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The Pronk Pops Show — Week In Review — July 28-August 4, 2017 — Videos

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The Pronk Pops Show Podcasts

Pronk Pops Show 940, August 3, 2017

Pronk Pops Show 939,  August 2, 2017

Pronk Pops Show 938, August 1, 2017

Pronk Pops Show 937, July 31, 2017

Pronk Pops Show 936, July 27, 2017

Pronk Pops Show 935, July 26, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 934, July 25, 2017

Pronk Pops Show 933, July 24, 2017

Pronk Pops Show 932, July 20, 2017

Pronk Pops Show 931, July 19, 2017

Pronk Pops Show 930, July 18, 2017

Pronk Pops Show 929, July 17, 2017

Pronk Pops Show 928, July 13, 2017

Pronk Pops Show 927, July 12, 2017

Pronk Pops Show 926, July 11, 2017

Pronk Pops Show 925, July 10, 2017

Pronk Pops Show 924, July 6, 2017

Pronk Pops Show 923, July 5, 2017

Pronk Pops Show 922, July 3, 2017

Pronk Pops Show 921, June 29, 2017

Pronk Pops Show 920, June 28, 2017

Pronk Pops Show 919, June 27, 2017

Pronk Pops Show 918, June 26, 2017

Pronk Pops Show 917, June 22, 2017

Pronk Pops Show 916, June 21, 2017

Pronk Pops Show 915, June 20, 2017

Pronk Pops Show 914, June 19, 2017

Pronk Pops Show 913, June 16, 2017

Pronk Pops Show 912, June 15, 2017

Pronk Pops Show 911, June 14, 2017

Pronk Pops Show 910, June 13, 2017

Pronk Pops Show 909, June 12, 2017

Pronk Pops Show 908, June 9, 2017

Pronk Pops Show 907, June 8, 2017

Pronk Pops Show 906, June 7, 2017

Pronk Pops Show 905, June 6, 2017

Pronk Pops Show 904, June 5, 2017

Pronk Pops Show 903, June 1, 2017

Pronk Pops Show 902, May 31, 2017

Pronk Pops Show 901, May 30, 2017

Pronk Pops Show 900, May 25, 2017

Pronk Pops Show 899, May 24, 2017

Pronk Pops Show 898, May 23, 2017

Pronk Pops Show 897, May 22, 2017

Pronk Pops Show 896, May 18, 2017

Pronk Pops Show 895, May 17, 2017

Pronk Pops Show 894, May 16, 2017

Pronk Pops Show 893, May 15, 2017

Pronk Pops Show 892, May 12, 2017

Pronk Pops Show 891, May 11, 2017

Pronk Pops Show 890, May 10, 2017

Pronk Pops Show 889, May 9, 2017

Pronk Pops Show 888, May 8, 2017

Pronk Pops Show 887, May 5, 2017

Pronk Pops Show 886, May 4, 2017

Pronk Pops Show 885, May 3, 2017

Pronk Pops Show 884, May 1, 2017

Image result for Reforming American Immigration for a Strong Economy (RAISE) Act. charts on numbers 

 

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The Pronk Pops Show 940

August 3, 2017

Breaking News — Story 1: Special Counsel Robert Mueller III Impanels Grand Jury for Russian Investigation and Alleged Russia/Trump Collusion Conspiracy Theory — Videos —

Story 2: Proposed Reforming American Immigration for Strong Employment (RAISE) Act will Expose Hypocrisy of Democrats and Republicans In Promoting Open Borders with 30-60 Million Illegal Invasion of United States Over The Last 30 Years and Rising Legal Immigration Instead of Protecting The American Worker and Middle Class — The Betrayal Of American People By The Political Elitist Establishment — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/03/the-pronk-pops-show-940-august-3-2017-breaking-news-story-1-special-counsel-robert-mueller-iii-impanels-grand-jury-for-russian-investigation-and-alleged-russiatrump-collusion-conspiracy-theory/

August 04, 2017 04:57 PM PDT

The Pronk Pops Show 939

August 2, 2017

Story 1: President Trump For National Unity Furiously Signs Flawed Russia, Iran, and North Korea Sanctions Bill — Videos —

Story 2: Trump Announces New Immigration Policy — Reforming American Immigration for Strong Employment (RAISE) Act — Videos

For additional information and videos;

https://pronkpops.wordpress.com/2017/08/02/the-pronk-pops-show-939-august-2-2017-breaking-news-story-1-president-trump-for-national-unity-furiously-signs-flawed-russia-iran-and-north-korea-sanctions-bill-videos-story-2-trump-a/

August 03, 2017 12:00 PM PDT

The Pronk Pops Show 938

August 1, 2017

Story 1: Vice-President On The Trump Doctrine In Speech Delivered From Estonia, Latvia, and Lithuania — Videos —

Story 2: President Trump Will Sign Sanctions Bill For Russia, North Korea, and Islamic Republic of Iran — Videos — Story 3: Washington War Fever with Neocon Republicans and Progressive Democrats United Against Russia — Masking Incompetency — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/08/01/the-pronk-pops-show-938-august-1-2017-story-1-vice-president-on-the-trump-doctrine-in-speech-delivered-from-estonia-latvia-and-lithuania-videos-story-2-president-trump-will-sign-sanction/

 

The Pronk Pops Show 938

August 2, 2017

Story 1: Vice-President On The Trump Doctrine In Speech Delivered From Estonia, Latvia, and Lithuania — Videos —

Story 2: President Trump Will Sign Sanctions Bill For Russia, North Korea, and Islamic Republic of Iran — Videos —

Story 3: Washington War Fever with Neocon Republicans and Progressive Democrats United Against Russia — Masking Incompetency — Videos

For additional information and videos:

https://wordpress.com/post/pronkpops.wordpress.com/26453

July 29, 2017 12:49 PM PDT

The Pronk Pops Show 936

July 27, 2017

Story 1surprisedbama Spy Scandal: Obama Administration Officials Including National Security Adviser Rice, CIA Director Brennan and United Nations Ambassador Power Spied On American People and Trump Campaign By Massive Unmasking Using Intelligence Community For Political Purposes — An Abuse of Power and Felonies Under U.S. Law — Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/28/the-pronk-pops-show-936-story-1obama-spy-scandal-obama-administration-officials-including-national-security-adviser-rice-cia-director-brennan-and-united-nations-ambassador-power-spied-on-american/

July 28, 2017 07:12 PM PDT

The Pronk Pops Show 935

July 26, 2017

Story 1: Trump Targets Transgender Troops — No More Gender Reassignment Surgeries In Military and Veterans Hospital — Cuts Spending By Millions Per Year — What is Next? — No More Free Viagra — Tranny Boys/Girls No More — Videos —

Story 2: Senate Fails To Pass Senator Rand Paul’s Total Repeal Amendment — Tea Party Revival Calling For Primary Challenge Against Rollover Republican Senators Shelley Moore Capito of West Virginia, Susan Collins of Maine, Dick Heller of Nevada, John McCain of Arizona, Rob Portman of Ohio, Lamar Alexander of Tennessee and Lisa Murkowski of Alaska — All Republicans in Name Only — Really Big Government Democrats — Videos —

Story 3: Trump Rally in Ohio — Neither A Rally Nor A Movement Is Not A Political Party That Votes in Congress — New Viable and Winning American Independence Party Is What Is Needed –Videos

For additional information and videos:

https://wordpress.com/post/pronkpops.wordpress.com/26375

July 27, 2017 02:28 PM PDT

The Pronk Pops Show 934

July 26, 2017

Story 1: Pence Breaks Tie — Senate Will Debate How To Proceed With Obamacare Repeal and Replace — Videos —

Story 2: Congress Overwhelming Passes New Sanctions on Russia, Iran and North Korea — Long Overdue — Videos —

Story 3: Trump Again Critical Of Attorney General Sessions Apparently For Not Prosecuting Leakers and Going After Clinton Foundation Crimes — What about Obama Administration’s Spying On Trump — An Abuse of Power Using Intelligence Community for Political Purposes — Will Trump Dump Sessions? If He Does Trump Will Start To Lose His Supporters in Talk Radio and Voter Base — Direct Deputy Attorney Rod Rosenstein To Fire Mueller — If He Won’t Fire Him — Fire Both Mueller and Rosenstein —  Punish Your Enemies and Reward Your Friends President Trump! — “In Your Guts You Know He is Nuts” —  Videos

For additional information and videos:

https://pronkpops.wordpress.com/2017/07/25/the-pronk-pops-show-934-july-24-2017-breaking-breaking-story-1-pence-breaks-tie-senate-will-debate-how-to-proceed-with-obamacare-repeal-and-replace-videos-story-2-congress-overwhel/

 

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Yuval Noah Harari — Homo Deus: A Brief History of Tomorrow — Videos

Posted on May 31, 2017. Filed under: Art, Blogroll, Books, Communications, Culture, Documentary, Employment, Entertainment, Non-Fiction, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , |

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Godlike ‘Homo Deus’ Could Replace Humans as Tech Evolves

What happens when the twin worlds of biotechnology and artificial intelligence merge, allowing us to re-design our species to meet our whims and desires?

Updated May.31.2017 / 1:44 PM ET

Futuristic Pacific Islander woman watching holograms :: This content is subject to copyright. | This content is subject to copyright.
Evolution is a slow affair, taking some 5 million years to turn a chimpanzee-like creature into us. But what happens when we push down the accelerator and take command of our bodies and brains instead of leaving it to nature? What happens when biotechnology and artificial intelligence merge, allowing us to re-design our species to meet our whims and desires?

Historian Yuval Noah Harari explores these questions in his runaway bestseller, “Homo Deus: A Brief History of Tomorrow,” a kind of sequel to his 2014 book, “Sapiens.” The title of his new book suggests a startling stage in our evolution: Homo sapiens (“wise man”), far from being the pinnacle of creation, is a temporary creature, one soon to be replaced by Homo deus (“god man”).

Harari makes no pretense of being able to peer into the future — but the advances humans have made suggest where we may be heading. Breakthroughs in biotechnology, including gene-editing methods likeCRISPR, hint at the power we’ll soon have to change our genes, our bodies, and perhaps our brains.

At the same time, advances in artificial intelligence, includingmachine learning, may soon let us build brain-computer interfaces that will blur the line between man and machine. So far, we’ve muddled along as biological creatures, but we may one day become something new — a novel mix of the biological and the technological; of flesh and silicon.

Image::Professor Yuval Noah Harari|||[object Object]
Professor Yuval Noah Harari NurPhoto Via Getty Images / Jonathan Nicholson/NurPhoto

Harari said we’re already moving in that direction: We depend on our smartphones for a staggering number of decisions every day — and that dependence is growing.

“In 2050, it is likely that your smartphone will not be separate from you at all,” Harari said by e-mail from his home in Israel. “It will be embedded in your body via biometric sensors, and it will monitor your heart rate, your blood pressure, and your brain activity 24 hours a day.” Your smartphone will constantly analyze that data, and “will, therefore, know your desires, likes, and dislikes even better than you.” We see versions of this today, with our Amazon accounts, which seem to know our taste in books and music better than we do.

BLURRING THE HUMAN-MACHINE BOUNDARY

Humanity has been through revolutions before, but this one will be different, Harari said. When our ancestors first picked up stone tools to hack away at an animal carcass, some 2 million years ago, it was a game-changer — but it primarily changed our culture, not our bodies. Now we’re entering a new era, in which rather than using tools, the tools might be using us.

“People are delegating more responsibility to AI and they are already merging with their smartphones and their Facebook accounts,” Harari said. “These are no longer dumb tools like a hammer or a knife — they are intelligent entities that constantly study us, adapt to our unique personality, and actively shape our worldview and our innermost desires.”

We will use technology to upgrade ourselves … into something different.

In the future Harari envisions, we’ll gradually merge with machines thanks to biometric sensors and brain-computer interfaces. This may sound like science fiction, but it’s already a reality. At Miguel Nicolelis’s lab at Duke University’s Center for Neuroengineering, patients with spinal cord injuries can use a brain-machine interface to control a motorized “exoskeleton” to regain some sensation and muscle control in damaged limbs.

“Humans will merge with computers and machines to form cyborgs — part-organic, part-bionic life forms,” Harari said. “You could surf the Internet with your mind; you could use bionic arms, legs, and eyes; you will augment your organic immune system with a bionic immune system, and you will delegate more and more decisions to algorithms that know you better than you know yourself.”

At first, you may feel a sentimental attachment to the traditional human form. Looking recognizably like Homo sapiens, we might soon be able to select “designer bodies,” as though shopping from a catalog, Harari speculates.

“However, in the longer term — perhaps in the 22nd century — the human body is likely to lose its relevance and appeal,” he said. As our mastery over materials progresses, we may go “beyond material structures altogether. We might reach a point when minds could surf cyberspace directly, and adopt there any kind of form we fancy, irrespective of the laws of biology or even physics.”

TRANSCENDING SPACE AND TIME

The way we understand space and time may also change, Harari said. “Today we have organic bodies, hence at any one time, we can be only in one place. But a future cyborg may have an organic brain connected via a brain-computer interface to numerous arms, legs, and other tools that could be scattered all over the world. Your brain could be in New York, while your hands will be fighting insurgents in Afghanistan or performing heart surgery in Egypt. So where are you?”

Whether the homo deus species is “human” is a philosophical question, not a scientific one. But Harari believes these changes will come gradually as our relationship with the machines becomes slowly but inexorably more intimate. Our species “is likely to upgrade itself step by step, merging with robots and computers in the process,” he wrote in his latest book, “until our descendants will look back and realise they are no longer the kind of animal that wrote the Bible, built the Great Wall of China, and laughed at Charlie Chaplin’s antics.”

Humankind’s relationship with technology has always been complex. “We’ve always sort of been merged with technology,” said journalist Mark O’Connell, author of the new book “To Be a Machine.” “We’re already cyborgs, in a sense, because we’re in this relationship with technology which is very intimate.” The coming of the smartphone — which many of us put down only when we’re asleep or in the shower — has taken this relationship to the next level. “Your phone is a cyborg technology, in a way. It’s not physically internalized — but the phone is like an extra limb or an extrasensory device.”

Traditionally, technology has been located outside the body, but more and more often it’s inside — where it takes on more personal significance. Think of the difference between eyeglasses, which touch the body, and a pacemaker, which lies next to the heart.

“I feel like there’s a very strong, profound distinction between just using technology and integrating technology” into our bodies, O’Connell said.

MIND 2.0?

When body and machine merge, what happens to the mind? As Harari admitted in “Homo Deus,” the nature of consciousness remains a deep mystery. That’s why, despite AI advancements, our efforts to create a “thinking machine” haven’t lived up to expectations.

“We’ve seen an amazing development in computer intelligence, but exactly zero development in computer consciousness,” Harari said. Part of the problem is that we often confuse intelligence, which he defines as the ability to solve problems, with consciousness — the ability to feel. Yet, he said, we may one day find a way around this divide, eventually reaching a state of “super-intelligence.”

Not surprisingly, the schemes for enhancing human intelligence seem to be coming from Silicon Valley. Bryan Johnson, a tech entrepreneur who made his fortune by selling eBay, now heads a startup called Kernel, which is developing computerized brain implants that can help people with neurological damage caused by strokes or Alzheimer’s disease. With help from neuroscientists, Johnson hopes to go further. He’d like to use the technology to boost memory and even intelligence. As Johnson told the Washington Postlast year: “Whatever endeavor we imagine — flying cars, go to Mars — it all fits downstream from our intelligence. It is the most powerful resource in existence. It is the master tool.”

Image::Bryan Johnson, founder and chief executive officer of Kernel|||[object Object]
Bryan Johnson, founder and chief executive officer of KernelBloomberg Via Getty Images / (C) 2017 Bloomberg Finance LP

HEAVEN CAN WAIT

Harari won’t say whether we will conquer death, but he’s confident we’ll “make a bid” for immortality this century. In fact, our attitude toward death has changed since the Scientific Revolution, he said. Science “has redefined death as a technical problem. A very complicated problem, no doubt, but still only a technical problem.”

And technical problems have technical solutions. “If traditionally death was the specialty of priests and theologians, now the engineers are taking over,” Harari said. That doesn’t mean we’ll be able to pull it off — but he doesn’t dismiss the idea. “My position is that humankind has the potential to overcome old age and death, but it will probably take a few centuries rather than a few decades.”

But if people stop dying, won’t the world get crowded?

“Only the rich will stop dying,” Harari said, “and there aren’t many of them.” This raises a dire vision of the world in which the ultra-wealthy have access to life-extending modifications — perhaps even immortality — while the majority live in a constant state of resentment. If only the rich can be immortal, the poor won’t stand for it, Harari said.

We’re already cyborgs, in a sense, because we’re in this relationship with technology which is very intimate.

“Those unable to afford the new miracle treatments — the vast majority of people — will be beside themselves with rage,” he said. “Throughout history, the poor and oppressed comforted themselves with the thought that at least death is even-handed — that the rich and powerful will also die. The poor will not be comfortable with the thought that they have to die, while the rich will remain young and beautiful forever.”

Even if immortality is never achieved, the unequal availability of life-extending procedures will take a toll on society, Harari said. “We might see the emergence of the most unequal societies that ever existed… economic inequality will be translated into biological inequality.”

People will still have to work for a living, but what sort of work is impossible to predict. “Nobody knows what the job market will look like in 2050, except that it will be completely different from today,” Harari said. Many familiar jobs will have disappeared, and new ones will arise. But the direction we’re moving in suggests that a “post-work world” is on the horizon. “The idea of going to the office to earn a living would sound as strange as the idea of going to the forest to hunt your dinner.”

DIVINE DATA

The office isn’t the only place that may soon be redundant. Churches, Harari suggested, may fade into history along with the very idea of religion. As he points out, the things that God does in Genesis — creating plants, animals, and people — may soon be things that humans can do. We’ll see these new gods every time we look in the mirror. If making things no longer seems miraculous, what would?

As artificial intelligence progresses, and the power of algorithms and data-crunching dominates more aspects of our lives, Harari wonders whether data may come to have divine properties. In the future, “techno-religions” may conquer the world, he said, not by promising salvation in the next world, but by radically changing our lives in this world.

Harari argued that “the most interesting place in the world from a religious perspective is not the Islamic State or the Bible Belt, but Silicon Valley.” The technology gurus “promise all the old prizes — happiness, peace, prosperity, and even eternal life — but here on earth with the help of technology, rather than after death with the help of celestial beings.”

There is much in Harari’s vision to inspire awe; there is also much to fear. But Harari himself seemed more sanguine — though he acknowledged that, as humanity takes on unprecedented new powers, we will also have to embrace equally great responsibility.

We may not be ready. But, Harari added, “that has never stopped us before.”

Dan Falk (@danfalk) is a science journalist based in Toronto. His books include The Science of Shakespeare and In Search of Time.

https://www.nbcnews.com/mach

Homo Deus: A Brief History of Tomorrow

From Wikipedia, the free encyclopedia
Homo Deus: A Brief History of Tomorrow
Homo Deus: A Brief History of Tomorrow

The English book cover of Homo Deus: A Brief History of Tomorrow
Author Yuval Noah Harari
Original title ההיסטוריה של המחר
Country Israel
Language English
Hebrew (original)
French (September 2017)
Chinese
Subject Civilization
Technology and civilization
Human beings
Publisher Harvill Secker
Publication date
2015
Published in English
8 September 2016
Pages 448
ISBN 978-191-070-187-4

Homo Deus: A Brief History of Tomorrow (Hebrew: ההיסטוריה של המחר) is a book written by Israeli author Yuval Noah Harari, professor at the Hebrew University in Jerusalem. The book was first published in Hebrew in 2015 by Dvir publishing; the English-language version was published in September 2016 in the UK and in February 2017 in the US. As with its predecessor, Sapiens: A Brief History of Humankind, Harari recounts the course of history while describing events and the individual human experience, along with ethical issues in relation to his historical survey. Homo Deus, as opposed to the previous book, deals more with the abilities acquired by humans (Homo sapiens) throughout its existence, and its evolution as the dominant species in the world; the book attempts to paint an image of the future. Many philosophical issues are discussed, such as the human experience,individualism, human emotion and consciousness. The book describes the current abilities and achievements of mankind.

Central thesis

  • Organisms are algorithms, and as such homo sapiens may not be dominant in a universe where dataism becomes the paradigm.
  • Since the verbal/language revolution some 70,000 years ago, humans live within an “intersubjective reality”, such as countries, borders, religion, and money, all created to enable large-scale, flexible cooperation between different individual human beings.
  • Humankind’s immense ability to give meaning to its actions and thoughts is what has enabled its many achievements.
  • Humanism is a form of religion that worships humankind instead of god. It puts humankind and its desires as a top priority in the world in which humans themselves are framed as the dominant beings. During the 21st century, Harari believes that humanism may push humans to search for immortality, happiness, and power.
  • Technological developments have threatened the continued ability of humans to give meaning to their lives; Harari prophesies the replacement of humankind with a super-man, or “homo deus” (human god) endowed with supernatural abilities such as eternal life.[1]

Reception

After its publication Homo Deus received significant media attention. Articles and reviews about the book were published by The New York Times,[2][3]The Guardian,[4][5]The Economist,[6]The New Yorker,[7]NPR,[8]Financial Times[9] and Times Higher Education.[10]

Translations

Translations have or will become available:

  • English: September 2016.
  • Spanish: October 2016.
  • Portuguese: November 2016.[11]
  • Turkish: December 2016.
  • Chinese: January 2017.
  • German: February 2017.
  • Dutch: February 2017.
  • Italian: May 2017, Bompiani.
  • French: September 2017.

References

  1. Jump up^ Shalev, Amichay (6 May 2015). “”ההיסטוריה של המחר”: להרוג את המוות”.Ynet (in Hebrew). Retrieved 15 October 2015.
  2. Jump up^ Senior, Jennifer (15 February 2017). “Review: ‘Homo Deus’ Foresees a Godlike Future. (Ignore the Techno-Overlords.)”. The New York Times.ISSN 0362-4331. Retrieved 2017-04-05.
  3. Jump up^ Mukherjee, Siddhartha (13 March 2017). “The Future of Humans? One Forecaster Calls for Obsolescence”. The New York Times. ISSN 0362-4331. Retrieved 2017-04-05.
  4. Jump up^ Adams, Tim (11 September 2016). “Homo Deus: A Brief History of Tomorrow by Yuval Noah Harari review – chilling”. The Guardian.ISSN 0261-3077. Retrieved 2017-04-05.
  5. Jump up^ Runciman, David (24 August 2016). “Homo Deus by Yuval Noah Harari review – how data will destroy human freedom”. The Guardian.ISSN 0261-3077. Retrieved 2017-04-05.
  6. Jump up^ “Future shock”. The Economist. Retrieved 2017-04-05.
  7. Jump up^ “Are Liberals on the Wrong Side of History?”. The New Yorker. Retrieved 2017-04-05.
  8. Jump up^ “Are Cyborgs in Our Future? ‘Homo Deus’ Author Thinks So”. NPR.org. Retrieved 2017-04-05.
  9. Jump up^ “Subscribe to read”. http://www.ft.com. Retrieved 2017-04-05.
  10. Jump up^ “Homo Deus: A Brief History of Tomorrow, by Yuval Noah Harari”. Times Higher Education (THE). 13 October 2016. Retrieved 2017-04-05.
  11. Jump up^ http://www.companhiadasletras.com.br/detalhe.php?codigo=14083

External links

https://en.wikipedia.org/wiki/Homo_Deus:_A_Brief_History_of_Tomorrow

Ex Machina (film)

From Wikipedia, the free encyclopedia
Ex Machina
Ex-machina-uk-poster.jpg

British theatrical release poster
Directed by Alex Garland
Produced by
Written by Alex Garland
Starring
Music by
Cinematography Rob Hardy
Edited by Mark Day
Production
company
Distributed by Universal Pictures
Release date
  • 16 December 2014(BFI Southbank)
  • 21 January 2015(United Kingdom)
  • 10 April 2015(United States)
Running time
108 minutes[1]
Country
Language English
Budget $15 million[4]
Box office $36.9 million[5]

Ex Machina (stylized as ex_machina or EX_MACHINA) is a 2015 independent science fiction psychological thriller film written and directed by Alex Garland (in his directorial debut) and stars Domhnall Gleeson, Oscar Isaac and Alicia Vikander. The film follows a programmer who is invited by his CEO to administer the Turing test to an intelligent humanoid robot.

Made on a budget of $15 million, the film grossed $36 million worldwide and received critical acclaim. The National Board of Review recognized it as one of the ten best independent films of the year and the 88th Academy Awards honored the film with the Academy Award for Best Visual Effects, for artists Andrew Whitehurst, Paul Norris, Mark Williams Ardingtonand Sara Bennett. Garland was also nominated for the Academy Award for Best Original Screenplay, while Vikander’s acclaimed performance earned her BAFTA Award, Golden Globe Award, Empire Award and Saturn Award nominations, plus several film critic award wins, for Best Supporting Actress. The film was further nominated for the BAFTA Award for Best British Film, and the Hugo Award in the category Best Dramatic Presentation – Long Form.

Plot

Programmer Caleb Smith, who works for the dominant search engine company Blue Book, wins an office contest for a one-week visit to the luxurious, isolated home of the CEO, Nathan Bateman. The only other person there is Nathan’s servant Kyoko, who, according to Nathan, does not speak English. Nathan has built a humanoid robot named Ava withartificial intelligence. Ava has already passed a simple Turing test; Nathan wants Caleb to judge whether Ava is genuinely capable of thought and consciousness, and whether he can relate to Ava despite knowing she is artificial.

Ava has a robotic body but a human-looking face, and is confined to her apartment. During their talks, Caleb grows close to her, and she expresses a romantic interest in him and a desire to experience the world outside. She can trigger power outages that temporarily shut down the surveillance system which Nathan uses to monitor their interactions, allowing them to speak privately. The power outages also trigger the building’s security system, locking all the doors. During one outage, Ava tells Caleb that Nathan is a liar who cannot be trusted.

Caleb grows uncomfortable with Nathan’s narcissism, excessive drinking, and crude behaviour towards Kyoko and Ava. He learns that Nathan intends to upgrade Ava, “killing” her current personality in the process. After Nathan drinks until he passes out, Caleb steals his security card to access his room and computer. After he alters some of Nathan’s code, he discovers footage of Nathan interacting with previous android models in disturbing ways, and learns that Kyoko is also an android. Suspicious that he may also be an android, Caleb cuts his arm open to examine his flesh.

At their next meeting, Ava cuts the power. Caleb explains what Nathan is going to do and Ava begs him to help her. They form a plan: Caleb will get Nathan drunk again and reprogram the security system to open the doors in a power failure instead of locking them. When Ava cuts the power, she and Caleb will leave together.

Nathan reveals to Caleb that he has been observing Caleb and Ava’s secret conversations with a battery-powered camera. He says Ava has only pretended to like Caleb so he would help her escape; this, he says, was the real test all along, and by manipulating Caleb so successfully, Ava has demonstrated true intelligence. Ava cuts the power. Caleb reveals that he knew Nathan was watching them, and modified the security system when Nathan was passed out the previous day. After seeing Ava leave her confinement, Nathan knocks Caleb unconscious and rushes to stop her.

With help from Kyoko, Ava kills Nathan, but in the process Nathan destroys Kyoko and damages Ava. Ava repairs herself with parts from earlier androids, using their artificial skin to take on the full appearance of a human woman. She leaves Caleb trapped inside the facility, ignoring his screams, and escapes to the outside world in the helicopter meant to take Caleb home.

