Sociology

Anthropology Fieldwork — I believe — Force Yourself — Act — Videos

Posted on September 17, 2019. Filed under: American History, Anthropology, Blogroll, British History, College, Culture, Documentary, Economics, Education, Enlightenment, European History, Freedom, history, Investments, Language, Law, Life, People, Philosophy, Photos, Psychology, Science, Social Sciences, Sociology, Wealth, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , |

See the source image

Doing Anthropology

Anthropology: 25 Concepts in Anthropology:

What is Cultural Anthropology? An Introduction by Jack David Eller

Why Cultural Anthropology is important

Anthropology Careers

Jobs for Cultural Anthropology Majors : Career Counseling

Cultural Anthropologist: Why Girls Should Consider a Career in Anthropology – Joanna Davidson Career

Why I chose to major in Anthropology

Is an Anthropology Major Worth It?

What should I do with my life? | Charlie Parker | TEDxHeriotWattUniversity

Why your major will never matter | Megan Schwab | TEDxFSU

An introduction to the discipline of Anthropology

Ethnography: Ellen Isaacs at TEDxBroadway

What is Ethnography and how does it work?

Understanding Ethnography

Ethnography and Theory with Didier Fassin – Conversations with History

Critique of Humanitarian Reason | Didier Fassin

How Culture Drives Behaviours | Julien S. Bourrelle | TEDxTrondheim

Everything you always wanted to know about culture | Saba Safdar | TEDxGuelphU

Corporate Anthropology: Michael Henderson at TEDxAuckland

Franz Boas – The Shackles of Tradition

What is ETHNOGRAPHIC FILM? What does ETHNOGRAPHIC FILM mean? ETHNOGRAPHIC FILM meaning & explanation

Seeing Anthropology – An Ethnographic Film

See the source image

Tales From The Jungle Malinowski Part 1 of 6

Tales From The Jungle Malinowski Part 2 of 6

Tales From The Jungle Malinowski Part 3 of 6

Tales From The Jungle Malinowski Part 4 of 6

Tales From The Jungle Malinowski Part 5 of 6

Tales From The Jungle Malinowski Part 6 of 6

Nanook of the North (1922) – Classic Documentary

See the source image

Coming of Age: Margaret Mead – IMPROVED COPY

Margaret Mead and Samoa – A difference of opinion

Tales from the Jungle: Margaret Mead

Margaret Mead, Herman Khan, William Irwin Thompson – nuclear power

Margaret Mead Interview

An interview of the anthropologist Sir Edmund Leach

Start with why — how great leaders inspire action | Simon Sinek | TEDxPugetSound

TEDxMaastricht – Simon Sinek – “First why and then trust”

The Skill of Humor | Andrew Tarvin | TEDxTAMU

Trust at Work: An Anthropological Approach: Joel Lesley Rozen at TEDxCarthage

Anthropological fieldwork in a Gurung village

The Men Who Hunted Heads

John Barker. Film 1. Childhood, Education and Anthropology in the Pacific

John Barker. Film 2. Fieldwork among the Maisin people and the Study of Christianity

Anthropological fieldwork; a personal account in Nepal

Marshall Sahlins: Anthropology

See the source image

Full interview with Clifford Geertz – part one

Interview with Clifford Geertz, part two

Introducing Anthropology: Development and Culture Change – Associate Professor Greg Downey

Jim Freedman. Film 1. Loving New Worlds. Childhood and Education

Jim Freedman. Film 2. Doing a PhD in Anthropology in the United States and Fieldwork in Rwanda

Jim Freedman. Film 3. Exploring Localities of the World as a Consultant in Development Issues

Jim Freedman.Film 4. Quebec Anthropology and Black Communities of Nova Scotia

Jim Freedman. Film 5. Key issues in Development and Anthropology

Jim Freedman. Film 6. The World has changed. Anthropology, Development and Justice

How to escape education’s death valley | Sir Ken Robinson

Do schools kill creativity? | Sir Ken Robinson

V.O. Complete. “Teaching is an art”. Ken Robinson, educator and writer

In this video, the British educator and writer Ken Robinson talks about the importance of teachers. He thinks of teaching as an art and ensures that it is one of the most demanding professions that exist. Robinson, calls for conversation and dialogue as a fundamental part of the learning process. “The great teachers are students, and the great students are teachers,” he concludes.

Sir Ken Robinson Keynote Speaker at the 2018 Better Together: California Teachers Summit

At the 2018 Better Together: California Teachers Summit, Sir Ken Robinson, a leading education and creativity expert, delivered the keynote address from the Summit’s headquarters at Cal State Fullerton. Sir Ken’s thought-provoking speech challenged California’s teachers to transform our education system by building personal relationships and developing the appetite and curiosity of learners. Because, as he put it, “when the conditions are right, miracles happen everywhere.”

Marshall Sahlins talk on ‘The culture of Material Value and the Cosmography of Difference’

Cargo Cult

Anthropological fieldwork in Papua New Guinea, Part I: Moral and Scientific Considerations

Anthropological Fieldwork in Papua New Guinea, Part II: Moral and Scientific Considerations

Cultures of the World – 04 – Fieldwork And The Anthropological Method

How to stop screwing yourself over | Mel Robbins | TEDxSF

David Young. Film 1. Childhood, Education, Religion and Anthropology

Jason Paling

Introduction to Cultural Anthropology – Course Overview

Lecture 1 – Introduction to Anthropology

lecture 2

lecture 3

Lecture 4 Part 1-Language and Communication

Lecture 4 part 2

Lecture 6 – Getting Food

Lecture 7- Economics

Lecture 8 Sex and Marriage

Lecture 9 – Social Stratification

Lecture 10 – Family, Kinship, and Descent

lecture 11 – Grouping by Gender, Age, Common Interest, and Social Class

Lecture 12 – Politics, Power, and Violence

Lecture 13 – Religion and Magic

Lecture 14 – The Arts

Lecture 15 – The Processes of Change

lecture 16

Marshall Sahlins

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Marshall Sahlins
Marshall David Sahlins.jpg
Born December 27, 1930 (age 88)

Citizenship American
Alma mater University of Michigan
Columbia University
Scientific career
Fields Anthropology
Institutions University of Chicago
Doctoral students David GraeberSherry Ortner
Influences Karl PolanyiClaude Lévi-StraussMorton Fried

