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What DVDs Should I Buy or Binge Watch Both Movies and Television Series — Videos

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Ann Coulter — Adios, America — Videos

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How Trump Betrayed Ann Coulter on Immigration

The political commentator may be more committed to the Republican nominee’s platform than he is.

Donald Trump has just betrayed Ann Coulter. Which is a dangerous thing to do.This week, Coulter released her new book, In Trump We Trust. As the title suggests, it’s a defense of Trump. But more than that, it’s a defense of Trumpism. Most Trump surrogates contort themselves to defend whatever The Donald says, no matter its ideological content. They’re like communist party functionaries. They get word from the ideologists on high, and regurgitate it as best they can.

Since then, they’ve been allies. But unlike many Trump defenders, Coulter makes clear that her primary allegiance is not to Trump the man. It’s to the nostalgic “Make America White Again” brand of conservatism that she began peddling even before he did. In In Trump We Trust, Coulter calls Trump a “tasteless, publicity-seeking, coarse billionaire” and argues that, “the one thing voters weren’t wild about was his personality.”

The secret of Trump’s success, she argues, has been ideological. He recognized that “Americans,” by which she mostly means Republicans, “are homesick.” They don’t just oppose immigration because they believe it depresses wages and strains government services. They’re homesick for a whiter America, an America that was once truly free because “it’s not in the Anglo-Saxon character either to take orders or to give them.” (Never mind about slavery.) Since 1965, however, when Lyndon Johnson signed legislation allowing more immigration from Latin America, Asia, and Africa, the United States has been, according to Coulter in In Trump We Trust, overrun by “illiterate peasants … who can be instructed to learn certain symbols and bloc-vote for the Democrats.” In response, Democrats, along with rich Republicans, keep the doors open to non-European immigration, and thus America has grown “browner” and “shorter.” (That’s Coulter’s description from Adios America). Corruption rises. So does terrorism and rape.Coulter’s ideological interpretation of Trump’s appeal is plausible. It explains, for instance, why support for Trump correlates more strongly to racial resentment than economic misfortune.

Trump may win votes by moderating his stance on immigration. But that’s not how Coulter sells books.

Coulter’s problem is that on the very week she’s unveiled her immigration-themed defense of Trumpism, Trump himself has begun jettisoning it. On Wednesday night, he admitted that it’s “very, very hard” to deport all the undocumented immigrants in the country and implied that he would be open to some people being allowed to stay legally without becoming citizens, provided they pay back taxes. Suddenly, Trump is flirting with an immigration policy that resembles that of every other Republican who ran for president. Which makes Coulter look like a dupe. On Thursday on his show, Rush Limbaugh had a hearty laugh at her expense.

So far, Coulter has responded in contradictory ways. She’s fired off tweets attacking Trump’s immigration shift. But she’s also downplayed it.

Maybe Coulter, like the other high-profile supporters Trump has burned, will accept her humiliation and resort to defending Trump no matter what he says. Her incentives, however, are different. Unlike most of the folks who appear on television supporting Trump, she has an independent brand. And it’s built on white nationalism. Trump may win votes by moderating his stance on immigration. But that’s not how Coulter sells books.

Coulter also needs an explanation for Trump’s likely defeat, an explanation that will preserve her ability to claim that America’s silent majority believes the things she does. By emphasizing Trump’s immigration flip-flop, Coulter could argue that this issue cost him the white votes he needed to win.

Trumpism—a brand of conservatism defined above all by white racial nostalgia—will survive November’s election. Less clear is whether Trump will remain its champion or become its fall guy. Like many people Trump has done business with, Coulter has learned that trusting Trump is not the wisest of investments.

https://www.theatlantic.com/politics/archive/2016/08/how-trump-betrayed-ann-coulter-on-immigration/497618/

Ann Coulter

From Wikipedia, the free encyclopedia
Ann Coulter
Ann Coulter smiling, with a blue wallpaper behind her.

Born Ann Hart Coulter
December 8, 1961 (age 55)
New York City, New York, U.S.
Nationality American
Alma mater Cornell University(BA)
University of Michigan(JD)
Occupation Author, columnist, political commentator
Political party Republican[1]
Website anncoulter.com
Signature
Ann Coulter Signature.png

Ann Hart Coulter (/ˈkltər/; born December 8, 1961) is an American conservativesocial and politicalcommentator, writer, syndicated columnist, and lawyer. She frequently appears on television, radio, and as a speaker at public and private events.

Born in New York City to a conservative family, Coulter was raised in New Canaan, Connecticut. She deepened her conservative interests while studying history at Cornell University, where she helped found The Cornell Review. She subsequently embarked on a career as a law clerk before rising to prominence in the 1990s as an outspoken critic of the Clinton administration. Her first book concerned the Bill Clinton impeachment, and sprang from her experience writing legal briefs for Paula Jones‘s attorneys, as well as columns she wrote about the cases.[2][3]

Coulter has described herself as a polemicist who likes to “stir up the pot,” and does not “pretend to be impartial or balanced, as broadcasters do,”[4] drawing criticism from the left, and sometimes from the right.[5] Coulter’s syndicated column for Universal Press Syndicate appears in newspapers, and is featured on major conservative websites. As of 2016, Coulter has 12 best-selling books, including most recently Adios, America! and In Trump We Trust.

Early life

Coulter as a senior in high school, 1980.

Ann Hart Coulter was born on December 8, 1961, in New York City, to John Vincent Coulter (1926–2008), an FBI agent of Irish–German heritage,[6] who was a native of Albany, New York; and Nell Husbands Coulter (née Martin; 1928–2009), a native of Paducah, Kentucky.[7][8] All eight of her paternal great-great-grandparents were immigrants.[6] Her family later moved to New Canaan, Connecticut, where Coulter and her two older brothers, James and John, were raised.[9] She was raised in a conservative household in Connecticut by Republican parents, with a father who loved Joseph McCarthy. Coulter says she has identified as a conservative since kindergarten. To prep for arguments, she read books like Barry Goldwater‘s Conscience of a Conservative.[10]

At age 14, Coulter visited her older brother in New York City where he attended law school. While he was in class, he had his little sister read books by Milton Friedman and William E. Simon. When he got home from class, he quizzed Coulter. As a reward, he and his friends took her out to bars on the Upper East Side. Reading Republican books made Coulter dream about working as a writer.[10] She graduated from New Canaan High School in 1980. Coulter’s age was disputed in 2002 while she was arguing that she was not yet 40, yet Washington Post columnist Lloyd Grove cited that she provided a birthdate of December 8, 1961, when registering to vote in New Canaan, Connecticut, prior to the 1980 Presidential election. Meanwhile, a driver’s license issued several years later allegedly listed her birthdate as December 8, 1963. Coulter will not confirm either date, citing privacy concerns.[11]

While attending Cornell University, Coulter helped found The Cornell Review,[12][13] and was a member of the Delta Gamma national sorority.[14] She graduated cum laude from Cornell in 1984 with a B.A. in history, and received her J.D. from the University of Michigan Law School in 1988, where she was an editor of the Michigan Law Review.[15] At Michigan, Coulter was president of the local chapter of the Federalist Society and was trained at the National Journalism Center.[16]

Career

After law school, Coulter served as a law clerk, in Kansas City, for Pasco Bowman II of the United States Court of Appeals for the Eighth Circuit.[17] After a short time working in New York City in private practice, where she specialized in corporate law, Coulter left to work for the United States Senate Judiciary Committee after the Republican Partytook control of Congress in 1994. She handled crime and immigration issues for Senator Spencer Abraham of Michigan and helped craft legislation designed to expedite the deportation of aliens convicted of felonies.[18] She later became a litigator with the Center for Individual Rights.[19]

In 2000, Coulter considered running for Congress in Connecticut on the Libertarian Party ticket[20] to serve as a spoiler in order to throw the seat to the Democratic candidate and see that Republican Congressman Christopher Shays failed to gain re-election, as a punishment for Shays’ vote against Clinton’s impeachment. The leadership of the Libertarian Party of Connecticut, after meeting with Coulter, declined to endorse her. As a result, her self-described “total sham, media-intensive, third-party Jesse Ventura campaign” did not take place.[21][22] Shays subsequently won the election, and held the seat until 2008.[23]

Coulter’s career is highlighted by the publication of twelve books, as well as the weekly syndicated newspaper column that she publishes. She is particularly known for her polemical style,[24] and describes herself as someone who likes to “stir up the pot. I don’t pretend to be impartial or balanced, as broadcasters do”.[25] She has been compared to Clare Boothe Luce, one of her idols, for her satirical style.[26] She also makes numerous public appearances, speaking on television and radio talk shows, as well as on collegecampuses, receiving both praise and protest. Coulter typically spends 6–12 weeks of the year on speaking engagement tours, and more when she has a book coming out.[27] In 2010, she made an estimated $500,000 on the speaking circuit, giving speeches on topics of modern conservatism, gay marriage, and what she describes as the hypocrisy of modern American liberalism.[28] During one appearance at the University of Arizona, a pie was thrown at her.[29][30][31] Coulter has, on occasion, in defense of her ideas, responded with inflammatory remarks toward hecklers and protestors who attend her speeches.[32][33]

Books

Coulter is the author of twelve books, many of which have appeared on The New York Times Best Seller list, with a combined 3 million copies sold as of May 2009.[34]

Coulter’s first book, High Crimes and Misdemeanors: The Case Against Bill Clinton, was published by Regnery Publishing in 1998 and made the New York Times Bestseller list.[2] It details Coulter’s case for the impeachment of President Bill Clinton.

Her second book, Slander: Liberal Lies About the American Right, published by Crown Forum in 2002, reached the number one spot on The New York Times non-fiction best seller list.[35] In Slander, Coulter argues that President George W. Bush was given unfair negative media coverage. The factual accuracy of Slander was called into question by then-comedian and author, and now Democratic U.S. Senator from Minnesota, Al Franken; he also accused her of citing passages out of context.[36] Others investigated these charges, and also raised questions about the book’s accuracy and presentation of facts.[37][38][39] Coulter responded to criticisms in a column called “Answering My Critics”.[40]

In her third book, Treason: Liberal Treachery from the Cold War to the War on Terrorism, also published by Crown Forum, she reexamines the 60-year history of the Cold War—including the career of Senator Joseph McCarthy, the Whittaker ChambersAlger Hiss affair, and Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall“—and argues that liberals were wrong in their Cold War political analyses and policy decisions, and that McCarthy was correct about Soviet agents working for the U.S. government.[41] She also argues that the correct identification of Annie Lee Moss, among others, as communists was misreported by the liberal media.[42]Treason was published in 2003, and spent 13 weeks on the Best Seller list.[43]

Crown Forum published a collection of Coulter’s columns in 2004 as her fourth book, How to Talk to a Liberal (If You Must): The World According to Ann Coulter.[44]

Coulter’s fifth book, published by Crown Forum in 2006, is Godless: The Church of Liberalism.[45] In it, she argues, first, that American liberalism rejects the idea of God and reviles people of faith, and second, that it bears all the attributes of a religion itself.[46]Godless debuted at number one on the New York Times Best Seller list.[47] Some passages in the book match portions of others’ writings published at an earlier time (including newspaper articles and a Planned Parenthood document), leading John Barrie of iThenticate to assert that Coulter had engaged in “textbook plagiarism”.[48]

Coulter’s If Democrats Had Any Brains, They’d Be Republicans (Crown Forum), published in October 2007, and Guilty: Liberal “Victims” and Their Assault on America (Crown Forum), published on January 6, 2009, both also achieved best-seller status.[49][50][51]

On June 7, 2011, Crown Forum published her eighth book Demonic: How the Liberal Mob Is Endangering America. Coulter said she based this book heavily on the work of Frenchsocial psychologistGustave Le Bon, who wrote on mass psychology, and in it she argues that liberals have mob-like characteristics.[52]

Her ninth book, published September 25, 2012, is Mugged: Racial Demagoguery from the Seventies to Obama. It argues that liberals, and Democrats in particular, have taken undue credit for racial civil rights in America.[53]

Coulter’s tenth book, Never Trust a Liberal Over 3 – Especially a Republican, was released October 14, 2013. It is her second collection of columns and her first published by Regnery since her first book, High Crimes and Misdemeanors.[54]

Coulter published her eleventh book, Adios, America: The Left’s Plan to Turn Our Country Into a Third World Hellhole on June 1, 2015. The book addresses illegal immigration, amnesty programs, and border security in the United States. [55]

Columns

In the late 1990s, Coulter’s weekly (biweekly from 1999–2000) syndicated column for Universal Press Syndicate began appearing. Her column is featured on six conservative websites: Human Events Online, WorldNetDaily, Townhall.com, VDARE, FrontPageMag, Jewish World Review and her own web site. Her syndicator says, “Ann’s client newspapers stick with her because she has a loyal fan base of conservative readers who look forward to reading her columns in their local newspapers”.[56]

In 1999 Coulter worked as a regular columnist for George magazine.[21][57] Coulter also wrote exclusive weekly columns between 1998 and 2003 and with occasional columns thereafter for the conservative magazine Human Events. In her columns for the magazine, she discusses judicial rulings, Constitutional issues, and legal matters affecting Congress and the executive branch.[58]

In 2001 as a contributing editor and syndicated columnist for National Review Online (NRO), Coulter was asked by editors to make changes to a piece written after the September 11 attacks. On the national television show Politically Incorrect, Coulter accused NRO of censorship and said that she was paid $5 per article. NRO dropped her column and terminated her editorship. Jonah Goldberg, editor-at-large of NRO, said, “We did not ‘fire’ Ann for what she wrote… we ended the relationship because she behaved with a total lack of professionalism, friendship, and loyalty [concerning the editing disagreement].”[59]

Coulter contracted with USA Today to cover the 2004 Democratic National Convention. She wrote one article that began, “Here at the Spawn of Satan convention in Boston…” and referred to some unspecified female attendees as “corn-fed, no make-up, natural fiber, no-bra needing, sandal-wearing, hirsute, somewhat fragrant hippie chick pie wagons”. The newspaper declined to print the article citing an editing dispute over “basic weaknesses in clarity and readability that we found unacceptable”. An explanatory article by the paper went on to say “Coulter told the online edition of Editor & Publisher magazine that ‘USA Today doesn’t like my “tone”, humor, sarcasm, etc., which raises the intriguing question of why they hired me to write for them.'” USA Today replaced Coulter with Jonah Goldberg, and Coulter published it instead on her website.[60][61][62]

In August 2005, the Arizona Daily Star dropped Coulter’s syndicated column, citing reader complaints that “Many readers find her shrill, bombastic, and mean-spirited. And those are the words used by readers who identified themselves as conservatives”.[63]

In July 2006, some newspapers replaced Coulter’s column with those of other conservative columnists following the publication of her fourth book, Godless: The Church of Liberalism.[64] After The Augusta Chronicle dropped her column, newspaper editor Michael Ryan explained that “it came to the point where she was the issue rather than what she was writing about”.[65] Ryan also stated that “pulling Ann Coulter’s column hurts; she’s one of the clearest thinkers around”.

She has criticized former president George W. Bush‘s immigration proposals, saying they led to “amnesty”. In a 2007 column, she claimed that the current immigration system was set up to deliberately reduce the percentage of whites in the population. In it, she said:[66]

In 1960, whites were 90 percent of the country. The Census Bureau recently estimated that whites already account for less than two-thirds of the population and will be a minority by 2050. Other estimates put that day much sooner.

One may assume the new majority will not be such compassionate overlords as the white majority has been. If this sort of drastic change were legally imposed on any group other than white Americans, it would be called genocide. Yet whites are called racists merely for mentioning the fact that current immigration law is intentionally designed to reduce their percentage in the population.

Overall, Coulter’s columns are highly critical of liberals and Democrats. In 2006, she wrote:[67]

This year’s Democratic plan for the future is another inane sound bite designed to trick American voters into trusting them with national security.

To wit, they’re claiming there is no connection between the war on terror and the war in Iraq, and while they are all for the war against terror—absolutely in favor of that war—they are adamantly opposed to the Iraq war. You know, the war where the U.S. military is killing thousands upon thousands of terrorists (described in the media as “Iraqi civilians”, even if they are from Jordan, like the now-dead leader of al-Qaida in Iraq, Abu Musab al-Zarqawi). That war.

Television and radio

Ann Coulter at the 2012 Time 100

Coulter made her first national media appearance in 1996 after she was hired by the then-fledgling network MSNBC as a legal correspondent. She later appeared on CNN and Fox News.[68] Coulter went on to make frequent guest appearances on many television and radio talk shows, including American Morning, The Fifth Estate, Glenn Beck Program, The Mike Gallagher Show, The O’Reilly Factor, Real Time with Bill Maher, Red Eye w/ Greg Gutfeld, The Rush Limbaugh Show, The Sean Hannity Show, The Today Show, Lou Dobbs Tonight, Fox and Friends, The Laura Ingraham Show, The View, The Michael Medved Show, and HARDtalk.

In an interview with Bob McKeown on the edition of January 26, 2005, of The Fifth Estate, Coulter came under criticism for her statement, “Canada used to be… one of our most… most loyal friends, and vice versa. I mean, Canada sent troops to Vietnam. Was Vietnam less containable and more of a threat than Saddam Hussein?” McKeown contradicted her with, “No, actually Canada did not send troops to Vietnam.”[69] On the edition of February 18, 2005 of Washington Journal, Coulter justified her statement by referring to the thousands of Canadians who served in the American armed forces during the Vietnam era, either because they volunteered or because they were living in the United States during the war years and got drafted. She said, “The Canadian Government didn’t send troops … but … they came and fought with the Americans. So I was wrong. It turns out there were 10,000 Americans who happened to be born in Canada.” (There were actually between 5,000 and 20,000 Canadians who fought in Vietnam itself, including approximately 80 who were killed.)[70] John Cloud of Time, writing about the incident a few months later, said, “Canada [sent] noncombat troops to Indochina in the 1950s and again to Vietnam in 1972″.[68]

Films

Coulter appeared in three films released during 2004. The first was Feeding the Beast, a made-for-television documentary on the “24-Hour News Revolution”.[71] The other two films were FahrenHYPE 9/11, a direct-to-video documentary rebuttal of Michael Moore‘s Fahrenheit 911, and Is It True What They Say About Ann?, a documentary on Coulter containing clips of interviews and speeches.[72] In 2015, Coulter had a cameo as the Vice President in the made-for-TV movie Sharknado 3: Oh Hell No!.

Personal life

Coulter has been engaged several times, but she has never married and has no children.[32] She has dated Spin founder and publisher Bob Guccione, Jr.,[21] and conservative writer Dinesh D’Souza.[73] In October 2007, she began dating Andrew Stein, the former president of the New York City Council, a liberal Democrat. When asked about the relationship, Stein told the paper, “She’s attacked a lot of my friends, but what can I say, opposites attract!”[74] On January 7, 2008, however, Stein told the New York Post that the relationship was over, citing irreconcilable differences.[75]Kellyanne Conway, who refers to Coulter as a friend, told New York Magazine in 2017 that Coulter “started dating her security guard probably ten years ago because she couldn’t see anybody else.”[76]

Coulter owns a house, bought in 2005, in Palm Beach, Florida, a condominium in Manhattan, and an apartment in Los Angeles. She votes in Palm Beach and is not registered to do so in New York or California.[77][78]She is a fan of several jam bands, such as the Grateful Dead, the Dave Matthews Band, and Phish.[79][80] Some of her favorite books are the Bible, Mere Christianity, Wuthering Heights, Anna Karenina, true crime stories about serial killers, and anything by Dave Barry.[81]

Religious views

Coulter is a Christian and belongs to the Presbyterian denomination.[82][83] Her father was Catholic and her mother was a Protestant.[84] At one public lecture she said, “I don’t care about anything else; Christ died for my sins, and nothing else matters.”[85] She summarized her view of Christianity in a 2004 column, saying, “Jesus’ distinctive message was: People are sinful and need to be redeemed, and this is your lucky day, because I’m here to redeem you even though you don’t deserve it, and I have to get the crap kicked out of me to do it.” She then mocked “the message of Jesus… according to liberals”, summarizing it as “something along the lines of ‘be nice to people,'” which, in turn, she said “is, in fact, one of the incidental tenets of Christianity.”[86]

Confronting some critics’ views that her content and style of writing is un-Christian-like,[87] Coulter stated that “I’m a Christian first and a mean-spirited, bigoted conservative second, and don’t you ever forget it.”[88]She also said, “Christianity fuels everything I write. Being a Christian means that I am called upon to do battle against lies, injustice, cruelty, hypocrisy—you know, all the virtues in the church of liberalism”.[89] In Godless: The Church of Liberalism, Coulter characterized the theory of evolution as bogus science, and contrasted her beliefs to what she called the left’s “obsession with Darwinism and the Darwinian view of the world, which replaces sanctification of life with sanctification of sex and death”.[90] Coulter subscribes to intelligent design, a theory that rejects evolution.[91]

Coulter was accused of anti-semitism in an October 8, 2007, interview with Donny Deutsch on The Big Idea. During the interview, Coulter stated that the United States is a Christian nation, and said that she wants “Jews to be perfected, as they say” (referring to them being converted to Christianity).[92] Deutsch, a practicing Jew, implied that this was an anti-semitic remark, but Coulter said she didn’t consider it to be a hateful comment.[93][94] In response to Coulter’s comments on the show, the Anti-Defamation League, American Jewish Committee and Bradley Burston condemned those comments,[95] and the National Jewish Democratic Council asked media outlets to stop inviting Coulter as a guest commentator.[96] Talk show host Dennis Prager, while disagreeing with her comments, said that they were not “anti-semitic”, noting, “There is nothing in what Ann Coulter said to a Jewish interviewer on CNBC that indicates she hates Jews or wishes them ill, or does damage to the Jewish people or the Jewish state. And if none of those criteria is present, how can someone be labeled anti-Semitic?”[97] Conservative activist David Horowitz also defended Coulter against the allegation.[98]

Coulter again sparked outrage in September 2015, when she tweeted in response to multiple Republican candidates’ references to Israel during a Presidential debate, “How many f—ing Jews do these people think there are in the United States?”[99] The Anti-Defamation League referred to the tweets as “ugly, spiteful and anti-Semitic.”[100] In response to accusations of anti-Semitism, she tweeted “I like the Jews, I like fetuses, I like Reagan. Didn’t need to hear applause lines about them all night.”[99]

Political views

Coulter is a conservative columnist. She is a registered Republican and member of the advisory council of GOProud since August 9, 2011.[101]

Coulter supported George W. Bush’s presidency. She endorsed Mitt Romney in the 2008 Republican presidential primary[102] and the 2012 Republican presidential primary and presidential run.[103] In the 2016 Republican Party presidential primaries, she endorsed Donald Trump.[104] However, in the wake of the 2017 Shayrat missile strike, Coulter expressed her dismay by tweeting, “Trump campaigned on not getting involved in Mideast.”[105]

Abortion

Coulter believes Roe v. Wade should be overturned and left to the states. She is anti-abortion, but believes there should be an exception if a woman is raped.[106]

Illegal immigration

She strongly opposed amnesty for illegal immigrants, and at the 2013 CPAC said she has now become “a single-issue voter against amnesty”.[107]

Afghanistan War

Although she originally supported the war in Afghanistan during the Bush administration, beginning in 2009 she expressed concern that the war might have turned into another Vietnam, and opposed sending more troops to Afghanistan.[108]

LGBT rights

Coulter opposes same-sex marriage and once supported a federal U.S. constitutional amendment defining marriage as a union of one man and one woman.[109] She insists that her opposition to same-sex marriage “wasn’t an anti-gay thing” and that “It’s genuinely a pro-marriage position to oppose gay marriage”.[110] In an April 1, 2015, column, Coulter declared that liberals had “won the war on gay marriage (by judicial fiat)”.[111]

She also opposes civil unions[112] and privatizing marriage.[113] When addressed with the issue of rights granted by marriage, she said, “Gays already can visit loved ones in hospitals. They can also visit neighbors, random acquaintances, and total strangers in hospitals—just like everyone else. Gays can also pass on property to whomever they would like”.[114] She disagreed with the U.S. Supreme Court‘s 2003 Lawrence v. Texas ruling, stating there was no right to sodomy written in the Constitution and that under federalism each individual state and territory would have to repeal their sodomy laws. She stated she opposed banning same-sex sexual intercourse.[115] She also stated that same-sex sexual intercourse was already protected under the Fourth Amendment, which prevents police from going into your home without a search warrant or court order.[116]