Cast

Production

The foundation for Ex Machina was laid when Garland was 11 or 12 years old, after he had done some basic coding and experimentation on a computer his parents had bought him and which he sometimes felt had a mind of its own.[6] His later ideas came from years of discussions he had been having with a friend with an expertise in neuroscience, who claimed machines could never become sentient. Trying to find an answer on his own he started reading books on the topic. During the pre-production of Dredd, while going through a book by Murray Shanahan about consciousness and embodiment, Garland had an “epiphany.” The idea was written down and put aside till later.[7] Shanahan, along with Adam Rutherford, became a consultant for the film, and the ISBN of his book is referred to as an easter egg in the film.[8][9] Other inspirations came from films like Stanley Kubrick‘s 2001: A Space Odyssey, Altered States, and books written by Ludwig Wittgenstein, Ray Kurzweil and others.[10] Wanting total creative freedom, without having to add conventional action sequences, he made the film on as small a budget as possible.[11]

The film was shot as ordinary live action. During filming, there were no special effects, greenscreen, or tracking markers used. All effects were done in post-production. To create Ava’s robotic features, scenes were filmed both with and without actress Alicia Vikander’s presence, which allowed capturing the background behind her. The parts necessary to keep, especially her hands and face, were then rotoscoped while the rest was digitally painted out, and the background behind her restored. Camera and body tracking systems transferred Vikander’s performance to the CGI robot’s movements. In total, there were about 800 VFX shots, of which 350 or so were “robot” shots.[12][13] Other visual effects included Ava’s clothes when shown through the transparent areas of her body, Nathan’s blood after being stabbed, and the interior of the artificial brains.[14][15][16]

Filming

Principal photography began on 15 July 2013[17] and was shot over four weeks at Pinewood Studios and two weeks at Juvet Landscape Hotel in Valldalen, Norway.[18] It was filmed in digital at 4K resolution.[19] 15,000 mini-tungsten pea bulb lights were installed into the sets to avoid the fluorescent light often used in science fiction films.[20]

The opening office scene is filmed at the Bloomberg Head Office in Finsbury Square, London.

Music

The musical score for Ex Machina was composed by Ben Salisbury and Geoff Barrow, who previously worked with Garland on Dredd (2012).[21] A soundtrack album was released digitally on 20 January 2015, with an LP andCompact Disc UK release in February 2015 by Invada Records.[22] Additional songs featured in the film include:[23]

The theme song from the film Ghostbusters is listed in the end titles with the credit, “words and music by Ray Erskine Publishing Limited,” although only its refrain is spoken by the character Nathan in conversation.

Release

Universal Pictures released Ex Machina in the United Kingdom on 21 January 2015,[24] following a preview screening at the BFI Southbank on 16 December 2014 as part of the BFI‘s Sci-Fi: Days of Fear and Wonder season.[25]

However, Universal and Focus Features refused to release the film in the United States, so A24 jumped on board for the United States release.[26] The film screened on 14 March 2015 at the South by Southwest festival prior to a theatrical release in the United States on 10 April 2015 by A24.[27][28]

Marketing

Using the dating app Tinder, a profile was created for Ava with the image of Alicia Vikander.[29] At the South by Southwest Festival where the film was screened, “Ava” was matched with other Tinder users, wherein a text conversation occurred that led users to the Instagram handle promoting the film. According to Brent Lang, when compared with similar films released in the same year, Ex Machina catered to young audiences.[30]

Critical reception

Ex Machina received critical acclaim for its acting, atmosphere, visual effects, score and Garland’s writing and direction. On website Rotten Tomatoes, the film has a rating of 93%, based on 227 reviews, with a rating average of 8/10. The site’s critical consensus reads: “Ex Machina leans heavier on ideas than effects, but it’s still a visually polished piece of work—and an uncommonly engaging sci-fi feature.”[31] On Metacritic, the film has a score of 78 out of 100, based on 42 critics, indicating “generally favorable reviews”.[32]

The magazine New Scientist in a multi-page review said, “It is a rare thing to see a movie about science that takes no prisoners intellectually … [it] is a stylish, spare and cerebral psycho-techno thriller, which gives a much needed shot in the arm for smart science fiction.”[33] The New York Times critic Manohla Dargis gave the film a ‘Critic’s Pick’, calling it “a smart, sleek movie about men and the machines they make”.[34] Kenneth Turan of the Los Angeles Times recommended the film, stating: “Shrewdly imagined and persuasively made, ‘Ex Machina’ is a spooky piece of speculative fiction that’s completely plausible, capable of both thinking big thoughts and providing pulp thrills.”[35] Steven Rea, Philadelphia Inquirer film critic, gave the film 4 out of 4 stars, writing: “Like stage actors who live and breathe their roles over the course of months, Isaac, Gleeson, and Vikander excel, and cast a spell.”[36]

Matt Zoller Seitz from RogerEbert.com praised the use of ideas, ideals, and exploring society’s male and female roles, through the use of an artificial intelligence. He also stated that the tight scripting and scenes allowed the film to move towards a fully justified and predictable end. He gave a rating of 4 out of 4 stars, stating that this film would be a classic.[37] IGN reviewer Chris Tilly gave the film a 9.0 out of 10 ‘Amazing’ score, saying “Anchored by three dazzling central performances, it’s a stunning directorial debut from Alex Garland that’s essential viewing for anyone with even a passing interest in where technology is taking us.”[38]

Mike Scott, writing for the New Orleans Times-Picayune, said, “It’s a theme Mary Shelley brought us in Frankenstein, which was first published in 1818. That was almost 200 years ago. And while Ex Machina replaces the stitches and neck bolts with gears and fiber-optics, it all feels an awful lot like the same story.”[39] Jaime Perales Contreras, writing for Letras Libres, compared Ex Machina as a gothic experience similar to a modern version ofFrankenstein, saying “both the novel Frankenstein and the movie Ex Machina share the history of a fallible god in a continuous battle against his creation.”[40] Ignatiy Vishnevetsky of The A.V. Club criticized the way the sci-fi, near the end, veered off course from being a “film of ideas” by “taking an arbitrary left turn into the territory of corny slasher thrillers”: “While Ex Machina’s ending isn’t unmotivated […], it does fracture much of what’s special about the movie. Up until the final scenes, Garland creates and sustains a credible atmosphere of unease and scientific speculation, defined by color-coded production design […] and a tiny, capable cast.”[41] Steve Dalton fromThe Hollywood Reporter stated, “The story ends in a muddled rush, leaving many unanswered questions. Like a newly launched high-end smartphone, Ex Machina looks cool and sleek, but ultimately proves flimsy and underpowered. Still, for dystopian future-shock fans who can look beyond its basic design flaws, Garland’s feature debut functions just fine as superior pulp sci-fi.”[42]

Accolades

Awards
Award Category Recipients and nominees Result
Academy Awards[43]
Best Original Screenplay Alex Garland Nominated
Best Visual Effects Andrew Whitehurst, Paul Norris, Mark Williams Ardington and Sara Bennett Won
ADG Excellence in Production Design Award Excellence in Production Design for a Contemporary Film Mark Digby Nominated
Austin Film Critics Association Best Original Screenplay Alex Garland Nominated
Best First Film Won
Best Supporting Actor Oscar Isaac Nominated
Best Supporting Actress Alicia Vikander Won
Breakthrough Artist Nominated
Boston Society of Film Critics Best New Filmmaker Alex Garland Won
Broadcast Film Critics Association Best Original Screenplay Nominated
Best Sci-Fi/Horror Movie Won
Best Visual Effects Nominated
British Academy Film Awards Best Actress in a Supporting Role Alicia Vikander Nominated
Best Original Screenplay Alex Garland Nominated
Outstanding Debut by a British Writer, Director or Producer Nominated
Outstanding British Film Alex Garland, Andrew Macdonald and Allon Reich Nominated
Best Special Visual Effects Mark Ardington, Sara Bennett, Paul Norris and Andrew Whitehurst Nominated
British Independent Film Awards Best British Independent Film Won
Best Director of a British Independent Film Alex Garland Won
Best Screenplay Won
Outstanding Achievement in Craft Mark Digby – Production Design Nominated
Andrew Whitehurst – Visual Effects Won
British Society of Cinematographers Best Cinematography in a Feature Film Rob Hardy Nominated
Central Ohio Film Critics Association Best Picture Nominated
Actor of the Year Domhnall Gleeson Runner-up
Alicia Vikander Won
Breakthrough Film Artist Won
Best Supporting Actress Won
Best Supporting Actor Oscar Isaac Runner-up
Best Original Screenplay Alex Garland Nominated
Best Ensemble Domhnall Gleeson, Alicia Vikander, Oscar Isaac and Sonoya Mizuno Nominated
Chicago Film Critics Association Best Original Screenplay Alex Garland Nominated
Most Promising Filmmaker Won
Best Supporting Actress Alicia Vikander Won
Costume Designers Guild Awards Excellence in Fantasy Film Sammy Sheldon Differ Nominated
Dallas–Fort Worth Film Critics Association Best Supporting Actress Alicia Vikander Runner-up
Directors Guild of America Award Outstanding Directing – First-Time Feature Film Alex Garland Won
Empire Awards Best Actress Alicia Vikander Nominated
Golden Globe Award Best Supporting Actress – Motion Picture Nominated
Hugo Award Best Dramatic Presentation – Long Form Alex Garland Nominated
Irish Film and Television Awards Best Actor in a Lead Role – Film Domhnall Gleeson Nominated
Best International Film Nominated
London Film Critics’ Circle Supporting Actor of the Year Oscar Isaac Nominated
Supporting Actress of the Year Alicia Vikander Nominated
Breakthrough British/Irish Filmmaker Alex Garland Nominated
Technical Achievement Award Andrew Whitehurst Nominated
MTV Movie Awards Best Female Performance Alicia Vikander Nominated
National Board of Review Top 10 Independent Films Won
Online Film Critics Society Best Supporting Actor Oscar Isaac Won
Producers Guild of America Award Best Theatrical Motion Picture Nominated
San Diego Film Critics Society Best Film Runner-up
Best Actress Alicia Vikander Nominated
Breakthrough Artist Runner-up
Body of Work (including other features) Won
Best Supporting Actor Oscar Isaac Runner-up
Best Original Screenplay Alex Garland Nominated
Best Production Design Mark Digby Nominated
Best Sound Design Nominated
Best Visual Effects Nominated
Saturn Award[44][45] Best Science Fiction Film Nominated
Best Director Alex Garland Nominated
Best Writing Nominated
Best Actor Domhnall Gleeson Nominated
Best Supporting Actress Alicia Vikander Nominated
Best Special Effects Mark Williams Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst Nominated
Toronto Film Critics Association Best First Feature Alex Garland Won
Best Supporting Actress Alicia Vikander Won

See also

https://en.wikipedia.org/wiki/Ex_Machina_(film)

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Southern Rock Star Gregg Allman Dies at Age 69 — Rest in Peace — Videos

Posted on May 27, 2017. Filed under: Art, Articles, Blogroll, Entertainment, liberty, Life, media, Money, Music, Music, People, Philosophy, Photos, Raves, Video, Welfare, Work, Writing | Tags: , , , , , , , , |

Gregg Allman, icon of Southern Rock, dead at 69

Gregg Allman Dies At 69

CBS This Morning: Gregg Allman Today

Gregg Allman – Tuesday’s Gone (Lynyrd Skynyrd – One More For The Fans)

Gregg Allman – “Tuesday’s Gone” – Skynyrd Tribute Concert @ Fox Theatre, Atlanta 11.12.2014

Gregg Allman – I’m No Angel

Gregg Allman LIVE – “I’m No Angel” | Back to Macon, GA

Gregg Allman 01/21/2012 “These Days”

Gregg Allman (and Redd Foxx) on Late Night, November 18, 1987

The Allman Brothers Band – After The Crash

The Big Interview Sneak Peek: Gregg Allman

GREGG ALLMAN DEAD AT 69 — The Last Time We Saw Him in 2014 | TMZ

“Midnight Rider” with Vince Gill, Gregg Allman and Zac Brown

The Allman Brothers Band – Midnight Rider – 9/10/1973 – Grand Opera House (Official)

Allman Brothers Band – Blue Sky

Gregg Allman performing soulful version of Come And Go Blues

Gregg Allman – Come And Go Blues – 12/11/1981 – unknown (Official)

The Allman Brothers Band – Ramblin’ Man – 7/12/1986 – Starwood Amphitheatre (Official)

The Allman Brothers Band – Ramblin’ Man – 12/16/1981 – Capitol Theatre (Official)

The Allman Brothers Band – Whipping Post – 9/23/1970 – Fillmore East (Official)

The Allman Brothers Band – Full Concert – 09/23/70 – Fillmore East (OFFICIAL)

The Allman Brothers Band – Full Concert – 01/16/82 – University Of Florida Bandshell (OFFICIAL)

The Allman Brothers Band – Jessica (EPIC Version!!!); Wanee Festival 2014-04-11

The Allman Brothers Band – Melissa – 7/29/1981 – NBC Studios (Official)

“Melissa” featuring Jackson Browne and Gregg Allman

The Allman Brothers Band – Soulshine live

The Allman Brothers Band – Soulshine – 8/14/1994 – Woodstock 94 (Official)

Gregg Allman – Queen of Hearts – 07/03/13

The Gregg Allman Band 1982 – Queen of Hearts – Saenger Theatre New Orleans

Allman Brothers Band – A Decade of Hits 1969-1979

The Allman Brothers Band enters the Rock and Roll Hall of Fame

Gregg Allman on Regis & Kathie Lee, 1991

Gregg Allman Reminisces On His Allman Brothers Days – CONAN on TBS

Howard Stern interviews Gregg Allman (05/22/12)

Gregg Allman interview – PART 1 of 14 – Dickey Betts – Saenger Theater New Orleans 1982

Gregg Allman interview PART 2 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 3 of 14 – Saenger Theater New Orleans 1982

Gregg Allman interview PART 4 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 5 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 6 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 7 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 8 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 9 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 10 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 11 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 12 of 14 – Cher – Saenger Theater New Orleans 1982

Gregg Allman interview PART 13 of 14- Saenger Theater New Orleans 1982

Gregg Allman interview PART 14 of 14- Saenger Theater New Orleans 1982

Gregg Allman, Southern Rock Pioneer, Dies at 69

Gregg Allman Tour Bus Crash

REX/SHUTTERSTOCK

MAY 27, 2017 | 12:34PM PT

Gregg Allman, whose hard-jamming, bluesy sextet the Allman Brothers Band was the pioneering unit in the Southern rock explosion of the ‘70s, died Saturday due to currently unknown causes. He was 69.

As recently as April 24, reports surfaced claiming Allman was in hospice. His manager previously denied those reports to Variety, which Allman then substantiated in a Facebook post. However, he had suffered a number of ailments in recent years — including an irregular heartbeat, a respiratory infection, a hernia and a liver transplant — and cancelled many scheduled tour dates in recent months due to undisclosed health reasons.

For his work with the Allman Brothers, the legendary band he cofounded with his late brother Duane, and as a solo artist, Allman is one of the leading lights of Southern Rock. While the group’s greatest work was done before and shortly after Duane’s death in 1971, they stayed together, off and on, over 45 years and remain a singular influence on Southern rock and jam-band musicians. They were a top-drawing touring outfit until October 2014, when the group finally closed the book on their career with a series of dates at their longtime favorite venue, New York’s Beacon Theatre.

Allman’s solo career always played second to that of the band, but he enjoyed solo success with 1973’s “Laid Back” and 1987’s “I’m No Angel,” both of which were certified gold. In 2011 he released an unexpectedly strong album entitled “Low Country Blues” that was produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), who, along with instrumentalists like pianist Dr. John and guitarist Doyle Bramhall II, brought Allman back to his gutsy roots with stellar results.

With his older sibling, guitarist Duane Allman, the singer-keyboardist-guitarist-songwriter led one of the most popular concert attractions of the rock ballroom era; the group’s 1971 set “At Fillmore East,” recorded at Bill Graham’s New York hall, was a commercial breakthrough that showed off the band’s prodigious songcraft and instrumental strengths.

After Duane Allman’s death in a motorcycle accident weeks after the live album’s release, his younger brother led the band through four more stormy decades of playing and recording. The Allman Brothers Band’s latter-day history proved tumultuous, with other fatalities, disbandings, regroupings and very public battles with drugs and alcohol on the part of its surviving namesake.

Though Gregg Allman’s highly publicized addictions, his tabloid-ready marriage to pop vocalist Cher, and his equally public disputes with co-founding guitarist Dickey Betts came under harsh and sometimes mocking scrutiny over the years, Allman prevailed as the linchpin of an act that maintained popularity over four decades and opened the commercial door for such other Southern acts as Lynyrd Skynyrd and the Marshall Tucker Band.

As a member of the Allman Brothers Band, Allman was inducted into the Rock and Roll Hall of Fame in 1995 and was honored with a Grammy Lifetime Achievement Award in 2012.

He was born Gregory LeNoir Allman on Dec. 8, 1947, in Nashville; brother Duane was born 13 months earlier in the same hospital. In 1949, his father was shot to death by a man he offered a ride to in a bar. As their mother was studying accounting to support the family, the brothers were sent to a Tennessee military school at an early age.

The Allmans became attracted to music after seeing a 1960 concert by R&B singer Jackie Wilson in Daytona Beach, FL, where the family had moved the year before. Using money from a paper route (augmented by his mother), Gregg bought a guitar, and taught Duane his first chords. Both played guitar in the bands they founded after returning to the military academy in their teens.

Their pro bands the Escorts and the Allman Joys, which favored R&B, blues and rock covers, found work on the Florida club circuit in the mid-‘60s; Gregg began playing keyboards in the latter unit. The Allman Joys were playing without success in St. Louis when Bill McEuen, manager of the Nitty Gritty Dirt Band, met them and offered to set them up in Los Angeles.

Renamed Hour Glass, the L.A.-based group cut two unsuccessful pop-oriented albums for Liberty Records in 1967-68. Duane chafed at the direction being forced on the combo and fled for Alabama, where he became a prominent session guitarist at FAME Studios in Muscle Shoals, AL. Gregg remained in L.A. to fulfill obligations to Liberty, but was summoned to Jacksonville, FL, in 1969 by his brother, who envisioned a new blues-based band with two guitarist and two drummers, featuring members of another local combo, the 31st of February.

Calling themselves the Allman Brothers Band, the new unit – the Allmans, guitarist Betts, bassist Berry Oakley and drummers Butch Trucks and Jai Johanny “Jaimoe” Johanson – was signed by Otis Redding’s former manager Phil Walden for management and as an act on his Macon, GA-based label Capricorn Records. The group moved to Macon, which became its base for the duration.

Neither of the ABB’s first two albums was an enormous success: Its self-titled bow peaked at No. 188 in 1969, while sophomore set “Idlewild South” topped out at No. 38 in 1970. But they established Gregg Allman as a vocal, instrumental and songwriting power: His compositions included such future staples of the band’s live set as “Not My Cross to Bear,” “Dreams,” “Whipping Post” and “Midnight Rider.”

Though problems with hard drug abuse were already surfacing in the band, the Allmans became a huge concert attraction in the South; the enthusiastic sponsorship of promoter Graham led to high-profile gigs at New York’s Filllmore East (where the band attained a rabid following) and San Francisco’s Fillmore.

The Allmans made their commercial mark with “At Fillmore East”: The expansive, Tom Dowd-produced two-record set, recorded during two nights at the venue, shot to No.13 ultimately sold more than 1 million copies and became one of the defining concert recordings of its day. However, Duane Allman’s tragic death at 24 on a Macon street on Oct. 29, 1971, cast a shadow over its success.

The band completed a follow-up two-LP set, “Eat a Peach,” as a quintet, with live numbers featuring Duane filling out the contents. The 1972 package rose to No. 4 nationally and went platinum, but disaster again struck: In a mishap eerily similar to Duane Allman’s fatal crash, hard-drinking bassist Oakley died after driving his bike into the side of a truck that November.

Shaken by the deaths of his brother and Oakley and increasingly incapacitated by heroin, cocaine and alcohol, Gregg Allman ceded much of the band’s songwriting and front man duties to Betts; as he noted in “My Cross to Bear,” his 2012 memoir, “Up until then, we’d never really had a front man; Dickey took it upon himself to create that role.”

The ABB released its only No. 1 album, “Brothers and Sisters,” in 1973; the record was powered to the top by the Betts-penned No. 2 single “Ramblin’ Man,” the group’s only top-10 45.

Allman retreated from the group to cut his solo debut “Laid Back” in 1973; rising to No. 13, it would be his most popular work away from the band for nearly 40 years, and it spawned his only top-20 solo single, a down-tempo remake of “Midnight Rider.”

On the heels of the lugubrious but popular “Win, Lose or Draw” (No. 5, 1975), the group set out on its biggest, and costliest, tour to date. The ABB flew to its dates on a lavishly appointed private jet previously used by the Rolling Stones and Led Zeppelin; in his book, Allman recalls, “The first time we walked onto the plane, ‘Welcome Allman Brothers’ was spelled out in cocaine on the bar.”

The ABB returned from the 41-date tour with a mere $100,000 in hand, owing to over-the-top spending. This financial catastrophe was compounded by the indictment of the group’s security man (and Allman’s drug bag man) Scooter Herring on cocaine distribution charges; Allman testified against Herring before a grand jury and at his trial, which netted a 75-year prison sentence.

Addicted to heroin and embroiled in inter-band conflict with Betts, Allman began spending more time in Los Angeles with Cher, whom he had wed in June 1975. The incongruous couple was followed avidly by gossip columnists. In the wake of an unsuccessful 1977 solo album, “Playin’ Up a Storm” (No. 42), Allman and Cher released their only duo album, “Two the Hard Way”; embarrassingly credited to “Allman and Woman,” the set failed to chart, and its accompanying tour witnessed scuffles between hostile camps of fans in the audiences. Allman and Cher divorced in 1978.

Membership in the ABB rotated repeatedly for the remainder of the group’s career, which saw ever-diminishing contributions from writer Allman. He authored just one song for the group’s final Capricorn album, “Enlightened Rogues” (No. 27, 1979); the financially unstable imprint crashed within a year of its release. Allman was also a minor contributor to a pair of slick, poorly received albums for Arista Records in 1980-81.

During the band’s protracted hiatus of the ‘80s, Allman issued a pair of solo sets; the more popular of the two, 1987’s “I’m No Angel” (No. 30, 1987), spawned the titular radio hit.

Encouraged by airplay on the burgeoning “classic rock” radio format, the ABB reconvened for a 1989 tour. In 1990, the group recorded “Seven Turns” (No. 53) with “Fillmore East” producer Tom Dowd; the group also began multi-night residencies at New York’s Beacon Theatre, which became an annual tradition. They issued four commercially unrewarding albums – two studio sets and two concert releases – between 1991 and 1995.

Following a drunken appearance at the Rock and Roll Hall of Fame induction ceremony in New York in January 1995, onetime junkie Allman, after 11 stints in rehab, finally stopped drinking on his own, under the 24-hour watch of two nurses.

Following the exit of longtime guitarist Warren Haynes and bassist Allen Woody and the recruitment of Butch Trucks’ young nephew Derek Trucks on guitar, the ABB cut the live “Peakin’ at the Beacon” in 2000. Tension within the band had reached the breaking point, and, following a severely worded fax to Betts from the other members and subsequent legal arbitration, the Allman Brothers Band’s other founding guitarist made his exit.

The front line of Allman, Haynes and Derek Trucks and the group’s founding drummers were heard on the Allman Brothers Band’s studio collection “Hittin’ the Note” (No. 37, 2003) and the live “One Way Out” (No. 190, 2004). After 45 years in business, the band was formally dissolved after an October 2014 show at the Beacon.

Allman’s old habits caught up with him in the ‘00s. Diagnosed with hepatitis C – a disease common to intravenous drug users – in 2007, he learned that he was suffering from liver cancer in 2008. He underwent successful liver transplant surgery at the Mayo Clinic in 2010.

Before his surgery, Allman entered the studio to record his first solo album in 13 years. “Low Country Blues,” a striking and powerful recital of old blues songs, augmented by one Allman-Haynes original and produced by T Bone Burnett (Alison Krauss/Robert Plant, Los Lobos, Elvis Costello, “O Brother Where Art Thou?”), garnered the best reviews of his career, collected a Grammy Award nomination and became his highest-charting solo release, reaching No. 5 in early 2011.

However, health problems and catastrophe continued to dog him. He cut short a 2011 European tour because of respiratory issues, which ultimately mandated lung surgery. He faced a drug relapse spurred by painkillers, and did a stint in rehab. In 2014, a film based on his 2012 memoir, “Midnight Rider,” ceased production after a camera assistant on director Randall Miller’s feature was killed by a freight train on the first day of shooting.

Married and divorced six times, Allman is survived by three sons and two daughters, all by different mothers. Four of the children are professional musicians.

http://variety.com/2017/music/people-news/gregg-allman-dies-dead-69-southern-rock-1202446640/

Gregg Allman

From Wikipedia, the free encyclopedia
Gregg Allman
Gregg Allman (5880514910).jpg

Allman performing in 2011
Born Gregory LeNoir Allman
December 8, 1947
Nashville, Tennessee, U.S.
Died May 27, 2017 (aged 69)
Savannah, Georgia, U.S.
Cause of death Complications from liver cancer
Occupation
  • Singer-songwriter
  • musician
Years active 1960–2017
Spouse(s) Shelley Jefts (m. 1971; div. 1972)
Janice Mulkey (m. 1973; div. 1974)
Cher (m. 1975; div. 1979)
Julie Bindas (m. 1979; div. 1984)
Danielle Galliano (m. 1989; div. 1994)
Stacey Fountain (m. 2001; div. 2008)
Children 5; including Devon and Elijah Blue
Musical career
Genres
Instruments
  • Vocals
  • keyboards
  • guitar
Labels
Associated acts
Website greggallman.com

Gregory LeNoir “Gregg” Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter.

He is best known for performing in the Allman Brothers Band. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida. He and his brother, Duane Allman, developed an interest in music in their teens, and began performing in the Allman Joys in the mid-1960s. In 1967, they relocated to Los Angeles and were renamed the Hour Glass, releasing two albums for Liberty Records. In 1969, he and Duane regrouped to form the Allman Brothers Band, which settled in Macon, Georgia.

The Allman Brothers Band began to reach mainstream success by the early 1970s, with their live album At Fillmore East representing a commercial and artistic breakthrough. Shortly thereafter, Duane was killed in a motorcycle crash in 1971. The following year, the band’s bassist, Berry Oakley was also killed in a motorcycle accident very close to the location of Duane’s wreck. Their 1973 album Brothers and Sisters became their biggest hit, and Allman pursued a solo career afterward, releasing his debut album, Laid Back the same year. Internal turmoil took over the group, leading to a 1975 breakup. Allman was married to pop star Cher for the rest of the decade, while he continued his solo career with the Gregg Allman Band. After a brief Allman Brothers reunion and a decade of little activity, he reached an unexpected peak with the hit single “I’m No Angel” in 1987. After two more solo albums, the Allman Brothers reformed for a third and final time in 1989, and continued performing until 2014. He released his most recent solo album, Low Country Blues, in 2011, and his next, Southern Blood, is set to be released in 2017.

For his work in music, Allman was referred to as a Southern rock pioneer[1] and received numerous awards, including several Grammys; he was inducted into the Rock and Roll Hall of Fame and the Georgia Music Hall of Fame. His distinctive voice placed him in 70th place in the Rolling Stone list of the “100 Greatest Singers of All Time”.[2] Allman released an autobiography, My Cross to Bear, in 2012.