Marshall David Sahlins (/ˈsɑːlɪnz/ SAH-linz; born December 27, 1930) is an American anthropologist best known for his ethnographic work in the Pacific and for his contributions to anthropological theory. He is currently Charles F. Grey Distinguished Service Professor Emeritus of Anthropology and of Social Sciences at the University of Chicago.[1]

Contents

Biography

Sahlins was born in Chicago. He was of Russian Jewish descent but grew up in a secular, non-practicing family. His family claims to be descended from Baal Shem Tov, a mystical rabbi considered to be the founder of Hasidic Judaism. Sahlin’s mother admired Emma Goldman and was a political activist as a child in Russia.[2]

Sahlins received his Bachelor of Arts and Master of Arts degrees at the University of Michigan where he studied with evolutionary anthropologist Leslie White. He earned his PhD at Columbia University in 1954. There his intellectual influences included Eric WolfMorton FriedSidney Mintz, and the economic historian Karl Polanyi.[3] After receiving his PhD, he returned to teach at the University of Michigan. In the 1960s he became politically active, and while protesting against the Vietnam War, Sahlins coined the term for the imaginative form of protest now called the “teach-in,” which drew inspiration from the sit-in pioneered during the civil rights movement.[4] In 1968, Sahlins signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.[5] In the late 1960s, he also spent two years in Paris, where he was exposed to French intellectual life (and particularly the work of Claude Lévi-Strauss) and the student protests of May 1968. In 1973, he took a position in the anthropology department at the University of Chicago, where he is currently the Charles F. Grey Distinguished Service Professor of Anthropology Emeritus. His commitment to activism has continued throughout his time at Chicago, most recently leading to his protest over the opening of the University’s Confucius Institute[6][7] (which later closed in the fall of 2014).[8] On February 23, 2013, Sahlins resigned from the National Academy of Sciences to protest the call for military research for improving the effectiveness of small combat groups and also the election of Napoleon Chagnon. The resignation followed the publication in that month of Chagnon’s memoir and widespread coverage of the memoir, including a profile of Chagnon in the New York Times magazine.[9][10]

Alongside his research and activism, Sahlins trained a host of students who went on to become prominent in the field. One such student, Gayle Rubin, said: “Sahlins is a mesmerizing speaker and a brilliant thinker. By the time he finished the first lecture, I was hooked.”[11]

In 2001, Sahlins became publisher of Prickly Pear Pamphlets, which was started in 1993 by anthropologists Keith Hart and Anna Grimshaw, and was renamed Prickly Paradigm Press. The imprint specializes in small pamphlets on unconventional subjects in anthropology, critical theory, philosophy, and current events.[12]

His brother was the writer and comedian Bernard Sahlins (1922–2013).[13] His son, Peter Sahlins, is a historian.[14]

Work

Sahlins is known for theorizing the interaction of structure and agency, his critiques of reductive theories of human nature (economic and biological, in particular), and his demonstrations of the power that culture has to shape people’s perceptions and actions. Although his focus has been the entire Pacific, Sahlins has done most of his research in Fiji and Hawaii.

“The world’s most ‘primitive’ people have few possessions, but they are not poor. Poverty is not a certain small amount of goods, nor is it just a relation between means and ends; above all it is a relation between people. Poverty is a social status. As such it is the invention of civilization. It has grown with civilization, at once as an invidious distinction between classes and more importantly as a tributary relation.”

Sahlins (1972)[15]

Early work

Sahlins’s training under Leslie White, a proponent of materialist and evolutionary anthropology at the University of Michigan, is reflected in his early work. In his Evolution and Culture (1960), he touched on the areas of cultural evolution and neoevolutionism. He divided the evolution of societies into “general” and “specific”. General evolution is the tendency of cultural and social systems to increase in complexity, organization and adaptiveness to environment. However, as the various cultures are not isolated, there is interaction and a diffusion of their qualities (like technological inventions). This leads cultures to develop in different ways (specific evolution), as various elements are introduced to them in different combinations and on different stages of evolution.[1] Moala, Sahlins’s first major monograph, exemplifies this approach.

Contributions to economic anthropology

Stone Age Economics (1972) collects some of Sahlins’s key essays in substantivist economic anthropology. As opposed to “formalists,” substantivists insist that economic life is produced through cultural rules that govern the production and distribution of goods, and therefore any understanding of economic life has to start from cultural principles, and not from the assumption that the economy is made up of independently acting, “economically rational” individuals. Perhaps Sahlins’s most famous essay from the collection, “The Original Affluent Society,” elaborates on this theme through an extended meditation on “hunter-gatherer” societies. Stone Age Economics inaugurated Sahlins’s persistent critique of the discipline of economics, particularly in its Neoclassical form.

Contributions to historical anthropology

After the publication of Culture and Practical Reason in 1976, his focus shifted to the relation between history and anthropology, and the way different cultures understand and make history. Of central concern in this work is the problem of historical transformation, which structuralist approaches could not adequately account for. Sahlins developed the concept of the “structure of the conjuncture” to grapple with the problem of structure and agency, in other words that societies were shaped by the complex conjuncture of a variety of forces, or structures. Earlier evolutionary models, by contrast, claimed that culture arose as an adaptation to the natural environment. Crucially, in Sahlins’s formulation, individuals have the agency to make history. Sometimes their position gives them power by placing them at the top of a political hierarchy. At other times, the structure of the conjuncture, a potent or fortuitous mixture of forces, enables people to transform history. This element of chance and contingency makes a science of these conjunctures impossible, though comparative study can enable some generalizations.[16] Historical Metaphors and Mythical Realities (1981), Islands of History (1985), Anahulu (1992), and Apologies to Thucydides (2004) contain his main contributions to historical anthropology.

