

E.Fitzgerald & L.Armstrong, Duets and more (full album)

Let’s Do It (Let’s Fall In Love) by Ella Fitzgerald

Ella Fitzgerald – Mack The Knife (High Quality)

Ella Fitzgerald – Misty

Ella Fitzgerald and The Inkspots – Into Each Life Some Rain Must Fall

Ella Fitzgerald – Hello Dolly (live)

Ella Fitzgerald – The Girl From Ipanema

Ella Fitzgerald – For Once In My Life (Live in Berlin 1968)

Ella Fitzgerald – Live At Ronnie Scott’s (!974)

ELLA FITZGERALD LIVE IN TOKYO (1983)

Ella Fitzgerald LIVE IN MILANO, ITALY 1984

Ella Fitzgerald – Night and Day (w/ lyrics)

Frank Sinatra – The Lady Is A Tramp ft. Ella Fitzgerald

Ella Fitzgerald – Blue Skies (High Quality – Remastered)

Ella Fitzgerald – Cry me a river

Ella Fitzgerald-How deep is the ocean?

Ella Fitzgerald “One Note Samba”

How High The Moon 1958

Ella Fitzgerald British TV 1961 Mr Paganini

Mr Paganini

Ella Fitzgerald – Round Midnight

Ella Fitzgerald The Man I love

Ella sings “Stormy Weather” with Joe Pass, Hannover 1975

Ella Fitzgerald – Sammy Davis Jr. 60th Anniversary Celebration (1990)

Karen Carpenter/Ella Fitzgerald medley, recorded for “Music,Music,Music

Ella Fitzgerald & Joe Pass – Once in a While

Ella Fitzgerald – My Heart Belongs to Daddy

Marilyn Monroe and Ella Fitzgerald sing “My Heart Belongs To Daddy”

Marilyn Monroe And Ella Fitzgerald Sing LAZY Together

Marilyn Monroe Talking About Ella Fitzgerald, Frank Sinatra And Sammy Davis jr

The Best Of Ella Fitzgerald

Ella Fitzgerald – All the Best (FULL ALBUM)

Ella Fitzgerald Greatest hits playlist – Collection HD/HQ

Ella Fitzgerald Interview 1974 Brian Linehan’s City Lights

Ella Fitzgerald kicked off a plane because of her race: CBC Archives | CBC

What’s My Line? – Ella Fitzgerald

Kennedy Center Honors Ella Fitzgerald 1979

ELLA FITZGERALD RECEIVES THE PRESIDENT’S AWARD

ELLA FITZGERALD BIOGRAPHY PART 1

ELLA FITZGERALD BIOGRAPHY PART 2

ELLA FITZGERALD BIOGRAPHY PART 3

ELLA FITZGERALD BIOGRAPHY PART 4

ELLA FITZGERALD BIOGRAPHY PART 5

ELLA FITZGERALD BIOGRAPHY PART 6

ELLA FITZGERALD BIOGRAPHY PART 7

ELLA FITZGERALD BIOGRAPHY PART 8

ELLA FITZGERALD BIOGRAPHY PART 9

ELLA FITZGERALD BIOGRAPHY PART 10

ELLA FITZGERALD BIOGRAPHY PART 11

Ella Fitzgerald

From Wikipedia, the free encyclopedia
Ella Fitzgerald
Ella Fitzgerald (Gottlieb 02871).jpg

Fitzgerald in November 1946
Born Ella Jane Fitzgerald
April 25, 1917
Newport News, Virginia, U.S.
Died June 15, 1996 (aged 79)
Beverly Hills, California, U.S.
Cause of death Diabetes mellitus
Spouse(s) Benny Kornegay
(m. 1941; annulled 1943)
Ray Brown
(m. 1947; div. 1953)
Children Ray Brown Jr.
Musical career
Genres
Occupation(s) Singer, actress
Instruments Vocals
Years active 1934–1994
Labels
Website ellafitzgerald.com

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazzsinger often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald’s rendition of the nursery rhymeA-Tisket, A-Tasket” helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last effectively the rest of her life.

Signed with manager and Savoy co-founder Moe Gale[1] from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald’s vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook.

While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, Fitzgerald capped off her sixty-year career with her last public performance. Three years later, she died at the age of 79, following years of decline in her health. After her passing, Fitzgerald’s influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theater namesakes.

Early life

Fitzgerald was born on April 25, 1917, in Newport News, Virginia, the daughter of William Fitzgerald and Temperance “Tempie” Fitzgerald.[2] Her parents were unmarried but lived together for at least two and a half years after she was born. In the early 1920s Fitzgerald’s mother and her new partner, a Portuguese immigrant named Joseph Da Silva,[2] moved to the city of Yonkers, in Westchester County, New York, as part of the first Great Migration of African Americans.[2] Initially living in a single room, her mother and Da Silva soon found jobs. Her half-sister, Frances Da Silva, was born in 1923.[3] By 1925, Fitzgerald and her family had moved to nearby School Street, then a predominantly poor Italian area.[3] She began her formal education at the age of six and proved to be an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School from 1929.[4]

Fitzgerald had been passionate about dancing from third grade, being a fan of Earl “Snakehips” Tucker in particular, and would perform for her peers on the way to school and at lunchtime.[5] Fitzgerald and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, and she regularly attended worship services, Bible study, and Sunday school.[5] The church provided Fitzgerald with her earliest experiences in formal music making, and she may also have had a short series of piano lessons during this period.[6]