Early life

Allman and his brother Duane attended Castle Heights Military Academy in Lebanon, Tennessee in their childhood.

Allman was born Gregory LeNoir Allman at St. Thomas Hospital on December 8, 1947 in Nashville, Tennessee, to Willis Turner Allman and Geraldine Robbins Allman.[3] The couple had met during World War II in Raleigh, North Carolina, when Allman was on leave from the U.S. Army, and were later married. They moved to Vanleer, Tennessee, in 1945.[citation needed] Their first child, Duane Allman, was born in Nashville in 1946.

In 1949, Willis Allman, having been recently promoted to captain, offered a hitchhiker a ride home and was subsequently shot and killed.[4]Geraldine moved to Nashville with her two sons, and she never remarried.[5] Lacking money to support her children, she enrolled in college to become a Certified Public Accountant (CPA)—state laws at the time, according to her son, required students to live on-campus.[6] As a result, Gregg and his older brother were sent to Castle Heights Military Academy in nearby Lebanon.[3] A young Gregg interpreted these actions as evidence of his mother’s dislike for him, though he later came to understand the reality: “She was actually sacrificing everything she possibly could—she was working around the clock, getting by just by a hair, so as to not send us to an orphanage, which would have been a living hell.”[7]

While his brother adapted to his surroundings with a defiant attitude, Allman felt largely depressed at the school. With little to do, he studied often and developed an interest in medicine—had he not gone into music, he hoped to become a dentist.[8] He was rarely hazed at Castle Heights as his brother protected him, but often suffered beatings from instructors when he received poor grades.[9] The brothers returned to Nashville upon their mother’s graduation. Growing up, he continually fought with Duane, though he knew that he loved him and that it was typical of brothers. Duane was a mischievous older child, who constantly played pranks on his younger sibling.[10] The family moved to Daytona Beach, Florida, in 1959.[6] Gregg tended to look forward to his summer breaks, where he spent time with his uncles in Nashville, who he came to view in a fatherly regard.[11] Allman would later recall two separate events in his life that led to his interest in music. In 1960, the two brothers attended a concert in Nashville with Jackie Wilson headlining alongside Otis Redding, B.B. King, and Patti LaBelle.[8] Allman was also exposed to music through Jimmy Banes, a mentally challenged neighbor of his grandmother in Nashville. Banes introduced Allman to the guitar and the two began spending time on his porch each day as he played music.[12]

Gregg worked as a paperboy to afford a Silvertone guitar, which he purchased at a Sears when he saved up enough funds.[6] He and his brother often fought to play the instrument, though there was “no question that music brought” the two together.[13] In Daytona, they joined a YMCA group called the Y Teens, their first experience performing music with others.[14] He and Duane returned to Castle Heights in their teen years, where they formed a band, the Misfits.[15] Despite this, he still felt “lonesome and out of place,” and quit the academy.[16] He returned to Daytona Beach and pursued music further, and the duo formed another band, the Shufflers, in 1963.[14] He attended high school at Seabreeze High School, where he graduated in 1965.[17]However, he grew undisciplined in his studies as his interests diverged: “Between the women and the music, school wasn’t a priority anymore.”[18]

Music career

Early bands (1960–1968)

“We would rehearse every day in the club, go have lunch, rehearse some more, go home and take a shower, then go to the gig. Sometimes we would rehearse after we got home from the gig too, just get out the acoustics and play. The next day, we’d go have breakfast, go rehearse, and do it all over again. We rehearsed constantly.”

—Allman on his musical evolution[19]

The two Allman brothers began meeting various musicians in the Daytona Beach area. They met a man named Floyd Miles, and they began to jam with his band, the Houserockers. “I would just sit there and study Floyd […] I studied how he phrased his songs, how he got the words out, and how the other guys sang along with him,” he would later recall.[20] They later formed their first “real” band, the Escorts, which performed a mix of top 40 and rhythm and blues music at clubs around town.[21] Duane, who took the lead vocal role on early demos, encouraged his younger brother to sing instead.[22] He and Duane often spent all of their money on records as educational material, as they attempted to learn songs from them. The group performed constantly as music became their entire focus; Allman missed his high school graduation because he was performing that evening.[23] In his autobiography, Allman recalls listening to Nashville R&B station WLAC at night and discovering artists such as Muddy Waters, which later became central to his musical evolution.[19] He narrowly missed being drafted into the Vietnam War by intentionally shooting himself in the foot.[24]

The Escorts evolved into the Allman Joys, the brothers’ first successful band. After a successful summer run locally, they hit the road in fall 1965 for a series of performances throughout the Southeast; their first show outside of Daytona was at the Stork Club in Mobile, Alabama—where they were booked for 22 weeks straight.[25] Afterwards, they were booked at the Sahara Club in nearby Pensacola, Florida, for several weeks.[26] Allman later regarded Pensacola as “a real turning point in my life,” as it was where he learned how to capture audiences and about stage presence.[27] He also received his first Vox keyboard there, and learned how to play it over the ensuing tour.[28] By the following summer, they were able to book time at a studio in Nashville, where they recorded several songs, aided by a plethora of drugs. These recordings were later released as Early Allman in 1973, to Allman’s dismay.[29] He soon grew tired of performing covers and began writing original compositions.[30] They settled in St. Louis for a time, where in the spring of 1967 they began performing alongside Johnny Sandlin and Paul Hornsby, among others, under various names. They considered disbanding, but Bill McEuen, manager of the Nitty Gritty Dirt Band, convinced the band to relocate to Los Angeles, outright giving them the funds to do so.[31]

He arranged a recording contract with Liberty Records in June 1967,[32] and they began to record an album under the new name the Hour Glass, suggested by their producer, Dallas Smith. Recording was a difficult experience; “the music had no life to it—it was poppy, preprogrammed shit,” Allman felt.[33] Though they considered themselves sellouts, they needed money to live.[33] At concerts, they declined to play anything off their debut album, released that October, instead opting to play the blues.[34] Such gigs were sparse, however, as Liberty only allowed one performance per month.[35] After some personnel changes, they recorded their second album, Power of Love, released in March 1968. It contained more original songs by Allman, though they still felt constricted by its process. They embarked on a small tour, and recorded some new demos at FAME Studios in Muscle Shoals, Alabama.[36] Liberty disliked the recordings, and the band broke up when Duane explicitly told off executives. They threatened to freeze the band, so they would be unable to record for any other label for seven years.[37]Allman stayed behind to appease the label, giving them the rights to a solo album. The rest of the band mocked Allman, viewing him as too scared to leave and return to the South.[37]

Meanwhile, Duane Allman had returned to Florida where he met Butch Trucks, a drummer in the band the 31st of February. In October 1968, the 31st of February, aided by Gregg and Duane Allman, recorded several songs.[38] Allman returned to Los Angeles to fulfill his deal with Liberty, writing more original songs on the Hammond organ at the studio.[39] Duane began doing session work at Fame in Muscle Shoals during this time, where he began putting together a new band. He phoned his brother with the proposition of joining the new band—which would have two guitarists and two drummers. With his deal at Liberty fulfilled, he drove to Jacksonville, Florida, in March 1969 to jam with the new band. Allman at first thought two drummers would be a tortuous experience, but found himself pleasantly surprised by the successful jam.[40] He called the birth of the group “one of the finer days in my life […] I was starting to feel like I belonged to something again.”[41]

The Allman Brothers Band and mainstream success

Formation and touring (1969–1971)

The Allman Brothers Band moved to Macon, Georgia,[42] and forged a strong brotherhood, spending countless hours rehearsing, consuming psychedelic drugs, and hanging out in Rose Hill Cemetery, where they would write songs—”I’d be lying if I said I didn’t have my way with a lady or two down there,” said Allman.[43][44] The group remade old blues numbers like “Trouble No More” and “One Way Out“, in addition to improvised jams such as “Mountain Jam“.[45] Gregg, who had struggled to write in the past, became the band’s sole songwriter, composing songs such as “Whipping Post” and “Black-Hearted Woman.”[46] The group’s self-titled debut album was released in November 1969 through Atco and Capricorn Records,[47] but received a poor commercial response, selling less than 35,000 copies upon initial release.[48] The band played continuously in 1970, performing over 300 dates on the road,[49][50] which contributed to a larger following.[51] Oakley’s wife rented a large Victorian home in Macon and the band moved into what they dubbed “the Big House” in March 1970.[52] Their second record, Idlewild South (named after a farmhouse on a lake outside of Macon they rented),[53] was issued by Atco and Capricorn Records in September 1970, less than a year after their debut.[53]

Elder brother Duane Allman, who was killed in a motorcycle crash in 1971

Their fortunes began to change over the course of 1971, where the band’s average earnings doubled.[54] “We realized that the audience was a big part of what we did, which couldn’t be duplicated in a studio. A lightbulb finally went off; we needed to make a live album,” said Allman.[55] At Fillmore East, recorded at the Fillmore East in New York, was released in July 1971 by Capricorn.[56] While previous albums by the band had taken months to hit the charts (often near the bottom of the top 200), the record started to climb the charts after a matter of days.[57] At Fillmore East peaked at number thirteen on Billboard‘s Top Pop Albums chart, and was certified gold by the Recording Industry Association of America that October, becoming their commercial and artistic breakthrough.[57] Although suddenly very wealthy and successful, much of the band and its entourage now struggled with addiction to numerous drugs; they all agreed to quit heroin, but cocaine remained a problem.[58] His last conversation with his brother was an argument over the substance, in which Gregg lied. In his autobiography, Allman wrote: “I have thought of that lie every day of my life […] told him that lie, and he told me that he was sorry and that he loved me.”[59]

Shortly after At Fillmore East was certified gold in domestic sales, Duane was killed in a motorcycle accident in Macon.[60] At his funeral the next day, Gregg performed “Melissa”, which was his brother’s favorite song.[61] After the service, he confided in his bandmates that they should continue. He left for Jamaica to get away from Macon, and was in grief for the following few weeks.[62] “I tried to play and I tried to sing, but I didn’t do too much writing. In the days and weeks that followed, […] I wondered if I’d ever find the passion, the energy, the love of making music,” he remembered.[62] As the band took some time apart to process their loss, At Fillmore East became a major success in the U.S. “What we had been trying to do for all those years finally happened, and he was gone.”[63] Allman later expanded upon his brother’s passing in his autobiography:

“When I got over being angry, I prayed to him to forgive me, and I realized that my brother had a blast. […] Not that I got over it—I still ain’t gotten over it. I don’t know what getting over it means, really. I don’t stand around crying anymore, but I think about him every day of my life. […] Maybe a lot of learning how to grieve was that I had to grow up a little bit and realize that death is part of life. Now I can talk to my brother in the morning, and he answers me at night. I’ve opened myself to his death and accepted it, and I think that’s the grieving process at work.”[64]

Mainstream success and fame (1972–1976)

Allman performing with the Allman Brothers in 1975

After Duane’s death, the band held a meeting on their future; it was clear all wanted to continue, and after a short period, the band returned to the road.[65] They completed their third studio album, Eat a Peach, that winter, which raised each member’s spirits: “The music brought life back to us all, and it was simultaneously realized by every one of us. We found strength, vitality, newness, reason, and belonging as we worked on finishing Eat a Peach“, said Allman.[66] Eat a Peach was released the following February, and it became the band’s second hit album, shipping gold and peaking at number four on Billboard‘s Top 200 Pop Albums chart.[67] “We’d been through hell, but somehow we were rolling bigger than ever,” Allman recalled.[68] Betts had to convince the band members to tour, since all other members were reluctant.[69] The Allman Brothers Band played 90 shows in 1972 in support of the record. “We were playing for him and that was the way to be closest to him,” said Trucks.[69] The band purchased 432 acres of land in Juliette, Georgia for $160,000 and nicknamed it “the Farm”; it soon became a group hangout.[70] Oakley, however, was visibly suffering from the death of his friend,[71] and he too was killed in a motorcycle crash in November 1972.[72] “Upset as I was, I kind of breathed a sigh of relief, because Berry’s pain was finally over,” Allman said.[68]

The band unanimously decided to carry on, and enlisted Lamar Williams on bass and Chuck Leavell on piano. The band began recording Brothers and Sisters, their follow-up album, and Betts became the group’s de facto leader during the recording process.[73] Meanwhile, after some internal disagreements, Allman began recording a solo album, which he titled Laid Back. The sessions for both albums often overlapped and its creation caused tension within the rest of the band.[74] Both albums were released in the autumn of 1973, with Brothers and Sisters cemented the Allman Brothers’ place among the biggest rock bands of the 1970s. “Everything that we’d done before—the touring, the recording—culminated in that one album,” Allman recalled.[75]Ramblin’ Man“, Betts’ country-infused number, received interest from radio stations immediately, and it rose to number two on the Billboard Hot 100.[67] The Allman Brothers Band returned to touring, playing larger venues, receiving more profit and dealing with less friendship, miscommunication and spiraling drug problems.[67][76] This culminated in a backstage brawl when the band played with the Grateful Dead at Washington‘s RFK Stadium in June 1973, which resulted in the firing of three of the band’s longtime roadies.[77] The band played arenas and stadiums almost solely as their drug use escalated. In 1974, the band was regularly making $100,000 per show, and was renting the Starship, a customized Boeing 720B used by Led Zeppelin and the Rolling Stones.[78] “When [we] got that goddamn plane, it was the beginning of the end,” said Allman.[79]

In between tours, Allman embarked on another tour to promote Laid Back. He brought along the musicians who helped record the album as his band, and hired a full string orchestra to accompany the group.[74] A live album of material from the tour was released as The Gregg Allman Tour later that year, to help recoup costs for the tour.[80] It went up against Betts’ first solo record, Highway Call, prompting some to dub their relationship a rivalry. Their relationships became increasingly frustrated, amplified by heavy drug and alcohol abuse.[81] In January 1975, Allman began a relationship with pop star Cher—which made him more “famous for being famous than for his music,” according to biographer Alan Paul.[82] The sessions that produced 1975’s Win, Lose or Draw, the last album by the original Allman Brothers Band, were disjointed and inconsistent. Allman was spending more time in Los Angeles with Cher.[83] Their time off from one another the previous fall “only exaggerated the problems between our personalities. With each day there was more and more space between us; the Brotherhood was fraying, and there wasn’t a damn thing any of us could do to stop it.”[84]

Upon its release, it was considered subpar and sold less than its predecessor; the band later remarked that they were “embarrassed” about the album.[85] From August 1975 to May 1976, the Allman Brothers Band played 41 shows to some of the biggest crowds of their career.[86] Gradually, the members of the band grew apart during these tours, with sound checks and rehearsals “[becoming] a thing of the past.”[86] Allman later pointed to a benefit for presidential candidate Jimmy Carter as the only real “high point” in an otherwise “rough, rough tour.” The shows were considered lackluster and the members were excessive in their drug use.[87][88] The “breaking point” came when Allman testified in the trial of security man Scooter Herring.[67]Bandmates considered him a “snitch,” and he received death threats, leading to law-enforcement protection.[89] Herring was convicted on five counts of conspiracy to distribute cocaine and received a 75-year prison sentence, which were later overturned as he received a lesser sentence.[89] For his part, Allman always maintained that Herring had told him to take the deal and he would take the fall for it, but nevertheless, the band refused to communicate with him.[89] As a result, the band finally broke up; Leavell, Williams, and Jaimoe continued playing together in Sea Level, Betts formed Great Southern, and Allman founded the Gregg Allman Band.[90]

Mid-career and struggles

Marriages, breakups, and music (1977–1981)

Allman married Cher in June 1975, and the two lived in Hollywood during their years together as tabloid favorites.[4] Their marriage produced one son, Elijah Blue Allman, who was born in July 1976.[91] He recorded his second solo album, Playin’ Up a Storm, with the Gregg Allman Band, and it was released in May 1977. He also worked on an collaborative album with Cher titled Two the Hard Way, which, upon its release, was a massive failure.[73] The couple went to Europe to tour in support of both albums,[92] though the crowd reception was mixed.[93] With a combination of Allman Brothers fans and Cher fans, fights often broke out in venues, which led Cher to cancel the tour.[94] Turmoil began to overwhelm their relationship, and the two divorced in 1978.[95] Allman returned to Daytona Beach to stay with his mother, spending the majority of his time partying, chasing women, and touring with the Nighthawks, a blues band.[96]In a 2011 interview with WBUR’s On Point, Allman told host Tom Ashbrook that he was also uncomfortable with his wife’s celebrity lifestyle.

The Allman Brothers Band reunited in 1978, hiring two new members: guitarist Dan Toler and bassist David Goldflies.[90] Betts had approached Allman during his time in Daytona regarding a reunion.[97] Allman remembered that each member had their own reasons for rejoining, though he surmised it was a combination of displeasure with how things ended, missing each other, and a need for money.[98] The band’s reunion album, Enlightened Rogues, was released in February 1979 and was a mild commercial success.[99][100] Betts’ lawyer, Steve Massarsky, began managing the group,[100] and led the band to sign with Arista, who pushed the band to “modernize” their sound.[101] Their first Arista effort, Reach for the Sky (1980), was produced by Nashville songwriters Mike Lawler and Johnny Cobb.[101] Drugs remained a problem with the band, particularly among Betts and Allman.[102] The band again grew apart, replacing Jaimoe with Toler’s brother Frankie.[103] “One of the real blights on the history of the Allman Brothers Band was that Jaimoe, this gentle man, was fired from this organization,” said Allman later.[104]Not long after, “the band changed managers, hiring the promoter John Scher after Massarsky eased himself out, reportedly saying, ‘It’s a million-dollar headache and a quarter-million-dollar job.'”[105]

For their second and final album with Arista, Brothers of the Road, they collaborated with a “name producer” (John Ryan, of Styx and the Doobie Brothers), who pushed the band even harder to change their sound.[106]Straight from the Heart” was the album’s single, which became a minor hit but heralded the group’s last appearance on the top 40 charts.[107] The band, considering their post-reunion albums “embarrassing,” subsequently broke up in 1982 after clashing with Clive Davis, who rejected every producer the band suggested for a possible third album, including Tom Dowd and Johnny Sandlin.[108] “We broke up in ’82 because we decided we better just back out or we would ruin what was left of the band’s image,” said Betts.[108] The band’s final performance came on Saturday Night Live in January 1982, where they performed “Southbound” and “Leavin’.”[109] “It was like a whole different band made those records […] In truth, though, I was just too drunk most of the time to care one way or the other,” Allman would recall.[110]

Downtime, a surprise hit, and another reformation (1982–1990)

“No two ways about it, the ’80s were rough. […] It was seven years of going, “What is it that I do?” Being self-employed your whole life, that becomes a certain rock, a reinforcement. When that’s gone, not only are you bored stiff, but you just want to cry—”What do I do? I know I used to serve a purpose.”[111]

—Allman reflecting on his career in the 1980s

Allman spent much of the 1980s adrift and living in Sarasota, Florida with friends Marcia and Chuck Boyd.[112] His alcohol abuse was at one of its worst points, with Allman consuming “a minimum of a fifth of vodka a day.”[113] He felt the local police pursued him heavily, due to his tendency to get inebriated and “go jam anywhere.”[114] He was arrested and charged with a DUI; as a result, he spent five days in jail and was charged $1,000.[111] While he did not consider himself “washed up,” he noted in his autobiography that “there’s that fear of everybody forgetting about you.”[111] Southern rock faded from popular culture and electronic music formed much of the pop music of the decade. “There was hardly anybody playing live music, and those who did were doing it for not much money, in front of some die-hard old hippies in real small clubs,” he later recalled.[115] Nevertheless, he reformed the Gregg Allman Band and toured nationwide.[116] He often went to Telstar Studios to rehearse and write new songs. At one point, he attempted to reconnect with his children, though, according to him, “it just wasn’t a good situation.”[117]

By 1986, he felt tired of having little funds, and teamed up with former bandmate Betts for several performances together. It led to two Allman Brothers reunion performances that summer. Eventually, tension would arise and they would spend time apart again.[118] After recording several demos in Los Angeles, Allman was offered a recording contract by Epic Records.[119] He recorded his third solo release, I’m No Angel, at Criteria in Miami. Released in 1987, the title track became a surprise hit on radio. Allman released another solo album the following year, Just Before the Bullets Fly, though it did not sell as well as its predecessor. His alcohol abuse continued in the late 1980s, as he moved to Los Angeles and lived at the Riot House.[120] He married Danielle Galliano in a midlife crisis wherein he felt he would one day be too “old and ugly” to get married.[120] The marriage began with Allman overdosing at the Riot House—”so our marriage started off with a bang,” he said.[121] He dabbled in acting for the first time, taking a small part in the film Rush Week (1989),[122] and he sang the opening track to the film Black Rain (1989).[120]

The Allman Brothers Band celebrated its twentieth anniversary in 1989, and the band reunited for a summer tour, with Jaimoe once again on drums.[123] In addition, they featured guitarist Warren Haynes and pianist Johnny Neel, both from the Dickey Betts Band, and bassist Allen Woody, who was hired after open auditions held at Trucks’s Florida studio.[123] The classic rock radio format had given the band’s catalog songs new relevance, as did a multi-CD retrospective box set, Dreams.[124] Epic, who had worked with Allman on his solo career, signed the band. Danny Goldberg became the band’s manager; he had previously worked with acts such as Led Zeppelin and Bonnie Raitt.[125] The group were initially reluctant to tour, but found they performed solidly; in addition, former roadies such as “Red Dog” returned.[126] The band returned to the studio with longtime producer Tom Dowd for 1990’s Seven Turns, which was considered a return to form.[67][127]Good Clean Fun” and “Seven Turns” each became big hits on the Mainstream Rock Tracks chart. The addition of Haynes and Woody had “reenergized” the ensemble.[128] Neel left the group in 1990, and the band added percussionist Marc Quiñones, formerly of Spyro Gyra, the following year.[129]

Reforming the band and breaking addictions (1991–2000)

The band began touring heavily,[130] which helped build a new fan base: “We had to build a fan base all over again, but as word of mouth spread about how good the music was, more and more people took notice. It felt great, man, and that really helped the music,” Allman recalled.[131] Their next studio effort, Shades of Two Worlds (1992), produced the crowd favorite “Nobody Knows”.[132] Allman took his second and final acting role in Rush (1991), a crime drama. Allman greatly enjoyed the experience: “It was a different facet of the entertainment industry, and I wanted to see how those people worked together.”[133] The band grew contentious over a 1993 tour, in which Betts was arrested when he shoved two police officers.[130]Despite the growing tension, Haynes remained a member and Betts returned.[134] Their third post-reunion record, Where It All Begins (1994), was recorded entirely live.[134] The band continued to tour with greater frequency, attracting younger generations with their headlining of the H.O.R.D.E. Festival.[107][135] Allman’s daughter, Island, came to live with him in Los Angeles, and despite early struggles, they eventually grew very close.[136] “Island is the love of my life, she really is,” he would later write.[97]

For much of the 1990s, Allman lived in Marin County, California, spending his free time with close friends and riding his motorcycle.[137] The band was inducted into the Rock and Roll Hall of Fame in January 1995; Allman was severely inebriated and could not make it through his acceptance speech.[138] Seeing the ceremony broadcast on television later, Allman was mortified, providing a catalyst for his final, successful attempt to quit alcohol and substance abuse. He hired two in-home nurses that switched twelve-hour shifts to help him through the process.[139]He was immensely happy to finally quit alcohol, writing later in his autobiography: “Did I get any positive anything out of all that? And you’ve got to admit to yourself, no, I didn’t. You can see what happened and that by the grace of God, you finally quit before it killed you.”[139] Allman recorded a fifth solo album, Searching for Simplicity, which was quietly released on 550 Music.[73]Despite positive developments in his personal life, things began declining among the band members. During their 1996 run at the Beacon, turmoil came to a breaking point between Allman and Betts, nearly causing a cancellation of a show and causing another band breakup.[140] Haynes and Woody left to focus on Gov’t Mule, feeling as though a break was imminent with the Allman Brothers Band.[141][142]

The group recruited Oteil Burbridge of the Aquarium Rescue Unit to replace Woody on bass, and Jack Pearson on guitar.[143] Concerns arose over the increasing loudness of Allman Brothers shows, which were largely centered on Betts.[142] Pearson, struggling with tinnitus, left as a result following the 1999 Beacon run.[144] Trucks phoned his nephew, Derek Trucks, to join the band for their thirtieth anniversary tour.[145] The Beacon run in 2000, captured on Peakin’ at the Beacon, was ironically considered among the band’s worst performances; an eight-show spring tour led to even more strained relations in the group.[146] “It had ceased to be a band—everything had to be based around what Dickey was playing,” said Allman.[147] Anger boiled over within the group towards Betts, which led to all original members sending him a letter, informing him of their intentions to tour without him for the summer.[148] All involved contend that the break was temporary, but Betts responded by hiring a lawyer and suing the group, which led to a permanent divorce.[147] That August, Woody was found dead in a hotel room in New York,[149] which hit Allman particularly hard.[150] In 2001, Haynes rejoined the band for their Beacon run,[149] setting the stage for over a decade of stability within the group.

Later years

Touring and health problems (2000–2014)

Allman during the Allman Brothers Band’s annual residency at the Beacon Theater in New York in 2009

Allman moved to Savannah, Georgia, in 2000, purchasing five acres on the Belfast River.[151] The last incarnation of the Allman Brothers Band was well-regarded among fans and the general public, and remained stable and productive.[67][107] The band released their final studio recording, Hittin’ the Note (2003), to critical acclaim.[107] Allman co-wrote many songs on the record with Haynes, and he regarded it as his favorite album by the group since their earliest days. The band continued to tour throughout the 2000s, remaining a top touring act, regularly attracting more than 20,000 fans.[67]The decade closed with a successful run at the Beacon Theater, in celebration of the band’s fortieth anniversary.[152] “That [2009 run] was the most fun I’ve ever had in that building,” said Allman, and it was universally regarded within the band as a career highlight.[153][154][107] The run featured numerous special guests, including Eric Clapton, whom all in the band regarded as the most “special” guest, due to his association with Duane.[155]

He was diagnosed with hepatitis C in 2007—which he attributed to a dirty tattoo needle.[156] By the next year, they had discovered three tumors within his liver, and he was recommended to the Mayo Clinic in Jacksonville by a Savannah doctor for a liver transplant.[157] He went on a waiting list and after five months, he underwent a successful liver transplant in 2010.[158] He was reluctant to pursue a new solo album after the death of longtime producer Tom Dowd in 2002, but eventually recorded with producer T-Bone Burnett on his seventh release, Low Country Blues.[159] He was initially reluctant to Burnett’s suggestion to not bring his normal band, but he eventually became very positive about the recording, later calling it “a true highlight of my career.”[160] It went unreleased during his health problems, and during that time, it became something of a confidence booster: “When things got real bad, real painful, I would just think about this record and it was kind of a life support system.”[159] Upon its release in January 2011, it represented Allman’s highest ever chart peak in the United States, debuting at number five.[161]

He promoted the album heavily in Europe, until he had to cancel the rest of the trip due to an upper respiratory condition.[162] This infection led to a lung surgery later that year.[151] He went to rehab in 2012 for addiction following his medical treatments.[163] That year, Allman released his memoir, My Cross to Bear, which was thirty years in the making.[164] It eventually got optioned to be turned into a feature film—titled Midnight Rider—that was eventually canceled after a train accident on set caused the death of a member of the crew. In 2014, a tribute concert was held celebrating Allman’s career; it was later released as All My Friends: Celebrating The Songs & Voice Of Gregg Allman.[165] The same year, the Allman Brothers Band performed their final concerts, as Haynes and Derek Trucks desired to depart the group.[166][167]

Recent events (2015–2017)

After the dissolution of the Allman Brothers, Allman kept busy performing music with his band, releasing the live album Gregg Allman Live: Back to Macon, GA in 2015.[168] His health problems remained; he had atrial fibrillation. As a result, he attempted to grow healthier, switching to a gluten-free vegan diet.[165] He attempted to keep a light schedule at the advice of doctors, who warned that too many performances might amplify his conditions. Allman’s mother, Geraldine, died in July 2015 at the age of 98.[168] On April 6, 2016, Allman’s tour bus carrying his crew and horns crashed into a hillside in Jackson County, West Virginia. Allman was not among those injured.[169] One month later, he received an honorary doctorate from Mercer University in Macon, presented by former President Jimmy Carter.[170]

Allman recorded his last album, Southern Blood, with producer Don Was at FAME Studios in Muscle Shoals, Alabama. The album was recorded with his then-current backing band.[171] It is set for a January 2017 release.[172]

Personal life

Allman’s brother Duane died in a motorcycle accident in Macon, Georgia, in October 1971. “Duane was the father of the band,” Gregg Allman later told Guitar Player magazine. “Somehow he had this real magic about him that would lock us all in, and we’d take off.”