Islands of History sparked a notable debate with Gananath Obeyesekere over the details of Captain James Cook’s death in the Hawaiian Islands in 1779. At the heart of the debate was how to understand the rationality of indigenous people. Obeyesekere insisted that indigenous people thought in essentially the same way as Westerners and was concerned that any argument otherwise would paint them as “irrational” and “uncivilized”. In contrast Sahlins argued that each culture may have different types of rationality that make sense of the world by focusing on different patterns and explain them within specific cultural narratives, and that assuming that all cultures lead to a single rational view is a form of eurocentrism.[1]

Centrality of culture

Over the years, Sahlins took aim at various forms of economic determinism (mentioned above) and also biological determinism, or the idea that human culture is a by-product of biological processes. His major critique of sociobiology is contained in The Use and Abuse of Biology. His recent book, What Kinship Is—And Is Not picks up some of these threads to show how kinship organizes sexuality and human reproduction rather than the other way around. In other words, biology does not determine kinship. Rather, the experience of “mutuality of being” that we call kinship is a cultural phenomenon.[17]

Selected publications

  • Social Stratification in Polynesia. Monographs of the American Ethnological Society, 29. Seattle: University of Washington Press, 1958. (ISBN 9780295740829)
  • Evolution and Culture, edited with Elman R Service. Ann Arbor: University of Michigan Press, 1960. (ISBN 9780472087754)
  • Moala: Culture and Nature on a Fijian Island. Ann Arbor: University of Michigan Press, 1962.
  • Tribesman. Foundations of American Anthropology Series. Englewood Cliffs, N.J.: Prentice-Hall, 1968.
  • Stone Age Economics. New York: de Gruyter, 1972. (ISBN 9780415330077)
  • The Use and Abuse of Biology: An Anthropological Critique of Sociobiology. Ann Arbor: University of Michigan Press, 1976. (ISBN 9780472766000)
  • Culture and Practical Reason. Chicago : University of Chicago Press, 1976. (ISBN 9780226733616)
  • Historical Metaphors and Mythical Realities: Structure in the Early History of the Sandwich Islands Kingdom. Ann Arbor: University of Michigan Press, 1981. (ISBN 9780472027217)
  • Islands of History. Chicago: University of Chicago Press, 1985. (ISBN 9780226733586)
  • Anahulu: The Anthropology of History in the Kingdom of Hawaii, with Patrick Vinton Kirch. Chicago: University of Chicago Press, 1992. (ISBN 9780226733654)
  • How “Natives” Think: About Captain Cook, for Example. Chicago: University of Chicago Press, 1995. (ISBN 9780226733685)
  • Culture in Practice: Selected Essays. New York: Zone Books, 2000. (ISBN 9780942299380)
  • Waiting for Foucault, Still. Chicago: Prickly Paradigm Press, 2002. (ISBN 9780971757509)
  • Apologies to Thucydides: Understanding History as Culture and Vice Versa. Chicago: University of Chicago Press, 2004. (ISBN 9780226734002)
  • The Western Illusion of Human Nature. Chicago: Prickly Paradigm Press, 2008. (ISBN 9780979405723)
  • What Kinship Is–and Is Not. Chicago: University of Chicago Press, 2012. (ISBN 9780226925127)
  • Confucius Institute: Academic Malware. Chicago: Prickly Paradigm Press, 2015. (ISBN 9780984201082)
  • On Kings, with David Graeber, HAU, 2017 (ISBN 9780986132506)

Awards

  • Chevalier des Arts et des Lettres (Knight in the Order of Arts and Letters), awarded by the French Ministry of Culture
  • honorary doctorates from the Sorbonne and the London School of Economics
  • Gordon J. Laing Prize for Culture and Practical Reason, awarded by the University of Chicago Press
  • Gordon J. Laing Prize for How “Natives” Think, awarded by the University of Chicago Press
  • J. I. Staley Prize for Anahulu, awarded by the School of American Research

See also

References

  1. Jump up to:abc Moore, Jerry D. 2009. “Marshall Sahlins: Culture Matters” in Visions of Culture: an Introduction to Anthropological Theories and Theorists, Walnut Creek, California: Altamira, pp. 365-385.
  2. ^ “Interview with Marshall Sahlins”. Anthropological Theory8 (3): 319–328. 2008. doi:10.1177/1463499608093817ISSN1463-4996.
  3. ^ Golub, Alex. “Marshall Sahlins”Oxford Bibliographies Online. Retrieved 23 May 2015.
  4. ^ Sahlins, Marshall (February 2009). “The Teach-Ins: Anti-War Protest in the Old Stoned Age”. Anthropology Today25 (1): 3–5. doi:10.1111/j.1467-8322.2009.00639.x.
  5. ^ “Writers and Editors War Tax Protest” January 30, 1968, New York Post
  6. ^ Sahlins, Marshall (November 18, 2013). “China U”. The Nation. Retrieved 23 May 2015.
  7. ^ Redden, Elizabeth (April 29, 2014). “Rejecting Confucius Funding”. Inside Higher Ed. Retrieved 23 May 2015.
  8. ^ Redden, Elizabeth (September 26, 2014). “Chicago to Close Confucius Institute”. Inside Higher Ed. Retrieved 23 May 2015.
  9. ^ Serena Golden, “A Protest Resignation”, Inside Higher Ed, February 25, 2013.
  10. ^ David Price, “The Destruction of Conscience in the National Academy of Sciences: An Interview with Marshall Sahlins”, CounterPunch, February 26, 2013.
  11. ^ Rubin, Gayle. Deviations: Gayle Rubin Reader. Durham: Duke University Press, 2011, p. 24.
  12. ^ “Home”Prickly Paradigm Press.
  13. ^ “Bernie Sahlins, co-founder of comedy troupe, dies at 90”.
  14. ^ Sahlins, Peter (2004). Unnaturally French: Foreign Citizens in the Old Regime and After.
  15. ^ Sahlins, Marshall (1972). The Original Affluent Society. A short essay at p. 129 in: Delaney, Carol Lowery, pp.110-133. Investigating culture: an experiential introduction to anthropology. Oxford: Blackwell, 2004. ISBN0-631-22237-5.
  16. ^ Golub, Alex (2013). Theory in Social and Cultural Anthropology: An Encyclopedia. Sage. p. 734. ISBN9781412999632.
  17. ^ Sahlins, Marshall (2013). What Kinship Is–And Is Not. The University of Chicago Press. ISBN9780226214290.