During this period Fitzgerald listened to jazz recordings by Louis Armstrong, Bing Crosby, and The Boswell Sisters. Fitzgerald idolized the Boswell Sisters’ lead singer Connee Boswell, later saying, “My mother brought home one of her records, and I fell in love with it….I tried so hard to sound just like her.”[7]

In 1932, her mother died from serious injuries she received in a car accident [8] when Fitzgerald was 15 years of age. This left her at first in the care of her stepfather but before the end of April 1933, she had moved in with her aunt in Harlem.[9]This seemingly swift change in her circumstances, reinforced by what Fitzgerald biographer Stuart Nicholson describes as rumors of her stepfather’s “ill treatment” of Fitzgerald, leaves him to speculate that Da Silva might have abused her.[9]

Regardless, following these traumas, Fitzgerald began skipping school and letting her grades suffer. During this period she worked at times as a lookout at a bordello and with a Mafia-affiliated numbers runner.[10] Ella Fitzgerald never talked publicly about this time in her life.[11] When the authorities caught up with her, she was first placed in the Colored Orphan Asylum in Riverdale, Bronx.[12] However, when the orphanage proved too crowded, she was moved to the New York Training School for Girls in Hudson, New York, a state reformatory located about 120 miles north of New York City. Eventually she escaped and for a time she was homeless.

Early career

A young Fitzgerald, photographed by Carl Van Vechten in 1940

While she seems to have survived during 1933 and 1934 in part from singing on the streets of Harlem, Fitzgerald made her most important amateur singing debut at age 17 on November 21, 1934, in one of the earliest of the famous Amateur Nights at the Apollo Theater.[13][14] She had originally intended to go on stage and dance, but, intimidated by a local dance duo called the Edwards Sisters, she opted to sing instead.[14][15] Performing in the style of Connee Boswell, she sang “Judy” and “The Object of My Affection” and won the first prize of $25.00.[16] In theory, she also won the chance to perform at the Apollo for a week but, seemingly because of her disheveled appearance, the theater never gave her that part of her prize.[17]

In January 1935 Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House.[13] Around this same time, she was introduced to the drummer and bandleader Chick Webb, who had asked his recently signed singer Charlie Linton to help find him a female singer. Though Webb was, as The New York Times later wrote, “reluctant to sign her….because she was gawky and unkempt, a ‘diamond in the rough,'”[7] he offered her the opportunity to test with his band when they played a dance at Yale University.[13]

Met with approval by both audiences and her fellow musicians, Fitzgerald was asked to join Webb’s orchestra and soon gained acclaim as part of the group’s renowned performances at Harlem’s Savoy Ballroom.[13] Fitzgerald recorded several hit songs with them, including “Love and Kisses” and “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)“.[13] But it was her 1938 version of the nursery rhyme, “A-Tisket, A-Tasket,” a song she co-wrote, that brought her wide public acclaim.[18][19] Later that year Ella recorded her second hit, “I Found My Yellow Basket.”

Webb died of spinal tuberculosis on June 16, 1939,[20] and his band was renamed Ella and her Famous Orchestra, with Fitzgerald taking on the role of nominal bandleader.[21] Fitzgerald recorded nearly 150 songs with Webb’s orchestra between 1935 and its final end in 1942. In her New York Times obituary of 1996, Stephen Holder echoed the conventional critical view of the time in describing “the majority” of her recordings during this period as “novelties and disposable pop fluff”.[7] In addition to her work with Webb, Fitzgerald performed and recorded with the Benny Goodman Orchestra. She had her own side project, too, known as Ella Fitzgerald and Her Savoy Eight.

Decca years

Fitzgerald performing with Dizzy Gillespie, Ray Brown, Milt Jackson and Timme Rosenkrantz in September 1947, New York

In 1942, Fitzgerald left the band to begin a solo career.[22] Continuing under contract to the Decca label that she had worked with while part of Webb’s orchestra, she had several popular hits while recording with such artists as Bill Kenny & the Ink Spots,[23] Louis Jordan,[24] and the Delta Rhythm Boys.[25]

With Decca’s Milt Gabler as her manager, Fitzgerald began working regularly for the jazz impresario Norman Granz and appeared regularly in his Jazz at the Philharmonic (JATP) concerts. Her relationship with Granz was further cemented when he became her manager, although it would be nearly a decade before he could record her on one of his many record labels.

With the demise of the Swing era and the decline of the great touring big bands, a major change in jazz music occurred. The advent of bebop led to new developments in Fitzgerald’s vocal style, influenced by her work with Dizzy Gillespie‘s big band. It was in this period that Fitzgerald started including scat singing as a major part of her performance repertoire. While singing with Gillespie, Fitzgerald recalled, “I just tried to do [with my voice] what I heard the horns in the band doing.”[16]

Her 1945 scat recording of “Flying Home” arranged by Vic Schoen would later be described by The New York Times as “one of the most influential vocal jazz records of the decade….Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness.”[7] Her bebop recording of “Oh, Lady Be Good!” (1947) was similarly popular and increased her reputation as one of the leading jazz vocalists.[26]

Verve years

Fitzgerald was still performing at Granz’s JATP concerts by 1955. She left Decca and Granz, now her manager, created Verve Records around her. She later described the period as strategically crucial, saying, “I had gotten to the point where I was only singing be-bop. I thought be-bop was ‘it’, and that all I had to do was go some place and sing bop. But it finally got to the point where I had no place to sing. I realized then that there was more to music than bop. Norman … felt that I should do other things, so he produced The Cole Porter Songbook with me. It was a turning point in my life.”[7]

On March 15, 1955[27] Ella Fitzgerald opened her initial engagement at the Mocambo nightclub in Hollywood,[28] after Marilyn Monroe lobbied the owner for the booking.[29] The booking was instrumental in Fitzgerald’s career. Bonnie Greer dramatized the incident as the musical drama, Marilyn and Ella, in 2008. It had previously been widely reported that Fitzgerald was the first black performer to play the Mocambo, following Monroe’s intervention, but this is not true. African-American singers Herb Jeffries,[30] Eartha Kitt,[31] and Joyce Bryant[32] all played the Mocambo in 1952 and 1953, according to stories published at the time in Jet magazine and Billboard.