While enjoying great commercial success, Allman was in a downward spiral in his personal life. He became a heroin addict and was arrested on drug charges in 1976. To avoid jail, Allman agreed to testify against Scooter Herring, his road manager. Herring was later found guilty on narcotics distribution charges and sentenced to 75 years in prison.[173] Allman’s testimony was seen as a betrayal by his bandmates, who swore that they would never work with him again.

In 2007, Allman was diagnosed with hepatitis C. The condition “was laying dormant for awhile and just kind of crept up on me. I was worn out. I had to sleep 10 or 11 hours a day to two or three [hours],” he explained to Billboard. He had a liver transplant in 2010.[174] In April 2017, he denied reports that he had entered hospice care, but was resting at home on doctor’s orders.[175]

Marriages, relationships and children

Allman’s partners included Shelley Kay Winters, Janice Blair, Cher, Julie Bindas, Ganielle J P Galiana and Stacey Fountain. In 2012 he announced an engagement on the Piers Morgan show to Shannon Williams.[176]

Allman had five children – son Devon Allman, 44, lead singer of Honeytribe, from his marriage to Shelley Kay Winters, Elijah Blue Allman, 40, lead singer of Deadsy, from his marriage to Cher, Delilah Island Allman, 35, from his marriage to Julie Bindas, Michael Sean Allman, 50, from a relationship with former waitress Mary Lynn Green, and Layla Brooklyn Allman, 23, from a relationship with radio journalist Shelby Blackburn.[176]

Death

Following a series of health problems,[177] Allman died at his home in Savannah, Georgia, on May 27, 2017 due to complications of liver cancer. He was 69.[178][179][180][181]

Discography

Studio
Live

See also

References

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Ann Coulter — Adios, America — Videos

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How Trump Betrayed Ann Coulter on Immigration

The political commentator may be more committed to the Republican nominee’s platform than he is.

Donald Trump has just betrayed Ann Coulter. Which is a dangerous thing to do.This week, Coulter released her new book, In Trump We Trust. As the title suggests, it’s a defense of Trump. But more than that, it’s a defense of Trumpism. Most Trump surrogates contort themselves to defend whatever The Donald says, no matter its ideological content. They’re like communist party functionaries. They get word from the ideologists on high, and regurgitate it as best they can.

Since then, they’ve been allies. But unlike many Trump defenders, Coulter makes clear that her primary allegiance is not to Trump the man. It’s to the nostalgic “Make America White Again” brand of conservatism that she began peddling even before he did. In In Trump We Trust, Coulter calls Trump a “tasteless, publicity-seeking, coarse billionaire” and argues that, “the one thing voters weren’t wild about was his personality.”

The secret of Trump’s success, she argues, has been ideological. He recognized that “Americans,” by which she mostly means Republicans, “are homesick.” They don’t just oppose immigration because they believe it depresses wages and strains government services. They’re homesick for a whiter America, an America that was once truly free because “it’s not in the Anglo-Saxon character either to take orders or to give them.” (Never mind about slavery.) Since 1965, however, when Lyndon Johnson signed legislation allowing more immigration from Latin America, Asia, and Africa, the United States has been, according to Coulter in In Trump We Trust, overrun by “illiterate peasants … who can be instructed to learn certain symbols and bloc-vote for the Democrats.” In response, Democrats, along with rich Republicans, keep the doors open to non-European immigration, and thus America has grown “browner” and “shorter.” (That’s Coulter’s description from Adios America). Corruption rises. So does terrorism and rape.Coulter’s ideological interpretation of Trump’s appeal is plausible. It explains, for instance, why support for Trump correlates more strongly to racial resentment than economic misfortune.

Trump may win votes by moderating his stance on immigration. But that’s not how Coulter sells books.

Coulter’s problem is that on the very week she’s unveiled her immigration-themed defense of Trumpism, Trump himself has begun jettisoning it. On Wednesday night, he admitted that it’s “very, very hard” to deport all the undocumented immigrants in the country and implied that he would be open to some people being allowed to stay legally without becoming citizens, provided they pay back taxes. Suddenly, Trump is flirting with an immigration policy that resembles that of every other Republican who ran for president. Which makes Coulter look like a dupe. On Thursday on his show, Rush Limbaugh had a hearty laugh at her expense.

So far, Coulter has responded in contradictory ways. She’s fired off tweets attacking Trump’s immigration shift. But she’s also downplayed it.

Maybe Coulter, like the other high-profile supporters Trump has burned, will accept her humiliation and resort to defending Trump no matter what he says. Her incentives, however, are different. Unlike most of the folks who appear on television supporting Trump, she has an independent brand. And it’s built on white nationalism. Trump may win votes by moderating his stance on immigration. But that’s not how Coulter sells books.

Coulter also needs an explanation for Trump’s likely defeat, an explanation that will preserve her ability to claim that America’s silent majority believes the things she does. By emphasizing Trump’s immigration flip-flop, Coulter could argue that this issue cost him the white votes he needed to win.

Trumpism—a brand of conservatism defined above all by white racial nostalgia—will survive November’s election. Less clear is whether Trump will remain its champion or become its fall guy. Like many people Trump has done business with, Coulter has learned that trusting Trump is not the wisest of investments.

https://www.theatlantic.com/politics/archive/2016/08/how-trump-betrayed-ann-coulter-on-immigration/497618/

Ann Coulter

From Wikipedia, the free encyclopedia
Ann Coulter
Ann Coulter smiling, with a blue wallpaper behind her.

Born Ann Hart Coulter
December 8, 1961 (age 55)
New York City, New York, U.S.
Nationality American
Alma mater Cornell University(BA)
University of Michigan(JD)
Occupation Author, columnist, political commentator
Political party Republican[1]
Website anncoulter.com
Signature
Ann Coulter Signature.png

Ann Hart Coulter (/ˈkltər/; born December 8, 1961) is an American conservativesocial and politicalcommentator, writer, syndicated columnist, and lawyer. She frequently appears on television, radio, and as a speaker at public and private events.

Born in New York City to a conservative family, Coulter was raised in New Canaan, Connecticut. She deepened her conservative interests while studying history at Cornell University, where she helped found The Cornell Review. She subsequently embarked on a career as a law clerk before rising to prominence in the 1990s as an outspoken critic of the Clinton administration. Her first book concerned the Bill Clinton impeachment, and sprang from her experience writing legal briefs for Paula Jones‘s attorneys, as well as columns she wrote about the cases.[2][3]

Coulter has described herself as a polemicist who likes to “stir up the pot,” and does not “pretend to be impartial or balanced, as broadcasters do,”[4] drawing criticism from the left, and sometimes from the right.[5] Coulter’s syndicated column for Universal Press Syndicate appears in newspapers, and is featured on major conservative websites. As of 2016, Coulter has 12 best-selling books, including most recently Adios, America! and In Trump We Trust.

Early life

Coulter as a senior in high school, 1980.

Ann Hart Coulter was born on December 8, 1961, in New York City, to John Vincent Coulter (1926–2008), an FBI agent of Irish–German heritage,[6] who was a native of Albany, New York; and Nell Husbands Coulter (née Martin; 1928–2009), a native of Paducah, Kentucky.[7][8] All eight of her paternal great-great-grandparents were immigrants.[6] Her family later moved to New Canaan, Connecticut, where Coulter and her two older brothers, James and John, were raised.[9] She was raised in a conservative household in Connecticut by Republican parents, with a father who loved Joseph McCarthy. Coulter says she has identified as a conservative since kindergarten. To prep for arguments, she read books like Barry Goldwater‘s Conscience of a Conservative.[10]

At age 14, Coulter visited her older brother in New York City where he attended law school. While he was in class, he had his little sister read books by Milton Friedman and William E. Simon. When he got home from class, he quizzed Coulter. As a reward, he and his friends took her out to bars on the Upper East Side. Reading Republican books made Coulter dream about working as a writer.[10] She graduated from New Canaan High School in 1980. Coulter’s age was disputed in 2002 while she was arguing that she was not yet 40, yet Washington Post columnist Lloyd Grove cited that she provided a birthdate of December 8, 1961, when registering to vote in New Canaan, Connecticut, prior to the 1980 Presidential election. Meanwhile, a driver’s license issued several years later allegedly listed her birthdate as December 8, 1963. Coulter will not confirm either date, citing privacy concerns.[11]

While attending Cornell University, Coulter helped found The Cornell Review,[12][13] and was a member of the Delta Gamma national sorority.[14] She graduated cum laude from Cornell in 1984 with a B.A. in history, and received her J.D. from the University of Michigan Law School in 1988, where she was an editor of the Michigan Law Review.[15] At Michigan, Coulter was president of the local chapter of the Federalist Society and was trained at the National Journalism Center.[16]

Career

After law school, Coulter served as a law clerk, in Kansas City, for Pasco Bowman II of the United States Court of Appeals for the Eighth Circuit.[17] After a short time working in New York City in private practice, where she specialized in corporate law, Coulter left to work for the United States Senate Judiciary Committee after the Republican Partytook control of Congress in 1994. She handled crime and immigration issues for Senator Spencer Abraham of Michigan and helped craft legislation designed to expedite the deportation of aliens convicted of felonies.[18] She later became a litigator with the Center for Individual Rights.[19]

In 2000, Coulter considered running for Congress in Connecticut on the Libertarian Party ticket[20] to serve as a spoiler in order to throw the seat to the Democratic candidate and see that Republican Congressman Christopher Shays failed to gain re-election, as a punishment for Shays’ vote against Clinton’s impeachment. The leadership of the Libertarian Party of Connecticut, after meeting with Coulter, declined to endorse her. As a result, her self-described “total sham, media-intensive, third-party Jesse Ventura campaign” did not take place.[21][22] Shays subsequently won the election, and held the seat until 2008.[23]

Coulter’s career is highlighted by the publication of twelve books, as well as the weekly syndicated newspaper column that she publishes. She is particularly known for her polemical style,[24] and describes herself as someone who likes to “stir up the pot. I don’t pretend to be impartial or balanced, as broadcasters do”.[25] She has been compared to Clare Boothe Luce, one of her idols, for her satirical style.[26] She also makes numerous public appearances, speaking on television and radio talk shows, as well as on collegecampuses, receiving both praise and protest. Coulter typically spends 6–12 weeks of the year on speaking engagement tours, and more when she has a book coming out.[27] In 2010, she made an estimated $500,000 on the speaking circuit, giving speeches on topics of modern conservatism, gay marriage, and what she describes as the hypocrisy of modern American liberalism.[28] During one appearance at the University of Arizona, a pie was thrown at her.[29][30][31] Coulter has, on occasion, in defense of her ideas, responded with inflammatory remarks toward hecklers and protestors who attend her speeches.[32][33]

Books

Coulter is the author of twelve books, many of which have appeared on The New York Times Best Seller list, with a combined 3 million copies sold as of May 2009.[34]

Coulter’s first book, High Crimes and Misdemeanors: The Case Against Bill Clinton, was published by Regnery Publishing in 1998 and made the New York Times Bestseller list.[2] It details Coulter’s case for the impeachment of President Bill Clinton.

Her second book, Slander: Liberal Lies About the American Right, published by Crown Forum in 2002, reached the number one spot on The New York Times non-fiction best seller list.[35] In Slander, Coulter argues that President George W. Bush was given unfair negative media coverage. The factual accuracy of Slander was called into question by then-comedian and author, and now Democratic U.S. Senator from Minnesota, Al Franken; he also accused her of citing passages out of context.[36] Others investigated these charges, and also raised questions about the book’s accuracy and presentation of facts.[37][38][39] Coulter responded to criticisms in a column called “Answering My Critics”.[40]

In her third book, Treason: Liberal Treachery from the Cold War to the War on Terrorism, also published by Crown Forum, she reexamines the 60-year history of the Cold War—including the career of Senator Joseph McCarthy, the Whittaker ChambersAlger Hiss affair, and Ronald Reagan’s challenge to Mikhail Gorbachev to “tear down this wall“—and argues that liberals were wrong in their Cold War political analyses and policy decisions, and that McCarthy was correct about Soviet agents working for the U.S. government.[41] She also argues that the correct identification of Annie Lee Moss, among others, as communists was misreported by the liberal media.[42]Treason was published in 2003, and spent 13 weeks on the Best Seller list.[43]

Crown Forum published a collection of Coulter’s columns in 2004 as her fourth book, How to Talk to a Liberal (If You Must): The World According to Ann Coulter.[44]

Coulter’s fifth book, published by Crown Forum in 2006, is Godless: The Church of Liberalism.[45] In it, she argues, first, that American liberalism rejects the idea of God and reviles people of faith, and second, that it bears all the attributes of a religion itself.[46]Godless debuted at number one on the New York Times Best Seller list.[47] Some passages in the book match portions of others’ writings published at an earlier time (including newspaper articles and a Planned Parenthood document), leading John Barrie of iThenticate to assert that Coulter had engaged in “textbook plagiarism”.[48]

Coulter’s If Democrats Had Any Brains, They’d Be Republicans (Crown Forum), published in October 2007, and Guilty: Liberal “Victims” and Their Assault on America (Crown Forum), published on January 6, 2009, both also achieved best-seller status.[49][50][51]

On June 7, 2011, Crown Forum published her eighth book Demonic: How the Liberal Mob Is Endangering America. Coulter said she based this book heavily on the work of Frenchsocial psychologistGustave Le Bon, who wrote on mass psychology, and in it she argues that liberals have mob-like characteristics.[52]

Her ninth book, published September 25, 2012, is Mugged: Racial Demagoguery from the Seventies to Obama. It argues that liberals, and Democrats in particular, have taken undue credit for racial civil rights in America.[53]

Coulter’s tenth book, Never Trust a Liberal Over 3 – Especially a Republican, was released October 14, 2013. It is her second collection of columns and her first published by Regnery since her first book, High Crimes and Misdemeanors.[54]

Coulter published her eleventh book, Adios, America: The Left’s Plan to Turn Our Country Into a Third World Hellhole on June 1, 2015. The book addresses illegal immigration, amnesty programs, and border security in the United States. [55]

Columns

In the late 1990s, Coulter’s weekly (biweekly from 1999–2000) syndicated column for Universal Press Syndicate began appearing. Her column is featured on six conservative websites: Human Events Online, WorldNetDaily, Townhall.com, VDARE, FrontPageMag, Jewish World Review and her own web site. Her syndicator says, “Ann’s client newspapers stick with her because she has a loyal fan base of conservative readers who look forward to reading her columns in their local newspapers”.[56]

In 1999 Coulter worked as a regular columnist for George magazine.[21][57] Coulter also wrote exclusive weekly columns between 1998 and 2003 and with occasional columns thereafter for the conservative magazine Human Events. In her columns for the magazine, she discusses judicial rulings, Constitutional issues, and legal matters affecting Congress and the executive branch.[58]

In 2001 as a contributing editor and syndicated columnist for National Review Online (NRO), Coulter was asked by editors to make changes to a piece written after the September 11 attacks. On the national television show Politically Incorrect, Coulter accused NRO of censorship and said that she was paid $5 per article. NRO dropped her column and terminated her editorship. Jonah Goldberg, editor-at-large of NRO, said, “We did not ‘fire’ Ann for what she wrote… we ended the relationship because she behaved with a total lack of professionalism, friendship, and loyalty [concerning the editing disagreement].”[59]

Coulter contracted with USA Today to cover the 2004 Democratic National Convention. She wrote one article that began, “Here at the Spawn of Satan convention in Boston…” and referred to some unspecified female attendees as “corn-fed, no make-up, natural fiber, no-bra needing, sandal-wearing, hirsute, somewhat fragrant hippie chick pie wagons”. The newspaper declined to print the article citing an editing dispute over “basic weaknesses in clarity and readability that we found unacceptable”. An explanatory article by the paper went on to say “Coulter told the online edition of Editor & Publisher magazine that ‘USA Today doesn’t like my “tone”, humor, sarcasm, etc., which raises the intriguing question of why they hired me to write for them.'” USA Today replaced Coulter with Jonah Goldberg, and Coulter published it instead on her website.[60][61][62]

In August 2005, the Arizona Daily Star dropped Coulter’s syndicated column, citing reader complaints that “Many readers find her shrill, bombastic, and mean-spirited. And those are the words used by readers who identified themselves as conservatives”.[63]

In July 2006, some newspapers replaced Coulter’s column with those of other conservative columnists following the publication of her fourth book, Godless: The Church of Liberalism.[64] After The Augusta Chronicle dropped her column, newspaper editor Michael Ryan explained that “it came to the point where she was the issue rather than what she was writing about”.[65] Ryan also stated that “pulling Ann Coulter’s column hurts; she’s one of the clearest thinkers around”.

She has criticized former president George W. Bush‘s immigration proposals, saying they led to “amnesty”. In a 2007 column, she claimed that the current immigration system was set up to deliberately reduce the percentage of whites in the population. In it, she said:[66]

In 1960, whites were 90 percent of the country. The Census Bureau recently estimated that whites already account for less than two-thirds of the population and will be a minority by 2050. Other estimates put that day much sooner.

One may assume the new majority will not be such compassionate overlords as the white majority has been. If this sort of drastic change were legally imposed on any group other than white Americans, it would be called genocide. Yet whites are called racists merely for mentioning the fact that current immigration law is intentionally designed to reduce their percentage in the population.

Overall, Coulter’s columns are highly critical of liberals and Democrats. In 2006, she wrote:[67]

This year’s Democratic plan for the future is another inane sound bite designed to trick American voters into trusting them with national security.

To wit, they’re claiming there is no connection between the war on terror and the war in Iraq, and while they are all for the war against terror—absolutely in favor of that war—they are adamantly opposed to the Iraq war. You know, the war where the U.S. military is killing thousands upon thousands of terrorists (described in the media as “Iraqi civilians”, even if they are from Jordan, like the now-dead leader of al-Qaida in Iraq, Abu Musab al-Zarqawi). That war.

Television and radio

Ann Coulter at the 2012 Time 100

Coulter made her first national media appearance in 1996 after she was hired by the then-fledgling network MSNBC as a legal correspondent. She later appeared on CNN and Fox News.[68] Coulter went on to make frequent guest appearances on many television and radio talk shows, including American Morning, The Fifth Estate, Glenn Beck Program, The Mike Gallagher Show, The O’Reilly Factor, Real Time with Bill Maher, Red Eye w/ Greg Gutfeld, The Rush Limbaugh Show, The Sean Hannity Show, The Today Show, Lou Dobbs Tonight, Fox and Friends, The Laura Ingraham Show, The View, The Michael Medved Show, and HARDtalk.

In an interview with Bob McKeown on the edition of January 26, 2005, of The Fifth Estate, Coulter came under criticism for her statement, “Canada used to be… one of our most… most loyal friends, and vice versa. I mean, Canada sent troops to Vietnam. Was Vietnam less containable and more of a threat than Saddam Hussein?” McKeown contradicted her with, “No, actually Canada did not send troops to Vietnam.”[69] On the edition of February 18, 2005 of Washington Journal, Coulter justified her statement by referring to the thousands of Canadians who served in the American armed forces during the Vietnam era, either because they volunteered or because they were living in the United States during the war years and got drafted. She said, “The Canadian Government didn’t send troops … but … they came and fought with the Americans. So I was wrong. It turns out there were 10,000 Americans who happened to be born in Canada.” (There were actually between 5,000 and 20,000 Canadians who fought in Vietnam itself, including approximately 80 who were killed.)[70] John Cloud of Time, writing about the incident a few months later, said, “Canada [sent] noncombat troops to Indochina in the 1950s and again to Vietnam in 1972″.[68]

Films

Coulter appeared in three films released during 2004. The first was Feeding the Beast, a made-for-television documentary on the “24-Hour News Revolution”.[71] The other two films were FahrenHYPE 9/11, a direct-to-video documentary rebuttal of Michael Moore‘s Fahrenheit 911, and Is It True What They Say About Ann?, a documentary on Coulter containing clips of interviews and speeches.[72] In 2015, Coulter had a cameo as the Vice President in the made-for-TV movie Sharknado 3: Oh Hell No!.

Personal life

Coulter has been engaged several times, but she has never married and has no children.[32] She has dated Spin founder and publisher Bob Guccione, Jr.,[21] and conservative writer Dinesh D’Souza.[73] In October 2007, she began dating Andrew Stein, the former president of the New York City Council, a liberal Democrat. When asked about the relationship, Stein told the paper, “She’s attacked a lot of my friends, but what can I say, opposites attract!”[74] On January 7, 2008, however, Stein told the New York Post that the relationship was over, citing irreconcilable differences.[75]Kellyanne Conway, who refers to Coulter as a friend, told New York Magazine in 2017 that Coulter “started dating her security guard probably ten years ago because she couldn’t see anybody else.”[76]

Coulter owns a house, bought in 2005, in Palm Beach, Florida, a condominium in Manhattan, and an apartment in Los Angeles. She votes in Palm Beach and is not registered to do so in New York or California.[77][78]She is a fan of several jam bands, such as the Grateful Dead, the Dave Matthews Band, and Phish.[79][80] Some of her favorite books are the Bible, Mere Christianity, Wuthering Heights, Anna Karenina, true crime stories about serial killers, and anything by Dave Barry.[81]

Religious views

Coulter is a Christian and belongs to the Presbyterian denomination.[82][83] Her father was Catholic and her mother was a Protestant.[84] At one public lecture she said, “I don’t care about anything else; Christ died for my sins, and nothing else matters.”[85] She summarized her view of Christianity in a 2004 column, saying, “Jesus’ distinctive message was: People are sinful and need to be redeemed, and this is your lucky day, because I’m here to redeem you even though you don’t deserve it, and I have to get the crap kicked out of me to do it.” She then mocked “the message of Jesus… according to liberals”, summarizing it as “something along the lines of ‘be nice to people,'” which, in turn, she said “is, in fact, one of the incidental tenets of Christianity.”[86]

Confronting some critics’ views that her content and style of writing is un-Christian-like,[87] Coulter stated that “I’m a Christian first and a mean-spirited, bigoted conservative second, and don’t you ever forget it.”[88]She also said, “Christianity fuels everything I write. Being a Christian means that I am called upon to do battle against lies, injustice, cruelty, hypocrisy—you know, all the virtues in the church of liberalism”.[89] In Godless: The Church of Liberalism, Coulter characterized the theory of evolution as bogus science, and contrasted her beliefs to what she called the left’s “obsession with Darwinism and the Darwinian view of the world, which replaces sanctification of life with sanctification of sex and death”.[90] Coulter subscribes to intelligent design, a theory that rejects evolution.[91]

Coulter was accused of anti-semitism in an October 8, 2007, interview with Donny Deutsch on The Big Idea. During the interview, Coulter stated that the United States is a Christian nation, and said that she wants “Jews to be perfected, as they say” (referring to them being converted to Christianity).[92] Deutsch, a practicing Jew, implied that this was an anti-semitic remark, but Coulter said she didn’t consider it to be a hateful comment.[93][94] In response to Coulter’s comments on the show, the Anti-Defamation League, American Jewish Committee and Bradley Burston condemned those comments,[95] and the National Jewish Democratic Council asked media outlets to stop inviting Coulter as a guest commentator.[96] Talk show host Dennis Prager, while disagreeing with her comments, said that they were not “anti-semitic”, noting, “There is nothing in what Ann Coulter said to a Jewish interviewer on CNBC that indicates she hates Jews or wishes them ill, or does damage to the Jewish people or the Jewish state. And if none of those criteria is present, how can someone be labeled anti-Semitic?”[97] Conservative activist David Horowitz also defended Coulter against the allegation.[98]

Coulter again sparked outrage in September 2015, when she tweeted in response to multiple Republican candidates’ references to Israel during a Presidential debate, “How many f—ing Jews do these people think there are in the United States?”[99] The Anti-Defamation League referred to the tweets as “ugly, spiteful and anti-Semitic.”[100] In response to accusations of anti-Semitism, she tweeted “I like the Jews, I like fetuses, I like Reagan. Didn’t need to hear applause lines about them all night.”[99]

Political views

Coulter is a conservative columnist. She is a registered Republican and member of the advisory council of GOProud since August 9, 2011.[101]

Coulter supported George W. Bush’s presidency. She endorsed Mitt Romney in the 2008 Republican presidential primary[102] and the 2012 Republican presidential primary and presidential run.[103] In the 2016 Republican Party presidential primaries, she endorsed Donald Trump.[104] However, in the wake of the 2017 Shayrat missile strike, Coulter expressed her dismay by tweeting, “Trump campaigned on not getting involved in Mideast.”[105]

Abortion

Coulter believes Roe v. Wade should be overturned and left to the states. She is anti-abortion, but believes there should be an exception if a woman is raped.[106]

Illegal immigration

She strongly opposed amnesty for illegal immigrants, and at the 2013 CPAC said she has now become “a single-issue voter against amnesty”.[107]

Afghanistan War

Although she originally supported the war in Afghanistan during the Bush administration, beginning in 2009 she expressed concern that the war might have turned into another Vietnam, and opposed sending more troops to Afghanistan.[108]

LGBT rights

Coulter opposes same-sex marriage and once supported a federal U.S. constitutional amendment defining marriage as a union of one man and one woman.[109] She insists that her opposition to same-sex marriage “wasn’t an anti-gay thing” and that “It’s genuinely a pro-marriage position to oppose gay marriage”.[110] In an April 1, 2015, column, Coulter declared that liberals had “won the war on gay marriage (by judicial fiat)”.[111]

She also opposes civil unions[112] and privatizing marriage.[113] When addressed with the issue of rights granted by marriage, she said, “Gays already can visit loved ones in hospitals. They can also visit neighbors, random acquaintances, and total strangers in hospitals—just like everyone else. Gays can also pass on property to whomever they would like”.[114] She disagreed with the U.S. Supreme Court‘s 2003 Lawrence v. Texas ruling, stating there was no right to sodomy written in the Constitution and that under federalism each individual state and territory would have to repeal their sodomy laws. She stated she opposed banning same-sex sexual intercourse.[115] She also stated that same-sex sexual intercourse was already protected under the Fourth Amendment, which prevents police from going into your home without a search warrant or court order.[116]

In regard to Romer v. Evans described anti-discrimination laws covering LGBT as “affirmative action benefits.”[117] She also disagreed with repealing Don’t Ask Don’t Tell, stating that it is not an “anti-gay position; it is a pro-military position” because “sexual bonds are disruptive to the military bond”.[118] On April 1, 2015, in a column, Ann Coulter expressed support for Indiana‘s Religious Freedom Restoration Act and said it was an “apocryphal” assertion to claim the Religious Freedom Restoration Act would be used to discriminate against LGBTs.[111] She has also endorsed the Public Facilities Privacy & Security Act and opposes transgender individuals to use bathroom usage corresponding to their gender identity.[119]

LGBT conservatism

Since the 1990s, Coulter has had many acquaintances in the LGBT community. She considers herself “the Judy Garland of the Right.” In the last few years, Coulter has attracted many LGBT fans, namely gay men and drag queens.[10][120][121]

At the 2007 CPAC, Coulter said, “I do want to point out one thing that has been driving me crazy with the media—how they keep describing Mitt Romney‘s position as being pro-gays, and that’s going to upset the right wingers,” and “Well, you know, screw you! I’m not anti-gay. We’re against gay marriage. I don’t want gays to be discriminated against.” She added, “I don’t know why all gays aren’t Republican. I think we have the pro-gay positions, which is anti-crime and for tax cuts. Gays make a lot of money and they’re victims of crime. No, they are! They should be with us.”[122]

In Coulter’s 2007 book If Democrats Had Any Brains, They’d Be Republicans, in the chapter “Gays: No Gay Left Behind!”, she argued that Republican policies were more pro-gay than Democratic policies. Coulter attended the 2010 HomoCon of GOProud, where she commented that same-sex marriage “is not a civil right.”[123] On February 9, 2011, in a column, Coulter described the national Log Cabin Republicans as “ridiculous” and “not conservative at all.” She did however describe the Texas branch of Log Cabin Republicans, for whom she’s been signing books for years, as “comprised of real conservatives.”[124]

At the 2011 CPAC, during her question-and-answer segment, Coulter was asked about GOProud and the controversy over their exclusion from the 2011 CPAC. She boasted how she talked GOProud into dropping its support for same-sex marriage in the party’s platform, saying, “The left is trying to co-opt gays, and I don’t think we should let them. I think they should be on our side,” and “Gays are natural conservatives.”[125] Later that year, Coulter joined advisory board for GOProud. On LogosThe A-List: Dallas she told gay Republican Taylor Garrett that “The gays have got to be pro-life,” and “As soon as they find the gay gene, guess who the liberal yuppies are gonna start aborting?”[126] Coulter has referred to Democractic politicians Bill Clinton, Al Gore, and John Edwards as “fag(got).”[127]

War on Drugs

Coulter strongly supports continuing the War on Drugs.[128] However, she has said that, if there were not a welfare state, she “wouldn’t care” if drugs were legal.[129]

Coulter spoke about drugs as a guest on Piers Morgan Live, when she said that marijuana users “can’t perform daily functions.”[130]

Political activities and commentary

Ann Coulter has described herself as a “polemicist” who likes to “stir up the pot” and doesn’t “pretend to be impartial or balanced, as broadcasters do.”[4] While her political activities in the past have included advising a plaintiff suing President Bill Clinton as well as considering a run for Congress, she mostly serves as a political pundit, sometimes creating controversy ranging from rowdy uprisings at some of the colleges where she speaks to protracted discussions in the media. Time magazine’s John Cloud once observed that Coulter “likes to shock reporters by wondering aloud whether America might be better off if women lost the right to vote.”[68] This was in reference to her statement that “it would be a much better country if women did not vote. That is simply a fact. In fact, in every presidential election since 1950—except Goldwater in ’64—the Republican would have won, if only the men had voted.”[131] Similarly, in an October 2007 interview with the New York Observer, Coulter said:[132]

If we took away women’s right to vote, we’d never have to worry about another Democrat president. It’s kind of a pipe dream, it’s a personal fantasy of mine, but I don’t think it’s going to happen. And it is a good way of making the point that women are voting so stupidly, at least single women.