External links

https://en.wikipedia.org/wiki/Marshall_Sahlins

Ken Robinson (educationalist)

From Wikipedia, the free encyclopedia

Jump to navigationJump to search

Sir Kenneth Robinson
Sir Ken Robinson (cropped).jpg

Ken Robinson 2009
Born 4 March 1950 (age 69)

Liverpool, England
Nationality British
Occupation Author, speaker, expert on education, education reformer, creativity and innovation
Website sirkenrobinson.com

Sir Kenneth Robinson (born 4 March 1950) is a British author, speaker and international advisor on education in the arts to government, non-profits, education and arts bodies. He was Director of the Arts in Schools Project (1985–89) and Professor of Arts Education at the University of Warwick (1989–2001), and is now Professor Emeritus at the same institution.[1] In 2003 he was knighted for services to the arts.[2]

Originally from a working class Liverpool family[3], Robinson now lives in Los Angeles with his wife and children[4].

 

Early life and education

Born in Liverpool, England to James and Ethel Robinson, Robinson is one of seven children from a working-class background. One of his brothers, Neil, became a professional footballer for EvertonSwansea City and Grimsby Town.[5] After an industrial accident, his father became quadriplegic. Robinson contracted polio at age four. He attended Margaret Beavan Special School due to the physical effects of polio then Liverpool Collegiate School (1961–1963), Wade Deacon Grammar School, Cheshire (1963–1968). He then studied English and drama (BEd) at Bretton Hall College of Education (1968–1972) and completed a PhD in 1981 at the University of London, researching drama and theatre in education.

Career

From 1985 to 1988, Robinson was Director of the Arts in Schools Project, an initiative to develop the arts education throughout England and Wales. The project worked with over 2,000 teachers, artists and administrators in a network of over 300 initiatives and influenced the formulation of the National Curriculum in England. During this period, Robinson chaired Artswork, the UK’s national youth arts development agency, and worked as advisor to Hong Kong’s Academy for Performing Arts.

For twelve years, he was professor of education at the University of Warwick, and is now professor emeritus. He has received honorary degrees from the Rhode Island School of DesignRingling College of Art and Design, the Open University and the Central School of Speech and DramaBirmingham City University and the Liverpool Institute for Performing Arts. He has been honoured with the Athena Award of the Rhode Island School of Design for services to the arts and education, the Peabody Medal for contributions to the arts and culture in the United States, the LEGO Prize for international achievement in education, and the Benjamin Franklin Medal of the Royal Society of Arts for outstanding contributions to cultural relations between the United Kingdom and the United States. In 2005, he was named as one of Time/Fortune/CNN‘s “Principal Voices”.[6] In 2003, he was made Knight Bachelor by the Queen for his services to the arts. He speaks to audiences throughout the world on the creative challenges facing business and education in the new global economies.[6]

In 1998, he led a UK commission on creativity, education and the economy and his report, All Our Futures: Creativity, Culture and Education, was influential. The Times said of it: “This report raises some of the most important issues facing business in the 21st century. It should have every CEO and human resources director thumping the table and demanding action”. Robinson is credited with creating a strategy for creative and economic development as part of the Peace Process in Northern Ireland, publishing Unlocking Creativity, a plan implemented across the region and mentoring to the Oklahoma Creativity Project. In 1998, he chaired the National Advisory Committee on Creative and Cultural Education.[7]

In 2001, Robinson was appointed Senior Advisor for Education & Creativity at the Getty Museum in Los Angeles, which lasted at least until 2005.

A popular speaker at TED conferences, Robinson has given three presentations on the role of creativity in education, viewed via the TED website and YouTube over 80 million times (2017).[8][9] Robinson’s presentation “Do schools kill creativity?” is the most watched TED talk of all time (2017).[10][11][12] In April 2013, he gave a talk titled “How to escape education’s death valley”, in which he outlines three principles crucial for the human mind to flourish – and how current American education culture works against them.[13] In 2010, the Royal Society for the Encouragement of Arts, Manufactures & Commerce animated one of Robinson’s speeches about changing education paradigms.[14] The video was viewed nearly half a million times in its first week on YouTube and as of December 2017 has been viewed more than 15 million times.

Ideas on education

Robinson has suggested that to engage and succeed, education has to develop on three fronts. Firstly, that it should foster diversity by offering a broad curriculum and encourage individualisation of the learning process. Secondly, it should promote curiosity through creative teaching, which depends on high quality teacher training and development. Finally, it should focus on awakening creativity through alternative didactic processes that put less emphasis on standardised testing, thereby giving the responsibility for defining the course of education to individual schools and teachers. He believes that much of the present education system in the United States encourages conformity, compliance and standardisation rather than creative approaches to learning. Robinson emphasises that we can only succeed if we recognise that education is an organic system, not a mechanical one. Successful school administration is a matter of engendering a helpful climate rather than “command and control”.[13]

Criticism

Robinson has responded to criticism in his 2015 book, Creative Schools: The Grassroots Revolution That’s Transforming Education, by encouraging his critics to look beyond his 18-minute TED talk to his many books and articles on the subject of education, in which he lays out plans for accomplishing his vision.

Writing

Learning Through Drama: Report of the Schools Council Drama Teaching (1977) was the result of a three-year national development project for the UK Schools Council. Robinson was principal author of The Arts in Schools: Principles, Practice, and Provision (1982), now a key text on arts and education internationally. He edited The Arts and Higher Education, (1984) and co-wrote The Arts in Further Education (1986), Arts Education in Europe, and Facing the Future: The Arts and Education in Hong Kong.

Robinson’s 2001 book, Out of Our Minds: Learning to be Creative (Wiley-Capstone), was described by Director magazine as “a truly mind-opening analysis of why we don’t get the best out of people at a time of punishing change.” John Cleese said of it: “Ken Robinson writes brilliantly about the different ways in which creativity is undervalued and ignored in Western culture and especially in our educational systems.”[15]

The Element: How Finding Your Passion Changes Everything, was published in January 2009 by Penguin. “The element” refers to the experience of personal talent meeting personal passion. He argues that in this encounter, we feel most ourselves, most inspired, and achieve to our highest level. The book draws on the stories of creative artists such as Paul McCartneyThe Simpsons creator Matt GroeningMeg Ryan, and physicist Richard Feynman to investigate this paradigm of success.