In regard to Romer v. Evans described anti-discrimination laws covering LGBT as “affirmative action benefits.”[117] She also disagreed with repealing Don’t Ask Don’t Tell, stating that it is not an “anti-gay position; it is a pro-military position” because “sexual bonds are disruptive to the military bond”.[118] On April 1, 2015, in a column, Ann Coulter expressed support for Indiana‘s Religious Freedom Restoration Act and said it was an “apocryphal” assertion to claim the Religious Freedom Restoration Act would be used to discriminate against LGBTs.[111] She has also endorsed the Public Facilities Privacy & Security Act and opposes transgender individuals to use bathroom usage corresponding to their gender identity.[119]

LGBT conservatism

Since the 1990s, Coulter has had many acquaintances in the LGBT community. She considers herself “the Judy Garland of the Right.” In the last few years, Coulter has attracted many LGBT fans, namely gay men and drag queens.[10][120][121]

At the 2007 CPAC, Coulter said, “I do want to point out one thing that has been driving me crazy with the media—how they keep describing Mitt Romney‘s position as being pro-gays, and that’s going to upset the right wingers,” and “Well, you know, screw you! I’m not anti-gay. We’re against gay marriage. I don’t want gays to be discriminated against.” She added, “I don’t know why all gays aren’t Republican. I think we have the pro-gay positions, which is anti-crime and for tax cuts. Gays make a lot of money and they’re victims of crime. No, they are! They should be with us.”[122]

In Coulter’s 2007 book If Democrats Had Any Brains, They’d Be Republicans, in the chapter “Gays: No Gay Left Behind!”, she argued that Republican policies were more pro-gay than Democratic policies. Coulter attended the 2010 HomoCon of GOProud, where she commented that same-sex marriage “is not a civil right.”[123] On February 9, 2011, in a column, Coulter described the national Log Cabin Republicans as “ridiculous” and “not conservative at all.” She did however describe the Texas branch of Log Cabin Republicans, for whom she’s been signing books for years, as “comprised of real conservatives.”[124]

At the 2011 CPAC, during her question-and-answer segment, Coulter was asked about GOProud and the controversy over their exclusion from the 2011 CPAC. She boasted how she talked GOProud into dropping its support for same-sex marriage in the party’s platform, saying, “The left is trying to co-opt gays, and I don’t think we should let them. I think they should be on our side,” and “Gays are natural conservatives.”[125] Later that year, Coulter joined advisory board for GOProud. On LogosThe A-List: Dallas she told gay Republican Taylor Garrett that “The gays have got to be pro-life,” and “As soon as they find the gay gene, guess who the liberal yuppies are gonna start aborting?”[126] Coulter has referred to Democractic politicians Bill Clinton, Al Gore, and John Edwards as “fag(got).”[127]

War on Drugs

Coulter strongly supports continuing the War on Drugs.[128] However, she has said that, if there were not a welfare state, she “wouldn’t care” if drugs were legal.[129]

Coulter spoke about drugs as a guest on Piers Morgan Live, when she said that marijuana users “can’t perform daily functions.”[130]

Political activities and commentary

Ann Coulter has described herself as a “polemicist” who likes to “stir up the pot” and doesn’t “pretend to be impartial or balanced, as broadcasters do.”[4] While her political activities in the past have included advising a plaintiff suing President Bill Clinton as well as considering a run for Congress, she mostly serves as a political pundit, sometimes creating controversy ranging from rowdy uprisings at some of the colleges where she speaks to protracted discussions in the media. Time magazine’s John Cloud once observed that Coulter “likes to shock reporters by wondering aloud whether America might be better off if women lost the right to vote.”[68] This was in reference to her statement that “it would be a much better country if women did not vote. That is simply a fact. In fact, in every presidential election since 1950—except Goldwater in ’64—the Republican would have won, if only the men had voted.”[131] Similarly, in an October 2007 interview with the New York Observer, Coulter said:[132]

If we took away women’s right to vote, we’d never have to worry about another Democrat president. It’s kind of a pipe dream, it’s a personal fantasy of mine, but I don’t think it’s going to happen. And it is a good way of making the point that women are voting so stupidly, at least single women.

It also makes the point, it is kind of embarrassing, the Democratic Party ought to be hanging its head in shame, that it has so much difficulty getting men to vote for it. I mean, you do see it’s the party of women and ‘We’ll pay for health care and tuition and day care—and here, what else can we give you, soccer moms?’

In addition to questioning whether women’s right to vote is a good thing, Coulter has also appeared on Fox News and advocated for a poll tax and a literacy test for voters (this was in 1999, and she reiterated her support of a literacy test in 2015).[133] This is not a viewpoint widely shared by members of the Republican Party.

Paula Jones – Bill Clinton case

Coulter first became a public figure shortly before becoming an unpaid legal adviser for the attorneys representing Paula Jones in her sexual harassment suit against President Bill Clinton. Coulter’s friend George Conway had been asked to assist Jones’ attorneys, and shortly afterward Coulter, who wrote a column about the Paula Jones case for Human Events, was also asked to help, and she began writing legal briefs for the case.

Coulter later stated that she would come to mistrust the motives of Jones’ head lawyer, Joseph Cammaratta, who by August or September 1997 was advising Jones that her case was weak and to settle, if a favorable settlement could be negotiated.[18][134] From the outset, Jones had sought an apology from Clinton at least as eagerly as she sought a settlement.[135] However, in a later interview Coulter recounted that she herself had believed that the case was strong, that Jones was telling the truth, that Clinton should be held publicly accountable for his misconduct, and that a settlement would give the impression that Jones was merely interested in extorting money from the President.[18]

David Daley, who wrote the interview piece for The Hartford Courant recounted what followed:

Coulter played one particularly key role in keeping the Jones case alive. In Newsweek reporter Michael Isikoff’s new book Uncovering Clinton: A Reporter’s Story, Coulter is unmasked as the one who leaked word of Clinton’s “distinguishing characteristic”—his reportedly unusually large penis that Jones said she could recognize and describe—to the news media. Her hope was to foster mistrust between the Clinton and Jones camps and forestall a settlement … I thought if I leaked the distinguishing characteristic it would show bad faith in negotiations. [Clinton lawyer] Bob Bennett would think Jones had leaked it. Cammaratta would know he himself hadn’t leaked it and would get mad at Bennett. It might stall negotiations enough for me to get through to [Jones adviser] Susan Carpenter-McMillan to tell her that I thought settling would hurt Paula, that this would ruin her reputation, and that there were other lawyers working for her. Then 36 hours later, she returned my phone call. I just wanted to help Paula. I really think Paula Jones is a hero. I don’t think I could have taken the abuse she came under. She’s this poor little country girl and she has the most powerful man she’s ever met hitting on her sexually, then denying it and smearing her as president. And she never did anything tacky. It’s not like she was going on TV or trying to make a buck out of it.”[18]

In his book, Isikoff also reported Coulter as saying: “We were terrified that Jones would settle. It was contrary to our purpose of bringing down the President.”[134] After the book came out, Coulter clarified her stated motives, saying:

The only motive for leaking the distinguishing characteristic item that [Isikoff] gives in his book is my self-parodying remark that “it would humiliate the president” and that a settlement would foil our efforts to bring down the president … I suppose you could take the position, as [Isikoff] does, that we were working for Jones because we thought Clinton was a lecherous, lying scumbag, but this argument gets a bit circular. You could also say that Juanita Broaddrick’s secret motive in accusing Clinton of rape is that she hates Clinton because he raped her. The whole reason we didn’t much like Clinton was that we could see he was the sort of man who would haul a low-level government employee like Paula to his hotel room, drop his pants, and say, “Kiss it.” You know: Everything his defense said about him at the impeachment trial. It’s not like we secretly disliked Clinton because of his administration’s position on California’s citrus cartels or something, and then set to work on some crazy scheme to destroy him using a pathological intern as our Mata Hari.[136]

The case went to court after Jones broke with Coulter and her original legal team, and it was dismissed via summary judgment. The judge ruled that even if her allegations proved true, Jones did not show that she had suffered any damages, stating, “… plaintiff has not demonstrated any tangible job detriment or adverse employment action for her refusal to submit to the governor’s alleged advances. The president is therefore entitled to summary judgment on plaintiff’s claim of quid pro quo sexual harassment.” The ruling was appealed by Jones’ lawyers. During the pendency of the appeal, Clinton settled with Jones for $850,000 ($151,000 after legal fees) in November 1998, in exchange for Jones’ dismissal of the appeal. By then, the Jones lawsuit had given way to the Monica Lewinsky sex scandal.

In October 2000, Jones revealed that she would pose for nude pictures in an adult magazine, saying she wanted to use the money to pay taxes and support her grade-school-aged children, in particular saying, “I’m wanting to put them through college and maybe set up a college fund.”[137] Coulter publicly denounced Jones, calling her “the trailer-park trash they said she was” (Coulter had earlier chastened Clinton supporters for calling Jones this name),[138] after Clinton’s former campaign strategist James Carville had made the widely reported remark, “Drag a $100 bill through a trailer park, and you’ll never know what you’ll find,” and called Jones a “fraud, at least to the extent of pretending to be an honorable and moral person.”[137]

Coulter wrote:

Paula surely was given more than a million dollars in free legal assistance from an array of legal talent she will never again encounter in her life, much less have busily working on her behalf. Some of those lawyers never asked for or received a dime for hundreds of thousands of dollars in legal work performed at great professional, financial and personal cost to themselves. Others got partial payments out of the settlement. But at least they got her reputation back. And now she’s thrown it away.[139]

Jones claimed not to have been offered any help with a book deal of her own or any other additional financial help after the lawsuit.[137]

2008 presidential election

As the 2008 presidential campaign was getting under way, Coulter drew criticism for statements she made at the 2007 Conservative Political Action Conference about presidential candidate John Edwards:[140][141]

I was going to have a few comments on the other Democratic presidential candidate, John Edwards, but it turns out that you have to go into rehab if you use the word ‘faggot,’ so I’m… so, kind of at an impasse, can’t really talk about Edwards, so I think I’ll just conclude here and take your questions.

The comment was in reference to Grey’s Anatomy star Isaiah Washington‘s use of the epithet and his subsequent mandatory “psychological assessment” imposed by ABC executives.[142] It was widely interpreted as meaning that Coulter had called Edwards a “faggot,” but Coulter argued that she did not actually do so, while simultaneously indicating she would not have been wrong to say it.[143] Edwards responded on his web site by characterizing Coulter’s words as “un-American and indefensible,” and asking readers to help him “raise $100,000 in ‘Coulter Cash’ this week to keep this campaign charging ahead and fight back against the politics of bigotry.”[144] He also called her a “she-devil,” adding, “I should not have name-called. But the truth is—forget the names—people like Ann Coulter, they engage in hateful language.”[145] Coulter’s words also drew condemnation from many prominent Republicans and Democrats, as well as groups such as the Gay and Lesbian Alliance Against Defamation (GLAAD).[144][146][147] Three advertisers (Verizon, Sallie Mae and Netbank) also pulled their advertisements from Coulter’s web site,[148] and several newspapers dropped her column.[149][150] Coulter responded in an e-mail to the New York Times, “C’mon, it was a joke. I would never insult gays by suggesting that they are like John Edwards. That would be mean.”[147] On March 5, 2007, she appeared on Hannity and Colmes and said, “Faggot isn’t offensive to gays; it has nothing to do with gays. It’s a schoolyard taunt meaning ‘wuss.'”[151] Gay rights advocates were not convinced. “Ann Coulter’s use of this anti-gay slur is vile and unacceptable,” said Neil G. Giuliano, president of the Gay & Lesbian Alliance Against Defamation, “and the applause from her audience is an important reminder that Coulter’s ugly brand of bigotry is at the root of the discriminatory policies being promoted at this gathering.”[141] A spokesman for Sen. John McCain, a Republican presidential candidate, called Coulter’s comments “wildly inappropriate.”[141]

As the campaign waged on, she continued to insert her commentary regarding the candidates, both Democrats and Republicans. In a June 2007 interview, Coulter named Duncan Hunter as her choice for the 2008 Republican Presidential nomination, highlighting his views on immigration and specifically his anti-abortion credentials, saying “[t]his is a winning issue for us, protecting little babies.”[152] On January 16, 2008, Coulter began endorsing Governor Mitt Romney as her choice for the 2008 Republican nomination, saying he is “manifestly the best candidate” (contrasting Romney with Republican candidates John McCain, Mike Huckabee, and Rudy Giuliani).[153] By contrast, Coulter was critical of eventual Republican nominee John McCain. On the January 31, 2008, broadcast of Hannity and Colmes, Coulter claimed that if McCain won the Republican nomination for president, she would support and campaign for Hillary Clinton, stating, “[Clinton] is more conservative than McCain.”[154]

Regarding then-presidential-candidate Barack Obama in an April 2, 2008, column, she characterized his book Dreams from My Father as a “dimestore Mein Kampf.” Coulter writes, “He says the reason black people keep to themselves is that it’s ‘easier than spending all your time mad or trying to guess whatever it was that white folks were thinking about you.’ Here’s a little inside scoop about white people: We’re not thinking about you. Especially WASPs. We think everybody is inferior, and we are perfectly charming about it.”[155]

2010 Canadian university tour

Ann Coulter at CPAC in February 2012

In March 2010, Coulter announced that she would be embarking on a speaking tour of three Canadian universities, The University of Western Ontario, the University of Ottawa and the University of Calgary. The tour was organized by the International Free Press Society.[156]

On the eve of Coulter’s first speech at the University of Western Ontario, an e-mail to Coulter from François Houle, provost of the University of Ottawa, was leaked to the media. The e-mail warned that “promoting hatred against any identifiable group would not only be considered inappropriate, but could in fact lead to criminal charges.” Coulter released a public statement alleging that by sending her the e-mail, Houle was promoting hatred against conservatives.[157] During her speech at the University of Western Ontario, she told a Muslim student to “take a camel,” in response to the student’s question about previous comments by Coulter that Muslims should not be allowed on airplanes.[158]

On March 22, the University of Ottawa made international news when liberal protesters conspired to prevent Coulter from speaking. The event was canceled in spite of a massive security presence; Alain Boucher of the Ottawa Police Service said there were ten officers visible at the scene, “plus other resources” nearby.[159] Boucher alleged that Coulter’s security team decided to call off the event, saying, “We gave her options,” including, he said, to “find a bigger venue.” But “they opted to cancel … It’s not up to the Ottawa police to make that decision.”[160] Boucher claimed there were no arrests.[161] CTV News reported, “It was a disaster in terms of just organization, which is probably one of the reasons why it was cancelled,” citing the small number of students tasked with confirming who had signed up to attend Coulter’s talk.[162]

Event organizer and conservative activist Ezra Levant blamed the protest on the letter sent to Coulter by Houle.[163] After the cancellation, Coulter called the University of Ottawa “bush league,” stating:[164]

I go to the best schools, Harvard, the Ivy League, and those kids are too intellectually proud to threaten speakers … I would like to know when this sort of violence, this sort of protest, has been inflicted upon a Muslim—who appear to be, from what I’ve read of the human rights complaints, the only protected group in Canada. I think I’ll give my speech tomorrow night in a burka. That will protect me.

Comments on Islam, Arabs, and terrorism

On September 14, 2001, three days after the September 11 attacks (in which her friend Barbara Olson had been killed), Coulter wrote in her column:

Airports scrupulously apply the same laughably ineffective airport harassment to Suzy Chapstick as to Muslim hijackers. It is preposterous to assume every passenger is a potential crazed homicidal maniac. We know who the homicidal maniacs are. They are the ones cheering and dancing right now. We should invade their countries, kill their leaders and convert them to Christianity. We weren’t punctilious about locating and punishing only Hitler and his top officers. We carpet-bombed German cities; we killed civilians. That’s war. And this is war.[165]

This comment resulted in Coulter’s being fired as a columnist by the National Review, which she subsequently referred to as “squeamish girly-boys.”[166] Responding to this comment, Ibrahim Hooper of the Council on American-Islamic Relations remarked in The Chicago Sun Times that before September 11, Coulter “would have faced swift repudiation from her colleagues,” but “now it’s accepted as legitimate commentary.”[167]

David Horowitz, however, saw Coulter’s words as irony:

I began running Coulter columns on Frontpagemag.com shortly after she came up with her most infamous line, which urged America to put jihadists to the sword and convert them to Christianity. Liberals were horrified; I was not. I thought to myself, this is a perfect send-up of what our Islamo-fascist enemies believe—that as infidels we should be put to the sword and converted to Islam. I regarded Coulter’s phillipic (sic) as a Swiftian commentary on liberal illusions of multi-cultural outreach to people who want to rip out our hearts.[168]

One day after the attacks (when death toll estimates were higher than later), Coulter asserted that only Muslims could have been behind the attacks:

Not all Muslims may be terrorists, but all terrorists are Muslims—at least all terrorists capable of assembling a murderous plot against America that leaves 7,000 people dead in under two hours.[169]

Coulter has been highly critical of the U.S. Department of Transportation and especially its then-secretary Norman Mineta. Her many criticisms include their refusal to use racial profiling as a component of airport screening.[170] After a group of Muslims was expelled from a US Airways flight when other passengers expressed concern, sparking a call for Muslims to boycott the airline because of the ejection from a flight of six imams, Coulter wrote:

If only we could get Muslims to boycott all airlines, we could dispense with airport security altogether.[171]

Coulter also cited the 2002 Senate testimony of FBI whistleblower Coleen Rowley, who was acclaimed for condemning her superiors for refusing to authorize a search warrant for 9-11 conspirator Zacarias Moussaoui when he refused to consent to a search of his computer. They knew that he was a Muslim in flight school who had overstayed his visa, and the French Intelligence Service had confirmed his affiliations with radical fundamentalist Islamic groups. Coulter said she agreed that probable cause existed in the case, but that refusing consent, being in flight school and overstaying a visa should not constitute grounds for a search. Citing a poll which found that 98 percent of Muslims between the ages of 20 and 45 said they would not fight for Britain in the war in Afghanistan, and that 48 percent said they would fight for Osama bin Laden she asserted “any Muslim who has attended a mosque in Europe—certainly in England, where Moussaoui lived—has had ‘affiliations with radical fundamentalist Islamic groups,'” so that she parsed Rowley’s position as meaning that “‘probable cause’ existed to search Moussaoui’s computer because he was a Muslim who had lived in England.” Coulter says the poll was “by the “Daily Telegraph“, actually it was by Sunrise, an “Asian” (i.e., Indian subcontinent-oriented) radio station, canvassing the opinions of 500 Muslims in Greater London (not Britain as a whole), mainly of Pakistani origin and aged between 20 and 45. Because “FBI headquarters … refused to engage in racial profiling,” they failed to uncover the 9-11 plot, Coulter asserted. “The FBI allowed thousands of Americans to be slaughtered on the altar of political correctness. What more do liberals want?”[172][173]

Coulter wrote in another column that she had reviewed the civil rights lawsuits against certain airlines to determine which of them had subjected Arabs to the most “egregious discrimination” so that she could fly only that airline. She also said that the airline should be bragging instead of denying any of the charges of discrimination brought against them.[174] In an interview with The Guardian she said, “I think airlines ought to start advertising: ‘We have the most civil rights lawsuits brought against us by Arabs.'” When the interviewer replied by asking what Muslims would do for travel, she responded, “They could use flying carpets.”[131]

One comment that drew criticism from the blogosphere, as well as fellow conservatives,[175] was made during a speech at the Conservative Political Action Conference in February 2006, where she said, referring to the prospect of a nuclear-equipped Iran, “What if they start having one of these bipolar episodes with nuclear weapons? I think our motto should be, post-9-11: Raghead talks tough, raghead faces consequences.”[176] Coulter had previously written a nearly identical passage in her syndicated column: “… I believe our motto should be, after 9/11: Jihad monkey talks tough; jihad monkey takes the consequences. Sorry, I realize that’s offensive. How about ‘camel jockey‘? What? Now what’d I say? Boy, you tent merchants sure are touchy. Grow up, would you?”[177]

In October 2007, Coulter made further controversial remarks regarding Arabs—in this case Iraqis—when she stated in an interview with The New York Observer:

We’ve killed about 20,000 of them, of terrorists, of militants, of Al Qaeda members, and they’ve gotten a little over 3,000 of ours. That is where the war is being fought, in Iraq. That is where we are fighting Al Qaeda. Sorry we have to use your country, Iraqis, but you let Saddam come to power, and we are going to instill democracy in your country.[178]

In a May 2007 article looking back at the life of recently deceased evangelical Reverend Jerry Falwell, Coulter commented on his (later retracted) statement after the 9/11 attacks that “the pagans, and the abortionists, and the feminists, and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People For the American Way, all of them who have tried to secularize America … helped this happen.” In her article, Coulter stated that she disagreed with Falwell’s statement, “because Falwell neglected to specifically include Teddy Kennedy and ‘the Reverend’ Barry Lynn.”[179]

In October 2007, Coulter participated in David Horowitz‘ “Islamo-Fascism Awareness Week,” remarking in a speech at the University of Southern California, “The fact of Islamo-Fascism is indisputable. I find it tedious to detail the savagery of the enemy … I want to kill them. Why don’t Democrats?”[180]

In the wake of the Boston Marathon bombings, Coulter told Hannity host Sean Hannity that the wife of bombing suspect Tamerlan Tsarnaev should be jailed for wearing a hijab. Coulter continued by saying “Assimilating immigrants into our culture isn’t really working. They’re assimilating us into their culture.”[181]

In the wake of the Charlie Hebdo shooting in Paris, Coulter said France “needs to move to the next step” in dealing with terror. Coulter said of some immigrants:

They don’t want to live in Muslim countries, and yet they want to change the non-Muslim countries they move to [into] Muslim countries. It may be a small minority of Muslims “and still it’s enough of them that maybe you take a little pause in Muslim immigration for a while.”[182]

Coulter has attributed American gun violence in America to black and Muslim American men, stating that the epidemic of gun-related deaths is “not a gun problem, it’s a demographic problem.”[183]

When asked about the financial crisis in the 2000s, Coulter claimed one reason for it was that “they gave your mortgage to a less qualified minority.”[184]

Ionizing radiation as “cancer vaccine”

On March 16, 2011, discussing the Fukushima I nuclear accidents, Coulter, citing research into radiation hormesis, wrote that there was “burgeoning evidence that excess radiation operates as a sort of cancer vaccine.”[185] Her comments were criticized by figures across the political spectrum, from Fox NewsBill O’Reilly (who told Coulter, “You have to be responsible … in something like this, you gotta get the folks out of there, and you have to report worst-case scenarios”)[186] to MSNBC‘s Ed Schulz (who stated that “You would laugh at her if she wasn’t making light of a terrible tragedy.”)[187]

2012 presidential election

During the Republican Party presidential primaries, she supported Mitt Romney over former Speaker of the HouseNewt Gingrich. On an interview during The O’Reilly Factor on Fox News, she compared Newt Gingrich’s attacks on the media to Jesse Jackson “accusing people of racism.”[188] On her website, she posted a column titled, “Re-elect Obama: Vote Newt!” arguing that if Newt Gingrich won the Republican nomination, Barack Obama would win re-election.[189] When asked to respond about her criticism, Newt Gingrich dismissed them as “the old order” and cited recent polls showing him ahead of Mitt Romney.[190]

On October 22, 2012, following a presidential debate between Mitt Romney and Barack Obama, Coulter published the following tweet from her official Twitter account: “I highly approve of Romney’s decision to be kind and gentle to the retard,” drawing stiff criticism for her use of a word which some find offensive to describe the president of the United States. The Special Olympics condemned Coulter in a tweet shortly after Coulter’s.[191] On The Alan Colmes Show, Coulter stated that she does not regret her use of the word, saying, “‘Retard’ had been used colloquially to just mean ‘loser’ for 30 years. But no, these aggressive victims have to come out and tell you what words to use.”[192]

After the election, in which Barack Obama won, Ann Coulter wrote a column titled “Romney Was Not the Problem”. In it she argued against the idea that Mitt Romney lost because he failed to get his message across. She also said that Mitt Romney lost because he was running against an incumbent.[193]

2013 CPAC Conference

In March 2013, Coulter was one of the keynote speakers at the Conservative Political Action Conference, where she made references to New Jersey Governor Chris Christie‘s weight (“CPAC had to cut back on its speakers this year about 300 pounds”) and progressive activist Sandra Fluke‘s hairdo. (Coulter quipped that Fluke didn’t need birth control pills because “that haircut is birth control enough.”) Coulter advocated against a path to citizenship for undocumented immigrants because such new citizens would never vote for Republican candidates: “If amnesty goes through, America becomes California and no Republican will ever win another election.”[194][195]

2016 presidential election

In the summer of 2015, Coulter appeared on Real Time with Bill Maher and predicted of all of the Republicans that have announced their candidacy for the presidency, that Donald Trump had the best chance of winning the general election, she was laughed at by the studio audience.[196] Coulter later endorsed Donald Trump in the general election.[197]

VDARE

Coulter has been a contributor to VDARE since 2006.[198]

VDARE is a right wing website and blog founded by anti-immigration activist and paleo-conservativePeter Brimelow.[199] VDARE is considered controversial because of its alleged ties to white supremacist rhetoric and support of scientific racism and white nationalism.[200][201][202][203][204]

Berkeley cancellation

In April 2017, The New York Times reported that the University of California, Berkeley had cancelled Ann Coulter’s speech scheduled for April 27.[205] A university spokesman said they had not discussed a specific date with her and only learned about it by reading news reports.[206] The university administrators cited threats of violence and offered to accommodate her on a later date. Coulter said she saw no way forward, telling The New York Times, “It’s a sad day for free speech.”[207] Both Bernie Sanders and Elizabeth Warren publicly called for the university to defend her right to free speech.[207]

Plagiarism accusations

In October 2001, Coulter was accused of plagiarism in her 1998 book High Crimes and Misdemeanors by Michael Chapman, a columnist for the journal Human Events who claims that passages were taken from a supplement he wrote for the journal in 1997 titled “A Case for Impeachment.”[166]

On the July 5, 2016, episode of Countdown with Keith Olbermann, guest John Barrie, the CEO of iParadigms, offers his professional opinion that Coulter plagiarized in her book Godless as well as in many columns over the past year.[208] Barrie ran “Godless” through iThenticate, his company’s machine which is able to scan works and compare them to existing texts. He points to a 25 word section of the text that exactly matches a Planned Parenthood pamphlet and a 33 word section almost duplicating a 1999 article from the Portland Press as some examples of evidence.