It also makes the point, it is kind of embarrassing, the Democratic Party ought to be hanging its head in shame, that it has so much difficulty getting men to vote for it. I mean, you do see it’s the party of women and ‘We’ll pay for health care and tuition and day care—and here, what else can we give you, soccer moms?’

In addition to questioning whether women’s right to vote is a good thing, Coulter has also appeared on Fox News and advocated for a poll tax and a literacy test for voters (this was in 1999, and she reiterated her support of a literacy test in 2015).[133] This is not a viewpoint widely shared by members of the Republican Party.

Paula Jones – Bill Clinton case

Coulter first became a public figure shortly before becoming an unpaid legal adviser for the attorneys representing Paula Jones in her sexual harassment suit against President Bill Clinton. Coulter’s friend George Conway had been asked to assist Jones’ attorneys, and shortly afterward Coulter, who wrote a column about the Paula Jones case for Human Events, was also asked to help, and she began writing legal briefs for the case.

Coulter later stated that she would come to mistrust the motives of Jones’ head lawyer, Joseph Cammaratta, who by August or September 1997 was advising Jones that her case was weak and to settle, if a favorable settlement could be negotiated.[18][134] From the outset, Jones had sought an apology from Clinton at least as eagerly as she sought a settlement.[135] However, in a later interview Coulter recounted that she herself had believed that the case was strong, that Jones was telling the truth, that Clinton should be held publicly accountable for his misconduct, and that a settlement would give the impression that Jones was merely interested in extorting money from the President.[18]

David Daley, who wrote the interview piece for The Hartford Courant recounted what followed:

Coulter played one particularly key role in keeping the Jones case alive. In Newsweek reporter Michael Isikoff’s new book Uncovering Clinton: A Reporter’s Story, Coulter is unmasked as the one who leaked word of Clinton’s “distinguishing characteristic”—his reportedly unusually large penis that Jones said she could recognize and describe—to the news media. Her hope was to foster mistrust between the Clinton and Jones camps and forestall a settlement … I thought if I leaked the distinguishing characteristic it would show bad faith in negotiations. [Clinton lawyer] Bob Bennett would think Jones had leaked it. Cammaratta would know he himself hadn’t leaked it and would get mad at Bennett. It might stall negotiations enough for me to get through to [Jones adviser] Susan Carpenter-McMillan to tell her that I thought settling would hurt Paula, that this would ruin her reputation, and that there were other lawyers working for her. Then 36 hours later, she returned my phone call. I just wanted to help Paula. I really think Paula Jones is a hero. I don’t think I could have taken the abuse she came under. She’s this poor little country girl and she has the most powerful man she’s ever met hitting on her sexually, then denying it and smearing her as president. And she never did anything tacky. It’s not like she was going on TV or trying to make a buck out of it.”[18]

In his book, Isikoff also reported Coulter as saying: “We were terrified that Jones would settle. It was contrary to our purpose of bringing down the President.”[134] After the book came out, Coulter clarified her stated motives, saying:

The only motive for leaking the distinguishing characteristic item that [Isikoff] gives in his book is my self-parodying remark that “it would humiliate the president” and that a settlement would foil our efforts to bring down the president … I suppose you could take the position, as [Isikoff] does, that we were working for Jones because we thought Clinton was a lecherous, lying scumbag, but this argument gets a bit circular. You could also say that Juanita Broaddrick’s secret motive in accusing Clinton of rape is that she hates Clinton because he raped her. The whole reason we didn’t much like Clinton was that we could see he was the sort of man who would haul a low-level government employee like Paula to his hotel room, drop his pants, and say, “Kiss it.” You know: Everything his defense said about him at the impeachment trial. It’s not like we secretly disliked Clinton because of his administration’s position on California’s citrus cartels or something, and then set to work on some crazy scheme to destroy him using a pathological intern as our Mata Hari.[136]

The case went to court after Jones broke with Coulter and her original legal team, and it was dismissed via summary judgment. The judge ruled that even if her allegations proved true, Jones did not show that she had suffered any damages, stating, “… plaintiff has not demonstrated any tangible job detriment or adverse employment action for her refusal to submit to the governor’s alleged advances. The president is therefore entitled to summary judgment on plaintiff’s claim of quid pro quo sexual harassment.” The ruling was appealed by Jones’ lawyers. During the pendency of the appeal, Clinton settled with Jones for $850,000 ($151,000 after legal fees) in November 1998, in exchange for Jones’ dismissal of the appeal. By then, the Jones lawsuit had given way to the Monica Lewinsky sex scandal.

In October 2000, Jones revealed that she would pose for nude pictures in an adult magazine, saying she wanted to use the money to pay taxes and support her grade-school-aged children, in particular saying, “I’m wanting to put them through college and maybe set up a college fund.”[137] Coulter publicly denounced Jones, calling her “the trailer-park trash they said she was” (Coulter had earlier chastened Clinton supporters for calling Jones this name),[138] after Clinton’s former campaign strategist James Carville had made the widely reported remark, “Drag a $100 bill through a trailer park, and you’ll never know what you’ll find,” and called Jones a “fraud, at least to the extent of pretending to be an honorable and moral person.”[137]

Coulter wrote:

Paula surely was given more than a million dollars in free legal assistance from an array of legal talent she will never again encounter in her life, much less have busily working on her behalf. Some of those lawyers never asked for or received a dime for hundreds of thousands of dollars in legal work performed at great professional, financial and personal cost to themselves. Others got partial payments out of the settlement. But at least they got her reputation back. And now she’s thrown it away.[139]

Jones claimed not to have been offered any help with a book deal of her own or any other additional financial help after the lawsuit.[137]

2008 presidential election

As the 2008 presidential campaign was getting under way, Coulter drew criticism for statements she made at the 2007 Conservative Political Action Conference about presidential candidate John Edwards:[140][141]

I was going to have a few comments on the other Democratic presidential candidate, John Edwards, but it turns out that you have to go into rehab if you use the word ‘faggot,’ so I’m… so, kind of at an impasse, can’t really talk about Edwards, so I think I’ll just conclude here and take your questions.

The comment was in reference to Grey’s Anatomy star Isaiah Washington‘s use of the epithet and his subsequent mandatory “psychological assessment” imposed by ABC executives.[142] It was widely interpreted as meaning that Coulter had called Edwards a “faggot,” but Coulter argued that she did not actually do so, while simultaneously indicating she would not have been wrong to say it.[143] Edwards responded on his web site by characterizing Coulter’s words as “un-American and indefensible,” and asking readers to help him “raise $100,000 in ‘Coulter Cash’ this week to keep this campaign charging ahead and fight back against the politics of bigotry.”[144] He also called her a “she-devil,” adding, “I should not have name-called. But the truth is—forget the names—people like Ann Coulter, they engage in hateful language.”[145] Coulter’s words also drew condemnation from many prominent Republicans and Democrats, as well as groups such as the Gay and Lesbian Alliance Against Defamation (GLAAD).[144][146][147] Three advertisers (Verizon, Sallie Mae and Netbank) also pulled their advertisements from Coulter’s web site,[148] and several newspapers dropped her column.[149][150] Coulter responded in an e-mail to the New York Times, “C’mon, it was a joke. I would never insult gays by suggesting that they are like John Edwards. That would be mean.”[147] On March 5, 2007, she appeared on Hannity and Colmes and said, “Faggot isn’t offensive to gays; it has nothing to do with gays. It’s a schoolyard taunt meaning ‘wuss.'”[151] Gay rights advocates were not convinced. “Ann Coulter’s use of this anti-gay slur is vile and unacceptable,” said Neil G. Giuliano, president of the Gay & Lesbian Alliance Against Defamation, “and the applause from her audience is an important reminder that Coulter’s ugly brand of bigotry is at the root of the discriminatory policies being promoted at this gathering.”[141] A spokesman for Sen. John McCain, a Republican presidential candidate, called Coulter’s comments “wildly inappropriate.”[141]

As the campaign waged on, she continued to insert her commentary regarding the candidates, both Democrats and Republicans. In a June 2007 interview, Coulter named Duncan Hunter as her choice for the 2008 Republican Presidential nomination, highlighting his views on immigration and specifically his anti-abortion credentials, saying “[t]his is a winning issue for us, protecting little babies.”[152] On January 16, 2008, Coulter began endorsing Governor Mitt Romney as her choice for the 2008 Republican nomination, saying he is “manifestly the best candidate” (contrasting Romney with Republican candidates John McCain, Mike Huckabee, and Rudy Giuliani).[153] By contrast, Coulter was critical of eventual Republican nominee John McCain. On the January 31, 2008, broadcast of Hannity and Colmes, Coulter claimed that if McCain won the Republican nomination for president, she would support and campaign for Hillary Clinton, stating, “[Clinton] is more conservative than McCain.”[154]

Regarding then-presidential-candidate Barack Obama in an April 2, 2008, column, she characterized his book Dreams from My Father as a “dimestore Mein Kampf.” Coulter writes, “He says the reason black people keep to themselves is that it’s ‘easier than spending all your time mad or trying to guess whatever it was that white folks were thinking about you.’ Here’s a little inside scoop about white people: We’re not thinking about you. Especially WASPs. We think everybody is inferior, and we are perfectly charming about it.”[155]

2010 Canadian university tour

Ann Coulter at CPAC in February 2012

In March 2010, Coulter announced that she would be embarking on a speaking tour of three Canadian universities, The University of Western Ontario, the University of Ottawa and the University of Calgary. The tour was organized by the International Free Press Society.[156]

On the eve of Coulter’s first speech at the University of Western Ontario, an e-mail to Coulter from François Houle, provost of the University of Ottawa, was leaked to the media. The e-mail warned that “promoting hatred against any identifiable group would not only be considered inappropriate, but could in fact lead to criminal charges.” Coulter released a public statement alleging that by sending her the e-mail, Houle was promoting hatred against conservatives.[157] During her speech at the University of Western Ontario, she told a Muslim student to “take a camel,” in response to the student’s question about previous comments by Coulter that Muslims should not be allowed on airplanes.[158]

On March 22, the University of Ottawa made international news when liberal protesters conspired to prevent Coulter from speaking. The event was canceled in spite of a massive security presence; Alain Boucher of the Ottawa Police Service said there were ten officers visible at the scene, “plus other resources” nearby.[159] Boucher alleged that Coulter’s security team decided to call off the event, saying, “We gave her options,” including, he said, to “find a bigger venue.” But “they opted to cancel … It’s not up to the Ottawa police to make that decision.”[160] Boucher claimed there were no arrests.[161] CTV News reported, “It was a disaster in terms of just organization, which is probably one of the reasons why it was cancelled,” citing the small number of students tasked with confirming who had signed up to attend Coulter’s talk.[162]

Event organizer and conservative activist Ezra Levant blamed the protest on the letter sent to Coulter by Houle.[163] After the cancellation, Coulter called the University of Ottawa “bush league,” stating:[164]

I go to the best schools, Harvard, the Ivy League, and those kids are too intellectually proud to threaten speakers … I would like to know when this sort of violence, this sort of protest, has been inflicted upon a Muslim—who appear to be, from what I’ve read of the human rights complaints, the only protected group in Canada. I think I’ll give my speech tomorrow night in a burka. That will protect me.

Comments on Islam, Arabs, and terrorism

On September 14, 2001, three days after the September 11 attacks (in which her friend Barbara Olson had been killed), Coulter wrote in her column:

Airports scrupulously apply the same laughably ineffective airport harassment to Suzy Chapstick as to Muslim hijackers. It is preposterous to assume every passenger is a potential crazed homicidal maniac. We know who the homicidal maniacs are. They are the ones cheering and dancing right now. We should invade their countries, kill their leaders and convert them to Christianity. We weren’t punctilious about locating and punishing only Hitler and his top officers. We carpet-bombed German cities; we killed civilians. That’s war. And this is war.[165]

This comment resulted in Coulter’s being fired as a columnist by the National Review, which she subsequently referred to as “squeamish girly-boys.”[166] Responding to this comment, Ibrahim Hooper of the Council on American-Islamic Relations remarked in The Chicago Sun Times that before September 11, Coulter “would have faced swift repudiation from her colleagues,” but “now it’s accepted as legitimate commentary.”[167]

David Horowitz, however, saw Coulter’s words as irony:

I began running Coulter columns on Frontpagemag.com shortly after she came up with her most infamous line, which urged America to put jihadists to the sword and convert them to Christianity. Liberals were horrified; I was not. I thought to myself, this is a perfect send-up of what our Islamo-fascist enemies believe—that as infidels we should be put to the sword and converted to Islam. I regarded Coulter’s phillipic (sic) as a Swiftian commentary on liberal illusions of multi-cultural outreach to people who want to rip out our hearts.[168]

One day after the attacks (when death toll estimates were higher than later), Coulter asserted that only Muslims could have been behind the attacks:

Not all Muslims may be terrorists, but all terrorists are Muslims—at least all terrorists capable of assembling a murderous plot against America that leaves 7,000 people dead in under two hours.[169]

Coulter has been highly critical of the U.S. Department of Transportation and especially its then-secretary Norman Mineta. Her many criticisms include their refusal to use racial profiling as a component of airport screening.[170] After a group of Muslims was expelled from a US Airways flight when other passengers expressed concern, sparking a call for Muslims to boycott the airline because of the ejection from a flight of six imams, Coulter wrote:

If only we could get Muslims to boycott all airlines, we could dispense with airport security altogether.[171]

Coulter also cited the 2002 Senate testimony of FBI whistleblower Coleen Rowley, who was acclaimed for condemning her superiors for refusing to authorize a search warrant for 9-11 conspirator Zacarias Moussaoui when he refused to consent to a search of his computer. They knew that he was a Muslim in flight school who had overstayed his visa, and the French Intelligence Service had confirmed his affiliations with radical fundamentalist Islamic groups. Coulter said she agreed that probable cause existed in the case, but that refusing consent, being in flight school and overstaying a visa should not constitute grounds for a search. Citing a poll which found that 98 percent of Muslims between the ages of 20 and 45 said they would not fight for Britain in the war in Afghanistan, and that 48 percent said they would fight for Osama bin Laden she asserted “any Muslim who has attended a mosque in Europe—certainly in England, where Moussaoui lived—has had ‘affiliations with radical fundamentalist Islamic groups,'” so that she parsed Rowley’s position as meaning that “‘probable cause’ existed to search Moussaoui’s computer because he was a Muslim who had lived in England.” Coulter says the poll was “by the “Daily Telegraph“, actually it was by Sunrise, an “Asian” (i.e., Indian subcontinent-oriented) radio station, canvassing the opinions of 500 Muslims in Greater London (not Britain as a whole), mainly of Pakistani origin and aged between 20 and 45. Because “FBI headquarters … refused to engage in racial profiling,” they failed to uncover the 9-11 plot, Coulter asserted. “The FBI allowed thousands of Americans to be slaughtered on the altar of political correctness. What more do liberals want?”[172][173]

Coulter wrote in another column that she had reviewed the civil rights lawsuits against certain airlines to determine which of them had subjected Arabs to the most “egregious discrimination” so that she could fly only that airline. She also said that the airline should be bragging instead of denying any of the charges of discrimination brought against them.[174] In an interview with The Guardian she said, “I think airlines ought to start advertising: ‘We have the most civil rights lawsuits brought against us by Arabs.'” When the interviewer replied by asking what Muslims would do for travel, she responded, “They could use flying carpets.”[131]

One comment that drew criticism from the blogosphere, as well as fellow conservatives,[175] was made during a speech at the Conservative Political Action Conference in February 2006, where she said, referring to the prospect of a nuclear-equipped Iran, “What if they start having one of these bipolar episodes with nuclear weapons? I think our motto should be, post-9-11: Raghead talks tough, raghead faces consequences.”[176] Coulter had previously written a nearly identical passage in her syndicated column: “… I believe our motto should be, after 9/11: Jihad monkey talks tough; jihad monkey takes the consequences. Sorry, I realize that’s offensive. How about ‘camel jockey‘? What? Now what’d I say? Boy, you tent merchants sure are touchy. Grow up, would you?”[177]

In October 2007, Coulter made further controversial remarks regarding Arabs—in this case Iraqis—when she stated in an interview with The New York Observer:

We’ve killed about 20,000 of them, of terrorists, of militants, of Al Qaeda members, and they’ve gotten a little over 3,000 of ours. That is where the war is being fought, in Iraq. That is where we are fighting Al Qaeda. Sorry we have to use your country, Iraqis, but you let Saddam come to power, and we are going to instill democracy in your country.[178]

In a May 2007 article looking back at the life of recently deceased evangelical Reverend Jerry Falwell, Coulter commented on his (later retracted) statement after the 9/11 attacks that “the pagans, and the abortionists, and the feminists, and the gays and the lesbians who are actively trying to make that an alternative lifestyle, the ACLU, People For the American Way, all of them who have tried to secularize America … helped this happen.” In her article, Coulter stated that she disagreed with Falwell’s statement, “because Falwell neglected to specifically include Teddy Kennedy and ‘the Reverend’ Barry Lynn.”[179]

In October 2007, Coulter participated in David Horowitz‘ “Islamo-Fascism Awareness Week,” remarking in a speech at the University of Southern California, “The fact of Islamo-Fascism is indisputable. I find it tedious to detail the savagery of the enemy … I want to kill them. Why don’t Democrats?”[180]

In the wake of the Boston Marathon bombings, Coulter told Hannity host Sean Hannity that the wife of bombing suspect Tamerlan Tsarnaev should be jailed for wearing a hijab. Coulter continued by saying “Assimilating immigrants into our culture isn’t really working. They’re assimilating us into their culture.”[181]

In the wake of the Charlie Hebdo shooting in Paris, Coulter said France “needs to move to the next step” in dealing with terror. Coulter said of some immigrants:

They don’t want to live in Muslim countries, and yet they want to change the non-Muslim countries they move to [into] Muslim countries. It may be a small minority of Muslims “and still it’s enough of them that maybe you take a little pause in Muslim immigration for a while.”[182]

Coulter has attributed American gun violence in America to black and Muslim American men, stating that the epidemic of gun-related deaths is “not a gun problem, it’s a demographic problem.”[183]

When asked about the financial crisis in the 2000s, Coulter claimed one reason for it was that “they gave your mortgage to a less qualified minority.”[184]

Ionizing radiation as “cancer vaccine”

On March 16, 2011, discussing the Fukushima I nuclear accidents, Coulter, citing research into radiation hormesis, wrote that there was “burgeoning evidence that excess radiation operates as a sort of cancer vaccine.”[185] Her comments were criticized by figures across the political spectrum, from Fox NewsBill O’Reilly (who told Coulter, “You have to be responsible … in something like this, you gotta get the folks out of there, and you have to report worst-case scenarios”)[186] to MSNBC‘s Ed Schulz (who stated that “You would laugh at her if she wasn’t making light of a terrible tragedy.”)[187]

2012 presidential election

During the Republican Party presidential primaries, she supported Mitt Romney over former Speaker of the HouseNewt Gingrich. On an interview during The O’Reilly Factor on Fox News, she compared Newt Gingrich’s attacks on the media to Jesse Jackson “accusing people of racism.”[188] On her website, she posted a column titled, “Re-elect Obama: Vote Newt!” arguing that if Newt Gingrich won the Republican nomination, Barack Obama would win re-election.[189] When asked to respond about her criticism, Newt Gingrich dismissed them as “the old order” and cited recent polls showing him ahead of Mitt Romney.[190]

On October 22, 2012, following a presidential debate between Mitt Romney and Barack Obama, Coulter published the following tweet from her official Twitter account: “I highly approve of Romney’s decision to be kind and gentle to the retard,” drawing stiff criticism for her use of a word which some find offensive to describe the president of the United States. The Special Olympics condemned Coulter in a tweet shortly after Coulter’s.[191] On The Alan Colmes Show, Coulter stated that she does not regret her use of the word, saying, “‘Retard’ had been used colloquially to just mean ‘loser’ for 30 years. But no, these aggressive victims have to come out and tell you what words to use.”[192]

After the election, in which Barack Obama won, Ann Coulter wrote a column titled “Romney Was Not the Problem”. In it she argued against the idea that Mitt Romney lost because he failed to get his message across. She also said that Mitt Romney lost because he was running against an incumbent.[193]

2013 CPAC Conference

In March 2013, Coulter was one of the keynote speakers at the Conservative Political Action Conference, where she made references to New Jersey Governor Chris Christie‘s weight (“CPAC had to cut back on its speakers this year about 300 pounds”) and progressive activist Sandra Fluke‘s hairdo. (Coulter quipped that Fluke didn’t need birth control pills because “that haircut is birth control enough.”) Coulter advocated against a path to citizenship for undocumented immigrants because such new citizens would never vote for Republican candidates: “If amnesty goes through, America becomes California and no Republican will ever win another election.”[194][195]

2016 presidential election

In the summer of 2015, Coulter appeared on Real Time with Bill Maher and predicted of all of the Republicans that have announced their candidacy for the presidency, that Donald Trump had the best chance of winning the general election, she was laughed at by the studio audience.[196] Coulter later endorsed Donald Trump in the general election.[197]

VDARE

Coulter has been a contributor to VDARE since 2006.[198]

VDARE is a right wing website and blog founded by anti-immigration activist and paleo-conservativePeter Brimelow.[199] VDARE is considered controversial because of its alleged ties to white supremacist rhetoric and support of scientific racism and white nationalism.[200][201][202][203][204]

Berkeley cancellation

In April 2017, The New York Times reported that the University of California, Berkeley had cancelled Ann Coulter’s speech scheduled for April 27.[205] A university spokesman said they had not discussed a specific date with her and only learned about it by reading news reports.[206] The university administrators cited threats of violence and offered to accommodate her on a later date. Coulter said she saw no way forward, telling The New York Times, “It’s a sad day for free speech.”[207] Both Bernie Sanders and Elizabeth Warren publicly called for the university to defend her right to free speech.[207]

Plagiarism accusations

In October 2001, Coulter was accused of plagiarism in her 1998 book High Crimes and Misdemeanors by Michael Chapman, a columnist for the journal Human Events who claims that passages were taken from a supplement he wrote for the journal in 1997 titled “A Case for Impeachment.”[166]

On the July 5, 2016, episode of Countdown with Keith Olbermann, guest John Barrie, the CEO of iParadigms, offers his professional opinion that Coulter plagiarized in her book Godless as well as in many columns over the past year.[208] Barrie ran “Godless” through iThenticate, his company’s machine which is able to scan works and compare them to existing texts. He points to a 25 word section of the text that exactly matches a Planned Parenthood pamphlet and a 33 word section almost duplicating a 1999 article from the Portland Press as some examples of evidence.