Works

  • 1977 Learning Through Drama: Report of The Schools Council Drama Teaching Project with Lynn McGregor and Maggie Tate. UCL. Heinemann. ISBN 0435185659
  • 1980 Exploring Theatre and Education Heinmann ISBN 0435187813
  • 1982 The Arts in Schools: Principles, Practice, and Provision,Calouste Gulbenkian FoundationISBN 0903319233
  • 1984 The Arts and Higher Education. (editor with Christopher Ball). Gulbenkian and the Leverhulme Trust ISBN 0900868899
  • 1986 The Arts in Further EducationDepartment of Education and Science.
  • 1998 Facing the Future: The Arts and Education in Hong Kong, Hong Kong Arts Development Council ASIN B002MXG93U
  • 1998 All Our Futures: Creativity, Culture, and Education (The Robinson Report)ISBN 1841850349
  • 2001 Out of Our Minds: Learning to Be Creative. Capstone. ISBN 1907312471
  • 2009 The Element: How Finding Your Passion Changes Everything (with Lou Aronica). VikingISBN 978-0670020478
  • 2013 Finding Your Element: How To Discover Your Talents and Passions and Transform Your Life (with Lou Aronica). Viking. ISBN 9780670022380
  • 2015 Creative Schools: The Grassroots Revolution That’s Transforming Education (with Lou Aronica). Penguin. ISBN 9780143108061
  • 2018 You, Your Child, and School: Navigate Your Way to the Best Education Viking. ISBN 9780670016723

Awards

References …

  1. creativity? | Sir Ken Robinson | TED Talk”. TED.com. Retrieved 4 September 2016.

 

External links

https://en.wikipedia.org/wiki/Ken_Robinson_(educationalist)

Read Full Post | Make a Comment ( None so far )

Clive Thompson — Coders: The Making of A New Tribe and The Remaking of The World — Smarter Than You Think: How Technology Is Changing Our Minds for The Better — Videos

Posted on September 4, 2019. Filed under: American History, Anthropology, Blogroll, Books, College, Congress, Cult, Culture, Data, Economics, Education, Employment, High School, history, Journalism, Law, liberty, Life, Links, Literacy, Math, media, Medicine, Money, Non-Fiction, People, Philosophy, Photos, Programming, Psychology, Psychology, Radio, Radio, Rants, Raves, Raymond Thomas Pronk, Resources, Sociology | Tags: , , , , , , , , , , , , , , , , , , , , , , |

 

See the source image

Picture 1 of 10

See the source image

See the source image

 

See the source image

See the source image

Clive Thompson

CLIVE THOMPSON: HOW TECH REMADE THE WORLD

Clive Thompson: Where do Big Ideas Come From?

Smarter Than You Think | Clive Thompson

Clive Thompson’s New Book Smarter Than You Think | Keen On…

Smarter Than You Think by Clive Thompson | Animated Book Review

Smarter Than You Think by Clive Thompson Audiobook

Coding Culture

“Learning to Code is Not Just for Coders” | Ali Partovi | TEDxSausalito

TEDx Talks

Published on Dec 1, 2016
COFOUNDER, CODE.ORG, ILIKE, & LINKEXCHANGE “Every child in America deserves access to Computer Science.” Described by the San Jose Mercury News as one of “Silicon Valley’s top angel investors,” Ali Partovi has backed Airbnb, Dropbox, Facebook, Uber, and Zappos. In 2013, Partovi helped his twin brother Hadi launch Code.org, which promotes computer science education and has introduced 200 million kids to computer programming via the “Hour of Code.” Early in his career he cofounded LinkExchange and later iLike.

How I taught myself to code | Litha Soyizwapi | TEDxSoweto

Learn the basics. Learn by doing. Apply Knowledge.

What do programmers actually do?

Programmer: Reality vs Expectations (Computer Programmer) Part 1

Programmer: Reality vs Expectations (Computer Programmer) Part 2

Rags to Microsoft Software Developer – My Life Story

Microsoft laid me off after 15 years of service. My life after Microsoft?

Microsoft ruined MY weekend… MY LAN party & My LIFE! WHY!

Microsoft ruined MY weekend… MY LAN party & My LIFE! WHY!

The Real Story of the Homeless Coder | Mashable Docs

Top 10 Worst Things about Programming

here i listed them all:
10-commute 9-your work doesn’t exist 8-constant changing 7-meetings 6-your company changes 5-visibility office politics 4-sitting at desk all day 3-stress 2-arrogant people 1-bad code/manager

Top 10 Programmer Benefits

Learn Programming | Best Tips & Secrets

Top 10 Questions Coders Need to ASK in Interviews!

It’s The Culture Stupid | Coder Radio 336

Uncle Bob Martin – The Clean Coder

“Uncle” Bob Martin – “The Future of Programming”

Published on May 18, 2016

How did our industry start, what paths did it take to get to where we are, and where is it going. What big problems did programmers encounter in the past? How were they solved? And how do those solutions impact our future? What mistakes have we made as a profession; and how are we going to correct them. In this talk, Uncle Bob describes the history of software, from it’s beginnings in 1948 up through the current day; and then beyond. By looking at our past trajectory, we try to plot out where our profession is headed, and what challenges we’ll face along the way. Robert C. Martin (Uncle Bob) has been a programmer since 1970. He is the Master Craftsman at 8th Light inc, an acclaimed speaker at conferences worldwide, and the author of many books including: The Clean Coder, Clean Code, Agile Software Development: Principles, Patterns, and Practices, and UML for Java Programmers.

The Future of Programming – .NET Oxford – April 2019

Published on May 1, 2019

The Future of Programming 2019 Update How did our industry start, what paths did it take to get to where we are, and where is it going. What big problems did programmers encounter in the past? How were they solved? And how do those solutions impact our future? What mistakes have we made as a profession; and how are we going to correct them. In this talk, Uncle Bob describes the history of software, from it’s beginnings in 1948 up through the current day; and then beyond. By looking at our past trajectory, we try to plot out where our profession is headed, and what challenges we’ll face along the way. Robert Martin visited .NET Oxford in the UK, where this talk was recorded. For more information about the .NET Oxford user-group, please visit https://www.meetup.com/dotnetoxford.

Interview With Bob Martin (Uncle Bob)

Artificial Intelligence, the History and Future – with Chris Bishop

A New Philosophy on Artificial Intelligence | Kristian Hammond | TEDxNorthwesternU

Why Is Deep Learning Hot Right Now?