Media Matters for America has appealed to Random House publishing to further investigate Coulter’s work.[209] The syndicator of her columns cleared her of the plagiarism charges.[210] Universal Press Syndicate and Crown Books also defended Coulter against the charges.[211]

Columnist Bill Nemitz from the Portland Press Herald accused Coulter of plagiarizing a very specific sentence from his newspaper in her book Godless, but he also acknowledged that one sentence is insufficient grounds for filing suit.[212]

Public perception

General

Sometimes referred to as an “internet queen,”[213] Coulter’s has a high public profile. [214]

Gendered criticism

Known for rejecting “the academic convention of euphemism and circumlocution,”[215] Coulter has been subject to a fair amount of criticism from scholars. Feminist critics have criticized the way that Coulter functions as a thin, blonde, heterosexual woman in the Republican party who prefers mini skirts and heels over a business suit. The argument here is that Coulter plays to misogyny in order to further her goals; she “dominates without threatening (at least not straight men).”[216] These critics also reject Coulter’s opinion that the gains made by women have as far as to create an anti-male society[217] and her call for women to be rejected from the military because they are more vicious than men.[218] Like the famous anti-feminist Phyllis Schlafly, Coulter uses traditionally masculine rhetoric as reasoning for the need for traditional gender roles, and she carries this idea of feminized dependency into her governmental policies, according to feminist critics.[219]

2016 Comedy Central Roast

In September 2016, Coulter was invited to participate in a roast of Rob Lowe on Comedy Central, as Coulter is often considered a successful satirist.[220] There is speculation that Coulter attended with the primary goal of promoting her newest book at the time, In Trump We Trust, but she ended up becoming the main target of the vitriol, and the roast subsequently went viral. Coulter herself refers to the roast as the “Ann Coulter Roast with Rob Lowe.”[221]

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David Ignatius — The Sun King — Videos

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The Sun King

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David Ignatius, (The Washington Post)

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THE SUN KING

“A thoroughly involving narrative with a sharp, satiric edge, Ignatius’s contemporary take on the tragic confluence of love, power and ambition is a sophisticated look at the media mystique and the movers and shakers in our nation’s capitol.” Publishers Weekly

The Sun KingWashington Post columnist David Ignatius is one of the most highly regarded writers in the capital, an influential journalist and acclaimed novelist with a keen eye for the subtleties of power and politics. In The Sun King, Ignatius has written a love story for our time, a spellbinding portrait of the collision of ambition and sexual desire.

Sandy Galvin is a billionaire with a rare talent for taking risks and making people happy. Galvin arrives in a Washington suffering under a cloud of righteous misery and proceeds to turn the place upside down. He buys the city’s most powerful newspaper, The Washington Sun and Tribune, and wields it like a sword, but in his path stands his old Harvard flame, Candace Ridgway, a beautiful and icy journalist known to her colleagues as the Mistress of Fact. Their fateful encounter, tangled in the mysteries of their past, is narrated by David Cantor, an acid-tongued reporter and Jerry Springer devotee who is drawn inexorably into the Sun King’s orbit and is transformed by this unpredictable man.

In this wise and poignant novel, love is the final frontier for a generation of baby boomers at midlife–still young enough to reach for their dreams but old enough to glimpse the prospect of loss. The Sun King can light up a room, but can he melt the worldly bonds that constrain the Mistress of Fact? In The Sun King, David Ignatius proves with perceptive wit and haunting power that the phrase “Washington love story” isn’t an oxymoron.


Reviews

“A splendid, star-crossed Gatsby update that roasts on the same skewer Washington’s power elite and the journalists they so easily seduce… Fitzgerald’s boozy gloom brightened with social satire, bittersweet romance, and a comic send-up of all that newspapers hold dear, from a man who’s been there.” Kirkus

“The emotional integrity at the heart of this novel is searingly honest and makes for a wise and satisfying work.” — Library Journal

http://davidignatius.com/the-sun-king/

 

David Ignatius

From Wikipedia, the free encyclopedia
David Ignatius
David ignatius.jpg
Born May 26, 1950 (age 66)
Cambridge, Massachusetts
Occupation Novelist, Journalist, Analyst
Language English
Nationality American-Armenian
Education St. Albans School
Harvard University
King’s College, Cambridge
Genre Suspense, Espionage fiction, Thriller
Notable works Body of Lies, Agents of Innocence, The Increment
Spouse Dr. Eve Thornberg Ignatius

David R. Ignatius (May 26, 1950), is an American journalist and novelist. He is an associate editor and columnist for The Washington Post. He also co-hosts PostGlobal, an online discussion of international issues at Washingtonpost.com, with Fareed Zakaria. He has written nine novels, including Body of Lies, which director Ridley Scott adapted into a film. He is a former Adjunct Lecturer at the Kennedy School of Government at Harvard University and currently Senior Fellow to the Future of Diplomacy Program. He has received numerous honors, including the Legion of Honor from the French Republic, the Urbino World Press Award from the Italian Republic, and a lifetime achievement award from the International Committee for Foreign Journalism.

Personal life

Ignatius was born in Cambridge, Massachusetts.[1] His parents are Nancy Sharpless (née Weiser) and Paul Robert Ignatius, a former Secretary of the Navy (1967–69), president of The Washington Post, and former president of the Air Transport Association.[2][3] He is of Armenian descent on his father’s side, with ancestors from Harput, Elazığ, Turkey;[4][5] his mother, a descendant of Puritan minister Cotton Mather, is of German and English descent.[6]

Ignatius was raised in Washington, D.C., where he attended St. Albans School. He then attended Harvard College, from which he graduated magna cum laude in 1973. Ignatius was awarded a Frank Knox Fellowship from Harvard University and studied at King’s College, Cambridge, where he received a diploma in economics.[7]

He is married to Dr. Eve Thornberg Ignatius, with whom he has three daughters.[7]

Career

Journalism

After completing his education, Ignatius was an editor at the Washington Monthly before moving to the Wall Street Journal, where he spent ten years as a reporter. At the Journal, Ignatius first covered the steel industry in Pittsburgh. He then moved to Washington where he covered the Justice Department, the CIA, and the Senate. Ignatius was the Journal’s Middle East correspondent between 1980 and 1983, during which time he covered the wars in Lebanon and Iraq. He returned to Washington in 1984, becoming chief diplomatic correspondent. In 1985 he received the Edward Weintal Prize for Diplomatic Reporting.

In 1986, Ignatius left the Journal for the Washington Post. From 1986 to 1990, he was the editor of the “Outlook” section. From 1990 to 1992 he was foreign editor, and oversaw the paper’s Pulitzer Prize-winning coverage of Iraq’s invasion of Kuwait. From 1993 to 1999, he served as assistant managing editor in charge of business news. In 1999, he began writing a twice-weekly column on global politics, economics and international affairs.

In 2000, he became the executive editor of the International Herald Tribune in Paris. He returned to the Post in 2002 when the Post sold its interest in the Herald Tribune. Ignatius continued to write his column once a week during his tenure at the Herald Tribune, resuming twice-weekly columns after his return to the Post. His column is syndicated worldwide by The Washington Post Writers Group. The column won the 2000 Gerald Loeb Award for Commentary and a 2004 Edward Weintal Prize. In writing his column, Ignatius frequently travels to the Middle East and interviews leaders such as Syrian President Bashar al-Assad and Hassan Nasrallah, the head of the Lebanese military organization Hezbollah.

Ignatius’s writing has also appeared in the New York Times Magazine, The Atlantic Monthly, Foreign Affairs, The New Republic, Talk Magazine, and The Washington Monthly.

Ignatius’s coverage of the CIA has been criticized as being defensive and overly positive. Melvin A. Goodman, a 42-year CIA veteran, Johns Hopkins professor, and senior fellow at the Center for International Policy, has called Ignatius “the mainstream media’s apologist for the Central Intelligence Agency,” citing as examples Ignatius’s criticism of the Obama administration for investigating the CIA’s role in the use of torture in interrogations during the Iraq War, and his charitable defense of the agency’s motivations for outsourcing such activities to private contractors.[8][9][10][10] Columnist Glenn Greenwald has leveled similar criticism against Ignatius.[11]

On a number of occasions, however, Ignatius criticized the CIA and the U.S. government’s approach on intelligence.[12] He was also critical of the Bush administration’s torture policies.[13]

On March 12, 2014, he wrote a two-page descriptive opinion on Putin’s strengths and weaknesses which was published in the Journal and Courier soon after.[14]

On March 26, 2014, Ignatius wrote a piece in the Washington Post on the crisis in Ukraine and how the world will deal with Putin‘s actions. Ignatius’ theory of history is that it is a chaos and that “good” things are not pre-ordained, “decisive turns in history can result from ruthless political leaders, from weak or confused adversaries, or sometimes just from historical accident. Might doesn’t make right, but it does create ‘facts on the ground’ that are hard to reverse.” His piece mentioned 4-star USAF General Philip M. Breedlove, the current NATO Supreme Allied Commander Europe, and Ukrainian Foreign Minister Andriy Deshchytsya. Putin, says Ignatius, “leads what by most political and economic indicators is a weak nation—a declining power, not a rising one.” He places great hope in Angela Merkel.[15]

Novels

In addition to being a journalist, Ignatius is also a successful novelist. He has written seven novels in the suspense/espionage fiction genre, which draw on his experience and interest in foreign affairs and his knowledge of intelligence operations. Reviewers have compared Ignatius’ work to classic spy novels like those by Graham Greene. Ignatius’s novels have also been praised for their realism; his first novel, Agents of Innocence, was at one point described by the CIA on its website as “a novel but not fiction”.[16] His 1999 novel The Sun King, a re-working of The Great Gatsby set in late-20th-century Washington, is his only departure from the espionage genre.[citation needed]

His 2007 novel Body of Lies was adapted into a film by director Ridley Scott. It starred Leonardo DiCaprio and Russell Crowe. Producer Jerry Bruckheimer has acquired the rights to Ignatius’s seventh novel, The Increment.[citation needed]

The Director, a spy thriller about a new CIA director and cyber-espionage, is his latest novel.

Opera

In May 2015, MSNBC‘s Morning Joe announced that Ignatius would be teaming up with noted composer Mohammed Fairouz to create a political opera called ‘The New Prince’ based on the teachings of Niccolo Machiavelli. The opera was commissioned by the Dutch National Opera.[17] Speaking with The Washington Post, Ignatius described the broad themes of the opera in terms of three chapters: “The first chapter is about revolution and disorder. Revolutions, like children, are lovable when young, and they become much less lovable as they age. The second lesson Machiavelli tells us is about sexual obsession, among leaders. And then the final chapter is basically is the story of Dick Cheney [and] bin Laden, the way in which those two ideas of what we’re obliged to do as leaders converged in such a destructive way.” [18]

Other

In 2006, he wrote a foreword to the American edition of Moazzam Begg’s Enemy Combatant, a book about the author’s experiences as a detainee at the Guantanamo Bay detention camp. In 2008, Zbigniew Brzezinski, Brent Scowcroft, and Ignatius published America and the World: Conversations on the Future of American Foreign Policy, a book that collected conversations, moderated by Ignatius, between Brzezinski and Scowcroft. Michiko Kakutani of the New York Times named it one of the ten best books of 2008.[19]

Ignatius has been trustee of the German Marshall Fund since 2000. He is a member of the Council of the International Institute of Strategic Studies in London and has been a director of its U.S. affiliate since 2006. He has been a member of the Council on Foreign Relations since 1984. From 1984 to 1990, he was a member of the Governing Board of St. Albans School.[citation needed]

In 2011, Ignatius held a contest for Washington Post readers to write a spy novel. Ignatius wrote the first chapter and challenged fans to continue the story. Over eight weeks, readers sent in their versions of what befalls CIA agents Alex Kassem and Sarah Mancini and voted for their favorite entries. Ignatius chose the winning entry for each round, resulting in a six-chapter Web serial. Winners of the subsequent chapters included: Chapter 2 “Sweets for the Sweet” by Colin Flaherty; Chapter 3: “Abu Talib” by Jill Borak; Chapter 4. “Go Hard or Go Home” by Vineet Daga; Chapter 5: “Inside Out” by Colin Flaherty; and Chapter 6: “Onward!” by Gina ‘Miel’ Ard.[20]

In early 2012, Ignatius served as an Adjunct Lecturer at the John F. Kennedy School of Government at Harvard University teaching an international affairs course titled: “Understanding the Arab Spring from the Ground Up: Events in the Middle East, their Roots and Consequences for the United States”. He is currently serving as a Senior Fellow at the Future of Diplomacy Program at Harvard University.[21]

Controversy

2009 Davos incident

At the 2009 World Economic Forum in Davos, Switzerland, Ignatius moderated a discussion including then Turkish Prime Minister Recep Tayyip Erdoğan, Israeli President Shimon Peres, UN Secretary-General Ban Ki-moon, and Arab League Secretary-General Amr Moussa. As the December 2008–January 2009 conflict in Gaza was still fresh in memory, the tone of the discussion was lively.[22] Ignatius gave Erdoğan 12 minutes to speak, and gave the Israeli President 25 minutes to respond.[22] Erdoğan objected to Peres’ tone and raised voice during the Israeli President’s impassioned defense of his nation’s actions. Ignatius gave Erdoğan a minute to respond (who repeatedly insisted “One minute”, in English), and when Erdoğan went over his allocated minute, Ignatius repeatedly cut the Turkish PM off, telling him and the audience that they were out of time and that they had to adjourn to a dinner.[23] Erdoğan seemed visibly frustrated as he said confrontationally to the Israeli President, “When it comes to killing, you know well how to kill”.[22] Ignatius put his arm on Erdoğan’s shoulder and continued to tell him that his time was up. Erdoğan then gathered his papers and walked out, saying, “I do not think I will be coming back to Davos after this because you do not let me speak.”[23]

Writing about the incident later, Ignatius said that he found himself “in the middle of a fight where there was no longer a middle”. “Because the Israel–Palestinian conflict provokes such heated emotions on both sides of the debate,” Ignatius concluded, “it was impossible for anyone to be seen as an impartial mediator”. Ignatius wrote that his experience elucidated a larger truth about failure of the United States’ attempt to serve as an impartial mediator in the Israeli–Palestinian conflict. “American leaders must give up the notion that they can transform the Middle East and its culture through military force”, Ignatius wrote, and instead “get out of the elusive middle, step across the threshold of anger, and sit down and talk” with the Middle Eastern leaders.[24]

Confounding Allende and Castro

On December 17, 2016, Ignatius drew negative attention when he appeared on NPR’s Weekend Edition Saturday

http://www.npr.org/2016/12/17/505965392/obama-suggests-putin-had-role-as-u-s-recasts-antagonistic-relationship-with-russ

and was asked by host Scott Simon “Is this a new Cold War? You covered the last one.” As part of his response, Ignatius said:

“This is the kind of thing United States used to do to other countries. We were famous for our covert actions, destabilizing their political systems. … I saw a little piece from a Cuban who lived during the time when the CIA destabilized the Cuban president, Allende.” Simon intervened to correct Ignatius, saying: “Chilean president – Allende – I think.” Ignatius responded “Yes. Forgive me. Yes, the Chilean president.” Ignatius then continued as if there had been no confusion, leaving listeners to wonder when he meant to refer to Cuba and Castro, or to Chile and Allende.

Works

Novels

Non-fiction

  • America and the World: Conversations on the Future of American Foreign Policy. Basic Books; First Trade Paper Edition. 2009. ISBN 0-465-01801-7.
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United States To Modernize Nuclear Weapons — Bombers, Missiles, Submarines — The U.S. Nuclear Triad — Better Late Than Never — A New Nuclear Arms Race To Modernize Weapon Systems — Trump Is Right — The Nuclear Weapons Are 40-60 Years Old! — The Lying Lunatic Left and Big Lie Media Goes Hysterical — Do Your Homework! — Videos

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Trump doubles down on nuclear weapons

Trump says “let it be an arms race” when it comes to nuclear weapons

“Absolutely Frightening”: Greenpeace on Trump’s Call for a New Nuclear Arms Race

Trump, Putin both seek to boost their nuclear capability

Published on Dec 22, 2016

President-elect Donald Trump signaled Thursday that he will look to “strengthen and expand” the US’s nuclear capability hours after Russian President Vladimir Putin pledged to enhance his country’s nuclear forces.
The exchange appeared to raise the prospect of a new arms race between the two nuclear superpowers, which between them boast more than 14,000 nuclear warheads, the still deadly legacy of their four-decades long Cold War standoff.
But the comments by Putin, who is presiding over a project to restore Russia’s lost global power and influence, and Trump, who will shortly become the US commander-in-chief, did not spell out exactly what each side is proposing or whether a major change of nuclear doctrine is in the offing.
Trump weighed in with a tweet just hours after Putin spoke following a meeting with his military advisers to review the activity of the past year.
“The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes,” Trump wrote.
It was not immediately clear if the President-elect is proposing an entire new nuclear policy that he would begin to flesh out once he takes office next year.
Trump could also be referring to plans to modernize the current US nuclear arsenal that are currently underway and will cost hundreds of billions of dollars. The Obama administration has outlined a plan to modernize delivery systems, command and control systems and to refurbish warheads in the US nuclear triad — the US force of sea, airborne and missile delivered nuclear weapons.

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INSIDE VIEW !!! US Air Force Minuteman Strategic Missile Silo Mini Documentary

Published on Mar 10, 2016

The LGM-30 Minuteman is a US land-based intercontinental ballistic missile (ICBM), in service with the Air Force Global Strike Command. As of 2014, the LGM-30G Minuteman III version[a] is the only land-based ICBM in service in the United States.[citation needed]

Development of the Minuteman began in the mid-1950s as the outgrowth of basic research into solid fuel rocket motors which indicated an ICBM based on solids was possible. Such a missile could stand ready for extended periods of time with little maintenance, and then launch on command. In comparison, existing US missile designs using liquid fuels required a lengthy fueling process immediately before launch, which left them open to the possibility of surprise attack. This potential for immediate launch gave the missile its name; like the Revolutionary War’s Minutemen, the Minuteman was designed to be launched on a moment’s notice.[2][3]

Minuteman entered service in 1962 as a weapon tasked primarily with the deterrence role, threatening Soviet cities with a counterattack if the US was attacked. However, with the development of the US Navy’s Polaris which addressed the same role, the Air Force began to modify Minuteman into a weapon with much greater accuracy with the specific intent of allowing it to attack hardened military targets, including Soviet missile silos. The Minuteman-II entered service in 1965 with a host of upgrades to improve its accuracy and survivability in the face of an anti-ballistic missile (ABM) system the Soviets were known to be developing. Minuteman-III followed in 1970, using three smaller warheads instead of one large one, which made it very difficult to attack by an anti-ballistic missile system which would have to hit all three widely separated warheads to be effective. Minuteman-III was the first multiple independently targetable reentry vehicle (MIRV) ICBM to be deployed. Each missile can carry up to three nuclear warheads, which have a yield in the range of 300 to 500 kilotons.

Peaking at 1000 missiles in the 1970s, the current US force consists of 450 Minuteman-III missiles[4] in missile silos around Malmstrom AFB, Montana; Minot AFB, North Dakota; and F.E. Warren AFB, Wyoming.[1] By 2018 this will be reduced to 400 armed missiles, with 50 unarmed missiles in reserve, and four non-deployed test launchers to comply with the New START treaty.[5] The Air Force plans to keep the missile in service until at least 2030.[6][7] It is one component of the US nuclear triad—the other two parts of the triad being the Trident submarine-launched ballistic missile (SLBM), and nuclear weapons carried by long-range strategic bombers.

Type Intercontinental ballistic missile
Place of origin United States
Service history
In service 1962 (Minuteman-I)
1965 (Minuteman-II)
1970 (Minuteman-III)
Used by United States
Production history
Manufacturer Boeing
Unit cost $7,000,000
Specifications
Weight 78,000 lb (35,300 kg)
Length 59 ft 9.5 in (18.2 m)
Diameter 5 ft 6 in (1.7 m) (1st stage)
Warhead Nuclear: W62, W78, or (2006–) W87
Detonation
mechanism
Air Burst or Contact (Surface)
Engine Three-stage Solid-fuel rocket engines; first stage: Thiokol TU-122 (M-55); second stage: Aerojet-General SR-19-AJ-1; third stage: Aerojet/Thiokol SR73-AJ/TC-1
Operational
range
approx. 8,100 (exact is classified) miles (13,000 km)
Flight altitude 700 miles (1,120 kilometers)
Speed Approximately 17507 mph (Mach 23, or 28176 km/h, or 7 km/s) (terminal phase)
Guidance
system
Inertial
Accuracy 200 m CEP
Launch
platform
Missile Silo (MLCC)

Minuteman-III (LGM-30G): the current model [edit]

Side view of Minuteman-III ICBM

Airmen work on a Minuteman-III’s multiple independently-targetable re-entry vehicle (MIRV) system. Current missiles carry a single warhead.
The LGM-30G Minuteman-III program started in 1966, and included several improvements over the previous versions. It was first deployed in 1970. Most modifications related to the final stage and reentry system (RS). The final (third) stage was improved with a new fluid-injected motor, giving finer control than the previous four-nozzle system. Performance improvements realized in Minuteman-III include increased flexibility in reentry vehicle (RV) and penetration aids deployment, increased survivability after a nuclear attack, and increased payload capacity.[1] The missile retains a gimballed inertial guidance system.

Minuteman-III originally contained the following distinguishing features:

Armed with W62 warhead, having a yield of only 170 kilotons TNT, instead of previous W56’s yield of 1.2 megatons.[28]
It was the first[29] Multiple Independently Targetable Reentry Vehicles (MIRV) missile. A single missile was then able to target 3 separate locations. This was an improvement from the Minuteman-I and Minuteman-II models, which were only able to carry one large warhead.
An RS capable of deploying, in addition to the warheads, penetration aids such as chaff and decoys.
Minuteman-III introduced in the

Examining the U.S. Nuclear Spending Binge | Arms Control Association

Published on Jul 31, 2016

The Arms Control Association has for years raised warning sirens about the cost and necessity of the modernization plans and have suggested a number of steps that could be taken to put the plans on a more sustainable course. The Pentagon estimates that the proposed modernization effort of the U.S. nuclear triad and its supporting infrastructure over the next 25 years will cost between $350-$450 billion.