Ella Fitzgerald Sings the Cole Porter Songbook, released in 1956, was the first of eight Songbook sets Fitzgerald would record for Verve at irregular intervals from 1956 to 1964. The composers and lyricists spotlighted on each set, taken together, represent the greatest part of the cultural canon known as the Great American Songbook. Her song selections ranged from standards to rarities and represented an attempt by Fitzgerald to cross over into a non-jazz audience. The sets are the most well-known items in her discography.

Fitzgerald in 1968, courtesy of the Fraser MacPherson estate

Ella Fitzgerald Sings the Duke Ellington Song Book was the only Songbook on which the composer she interpreted played with her. Duke Ellington and his longtime collaborator Billy Strayhorn both appeared on exactly half the set’s 38 tracks and wrote two new pieces of music for the album: “The E and D Blues” and a four-movement musical portrait of Fitzgerald (the only Songbook track on which Fitzgerald does not sing). The Songbook series ended up becoming the singer’s most critically acclaimed and commercially successful work, and probably her most significant offering to American culture. The New York Times wrote in 1996, “These albums were among the first pop records to devote such serious attention to individual songwriters, and they were instrumental in establishing the pop album as a vehicle for serious musical exploration.”[7]

Days after Fitzgerald’s death, The New York Times columnist Frank Rich wrote that in the Songbook series Fitzgerald “performed a cultural transaction as extraordinary as Elvis‘ contemporaneous integration of white and African American soul. Here was a black woman popularizing urban songs often written by immigrant Jews to a national audience of predominantly white Christians.”[10] Frank Sinatra, out of respect for Fitzgerald, prohibited Capitol Records from re-releasing his own recordings in separate albums for individual composers in the same way.[citation needed]

Fitzgerald also recorded albums exclusively devoted to the songs of Porter and Gershwin in 1972 and 1983; the albums being, respectively, Ella Loves Cole and Nice Work If You Can Get It. A later collection devoted to a single composer was released during her time with Pablo Records, Ella Abraça Jobim, featuring the songs of Antônio Carlos Jobim.

While recording the Songbooks and the occasional studio album, Fitzgerald toured 40 to 45 weeks per year in the United States and internationally, under the tutelage of Norman Granz. Granz helped solidify her position as one of the leading live jazz performers.[7] In 1961 Fitzgerald bought a house in the Klampenborg district of Copenhagen, Denmark, after she began a relationship with a Danish man. Though the relationship ended after a year, Fitzgerald regularly returned to Denmark over the next three years, and even considered buying a jazz club there. The house was sold in 1963, and Fitzgerald permanently returned to the United States.[33]

There are several live albums on Verve that are highly regarded by critics. Ella at the Opera House shows a typical JATP set from Fitzgerald. Ella in Rome and Twelve Nights in Hollywood display her vocal jazz canon. Ella in Berlin is still one of her best-selling albums; it includes a Grammy-winning performance of “Mack the Knife” in which she forgets the lyrics but improvises magnificently to compensate.

Verve Records was sold to MGM in 1963 for $3 million and in 1967 MGM failed to renew Fitzgerald’s contract. Over the next five years she flitted between Atlantic, Capitol and Reprise. Her material at this time represented a departure from her typical jazz repertoire. For Capitol she recorded Brighten the Corner, an album of hymns, Ella Fitzgerald’s Christmas, an album of traditional Christmas carols, Misty Blue, a country and western-influenced album, and 30 by Ella, a series of six medleys that fulfilled her obligations for the label. During this period, she had her last US chart single with a cover of Smokey Robinson‘s “Get Ready“, previously a hit for the Temptations, and some months later a top-five hit for Rare Earth.

The surprise success of the 1972 album Jazz at Santa Monica Civic ’72 led Granz to found Pablo Records, his first record label since the sale of Verve. Fitzgerald recorded some 20 albums for the label. Ella in London recorded live in 1974 with pianist Tommy Flanagan, guitarist Joe Pass, bassist Keter Betts and drummer Bobby Durham, was considered by many to be some of her best work. The following year she again performed with Joe Pass on German television station NDR in Hamburg. Her years with Pablo Records also documented the decline in her voice. “She frequently used shorter, stabbing phrases, and her voice was harder, with a wider vibrato”, one biographer wrote.[34] Plagued by health problems, Fitzgerald made her last recording in 1991 and her last public performances in 1993.[35]

Film and television

Fitzgerald shakes hands with President Ronald Reagan after performing in the White House, 1981

In her most notable screen role, Fitzgerald played the part of singer Maggie Jackson in Jack Webb‘s 1955 jazz film Pete Kelly’s Blues.[36] The film costarred Janet Leigh and singer Peggy Lee.[37] Even though she had already worked in the movies (she had sung briefly in the 1942 Abbott and Costello film Ride ‘Em Cowboy),[38] she was “delighted” when Norman Granz negotiated the role for her, and, “at the time….considered her role in the Warner Brothers movie the biggest thing ever to have happened to her.”[34] Amid The New York Times pan of the film when it opened in August 1955, the reviewer wrote, “About five minutes (out of ninety-five) suggest the picture this might have been. Take the ingenious prologue … [or] take the fleeting scenes when the wonderful Ella Fitzgerald, allotted a few spoken lines, fills the screen and sound track with her strong mobile features and voice.”[39]Fitzgerald’s race precluded major big-screen success. After Pete Kelly’s Blues, she appeared in sporadic movie cameos, in St. Louis Blues (1958),[40] and Let No Man Write My Epitaph (1960).[41] Much later, she appeared in the 1980s television drama The White Shadow.