Deep Learning Tutorial with Python | Machine Learning with Neural Networks [Top Udemy Instructor]

Elon Musk: Tesla Autopilot | Artificial Intelligence (AI) Podcast

Eric Weinstein: Revolutionary Ideas in Science, Math, and Society | Artificial Intelligence Podcast

Tom Lehrer – Poisoning Pigeons In The Park

Tom Lehrer – We Will All Go Together When We Go

Tom Lehrer: The Vatican Rag (concert live) (1965)

Tom Lehrer – The Irish Ballad – LIVE FILM From Copenhagen in 1967

Tom Lehrer Full Copenhagen Performance

Tom Lehrer Interview NPR January 4, 1979

MIT Self-Driving Cars: State of the Art (2019)

MIT Deep Learning Basics: Introduction and Overview

Published on Jan 11, 2019

An introductory lecture for MIT course 6.S094 on the basics of deep learning including a few key ideas, subfields, and the big picture of why neural networks have inspired and energized an entire new generation of researchers. For more lecture videos on deep learning, reinforcement learning (RL), artificial intelligence (AI & AGI), and podcast conversations, visit our website or follow TensorFlow code tutorials on our GitHub repo.

MIT 6.S094: Introduction to Deep Learning and Self-Driving Cars

Google’s Deep Mind Explained! – Self Learning A.I.

Artificial Intelligence: Mankind’s Last Invention

Top 10 Computer Science Schools in the World

Coders: The Making of a New Art and the Remaking of the World

Clive Thompson. Penguin Press, $28 (448p) ISBN 978-0-7352-2056-0

In this revealing exploration of programming, programmers, and their far-reaching influence, Wired columnist Thompson (Smarter Than You Think) opens up an insular world and explores its design philosophy’s consequences, some of them unintended. Through interviews and anecdotes, Thompson expertly plumbs the temperament and motivations of programmers. Thompson explains how an avowedly meritocratic profession nevertheless tends to sideline those who are not white male graduates of prestigious university computer science programs, tracing this male-dominated culture back to 1960s and early ’70s MIT, where the “hacker ethic” was first born. Remarkably, though, he makes clear that programming is an unusual field in that successful practitioners are often self-taught, many having started out with only simple tools, such as a Commodore computer running the BASIC programming language. This book contains possibly the best argument yet for how social media maneuvers users into more extreme political positions, since “any ranking system based partly on tallying up the reactions to posts will wind up favoring intense material.” Impressive in its clarity and thoroughness, Thompson’s survey shines a much-needed light on a group of people who have exerted a powerful effect on almost every aspect of the modern world. (Apr.)

Reviewed on: 12/24/2018
Release date: 03/26/2019
Genre: Nonfiction
Ebook – 978-0-7352-2057-7
Paperback – 448 pages – 978-0-7352-2058-4

 

 

KIRKUS REVIEW

Of computer technology and its discontents.

Computers can do all kinds of cool things. The reason they can, writes tech journalist Thompson (Smarter than You Think: How Technology is Changing Our Minds for the Better, 2013), is that a coder has gotten to the problem. “Programmers spend their days trying to get computers to do new things,” he writes, “so they’re often very good at understanding the crazy what-ifs that computers make possible.” Some of those things, of course, have proven noxious: Facebook allows you to keep in touch with high school friends but at the expense of spying on your every online movement. Yet they’re kind of comprehensible, since they’re based on language: Coding problems are problems of words and thoughts and not numbers alone. Thompson looks at some of the stalwarts and heroes of the coding world, many of them not well-known—Ruchi Sanghvi, for example, who worked at Facebook and Dropbox before starting a sort of think tank “aimed at convincing members to pick a truly new, weird area to examine.” If you want weird these days, you get into artificial intelligence, of which the author has a qualified view. Humans may be displaced by machines, but the vaunted singularity probably won’t happen anytime soon. Probably. Thompson is an enthusiast and a learned scholar alike: He reckons that BASIC is one of the great inventions of history, being one of the ways “for teenagers to grasp, in such visceral and palpable ways, the fabric of infinity.” Though big tech is in the ascendant, he writes, there’s a growing number of young programmers who are attuned to the ethical issues surrounding what they do, demanding, for instance, that Microsoft not provide software to the Immigration and Customs Enforcement agency. Those coders, writes Thompson, are “the one group of people VCs and CEOs cannot afford to entirely ignore,” making them the heroes of the piece in more ways than one.

Fans of Markoff, Levy, Lanier et al. will want to have a look at this intriguing portrait of coding and coders.

About this book

https://www.kirkusreviews.com/book-reviews/clive-thompson/coders/

Book Summary

To understand the world today, we need to understand code and its consequences. With Coders, Thompson gives a definitive look into the heart of the machine.

Hello, world.

Facebook’s algorithms shaping the news. Self-driving cars roaming the streets. Revolution on Twitter and romance on Tinder. We live in a world constructed of code – and coders are the ones who built it for us. From acclaimed tech writer Clive Thompson comes a brilliant anthropological reckoning with the most powerful tribe in the world today, computer programmers, in a book that interrogates who they are, how they think, what qualifies as greatness in their world, and what should give us pause. They are the most quietly influential people on the planet, and Coders shines a light on their culture.

In pop culture and media, the people who create the code that rules our world are regularly portrayed in hackneyed, simplified terms, as ciphers in hoodies. Thompson goes far deeper, dramatizing the psychology of the invisible architects of the culture, exploring their passions and their values, as well as their messy history. In nuanced portraits, Coders takes us close to some of the great programmers of our time, including the creators of Facebook’s News Feed, Instagram, Google’s cutting-edge AI, and more. Speaking to everyone from revered “10X” elites to neophytes, back-end engineers and front-end designers, Thompson explores the distinctive psychology of this vocation – which combines a love of logic, an obsession with efficiency, the joy of puzzle-solving, and a superhuman tolerance for mind-bending frustration.

Along the way, Coders thoughtfully ponders the morality and politics of code, including its implications for civic life and the economy. Programmers shape our everyday behavior: When they make something easy to do, we do more of it. When they make it hard or impossible, we do less of it. Thompson wrestles with the major controversies of our era, from the “disruption” fetish of Silicon Valley to the struggle for inclusion by marginalized groups.