The remainder of the Obama administration and that of the next president will likely be faced with a number of increasingly urgent questions about America’s nuclear modernization project, including its affordability, opportunity costs, impacts on global stability and more.

Speakers on this panel addressed the scope of the current nuclear weapons spending plans, challenges and options available to the next president, and the feasibility of the modernization plans given the experience of previous administrations.

• Mark F. Cancian, Senior Advisor with the International Security Program at the Center for Strategic and International Studies
• Hans Kristensen, Director of the Nuclear Information Project at the Federation of American Scientists
• Andrew Weber, former Assistant Secretary of Defense for Nuclear, Chemical, and Biological Defense Programs
• Amy Woolf, Specialist in Nuclear Weapons Policy at the Congressional Research Service
• Kingston Reif, Arms Control Association, Moderator

LGM-30 Minuteman Launch – ICBM

Published on May 31, 2016

The LGM-30 Minuteman is a U.S. land-based intercontinental ballistic missile (ICBM), in service with the Air Force Global Strike Command.

As of 2014, the LGM-30G Minuteman III version is the only land-based ICBM in service in the United States.

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Trump Said the U.S. Should Expand Nuclear Weapons. He’s Right.

America needs to bolster its deterrence not to start a war, but to prevent one.

December 23, 2016

On Thursday, Donald Trump created controversy when he tweeted, “The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes.” In case anyone was confused, he followed up Friday morning with an off-air remark to MSNBC’s “Morning Joe” that clarified his intentions: “Let it be an arms race,” he said. “We will outmatch them at every pass and outlast them all.”

The backlash was swift and unanimous. Critics charged that there is no plausible reason to expand U.S. nuclear weapons, that Trump’s comments contradicted a decades-old bipartisan consensus on the need to reduce nuclear stockpiles, and that such reckless statements risk provoking a new nuclear arms race with Russia and China.

On this matter, however, Trump is right.

U.S. nuclear strategy cannot be static, but must take into account the nuclear strategy and capabilities of its adversaries. For decades, the United States was able to reduce its nuclear arsenal from Cold War highs because it did not face any plausible nuclear challengers. But great power political competition has returned and it has brought nuclear weapons, the ultimate instrument of military force, along for the ride.

In recent years, North Korea has continued to grow its nuclear arsenal and means of delivery and has issued chilling nuclear threats against the United States and its Asian allies. As recently as Thursday — before Trump’s offending tweet — Rodong Sinmum, the Pyongyang regime’s official newspaper, published an opinion article calling for bolstering North Korea’s “nuclear deterrence.”

The potential threats are everywhere. Washington faces an increasing risk of conflict with a newly assertive, nuclear-armed China in the South China Sea. Beijing is expanding its nuclear forces and it is estimated that the number of Chinese warheads capable of reaching the U.S. homeland has more than trebled in the past decade and continues to grow. And Russia has become more aggressive in Europe and the Middle East and has engaged in explicit nuclear saber rattling the likes of which we have not seen since the 1980s. At the height of the crisis over Crimea in 2014, for example, Russian President Vladimir Putin ominously declared, “It’s best not to mess with us … I want to remind you that Russia is one of the leading nuclear powers.” And on Tuesday, he vowed to “enhance the combat capability of strategic nuclear forces, primarily by strengthening missile complexes that will be guaranteed to penetrate existing and future missile defense systems.” As former Defense Secretary William Perry correctly notes, “Today, the danger of some sort of a nuclear catastrophe is greater than it was during the Cold War.”

The United States needs a robust nuclear force, therefore, not because anyone wants to fight a nuclear war, but rather, the opposite: to deter potential adversaries from attacking or coercing the United States and its allies with nuclear weapons of their own.

Under President Barack Obama, the United States mindlessly reduced its nuclear arsenal even as other nuclear powers went in the opposite direction, expanding and modernizing their nuclear forces. Such a path was unsustainable and Trump is correct to recognize that America’s aging nuclear arsenal is in need of some long overdue upgrades.

So, what would expanding and strengthening the nuclear arsenal look like?

First, the United States must modernize all three legs of the nuclear triad (submarines; long-range bombers, including a new cruise missile; and intercontinental ballistic missiles, or ICBMs). The Obama administration announced plans to modernize the triad under Republican pressure, but critics are already trying to kill off the ICBM and the cruise missile, and production timelines for these weapon systems keep slipping into the future. The Trump administration must make the timely modernization of all three legs of the triad a top priority.

Second, the United States should increase its deployment of nuclear warheads, consistent with its international obligations. According to New START, the treaty signed with Russia in 2011, each state will deploy no more than 1,550 strategic nuclear warheads, but those restrictions don’t kick in until February 2018. At present, according to the State Department, the United States is roughly 200 warheads below the limit while Russia is almost 250 warheads above it. Accordingly, Russia currently possesses a nuclear superiority of more than 400 warheads, which is worrisome in and of itself and also raises serious questions about whether Moscow intends to comply with this treaty at all. The United States, therefore, should expand its deployed arsenal up to the treaty limits and be fully prepared for further expansion should Russia break out — as Moscow has done with several other legacy arms control agreements.

Third, and finally, the United States and NATO need more flexible nuclear options in Europe. In the event of a losing war with NATO, Russian strategy calls for limited nuclear “de-escalation” strikes against European civilian and military targets. At present, NATO lacks an adequate response to this threat. As I explain in a new report, the United States must develop enhanced nuclear capabilities, including a tactical, air-to-surface cruise missile, in order to disabuse Putin of the notion that he can use nuclear weapons in Europe and get away with it.

These stubborn facts lay bare the ignorance or naivety of those fretting that Trump’s tweets risk starting a new nuclear arms race. It is U.S. adversaries, not Trump, who are moving first. It is a failure to respond that would be most reckless, signaling continued American weakness and only incentivizing further nuclear aggression.

The past eight years have been demoralizing for many in the defense policy community as Obama has consistently placed ideology over reality in the setting of U.S. nuclear policy. The results, an increasingly disordered world filled with intensifying nuclear dangers, speak for themselves.

Rather than express outrage over Trump’s tweet, therefore, we should take heart that we once again have a president who may be willing to do what it takes to defend the country against real, growing and truly existential threats.

Matthew Kroenig is associate professor in the Department of Government and the School of Foreign Service at Georgetown University and senior fellow in the Brent Scowcroft Center on International Security at The Atlantic Council. He is a former strategist in the Office of the Secretary of Defense and is currently writing a book on U.S. nuclear strategy.

http://www.politico.com/magazine/story/2016/12/trump-said-the-us-should-expand-nuclear-weapons-hes-right-214546

How the Pentagon Plans to Modernize the US Nuclear Arsenal

PHOTO: View of a Boeing LGM-30G Minuteman III ICBM missile as it was launched in the 1970s.

President-elect Donald Trump’s tweets this week about strengthening and expanding America’s nuclear weapons capability are raising eyebrows, but they also highlight the Pentagon’s existing programs to update and modernize its nuclear arsenal.

The components of America’s nuclear triad of Intercontinental Ballistic Missiles (ICBM’s), strategic bombers, and submarine-launched ballistic missiles are decades old. While the Pentagon has undergone a modernization process to keep these systems intact over that time, the Pentagon has plans to replace each leg of the triad in the coming decades.

But the Pentagon’s plans to update and modernize the nuclear triad will be a lengthy and costly enterprise. Defense Secretary Ash Carter told Congress earlier this year that it will cost $350 billion to $450 billion to update and modernize beginning in 2021. But there are some estimates that a 30-year modernization program could cost as much as $1 trillion.

And that process has gotten underway since the lifespan of the existing delivery systems ends in the next 15 to 20 years. Replacement systems are currently in the phase of research, development, testing and evaluation.

The U.S. Air Force maintains a fleet of 450 Minuteman III ICBM missiles located in underground silos across the plains states, each carrying multiple nuclear warheads. A key leg of the nuclear triad, the Minuteman III missiles went into service in the 1970’s and have been upgraded ever since to keep them mission ready. No new ICBM missiles have gone into service since the MX missile was deployed in the 1980’s, but those missiles were retired a decade ago.

This summer, the Air Force began the process of soliciting designs for a new ICBM to replace the Minuteman III, with the first new missile scheduled to enter service by 2029.

The Air Force has already begun the process of replacing the 76 B-52 strategic bombers that have been flying since the 1960’s with the new B-21 “Raider” that will begin flying in 2025. Upgrades to the B-52, designed in the 1950’s, have allowed the aircraft to continue serving as a nuclear-capable aircraft and also allowed it to conduct airstrikes against ISIS.

PHOTO: Senior Airmen Mark Pacis, left, and Christopher Carver mount a refurbished nuclear warhead on to the top of a Minuteman III intercontinental ballistic missile inside an underground silo in Scottsbluff, Neb., April 15, 1997.Eric Draper/AP Photo
Senior Airmen Mark Pacis, left, and Christopher Carver mount a refurbished nuclear warhead on to the top of a Minuteman III intercontinental ballistic missile inside an underground silo in Scottsbluff, Neb., April 15, 1997.more +

The Navy has also begun the process to find a replacement for its 14 Ohio Class ballistic missile submarine fleet that first went into service in the 1980’s. But the first Columbia Class submarine is not slated to enter service until 2031.

But it is important to point out that a replacement of these systems, while incredibly expensive, does not equate to an overall growth of the nuclear arsenal.

In other words, the U.S. is looking to become more efficient — it’s not looking for more nuclear weapons. As one defense official put it, with the cost of the new systems, the Pentagon is simply not able to do a one-to-one replacement.

As of September 2015, the United States has a total of 4,571 warheads in its nuclear weapons stockpile, according to a State Department official. The United States has retired thousands of nuclear warheads that are removed from their delivery platform that are not included in this total, the official said, noting those warheads are not functional and are in a queue for dismantlement.

The 2011 New START (Strategic Arms Reduction Treaty) nuclear weapons agreement limits to 1,550 the number of nuclear warheads that can be deployed on ICBMs, submarines or heavy bombers by the U.S. and Russia. Both countries have until February 2018 to meet the New START’s reduction target levels for deployed warheads.

The United States currently has 1,361 deployed nuclear weapons while Russia has 1,796. The larger Russian number is seen as a temporary increase as Russia replaces older warheads with new ones.

http://abcnews.go.com/Politics/pentagon-plans-modernize-us-nuclear-arsenal/story?id=44372054

Donald Trump says he wants to ‘greatly strengthen and expand’ U.S. nuclear capability, a radical break from U.S. foreign policy

Putin praises Russian military’s show of strength in Syria

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Russian President Vladimir Putin praised his country’s military on Dec. 22, saying its armed forces had performed well in the fight against “international terrorists” in Syria. (Reuters)

December 22 at 1:05 PM

President-elect Donald Trump on Thursday called for the United States to expand its nuclear arsenal, after Russian President Vladi­mir Putin said his country’s nuclear potential needs fortifying, raising the specter of a new arms race that would reverse decades of efforts to reduce the number and size of the two countries’ nuclear weapons.In a tweet that offered no details, Trump said, “The United States must greatly strengthen and expand its nuclear capability until such time as the world comes to its senses regarding nukes.”During the campaign, Trump talked in one debate about the need to modernize the country’s infrastructure of nuclear weaponry, saying the United States is falling behind. But it is not clear whether Trump is thinking of increasing the number of nuclear weapons the United States possesses, or updating the existing supply.

Trump’s tweet came shortly after Putin, during a defense ministry meeting, talked tough on Russia’s stockpile of nuclear weapons.

“We need to strengthen the military potential of strategic nuclear forces, especially with missile complexes that can reliably penetrate any existing and prospective missile defense systems,” Putin said.

Russia and the United States have worked for decades at first limiting, and then reducing, the number and strength of nuclear arms they produced and maintained under a Cold War strategy of deterrence known as “mutually assured destruction.” Both Republican and Democratic presidents have pursued a policy of nuclear arms reduction, said Daryl G. Kimball, executive director of the Arms Control Association.

Currently, the United States has just under 5,000 warheads in its active arsenal, and more than 1,550 deployed strategic warheads, a number that fluctuates, according to Kimball. In an October assessment by the State Department Bureau of Arms Control Verification and Compliance, Russia has about 400 more nuclear warheads than the United States does. But the United States has about 170 more delivery systems than Russia.

Under the New START Treaty, the main strategic arms treaty in place, both the U.S. and Russia must deploy no more than 1,550 strategic weapons by February of 2018. Kimball said both countries appear to be on track to meet that limit, which will remain in force until 2021, when they could decide to extend the agreement for another five years.

Since President George H.W. Bush’s administration, it has been U.S. policy not to build new nuclear warheads. Under President Obama, the policy has been not to pursue warheads with new military capabilities.

The U.S. military is in the beginning stages of updating its nuclear triad, which covers the delivery systems — bombers, submarines and intercontinental ballistic missiles. Last year, the Pentagon estimated it must spend an average of $18 billion a year over 15 years starting in 2021, to replace weapons that already have been refurbished and upgraded beyond their original shelf life.

Trump’s history of discussing nuclear weapons

President-elect Donald Trump has called nuclear weapons “the single greatest problem the world has” – but he’s also made some controversial statements about them. (Peter Stevenson/The Washington Post)

But independent experts have estimated the total cost of modernizing the aging nuclear arsenal could reach $1 trillion over 30 years, according to the Arms Control Association.

“If Donald Trump is concerned about the rising costs of the F-35, he will be shocked by the skyrocketing costs of the current plan to modernizing the U.S. nuclear arsenal,” Kimball said. “Trump and his people need to explain the basis of his cryptic tweet. What does he mean by expand, and at what cost?”

But others argue that nuclear weapons and the principle of deterrence are essential components of national security, and the Obama administration’s efforts to further reduce its nuclear weapons have been just wishful thinking.

Michaela Dodge, a Heritage Foundation policy analyst specializing in nuclear weapons and missile defense policy, said that the White House in its 2010 Nuclear Posture Review made the erroneous assessment that there was little likelihood of conflict with Russia. Yet Moscow is in the midst of a large-scale nuclear weapons modernization program, and has violated many arms control treaties that it signed, she said.

“There is already an ongoing nuclear arms race, except now the United States isn’t racing,” she said in a telephone interview. “It’s mostly Russia and China.”

Dodge has called for the incoming Trump administration to request funding for nuclear warheads, delivery platforms and nuclear infrastructure. She also said the United States should withdraw from treaties that have eroded defense capabilities.

https://www.washingtonpost.com/world/national-security/donald-trump-says-he-wants-to-greatly-strengthen-and-expand-us-nuclear-capabilitiy-a-radical-break-from-us-foreign-policy/2016/12/22/52745c22-c86e-11e6-85b5-76616a33048d_story.html?utm_term=.1db715df6977

Nuclear triad

From Wikipedia, the free encyclopedia

A nuclear triad refers to the nuclear weapons delivery of a strategic nuclear arsenal which consists of three basic components: land-based intercontinental ballistic missiles (ICBMs), strategic bombers, and submarine-launched ballistic missiles (SLBMs). The purpose of having a three-branched nuclear capability is to significantly reduce the possibility that an enemy could destroy all of a nation’s nuclear forces in a first-strike attack; this, in turn, ensures a credible threat of a second strike, and thus increases a nation’s nuclear deterrence.[1][2][3]

Other methods of nuclear attacks are nuclear torpedos and the use of hypersonic glide vehicles.

Traditional components of a strategic nuclear triad

While traditional nuclear strategy holds that a nuclear triad provides the best level of deterrence from attack, in reality, most nuclear powers do not have the military budget to sustain a full triad. Only the United States and Russia have maintained nuclear triads for most of the nuclear age.[3] Both the US and the Soviet Union composed their triads along the same lines, including the following components:

  1. Bomber aircraft capable of delivering nuclear bombs (carrier-based or land-based; usually armed with long-range missiles).[1]
  2. Land-based missiles (MRBMs or ICBMs).[1][3]
  3. Ballistic missile submarines (SSBNs). Nuclear missiles launched from ships or submarines.[1][3] Although in early years the US Navy sea leg was carrier aircraft based with a very short period using sub launched cruise missiles such as the Regulus before SLBMs were ready to be deployed.

The triad also gives the commander in chief the flexibility to use different types of weapons for the appropriate strike while also preserving a reserve of nuclear armaments theoretically safe from a counter-force strike:

  • ICBMs allow for a long-range strike launched from a controlled or friendly environment at a lower cost per delivered warhead and easiest targeting from a surveyed geographic location.[4] If launched from a fixed position, such as a missile silo, they are vulnerable to a first strike, though their interception once aloft is substantially difficult,[1][3] Some ICBMs are either rail or road mobile. Medium-range ballistic missiles and ground-launched cruise missiles were also assigned for strategic targets based in nations closer to the potential confrontation, but were eventually forbidden by arms control treaty to the US and Russia.
  • SLBMs, launched from submarines, allow for a greater chance of survival from a first strike, giving the commander a second-strike capability.[1][3] Some long-range submarine-launched cruise missiles are counted towards triad status; this was the first type of submarine-launched strategic second-strike nuclear weapon before ballistic missile submarines became available. A SLBM is the most difficult to get accurate targeting for as it requires obtaining an accurate geographical fix to program targeting data to the missile, the total cost of a SLBM is increased by the cost of the submarine force, large crews and deterrence patrols.[4]
  • Strategic bombers have greater flexibility in their deployment and weaponry. They can serve as both a first- and second-strike weapon. A bomber armed with AGM-129 ACM missiles, for example, could be classified as a first-strike weapon. A number of bombers often with aerial refueling aircraft kept at safe points would constitute a second-strike weapon.[1][3] In some strategic contexts either with nearby potential enemies or with forward basing lighter aircraft can be used on the strategic level as either a first-strike weapon or if dispersed at small airfields or aboard an aircraft carrier can reasonably avoid a counterstrike giving them regional second-strike capacity, aircraft such as the Mirage 2000, F-15E, A-5 Vigilante, Sea Harrier, or FB-111 are or were tasked part or full-time with land or sea-based strategic nuclear attack missions. An aerial refueling fleet supports intercontinental strategic operations both for heavy bombers and smaller aircraft; it also makes possible around the clock airborne standby of bombers and command aircraft making these airborne assets nearly impossible to eliminate in a first strike. Bomber airborne alert patrols are very expensive in terms of fuel and aircraft maintenance, even non-airborne alert basing requires both crew training hours and aircraft upkeep.[4]

Tactical nuclear weapons are used in air, land and sea warfare. Air-to-air missiles and rockets, surface-to-air missiles, and small air-to-ground rockets, bombs, and precision munitions have been developed and deployed with nuclear warheads. Ground forces have included tactical nuclear artillery shells, surface-to-surface rockets, land mines, medium and small man-packable nuclear engineering demolition charges, even man-carried or vehicle-mounted recoilless rifles. Naval forces have carried nuclear-armed naval rocket-assisted and standard depth charges and torpedoes, and naval gunnery shells. Tactical nuclear weapons and the doctrine for their use is primarily for use in a non-strategic warfighting role destroying military forces in the battle area; they are not counted toward triad status despite the possibility of many of these systems being usable as strategic weapons depending on the target.

Triad powers

The following nations are considered fully established triad nuclear powers, they have robust capability to launch a worldwide second strike in all three legs and can disperse their air forces and their sea forces on deterrent patrols. They possess nuclear forces consisting of land-based missiles, ballistic or long-range cruise missile submarines, and strategic bombers or long-range tactical aircraft.

China

Unlike the United States and Russia where strategic nuclear forces are enumerated by treaty limits and subject to verification, China, a nuclear power since 1964, is not subject to these requirements but currently has a triad structure smaller in size compared to Russia and the United States. China’s nuclear force is much smaller than the US or Russia and is closer in number and capability to that of France or the United Kingdom. This force is mainly land-based missiles including ICBMs, IRBMs, and tactical ballistic missiles as well as cruise missiles. Unlike the US and Russia, China stores many of its missiles in huge underground tunnel complexes; U.S. Representative Michael Turner[5] referring to 2009 Chinese media reports said “This network of tunnels could be in excess of 5,000 kilometers (3,110 miles), and is used to transport nuclear weapons and forces,”[6] the Chinese Army newsletter calls this tunnel system an Underground Great Wall of China.[7]

Currently China has one Type 092 submarine that is currently active with JL-1 SLBM according to Office of Naval Intelligence.[8][9] In addition, the PLAN has deployed 4 newer Type 094 submarines and plan to deploy up to 8 of these Jin-class SSBN by the end of 2020.[10][11] The new Type 094 fleet uses the newer JL-2 SLBM. China carried out a series of successful JL-2 launches in 2009,[12] 2012[13][14] and 2015.[15] The United States expect the 094 SSBN to carry out its first deterrent patrol by 2015 with the JL-2 missile active.[10] There is an aged albeit upgraded bomber force consisting of Xian H-6s with an unclear nuclear delivery role. The PLAAF has a limited capability fleet of H-6 bombers modified for aerial refuelling as well as forthcoming Russian Ilyushin Il-78 aerial refuelling tankers.[16] China also introduced a newer and modernized H-6 variant the H-6K with enhanced capabilities such as launching long ranged cruise missile the CJ-10. In addition to the H-6 bomber, there are numerous tactical fighter and fighter bombers such as the: J-16, J-10, JH-7A and Su-30 which all capable of carrying nuclear weapons. China is also developing hypersonic glide vehicles.

India

India completed its nuclear triad with the commissioning of INS Arihant in August 2016.[17][18][19][20][21][22] INS Arihant is a nuclear-powered ballistic missile submarine armed with 12 K-15 missiles with a range of 750 km,[23] which will later be upgraded K-4 missiles with an extended range of 3500 km.[24][25][26] India maintains a no first use nuclear policy and has been developing a nuclear triad capability as a part of its credible minimum deterrence doctrine.[27] India’s nuclear-weapons program possesses surface-to-surface missiles such as the Agni III and Agni IV. In addition, the 5,000–8000 km range Agni-V ICBM was also successfully tested for third time on 31 January 2015[28] and is expected to enter service by 2016.[29] India has nuclear-capable fighter aircraft such as the Dassault Mirage 2000H, Dassault Rafale, Sukhoi Su-30 MKI, MIG-29 and SEPECAT Jaguar. Land and air strike capabilities are under the control of Strategic Forces Command which is a part of Nuclear Command Authority.

Russian Federation

Also a nuclear power,[30] Russia inherited the arsenal of all of the former Soviet states; this consists of silo-based as well as rail and road mobile ICBMs, sea-based SLBMs, strategic bombers, strategic aerial refueling aircraft, and long-range tactical aircraft capable of carrying gravity bombs, standoff missiles, and cruise missiles. The Russian Strategic Rocket Forces have ICBMs capable of delivering nuclear warheads,[citation needed] silo-based R-36M2 (SS-18), silo-based UR-100N (SS-19), mobile RT-2PM “Topol” (SS-25), silo-based RT-2UTTH “Topol M” (SS-27), mobile RT-2UTTH “Topol M” (SS-27), mobile RS-24 “Yars” (SS-29) (Future replacement for R-36 & UR-100N missiles). Russian strategic nuclear submarine forces are equipped with the following SLBM’s, R-29R “Vysota”, NATO name SS-N-18 “Stingray”, RSM-54 R-29RMU “Sineva”, NATO name SS-N-23 “Skiff” and the R-29RMU2.1 “Liner” are in use with the Delta-class submarine, but the RSM-56 R-30 “Bulava”, NATO name SS-NX-32 is under development for the Borei-class submarine. The Russian Long Range Aviation operates supersonic Tupolev Tu-22M, and Tupolev Tu-160 bombers and the long range turboprop powered Tupolev Tu-95, they are all mostly armed with strategic stand off missiles or cruise missiles such as the KH-15 and the KH-55/Kh-102. These bombers and nuclear capable strike aircraft such as the Sukhoi Su-24 are supported by Ilyushin Il-78 aerial refuelling aircraft. The USSR was required to destroy its stock of IRBMs in accordance with the INF treaty. In addition to the nuclear triad Russia is also developing nuclear torpedos and hypersonic glide vehicles.