She made numerous guest appearances on television shows, singing on The Frank Sinatra Show, The Andy Williams Show, The Pat Boone Chevy Showroom, and alongside other greats Nat King Cole, Dean Martin, Mel Tormé, and many others. She was also frequently featured on The Ed Sullivan Show. Perhaps her most unusual and intriguing performance was of the “Three Little Maids” song from Gilbert and Sullivan‘s comic operetta The Mikado alongside Joan Sutherland and Dinah Shore on Shore’s weekly variety series in 1963. A performance at Ronnie Scott’s Jazz Club in London was filmed and shown on the BBC. Fitzgerald also made a one-off appearance alongside Sarah Vaughan and Pearl Bailey on a 1979 television special honoring Bailey. In 1980, she performed a medley of standards in a duet with Karen Carpenter on the Carpenters’ television program Music, Music, Music.[42]

Fitzgerald also appeared in TV commercials, her most memorable being an ad for Memorex.[43] In the commercials, she sang a note that shattered a glass while being recorded on a Memorex cassette tape.[44] The tape was played back and the recording also broke the glass, asking: “Is it live, or is it Memorex?”[44] She also starred in a number of commercials for Kentucky Fried Chicken, singing and scatting to the fast-food chain’s longtime slogan, “We do chicken right!”[45] Her final commercial campaign was for American Express, in which she was photographed by Annie Leibovitz.[46]

Collaborations

Fitzgerald’s most famous collaborations were with the vocal quartet Bill Kenny & the Ink Spots, trumpeter Louis Armstrong, the guitarist Joe Pass, and the bandleaders Count Basie and Duke Ellington.

  • From 1943 to 1950, Fitzgerald recorded seven songs with the Ink Spots featuring Bill Kenny. Out of all seven recordings, four reached the top of the pop charts including “I’m Making Believe” and “Into Each Life Some Rain Must Fall” which both reached #1.
  • Fitzgerald recorded three Verve studio albums with Armstrong, two albums of standards (1956’s Ella and Louis and 1957’s Ella and Louis Again), and a third album featured music from the Gershwin musical Porgy and Bess. Fitzgerald also recorded a number of sides with Armstrong for Decca in the early 1950s.
  • Fitzgerald is sometimes referred to as the quintessential swing singer, and her meetings with Count Basie are highly regarded by critics. Fitzgerald features on one track on Basie’s 1957 album One O’Clock Jump, while her 1963 album Ella and Basie! is remembered as one of her greatest recordings. With the ‘New Testament’ Basie band in full swing, and arrangements written by a young Quincy Jones, this album proved a respite from the ‘Songbook’ recordings and constant touring that Fitzgerald was engaged in during this period. Fitzgerald and Basie also collaborated on the 1972 album Jazz at Santa Monica Civic ’72, and on the 1979 albums Digital III at Montreux, A Classy Pair and A Perfect Match.
  • Fitzgerald and Joe Pass recorded four albums together toward the end of Fitzgerald’s career. She recorded several albums with piano accompaniment, but a guitar proved the perfect melodic foil for her. Fitzgerald and Pass appeared together on the albums Take Love Easy (1973), Easy Living (1986), Speak Love (1983) and Fitzgerald and Pass… Again (1976).
  • Fitzgerald and Duke Ellington recorded two live albums and two studio albums. Her Duke Ellington Songbook placed Ellington firmly in the canon known as the Great American Songbook, and the 1960s saw Fitzgerald and the ‘Duke’ meet on the Côte d’Azur for the 1966 album Ella and Duke at the Cote D’Azur, and in Sweden for The Stockholm Concert, 1966. Their 1965 album Ella at Duke’s Place is also extremely well received.

Fitzgerald had a number of famous jazz musicians and soloists as sidemen over her long career. The trumpeters Roy Eldridge and Dizzy Gillespie, the guitarist Herb Ellis, and the pianists Tommy Flanagan, Oscar Peterson, Lou Levy, Paul Smith, Jimmy Rowles, and Ellis Larkins all worked with Ella mostly in live, small group settings.

Possibly Fitzgerald’s greatest unrealized collaboration (in terms of popular music) was a studio or live album with Frank Sinatra. The two appeared on the same stage only periodically over the years, in television specials in 1958 and 1959, and again on 1967’s A Man and His Music + Ella + Jobim, a show that also featured Antônio Carlos Jobim. Pianist Paul Smith has said, “Ella loved working with [Frank]. Sinatra gave her his dressing-room on A Man and His Music and couldn’t do enough for her.” When asked, Norman Granz would cite “complex contractual reasons” for the fact that the two artists never recorded together.[34] Fitzgerald’s appearance with Sinatra and Count Basie in June 1974 for a series of concerts at Caesars Palace, Las Vegas, was seen as an important incentive for Sinatra to return from his self-imposed retirement of the early 1970s. The shows were a great success, and September 1975 saw them gross $1,000,000 in two weeks on Broadway, in a triumvirate with the Count Basie Orchestra.