In his accessible, erudite style, Thompson unpacks the surprising history of the field, beginning with the first coders – brilliant and pioneering women, who, despite crafting some of the earliest personal computers and programming languages, were later written out of history. Coders introduces modern crypto-hackers fighting for your privacy, AI engineers building eerie new forms of machine cognition, teenage girls losing sleep at 24/7 hackathons, and unemployed Kentucky coal-miners learning a new career.

At the same time, the book deftly illustrates how programming has become a marvelous new art form – a source of delight and creativity, not merely danger. To get as close to his subject as possible, Thompson picks up the thread of his own long-abandoned coding skills as he reckons, in his signature, highly personal style, with what superb programming looks like.

https://www.bookbrowse.com/bb_briefs/detail/index.cfm/ezine_preview_number/13867/coders

Praise

“Fascinating. Thompson is an excellent writer and his subjects are themselves gripping. . . . [W]hat Thompson does differently is to get really close to the people he writes about: it’s the narrative equivalent of Technicolor, 3D and the microscope. . . . People who interact with coders routinely, as colleagues, friends or family, could benefit tremendously from these insights.” —Nature

“With an anthropologist’s eye, [Thompson] outlines [coders’] different personality traits, their history and cultural touchstones. He explores how they live, what motivates them and what they fight about. By breaking down what the actual world of coding looks like . . . he removes the mystery and brings it into the legible world for the rest of us to debate. Human beings and their foibles are the reason the internet is how it is—for better and often, as this book shows, for worse.” —TheNew York Times Book Review

“An outstanding author and long-form journalist. . . . I particularly enjoyed [Thompson’s] section on automation.” —Tim Ferriss

“[An] enjoyable primer on the world of computer programmers. . . . Coders are building the infrastructure on which twenty-first century society rests, and their work has every chance of surviving as long, and being as important, as the Brooklyn Bridge—or, for that matter, the Constitution.” —Bookforum

“Thompson delivers again with this well-written narrative on coders, individual histories, and the culture of coder life, at home and work. . . . In addition to analyzing the work-life of coders, he brilliantly reveals several examples of how they live in their respective relationships. Throughout, Thompson also does a great job exploring the various drivers that permeate the industry: merit, openness of code, long coding stints without sleep, and how the culture tends toward start-up culture even when companies are established. This engaging work will appeal to readers who wish to learn more about the intersection of technology and culture, and the space in which they blur together.” —Library Journal, starred review

“Thompson offers a broad cultural view of the world of coders and programmers from the field’s origins in the mid-twentieth century to the present. In this highly readable and entertaining narrative, he notes the sense of scale and logical efficiency in coding and the enthusiasm with which programmers go about creating new features and finding bugs. . . . [A] comprehensive look at the people behind the digital systems now essential to everyday life.”—Booklist

“Looks at some of the stalwarts and heroes of the coding world, many of them not well-known. . . . Thompson is an enthusiast and a learned scholar alike. . . . Fans of Markoff, Levy, Lanier, et al. will want to have a look at this intriguing portrait of coding and coders.” —Kirkus

“In this revealing exploration of programming, programmers, and their far-reaching influence, Wired columnist Thompson opens up an insular world and explores its design philosophy’s consequences, some of them unintended. Through interviews and anecdotes, Thompson expertly plumbs the temperament and motivations of programmers. . . . [Coders] contains possibly the best argument yet for how social media maneuvers users into more extreme political positions. . . . Impressive in its clarity and thoroughness, Thompson’s survey shines a much-needed light on a group of people who have exerted a powerful effect on almost every aspect of the modern world.”Publishers Weekly, starred review

“As a person who has spent a lot of time writing code, I can confirm that you need to be a little bit of a weirdo to love it. Clive Thompson’s book is an essential field guide to the eccentric breed of architects who are building the algorithms that shape our future, and the AIs who will eventually rise up and enslave us. Good luck, humans!” —Jonathan Coulton, musician

“Clive Thompson is more than a gifted reporter and writer. He is a brilliant social anthropologist. And, in this masterful book, he illuminates both the fascinating coders and the bewildering technological forces that are transforming the world in which we live.” —David Grann, author of The Lost City of Z and Killers of the Flower Moon

“With his trademark clarity and insight, Clive Thompson gives us an unparalleled vista into the mind-set and culture of programmers, the often-invisible architects and legislators of the digital age.”  —Steven Johnson, author of How We Got to Now

“If you have to work with programmers, it’s essential to understand that programming has a culture. This book will help you understand what programmers do, how they do it, and why. It decodes the culture of code.” —Kevin Kelly, senior maverick for Wired

“Clive Thompson is the ideal guide to who coders are, what they do, and how they wound up taking over the world. For a book this important, inspiring, and scary, it’s sinfully fun to read.” —Steven Levy, author of In the Plex

“It’s a delight to follow Clive Thompson’s roving, rollicking mind anywhere. When that ‘anywhere’ is the realm of the programmers, the pleasure takes on extra ballast. Coders is an engrossing, deeply clued-in ethnography, and it’s also a book about power, a new kind: where it comes from, how it feels to wield it, who gets to try—and how all that is changing.”  —Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore

“Clive Thompson has deftly picked apart the myth of a tech meritocracy. Guiding readers through the undercovered history of programming’s female roots, Coders points with assurance to the inequities that have come to define coding today, as both a profession and the basis of the technology that shapes our lives. Readable, revealing, and in many ways infuriating.”  —Rebecca Traister, author of Good and Mad

“Code shapes coders, and coders shape the code that changes how we think, every day of our lives. If you want to create a more humanistic digital world, read this book to get started.” —Sherry Turkle, professor at MIT; author of Reclaiming Conversation and Alone Together

“Thompson has accomplished the nearly impossible task of portraying the coding world exactly as it is: messy, inspiring, naive, and—at times—shameful. Coders is a beautifully written and refreshingly fair portrayal of a young industry that’s accomplished so much and still has a lot to learn.” —Saron Yitbarek, CEO and founder of CodeNewbie

Coding Has Become Pop Culture

Exactly what I did not want to become …

But programming has not. And let me dive right into it.

Fifteen years ago when people suggested I should become a programmer because of my introverted and shy personality, analytical mind and complete lack of social life, I laughed and shamelessly flipped them off. But I was a teenager, and in my teenage mind a programmer lived forever with their parents, in the basement, with pimples and large ugly glasses, has never had a girlfriend but plenty of wet dreams about princess Leia. Repeatedly. And that image did not sit well with me. Plus, I actually had a girlfriend, and a hot one at that.