Media Matters for America has appealed to Random House publishing to further investigate Coulter’s work.[209] The syndicator of her columns cleared her of the plagiarism charges.[210] Universal Press Syndicate and Crown Books also defended Coulter against the charges.[211]

Columnist Bill Nemitz from the Portland Press Herald accused Coulter of plagiarizing a very specific sentence from his newspaper in her book Godless, but he also acknowledged that one sentence is insufficient grounds for filing suit.[212]

Public perception

General

Sometimes referred to as an “internet queen,”[213] Coulter’s has a high public profile. [214]

Gendered criticism

Known for rejecting “the academic convention of euphemism and circumlocution,”[215] Coulter has been subject to a fair amount of criticism from scholars. Feminist critics have criticized the way that Coulter functions as a thin, blonde, heterosexual woman in the Republican party who prefers mini skirts and heels over a business suit. The argument here is that Coulter plays to misogyny in order to further her goals; she “dominates without threatening (at least not straight men).”[216] These critics also reject Coulter’s opinion that the gains made by women have as far as to create an anti-male society[217] and her call for women to be rejected from the military because they are more vicious than men.[218] Like the famous anti-feminist Phyllis Schlafly, Coulter uses traditionally masculine rhetoric as reasoning for the need for traditional gender roles, and she carries this idea of feminized dependency into her governmental policies, according to feminist critics.[219]

2016 Comedy Central Roast

In September 2016, Coulter was invited to participate in a roast of Rob Lowe on Comedy Central, as Coulter is often considered a successful satirist.[220] There is speculation that Coulter attended with the primary goal of promoting her newest book at the time, In Trump We Trust, but she ended up becoming the main target of the vitriol, and the roast subsequently went viral. Coulter herself refers to the roast as the “Ann Coulter Roast with Rob Lowe.”[221]

Bibliography

External links

Column archives

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Orson Scott Card — Xenocide — Videos

Posted on April 29, 2017. Filed under: American History, Art, Blogroll, Books, College, Crisis, Cult, Culture, Education, Entertainment, Fiction, Films, Food, Freedom, Friends, Genocide, government spending, history, Law, liberty, Life, Links, Literacy, Literature, Mastery, media, Movies, Movies, People, Philosophy, Photos, Police, Rants, Raves, Regulations, Religion, Religious, Speech, Strategy, Success, Terrorism, Video, War, Wisdom, Work, Writing | Tags: , , , , , , |

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Orson Scott Card discusses the ‘Ender’s Game’ movie

Interview with Orson Scott Card

Orson Scott Card Interview HD

Published on Apr 19, 2015

World renowned, Orson Scott Card, author of the New York Times Bestseller and Hugo Award winner Ender’s Game and many more, joined Kimberly Quigley in her big red booth for a chat. Not only is he funny and kind but also very humble. His mind has created entire worlds for millions to enjoy. They sit and talk about how he got into writing, about his many novels, about the Ender phenomena, the movie and his future movie plans. Hear Orson’s wonderful advice for aspiring writers. He talks about this and more in this fun half hour interview. Get to know the amazing Orson Scott Card, on The Red Booth!

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Creative education–how to keep the spark alive in children and adults | Orson Scott Card | TEDxUSU

Published on Dec 6, 2014

This talk was given at a local TEDx event, produced independently of the TED Conferences. Orson Scott Card discusses the importance of creativity and how it can be fostered.

Orson Scott Card is the author of the novels Ender’s Game, Ender’s Shadow, and Speaker for the Dead, which are widely read by adults and younger readers, and are increasingly used in schools. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors) and the fantasy Mithermages series (Lost Gate, Gate Thief), are taking readers in new directions. Besides these and other science fiction novels, Orson writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Rachel and Leah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his “freshened” Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew and The Merchant of Venice. Orson was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he teaches occasional classes and workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University. Orson currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, where his primary activities are writing a review column for the local Rhino Times and feeding birds, squirrels, chipmunks, possums and raccoons on the patio.

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Xenocide

From Wikipedia, the free encyclopedia
Xenocide
Xenocide cover.jpg

Cover of first edition (hardcover)
Author Orson Scott Card
Country United States
Language English
Series Ender’s Game series
Genre Science fiction
Published 1991 (Tor Books)
Media type Print (Hardcover, Paperback & ebook)
Pages 592 pp
ISBN 0-312-85056-5
OCLC 22909973
813/.54 20
LC Class PS3553.A655 X46 1991
Preceded by Speaker for the Dead
Followed by Children of the Mind

Xenocide (1991) is the third science fiction novel in the Ender’s Game series of books by Orson Scott Card. It was nominated for both the Hugo and Locus Awards for Best Novel in 1992.[1] The title is a combination of ‘xeno-‘, meaning alien, and ‘-cide’, referring to the act of killing; altogether referring to the act of selectively killing populations of aliens, a play on genocide.

Plot summary

On Lusitania, Ender finds a world where humans and pequeninos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. Or so he thought.

Lusitania also harbors the descolada, a virus that kills all humans it infects, but which the pequininos require in order to become adults. The Starways Congress so fears the effects of the descolada, should it escape from Lusitania, that they have ordered the destruction of the entire planet, and all who live there. With The Fleet on its way, a second xenocide seems inevitable.[2]

Lusitania

Following the events of Speaker for the Dead, a group of characters are depicted living as members of a Brazilian Catholic human colony on Lusitania, a unique planet inhabited by the only other two known species of sentient alien life: the Pequeninos “little ones” and the Hive Queen. The pequeninos are native to the planet, while the Hive Queen was transplanted to this world by Ender, partly in penance for his near-total destruction of her Formic species in Ender’s Game.

The Lusitanian ecosystem is pervaded by a complex virus, dubbed ‘Descolada’ (Portuguese for “no longer glued”) by humans. The Descolada breaks apart and rearranges the basic genetic structure of living cells. It is extremely adaptable to any species or form of known life, and easily transmissible. The native pequeninos and other life that survived on Lusitania after the Descolada’s introduction to the planet thousands (or millions) of years ago are adapted to it. As a result of the deadly virus, the Lusitanian ecosystem is severely limited. Staying alive on Lusitania takes immense effort and research on the part of the Hive Queen and the humans, as they are not adapted to the descolada. Near the end of the story, it is revealed the Descolada is possibly an artificially engineered virus designed to terraform planets, but the original creators of the virus are unknown, and there remains a slim chance it evolved naturally.

After the rebellion of the small human colony on Lusitania in Speaker for the Dead to protect the future of the intelligent alien species, Starways Congress sends a fleet to Lusitania to regain control, which will take several decades to reach its destination. Valentine Wiggin, under her pseudonym Demosthenes, publishes a series of articles revealing the presence of the “Little Doctor” planet-annihilating weapon on the Fleet. Demosthenes calls it the “Second Xenocide,” as using the weapon will result in the obliteration of the only known intelligent alien life. She also claims it to be a brutal crackdown of any colony world striving for autonomy from Starways Congress. Public anger spreads through humanity, and rebellions nearly ensue on several colonies.

After quelling much public discontent, Starways Congress finishes their analysis of the situation while the fleet is en route. Fearing the Descolada virus, further rebellions by colony worlds, and other possible unknown political motives, Starways Congress attempts to relay an order to the fleet to annihilate Lusitania upon arrival. After conferring with friends on whether a cause is worth dying for, Jane (a compassionate AI living in the interstellar ansible communication network) shuts off transmissions to the fleet to block the order. As a consequence of this action, she risks her eventual discovery and death, should the government shut down and wipe the interplanetary network. No known smaller computer system can house her consciousness.

On Lusitania itself, Ender attempts to find solutions to the looming catastrophes of the Congressional fleet, Descolada virus, and conflicts among the humans and intelligent alien species. Much on Lusitania centers around the Ribeira family, including Ender’s wife Novinha and her children. Novinha and Elanora, the mother-daughter team responsible for most of the biological advances countering the complex Descolada virus, are unsure if they can manufacture a harmless replacement virus. Conflicts arise on whether they should even do so, since the Descolada is intrinsically tied in with the life cycles of all Lusitanian organisms and may even be sentient itself. In addition, to try to devise methods to escape the planet, Lusitania’s leading, troublemaking physicist Grego is persuaded by Ender to research faster-than-light travel, despite Grego scoffing at the idea. The third biologista of the family, Quara, is convinced that the Descolada is an intelligent, self-aware species, and deserves attempts from the humans for communication and preservation. An additional sibling and Catholic priest, Quim (Father Estevão), is determined to use faith and theology to head off another form of xenocide: a group of warmongering Pequenino wish to wipe out all Earthborn life via starship, carrying the deadly Descolada within them.

World of Path

Starways Congress wants its fleet back. After all else fails, it sends the dilemma of the fleet’s impossible disappearance to several citizens of the world of Path, a cultural planetary enclave modeled on early China. Path’s culture centers on the godspoken – those who hear the voices of the gods in the form of irresistible compulsions, and are capable of significantly superior intelligence. It later becomes clear that the godspoken of Path are victims of a cruel government project: granted great intelligence by genetic modification, they were also shackled with a form of obsessive-compulsive disorder to control their loyalty. The experiment is set in a culture bound by five dictates – obey the gods, honor the ancestors, love the people, serve the rulers, then serve your self. This is a further safeguard against rebellion. The superintelligent godspoken are considered the most devout and holy of all citizens, and any disloyal thoughts in a godspoken’s mind are immediately suppressed by overwhelming obsessive-compulsive behavior, believed to be a sign from the gods the thoughts are wrong. The most respected godspoken on Path is Han Fei-Tzu, for devising a treaty to prevent the rebellion of several colony worlds after the articles published by Demosthenes. Great things are expected of his daughter and potential successor Han Qing-jao, “Gloriously Bright”. While doubting the existence of the gods himself, Han Fei-Tzu promised his dying wife he would raise Qing-jao with an unwavering belief in the godspoken. The two of them are tasked by Starways Congress with deciphering the disappearance of the Lusitania Fleet. Han Qing-jao’s secret maid, Si Wang-mu, aids her in this task, her intelligence (partially) unfettered by the rigid caste system.

The young and naive Qing-jao eventually traces the identity of Demosthenes. Discovering that Demosthenes is Valentine Wiggin, Ender’s sister – but that Valentine has been on a starship en route to Lusitania for the last thirty years – Qing-Jao concludes that the only possible explanation is advanced computer software closely tied to the communication network. This software must be hiding Demosthenes and publishing her work, while also causing the disappearance of the Fleet. All but discovered, Jane reveals herself to Han Fei-tzu, Han Qing-jao and Si Wang-mu, telling them about their genetic slavery and begging forbearance on their report to Starways Congress.

Already harboring suspicions about the godspoken’s condition, Han Fei-tzu accepts the news of Congress’s atrocity, as does Si Wang-mu, but his daughter Han Qing-jao clings to her belief that Demosthenes and Jane are enemies of the gods. Feeling betrayed by her father, who is violently incapacitated by OCD from the disloyal thoughts, Qing-jao argues with Jane. Jane threatens shutting off all communications from Path, but Si Wang-mu realizes this would eventually lead to the planet’s destruction by Starways Congress. Understanding Jane to be truly alive and compassionate, through tears Si Wang-mu states Jane will not block the report. However, Qing-jao compares Jane to the servants in Path’s caste system, merely a computer program designed to serve humans, containing neither autonomy nor awareness.

Knowing she has exhausted her last possibilities of stopping Qing-jao, Jane sacrifices her future and life, unwilling to bring harm to Qing-jao or the people of Path. A triumphant Qing-jao reports the knowledge of Demosthenes, Jane, and the fate of the Fleet to Starways Congress. Qing-jao recommends a coordinated date set several months from the present, to prepare the massive undertaking of setting up clean computers across the interplanetary network, after which the transition to a new system will kill Jane and allow Congress full control again. Allowing the message to be sent, Jane restores communication with the Fleet, and Congress re-issues the order for the Fleet to obliterate Lusitania.

Han Fei-tzu recovers from the incapacitation of his OCD, despairing over his daughter’s actions, and his unwitting aid in deeply brainwashing her to serve Congress. He and Si Wang-mu assist Jane and those on Lusitania in finding solutions to their impending catastrophes. Planter, a Pequenino on Lusitania, offers his life for an experiment to determine whether the Descolada gives Pequeninos sentience, or if they have the ability innately. Eventually, Elanora Ribeira is able to come up with a possible model for a “recolada:” a refit of the Descolada that allows the native life to survive and retain self-awareness, but doesn’t seek to kill all other life forms. With the available equipment, however, the recolada is impossible to make, and they are running out of time against the soon-to-arrive Fleet.

Outside

While this research takes place, tragedies occur on Lusitania. Father Estevão Ribeira, the priest attempting to sway a distant warmongering sect of the Pequeninos from their goal of attacking humanity, is killed by the Fathertree Warmaker, who took Quim hostage and denied him the food with the anti-descolada chemicals, so the descolada infected and killed him on the 7th day of being hostage. Grego Ribeira spurs a riot of humans to burn down the warmaker’s forest, but the violent mob gets out of his control, and rampages through the neighboring Pequenino forest instead, massacring many of its inhabitants – the original friends and allies of humanity. Under the terms of the treaty with Pequeninos, the Hive Queen is brought in to hold the peace, setting a perimeter guard of hive drones around the human colony and preventing further escalation of violence between the two groups. Grego is locked in jail, despite eventually stepping between the surviving Pequeninos and his own riot. The town realizes their horrific rage, and constructs a chapel surrounding the fallen priest’s grave, trying to find penance for their actions.

Finally, a breakthrough is made. Knowing the Ansible communication network allows instantaneous transfer of information, and through knowledge of how the Hive Queen gives sentience to child queens, Jane, Grego, and Olhado discover the “Outside”. The Outside is a spacetime plane where aiúas initially exist. (Aiúa is the term given to the pattern defining any specific structure of the universe, whether a particular atom, a star, or a sentient consciousness.) Formic hive queens are called from Outside after birth, giving awareness to the new body. Jane is able to contain within her vast computing power the pattern defining the billions of atoms and overall structure comprising a simple “starship” (little more than a room), with passengers included, and take them Outside. By bringing them Outside, where relative location is nonexistent, then back “Inside” at a different spot in the physical universe, instantaneous travel has been achieved, finally matching the instantaneous communication of the Ansibles and Formics. They quickly arrange to take Ender, Ela, and Miro to Outside. While Ela is Outside, she is able to create the recolada virus, which is a safe replacement of the descolada, and a cure to the godspoken genetic defect. Miro envisions his body as it was before he was crippled by paralysis, and upon arrival in the Outside, his consciousness is contained within a new, restored body. Ender discovers, however, the surreal unwitting creation of a new “Valentine” and new “Peter Wiggin” from his subconscious, who embody idealized forms of his altruistic and power-hungry sides.

The recolada begins its spread across Lusitania, converting the formerly lethal virus into a harmless aid to native life. The cure to the people of Path’s genetic-controlling defect is distributed, yet Han Fei-tzu is tragically unable to convince his daughter Qing-jao this was the true course of action. Confronted with the possibility of being lied to all her life and dooming many sentient species to destruction, or an alternative of believing all she ever loved and trusted has betrayed her – Demosthenes, her father, her friend, her world. Qing-jao instead continues her godspoken rite of woodgrain tracing until her death and is honored by those on Path who still believe in the gods as the last true godspoken. She is elevated to god status after her death. Si Wang-mu sets off with Peter to take control over Starways Congress to stop the Fleet closing in on Lusitania. The new Valentine-persona journeys to find a planet to which the population of Lusitania can evacuate. The stage is set for the final book of the four-part series, Children of the Mind.

Connection to “Gloriously Bright”

Parts of “Gloriously Bright” from the January 1991 issue of Analog Science Fiction and Fact are republished in Xenocide as parts of Chapters 1, 3, 5, 7, 9, and 11.[3]

See also

References

External links

https://en.wikipedia.org/wiki/Xenocide

Orson Scott Card

From Wikipedia, the free encyclopedia
Orson Scott Card
Orson Scott Card at BYU Symposium 20080216 closeup.jpg

Born August 24, 1951 (age 65)
Richland, Washington
Residence Greensboro, North Carolina
Nationality American
Alma mater Brigham Young University
University of Utah (M.A.)
University of Notre Dame (1980s graduate student)
Occupation Author, critic, playwright / script writer, poet, public speaker, essayist, political activist, Prof. of Writing and Literature[1]
Notable work Ender’s Game series,
The Tales of Alvin Maker
Style Science fiction, fantasy, thriller, horror, historical fiction and fantasy and biblical fiction, LDS fiction
Board member of Public television station UNC-TV(2013–present)[2]
National Organization for Marriage (2009–2013)[3]
Spouse(s) Kristine Allen Card
Awards Selected list:
Hugo Award (Ender’s Game, 1986
Speaker for the Dead, 1987
How to Write Science Fiction and Fantasy, 1991)

Nebula Award (Ender’s Game,1986
Speaker for the Dead, 1987
“Eye for Eye,” 1988)
Website www.hatrack.com
 
Signature
Signature Orson Scott Card.svg

Orson Scott Card (born August 24, 1951) is an American novelist, critic, public speaker, essayist, and columnist. He writes in several genres but is known best for science fiction. His novel Ender’s Game (1985) and its sequel Speaker for the Dead (1986) both won Hugo[5][6] and Nebula Awards,[5][7]making Card the only author to win both science fiction’s top U.S. prizes in consecutive years.[8][9] A feature film adaptation of Ender’s Game, which Card co-produced, was released in late October 2013 in Europe and on November 1, 2013, in North America.[10]

Card is a professor of English at Southern Virginia University,[11] has written two books on creative writing, hosts writing bootcamps and workshops, and serves as a judge in the Writers of the Future contest.[12] A great-great-grandson of Brigham Young, Card is a practicing member of The Church of Jesus Christ of Latter-day Saints (LDS Church). In addition to producing a large body of fiction works, he has also offered political, religious, and social commentary in his columns and other writing.

Early life

Card is the son of Willard Richards Card and Peggy Jane (née Park), the third of six children and the older brother of composer and arranger Arlen Card.[13][14][15] Card was born in Richland, Washington, and grew up in Santa Clara, California as well as Mesa, Arizona and Orem, Utah. He served as a missionary for the LDS Church in Brazil and graduated from Brigham Young University (BYU) and the University of Utah; he also spent a year in a Ph.D. program at the University of Notre Dame.

For part of the 1970s Card worked as an associate editor of the Ensign, an official magazine of the LDS Church.[16]

Card lives in Greensboro, North Carolina,[13] a place that has played a significant role in Ender’s Game and many of his other works.

Fiction

Card began his writing career primarily as a poet, studying with Clinton F. Larson at BYU. During his studies as a theater major, he began “doctoring” scripts, adapting fiction for readers theater production, and finally writing his own one-act and full-length plays, several of which were produced by faculty directors at BYU. He also explored fiction writing, beginning with stories that eventually evolved into The Worthing Saga.

After returning to Provo, Utah from his LDS mission in Brazil, Card started the Utah Valley Repertory Theatre Company, which for two summers produced plays at “the Castle”, a Depression-era outdoor amphitheater behind the state psychiatric hospital in Provo; his company’s were the first plays ever produced at the Castle. Meanwhile, he took part-time employment as a proofreader at BYU Press, then made the jump to full-time employment as a copy editor. In 1976, in the midst of a paid role performing in the church’s musical celebrating America’s Bicentennial, he secured employment as an assistant editor at the Ensign, and moved to Salt Lake City. It was while working at Ensign that Card published his first piece of fiction. His short story “Gert Fram” appeared in the July 1977 fine arts issue of that magazine under the pseudonym Byron Walley.

Science fiction

He wrote the short story “Ender’s Game” while working at the BYU press, and submitted it to several publications. The idea for the later novel of the same title came from the short story about a school where boys can fight in space. It was eventually purchased by Ben Bova at Analog Science Fiction and Fact and published in the August 1977 issue. Meanwhile, he started writing half-hour audioplays on LDS Church history, the New Testament, and other subjects for Living Scriptures in Ogden, Utah; on the basis of that continuing contract, some freelance editing work, and a novel contract for Hot Sleep and A Planet Called Treason, he left Ensign and began supporting his family as a freelancer.

He completed his master’s degree in English at the University of Utah in 1981 and began a doctoral program at the University of Notre Dame, but the recession of the early 1980s caused the flow of new book contracts to temporarily dry up. He returned to full-time employment as the book editor for Compute! magazine in Greensboro, North Carolina, in 1983. In October of that year, a new contract for the Alvin Maker “trilogy” (now up to six books) allowed him to return to freelancing.

Ender’s Game and its sequel Speaker for the Dead were both awarded the Hugo Award and the Nebula Award, making Card the only author (as of 2015) to win both of science fiction’s top prizes in consecutive years. Card continued the series with Xenocide, Children of the Mind, Ender’s Shadow, Shadow of the Hegemon, Shadow Puppets, “First Meetings in the Enderverse“, Shadow of the Giant, Shadows in Flight, the 2007 release of A War of Gifts, and the 2008 release of Ender in Exile, a book that takes place after Ender’s Game and before Speaker for the Dead. Card has also announced his plan to write Shadows Alive, a book that connects the “Shadow” series and “Speaker” series together. He later also wrote the first formic war saga: Earth Unaware, Earth Afire, and Earth Awakens as a prequel to the Ender novels. This trilogy relays, among other things, the history of Mazer Rackham. In 2008 Card announced that Ender’s Game would be made into a movie, but that he did not have a director lined up (Wolfgang Petersen had previously been scheduled to direct the movie but subsequently moved on to other projects.) It was to be produced by Chartoff Productions, and Card was writing the screenplay himself.[17] The film was made several years later, and released in 2013, with Asa Butterfield in the title role and Gavin Hood directing.

Other works include the alternative histories The Tales of Alvin Maker, Pastwatch: The Redemption of Christopher Columbus, The Homecoming Saga, and Hidden Empire, a story about a near-future civil war in the United States, based on the Xbox Live Arcade video game Shadow Complex. He collaborated with Star Wars artist Doug Chiang on Robota and with Kathryn H. Kidd on Lovelock.

Other genres

He has since branched out into other areas of fiction with novels such as Lost Boys, Treasure Box and Enchantment. Other works include the novelization of the James Cameron film The Abyss, and the comic book Ultimate Iron Man for Marvel Comics’ Ultimate Marvel Universe series. Outside the world of published fiction, Card contributed dialog to at least three video games: Loom, The Secret of Monkey Island and The Dig in the early 1990s.[18]

In 1983 Card published the novel Saints, a historical fiction based loosely on one of his ancestors and her experiences coming into the LDS Church during the early portion of its movement. It continues through her eyes into subsequent events up until the granting of Statehood to Utah.

In 2000, Card published the first novel in The Women of Genesis series. This series explores the lives of the principal women mentioned in the first book of the Bible and includes Sarah (2000), Rebekah (2002), and Rachel and Leah (2004).

In the fall of 2005, Card launched Orson Scott Card’s InterGalactic Medicine Show.[19] He edited the first two issues, but found that the demands of teaching, writing, and directing plays for his local church theater group made it impossible to respond to writers’ submissions in a timely manner; former Card student and experienced freelance writer and editor Edmund R. Schubert took over as editor on June 1, 2006.

The dialog and screenplay (but not the story) for the Xbox video game Advent Rising was written by Card and Cameron Dayton.[20]

In 2008, Card’s novella Hamlet’s Father, a retelling of Shakespeare‘s Hamlet, was published in the anthology The Ghost Quartet (Tor Books). The work re-interpreted all of the characters’ personalities and motivations.

Pseudonyms

Over the years Orson Scott Card has used at least seven pseudonyms.

The names Frederick Bliss and P.Q. Gump were used by Card when he was asked to write an overview of Mormon playwrights “Mormon Shakespeares: A Study of Contemporary Mormon Theatre” for Spring 1976 issue of Sunstone magazine. According to Card he used these pseudonyms because the article included a brief reference to himself and his play “Stone Tables”.[21]

The name Byron Walley was used by Card on his first published piece of fiction “Gert Fram” which appeared in the July 1977 fine arts issue of Ensign magazine. According to Card he used this name because he had a non-fiction article, “Family Art”, a poem, “Looking West”, and a short play, “The Rag Mission”, appearing in the same issue.[21] Card also used the name Byron Walley in stories he published in Friend magazine, New Era magazine and in the anthology Dragons of Darkness. Stories by Byron Walley include: “Gert Fram“, Ensign magazine, July 1977; “Bicicleta“, Friend magazine, October 1977; “The Best Family Home Evening Ever“, Friend magazine, January 1978; “Billy’s Box“, Friend magazine, February 1978; “I Think Mom and Dad Are Going Crazy, Jerry“, New Era magazine, May 1979; and “Middle Woman“, Dragons of Darkness, Ace Books, 1982.

The name Brian Green was also used by Card in the July 1977 fine arts issue of Ensign magazine. He used this name for his short play “The Rag Mission” because he had three other pieces appearing in the same issue.[21]

The name Dinah Kirkham was used to write the short story “The Best Day“, in 1983.[22]

The name Noam D. Pellume was used by Card for his short story “Damn Fine Novel” which appeared in the October 1989 issue of The Green Pages.[23]

Card wrote the novel Zanna’s Gift (2004) under the pen name Scott Richards, saying, “I was trying to establish a separate identity in the marketplace, but for various reasons the marketing strategy didn’t work as we’d hoped.”[24]

On writing

Teaching

In 2005, Card accepted a permanent appointment as “distinguished professor” at Southern Virginia University in Buena Vista, Virginia, a small liberal arts college run according to the principles of The Church of Jesus Christ of Latter-day Saints. Card has cited his frustration with the dismal teaching methodology for creative writing in most universities as a reason for accepting this position, along with his desire to teach the techniques of effective fiction writing to writers whose values are more congruent with his own.[11] Card has worked closely with colleagues to develop ways to educate aspiring writers and has published two books on the subject. He was eager for the opportunity to apply these techniques in a university environment—his assorted workshops did not allow the follow-through he desired. After being deeply moved by stories of his students’ parents in some of their essays, he decided to stop teaching regularly at the university to spend time with his youngest child who still lives at home.[25][non-primary source needed] Card returned to teaching for the spring semester of 2009.

Books on writing

Card has written two books on the subject of creative writing – Characters and Viewpoint, published in 1988, and How to Write Science Fiction and Fantasy, published in 1990. He was also a co-writer for How to Write a Million (though his contribution is actually a reprint of an earlier work).

Card also offered advice about writing in an interview in Leading Edge #23 in 1991.

Writers of the Future

Card serves as a judge in Writers of the Future,[12] a science fiction and fantasy story contest for amateur writers. It originated in the early 1980s by L. Ron Hubbard, a science fiction writer and the founder of the Church of Scientology, and continues to be funded and organized by Author Services Inc., an entity that manages Hubbard’s literary work.

Children’s books

Card won the ALA Margaret Edwards Award in 2008 for his contribution in writing for teens, selected by a panel of YA librarians.[26] “What have I done that made some wonderfully deluded people think that I should get the [award] for lifetime achievement in writing young adult fiction?” he asked in his address, and asserted that “There is no such thing as children’s literature.” Furthermore:[27]

I have not worked with YA editors; my work has never been marketed that way until Tor put a YA cover and a new ISBN on Ender’s Game — fifteen years after the book first came out, and long after it had become popular with young readers. Ender’s Game was written with no concessions to young readers. My protagonists were children, but the book was definitely not aimed at kids. I was perfectly aware that the rule of thumb for children’s literature is that the protagonist must be a couple of years older than the target audience. You want ten-year-old readers, you have a twelve-year-old hero.

At the beginning of the book, Ender is six. Who, exactly, is the target audience?

Poetry

Card created a website, Strong Verse that publishes poetry from authors living and dead with the aim of showcasing works that present a clear message in clear language. The following motto appears on the website’s header: “Good poetry is meant to be understood, not decoded.”[28]

Opinion

Since 2001, Card’s commentary[29] includes the political columns “War Watch”, “World Watch”, or “Civilization Watch” (depending on Card’s topic) and the column “Uncle Orson Reviews Everything,” all published at the Greensboro Rhinoceros Times. The last-named column features personal reviews of movies, books, and restaurants in the greater Greensboro area, in addition to a variety of other topics.[30] The column also later appears on his website, Hatrack River. Since 2008 Card has written a column for the Mormon Times.