Later life and death

Fitzgerald had suffered from diabetes for several years of her later life, which had led to numerous complications.[7] In 1985, Fitzgerald was hospitalized briefly for respiratory problems,[47] in 1986 for congestive heart failure,[48] and in 1990 for exhaustion.[49] In March 1990 she appeared at the Royal Albert Hall in London, England with the Count Basie Orchestra for the launch of Jazz FM, plus a gala dinner at the Grosvenor House Hotel at which she performed.[50] In 1993, she had to have both of her legs amputated below the knee due to the effects of diabetes.[51] Her eyesight was affected as well.[7]

In 1996, tired of being in the hospital, she wished to spend her last days at home. Confined to a wheelchair, she spent her final days in her backyard of her Beverly Hills mansion on Whittier, with her son Ray and 12-year-old granddaughter, Alice. “I just want to smell the air, listen to the birds and hear Alice laugh,” she reportedly said. On her last day, she was wheeled outside one last time, and sat there for about an hour. When she was taken back in, she looked up with a soft smile on her face and said, “I’m ready to go now.” She died in her home on June 15, 1996 at the age of 79.[7] A few hours after her death, the Playboy Jazz Festival was launched at the Hollywood Bowl. In tribute, the marquee read: “Ella We Will Miss You.”[52] Her funeral was private,[52] and she was buried at Inglewood Park Cemetery in Los Angeles.

Personal life

Fitzgerald married at least twice, and there is evidence that she may have married a third time. Her first marriage was in 1941, to Benny Kornegay, a convicted drug dealer and local dockworker. The marriage was annulled in 1942.[53]

Her second marriage was in December 1947, to the famous bass player Ray Brown, whom she had met while on tour with Dizzy Gillespie’s band a year earlier. Together they adopted a child born to Fitzgerald’s half-sister, Frances, whom they christened Ray Brown, Jr. With Fitzgerald and Brown often busy touring and recording, the child was largely raised by his mother’s aunt, Virginia. Fitzgerald and Brown divorced in 1953, bowing to the various career pressures both were experiencing at the time, though they would continue to perform together.[7]

In July 1957, Reuters reported that Fitzgerald had secretly married Thor Einar Larsen, a young Norwegian, in Oslo. She had even gone as far as furnishing an apartment in Oslo, but the affair was quickly forgotten when Larsen was sentenced to five months’ hard labor in Sweden for stealing money from a young woman to whom he had previously been engaged.[54]

Fitzgerald was also notoriously shy. Trumpet player Mario Bauzá, who played behind Fitzgerald in her early years with Chick Webb, remembered that “she didn’t hang out much. When she got into the band, she was dedicated to her music….She was a lonely girl around New York, just kept herself to herself, for the gig.”[34] When, later in her career, the Society of Singers named an award after her, Fitzgerald explained, “I don’t want to say the wrong thing, which I always do but I think I do better when I sing.”[16]

Fitzgerald was a quiet but ardent supporter of many charities and non-profit organizations, including the American Heart Association and the City of Hope Medical Center. In 1993, she established the Ella Fitzgerald Charitable Foundation.[55]

Discography and collections

Further information: Ella Fitzgerald discography

The primary collections of Fitzgerald’s media and memorabilia reside at and are shared between the Smithsonian Institution and the US Library of Congress [56]

Awards, citations and honors

Fitzgerald won thirteen Grammy Awards,[57] and received the Grammy Lifetime Achievement Award in 1967.[58]

In 1958 Fitzgerald was the first African American female to win at the inaugural show.[59]

Other major awards and honors she received during her career were the Kennedy Center for the Performing Arts Medal of Honor Award, National Medal of Art, first Society of Singers Lifetime Achievement Award, named “Ella” in her honor, Presidential Medal of Freedom, and the George and Ira Gershwin Award for Lifetime Musical Achievement, UCLA Spring Sing, and the UCLA Medal (1987).[60] Across town at the University of Southern California, she received the USC “Magnum Opus” Award which hangs in the office of the Ella Fitzgerald Charitable Foundation. In 1990, she received an honorary doctorate of Music from Harvard University.[61]

Tributes and legacy

Fitzgerald in 1960 by Erling Mandelmann

The career history and archival material from Ella’s long career are housed in the Archives Center at the Smithsonian‘s National Museum of American History, while her personal music arrangements are at the Library of Congress. Her extensive cookbook collection was donated to the Schlesinger Library at Harvard University, and her extensive collection of published sheet music was donated to UCLA.

In 1997, Newport News, Virginia created a music festival with Christopher Newport University to honor Ella Fitzgerald in her birth city. Past performers at the week-long festival include: Diana Krall, Arturo Sandoval, Jean Carne, Phil Woods, Aretha Franklin, Victoria Wyndham, Charles Keating, Freda Payne, Cassandra Wilson, Ethel Ennis, David Sanborn, Jane Monheit, Dianne Reeves, Dee Dee Bridgewater, Ramsey Lewis, Patti Austin, Lalah Hathaway, Ledisi, Chrisette Michele, Natalie Cole, Freddie Jackson, Joe Harnell, Roy Ayers and Ann Hampton Callaway.

Callaway, Dee Dee Bridgewater, and Patti Austin have all recorded albums in tribute to Fitzgerald. Callaway’s album To Ella with Love (1996) features fourteen jazz standards made popular by Fitzgerald, and the album also features the trumpeter Wynton Marsalis. Bridgewater’s album Dear Ella (1997) featured many musicians that were closely associated with Fitzgerald during her career, including the pianist Lou Levy, the trumpeter Benny Powell, and Fitzgerald’s second husband, double bassist Ray Brown. Bridgewater’s following album, Live at Yoshi’s, was recorded live on April 25, 1998, what would have been Fitzgerald’s 81st birthday.