United States

The United States operates Minuteman ICBMs from underground hardened silos, Trident SLBMs carried by Ohio-class submarines, it also operates B-52, B-2 strategic bombers, as well as land-based tactical aircraft, some capable of carrying strategic and tactical B61 and large strategic B83 gravity bombs, and AGM-86 ALCMs. While the US no longer keeps nuclear armed bombers on airborne alert, it has the ability to do so, along with the airborne nuclear command and control aircraft with its fleet of KC-10 and KC-135 aerial refueling planes. Previous to development of submarine-launched ballistic missiles, the US Navy strategic nuclear role was provided by aircraft carrier–based bombers and, for a short time, submarine-launched cruise missiles. With the end of the cold war, the US never deployed the rail-mobile version of the Peacekeeper ICBM or the road mobile Midgetman small ICBM. The US destroyed its stock of road-mobile Pershing II IRBMs and ground-launched cruise missiles in accordance with the INF treaty. The US also has shared strategic nuclear weapons and still deploys shared tactical nuclear weapons to some NATO countries.[1][3][31]

Former triad powers

France

A former triad power, the French Force de frappe possesses sea-based and air-based nuclear forces through the Triomphant-class ballistic missile submarines deployed with M45 intercontinental SLBMs armed with multiple warheads, nuclear capable Dassault Rafale F3 and Dassault Mirage 2000N fighter aircraft (armed with Air-Sol Moyenne Portée) which replaced the long-range Dassault Mirage IV supersonic nuclear bomber and KC-135 aerial refuelling tankers in its inventory. France had S2 and then S3 silo based strategic nuclear IRBMs, the S3 with a 3,500 km range, but these have been phased out of service since the dissolution of the USSR. France operates aircraft with a nuclear strike role from its aircraft carrier.

Non-triad powers

Non-triad powers are nuclear armed nations which have never developed a strategic nuclear delivery triad.

North Korea

North Korea has claimed to have indigenous nuclear weapons technology since a large underground explosion was detected in 2006. The DPRK has both aircraft and missiles which may be tasked to deliver nuclear weapons. The North Korean missile program is largely based on domestically produced variants of the Soviet Scud missile, some of which are sufficiently powerful to attempt satellite launch. The DPRK also has short-range ballistic missiles and cruise missiles. Western researchers believe the current generation of the DPRK’s suspected nuclear weapons are too large to be fitted to the country’s existing missile stock.[32]

Pakistan

Pakistan does not have an active nuclear triad. Its nuclear weapons are primarily land-based. The Minimum Credible Deterrence (MCD) is a defense and strategic principle on which the atomic weapons program of Pakistan is based.[33] This doctrine is not a part of the nuclear doctrine, which is designed for the use of the atomic weapons in a full-scale declared war if the conditions of the doctrine are surpassed.[34] Instead, the MCD policy falls under minimal deterrence as an inverse to Mutually Assured Destruction (MAD).[35] In August 2012, The Economist magazine wrote an article stating that Pakistan was an emerging nuclear triad state. Pakistani plans of responding to any capture or pre-emptive destruction of their nuclear defences seems to be one reason why they are determined to develop a third leg, after air- and land-based delivery systems, to Pakistan’s nuclear triad, consisting of nuclear-armed ships and submarines. As Iskander Rehman of the Carnegie Endowment, a think-tank, observes in a recent paper, Pakistani nuclear expansion and methods of delivery is drifting “from the dusty plains of the Punjab into the world’s most congested shipping lanes… It is only a matter of time before Pakistan formally brings nuclear weapons into its own fleet.”[36]

Pakistan possesses several ballistic missiles such as the Shaheen-1A and the Shaheen-II, missiles having ranges of 900 km and 2000 km respectively. They also contain systems said to be capable of carrying several nuclear warheads as well as being designed to evade missile-defense systems.[37][38] Pakistan also possesses the Babur cruise missile with a range up to 700 km. These land-based missiles are controlled by Army Strategic Forces Command of the Pakistan Army.

The PAF has two dedicated units (the No. 16 Black Panthers and the No. 26 Black Spiders) operating 18 aircraft in each squadron of the JF-17 Thunder, believed to be the preferred vehicle for delivery of nuclear weapons.[39] These units are a major part of the Air Force Strategic Command, a command responsible for nuclear response. The PAF also operates a fleet of F-16 fighters, of which 18 were delivered in 2012 and, as confirmed by General Ashfaq Parvez Kayani, are capable of carrying nuclear weapons.[40] The PAF also possesses the Ra’ad air-launched cruise missile which has a range of 350 km and can carry a nuclear warhead with a yield of between 10 kilotons to 35 kilotons.[41]

In 2004, the Pakistan Navy established the Naval Strategic Forces Command and made it responsible for countering and battling naval-based weapons of mass destruction. It is believed by most experts that Pakistan is developing a sea-based variant of the Hatf VII Babur, which is a nuclear-capable ground-launched cruise missile.[42]

United Kingdom

The UK never rolled out its own land based missile nuclear delivery system. It only possesses sea-based nuclear forces through its Royal Navy Vanguard-class ballistic missile submarines, deployed with Trident II intercontinental SLBMs armed with multiple warheads. The Royal Air Force used to operate V bomber strategic bombers throughout the Cold War and continued airborne delivery using Tornado and Jaguar aircraft until the late 1990s. The planned UK silo-based IRBM, the Blue Streak missile, was cancelled as it was not seen as a credible deterrent, considering the population density of areas in the UK geologically suited for missile silos. The tactical Corporal surface-to-surface missile was operated by the British Army. The American made intermediate range Thor missile aimed at Soviet targets was operated briefly by the RAF but before the arrival of the Polaris SLBM. Previously having a nuclear strike mission for carrier-based Buccaneer attack aircraft and later Sea Harriers, the UK no longer deploys nuclear weapons for delivery by carrier-based naval aircraft or any other means other than the Vanguard submarine-launched Trident SLBM.

Suspected triad powers

Main articles: Jericho (missile), Popeye Turbo, and F-15I

Israel has been reported in congressional testimony by the US Department of Defense of having aircraft-delivered nuclear weapons as early as the mid-1960s, a demonstrated missile-based force since the mid-1960s, an IRBM in the mid-1980s, an ICBM in the early 2000s[43] and the suspected second-strike capability arrived with the Dolphin-class submarine and Popeye Turbo submarine-launched cruise missile. Israel is suspected of using their inventory of nuclear-capable fighter aircraft such as the long-range F-15E Strike Eagle, F-16 and formerly the F-4 Phantom, Dassault Mirage III, A-4 Skyhawk and Nesher. Israel has appreciable and growing numbers of long-range tanker aircraft and aerial refueling capacity on its long-range fighter-bomber aircraft, this capacity was used in the 1985 long-range conventional strike against the PLO in Tunisia.[44] Jane’s Defence Weekly reports that the Israeli Dolphin-class submarines are widely believed to be nuclear armed, offering Israel a second-strike capability with a demonstrated range of at least 1500 km in a 2002 test.[45][46] According to an official report which was submitted to the American congress in 2004,[43] it may be that with a payload of 1,000 kg the Jericho 3 gives Israel nuclear strike capabilities within the entire Middle East, Africa, Europe, Asia and almost all parts of North America, as well as within large parts of South America and North Oceania, Israel also has the regional reach of its Jericho 2 IRBM force. The existence of a nuclear force is often hinted at blatantly and evidence of an advanced weapons program including miniaturized and thermonuclear devices has been presented, especially the extensive photographic evidence given by former Israeli nuclear weapons assembler Mordechai Vanunu. There have been incidents where Israel has been suspected of testing, but so far Israel for diplomatic reasons has not openly admitted to having operational nuclear weapons, and so is only a suspect triad state.

Other nuclear delivery systems

Air Mobile ICBM Feasibility Demonstration—24 October 1974

There is nothing in nuclear strategy to mandate only these three delivery systems. For example, orbital weapons or spacecraft for purposes of orbital bombardment using nuclear devices have been developed and silo deployed by the USSR from 1969 to 1983, these would not fit into the categories listed above. However, actual space-based weapon systems used for weapons of mass destruction have been banned under the Outer Space Treaty and launch ready deployment for the US and former USSR by the SALT II treaty. Another example is the US, UK, and France do or have previously included a strategic nuclear strike mission for carrier-based aircraft, which especially in the past were far harder to track and target with ICBMs or strategic nuclear bombers than fixed bomber or missile bases, permitting some second-strike flexibility; this was the first sea-based deterrent before the SLBM. The US and UK jointly explored an air-launched strategic ballistic nuclear missile, the Skybolt, but canceled the program in favor of submarine-based missiles. In 1974 a Lockheed C-5 Galaxy successfully tested an air launch of a Minuteman ICBM; this system was not deployed, but was used as a bargaining point in the SALT treaty negotiations with the USSR.

See also

https://en.wikipedia.org/wiki/Nuclear_triad

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Tom Wolfe — The Right Stuff — Videos

Posted on December 10, 2016. Filed under: American History, Art, Articles, Blogroll, Book, Books, College, Comedy, Communications, Culture, Education, Entertainment, Fiction, Heroes, history, Language, Law, liberty, Life, Links, Literacy, media, Money, Movies, Movies, Music, People, Philosophy, Photos, Press, Rants, Raves, Raymond Thomas Pronk, Video, War, Wisdom, World War II, Writing | Tags: , , , , , , , , , |

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Image result for tom wolf the right stuff

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The Right Stuff – The Bell X-1 (with Levon Helm as CPT Jack Ridley)

The Right Stuff (Part 2)

The Right Stuff (Part 3)

The Right Stuff (Part 4)

The Right Stuff (Part 5)

The Right Stuff (Part 6)

The Right Stuff (Part 7)

The Right Stuff (book)

From Wikipedia, the free encyclopedia
The Right Stuff
The Right Stuff (book).jpg

First edition
Author Tom Wolfe
Country United States
Language English
Genre New Journalism
Non-fiction
Publisher Farrar, Straus and Giroux
Publication date
1979
Media type Print (hardcover & paperback)
Pages 436 pages
ISBN 0-374-25032-4
OCLC 5007334
629.4/0973 19
LC Class TL789.8.U5 W64 1979

The Right Stuff is a 1979 book by Tom Wolfe about the pilots engaged in U.S. postwar research with experimental rocket-powered, high-speed aircraft as well as documenting the stories of the first Project Mercury astronauts selected for the NASA space program. The Right Stuff is based on extensive research by Wolfe, who interviewed test pilots, the astronauts and their wives, among others. The story contrasts the “Mercury Seven[1] and their families with test pilots such as Chuck Yeager, who was considered by many contemporaries as the best of them all, but who was never selected as an astronaut.

Wolfe wrote that the book was inspired by the desire to find out why the astronauts accepted the danger of space flight. He recounts the enormous risks that test pilots were already taking, and the mental and physical characteristics—the titular “right stuff”—required for and reinforced by their jobs. Wolfe likens the astronauts to “single combat warriors” from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.

The 1983 film The Right Stuff is adapted from the book.

Writing and publication

First-state dust jacket, showing initial design never released in a public edition[2]

In 1972 Jann Wenner, the editor of Rolling Stone assigned Wolfe to cover the launch of NASA’s last moon mission, Apollo 17. Wolfe became fascinated with the astronauts, and his competitive spirit compelled him to try to outdo Norman Mailer‘s nonfiction book about the first moon mission, Of a Fire on the Moon. He published a four-part series for Rolling Stone in 1973 titled “Post-Orbital Remorse”, about the depression that some astronauts experienced after having been in space. After the series, Wolfe began researching the whole of the space program, in what became a seven-year project from which he took time to write The Painted Word, a book on art, and to complete Mauve Gloves & Madmen, Clutter & Vine, a collection of shorter pieces.[3]

In 1977 he returned to his astronaut book full-time. Wolfe originally planned to write a complete history of the space program, though after writing through the Mercury program, he felt that his work was complete and that it captured the astronauts’ ethos — the “right stuff” that astronauts and test pilots of the 1940s and 1950s shared — the unspoken code of bravery and machismo that compelled these men to ride on top of dangerous rockets. While conducting research, he consulted with General Chuck Yeager and, after receiving a comprehensive review of his manuscript, was convinced that test pilots like Yeager should form the backdrop of the period. In the end, Yeager becomes a personification of the many postwar test pilots and their “right stuff.”[4] The phrase itself may have originated in the Joseph Conrad story “Youth”, where it was used.

The Right Stuff was published in 1979 by Farrar, Straus and Giroux and became Wolfe’s best selling book yet.[citation needed] It was praised by most critics, was a finalist for the National Book Critics Circle Award, and won the National Book Award for Nonfiction.[5][6]

In the foreword to a new edition, published in 1983 when the film adaptation was released, Wolfe wrote that his “book grew out of some ordinary curiosity” about what “makes a man willing to sit up on top of an enormous Roman candle… and wait for someone to light the fuse.”[7]

Book

The story is more about the space race than space exploration in general. The Soviet Union‘s early space efforts are mentioned only as background, focusing entirely on an early portion of the U.S. space program. Only Project Mercury, the first operational manned space-flight program, is covered. The Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. Emphasis is given to the personal stories of the astronauts and their wives rather than the technical aspects of space travel and the flights themselves.

The storyline also involves the political reasons for putting people into space, asserting that the Mercury astronauts were actually a burden to the program and were only sent up for promotional reasons. Reasons for including living beings in spacecraft are barely touched upon, but the first option considered was to use a chimpanzee (and, indeed, chimpanzees were sent up first).

Another option considered were athletes already accustomed to physical stress, such as circus trapeze artists. Wolfe states that President Dwight D. Eisenhower, however, insisted on pilots, even though the first crew members would not actually fly the spacecraft. When Gus Grissom lands at sea and exits his space capsule, saving the capsule seems more important to the recovery team than saving the pilot because of the value of the data.

Wolfe contrasts the Seven with the Edwards AFB test pilots, among whom was Chuck Yeager, who was shut out of the astronaut program after NASA officials decided to use college-degreed pilots, not ones who gained their commissions as enlisted men, such as participants in the USAAF Flying Sergeants Program in World War II. Chuck Yeager spent time with Tom Wolfe explaining accident reports “that Wolfe kept getting all wrong.” Publishing insiders say these sessions between Wolfe and Yeager led Wolfe to highlight Yeager’s character, presence, thoughts, and anecdotes throughout the book. As an example, Yeager prides his speech to the Society of Test Pilots that the first rider in the Mercury development program would be a monkey, not a real test pilot, and Wolfe plays this drama out on the angst felt by the Mercury Astronauts over those remarks. Yeager himself downplayed the theory of “the right stuff,” attributing his survival of potential catastrophes to simply knowing his airplane thoroughly, along with some good luck.

Another test pilot highlighted in the book is Scott Crossfield. Crossfield and Yeager were fierce but friendly rivals for speed and altitude records.

Film adaptation

A 3-hour, 13-minute film stars Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey, Kim Stanley, Levon Helm, Veronica Cartwright, Pamela Reed, Lance Henriksen, and the real Chuck Yeager in a cameo appearance. NFL Hall of Famer Anthony Muñoz also has a small role, playing “Gonzalez”. It features a score by composer Bill Conti.

The screenplay was adapted by Philip Kaufman from the book, with some contributions from screenwriter William Goldman (Goldman dissociated himself with the film after quarrelling with Kaufman about the story). The film was also directed by Kaufman.

While the movie took liberties with certain historical facts as part of “dramatic license”, criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch’s explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.[citation needed]

This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe‘s book only states that this possibility was considered, not that it was actually judged as being the cause of the accident. In fact, Grissom was assigned to command the first flights of both Gemini and Apollo. Ironically, Grissom died in the Apollo 1 fire because there was no quick-opening hatch on the Block 1 Apollo Command Module – a design choice made because NASA had determined that the explosion in the hatch on Grissom’s Liberty Bell 7 had been most likely self-initiated.[citation needed]

Another fact that had been altered in the film was the statement by Trudy Cooper, who commented that she “wondered how they would’ve felt if every time their husband went in to make a deal, there was a one-in-four chance he wouldn’t come out of that meeting.” According to the book, this actually reflected the 23% chance of dying during a 20-year career as a normal pilot. For a test pilot, these odds were higher, at 53%, but were still considerably less than the movie implied. In addition, the movie merely used the fictional Mrs. Cooper as a vehicle for the statement; the real Mrs. Cooper is not known to have said this.[8]

Wolfe made no secret that he disliked the film, especially because of changes from his original book. William Goldman, involved in early drafts of the script, also disliked the choices made by Kaufman, saying in his book Adventures in the Screen Trade that “Phil [Kaufman]’s heart was with Yeager. And not only that, he felt the astronauts, rather than being heroic, were really minor leaguers, mechanical men of no particular quality, not great pilots at all, simply the product of hype.”[9] Critics, however, generally were favorable toward the film.

References

Citations

  1. Jump up^ Wolfe 2001, p. 143. Note: Wolfe uses this term exactly once.
  2. Jump up^ The Right Stuff.” ABE books. Retrieved: 3 November 2009.
  3. Jump up^ Ragen 2001, pp. 22–26.
  4. Jump up^ Wolfe 1979, p. 368.
  5. Jump up^ Ragen 2001, p. 26–28.
  6. Jump up^ “National Book Awards – 1980”. National Book Foundation. Retrieved 2012-02-21.
    This was the award for General Nonfiction (hardcover) during a period in National Book Awards history when there were many nonfiction subcategories.
  7. Jump up^ Wolfe 2001, Foreword.
  8. Jump up^ Wolfe 1979, p. 22.
  9. Jump up^ Goldman 1983

Bibliography

  • Bryan, C.D.B. “The Right Stuff (review).” New York Times, 23 September 1979.
  • Charity, Tom. The Right Stuff (BFI Modern Classics). London: British Film Institute, 1991. ISBN 0-85170-624-X.
  • Goldman, William (1989). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (reissue ed.). Grand Central Publishing. ISBN 0-446-39117-4.
  • Ragen, Brian Abel, ed. Tom Wolfe: A Critical Companion. West Port, Connecticut: Greenwood Press, 2001. ISBN 0-313-31383-0.
  • Wolfe, Tom. The Right Stuff. New York: Farrar, Straus and Giroux, 1979, ISBN 0-374-25032-4.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 1979, ISBN 0-553-24063-3.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 2001, 1979, ISBN 0-553-38135-0.

External links

Tom Wolfe

From Wikipedia, the free encyclopedia
Not to be confused with Thomas Wolfe or Tom Wolf (politician).
Tom Wolfe
Wolfe at White House.jpg

Wolfe at the White House on March 22, 2004
Born Thomas Kennerly Wolfe, Jr.
March 2, 1931 (age 85)
Richmond, Virginia, U.S.
Occupation Journalist, author
Language English
Nationality American
Period 1959–present
Literary movement New Journalism
Notable works The Painted Word, The Electric Kool-Aid Acid Test, The Right Stuff, A Man in Full, Radical Chic & Mau-Mauing the Flak Catchers, The Bonfire of the Vanities, I Am Charlotte Simmons, Back to Blood
Spouse Sheila Wolfe
Children 2

Thomas KennerlyTomWolfe, Jr. (born March 2, 1931)[1] is an American author and journalist, best known for his association with and influence over the New Journalism literary movement, in which literary techniques are used extensively and traditional values of journalistic objectivity and evenhandedness are rejected. He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, became a commercial success, and was adapted as a major motion picture (directed by Brian De Palma).

Early life and education

Wolfe was born in Richmond, Virginia, the son of Louise (née Agnew), a landscape designer, and Thomas Kennerly Wolfe, Sr., an agronomist.[2][3]

Wolfe grew up on Gloucester Road in the historic Richmond North Side neighborhood of Sherwood Park. He recounts some of his childhood memories of growing up there in a foreword to a book about the nearby historic Ginter Park neighborhood.

Wolfe was student council president, editor of the school newspaper and a star baseball player at St. Christopher’s School, an Episcopalian all-boys school in Richmond, Virginia.

Upon graduation in 1947, he turned down admission to Princeton University to attend Washington and Lee University, both all-male schools at the time; at Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. Wolfe majored in English and practiced his writing outside the classroom as well. He was the sports editor of the college newspaper and helped found a literary magazine, Shenandoah. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his classes to look at the whole of a culture, including those elements considered profane. The very title of Wolfe’s undergraduate thesis, “A Zoo Full of Zebras: Anti-Intellectualism in America,” evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

Wolfe had continued playing baseball as a pitcher and had begun to play semi-professionally while still in college. In 1952 he earned a tryout with the New York Giants but was cut after three days, which Wolfe blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick’s example, enrolling in Yale University‘s American studies doctoral program. His PhD thesis was titled The League of American Writers: Communist Organizational Activity Among American Writers, 1929–1942.[4] In the course of his research, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[5] A biographer remarked on the thesis: “Reading it, one sees what has been the most baleful influence of graduate education on many who have suffered through it: it deadens all sense of style.”[6] His thesis was originally rejected but he finally passed by rewriting it being objective instead of subjective. Upon leaving Yale he wrote a friend explaining through expletives his personal opinions about his thesis.

Journalism and New Journalism

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957 and in 1959 was hired by The Washington Post. Wolfe has said that part of the reason he was hired by the Post was his lack of interest in politics. The Post’s city editor was “amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted.” He won an award from The Newspaper Guild for foreign reporting in Cuba in 1961 and also won the Guild’s award for humor. While there, he experimented with fiction-writing techniques in feature stories.[7]

In 1962, Wolfe left Washington for New York City, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Clay Felker of the Sunday section supplement New York magazine, encouraged their writers to break the conventions of newspaper writing.[8] During the 1962 New York City newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom car culture of Southern California. He struggled with the article until finally a desperate editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together.

Wolfe procrastinated until, on the evening before the article was due, he typed a letter to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell’s response was to remove the salutation “Dear Byron” from the top of the letter and publish it intact as reportage. The result, published in 1963, was “There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Flake Streamline Baby.” The article was widely discussed—loved by some, hated by others—and helped Wolfe publish his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, a collection of his writings in the Herald-Tribune, Esquire, and other publications.[9]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. More specifically, Wolfe experimented with four literary devices not normally associated with feature writing—scene-by-scene construction, extensive dialogue, multiple points of view, and detailed description of one’s status-life symbols (the materialistic choices one makes)—to produce this stylized form of journalism, which would later be commonly referred to as literary journalism.[10] Of status symbols, Wolfe has said, “I think every living moment of a human being’s life, unless the person is starving or in immediate danger of death in some other way, is controlled by a concern for status.”[11]

Wolfe also championed what he called “saturation reporting,” a reportorial approach where the journalist “shadows” and observes the subject over an extended period of time. “To pull it off,” says Wolfe, “you casually have to stay with the people you are writing about for long stretches . . . long enough so that you are actually there when revealing scenes take place in their lives.”[12] Saturation reporting differs from “in-depth” and “investigative” reporting, which involve the direct interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, “entails a more complex set of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and detached from the people and events reported.”[13]

One of the most striking examples of New Journalism is Wolfe’s The Electric Kool-Aid Acid Test. The book, an account of the adventures of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in its use of onomatopoeia, free association, and eccentric punctuation—such as multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In addition to his own forays into this new style of journalism, Wolfe edited a collection of New Journalism with E.W. Johnson, published in 1973 and titled The New Journalism. This book brought together pieces from Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers with the common theme of journalism that incorporated literary techniques and that could be considered literature.[14]

Non-fiction books

In 1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and Wolfe’s fame grew. A second volume of articles, The Pump House Gang, followed in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used LSD and to have tried marijuana only once[15]) Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: “Radical Chic,” a biting account of a party given by Leonard Bernstein to raise money for the Black Panther Party, and “Mau-Mauing The Flak Catchers,” about the practice of using racial intimidation (“mau-mauing”) to extract funds from government welfare bureaucrats (“flak catchers”). The phrase “radical chic” soon became a popular derogatory term for upper-class leftism. Published in 1977, Mauve Gloves & Madmen, Clutter & Vine included one of Wolfe’s more famous essays, “The Me Decade and the Third Great Awakening.”

Back row – Shepard, Grissom, Cooper; Front row – Schirra, Slayton, Glenn, Carpenter.
The astronauts of the Mercury Seven were the subject of The Right Stuff.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America’s first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to “single combat champions” of a bygone era, going forth to battle in the space race on behalf of their country. In 1983, the book was adapted as a successful feature film.