Politics

Card’s vocal opposition to same-sex marriage and other views on homosexuality led to a boycott of the film version of Ender’s Game[31] – a development which itself received criticism.[32] Owing to political developments, by the early 2010s Card believed the question of U.S. legalization of same-sex marriage moot.[33]

Describing himself as a political liberal[34] and moral conservative,[35] Card’s ideals concerning society—as well as foundational themes within his fiction—are described as communitarian.[34][36][37] In 2000, Card said, “Most of the program of both the left and the right is so unbelievably stupid it’s hard to wish to identify myself with either. But on economic matters, I’m a committed communitarian. I regard the Soviet Union as simply state monopoly capitalism. It was run the way the United States would be if Microsoft owned everything. Real communism has never been tried! I would like to see government controls expanded, laws that allow capitalism to not reward the most rapacious, exploitative behavior. I believe government has a strong role to protect us from capitalism.”[38]

A vocal supporter of the U.S.’s War on Terror,[39][40] according to Salon, Card is close to neoconservative concerning foreign policy issues.[41]

Views on U.S. presidential politics

A member of the U.S. Democratic Party since 1976,[42] Card supported Republican presidential candidates John McCain in 2008[43] and Newt Gingrich.[44]

In an August 2013 essay, he presented as an experiment in fictional writing of “The game of Unlikely Events”,[45] Card described an alternative future in which President Barack Obama ruled as a “Hitler– or Stalin-style dictator” with his own national police force of young unemployed men; Obama and his wife Michelle would have amended the U.S. Constitution to allow presidents to remain in power for life, as in Nigeria, Zimbabwe, and Hitler’s Germany.[46][47] Card’s essay drew criticism, especially for alleged insensitivity in its reference to urban gangs.[48][49][50]

Views about homosexuality

Card has publicly declared his opposition to homosexuality and same-sex marriage.[41][51] In a 1990 essay he wrote that the laws prohibiting homosexual behavior should remain on the books and be enforced in order to “send a message” that those who break those laws “cannot be permitted to remain as acceptable, equal citizens”.[41][52] In May 2013, however, Card wrote that since the US Supreme Court had ruled those laws unconstitutional in 2003, he has “no interest in criminalizing homosexual acts”.[53]

In a 2008 opinion piece in the Mormon church’s newspaper he wrote that “no matter how close the bonds of affection and friendship might be” for a same-sex couple, their relationship will never be “the same as the coupling between a man and a woman”. He additionally stated that any government attempting to change the definition of marriage is his “mortal enemy” and that he would “act to destroy that government and bring it down”.[54] In 2009 he joined the board of directors of the National Organization for Marriage, a group that campaigns against same-sex marriage,[41] but later resigned from the board in mid-2013.[31] Card has stated that there is “no need to legalize gay marriage”.[55]

Card has also expressed his opinion that paraphilia and homosexuality are linked. In 2004, he claimed that it’s a “myth that homosexuals are ‘born that way‘” and the “dark secret” of homosexuality was that it often resulted from “disturbing seduction”, “rape”, or child abuse.[31][41][55] Additionally, in Card’s 2008 novella Hamlet’s Father, which re-imagines the backstory of Shakespeare’s play Hamlet, Card was accused of directly trying to link the king’s pedophilia with homosexuality. The novella prompted public outcry and its publishers were inundated with complaints.[56][57] Trade journal Publishers Weekly criticized Card’s work, stating that the main purpose of it was to attempt to link homosexuality to pedophilia.[58] Card responded to the claim: “…[T]here is no link whatsoever between homosexuality and pedophilia in this book. Hamlet’s father, in the book, is a pedophile, period. I don’t show him being even slightly attracted to adults of either sex. It is the reviewer, not me, who has asserted this link, which I would not and did not make.”[57]

In 2013, Card was selected as a guest author for DC Comics‘s new Adventures of Superman comic book series,[59] but controversy over Card’s views on homosexuality led illustrator Chris Sprouse to leave the project[60] and DC Comics to put Card’s story on hold indefinitely.[61] A few months later an LGBT group, Geeks OUT!, proposed a boycott of the movie adaptation of Ender’s Game calling Card’s view anti-gay,[62][63] causing the movie studio Lionsgate to publicly distance itself from Card’s opinions.[64]

In July 2013, one week after the U.S. Supreme Court issued rulings in two cases that were widely interpreted as favoring recognition of same-sex marriages, Card wrote in Entertainment Weekly that the gay marriage issue is moot due to the Supreme Court’s decision on DOMA.[33] He further stated, “now it will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute.”[33]

Religion

Card’s membership in The Church of Jesus Christ of Latter-day Saints has been an important facet of his life from early on. He is a great-great-grandson of Brigham Young, the second Latter-day Saint prophet, and all of Card’s ancestors for at least three generations have been members of the LDS Church. His ancestors include several other figures notable in the LDS Church, including the Cardston colony founder Charles Ora Card. As such, his faith has been a source of inspiration and influence for both his writing and his personal views.[14] Since 2008 Card has written a column of Latter-day Saint devotional and cultural commentary for the Sunday national edition of the Deseret News (formerly “the Mormon Times“).[65]

Personal life

Card (right) signing autographs at New York Comic Con in 2008

Card and his wife, Kristine, have had five children, each named after one or more authors he and his wife admire. Their children’s names are Michael Geoffrey (Geoffrey Chaucer), Emily Janice (Emily Brontë and Emily Dickinson), Charles Benjamin (Charles Dickens), Zina Margaret (Margaret Mitchell) and Erin Louisa (Louisa May Alcott). Charles, who had cerebral palsy, died shortly after his 17th birthday and their daughter Erin died the day she was born.[13] Card and his wife live with their youngest child, Zina, in Greensboro, North Carolina.[13]

The life of their son, Charles, influenced some of Card’s fiction, most notably the Homecoming series, Lost Boys and Folk of the Fringe. Their daughter, Emily, along with two other writers, adapted Card’s short stories “Clap Hands and Sing“, “Lifeloop” and “A Sepulchre of Songs” for the stage in Posing as People.[66]

In 2008, he appeared in the short film The Delivery, which starred his daughter, Emily. He plays an author reading an audiobook in this film, which won First Place in Fantasy at Dragon*Con Film Festival. He wrote an original story, “The Emperor of the Air,” specifically for the short film by Gabrielle de Cuir and Stefan Rudnicki.

Card is an avid fan of the science fiction television series Firefly and makes an appearance in the documentary Done the Impossible about Firefly fandom.

Card suffered a mild stroke on January 1, 2011, and was briefly hospitalized. He reported expecting to make a full recovery despite impairment of his left hand.[67][68]

Awards

The ALA Margaret A. Edwards Award recognizes one writer and a particular body of work for “significant and lasting contributions to young adult literature”. Card won the annual award in 2008, citing Ender’s Game (1985), which inaugurated the science fiction Ender Saga, and Ender’s Shadow (1999), the so-called parallel novel featuring another boy in the Battle School. According to the citation, the two boys’ “experiences echo those of teens, beginning as children navigating in an adult world and growing into a state of greater awareness of themselves, their communities and the larger universe.”[26] In the same year, Card won the Lifetime Achievement Award for Mormon writers (Whitney Awards).[69]

He has also won numerous awards for single works.

Works

In 1978, the Harold B. Lee Library acquired the Orson Scott Card papers, which included Card’s works, writing notes and letters, and in 2007 the collection was formally opened.[74][75][76]

See also

https://en.wikipedia.org/wiki/Orson_Scott_Card

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Totalitarians of Lying Lunatic Left Attempt to Suppress Speech of Conservatives, Libertarians, and Classical Liberals — Something New — Go On Offense And Attack The Collectivist Totalitarians — Battle For Berkeley — Berkeley Protesters Take the Pepsi Challenge — Why the Right Won — Chief of Police Orders Police Officers To Stand Down — Security Is The New Shut-Up — Shame On UC Berkeley — Videos

Posted on April 22, 2017. Filed under: American History, Blogroll, College, Communications, conservatives, Constitution, Corruption, Crime, Culture, Education, Freedom, history, Language, Law, liberty, Life, media, People, Philosophy, Photos, Police, Political Correctness, Politics, Radio, Rants, Raves, Raymond Thomas Pronk, Regulations, Speech, Strategy, Success, Television, Video, Welfare, Wisdom, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , |

 

Image result for berkely april 15, 2017Image result for berkely april 15, 2017Image result for berkely april 15, 2017Image result for berkely april 15, 2017Image result for cartoons berkely april 15, 2017Image result for berkely april 15, 2017Image result for cartoons berkely april 15, 2017Image result for berkely april 15, 2017Image result for cartoons berkely april 15, 2017Image result for berkely april 15, 2017

Berkeley Pro Free Speech Protesters Chase Out AntiFA

The Battle of Berkeley in 81 seconds

Berkeley Protesters Take the Pepsi Challenge

Antifa and UC Berkeley: LIVE with Tim Pool

CALLING OUT THE BERKELEY VIOLENCE

UNDERCOVER AS ANTIFA WITH JOEY SALADS

LEFT VS RIGHT DOUBLE STANDARDS IN MEDIA

UC Berkley Must Be Disciplined For Furthering Leftist Violence Against Conservatives

Battle of Berkeley: Why the Right Won

Published on Apr 17, 2017

Berkeley erupted into political violence on April 15th, 2017, with leftwing radicals attacking the Freedom Rally hosted by Trump supporters. The Antifa thugs were roundly defeated by the Freedom Rally attendees, but where did this violence start? I discuss the events that lead up to this day and uncover the progression of leftwing violence that’s destroying a city that once celebrated free speech.

Lauren Southern And The Madness Behind The Battle Of Berkeley

THE BEAUTIFUL LAUREN SOUTHERN; ProudBoys and Some Ugly Antifa

Battle of Berkeley 3 FULL DAY[ANTIFA Vs FREE SPEECH PROTESTERS]Patriots Day Rally Ft. Based Stickman

Trump Supporters chase Antifa down the street at FREE SPEECH Rally in Berkeley

Battle of Berkeley 3 as Antifa circled the park

2017 The Battle for Berkeley LARP!

Patriot’s Day Riot in the Streets

Mark Steyn Security is the new shutup to conservatives

Why UC Berkeley shouldn’t have canceled Ann Coulter’s speech

UC Berkeley Cancels Coulter Appearance Over Security Concerns

Conservative Commentator Ann Coulter To Speak At UC Berkeley

Did Mark Levin Get Berkeley To Reverse Decision To Cancel Speech By Ann Coulter?

Ben Shapiro Interviews Based Stickman on Berkeley Riots & Ann Coulter being BANNED

Ben Shapiro interviews Ann Coulter; Adios America; 7/13/2015; C-Span

UC Berkeley Presses Campus Republicans To Cancel Another Conservative Speaker

WARNING:TRUMP SUPPORTERS ATTACKED AT BERKELEY BY ANTI TRUMP PROTESTERS

Free Speech Battle For Berkeley, California! | Lauren Southern and Stefan Molyneux

Berkeley Mayor Connected to Antifa

Tucker Carlson Has UC Berkeley Protest Leader Yvette Felarca Explain Fascism

Lauren Southern Coverage of Antifa vs Trump Supporters Battle

Berkeley April 15,Based stick man Antifa smashing

ANTIFA VS America Compilation

Antifa Reddit Admits They Lost Berkeley Battle with Trump Supporters

Berkeley April 15,BAMN leader Yvette Felarca assaults patriots

Berkeley Leftists Riot Against Milo (Mini Documentary: Arrest Yvette Felarca Part 2)

Handicap Senior Citizen U.S Military Vet Stands Up & Cucks Antifa

Is It Wrong To Bash Antifa Leftist Scum?

Berkeley Police Refuse To Stop the Riots – When Told People are Being Beaten, Officer Says “…and?”

Hannity, Alt Left Pile On, Mayhem in Berkeley, Pres Obama’s Failures

Does Free Speech Offend You?

Ann Coulter: Attorney General Jeff Sessions Needs to Investigate UC Berkeley For Cancelling Speech

Ann Coulter rejects Berkeley’s proposal to reschedule speech

Berkeley reschedules Coulter speech after backlash

Ann Coulter Discusses Berkeley w/ Prager

Ben Shapiro on Free Speech, College Campuses, and The Regressive Left

Ben Shapiro – Practical Tactics For Fighting The Left

Thomas Sowell — Dismantling America

TAKE IT TO THE LIMITS: Milton Friedman on Libertarianism

One World Government & Collectivism – G. Edward Griffin

The Quigley Formula – G. Edward Griffin lecture

The Mainstream Media Are Enemies of Freedom, Agents of Tyranny and Must Be Overthrown

Super rich are in a conspiracy to rule the world – G. Edward Griffin – 2007

Antifa and Conservatives Throw Down At ‘Battle Of Berkeley’…

battle of berkeley
In the course of history, there have been many great battles. Thermopylae. Gettysburg. Tupac and Biggie. The forces of good and douchebag have long utilized beating the crap out of each other to resolve their grievances. Well, last weekend, yet another battle was had. Conservative and leftist blood alike was shed at what shall henceforth be referred to as the Battle of Berkeley

For the third time this year, Trump supporters and Antifa clashed on the streets of Berkeley, California. The two forces met Saturday during the pro-Trump Patriot Day rally.

Berkeley Police have arrested at least 15 people this morning and afternoon, after antifascists met Trump supporters at a pro-Trump rally. Police attempted to maintain order with poles and fence mesh, but the barriers did not stop the two sides from violently engaging.

Trump supporters had organized a Patriot Day rally, starring Lauren Southern, a former reporter for conservative Canadian outlet The Rebel Media and Kyle Chapman, a man who achieved internet stardom as “Based Stickman” after assaulting a member of Antifa with a stick at the March 4 scuffle in Berkeley, among others.

Berkeley police have confiscated banned items such as knives, flagpoles, and sticks used as weapons.

https://www.louderwithcrowder.com/antifa-conservatives-battle-of-berkeley/

Berkeley Mayor Is Member of Antifa Facebook Group that Organized Riots

Berkeley Mayor Jesse Arreguin is a member of the anti-fascist Facebook group, By Any Means Necessary, which orchestrated the riots that occurred ahead of a scheduled lecture by Milo Yiannopoulos.

Berkley Mayor Jesse Arreguin was revealed to be a member of the anti-fascist group, By Any Means Necessary (BAMN), on Facebook. BAMN orchestrated the violence that shut down a scheduled lecture at UC Berkeley featuring Milo Yiannopoulos in early 2017. Arreguin is allegedly also friends with BAMN leader, Yvette Felarca, on Facebook.

They were also involved in the violent clashes earlier this month.

Felarca defended the violence that occurred ahead of Yiannopoulos’ scheduled event in a local television interview following the riots.

BAMN was investigated for engaging in terrorist activities in 2005 by the FBI. In 2009, the Department of Defense classified the group’s activities as “low-level terrorism.” In June 2016, BAMN led a violent counter-protest outside a white nationalist rally that resulted in ten people being hospitalized with stab wounds.

Often described as a “militant left-wing” activist group, BAMN frequently engages in violent forms of protests. A Berkeley newspaper noted in 2001 that the group was a front for an “an obscure Detroit-based Trotskyist political party called the Revolutionary Workers League.”

Breitbart News has reached out to Mayor Arreguin for comment.

Tom Ciccotta is a libertarian who writes about economics and higher education for Breitbart News. You can follow him on Twitter @tciccotta or email him at tciccotta@breitbart.com

http://www.breitbart.com/tech/2017/04/21/berkeley-mayor-is-member-of-antifa-facebook-group-that-organized-riots/

Antifa wants combat training and firearms after losing the ‘Battle for Berkeley’

Brandon Morse

Antifa wants combat training and firearms after losing the ‘Battle for Berkeley’

Antifa members have begun discussions about arming themselves with better training and firearms after they were routed by Trump supporters during the “Battle of Berkeley” in California.

Last week supporters of President Donald Trump clashed with members of the leftist group known as Antifa (short for anti-fascist) in Berkeley California. The meeting of the two groups soon erupted in violence, with Antifa using mace, M80’s, and various other weapons to attack Trump supporters.

According to Rebel Media’s Lauren Southern, Trump supporters were told by police not to bring any weapons, as police would protect them. Upon Anitfa’s arrival, the police retreated, leaving the Trump supporters to utilize whatever weapons they could get their hands on. Regardless, the Trump supporters routed Antifa after one of their members threw a smoke bomb, not realizing the wind was blowing in Antifa’s direction.

This loss prompted Antifa members to begin discussion about how they could better prepare themselves for future skirmishes against Trump supporters.

In the subreddit r/anarchism, one Anitfa member acknowledged the loss, and suggested that members find a way to become “better organized and better trained.” Another member agreed, saying that too many of their “comrades” went into battle “no combat training,” and suggested they start “seminars or something of that sort.”

This conversation continued, with suggestions for better equipment such as helmets and padding over the typical hoodie and facemask being worn. Another person on this r/anarchism thread suggested they rally behind a leader who can organize and direct actions. The conversation soon turned to weapons, however, and one member in particular suggested they bring firearms.

Not getting disarmed is a big part of the problem, yes, but we need more than flags and bats. We need to take notes from the John Brown Gun Club and get firearms and training. I know getting firearms in states and cities we have a presence in is usually a hassle, but even handguns would help. It would certainly put a psychological element in while holding fash back. Who do you think a fascist is more afraid of? People with only flags and bats, or people with flags, bats, and guns?”

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Antifa is known for their willingness to use violence and intimidation to silence political, and ideological opponents. An Antifa chapter at Clemson University, known as “Upstate Antifa” have made an effort to justify the violence and destruction committed against what they loosely base as “Nazis” and “fascists.”

Recently, Antifa members inadvertently turned on one of their own after his mask was forcibly removed, spraying him with pepper spray, and hitting him with a skateboard as they retreated from pro-Trump marchers.

Another instance of violence occurred while Trump supporters and Antifa were engaging in trash talk. One of Antifa’s members used a bike lock to strike a Trump supporter in the head without warning, causing him to bleed a good deal from his scalp.

http://www.theblaze.com/news/2017/04/21/antifa-wants-combat-training-and-firearms-after-losing-the-battle-for-berkely/

Conservative group threatens UC Berkeley over Ann Coulter appearance

Paige St. JohnContact Reporter

A conservative group on Friday threatened to take legal action against UC Berkeley if student sponsors are not allowed to pick the date and location for an appearance by commentator Ann Coulter.

Coulter had been scheduled to speak on the demonstration-weary campus on April 27, but Berkeley officials refused permission, citing safety concerns. Amid public criticism, the administration on Thursday agreed to set the event for May 2, at midday, in a science hall away from the central campus.

“The university’s actions violate fundamental principles of free speech, equal protection and due process guaranteed by the United States Constitution,” a letter from lawyers representing the conservative outreach group Young America’s Foundation warned.

It called Berkeley’s offer “transparently insincere” — noting that the new date falls during “dead week,” a time when most students are studying for final exams.

“UC Berkeley may not censor speech its administrators plainly disfavor, simply because a potential mob shares the administrators’ distaste,” the letter said.

In response, Berkeley answered that it does not have a “protectable” venue available on April 27 and raised concern about Coulter’s “disregard” for what police believe is required to keep her appearance safe.

“The Constitution permits the university to take such steps to protect public safety while facilitating expressive activities, and that is exactly what we are doing,” officials said in a prepared statement.

Coulter, who had been invited to speak about immigration, used her Twitter account Thursday to declare she would speak at Berkeley on April 27, “as I was invited to do and have a contract to do.”

Although the student groups hosting her appearance are the Berkeley College Republicans and BridgeCal, the contracted sponsor for the event is Young America’s Foundation.

Berkeley spokesman Dan Mogulof said administrators learned of Coulter’s planned arrival only after that contract was signed, preventing an assessment of how to avoid a replay of the violence that disrupted a scheduled Milo Yiannopoulos appearance at Berkeley on Feb. 1.

Large crowds swarmed the campus where the right-wing provocateur was to appear, and masked demonstrators in black garb tore down police barricades, smashed windows and set off explosives.

Since then, the university town has witnessed two demonstrations held by alt-right organizations that led to violent clashes.

“We were disappointed we couldn’t make an event work,” Mogulof said. “We believe it is important to expose our students to a diverse array of perspectives. … [They] can’t be educated in an echo chamber.”

http://www.latimes.com/local/california/la-me-berkeley-coulter-20170421-story.html

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Kyle Mills — Sphere of Influence — Videos

Posted on April 8, 2017. Filed under: Art, Blogroll, Books, Business, Communications, Crime, Culture, Drug Cartels, Employment, Entertainment, Federal Bureau of Investigation (FBI), Fiction, Fraud, Homicide, Law, liberty, Life, Links, Literacy, media, Money, People, Philosophy, Photos, Politics, Psychology, Wisdom, Writing | Tags: , , , , , , , , , |

Image result for Kyle Mills books sphere of Influence

Image result for Kyle Mills books sphere of Influence

“Order to Kill” by Kyle Mills

Elliot In The Morning: Kyle Mills (Part 1 of 2) [INTERVIEW]

Elliot In The Morning: Kyle Mills (Part 2 of 2) [INTERVIEW]

Order to Kill by Kyle Mills and Vince Flynn Audiobook Excerpt

Kyle Mills (author)

From Wikipedia, the free encyclopedia
For the New Zealand cricketer, see Kyle Mills.
Kyle Mills
Born 1966
Occupation Novelist
Genre Political thriller
Website
kylemills.com

Kyle Mills (born 1966) is an American writer of thriller novels including Rising Phoenix, Fade, and The Second Horseman. Several of his books (Rising Phoenix, Storming Heaven, Sphere of Influence, Free Fall and Darkness Falls) include a character Mark Beamon, an FBI special agent. He also wrote The Ares Decision (2011), The Utopia Experiment (2013), and The Patriot Attack (2015), the eighth, tenth, and twelfth installments of the Covert-One series, originally created by Robert Ludlum.

Mills lives in Jackson Hole, Wyoming with his wife and they are both avid rock climbers. Mills grew up in Oregon, and his father was an agent with the FBI.

Novels

External links

https://en.wikipedia.org/wiki/Kyle_Mills_(author)

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Greg Iles –Natchez Burning, The Bone Tree and Mississippi Blood — Videos

Posted on March 26, 2017. Filed under: Blogroll, Books, Communications, Culture, Education, Entertainment, Fiction, Language, Law, liberty, Life, Links, Literature, media, Music, People, Philosophy, Photos, Police, Rants, Raves, Video, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , |

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Image result for greg ilels natchez burning
Image result for greg ilelsImage result for greg ilelsImage result for greg ilelsImage result for greg ilelsImage result for greg ilels

Image result for greg ilels

A Conversation with Greg Iles about Mississippi Blood

Author Greg Iles: “Mississippi Blood”

Broken Bones | Greg Iles | A

Word on Words | NPT

Greg Iles Pulls from History for His Natchez Thriller Trilogy

Greg Iles: A Writer’s Conversation

Greg Iles Introduces Natchez Burning

The Death Factory by Greg Iles | Book Review

Natchez Burning Fans!

Book Looks – “Natchez Burning”

Greg Iles Interview Part 1 of 6

Greg Iles Interview Part 2 of 6

Greg Iles Interview Part 3 of 6

Greg Iles Interview Part 4 of 6

Greg Iles Interview Part 5 of 6

Rock Bottom Remainders – Midnight Hour

The Original Rock Bottom Remainders

Rock Bottom Remainders on The Late Late Show

Greg Iles sings “Steamroller”

dirty water, part 1 – rock bottom remainders

Rock Bottom Remainders at ALA 2012

wild thing – rock bottom remainders

Steve Martin, a banjo and RBR

Amy Tan and Airport Security

Bruce Springsteen

Roger and Ridley

Greg Iles

From Wikipedia, the free encyclopedia
Greg Iles
Born 1960 (age 56–57)
Stuttgart, Germany
Nationality American
Occupation Writer

Greg Iles (born 1960) is a novelist who lives in Mississippi. He has published 15 novels and one novella, spanning a variety of genres.

Biography

Early life

Iles was born in 1960 in Stuttgart, Germany, where his physician father ran the U.S. Embassy Medical Clinic. He was raised in Natchez, Mississippi, the setting of many of his novels.[1] After attending Trinity Episcopal Day School, he graduated from the University of Mississippi in 1983.

Career

Iles spent several years as a guitarist, singer, and songwriter in the band Frankly Scarlet.[2] He quit the band after he was married and began working on his first novel, Spandau Phoenix, a thriller about Nazi war criminal Rudolf Hess. Spandau Phoenix was published in 1993.

In 2002, Iles wrote the script 24 Hours from his novel of the same name. Rewritten by director Don Roos, it was renamed Trapped. Iles then rewrote the script during the shoot, at the request of the producers and actors.[3]

In 2011, Iles was seriously injured in a traffic accident on U.S. Route 61 near Natchez.[4] He sustained life-threatening injuries, including a ruptured aorta.[5] He was put into an induced coma for eight days, and lost his right leg below the knee. During his three-year recovery, he wrote three volumes of a trilogy set in Natchez, Mississippi, and featuring former prosecutor Penn Cage.[6][7]

Iles is a member of the literary musical group The Rock Bottom Remainders, which includes or has included authors Dave Barry, Ridley Pearson, Stephen King, Scott Turow, Amy Tan, Mitch Albom, Roy Blount, Jr., Matt Groening, and James McBride.[8] In July 2013, he co-authored Hard Listening (2013) with the group.[9] The ebook combines essays, fiction, musings, email exchanges and conversations, photographs, audio and video clips, and interactive quizzes to give readers a view into the private lives of the authors/musicians.

Works

Fiction

Nonfiction

  • Hard Listening (2013), with Rock Bottom Remainders

References

External links

Silver Dollar Group

From Wikipedia, the free encyclopedia

The Silver Dollar Group was an offshoot of the Ku Klux Klan white nationalist militant group, composed of leaderless resistance cells that took up violent actions to support Klan goals. The group was largely found in Mississippi and Louisiana, and was named for their practice of identifying themselves by carrying a silver dollar. The group is believed to have had only some twenty members.[1] The group formed in 1964 at the Shamrock Motor Hotel in Vidalia, Louisiana, amidst dissatisfaction at the lack of forceful action by Klan groups in the region.

The group killed an African American man, Frank Morris, by arson in Ferriday, Louisiana for alleged flirting with white women, and is suspected in two car bombings of NAACP leaders in Natchez, Mississippi, George Metcalfe and Wharlest Jackson.[2] Morris had a shoe repair shop in Ferriday, and died after his shoe repair shop was burned.

2007 prosecution

In 2007, Group member James Ford Seale was charged and convicted for the May 1964 kidnapping of Henry Hezekiah Dee and Charles Eddie Moore, two African-American young men in Meadville, Mississippi.[3]

References

  1. Jump up^ Quarles, C.L. (1999). The Ku Klux Klan and Related American Racialist and Antisemitic Organizations: A History and Analysis. McFarland. p. 124. ISBN 9780786406470. Retrieved January 6, 2016.
  2. Jump up^ Newton, M. (2005). The FBI and the KKK: A Critical History. p. 151. ISBN 9781476605104. Retrieved January 6, 2016.
  3. Jump up^ “Americas | US man in 1964 race attack charge”. BBC News. January 25, 2007. Retrieved February 13, 2011.