Austin’s album, For Ella (2002) features 11 songs most immediately associated with Fitzgerald, and a twelfth song, “Hearing Ella Sing” is Austin’s tribute to Fitzgerald. The album was nominated for a Grammy. In 2007, We All Love Ella, was released, a tribute album recorded for the 90th anniversary of Fitzgerald’s birth. It featured artists such as Michael Bublé, Natalie Cole, Chaka Khan, Gladys Knight, Diana Krall, k.d. lang, Queen Latifah, Ledisi, Dianne Reeves, Linda Ronstadt, and Lizz Wright, collating songs most readily associated with the “First Lady of Song”. Folk singer Odetta‘s album To Ella (1998) is dedicated to Fitzgerald, but features no songs associated with her. Her accompanist Tommy Flanagan affectionately remembered Fitzgerald on his album Lady be Good … For Ella (1994).

Ella, elle l’a“, a tribute to Fitzgerald written by Michel Berger and performed by French singer France Gall, was a hit in Europe in 1987 and 1988.[62] Fitzgerald is also referred to in the 1976 Stevie Wonder hit “Sir Duke” from his album Songs in the Key of Life, and the song “I Love Being Here With You”, written by Peggy Lee and Bill Schluger. Sinatra’s 1986 recording of “Mack the Knife” from his album L.A. Is My Lady (1984) includes a homage to some of the song’s previous performers, including ‘Lady Ella’ herself. She is also honored in the song “First Lady” by Canadian artist Nikki Yanofsky.

In 2008, the Downing-Gross Cultural Arts Center in Newport News named its brand new 276-seat theater the Ella Fitzgerald Theater. The theater is located several blocks away from her birthplace on Marshall Avenue. The Grand Opening performers (October 11 and 12, 2008) were Roberta Flack and Queen Esther Marrow.

In 2012, Rod Stewart performed a “virtual duet” with Ella Fitzgerald on his Christmas album Merry Christmas, Baby, and his television special of the same name.[63]

There is a bronze sculpture of Fitzgerald in Yonkers, the city in which she grew up, created by American artist Vinnie Bagwell. It is located southeast of the main entrance to the Amtrak/Metro-North Railroad station in front of the city’s old trolley barn. A bust of Fitzgerald is on the campus of Chapman University in Orange, California. On January 9, 2007, the United States Postal Service announced that Fitzgerald would be honored with her own postage stamp.[43] The stamp was released in April 2007 as part of the Postal Service’s Black Heritage series.[64]

https://en.wikipedia.org/wiki/Ella_Fitzgerald

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Scott Sigler — Infected — Videos

Posted on February 4, 2017. Filed under: American History, Art, Art, Articles, Biology, Blogroll, Books, Chemistry, Communications, Congress, Culture, Entertainment, history, Law, liberty, Life, Links, Literacy, Medical, Non-Fiction, People, Philosophy, Photos, Radio, Raves, Science, Video, War, Wealth, Weapons, Wisdom, Work, Writing | Tags: , , , , , , , , , |

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INFECTED Trailer from the novel by Scott Sigler (Book I of the INFECTED Trilogy)

Scott Sigler: “Rewriting Publishing with Podcasts” | Talks At Google

Scott Sigler Interview

PANDEMIC Trailer (Book III in the INFECTED Trilogy)

NOCTURNAL book trailer, novel by Scott Sigler

Scott Sigler Extended Bonus Interview from Sword & Laser Ep 1

Interview with Scott Sigler at San Diego Comic Con 2012

“The Writing Process” with Scott Sigler (from Joe Rogan Experience #437)

How To Write Your First Novel (So You Wanna Be A Writer #1)

The Big-Ass Binder (So You Wanna Be A Writer #2)

Should You Outline? (So You Wanna Be A Writer #3)

Should You Outline? (So You Wanna Be A Writer #4)

Should You Outline? (So You Wanna Be A Writer #5)

Should You Outline? (So You Wanna Be A Writer #6)

So You Want to Write a Novel

Scott Sigler

From Wikipedia, the free encyclopedia
Scott Sigler
Scott Sigler (4772655043).jpg
Born Scott Carl Sigler
Cheboygan, Michigan, USA
Occupation Author
Nationality American
Genre Science fiction/Horror
Literary movement The Podiobook (Podcast Novel)
Website
scottsigler.com

Scott Carl Sigler is a contemporary American author of science fiction and horror as well as an avid podcaster. Scott is the New York Times #1 bestselling author of sixteen novels, six novellas, and dozens of short stories. He is the co-founder of Empty Set Entertainment, which publishes his young adult Galactic Football League series. He lives in San Diego.

Life and work

Raised in Cheboygan, Michigan Sigler’s father passed his love of classic monster films along to his son. His mother, a school teacher, encouraged his reading offering him any book he wanted.[1] Sigler wrote his first monster story, “Tentacles”, at the age of eight.[2] Sigler didn’t travel far for college having attended Olivet College (Olivet, MI) and Cleary College (Ann Arbor, MI) where he earned a BA in Journalism and a BS in Marketing. Scott has had a varied career path having worked fast food, picking fruit, shoveling horse manure, a sports reporter, director of marketing for a software company, software startup founder, marketing consultant, guitar salesman, bum in a rock band,[3] and currently as a social media strategist. He now resides in San Diego, California with his dog, Reesie.