In 2016 Wolfe published The Kingdom of Speech, which is a controversial[16] critique of Charles Darwin and Noam Chomsky.[17]

Art critiques

Wolfe also wrote two highly skeptical social histories of modern art and modern architecture, The Painted Word and From Bauhaus to Our House, in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art world and its dependence on what he saw as faddish critical theory, while From Bauhaus to Our House explored the negative effects of the Bauhaus style on the evolution of modern architecture.[18]

Made for TV movie

A fictional television movie appeared on PBS in 1977, “Tom Wolfe’s Los Angeles”, a suitably satirical story set in Los Angeles. Wolfe appears in the movie himself.[19][20]

Novels

Throughout his early career, Wolfe had planned to write a novel that would capture the wide spectrum of American society. Among his models was William Makepeace Thackeray‘s Vanity Fair, which described the society of 19th century England. Wolfe remained occupied writing nonfiction books and contributing to Harper’s until 1981, when he ceased his other work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the Bronx homicide squad. While the research came easily, the writing did not immediately follow. To overcome his writer’s block, Wolfe wrote to Jann Wenner, editor of Rolling Stone, to propose an idea drawn from Charles Dickens and Thackeray. The Victorian novelists that Wolfe viewed as his models had often written their novels in serial installments. Wenner offered Wolfe around $200,000 to serialize his work.[21] The deadline pressure gave him the motivation he had hoped for, and from July 1984 to August 1985 each biweekly issue of Rolling Stone contained a new installment. Wolfe was later not happy with his “very public first draft”[22] and thoroughly revised his work. Even Sherman McCoy, the novel’s central character, changed: originally a writer, the book version cast McCoy as a bond salesman. Wolfe researched and revised for two years, and his The Bonfire of the Vanities was published in 1987. The book was a commercial and critical success, spending weeks on bestseller lists and earning praise from much of the literary establishment on which Wolfe had long heaped scorn.[23]

Because of the success of Wolfe’s first novel, there was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book’s reception was not universally favorable, though it received glowing reviews in Time, Newsweek, The Wall Street Journal and elsewhere. An enormous initial printing of 1.2 million copies was announced and the book stayed at number one on the New York Times bestseller list for ten weeks. John Updike wrote a critical review for The New Yorker complaining that the novel “amounts to entertainment, not literature, even literature in a modest aspirant form.” This touched off an intense war of words in the print and broadcast media between Wolfe and Updike, John Irving, and Norman Mailer. In 2001, Wolfe published an essay referring to these three authors as “My Three Stooges.”

After publishing Hooking Up (a collection of short pieces, including the 1997 novella Ambush at Fort Bragg) in 2001, he followed up with his third novel, I Am Charlotte Simmons (2004), which chronicles the decline of a poor, bright scholarship student from Alleghany County, North Carolina, in the context of snobbery, materialism, institutionalised anti-intellectualism and sexual promiscuity she finds at a prestigious contemporary American university. The novel met with a mostly tepid response by critics but won praise from many social conservatives, who saw the book’s account of college sexuality as revealing of a disturbing moral decline. The novel won a Bad Sex in Fiction Award from the London-based Literary Review, a prize established “to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel”. Wolfe later explained that such sexual references were deliberately clinical.

Wolfe has written that his goal in writing fiction is to document contemporary society in the tradition of John Steinbeck, Charles Dickens, and Émile Zola.

In early 2008, it was announced that Wolfe was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Back to Blood, was published in October 2012 by Little, Brown. According to The New York Times, Wolfe was paid close to US$7 million for the book.[24] According to the publisher, Back to Blood is about “class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America’s future has arrived first.”[25]

Recurring themes

Several themes are present in much of Wolfe’s writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons as well as several of his journalistic pieces. Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters. Men’s fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in “Sorry, Your Soul Just Died,” one of the essays in Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters’ thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters’ anatomies.[26]

Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (Conrad Hensley and Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical Roman and Greek philosophy.

Law and banking firms in Wolfe’s writing often have satirical names formed by the surnames of the partners. “Dunning, Sponget and Leach” and “Curry, Goad and Pesterall” appear in The Bonfire of the Vanities, and “Wringer, Fleasom and Tick” in A Man in Full. Ambush at Fort Bragg contains a law firm called “Crotalus, Adder, Cobran and Krate” (all names or homophones of venomous snakes).

Some characters appear in multiple novels, creating a sense of a “universe” that is continuous throughout Wolfe’s fiction. The character of Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named Ronald Vine, an interior decorator who is mentioned in The Bonfire of the Vanities, reappears in A Man in Full as the designer of Charlie Croker’s home.

A fictional sexual practice called “that thing with the cup” appears in several of his writings, including The Bonfire of the Vanities, A Man in Full and a (non-fiction) essay in Hooking Up.

The surname “Bolka” appears in three Wolfe novels—as the name of a rendering plant in A Man in Full, as a partner in an accounting firm in Bonfire of the Vanities, and as a college lacrosse player from the Balkans in I Am Charlotte Simmons.

The white suit

Wolfe adopted the white suit as a trademark in 1962. He bought his first white suit planning to wear it in the summer in the style of Southern gentlemen. However, he found that the suit he purchased was too heavy for summer use, so he wore it in winter, which created a sensation.[27] Wolfe has maintained this uniform ever since, sometimes worn with a matching white tie, white homburg hat, and two-tone shoes. Wolfe has said that the outfit disarms the people he observes, making him, in their eyes, “a man from Mars, the man who didn’t know anything and was eager to know.”[28]

Views

In 1989, Wolfe wrote an essay for Harper’s Magazine titled “Stalking the Billion-Footed Beast“, which criticized modern American novelists for failing to engage fully with their subjects, and suggested that modern literature could be saved by a greater reliance on journalistic technique. This attack on the mainstream literary establishment was interpreted as a boast that Wolfe’s work was superior to more highly regarded authors.[29]

Wolfe was a supporter of George W. Bush and said he voted for him for president in 2004 because of what he called Bush’s “great decisiveness and willingness to fight.” (Bush apparently reciprocates the admiration, having read all of Wolfe’s books, according to friends in 2005.[30]) After this fact emerged in a New York Times interview, Wolfe said that the reaction in the literary world was as if he had said, “I forgot to tell you—I’m a child molester.” Because of this incident, he sometimes wears an American flag pin on his suit, which he compared to “holding up a cross to werewolves.”[31]

Wolfe’s views and choice of subject material, such as mocking left-wing intellectuals in Radical Chic and glorifying astronauts in The Right Stuff, have sometimes led to his being labeled conservative,[32] and his depiction of the Black Panther Party in Radical Chic led to a member of the party calling him a racist.[33] Wolfe rejects such labels; in a 2004 interview, he said that his “idol” in writing about society and culture is Émile Zola, who, in Wolfe’s words, was “a man of the left” but “went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not—and was not interested in—telling a lie.”[32]

Asked to comment by the Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that “the universe of blogs is a universe of rumors” and that “blogs are an advance guard to the rear.” He also took the opportunity to criticize Wikipedia, saying that “only a primitive would believe a word of” it. He noted a story about him in his Wikipedia entry at the time, which he said had never happened.[34]

Personal life

Wolfe lives in New York City with his wife Sheila, who designs covers for Harper’s magazine. They have two children, a daughter, Alexandra, and a son, Tommy.[35]

A writer for Examiner Magazine who interviewed Wolfe in 1998 said, “He has no computer and does not surf, or even know how to use, the Internet”, adding, however, that Wolfe’s novel A Man in Full does have a subplot involving “a muckraking cyber-gossip site, à la the Drudge Report or Salon.”[35]

Influence

Wolfe is credited with introducing the terms “statusphere,” “the right stuff,” “radical chic,” “the Me Decade,” “social x-ray,” and “pushing the envelope” into the English lexicon.[36][dubious ] He is sometimes credited with inventing the term “trophy wife” as well, but this is incorrect: he described emaciated wives as “X-rays” in his novel The Bonfire of the Vanities but did not use the term “trophy wife”.[37] According to journalism professor Ben Yagoda, Wolfe is also responsible for the use of the present tense in magazine profile pieces; before he began doing so in the early 1960s, profile articles had always been written in the past tense.[38]

Terms coined by Wolfe

List of awards and nominations

Television appearances

  • Wolfe was featured as an interview subject in the 1987 PBS documentary series Space Flight.
  • In July 1975 Wolfe was interviewed on Firing Line by William F. Buckley, Jr., discussing “The Painted Word”.[44]
  • Wolfe was featured on the February 2006 episode “The White Stuff” of Speed Channel‘s Unique Whips, where his Cadillac‘s interior was customized to match his trademark white suit.[45]
  • Wolfe guest-starred alongside Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode “Moe’N’a Lisa“, which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[46] Wolfe was also used as a sight gag on The Simpsons episode “Insane Clown Poppy“, which aired on November 12, 2000. Homer spills chocolate on Wolfe’s trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath.

Bibliograph

Non-fiction

Novels

Featured in

Notable articles

  • “The Last American Hero Is Junior Johnson. Yes!” Esquire, March 1965.
  • “Tiny Mummies! The True Story of the Ruler of 43rd Street’s Land of the Walking Dead!” New York Herald-Tribune supplement (April 11, 1965).
  • “Lost in the Whichy Thicket,” New York Herald-Tribune supplement (April 18, 1965).
  • “The Birth of the New Journalism: Eyewitness Report by Tom Wolfe.” New York, February 14, 1972.
  • “The New Journalism: A la Recherche des Whichy Thickets.” New York Magazine, February 21, 1972.
  • “Why They Aren’t Writing the Great American Novel Anymore.” Esquire, December 1972.
  • “The Me Decade and the Third Great Awakening” New York, August 23, 1976.
  • Stalking the Billion-Footed Beast“, Harper’s. November 1989.
  • “Sorry, but Your Soul Just Died.” Forbes 1996.
  • “Pell Mell.” The Atlantic Monthly (November 2007).
  • “The Rich Have Feelings, Too.” Vanity Fair (September 2009).

See also

Notes

  1. Jump up^ This was the award for hardcover “General Nonfiction”. From 1980 to 1983 in National Book Award history there were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

https://en.wikipedia.org/wiki/Tom_Wolfe

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One Flew Over the Cuckoo’s Nest (film)

From Wikipedia, the free encyclopedia
One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo's Nest poster.jpg

Theatrical release poster
Directed by Miloš Forman
Produced by Saul Zaentz
Michael Douglas
Screenplay by Lawrence Hauben
Bo Goldman
Based on One Flew Over the Cuckoo’s Nest
by Ken Kesey
Starring Jack Nicholson
Louise Fletcher
William Redfield
Music by Jack Nitzsche
Cinematography Haskell Wexler
Bill Butler[1]
Edited by Richard Chew[2]
Sheldon Kahn
Lynzee Klingman
Production
company
Fantasy Films
Distributed by United Artists
Release dates
  • November 19, 1975
Running time
133 minutes
Country United States
Language English
Budget $3 million[3]
Box office $109 million[3]

One Flew Over the Cuckoo’s Nest is a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel One Flew Over the Cuckoo’s Nest by Ken Kesey. The film stars Jack Nicholson and features a supporting cast of Louise Fletcher, William Redfield, Will Sampson, and Brad Dourif.

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo’s Nest is No. 33 on the American Film Institute‘s 100 Years… 100 Movies list. The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Nightin 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards.

In 1993, the film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

Plot

In 1963, Oregon, recidivist criminal Randle McMurphy is moved to a mental institution after serving a short sentence on a prison farm after raping a teenager. Though not actually mentally ill, McMurphy hopes to avoid hard labour and serve the rest of his sentence in a relaxed environment. Upon arriving at the hospital, he finds the ward run by the steely, strict Nurse Ratched, who subtly suppresses the actions of her patients through a passive-aggressive routine, intimidating the patients.

The other patients include anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to childish tantrums; delusional Martini; the well-educated, paranoid Dale Harding; belligerent Max Taber; epileptic Jim Sefelt; and “Chief” Bromden, a tall Native American believed to be deaf and mute. Ratched soon sees McMurphy’s lively, rebellious presence to be a threat to her authority, confiscating the patients’ cigarettes and rationing them. During his time in the ward, McMurphy gets into a battle of wits with Ratched. He steals a hospital bus, escaping with several patients to go on a fishing trip, encouraging his friends to become more self-confident.

McMurphy learns his sentence may become indefinite, and he makes plans to escape, exhorting Chief to throw a hydrotherapy cart through a window. He, Chief, and Cheswick get into a fight with the orderlies after the latter becomes agitated over his stolen cigarettes. Ratched sends them to the “shock shop”, and McMurphy discovers Chief can actually speak, feigning illness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to have brain damage, but reveals the treatment has charged him up even more. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched leaves for the night.

McMurphy sneaks two women, Candy and Rose, into the ward and bribes the night guard. After a night of partying, McMurphy and Chief prepare to escape, inviting Billy to come with them. He refuses, not ready to leave the hospital. McMurphy instead convinces him to have sex with Candy. Ratched arrives in the morning to find the ward in disarray and most of the patients unconscious. She discovers Billy and Candy together, the former now free of his stutter, until Ratched threatens to inform his mother about his escapade. Billy is overwhelmed with fear and locks himself in the doctor’s office and commits suicide. The enraged McMurphy strangles Ratched, before being knocked out by an orderly.

Ratched comes back with a neck brace and a scratchy voice. Rumours spread that McMurphy escaped rather than be taken “upstairs”. Later that night, Chief sees McMurphy being returned to his bed. He discovers McMurphy has lobotomy scars on his forehead, and smothers his friend with a pillow. Chief finally throws the hydrotherapy cart through the window and escapes into the night, cheered on by the men.

Cast

Production

Filming began in January 1975 and concluded approximately three months later,[4] and was shot on location in Salem, Oregon and the surrounding area, as well as on the Oregon coast.[5][6] It was also shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.[7]

Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical terrorist group The Weather Underground were being interviewed while hiding from the law. However, Miloš Forman said he had terminated Wexler over mere artistic differences. Both Wexler and Butler received Academy Awardnominations for Best Cinematography for One Flew Over the Cuckoo’s Nest, though Wexler said there was “only about a minute or two minutes in that film I didn’t shoot.”[8]

According to Butler, Jack Nicholson refused to speak to Forman: “…[Jack] never talked to Milos at all, he only talked to me.”[1]

Reception

The film was met with overwhelming critical acclaim; Roger Ebert said “Miloš Forman’s One Flew Over the Cuckoo’s Nest is a film so good in so many of its parts that there’s a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance.”[9] Ebert would later put the film on his “Great Movies” list.[10] A.D. Murphy of Variety wrote a mixed review as well,[11] as did Vincent Canby: writing in The New York Times, Canby called the film “a comedy that can’t quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.”[12]

The film opens with original music by composer Jack Nitzsche, featuring an eerie bowed saw (performed by Robert Armstrong) and wine glasses. Commenting on the score, reviewer Steven McDonald has said, “The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times — even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time it tilts completely over into a strange little world of its own …”[13]

The film went on to win the “Big Five” Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, andBest Adapted Screenplay for Laurence Hauben and Bo Goldman. The film currently has a 95% “Certified Fresh” rating at Rotten Tomatoes with an average rating of 8.9/10.[14] Its consensus states “The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s — and testament to the director’s vision that the film retains its power more than three decades later.”

One Flew Over the Cuckoo’s Nest is considered to be one of the greatest American films. Ken Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.[15] Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it,[16] a fact confirmed by Chuck Palahniuk who wrote, “The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked.”[17]

In 1993, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.[18]

Awards and honors

Award Category Nominee Result
Academy Award Academy Award for Best Picture Michael Douglas and Saul Zaentz Won
Academy Award for Best Director Miloš Forman Won
Academy Award for Best Actor Jack Nicholson Won
Academy Award for Best Actress Louise Fletcher Won
Academy Award for Writing Adapted Screenplay Laurence Hauben and Bo Goldman Won
Academy Award for Best Supporting Actor Brad Dourif Nominated
Academy Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
Academy Award for Film Editing Richard Chew, Lyzee Klingman and Sheldon Kahn Nominated
Academy Award for Original Music Score Jack Nitzsche Nominated
Golden Globe Award Golden Globe Award for Best Motion Picture – Drama Michael Douglas and Saul Zaentz Won
Golden Globe Award for Best Director – Motion Picture Miloš Forman Won
Golden Globe Award for Best Actor – Motion Picture Drama Jack Nicholson Won
Golden Globe Award for Best Actress – Motion Picture Drama Louise Fletcher Won
Golden Globe Award for Best Screenplay Laurence Hauben and Bo Goldman Won
Golden Globe Award for New Star of the Year – Actor Brad Dourif Won
BAFTA Award BAFTA Award for Best Film Michael Douglas and Saul Zaentz Won
BAFTA Award for Best Direction Miloš Forman Won
BAFTA Award for Best Actor in a Leading Role Jack Nicholson Won
BAFTA Award for Best Actress in a Leading Role Louise Fletcher Won
BAFTA Award for Best Actor in a Supporting Role Brad Dourif Won
BAFTA Award for Best Editing Richard Chew, Lynzee Klingman and Sheldon Kahn Won
BAFTA Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
BAFTA Award for Best Adapted Screenplay Laurence Hauben and Bo Goldman Nominated

Others

American Film Institute

See also

References

  1. ^ Jump up to:a b Townsend, Sylvia (19 December 2014). “Haskell Wexler and the Making of ‘One Flew Over the Cuckoo’s Nest'”. Retrieved 13 April2015.
  2. Jump up^ Chew was listed as “supervising editor” in the film’s credits, but was included in the nomination for an editing Academy Award.
  3. ^ Jump up to:a b “One Flew Over the Cuckoo’s Nest, Box Office Information”.Box Office Mojo. Retrieved January 22, 2012.
  4. Jump up^ One Flew Over the Cuckoo’s Nest at the American Film Institute
  5. Jump up^ Story Notes for One Flew Over the Cuckoo’s Nest
  6. Jump up^ “Hollywood’s Love Affair with Oregon Coast Continues”. Retrieved15 June 2015.
  7. Jump up^ Oregon State Hospital – A documentary film (Mental Health Association of Portland)
  8. Jump up^ Anderson, John. “Haskell Wexler, Oscar-Winning Cinematographer, Dies at 93.” The New York Times, December 27, 2015.
  9. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, January 1, 1975
  10. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, February 2, 2003.
  11. Jump up^ Variety.com – A.D. Murphy, Variety, November 7, 1975
  12. Jump up^ Canby, Vincent (November 28, 1975). “Critic’s Pick: One Flew Over the Cuckoo’s Nest”. The New York Times.
  13. Jump up^ AllMusic: Review by Steven McDonald
  14. Jump up^ “One Flew over the Cuckoo’s Nest Movie Reviews, Pictures – Rotten Tomatoes”. Retrieved 2010-08-19.
  15. Jump up^ Carnes, Mark Christopher, Paul R. Betz, et al. (1999). American National Biography, Volume 26. New York: Oxford University Press USA. ISBN 0-19-522202-4. p. 312,
  16. Jump up^ Carnes, p. 312
  17. Jump up^ Foreword of One Flew Over the Cuckoo’s Nest, Copyright 2007 by Chuck Palahniuk. Available in the 2007 Edition published by Penguin Books
  18. Jump up^ “U.S. National Film Registry — Titles”. Retrieved September 2,2016.
  19. Jump up^ AFI’s 100 Years…100 Heroes and Villains Nominees

External links

https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)

Could Hillary’s smile cost her the election? Twitter mocks Clinton’s ‘creepy grandma’ grin as she smirks her way through presidential debate

With her opponent dogged by accusations of sexual assault, Hillary Clinton had strong odds as she entered the third presidential debate on Wednesday.

Only one thing seemed to threaten her chances of victory: her smile.

The Democratic candidate faced a flood of insults as she took to the stage at the University of Las Vegas, with many viewers confessing they were ‘creeped out’ by her stubborn grin.

Hundreds took to Twitter to describe her smile as ‘scary’ and ‘creepy’.

Hillary Clinton's unrelenting smile at Wednesday's presidential debate made for uncomfortable viewing for some voters 

Hillary Clinton’s unrelenting smile at Wednesday’s presidential debate made for uncomfortable viewing for some voters

Social media mocks Hillary Clinton’s ‘creepy grandma’ grin

Others questioned why, when being slammed with insults from her opponent, her expression did not drop.

‘Hillary Clinton’s smile is the scariest thing I’ve ever seen in my life,’ said one observer.

‘When Hillary smiles she looks like an evil snake,’ another commented.

‘What to do when you don’t have a response? Smile like a chipmunk,’ remarked another.

‘Whoever told Hillary Clinton to smile less since the first debate gave great advice,’ mused a different viewer.

Others, ever-so-slightly more charmed by her cheerful demeanor, likened her to a happy grandmother.

The Democratic candidate beamed as she listened to Donald Trump slam her political record and campaign policies 

Her glee remained written all over her face as Trump continued to slate her, much to viewers' confusion 

Her glee remained written all over her face as Trump continued to slate her, much to viewers’ confusion

Twitter users were quick to mock her expression as they watched the debate on Wednesday 

Twitter users were quick to mock her expression as they watched the debate on Wednesday

Clinton's happy expression became a talking point at earlier debates. It continued to peak viewers' interests at her final showdown with Trump on Wednesday (above) e

Clinton’s happy expression became a talking point at earlier debates. It continued to peak viewers’ interests at her final showdown with Trump on Wednesday (above)

‘Hillary Clinton is so cute it’s something about her I just want her to tuck me in and give me a kiss with her coffee breath,’ one commented.

It was not the first time her facial expression sparked interest among voters.

After the first presidential debate on September 26, political commentators shared some free advice with the candidate online.

‘Who told Hillary Clinton to keep smiling like she’s at her granddaughter’s birthday party?’ said David Frum, senior editor of The Atlantic, at the time.

The discussion had the same hallmarks of bizarre criticisms made earlier this month about Donald Trump’s incessant sniffing.

Viewers were distracted throughout the second presidential debate by the Republican candidate’s runny nose, complaining in their droves about it online. 
http://www.dailymail.co.uk/news/article-3854016/Could-Hillary-s-smile-cost-election-Twitter-mocks-Clinton-s-creepy-grandma-grin-smirks-way-presidential-debate.html#ixzz4Nf3WfCyu

Ken Kesey

From Wikipedia, the free encyclopedia
Not to be confused with Kenny Casey (disambiguation).
Ken Kesey
Born Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
Died November 10, 2001 (aged 66)
Eugene, Oregon, U.S.[1][2]
Occupation Novelist, short story writer, essayist, poet
Nationality American
Genre Beat, postmodernism
Literary movement Merry Pranksters
Notable works One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)

Kenneth Elton “Ken” Kesey (/ˈkz/; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.

Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.[3]

In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).

Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs.[4][5] After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.

Biography

Early life

Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey.[1] In 1946, the family moved to Springfield, Oregon.[2] Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953.[2] An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.[6]

In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade.[2] According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.”[7] Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon.[8] Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.[9]

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition.[1][10][11] He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”[12][13]

A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz.[14] Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction.[15] After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.

Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions.[16] Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.[2]

During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.”[17] Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.[18]

Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.[17]The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class.[19] While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.

Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”[20]

Experimentation with psychoactive drugs

At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital[21] where he worked as a night aide.[22] The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people.[2] Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus.[23] He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).

One Flew Over the Cuckoo’s Nest

While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.”[24] Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.[24]

During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.

The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.[25]

Merry Pranksters

When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.[26] This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.

After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life.[27] He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Death of son

In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament;[11] after he was declared brain-dead two days later his parents gave permission for his organs to be donated.[28]

Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” [29]

At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill.[30] Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.[31]

Final years

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.[citation needed]

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.[citation needed]

On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.[citation needed]

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College.[citation needed] His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.[citation needed]

Death

In 1998, health problems began to weaken him, starting with a stroke that year.[2] On October 25, 2001 Kesey had surgery on his liver to remove a tumor.[2] He did not recover from that operation and died of complications on November 10, 2001, age 66.[2]

Legacy

The film Gerry (2002) is dedicated to the memory of Ken Kesey.[32]

Works

Some of Kesey’s better-known works include:[33]

Footnotes

  1. ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
  2. ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
  3. Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
  4. Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
  5. Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
  6. Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
  7. Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
  8. Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
  9. Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
  10. Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
  11. ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14. Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
  12. Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
  13. Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
  14. Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
  15. Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
  16. Jump up^ Too Good to Be True. Retrieved 2014-12-14.
  17. ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
  18. Jump up^ Wallace Stegner. Retrieved 2014-12-14.
  19. Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
  20. Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
  21. Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
  22. Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
  23. Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
  24. ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
  25. Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
  26. Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
  27. Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
  28. Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
  29. Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
  30. Jump up^ https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
  31. Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en. Missing or empty |title= (help)
  32. Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
  33. Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.

Further reading

  • Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
  • Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
  • Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
  • Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
  • Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
  • Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
  • Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
  • M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
  • Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
  • Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
  • Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.