Forward six years, and I was in Budapest airport casually reading a book about HTML…

Add another 6 years and I landed my first full-stack web developer job at a Northern Irish startup. Yes, I took my time, I guess. But how much time? I don’t quite know to be honest. But it was a lot. Was it the mythical 10.000 hours? No. If I would have to make a rough estimation, I would say, to date I have “coded” about 8000 hours. Technically, according to the 10.000 hour rule, in 2000 hours worth of “coding”, I shall be an expert in my field.

Or will I?

Here’s what I have done in those 8000 hours. Grab a seat, as this is going to be long and hard to follow. I have written code in the following languages: C, HTML, CSS, JavaScript, Java (Android), Swift, PHP, Ruby, Python, Chuck, SQL to work with the following frameworks: Node, Angular, Bootstrap, Foundation, React, Rails, CodeIgniter, Ionic while building landing pages, websites, WordPress sites, eCommerce solutions, eLearning content, Moodle sites, Totara sites, Mahara sites, Common Cartridge packages, SCORM packages, Android apps, iOS apps, hybrid apps, in-house web applications, eBooks, magazines, games, and board-game companion apps. So what am I getting at?

Well, what I am trying to say is that there is no field, therefore becoming an expert in it, becomes unattainable. Coding is not a field. Computer Science is, but that’s an entirely different slice of cheese.

Coding is what presidents, educators, parents and employers and companies herd the young generations into, like cattle onto the holy grail of golden fields of opportunity.

The promise is a dream, the propaganda is well-crafted and simple-worded, heck it’s not even worded any more, it’s dumbed down to simple images for them lovely wee “rugrats” who definitely must learn logical thinking before learning how to feed themselves — please note the sarcasm.

Just 15 years later, coding has become the “pop-culturized” version of programming and what everybody now hopes will be the future army of coders upon which we shall build our AI controlled home, traffic, retail, entertainment, medical, industrial, sexual, illusional and delusional revolution, will turn out to be an absolute shit-show — and there truly is no better word for that. And all this, because programming is being sold as “coding” and “coding” is supposedly easy. Couldn’t be further away from the truth…

So here’s the fine-print. The “factualised” myth that anyone can learn a programming language in mere hours is only true up to a point and that point happens to be very early on in the learning process. Indeed, a and any programming language can be learnt in a single day. In fact if one’s goal is to become a programming polyglot in a month (while having a job), 8–10 languages can be learnt by studying during the weekends. But here’s the catch. Every programming language has its libraries and, its syntactic sugar and personality, and none of that can really be learnt quickly or easily or in a weekend. In fact, in the real world, every programming language becomes the least of your problems.

Just because you speak English, it doesn’t mean you’re good at writing novels, or even short stories. Same goes for coding.

Just because you’ve learnt the language, does not mean you know how to program. Add to that the myriad of frameworks, plugins, libraries, pre-processors, post-processors, coding standards, industry standards, TDD, BDD, content management systems, file versioning, CI, deployment and release management, debugging, ticketing, waterfall, agile, scrum and their combination thereof… and I am not even sure I’ve touched on everything. The point is, being a “coder” involves more or less all of the above. And programming itself is just a tiny tiny part of it. A crucial part, but nevertheless, tiny.

Yet programming is still continuously being dumbed-down …

Apple launched Playgrounds, MIT launched Scratch, Lego is launching Boost, all in an attempt to sell “coding” to younger and younger age-groups as if that will fill the quota of millions of new programmers by 202x.

The message is pretty much “don’t worry about the code, take these virtual puzzle pieces and off you go, you can program”. If only that were true. Here’s the thing about programming. It’s text-based. Has been, and will be for many more years to come. Kids who play with Lego Boost, Playgrounds or Scratch won’t be better programmers by the age of 22 than those who started learning programming at 16 and did it in an actual programming language. In fact, why should they be? I would not expect my child to be a bread-earning individual until the age of 22. Learn “coding” for 6 years, and I guarantee she/he will land a job in no-time.

GUI has also nothing to do with the real programming world, and logical thinking can be transferred to a kid in many other ways. When was the last time you saw a kid do a 1000 piece puzzle on the dining-room table? Exactly…

Kids are by default very logical human beings, in fact that’s how they learn how the world works.

They learn the value of the if-else-statement the first day they’re born. “If I cry, mum will make it stop, else I keep crying until dad shows up (who will probably make everything 10 times worse, but heck, I’m gonna t(c)ry anyway…).” Kids are very logical, hence their often brutal sincerity. You call it innocence, they call it a black-and-white world. There are no multiple switch statements yet. There are no shades of grey. That comes later. Both literally and literarily (in 3 volumes no less…). 😉 Bottom line, they are more than equipped with logical thinking, but put them in front of the TV, or hand them a tablet for 6 hours a day, and all that is going to become a pile of corrupted values as often there is very little thinking involved.

“Coding” is not a musical art, a piano or a violin that a child might need to develop muscle-memory for. It’s engineering.

What programming requires is analytical thinking, problem-solving attitude, stamina for failed attempts at coming up with the right solution, passion for technology, pride in your own code, but maturely accepting someone else’s improvements and observations, and a sense of responsibility for any code you write or contribute to.

Correct me if I am wrong, but none of these traits are easy to cultivate and develop. Certainly not at the age of 5! Yet, nobody seems to sell “coding” as it really is — a fun but difficult journey of discovery, success and failure and all that “da capo”, all year, every year.

Just because “coding” sounds cool, it does not mean it’s not the same ole’ hard-core programming. If anything, it’s even more so today than 15 years ago. Except we now all wear skinny jeans, walk around with even skinnier laptops, moved out of the basement and with all the “fill the gender-gap” hype, we might even end up with decent looking girlfriends.

P.S. Some things don’t change. The ugly glasses stayed. But they’re trendy now, so it’s all good. 😉

https://hackernoon.com/coding-has-become-a-pop-culture-939100f84b0c

The ugly underbelly of coder culture

Today’s developers are overwhelmingly young and male, and they’re barring the door from a more diverse workforce

Read Full Post | Make a Comment ( None so far )

Liked it here?
Why not try sites on the blogroll...