EarthCore was originally published in 2001 by iPublish, an AOL/Time Warner imprint.[4] With the novel doing well as a promotional ebook, Time Warner was planning on publishing the novel. With the economic slump following September 11, 2001 terrorist attacks, Time Warner did away with the imprint in 2004. Scott then decided to start podcasting his novel in March, 2005 as the world’s first podcast-only novel[5] to build hype and garner an audience for his work. Sigler considered it a “no brainer” to offer the book as a free audio download. Having searched for podcast novels and finding none, Sigler decided to be the first.[6][7] Sigler was able to get EarthCore offered as a paid download on iTunes in 2006.[8] After EarthCore’s success (EarthCore had over 10,000 subscribers[9]), Sigler released Ancestor, Infected, The Rookie, Nocturnal, and Contagious via podcast.[10]

Sigler released an Adobe PDF version of Ancestor in March 2007 through Sigler’s own podcast as well as others. Ancestor was released on April 1, 2007 to much internet hype and, despite having been released two weeks earlier as a free ebook, reached #7 on Amazon.com‘s best-seller list and #1 on Sci-Fi, Horror and Genre-Fiction on the day of release.[11] Sigler is leveraging new media to keep in-touch with his fans, regularly talking with them using social networking sites, via email, and IM. Scott Sigler was featured in a New York Times article on March 1, 2007 by Andrew Adam Newman, which was covering authors using podcasting innovations to garner a broader audience.[12]

In March 2014, Executive Editor Mark Tavani at Ballantine Bantam Dell bought World Rights to a science fiction trilogy by Sigler. In the first book, Alive, a young woman awakes trapped in a confined space with no idea who she is or how she got there. She soon frees other young adults in the room and together they find that they are surrounded by the horrifying remains of a war long past … and matched against an enemy too horrible to imagine. Further adventures will follow in two more books, Alight and Alone. The books will be published under the Del Rey imprint.[13] On Wednesday, July 15, 2016, it was announced that Alive made #1 on the New York Times Bestseller list in the Young Adult E-Book category.[14]

Sigler calls Stephen King a “‘master craftsman’, who writes from the ‘regular guy’ strata from which he hails. His older stuff had no pretense, no ‘higher message,’ no ‘I’m extremely important’ attitude, just rock-solid storytelling and character development. He also would whack any character at any time, and that’s what hooked you in – when characters got into trouble, you didn’t know if they’d live, unlike 99% of the books out there that are trying to develop franchise characters.” According to Sigler, Jack London‘s “The Sea Wolf totally changed my views on life”. Sigler saw King Kong (1976 version) when he was a little kid. He said it, “Scared the crap out of me. I hid behind my dad’s shoulder and begged to leave the theatre. As soon as we were out, I asked when we could see it again – that was the moment I knew I wanted to tell monster stories. I wanted to have that same impact on other people.”

Awards

Sigler has been a runner up in both the 2006 and 2007 Parsec Awards. In 2006 Sigler was a runner up for his short story Hero in the Best Fiction (Short) category and for Infected in the Best Fiction (Long) category. In 2007 Sigler was a runner up for The Rookie in the Best Speculative Fiction Story (Novel Form) category. In 2008 Sigler’s Contagious, the sequel to Infected was listed at 33 on the New York Times best sellers list.

In 2008 Sigler broke through and won the Parsec Award for Red Man in the Best Speculative Fiction Story (Short Form) category. He followed up with another win in 2009 for Eusocial Networking in the Best Speculative Fiction Story (Novella Form) category. 2010 saw him continue to win in the Best Speculative Fiction Story (Short Form) category with his podcast, The Tank, and in 2011 he again took out the Best Speculative Fiction Story (Novella Form) category with Kissyman & the Gentleman.

On July 31, 2015, Scott was inducted into the inaugural class of the Academy of Podcasters Hall of Fame at a ceremony in Fort Worth, Texas.[15]

Bibliography

Stand-alone novels

Infected Trilogy

Galactic Football League Series

Generations Trilogy

Other works

  • See the Scott Sigler bibliography page for more detailed information about the above novels and his many other works, including novellas related to the Galactic Football League series, short story collections, other short stories, upcoming projects, etc.

Adaptations

Film

In May, 2007 the novel Infected was optioned by Rogue Pictures and Random House Films;[17] however, the option lapsed in April 2010.[citation needed] The short story Sacred Cow was made into an online only mini-film by StrangerThings.tv and was Stranger Things debut episode.[18] “Cheating Bastard”, a short film about a couple in love with football and their obsession with it, was created by Brent Weichsel and released via Sigler’s RSS feed.

Graphic novel

In 2010 work began on a graphic novel adaptation of Sigler’s Infected.[19] The first issue was released August 1, 2012,[20]but the series was put on hold indefinitely due to delays with subsequent issues.[21]

Recordings

Albums

  • The Crucible (2016) by Separation Of Sanity. Scott’s original spoken word appears on four tracks: The Pact, Pandemic (inspired by his novel of the same name), Bag Of Blood (his major appearance on the album), and End Of Days.

Readings

  • Scott reads Union Dues – Off White Lies by Jeffrey R. DeRego on Escape Pod, Episode 49, on April 13, 2006.
  • Scott reads Reggie vs. Kaiju Storm Chimera Wolf by Matthew Wayne Selznick on Escape Pod, Episode 117, on August 2, 2007.