External links

https://en.wikipedia.org/wiki/Ken_Kesey

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Mark Helprin — Memoirs From The Antproof Case — Winter’s Tale — Videos

Posted on July 28, 2016. Filed under: American History, Articles, Blogroll, Book, Books, Culture, Entertainment, Fiction, Heroes, history, Law, liberty, Life, Links, Literacy, Literature, media, Money, Movies, Music, People, Philosophy, Photos, Police, Politics, Press, Psychology, Rants, Raves, Raymond Thomas Pronk, Religion, Reviews, Spying, Strategy, Technology, Terrorism, Video, Water, Wealth | Tags: , , , , , , , |

quote winter talememoirs from antproof casewinters tale 2winters talemark-helprin-1-sizedmark-helprin-author-photo-credit-lisa-kennedymark-helprin

This is a photo of Mark Helprin, a novelist, children's book author and editorial writer for the Wall Street Journal. Handout photo. ..OUTSIDE TRIBUNE CO.- NO MAGS, NO SALES, NO INTERNET, NO TV, CHICAGO OUT, NO DIGITAL MANIPULATION...

quote-the-human-race-is-intoxicated-with-narrow-victories-for-life-is-a-string-of-them-like-pearls-that-mark-helprin-82765

The Human Parade: Mark Helprin

Mark Helprin – Five Questions About Iran

Mark Helprin: In Sunlight and In Shadow

Mark Helprin: 2013 National Book Festival

Mark Helprin – A Soldier of the Great War – Part 1

Mark Helprin – A Soldier of the Great War – Part 2

159th Hillsdale College Commencement – Mark Helprin

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Kevin Phillips — The Man Who Owns The News: The Secret World of Rupert Murdoch — Videos

Posted on December 26, 2015. Filed under: American History, Articles, Blogroll, Book, Books, Business, College, Communications, Congress, Constitution, Corruption, Crime, Crisis, Documentary, Education, Elections, Employment, Faith, Family, Foreign Policy, Freedom, government, government spending, history, Illegal, Immigration, Islam, Law, Legal, liberty, Life, Links, media, Narcissism, Newspapers, Non-Fiction, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Psychology, Radio, Radio, Rants, Raves, Strategy, Talk Radio, Television, Unemployment, Video, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , |

DIGITAL AGE – Why Did Murdoch Buy The Journal? – Michael Wolff – Jan 25, 2009

Wolff Sees Rupert Murdoch Exiting News Corp. CEO Post

Rebekah Brooks Returning to News Corp as UK Chief

DEBATE: Is Murdoch’s Empire Falling Apart? – NOTW Phone Hacking *NEW*

Rupert Murdoch Destroyed Fox News. National Geographic is Next. • BRAVE NEW FILMS

Media baron Rupert Murdoch names son as CEO of Fox empire

Farewell to Fox: Rupert Murdoch steps down as CEO

Rupert Murdoch in 90 Seconds

Rupert Murdoch: the life and times of a media mogul

WSJ Live Presents: Rupert Murdoch Interviewed

Rupert Murdoch – Battle With Britain (2013/04/28)

Murdoch biographer says family must step down from News Corp

Murdoch’s Wall Street Journal Takes On Trump

News Of The World – UK

The Murdoch Empire: Phone Hacking Exposed – The Listening Post (Full)

Murdoch of Fox News Admits Manipulating the News for Agenda

Charlie Rose – An hour with Rupert Murdoch

KO – Does Murdoch Hate O’Reilly?

How To Get Fired From Fox News In Under 5 Minutes! 2015

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Rupert Murdoch advocates for immigration reform

Rupert Murdoch On Why He Supports Immigration Reform

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Carlos Gutierrez and Rupert Murdoch on Immigration Reform

Outfoxed • Rupert Murdoch’s War on Journalism • FULL DOCUMENTARY FILM exposes Fox News

Rupert Murdoch: a seven-point plan for rehabilitation in British life

By Jane Martinson

How the News Corp mogul restored public links with David Cameron after the turbulence of the phone-hacking scandal and Leveson inquiry
Cameron, Osborne and Murdoch back together at mogul’s Christmas knees-up

Rupert Murdoch’s Christmas’s party – which drew David Cameron, George Osborne and other ministers on Monday – marks his return to the centre of power, the culmination of a seven-step process that has seen him regain his position at the top of British life:

1 A profession of humility

Psychologists say acknowledgement is always the first step on the road to recovery but it took Murdoch 12 days after the Guardian revealed that Milly Dowler’s phone was hacked to take out a full-page advert on 16 July 2011 saying: “We are sorry for the serious wrongdoing that occurred”. Andy Coulson had already resigned as Cameron’s spin doctor in January 2011 but within days of the Dowler revelations, Murdoch closed the 168-year-old News of the World and scrapped his plan to take over the whole of satellite broadcaster Sky. Brooks resigned to face charges and, by 19 July, a surprisingly frail-looking Murdoch told a House of Commons committee that he was facing “the most humble day of my life”.

2 A fistful of dollars

In total, News Corp spent $512m (£345m) on the closure of its Sunday tabloid and legal settlements for at least 377 victims of voicemail interception. Nine of the 12 journalists charged with phone hacking were convicted, while public officials were found guilty for accepting payments for information. After an eight-month trial, Coulson was found guilty of conspiring to hack phones, while Brooks was cleared of all charges in June 2014. (Having eventually served five months of his sentence, Coulson is now writing the odd piece for the Telegraph. The newspaper group denies that he is on a contract to advise chief executive Murdoch MacLennan).
3 A job for a friend

From the very beginning of the scandal, Murdoch said his top priority was looking after Rebekah Brooks. Within months of the end of her trial, Murdoch was looking at a range of senior jobs for Brooks, firstly in the US. Initial reports that she would rejoin the company were met with disbelief from senior insiders but, after her husband Charlie was understood to have ruled out a move to the US, Murdoch and Brooks started to think that a return to her old job was the best option. She was reappointed chief executive of News UK in September 2015 and, having spent weeks working long hours in the office, she is only now ready for meetings with her old contacts.

4 Let the authorities complete their work

The biggest fear all along for the News Corp boss was the possibility of corporate charges being pressed for phone hacking. Murdoch had already split his publishing arm, which includes the British newspapers as well as the Wall Street Journal, from the Fox film and television business, partly to protect the latter from any possible charges. In February, the Department of Justice declared that News Corp would not face any charges in the US in relation to phone hacking and payments to public officials, and earlier this month the Crown Prosecution Service dropped all corporate charges against News Corp. However, given the appeals against the decision launched by victims, the final curtain has not quite come down. Although no one expects the government to go ahead with “Leveson part two” into the “extent of unlawful and improper conduct”, it cannot confirm this until all criminal proceedings, including appeals, are dealt with.
5 A clear political order

Labour party leaders may have attended Murdoch soirees but the opposition went into the May general election with concern over media domination written into its manifesto. In contrast, the Conservatives’ first manifesto promise on the media was to warn the BBC that it would face a licence fee freeze. Osborne’s comments about Auntie’s “imperial ambitions” reminded everyone that the Liberal Democrats were no longer in government to argue against imposing the cost of free licence fees for the over-75s on the corporation.

Even so, the appearance of Cameron at a party attended by Murdoch and Brooks is remarkable, given the fact that few politicians were as embarrassed by phone hacking as he was. The prime minister’s close links with Brooks and the Murdochs – with their Christmas gatherings, country suppers and “LOL” texting – were revealed in some detail during the Leveson inquiry, which he launched in November 2011. It later emerged that he had ignored those warning him against appointing a man who had stood down from his role as editor of the News of the World as his spin doctor. Having accepted Coulson’s denials, Cameron said he warranted a “second chance”.

Chris Bryant, the former shadow culture secretary and phone-hacking victim, who has recently attended a party at the home of Evgeny Lebedev, said: “There is nothing intrinsically wrong with meeting a proprietor socially. However, I would have thought that Cameron in particular, as well as Osborne, would have learnt from the whole sorry saga that these informal contacts just start to smell dodgy.

“I have always known that, if they won the general election, the Tories would just bide their time before ushering Rupert back through the front door. It was one of the reasons I was so desperate for them not to win.”

6 Rediscover the contacts book

Under disclosure rules brought in by Cameron, we now know when he meets interested parties. So we know that Murdoch and senior News Corp executives met government ministers 10 times in the year to the end of March 2015, more than any other newspaper group. Murdoch also met Osborne twice in the month before the chancellor imposed the aforementioned costly financial settlement on the BBC in July.
7 A model relationship

With his sons busy in the US, a new woman has made the family patriarch a more frequent visitor to the UK. Having split with his third wife, Wendi Deng, in 2013, Murdoch happily posed for pictures at the Rugby World Cup in October alongside his new flame, the London-based Jerry Hall, 59-year-old former wife of Mick Jagger.

http://www.theguardian.com/media/2015/dec/23/rupert-murdoch-news-corp-david-cameron

    • #35 Rupert Murdoch & family

  • Real Time Net Worth As of 12/29/15
  • $11.9 Billion
  • Chairman and CEO, News Corp
Age
84
Source Of Wealth
media, Self Made
Self-Made Score
7
Residence
New York, NY
Citizenship
United States
Marital Status
Divorced
Children
6
Education
Bachelor of Arts / Science, Oxford University; Master of Arts, Oxford University

Rupert Murdoch & family on Forbes Lists

Rupert Murdoch, arguably the world’s most powerful media tycoon, stepped down from the CEO role at cable TV and broadcasting giant 21st Century Fox in July 2015 but remains executive co-chairman alongside his son Lachlan; his son James Murdoch took over as CEO. Rupert Murdoch also continues to chair News Corp, which owns The Wall Street Journal and other print operations. He built a media empire out of Adelaide, Australia; at 22 he inherited two newspapers when his father died. Today, the Murdoch family controls 120 newspapers in five countries; a large cable TV network comprised of the Fox channels in the U.S. and Fox International Channels across Europe, Latin America, Africa, and Asia; book publishing powerhouse HarperCollins; a movie studio and a large broadcasting and satellite TV arm.
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George Weigel — The Cube and the Cathedral: Europe, America, and Politics Without God — Videos

Posted on November 4, 2015. Filed under: American History, Blogroll, Book, Books, Catholic Church, Communications, Constitution, Documentary, Elections, Employment, European History, Faith, Family, Fiction, Foreign Policy, Freedom, government, history, Immigration, Islam, Language, Law, liberty, Life, Links, Literacy, media, People, Philosophy, Politics, Radio, Radio, Religion, Talk Radio, Television, Television, Terrorism, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , |

the cube the cathedral
Cathedral-Notre-Dame-de-Parisgeorge weigel
  Grande_Arche_de_La_Défense_et_fontaine the cubethe cube 2NotreDameParisfrance_paris_notre_dameNotre Dame, Paris FranceInside Notre Dame Cathedral

LaDefense

“Democracy Without God?” by George Weigel

Christianity and Democracy, War and Peace, Pope John Paul II – Books (2008)

George Weigel (born 1951) is an American author and political and social activist. He currently serves as a Distinguished Senior Fellow of the Ethics and Public Policy Center. Weigel was the Founding President of the James Madison Foundation. He is the author of the best-selling biography of Pope John Paul II, Witness to Hope and Tranquillitas Ordinis: The Present Failure and Future Promise of American Catholic Thought on War and Peace.

Weigel was born and grew up in Baltimore, Maryland, where he attended St. Mary’s Seminary and University. He later received his masters degree from St. Michael’s College, University of Toronto. He has received 18 honorary doctorate degrees, as well as the papal cross Pro Ecclesia et Pontifice and the Gloria Artis Gold Medal from the Polish Ministry of Culture.

Weigel lived in Seattle, serving as Assistant Professor of Theology and Assistant Dean of Studies at the St. Thomas the Apostle Seminary School of Theology in Kenmore, and Scholar-in-Residence at the World Without War Council of Greater Seattle, before returning to Washington, D.C. as a fellow at the Woodrow Wilson International Center for Scholars.

Weigel served as the founding president of the James Madison Foundation (not to be confused with the James Madison Memorial Fellowship Foundation) from 1986 to 1989. In 1994, he was a signer of the document Evangelicals and Catholics Together.

He currently serves as Distinguished Senior Fellow and Chair of Catholic Studies at the Ethics and Public Policy Center in Washington, D.C..

Each summer, Weigel and several other Catholic intellectuals from the United States, Poland, and across Europe conduct the Tertio Millennio Seminar on the Free Society in Krakow, in which they and an assortment of students from the United States, Poland, and several other emerging democracies in Central and Eastern Europe discuss Christianity within the context of liberal democracy and capitalism, with the papal encyclical Centesimus Annus being the focal point.

Weigel and his wife Joan live in North Bethesda, Maryland. He has three children.

He is a member of the advisory council of the Victims of Communism Memorial Foundation.

Weigel writes and serves on the Institute board for the Institute for Religion and Public Life, which publishes First Things, an ecumenical publication that focuses on encouraging a religiously informed public philosophy for the ordering of society.

The main body of Weigel’s writings engage the issues of religion and culture.

Weigel advocates a U.S. foreign policy guided not by utopian notions about how nations should behave, but by moral reasoning. “From the Iliad to Tolstoy and beyond, that familiar trope, “the fog of war,” has been used to evoke the millennia–old experience of the radical uncertainty of combat. Some analysts, however, take the trope of “the fog of war” a philosophical step further and suggest that warfare takes place beyond the reach of moral reason, in a realm of interest and necessity where moral argument is a pious diversion at best and, at worst, a lethal distraction from the deadly serious business at hand.”

In some cases, he adds, moral reasoning may require that the United States support authoritarian regimes to fend off the greater evils of moral decay and threats to the security of the United States. For Weigel, America’s shortcomings do not excuse her from pursuing the greater moral good.

Weigel achieved much fame for writing Witness to Hope, a biography of the late Pope John Paul II, which was also made into a documentary film. In 2004 Weigel wrote an article in Commentary magazine, entitled “The Cathedral and the Cube”, in which he used the contrast between the modernist Grande Arche, and the Notre Dame de Paris cathedral, both located in Paris, France, to illustrate what he called a loss of “civilizational morale” in Western Europe, which he tied to the secular tyrannies of the 20th century, along with, more recently, plummeting birthrates and Europe’s refusal to recognize the Christian roots of its culture. Weigel questions whether Europe can give an account of itself while denying the very moral tradition through which its culture arose: “Christians who share this conviction (that it is the will of God that Christians be tolerant of those who have a different view of God’s will) — can give an account of their defense of the other’s freedom even if the other, skeptical and relativist, finds it hard to give an account of the freedom of the Christian.” This is a theme sounded clearly by Marcello Pera and Cardinal Joseph Ratzinger (from 2005 to 2013 Pope Benedict XVI), in their book Without Roots: the West, Relativism, Christianity, Islam, for which Weigel authored the foreword. In 2005, he expanded the article into a book, The Cube and the Cathedral: Europe, America, and Politics Without God.

Ten Things To Know About Pope Francis (George Weigel – Acton Institute)

Top 10 Immigrant Countries

The ten countries with greatest number of foreign born residents.
10. Spain 6.5 million immigrants (13.8% of pop)
9. Australia 6.5 million immigrants (27.7%)
8. Canada 7.3 million immigrants (20.7%)
7. France 7.4 million immigrants (11.6%)
6. United Kingdom 7.8 million immigrants (12.4%)
5. United Arab Emirates 7.8 million immigrants (83.7%)
4. Saudi Arabia 9.1 million immigrants (31.4%)
3. Germany 9.8 million immigrants (11.9%)
2. Russia 11 million immigrants (7.7%)
1. USA 45.7 million immigrants (14.3%)

The World in 2015: Global population and the changing shape of world demographics

Demographic Winter – the decline of the human family (Full Movie)

Future World Populations (2050)

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Ray Bradbury — Fahrenheit 451 — Videos

Posted on September 20, 2015. Filed under: American History, Blogroll, Book, Books, Communications, Constitution, Corruption, Culture, Documentary, Economics, Education, Entertainment, Faith, Family, Fiction, Films, Friends, Heroes, history, Law, liberty, Life, media, Money, Movies, People, Philosophy, Photos, Police, Political Correctness, Politics, Press, Radio, Rants, Raves, Regulations, Strategy, Talk Radio, Television, Video, Wealth, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , |

young ray bradburyray-bradbury

fahrenheit451 fahrenheit-451hardcover_book_411 Farenheit451  ray-bradbury-fahrenheit-451ray-bradbury_1

Ray Bradbury – Story of a Writer

A 25-minute documentary from 1963 about Ray Bradbury – by David L. Wolper

Day at Night: Ray Bradbury

A Conversation with Ray Bradbury

A short film for the National Endowment for the arts feature Ray Bradbury as he discusses his life, literary loves and Fahrenheit 451.

A Conversation with Ray Bradbury by Lawrence Bridges

Fahrenheit 451 – Trailer

Fahrenheit 451 (1966) Full Movie | Julie Christie Full Movies Online

Top 10 Notes: Fahrenheit 451

Feeling More Alive: Fahrenheit 451’s The Hearth and the Salamander

Fahrenheit 451 by Ray Bradbury (Full audiobook)

Ray Bradbury on Writing Persistently

A Conversation with Ray Bradbury

Author Ray Bradbury joins Dean Nelson of Point Loma Nazarene University for a talk about his craft as part of Point Loma Nazarene University’s Writer’s Symposium by the Sea. Series: “Writer’s Symposium By The Sea” [4/2001] [Public Affairs] [Humanities] [Show ID: 5534]

An Evening with Ray Bradbury 2001

Science fiction author Ray Bradbury regales his audience with stories about his life and love of writing in “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University. Series: Writer’s Symposium By The Sea [4/2001] [Public Affairs] [Humanities] [Show ID: 5533]

Ray Bradbury

From Wikipedia, the free encyclopedia
For the author’s 1975 story collection, see Ray Bradbury (collection).
Ray Bradbury
Ray Bradbury in 1975

Bradbury in 1975
Born Raymond Douglas Bradbury
August 22, 1920
Waukegan, Illinois, U.S.
Died June 5, 2012 (aged 91)
Los Angeles, California, U.S.
Resting place Westwood Memorial Park, Los Angeles
Occupation Writer
Nationality American
Period 1938–2012[1]
Genre Fantasy, social commentary,science fiction, horror fiction,mystery fiction
Notable works
Notable awards American Academy of Arts and Letters (1954); Daytime Emmy Award (1994); National Medal of Arts (2004); Pulitzer Prize(2007)
Spouse Marguerite McClure
(m. 1947–2003; her death)
Children 4 daughters

Signature
Website
www.raybradbury.com

Raymond Douglas “Ray” Bradbury[2] (August 22, 1920 – June 5, 2012) was an Americanfantasy, science fiction, horror and mystery fiction author. Best known for hisdystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th- and 21st-century American genre writers. He wrote and consulted on many screenplays and television scripts, includingMoby Dick[3] and It Came from Outer Space. Many of his works have been adapted into comic books, television shows, and films.

Early life

Bradbury as a senior in high school, 1938

Bradbury was born on August 22, 1920[4][5] in Waukegan, Illinois,[6] to Esther (née Moberg) Bradbury, a Swedish immigrant, and Leonard Spaulding Bradbury,[7] a power and telephone lineman of English descent.[8] He was given the middle name “Douglas,” after the actor Douglas Fairbanks. Bradbury was related to the American Shakespeare scholar Douglas Spaulding[9] and was descended from Mary Bradbury, who was tried at one of the Salem witch trials in 1692.[10]

Bradbury was surrounded by an extended family during his early childhood and formative years in Waukegan, Illinois. An aunt read him short stories when he was a child.[11] This period provided foundations for both the author and his stories. In Bradbury’s works of fiction, 1920s Waukegan becomes “Green Town,” Illinois.

The Bradbury family lived in Tucson, Arizona, in 1926–27 and 1932–33 as the father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Bradbury was 14. The family arrived with only 40 dollars, which paid for rent and food until his father finally found a job making wire at a cable company for $14 a week. This meant that they could stay, however, and Bradbury—who was in love with Hollywood—was ecstatic.

Bradbury attended Los Angeles High School and was active in the drama club. He often roller-skated through Hollywood in hopes of meeting celebrities. Among the creative and talented people Bradbury met this way were special effects pioneer Ray Harryhausen and radio star George Burns. (Bradbury’s first pay as a writer was at the age of fourteen, when Burns hired him to write for the Burns and Allen show.[12][13])

Influences

Literature

Bradbury was a reader and writer throughout his youth.[14] He knew as a young boy that he was “going into one of the arts.” In 1931, at the age of eleven, the young Bradbury began writing his own stories. The country was going through the Great Depression, and sometimes Bradbury wrote on butcher paper.

In his youth, he spent much time in the Carnegie library in Waukegan, reading such authors as H. G. Wells, Jules Verne, and Edgar Allan Poe. At age twelve, Bradbury began writing traditional horror stories and said he tried to imitate Poe until he was about eighteen. In addition to comics, he loved Edgar Rice Burroughs, creator of Tarzan of the Apes,[15] especially Burroughs’ John Carter of Mars series. The Warlord of Marsimpressed him so much that at the age of twelve he wrote his own sequel.[16] The young Bradbury was also a cartoonist and loved to illustrate. He wrote about Tarzan and drew his own Sunday panels. He listened to the radio show Chandu the Magician, and when the show went off the air every night he would sit and write the entire script from memory.

In Beverly Hills, he often visited the science fiction writer Bob Olsen for mentorship as well as friendship while Bradbury was a teenager. They shared ideas and would keep in contact. In 1936, at a secondhand bookstore in Hollywood, Bradbury discovered a handbill promoting meetings of the Los Angeles Science Fiction Society.[17] Thrilled to find there were others with his interests, at the age of sixteen Bradbury joined a weekly Thursday-night conclave.[18]

When he was seventeen, Bradbury read stories published in Astounding Science Fiction, and said he read everything by Robert A. Heinlein, Arthur C. Clarke, and the early writings of Theodore Sturgeon and A. E. van Vogt, but cited H. G. Wells and Jules Verne as his big science fiction influences. Bradbury identified with Verne, saying, “He believes the human being is in a strange situation in a very strange world, and he believes that we can triumph by behaving morally.” [19] Bradbury admitted that he stopped reading genre books in his twenties and embraced a broad field of literature that included Alexander Pope and poet John Donne.[20] Bradbury had just graduated from high school when he met Robert Heinlein, then 31 years old. Bradbury recalled, “He was well known, and he wrote humanistic science fiction, which influenced me to dare to be human instead of mechanical.”[20]

Hollywood

The family lived about four blocks from the Uptown Theater on Western Avenue in Los Angeles, the flagship theater for MGM and Fox. There, Bradbury learned how to sneak in and watched previews almost every week. He roller-skated there as well as all over town, as he put it “hell-bent on getting autographs from glamorous stars. It was glorious.” Among stars the young Bradbury was thrilled to encounter were Norma Shearer, Laurel and Hardy, and Ronald Colman. Sometimes he would spend all day in front of Paramount Pictures or Columbia Pictures and then skate to the Brown Derby to watch the stars who came and went for meals. He recounted seeing Cary Grant, Marlene Dietrich and Mae West, who he would learn made a regular appearance every Friday night, bodyguard in tow.[20]

Bradbury relates the following meeting with Sergei Bondarchuk, director of Soviet epic film series War and Peace, at a Hollywood award ceremony in Bondarchuk’s honor:

They formed a long queue and as Bondarchuk was walking along it he recognized several people: “Oh Mr. Ford, I like your film.” He recognized the director, Greta Garbo, and someone else. I was standing at the very end of the queue and silently watched this. Bondarchuk shouted to me; “Ray Bradbury, is that you?” He rushed up to me, embraced me, dragged me inside, grabbed a bottle ofStolichnaya, sat down at his table where his closest friends were sitting. All the famous Hollywood directors in the queue were bewildered. They stared at me and asked each other “who is this Bradbury?” And, swearing, they left, leaving me alone with Bondarchuk…[21]

Career

Bradbury’s “Undersea Guardians” was the cover story for the December 1944 issue of Amazing Stories

Bradbury’s first published story was “Hollerbochen’s Dilemma”, which appeared in the January 1938 number of Forrest J. Ackerman’s fanzineImagination!.[1] In July 1939, Ackerman gave nineteen-year-old Bradbury the money to head to New York for the First World Science Fiction Convention in New York City, and funded Bradbury’s fanzine, titled Futuria Fantasia.[22] Bradbury wrote most of its four issues, each limited to under 100 copies.[citation needed]Between 1940 and 1947, he was a contributor to Rob Wagner‘s film magazine, Script.[23]

Bradbury was free to start a career in writing when, owing to his bad eyesight, he was rejected admission into the military during World War II. Having been inspired by science fiction heroes like Flash Gordon and Buck Rogers, Bradbury began to publish science fiction stories in fanzines in 1938.[24] Bradbury was invited by Forrest J. Ackerman[citation needed] to attend the Los Angeles Science Fiction Society, which at the time met at Clifton’s Cafeteria in downtown Los Angeles. This was where he met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson.[citation needed]

In 1939, Bradbury joined Laraine Day‘s Wilshire Players Guild where for two years he wrote and acted in several plays. They were, as Bradbury later described, “so incredibly bad” that he gave up playwriting for two decades.[25] Bradbury’s first paid piece, “Pendulum,” written with Henry Hasse, was published in the pulp magazineSuper Science Stories in November 1941, for which he earned $15.[26]

Bradbury sold his first story, “The Lake”, for $13.75 at the age of twenty-two.[20] He became a full-time writer by the end of 1942. His first collection of short stories, Dark Carnival, was published in 1947 by Arkham House, a small press in Sauk City, Wisconsin, owned by writer August Derleth. Reviewing Dark Carnival for the New York Herald Tribune, Will Cuppy proclaimed Bradbury “suitable for general consumption” and predicted that he would become a writer of the caliber of British fantasy author John Collier.[27]

After a rejection notice from the pulp Weird Tales, Bradbury submitted “Homecoming” to Mademoiselle which was spotted by a young editorial assistant named Truman Capote. Capote picked the Bradbury manuscript from a slush pile, which led to its publication. Homecoming won a place in The O. Henry Prize Stories of 1947.[28]

It was in UCLA‘s Powell Library, in a study room with typewriters for rent, that Bradbury wrote his classic story of a book-burning future, The Fireman, which was about 25,000 words long. It was later published at about 50,000 words under the name Fahrenheit 451, for a total cost of $9.80, due to the library’s typewriter-rental fees of ten cents per half-hour.[29]

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood’s glowing review[30] followed.

Writing

Bradbury attributed to two incidents his lifelong habit of writing every day. The first of these, occurring when he was three years old, was his mother’s taking him to see Lon Chaney‘s performance in The Hunchback of Notre Dame.[31] The second incident occurred in 1932, when a carnival entertainer, one Mr. Electrico, touched the young man on the nose with an electrified sword, made his hair stand on end, and shouted, “Live forever!”[32] Bradbury remarked, “I felt that something strange and wonderful had happened to me because of my encounter with Mr. Electrico…[he] gave me a future…I began to write, full-time. I have written every single day of my life since that day 69 years ago.”[32] It was at that age that Bradbury first started to do magic, which was his first great love. If he had not discovered writing, he would have become a magician.[33]

Bradbury claimed a wide variety of influences, and described discussions he might have with his favorite poets and writers Robert Frost, William Shakespeare, John Steinbeck, Aldous Huxley, and Thomas Wolfe. From Steinbeck, he said he learned “how to write objectively and yet insert all of the insights without too much extra comment.” He studied Eudora Welty for her “remarkable ability to give you atmosphere, character, and motion in a single line.” Bradbury’s favorite writers growing up included Katherine Anne Porter, who wrote about the American South, Edith Wharton, and Jessamyn West.[34]

Bradbury was once described as a “Midwestsurrealist” and is often labeled a science fiction writer, which he described as “the art of the possible.” Bradbury resisted that categorization, however:

First of all, I don’t write science fiction. I’ve only done one science fiction book and that’s Fahrenheit 451, based on reality. It was named so to represent the temperature at which paper ignites. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it’s fantasy. It couldn’t happen, you see? That’s the reason it’s going to be around a long time – because it’s a Greek myth, and myths have staying power.[35]

Bradbury recounted when he came into his own as a writer, the afternoon he wrote a short story about his first encounter with death. When he was a boy, he met a young girl at the beach and she went out into the water and never came back. Years later, as he wrote about it, tears flowed from him. He recognized he had taken the leap from emulating the many writers he admired to connecting with his voice as a writer.[36][37]

When later asked about the lyrical power of his prose, Bradbury replied, “From reading so much poetry every day of my life. My favorite writers have been those who’ve said things well.” He is quoted, “If you’re reluctant to weep, you won’t live a full and complete life.”[38]

In high school, Bradbury was active in both the Poetry Club and the Drama club, continuing plans to become an actor but becoming serious about his writing as his high school years progressed. Bradbury graduated from Los Angeles High School, where he took poetry classes with Snow Longley Housh, and short story writing courses taught by Jeannet Johnson.[39] The teachers recognized his talent and furthered his interest in writing,[40] but he did not attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:

Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.[41][42]

He told The Paris Review, “You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do – and they don’t.”[43]

“Green Town”

A reinvention of Waukegan, Green Town is a symbol of safety and home, which is often juxtaposed as a contrasting backdrop to tales of fantasy or menace. It serves as the setting of his semi-autobiographical classics Dandelion Wine, Something Wicked This Way Comes, and Farewell Summer as well as in many of his short stories. In Green Town, Bradbury’s favorite uncle sprouts wings, traveling carnivals conceal supernatural powers, and his grandparents provide room and board to Charles Dickens.[44] Perhaps the most definitive usage of the pseudonym for his hometown, in Summer Morning, Summer Night, a collection of short stories and vignettes exclusively about Green Town, Bradbury returns to the signature locale as a look back at the rapidly disappearing small-town world of the American heartland, which was the foundation of his roots.[45]

Cultural contributions

Bradbury wrote many short essays on the arts and culture, attracting the attention of critics in this field, but he used his fiction to explore and criticize his culture and society. Bradbury observed, for example, thatFahrenheit 451 touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap opera cries, sleep walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[46]

In a 1982 essay he wrote, “People ask me to predict the Future, when all I want to do is prevent it.” This intent had been expressed earlier by other authors,[47] who sometimes attributed it to him.

Bradbury hosted The Ray Bradbury Theater which was based on his short stories. Bradbury was a consultant for the American Pavilion at the 1964 New York World’s Fair[48] and the original exhibit housed in Epcot‘sSpaceship Earth geosphere at Walt Disney World.[49][50][51] In the 1980s, Bradbury concentrated on detective fiction.[52]

Bradbury was a strong supporter of public library systems, and helped to raise money to prevent the closure of several in California due to budgetary cuts. He iterated from his past that “libraries raised me”, and shunned colleges and universities, comparing his own lack of funds during the Depression with poor contemporary students.[53] His opinion varied on modern technology. In 1985 Bradbury wrote, “I see nothing but good coming from computers. When they first appeared on the scene, people were saying, ‘Oh my God, I’m so afraid.’ I hate people like that – I call them the neo-Luddites“, and “In a sense [computers] are simply books. Books are all over the place, and computers will be too”.[54] He resisted the conversion of his work into e-books, stating in 2010 “We have too many cellphones. We’ve got too many internets. We have got to get rid of those machines. We have too many machines now”.[55] When the publishing rights for Fahrenheit 451 came up for renewal in December 2011, Bradbury permitted its publication in electronic form provided that the publisher, Simon & Schuster, allowed the e-book to be digitally downloaded by any library patron. The title remains the only book in the Simon & Schuster catalog where this is possible.[56]

Several comic book writers have adapted Bradbury’s stories. Particularly noted among these were EC Comics‘ line of horror and science-fiction comics. Initially, the writers plagiarized his stories, but a diplomatic letter from Bradbury about it led to the company paying him and negotiating properly licensed adaptations of his work. The comics featuring Bradbury’s stories included Tales from the Crypt, Weird Science, Weird Fantasy, Crime Suspenstories, Haunt of Fear and others.

Bradbury remained an enthusiastic playwright all his life, leaving a rich theatrical legacy as well as literary. Bradbury headed the Pandemonium Theatre Company in Los Angeles for many years and had a five-year relationship with the Fremont Centre Theatre in South Pasadena.[57]

Bradbury is featured prominently in two documentaries related to his classic 1950s-’60s era: Jason V Brock‘s Charles Beaumont: The Life of Twilight Zone’s Magic Man,[58] which details his troubles with Rod Serling, and his friendships with writers Charles Beaumont, George Clayton Johnson, and most especially his dear friend William F. Nolan, as well as Brock’s The AckerMonster Chronicles!, which delves into the life of former Bradbury agent, close friend, mega-fan, and Famous Monsters of Filmland editor Forrest J Ackerman.

On May 24, 1956, Bradbury appeared on the popular quiz show, You Bet Your Life hosted by Groucho Marx (Season 6 Episode 35).[59]

Personal life

Bradbury in December 2009.

Bradbury was married to Marguerite McClure (January 16, 1922 – November 24, 2003) from 1947 until her death; they had four daughters:[60] Susan, Ramona, Bettina and Alexandra.[61] Though he lived in Los Angeles, Bradbury never obtained a driver’s license but relied on public transportation or his bicycle.[62] He lived at home until he was twenty-seven and married. His wife of fifty-six years, Maggie, as she was affectionately called, was the only woman Bradbury ever dated.[20]

Bradbury was a close friend of Charles Addams, and Addams illustrated the first of Bradbury’s stories about the Elliotts, a family that would resemble Addams’ own Addams Familyplaced in rural Illinois. Bradbury’s first story about them was “Homecoming,” published in the 1946 Halloween issue of Mademoiselle, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family’s complete history, but it never materialized, and according to a 2001 interview, they went their separate ways.[63] In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From the Dust Returned, featuring a wraparound Addams cover of the original “Homecoming” illustration.[64]

Another close friend was animator Ray Harryhausen, who was best man at Bradbury’s wedding.[65] During a BAFTA 2010 awards tribute in honor of Ray Harryhausen‘s 90th birthday, Bradbury spoke of his first meeting Harryhausen at Forrest J Ackerman‘s house when they were both 18 years old. Their shared love for science fiction, King Kong, and the King Vidor-directed film The Fountainhead, written by Ayn Rand, was the beginning of a lifelong friendship. These early influences inspired the pair to believe in themselves and affirm their career choices. After their first meeting, they kept in touch at least once a month, in a friendship that spanned over 70 years.[66]

Late in life, Bradbury retained his dedication and passion despite what he described as the “devastation of illnesses and deaths of many good friends.” Among the losses that deeply grieved Bradbury was the death of Star Trek creator Gene Roddenberry, who was an intimate friend for many years. They remained close friends for nearly three decades after Roddenberry asked him to write for Star Trek, which Bradbury never did, objecting that he “never had the ability to adapt other people’s ideas into any sensible form.”[20]

Bradbury suffered a stroke in 1999[67] that left him partially dependent on a wheelchair for mobility.[68] Despite this he continued to write, and had even written an essay for The New Yorker, about his inspiration for writing, published only a week prior to his death.[69] Bradbury made regular appearances at science fiction conventions until 2009, when he retired from the circuit.

Ray Bradbury’s headstone in May 2012 prior to his death

Bradbury chose a burial place at Westwood Village Memorial Park Cemetery in Los Angeles, with a headstone that reads “Author of Fahrenheit 451”.[70][71][72] On February 6, 2015, the New York Times reported that the house that Bradbury lived and wrote in for fifty years of his life, at 10265 Cheviot Drive in Los Angeles, CA, had been demolished.[73]

Death

Bradbury died in Los Angeles, California, on June 5, 2012, at the age of 91, after a lengthy illness.[74] Bradbury’s personal library was willed to the Waukegan Public Library, where he had many of his formative reading experiences.[75]

The New York Times‍ ’​ obituary stated that Bradbury was “the writer most responsible for bringing modern science fiction into the literary mainstream.”[76] The Los Angeles Times credited Bradbury with the ability “to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here and now with a sense of visual clarity and small-town familiarity”.[77] Bradbury’s grandson, Danny Karapetian, stated that Bradbury’s works had “influenced so many artists, writers, teachers, scientists, and it’s always really touching and comforting to hear their stories”.[61]The Washington Post hallmarked several modern day technologies that Bradbury had envisioned much earlier in his writing, such as the idea of banking ATMs and earbuds and Bluetooth headsets from Fahrenheit 451, and the concepts of artificial intelligence within I Sing the Body Electric.[78]

On June 6, 2012, in an official public statement from the White House Press Office, President Barack Obama said:

For many Americans, the news of Ray Bradbury’s death immediately brought to mind images from his work, imprinted in our minds, often from a young age. His gift for storytelling reshaped our culture and expanded our world. But Ray also understood that our imaginations could be used as a tool for better understanding, a vehicle for change, and an expression of our most cherished values. There is no doubt that Ray will continue to inspire many more generations with his writing, and our thoughts and prayers are with his family and friends.[79]

Several celebrity fans of Bradbury paid tribute to the author by stating the influence of his works on their own careers and creations.[80][81] Filmmaker Steven Spielberg stated that Bradbury was “[his] muse for the better part of [his] sci-fi career…. On the world of science fiction and fantasy and imagination he is immortal”.[82] Writer Neil Gaiman felt that “the landscape of the world we live in would have been diminished if we had not had him in our world”.[81] Author Stephen King released a statement on his website saying, “Ray Bradbury wrote three great novels and three hundred great stories. One of the latter was called ‘A Sound of Thunder.’ The sound I hear today is the thunder of a giant’s footsteps fading away. But the novels and stories remain, in all their resonance and strange beauty.”[83] Bradbury’s influence well exceeded the field of literature. Progressive house music producer and performer, Joel Thomas Zimmerman, who is most commonly known by his stage name Deadmau5, composed a song named after one of Bradbury’s short stories “The Veldt” which was originally published in the Saturday Evening Post.[84] The EP of “The Veldt” was released days after Bradbury’s death and is dedicated to the memory of the author.[85]

Bibliography

Bradbury is credited with writing 27 novels and over 600 short stories.[77] More than eight million copies of his works, published in over 36 languages, have been sold around the world.[76]

First novel

In 1949, Bradbury and his wife were expecting their first child. He took a Greyhound bus to New York and checked into a room at the YMCA for fifty cents a night. He took his short stories to a dozen publishers and no one wanted them. Just before getting ready to go home, Bradbury had dinner with an editor at Doubleday. When Bradbury recounted that everyone wanted a novel and he didn’t have one, the editor, coincidentally named Walter Bradbury, asked if the short stories might be tied together into a book length collection. The title was the editor’s idea; he suggested, “You could call it “The Martian Chronicles.” Bradbury liked the idea and recalled making notes in 1944 to do a book set on Mars. That evening, he stayed up all night at the YMCA and typed out an outline. He took it to the Doubleday editor the next morning, who read it and wrote Bradbury a check for seven hundred and fifty dollars. When Bradbury returned to Los Angeles, he connected all the short stories and that became The Martian Chronicles.[34]

Intended first novel

What was later issued as a collection of stories and vignettes, Summer Morning, Summer Night, started out to be Bradbury’s first true novel. The core of the work was Bradbury’s witnessing of the American small-town and life in the American heartland.

In the winter of 1955–56, after a consultation with his Doubleday editor, Bradbury deferred publication of a novel based on Green Town, the pseudonym for his hometown. Instead, he extracted seventeen stories and, with three other Green Town tales, bridged them into his 1957 book Dandelion Wine. Later, in 2006, Bradbury published the original novel remaining after the extraction, and retitled it Farewell Summer. These two titles show what stories and episodes Bradbury decided to retain as he created the two books out of one.

The most significant of the remaining unpublished stories, scenes, and fragments were published under the originally intended name for the novel, Summer Morning, Summer Night, in 2007.[86]

Adaptations to other media

Bradbury in 1959, when some of his short stories were adapted for television shows like Alfred Hitchcock Presents

From 1951 to 1954, 27 of Bradbury’s stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) andTomorrow Midnight (1966), both published by Ballantine Books with cover illustrations by Frank Frazetta.

Also in the early 1950s, adaptations of Bradbury’s stories were televised in several anthology shows, including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman’s Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents. “The Merry-Go-Round,” a half-hour film adaptation of Bradbury’s “The Black Ferris,” praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC’s Sneak Preview in 1956. During that same period, several stories were adapted for radio drama, notably on the science fiction anthologies Dimension X and its successor X Minus One.

Scene from The Beast from 20,000 Fathoms, based on Bradbury’s The Fog Horn.

Producer William Alland first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury’s screen treatment “Atomic Monster”. Three weeks later came the release of Eugène Lourié’s The Beast from 20,000 Fathoms (1953), which featured one scene based on Bradbury’s “The Fog Horn“, about a sea monster mistaking the sound of a fog horn for the mating cry of a female. Bradbury’s close friend Ray Harryhausen produced the stop-motion animation of the creature. Bradbury would later return the favor by writing a short story, “Tyrannosaurus Rex”, about a stop-motion animator who strongly resembled Harryhausen. Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury’s stories or screenplays.

Bradbury was hired in 1953 by director John Huston to work on the screenplay for his film version of Melville‘s Moby Dick (1956), which stars Gregory Peck as Captain Ahab, Richard Basehart as Ishmael, and Orson Welles as Father Mapple. A significant result of the film was Bradbury’s book Green Shadows, White Whale, a semi-fictionalized account of the making of the film, including Bradbury’s dealings with Huston and his time in Ireland, where exterior scenes that were set in New Bedford, Massachusetts, were filmed.

Bradbury’s short story I Sing the Body Electric (from the book of the same name) was adapted for the 100th episode of The Twilight Zone. The episode was first aired on May 18, 1962.

In 1965, three of Bradbury’s stories were adapted for the stage. These included “The Wonderful Ice Cream Suit”, “The Day It Rained Forever” and “Device Out Of Time”. The latter was adapted from his 1957 novel Dandelion Wine. The plays debuted at the Coronet Theater in Hollywood and featured Booth Coleman, Joby Baker, Fredric Villani, Arnold Lessing, Eddie Sallia, Keith Taylor, Richard Bull, Gene Otis Shane, Henry T. Delgado, F. Murray Abraham, Anne Loos and Len Lesser. The director was Charles Rome Smith and the production company was Pandemonium Productions.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury’s novel directed by François Truffaut.

In 1966, Bradbury helped Lynn Garrison create AVIAN, a specialist aviation magazine. For the first issue Bradbury wrote a poem – Planes that land on grass.

In 1969, The Illustrated Man was brought to the big screen, starring Rod Steiger, Claire Bloom and Robert Drivas. Containing the prologue and three short stories from the book, the film received mediocre reviews. The same year, Bradbury approached composer Jerry Goldsmith, who had worked with Bradbury in dramatic radio of the 1950s and later scored the film version of The Illustrated Man, to compose a cantataChristus Apollo based on Bradbury’s text.[87] The work premiered in late 1969, with the California Chamber Symphony performing with narrator Charlton Heston at UCLA.

File:Ray Bradbury at Caltech 12 November 1971.ogv

Ray Bradbury takes part in a symposium at Caltech with Arthur C. Clarke, journalist Walter Sullivan, and scientists Carl Sagan and Bruce Murray. In this excerpt, Bradbury reads his poem ‘If Only We Had Taller Been’ (poem begins at 2:20, full text[88]). Video released by NASA in honor of the naming of Bradbury Landing in 2012.[89]

In 1972 The Screaming Woman was adapted as an ABC Movie-of-the-Week starring Olivia de Havilland.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980. Bradbury found the miniseries “just boring”.[90]

The 1982 television movie, The Electric Grandmother, was based on Bradbury’s short story “I Sing the Body Electric.”

The 1983 horror film Something Wicked This Way Comes, starring Jason Robards and Jonathan Pryce, is based on the Bradbury novel of the same name.

In 1984, Michael McDonough of Brigham Young University produced “Bradbury 13,” a series of 13 audio adaptations of famous stories from Bradbury, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of “The Ravine,” “Night Call, Collect,” “The Veldt“, “There Was an Old Woman,” “Kaleidoscope,” “Dark They Were, and Golden-Eyed“, “The Screaming Woman,” “A Sound of Thunder,” “The Man,” “The Wind,” “The Fox and the Forest,” “Here There Be Tygers” and “The Happiness Machine”. Voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody Award as well as two Gold Cindy awards and was released on CD on May 1, 2010. The series began airing on BBC Radio 4 Extra on June 12, 2011.

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories. During the first two seasons, Bradbury also provided additional voiceover narration specific to the featured story and appeared on screen.

Deeply respected in the USSR, Bradbury’s fictions has been adapted into five episodes of the Soviet science fiction TV series This Fantastic World which adapted the stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss, and Forever and the Earth.[91] In 1984 a cartoon adaptation of There Will Come Soft Rains («Будет ласковый дождь») came out byUzbek director Nazim Tyuhladziev.[92] He made a film adaptation of The Veldt (“Вельд”) in 1987.[93] In 1989 came out a cartoon adaptation of Here There Be Tygers («Здесь могут водиться тигры») by director Vladimir Samsonov.[94]

Bradbury wrote and narrated the 1993 animated television version of The Halloween Tree, based on his 1972 novel.

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Bradbury. It was based on his story “The Magic White Suit” originally published in The Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

In 2002, Bradbury’s own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank’s Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984, Telarium released a game for Commodore 64 based on Fahrenheit 451.[95] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury(1964), adaptations of “The Pedestrian“, “The Veldt”, and “To the Chicago Abyss.”

In 2005, the film A Sound of Thunder was released, loosely based upon the short story of the same name. The film The Butterfly Effect revolves around the same theory as A Sound of Thunder and contains many references to its inspiration. Short film adaptations of A Piece of Wood and The Small Assassin were released in 2005 and 2007 respectively.

In 2005, it was reported that Bradbury was upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury’s Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore’s use of the title but stated that his resentment was not politically motivated, even though Bradbury was conservative-leaning politically.[96] Bradbury asserted that he did not want any of the money made by the movie, nor did he believe that he deserved it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film’s release to apologize, saying that the film’s marketing had been set in motion a long time ago and it was too late to change the title.[97]

In 2008, the film Ray Bradbury’s Chrysalis was produced by Roger Lay Jr. for Urban Archipelago Films, based upon the short story of the same name. The film won the best feature award at the International Horror and Sci-Fi Film Festival in Phoenix. The film has international distribution by Arsenal Pictures and domestic distribution by Lightning Entertainment.

In 2010, The Martian Chronicles was adapted for radio by Colonial Radio Theatre on the Air.

In 2012, EDM artist deadmau5, along with guest vocalist Chris James, crafted a song called “The Veldt” inspired by Bradbury’s short story of the same title. The lyrics featured various references to the short story.

Bradbury’s works and approach to writing are documented in Terry Sanders‘ film Ray Bradbury: Story of a Writer (1963).

Bradbury’s poem “Groon” was voiced as a tribute in 2012.[98]

Awards and honors

Bradbury receiving the National Medal of Arts in 2004 with PresidentGeorge W. Bush and his wife Laura Bush.

The Ray Bradbury Award for excellency in screenwriting was occasionally presented by the Science Fiction and Fantasy Writers of America – presented to six people on four occasions from 1992 to 2009.[99] Beginning 2010, the Ray Bradbury Award for Outstanding Dramatic Presentation is presented annually according to Nebula Awards rules and procedures, although it is not a Nebula Award.[100] The revamped Bradbury Award replaced the Nebula Award for Best Script.

Documentaries

Bradbury appeared in the documentary The Fantasy Film Worlds of George Pal (1985) (Produced and directed by Arnold Leibovit).

Citations
  • Anderson, James Arthur (2013). The Illustrated Ray Bradbury. Wildside Press. ISBN 978-1-4794-0007-2.
  • Albright, Donn (1990). Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974–88. Starmont House. ISBN 1-55742-151-X.
  • Eller, Jonathan R.; Touponce, William F. (2004). Ray Bradbury: The Life of Fiction. Kent State University Press. ISBN 0-87338-779-1.
  • Eller, Jonathan R. (2011). Becoming Ray Bradbury. Urbana, IL: University of Illinois Press. ISBN 0-252-03629-8.
  • Nolan, William F. (1975). The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings. Gale Research. ISBN 0-8103-0930-0.
  • Paradowski, Robert J.; Rhynes, Martha E. (2001). Ray Bradbury. Salem Press.
  • Reid, Robin Anne (2000). Ray Bradbury: A Critical Companion. Greenwood Press. ISBN 0-313-30901-9.
  • Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1.
  • Weist, Jerry (2002). Bradbury, an Illustrated Life: A Journey to Far Metaphor. William Morrow and Company. ISBN 0-06-001182-3.
  • Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. HarperCollins. ISBN 0-06-054581-X.

External links