References

  1. Jump up^ Detrich, Allan (2007-04-01). “Podcasts are a novel idea for Scott Sigler”. Toledo Blade. Archived from the original on April 7, 2008. Retrieved 2007-09-18.
  2. Jump up^ Newman, Heather (2001-12-04). “Detroit Free Press Home Computing Column”. Detroit Free Press Knight Ridder/Tribune Business News. Retrieved 2007-09-17.
  3. Jump up^ “iPublish.com at Time Warner Books unveils third round of authors discovered through online writer community.”. Ingram Investment Ltd. 2001-11-07. Retrieved 2007-09-17.
  4. Jump up^ Weinberg, Anna (2005-08-26). “A Novel Approach to Podcasting”. The Book Standard. Retrieved 2007-09-17.
  5. Jump up^ Angell, LC (2005-03-24). “Fiction author releases ‘Podcast-only’ novel”. iLounge.com. Retrieved 2007-09-17.
  6. Jump up^ Kerley, Christina (2006-08-26). “Access to Supply Powers Demand–and First Sci-Fi Podcast Novel. (Q&A with Scott Sigler)”. CK’s Blog. Retrieved 2007-09-18.
  7. Jump up^ “From Podcast to Paidcast”. PRNewswire. 2006-03-09. Retrieved 2007-09-18.
  8. Jump up^ “Earthcore Podcast Now Pay to Play”. Podcasting News. 2006-02-21. Retrieved 2007-09-18.
  9. Jump up^ Mehta, Devanshu (2006-02-23). “From Podcast to Paidcast”. Apple Matters. Retrieved 2007-09-18.
  10. Jump up^ Newman, Andrew Adam (2007-03-01). “Authors Find Their Voice, and Audience, in Podcasts”. The New York Times. Retrieved 2007-09-16.
  11. Jump up^ “Scott Sigler’s Ancestor Skyrockets to Top 10 of Amazon Best-Seller List on First Day of Release”. PodShow.com. 2007-04-02. Retrieved 2007-09-18.
  12. Jump up^ Ploutz, Morgan (2010-10-22). “Scott Sigler Talks Ancestor and Hard Science Horror Writing”. Dread Central. Retrieved 2010-10-22.
  13. Jump up^ Sigler, Scott (March 19, 2014). “New print deal: Three books with Del Rey”. scottsigler.com. Retrieved 2016-05-30.
  14. Jump up^ “Scott Sigler’s novel Alive (Del Rey) is #1 on the New York Times Bestseller list in the Young Adult E-Book category.”. The New York Times. 2016-07-24.
  15. Jump up^ Academy of Podcasters Awards and Hall of Fame Ceremony.
  16. Jump up^ “Pandemic (review)”. PW. Retrieved 30 November 2013.
  17. Jump up^ Borys, Kit (2007-05-31). “Rogue, Random book ‘Infested'”. The Hollywood Reporter. Archived from the original on 2007-09-30. Retrieved 2007-09-18.
  18. Jump up^ Newton, Earl (2007-03-02). “Episode 01: Sacred Cow”. StrangerThings.tv. Retrieved 2007-09-18.
  19. Jump up^ “IDW Get Infected With Scott Sigler”. Bleeding Cool. Retrieved 13 September 2013.
  20. Jump up^ “PREVIEW: INFECTED #1”. CBR. Retrieved 13 September 2013.
  21. Jump up^ Sigler, Scott. “INFECTED Graphic Novel”. Scott Sigler. Retrieved 13 September 2013.

External links

https://en.wikipedia.org/wiki/Scott_Sigler

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What is Wrong With Our Culture [Alan Watts] — Choice — Be The Change You Expect To See In The World — Videos

Posted on January 29, 2017. Filed under: Blogroll, Books, Culture, Love, Mastery, media, Non-Fiction, People, Philosophy, Photos, Welfare, Wisdom, Work, Writing | Tags: , , , , , , |

What is Wrong With Our Culture [Alan Watts]

Thought-provoking 5 minutes on the state of the world from the late, great Alan Watts, a man far ahead of his time.

Speech: Alan Watts – What is Wrong With Our Culture (AKA: Sex The Pleasurable Punishment)

Alan Watts – Choice

Alan Watts discusses choice and the thoughts process behind it. Our choices are fundamentally what shape our character, and more importantly our life as a whole.

 

What Do You Desire? Thought Provoking Motivation: By Alan Watts

 

Alan Watts breaks down what’s wrong with the world – Part 1 (1970)

Published on Dec 22, 2013

UPDATE: Video now has full closed-caption (subtitles) in English. Allowing it to be viewed in many other languages through Google’s auto-translation captioning. Enjoy.

The very wise Alan Watts breaks down what’s wrong with the world at large, and does so back in 1970! His foreshadowing of the manipulation of the food supply through high yield crops is eery and so very true (i.e., Monsanto and their Ready Roundup crops).

He proposes a number of things we can do to change our attitudes towards life and the planet. I’m sorry to say he would be greatly disappointed if he were alive today, however we still have a chance to set things right and fulfill Watts’ dream of unity, peace, and love.

Alan Watts breaks down what’s wrong with the world – Part 2 (1970)

 

Alan Watts

From Wikipedia, the free encyclopedia
Alan Watts
Born Alan Wilson Watts
6 January 1915
Chislehurst, Kent, England
Died 16 November 1973 (aged 58)
Mt. Tamalpais, California, United States
Nationality British and American[1]
Era Contemporary philosophy
Region Eastern Philosophy
School
Main interests

Alan Wilson Watts (6 January 1915 – 16 November 1973) was a British philosopher, writer, and speaker, best known as an interpreter and populariser of Eastern philosophy for a Western audience. Born in Chislehurst, England, he moved to the United States in 1938 and began Zen training in New York. Pursuing a career, he attended Seabury-Western Theological Seminary, where he received a master’s degree in theology. Watts became an Episcopal priest in 1945, then left the ministry in 1950 and moved to California, where he joined the faculty of the American Academy of Asian Studies.

Watts gained a large following in the San Francisco Bay Area while working as a volunteer programmer at KPFA, a Pacifica Radio station in Berkeley. Watts wrote more than 25 books and articles on subjects important to Eastern and