 

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Douglas Preston — Impact — Videos

Posted on February 18, 2017. Filed under: Art, Blogroll, Books, Communications, Corruption, Crime, Crisis, Culture, Entertainment, Family, Geology, Heroes, Homicide, Law, liberty, Life, Links, Literacy, Literature, media, Non-Fiction, People, Philosophy, Photos, Physics, Police, Psychology, Rants, Raves, Science, Security, Strategy, Success, Technology, Terrorism, Video, War, Wealth, Work, Writing | Tags: , , , , , , |

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Impact by Douglas Preston–Audiobook Excerpt

Author Interview with Douglas Preston on his book, Blasphemy

Interview with Suspense Author Doug Preston

Douglas Preston: The Lost City of the Monkey God

Ask Amy: Ken Follett- Interview by Douglas Preston

Douglas Preston

From Wikipedia, the free encyclopedia
Douglas Preston
Born Douglas Jerome Preston
May 20, 1956 (age 60)
Cambridge, Massachusetts
Occupation Novelist, journalist
Nationality American
Alma mater Pomona College
Genre Thriller, Techno-thriller, Adventure, Non-Fiction
Notable works Agent Pendergast Series, The Monster of Florence, Wyman Ford series, Gideon Crew series
Spouse Christine Preston
Relatives Richard Preston, David Preston
Website
www.prestonchild.com

Douglas Jerome Preston (born May 20, 1956) is an American author of techno-thriller and horror novels. He has written numerous novels, and although he is most well known for his collaborations with Lincoln Child (including the Agent Pendergast series and Gideon Crew series), he has also written six solo novels, primarily including the Wyman Ford series. He also has authored a number of non-fiction books on history, science, exploration, and true crime.

Life and career

Preston was born in Cambridge, Massachusetts. A graduate of the Cambridge School of Weston in Weston, Massachusetts, and Pomona College in Claremont, California, Preston began his writing career at the American Museum of Natural History in New York.

From 1978 to 1985, Preston worked for the American Museum of Natural History in New York City as a writer, editor, and manager of publications. He served as managing editor for the journal Curator and was a columnist for Natural History magazine.[1] In 1985 he published a history of the museum, Dinosaurs In The Attic: An Excursion into the American Museum of Natural History, which chronicled the explorers and expeditions of the museum’s early days. The editor of that book at St. Martin’s Press was his future writing partner, Lincoln Child.[2] They soon collaborated on a thriller set in the museum titled Relic. It was subsequently made into a motion picture by Paramount Pictures starring Penelope Ann Miller, Tom Sizemore, and Linda Hunt.

In 1986, Preston moved to New Mexico and began to write full-time. Seeking an understanding of the first moment of contact between Europeans and Native Americans in America, he retraced on horseback Francisco Vásquez de Coronado‘s violent and unsuccessful search for the legendary Seven Cities of Gold. That thousand mile journey across the American Southwest resulted in the book Cities of Gold: A Journey Across the American Southwest. Since that time, Preston has undertaken many long horseback journeys retracing historic or prehistoric trails, for which he was inducted into the Long Riders’ Guild.[3] He has also participated in expeditions in other parts of the world, including a journey deep into Khmer Rouge-held territory in the Cambodian jungle with a small army of soldiers, to become the first Westerner to visit a lost Angkor temple. He was the first person in 3,000 years to enter an ancient Egyptian burial chamber in a tomb known as KV5 in the Valley of the Kings.[4] In 1989 and 1990 he taught nonfiction writing at Princeton University. Currently, he’s an active member of the Authors Guild,[5] as well as the International Thriller Writers organization.[6]

Writing career

With his frequent collaborator Lincoln Child, he created the character of FBI Special Agent Pendergast, who appears in many of their novels, including Relic, The Cabinet of Curiosities, Brimstone, and White Fire. Additional novels by the Preston and Child team include Mount Dragon, Riptide, Thunderhead, and The Ice Limit. Later, the duo created the Gideon Crew series, which consists of Gideon’s Sword, Gideon’s Corpse, and The Lost Island.

For his solo career, Preston’s fictional debut was Jennie, a novel about a chimpanzee who is adopted by an American family. His next novel was The Codex, a treasure hunt novel with a style that was much closer to the thriller genre of his collaborations with Child. The Codex introduced the characters of Tom Broadbent and Sally Colorado. Tom and Sally return in Tyrannosaur Canyon, which also features the debut of Wyman Ford, an ex-CIA agent and (at the time) a monk-in-training. Following Tyrannosaur Canyon, Ford leaves the monastery where he is training, forms his own private investigation company, and replaces Broadbent as the main protagonist of Preston’s solo works. Ford subsequently returns in Blasphemy, Impact, and The Kraken Project.

In addition to his collaborations with Child and his solo fictional universe, Preston has written several non-fiction books of his own, mainly dealing with the history of the American Southwest. He has written about archaeology and paleontology for The New Yorker magazine and has also been published in Smithsonian, Harper’s, The Atlantic, Natural History, and National Geographic.[7][8][9][10][11]

In May, 2011, Pomona College conferred on Preston the degree of Doctor of Letters (Honoris Causa).[12] He is the recipient of writing awards in the United States and Europe.[citation needed]

Involvement in the “Monster of Florence” case

Main article: Monster of Florence

In 2000, Preston moved to Florence, Italy with his young family and became fascinated with an unsolved local murder mystery involving a serial killer nicknamed the “Monster of Florence“. The case and his problems with the Italian authorities are the subject of his 2008 book The Monster of Florence, co-authored with Italian journalist Mario Spezi. The book spent three months on the New York Timesbestseller list and won a number of journalism awards in Europe and the United States.[citation needed] It is being developed into a movie by 20th Century Fox, produced by George Clooney. Clooney will play the role of Preston.[13][14]

Involvement in the Amanda Knox case

Preston has criticized the conduct of Italian prosecutor Giuliano Mignini[15] in the trial of American student Amanda Knox, one of three convicted, and eventually cleared,[16] of the murder of British student Meredith Kercher in Perugia in 2007. In 2009, Preston argued on 48 Hours on CBS that the case against Knox was “based on lies, superstition, and crazy conspiracy theories”.[17] In December 2009, after the verdict had been announced, he described his own interrogation by Mignini on Anderson Cooper 360° on CNN. Preston said of Mignini, “this is a very abusive prosecutor. He makes up theories. He’s … obsessed with satanic sex.”[18]

“Operation Thriller” USO Tour

In 2010, Preston participated in the first USO tour sponsored by the International Thriller Writers organization,[19] along with authors David Morrell, Steve Berry, Andy Harp, and James Rollins. After visiting with military personnel at National Navy Medical Center and Walter Reed Army Medical Center, the group spent several days in Kuwait and Iraq, marking “the first time in the USO’s 69-year history that authors visited a combat zone.”[20] Of the experience, Preston said, “As always, we learn a great deal from all of the amazing and dedicated people we meet.”[21]

Authors United

In 2014, during a disagreement over terms between Hachette Book Group and Amazon.com, Inc.,[22] Preston initiated an effort which became known as Authors United.[23] During the contract dispute, books by Hachette authors faced significant shipment delays, blocked availability, and reduced discounts on the Amazon website.[24] Frustrated with tactics he felt unjustly injured authors who were caught in the middle, Preston began garnering the support of like-minded authors from a variety of publishers. In the first open letter from Authors United, over 900 signatories urged Amazon to resolve the dispute and end the policy of sanctions, while calling on readers to contact CEO Jeff Bezos to express their support of authors.[25][26]Not long after, a second open letter, signed by over 1100 authors, was sent to Amazon’s board of directors asking if they personally approved the policy of hindering the sale of certain books.[27]

Describing the motivation behind the campaign, Preston explained: “This is about Amazon’s bullying tactics against authors. Every time they run into difficulty negotiating with a publisher, they target authors’ books for selective retaliation. The authors who were first were from university presses and small presses… Amazon is going to be negotiating with publishers forever. Are they really going to target authors every time they run into a problem with a publisher?”[28]

Bibliography

Novels

  • Preston, Douglas (1994). Jennie. New York: St. Martin’s Press.

Tom Broadbent Novels

Wyman Ford Novels

Collaborations with Lincoln Child

Agent Pendergast series
Gideon Crew series
Short fiction
  • “Gone Fishing” from Thriller: Stories to Keep You Up All Night (2006)
  • “Extraction” [eBook] (2012)
  • “Gaslighted: Slappy the Ventriloquist Dummy vs. Aloysius Pendergast” [eBook] (2014) [35]

Non-fiction

  • Dinosaurs In the Attic: An Excursion into the American Museum of Natural History (1986)
  • Cities of Gold: A Journey Across the American Southwest in Pursuit of Coronado (1992) [36]
  • Talking to the Ground: One Family’s Journey on Horseback Across the Sacred Land of the Navajo (1996)
  • The Royal Road: El Camino Real from Mexico City to Santa Fe (1998)
  • Ribbons of Time: The Dalquest Research Site [photography by Walter W. Nelson, text by Preston] (2006)
  • The Monster of Florence: A True Story [with Mario Spezi] (2008)
  • Trial By Fury: Internet Savagery and the Amanda Knox Case [Kindle Single eBook] (2013)
  • Preston, Douglas (May 6, 2013). “The El Dorado machine : a new scanner’s rain-forest discoveries”. Our Far-Flung Correspondents. The New Yorker. 89 (12): 34–40.
  • The Black Place: Two Seasons [photography by Walter W. Nelson, essay by Preston] (2014)
  • The Lost City of the Monkey God: A True Story (2017)

See also

ttps://en.wikipedia.org/wiki/Douglas_Preston

Impact (novel)

From Wikipedia, the free encyclopedia
Impact
Impact-bookcover.jpg

Hardcover edition
Author Douglas Preston
Country United States
Language English
Series Wyman Ford
Genre Thriller, Science fiction
Publisher Forge Books
Publication date
January 5, 2010
Media type Print (hardback)
Pages 368 pp
ISBN 978-0-7653-1768-1
Preceded by Blasphemy
Followed by The Kraken Project

Impact is a science fiction thriller novel by American writer Douglas Preston, published on January 5, 2010 by Forge Books. The novel is the third book in the Wyman Ford series.[1][2] The book was reviewed on All Things Considered in February 2010.[citation needed]

Plot summary

Ex-CIA agent Wyman Ford returns to Cambodia to investigate the source of radioactive gemstones and uncovers an unusual impact crater. A young woman on the other side of the world photographs a meteoroid‘s passage in the atmosphere with her telescope and deduces that it must have struck on one of the islands just offshore from Round Pond, Maine. A NASA scientist analyzing data from the Mars Mapping Orbiter (MMO) spots unusual spikes in gamma ray activity. These threads intersect with discovery of an alien device that has apparently been on Deimos, one of the two moons of Mars, for at least 100 million years. Something has caused it to activate and fire a strangelet at Earth, setting off the events in the novel.

Timeline

The events in this novel follow those of The Codex, Tyrannosaur Canyon, and Blasphemy. As such, Wyman Ford is the protagonist once again (having appeared in Tyrannosaur Canyon and Blasphemy), and the character of Stanton Lockwood III (who debuted in Blasphemy) also returns.

See also

References

External links

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The Real Reason Hillary Clinton Lost — Adorable Deplorable Deviants (ADDs) Defeated Democrats — Narcissism Defeated Clinton — Videos

Posted on February 9, 2017. Filed under: Articles, Blogroll, Communications, Computers, Congress, Constitution, Corruption, Crime, Crisis, Cult, Culture, Entertainment, Fraud, Illegal, Immigration, Law, Legal, liberty, Life, Links, media, Money, Movies, Newspapers, People, Philosophy, Photos, Police, Political Correctness, Politics, Presidential Candidates, Press, Radio, Radio, Rants, Raves, Sociology, Strategy, Talk Radio, Taxation, Taxes, Television, Unemployment, Video, War, Wealth, Weather, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , |

Image result for adorabel deplorableImage result for adorabel deplorableImage result for adorabel deplorableImage result for adorabel deplorable

Clinton: Trump supporters in ‘basket of deplorables…

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4. Empathy-free
3. Trivial Sexual Life
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Published on May 6, 2016

Full text: http://gulagbound.com/51301/how-bad-a…

Trump regards himself as omniscient, an authority on anything and everything, from aesthetics to ethics. He, therefore, lacks intellectual curiosity and regards outside advice as both superfluous and injurious (because it implies that he is less than perfect). He is likely to surround himself with timid yesmen and sycophantic acolytes and generate an impregnable echo chamber rather than a council of wise men and women.

Trump’s grasp of nuanced reality, weak as it already is, is likely to deteriorate further to the point of paranoid psychosis. Faced with opposition, however tenuous, he is likely to react by scapegoating and by inciting street or state violence against targeted groups. Trump is the state, so his enemies (anyone who as much as voices doubt or disagrees with him) is, by definition, an enemy of the state.

Owing to his self-perceived innate superiority, Trump regards himself as above and transcending laws made by lesser mortals. Laws are meant to trap and ensnare giants like him, to drag him down to the pedestrian level of mediocrity. He plays by the rules only when and if they accord with his predilections and self-interest.

Like all narcissists, Trump believes that he is universally loved, adored, and admired. He attributes this ostensible (and utterly delusional) blanket approbation to his effusive charm and irresistibility. He is firmly convinced that he can motivate people to transgress against their own moral convictions and to break the law, if necessary, just by the sheer force of his monumental personality. Trump idealizes and then rapidly devalues people, collectives, and institutions. Trump is in sempiternal flux: he is inconstant in his judgements, opinions, views, and fleeting attachments.

Trump is intellectually lazy, so he is a firm adherent of shortcuts and of “fake it till you make it”. It is a dangerous approach that led him to botch numerous business deals and inflict untold damage and suffering on thousands of people.

Trump is authoritarian in the worst sense of the word. In his disordered, chaotic mind, he is infallible (incapable of erring), omnipotent (can achieve anything if he just sets his mind to it), and omniscient (needs to learn nothing as he is the fount of all true, intuitive knowledge). This precludes any proper team work, orderly governance, institutional capacity, flow of authority and responsibility, and just plain structure. Trump is an artist, led by inconsistent and intermittent inspiration, not by reliable, old-fashioned perspiration. He is not a self-made man, but a self-conjured caricature of a self-made man. Trump is guided by his alleged inner divine wisdom. He is a malevolent guru and cult leader, not a politician or a statesman.

Ironically, Trump’s much trumpeted grandiosity is fragile because it is based on delusional and fantastic assumptions of perfection and intellectual brilliance which are hard to defend. Hence Trump’s relentless and compulsive pursuit of affirmation and adulation. He needs to be constantly idolized just to feel half human. Criticism and disagreement, however minor and well-intentioned, are perceived as unmitigated threats to the precarious house of cards that is Trump’s personality. Consequently, Trump is sadistically vindictive, aiming not just to counter such countervailing opinions regarding his Godlike status, but to deter and intimidate future critics.

Finally, aiming to disavow his own fragility and the indisputable fact that his public persona is nothing but a fabrication, Trump ostentatiously and volubly abhors and berates the weak, the meek, “losers”, “haters” (of which is a prime example), the disabled, women, minorities, and anyone else who might remind him by their very existence of how far from perfect and brilliant he is. The public Trump is about hatred, resentment, rage, envy, and other negative emotions because he is mercilessly driven by these very demons internally. Trump’s quotidien existence is a Kafkaesque trial in which he stands accused of being a mere, average, not-too-bright, mortal and is constantly found wanting and guilty as charged. His entire life is a desperate, last ditch attempt to prove wrong the prosecution in this never-ending courtroom drama.

How & Why Donald Trump Stole America. The Pathological / Malignant Narcissist. Expert

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Introduction to Sociology – Deviance, Crime, and Social Control

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Ella Fitzgerald — Videos

Posted on February 5, 2017. Filed under: American History, Art, Culture, Entertainment, history, Music, Music, People, Photos, Video, Wisdom, Writing | Tags: , , , , , , |

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Image result for ella fitgzgeraldImage result for ella fitgzgerald

Ella Fitzgerald – My Funny Valentine (High Quality – Remastered)

Benny Goodman & Ella Fitzgerald – Goodnight My Love (1937)

Manhattan – Ella Fitzgerald lyrics

Ella Fitzgerald – The Very Thought Of You (lyrics on screen)

Ella Fitzgerald- “It Don’t Mean A Thing If It Ain’t Got That Swing” 1957 (RITY Archives)

Ella Fitzgerald – Midnight Sun – LIVE 1958

Ella Fitzgerald in Copenhagen 1965

Ella Fitzgerald – Summertime (1968)

Summertime,
And the livin’ is easy
Fish are jumpin’
And the cotton is high

Oh, Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry

One of these mornings
You’re going to rise up singing
Then you’ll spread your wings
And you’ll take to the sky

But ’til that morning
There’s a’nothing can harm you
With your daddy and mammy
Standing by
Don’t you cry

Ella Fitzgerald How High is the moon

Ella Fitzgerald and Louis Armstrong – Summertime

Ella & Louis – Cheek to Cheek

Ella Fitzgerald & Louis Armstrong: Dream A Little Dream Of Me

Ella Fitzgerald & Louis Armstrong – Stars Fell On Alabama (1956)

Ella Fitzgerald & Louis Armstrong – Tenderly (Verve Records 1956)

E.Fitzgerald & L.Armstrong, Duets and more (full album)

Let’s Do It (Let’s Fall In Love) by Ella Fitzgerald

Ella Fitzgerald – Mack The Knife (High Quality)

Ella Fitzgerald – Misty

Ella Fitzgerald and The Inkspots – Into Each Life Some Rain Must Fall

Ella Fitzgerald – Hello Dolly (live)

Ella Fitzgerald – The Girl From Ipanema

Ella Fitzgerald – For Once In My Life (Live in Berlin 1968)

Ella Fitzgerald – Live At Ronnie Scott’s (!974)

ELLA FITZGERALD LIVE IN TOKYO (1983)

Ella Fitzgerald LIVE IN MILANO, ITALY 1984

Ella Fitzgerald – Night and Day (w/ lyrics)

Frank Sinatra – The Lady Is A Tramp ft. Ella Fitzgerald

Ella Fitzgerald – Blue Skies (High Quality – Remastered)

Ella Fitzgerald – Cry me a river

Ella Fitzgerald-How deep is the ocean?

Ella Fitzgerald “One Note Samba”

How High The Moon 1958

Ella Fitzgerald British TV 1961 Mr Paganini

Mr Paganini

Ella Fitzgerald – Round Midnight

Ella Fitzgerald The Man I love

Ella sings “Stormy Weather” with Joe Pass, Hannover 1975

Ella Fitzgerald – Sammy Davis Jr. 60th Anniversary Celebration (1990)

Karen Carpenter/Ella Fitzgerald medley, recorded for “Music,Music,Music

Ella Fitzgerald & Joe Pass – Once in a While

Ella Fitzgerald – My Heart Belongs to Daddy

Marilyn Monroe and Ella Fitzgerald sing “My Heart Belongs To Daddy”

Marilyn Monroe And Ella Fitzgerald Sing LAZY Together

Marilyn Monroe Talking About Ella Fitzgerald, Frank Sinatra And Sammy Davis jr

The Best Of Ella Fitzgerald

Ella Fitzgerald – All the Best (FULL ALBUM)

Ella Fitzgerald Greatest hits playlist – Collection HD/HQ

Ella Fitzgerald Interview 1974 Brian Linehan’s City Lights

Ella Fitzgerald kicked off a plane because of her race: CBC Archives | CBC

What’s My Line? – Ella Fitzgerald

Kennedy Center Honors Ella Fitzgerald 1979

ELLA FITZGERALD RECEIVES THE PRESIDENT’S AWARD

ELLA FITZGERALD BIOGRAPHY PART 1

ELLA FITZGERALD BIOGRAPHY PART 2

ELLA FITZGERALD BIOGRAPHY PART 3

ELLA FITZGERALD BIOGRAPHY PART 4

ELLA FITZGERALD BIOGRAPHY PART 5

ELLA FITZGERALD BIOGRAPHY PART 6

ELLA FITZGERALD BIOGRAPHY PART 7

ELLA FITZGERALD BIOGRAPHY PART 8

ELLA FITZGERALD BIOGRAPHY PART 9

ELLA FITZGERALD BIOGRAPHY PART 10

ELLA FITZGERALD BIOGRAPHY PART 11

Ella Fitzgerald

From Wikipedia, the free encyclopedia
Ella Fitzgerald
Ella Fitzgerald (Gottlieb 02871).jpg

Fitzgerald in November 1946
Born Ella Jane Fitzgerald
April 25, 1917
Newport News, Virginia, U.S.
Died June 15, 1996 (aged 79)
Beverly Hills, California, U.S.
Cause of death Diabetes mellitus
Spouse(s) Benny Kornegay
(m. 1941; annulled 1943)
Ray Brown
(m. 1947; div. 1953)
Children Ray Brown Jr.
Musical career
Genres
Occupation(s) Singer, actress
Instruments Vocals
Years active 1934–1994
Labels
Website ellafitzgerald.com

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazzsinger often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing.

After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country, but most often associated with the Savoy Ballroom in Harlem. Fitzgerald’s rendition of the nursery rhymeA-Tisket, A-Tasket” helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last effectively the rest of her life.

Signed with manager and Savoy co-founder Moe Gale[1] from early in her career, she eventually gave managerial control for her performance and recording career to Norman Granz, who built up the label Verve Records based in part on Fitzgerald’s vocal abilities. With Verve she recorded some of her more widely noted works, particularly her interpretation of the Great American Songbook.

While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, Fitzgerald capped off her sixty-year career with her last public performance. Three years later, she died at the age of 79, following years of decline in her health. After her passing, Fitzgerald’s influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theater namesakes.

Early life

Fitzgerald was born on April 25, 1917, in Newport News, Virginia, the daughter of William Fitzgerald and Temperance “Tempie” Fitzgerald.[2] Her parents were unmarried but lived together for at least two and a half years after she was born. In the early 1920s Fitzgerald’s mother and her new partner, a Portuguese immigrant named Joseph Da Silva,[2] moved to the city of Yonkers, in Westchester County, New York, as part of the first Great Migration of African Americans.[2] Initially living in a single room, her mother and Da Silva soon found jobs. Her half-sister, Frances Da Silva, was born in 1923.[3] By 1925, Fitzgerald and her family had moved to nearby School Street, then a predominantly poor Italian area.[3] She began her formal education at the age of six and proved to be an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School from 1929.[4]

Fitzgerald had been passionate about dancing from third grade, being a fan of Earl “Snakehips” Tucker in particular, and would perform for her peers on the way to school and at lunchtime.[5] Fitzgerald and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, and she regularly attended worship services, Bible study, and Sunday school.[5] The church provided Fitzgerald with her earliest experiences in formal music making, and she may also have had a short series of piano lessons during this period.[6]

During this period Fitzgerald listened to jazz recordings by Louis Armstrong, Bing Crosby, and The Boswell Sisters. Fitzgerald idolized the Boswell Sisters’ lead singer Connee Boswell, later saying, “My mother brought home one of her records, and I fell in love with it….I tried so hard to sound just like her.”[7]

In 1932, her mother died from serious injuries she received in a car accident [8] when Fitzgerald was 15 years of age. This left her at first in the care of her stepfather but before the end of April 1933, she had moved in with her aunt in Harlem.[9]This seemingly swift change in her circumstances, reinforced by what Fitzgerald biographer Stuart Nicholson describes as rumors of her stepfather’s “ill treatment” of Fitzgerald, leaves him to speculate that Da Silva might have abused her.[9]

Regardless, following these traumas, Fitzgerald began skipping school and letting her grades suffer. During this period she worked at times as a lookout at a bordello and with a Mafia-affiliated numbers runner.[10] Ella Fitzgerald never talked publicly about this time in her life.[11] When the authorities caught up with her, she was first placed in the Colored Orphan Asylum in Riverdale, Bronx.[12] However, when the orphanage proved too crowded, she was moved to the New York Training School for Girls in Hudson, New York, a state reformatory located about 120 miles north of New York City. Eventually she escaped and for a time she was homeless.

Early career

A young Fitzgerald, photographed by Carl Van Vechten in 1940

While she seems to have survived during 1933 and 1934 in part from singing on the streets of Harlem, Fitzgerald made her most important amateur singing debut at age 17 on November 21, 1934, in one of the earliest of the famous Amateur Nights at the Apollo Theater.[13][14] She had originally intended to go on stage and dance, but, intimidated by a local dance duo called the Edwards Sisters, she opted to sing instead.[14][15] Performing in the style of Connee Boswell, she sang “Judy” and “The Object of My Affection” and won the first prize of $25.00.[16] In theory, she also won the chance to perform at the Apollo for a week but, seemingly because of her disheveled appearance, the theater never gave her that part of her prize.[17]

In January 1935 Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House.[13] Around this same time, she was introduced to the drummer and bandleader Chick Webb, who had asked his recently signed singer Charlie Linton to help find him a female singer. Though Webb was, as The New York Times later wrote, “reluctant to sign her….because she was gawky and unkempt, a ‘diamond in the rough,'”[7] he offered her the opportunity to test with his band when they played a dance at Yale University.[13]

Met with approval by both audiences and her fellow musicians, Fitzgerald was asked to join Webb’s orchestra and soon gained acclaim as part of the group’s renowned performances at Harlem’s Savoy Ballroom.[13] Fitzgerald recorded several hit songs with them, including “Love and Kisses” and “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)“.[13] But it was her 1938 version of the nursery rhyme, “A-Tisket, A-Tasket,” a song she co-wrote, that brought her wide public acclaim.[18][19] Later that year Ella recorded her second hit, “I Found My Yellow Basket.”

Webb died of spinal tuberculosis on June 16, 1939,[20] and his band was renamed Ella and her Famous Orchestra, with Fitzgerald taking on the role of nominal bandleader.[21] Fitzgerald recorded nearly 150 songs with Webb’s orchestra between 1935 and its final end in 1942. In her New York Times obituary of 1996, Stephen Holder echoed the conventional critical view of the time in describing “the majority” of her recordings during this period as “novelties and disposable pop fluff”.[7] In addition to her work with Webb, Fitzgerald performed and recorded with the Benny Goodman Orchestra. She had her own side project, too, known as Ella Fitzgerald and Her Savoy Eight.

Decca years

Fitzgerald performing with Dizzy Gillespie, Ray Brown, Milt Jackson and Timme Rosenkrantz in September 1947, New York

In 1942, Fitzgerald left the band to begin a solo career.[22] Continuing under contract to the Decca label that she had worked with while part of Webb’s orchestra, she had several popular hits while recording with such artists as Bill Kenny & the Ink Spots,[23] Louis Jordan,[24] and the Delta Rhythm Boys.[25]

With Decca’s Milt Gabler as her manager, Fitzgerald began working regularly for the jazz impresario Norman Granz and appeared regularly in his Jazz at the Philharmonic (JATP) concerts. Her relationship with Granz was further cemented when he became her manager, although it would be nearly a decade before he could record her on one of his many record labels.

With the demise of the Swing era and the decline of the great touring big bands, a major change in jazz music occurred. The advent of bebop led to new developments in Fitzgerald’s vocal style, influenced by her work with Dizzy Gillespie‘s big band. It was in this period that Fitzgerald started including scat singing as a major part of her performance repertoire. While singing with Gillespie, Fitzgerald recalled, “I just tried to do [with my voice] what I heard the horns in the band doing.”[16]

Her 1945 scat recording of “Flying Home” arranged by Vic Schoen would later be described by The New York Times as “one of the most influential vocal jazz records of the decade….Where other singers, most notably Louis Armstrong, had tried similar improvisation, no one before Miss Fitzgerald employed the technique with such dazzling inventiveness.”[7] Her bebop recording of “Oh, Lady Be Good!” (1947) was similarly popular and increased her reputation as one of the leading jazz vocalists.[26]

Verve years

Fitzgerald was still performing at Granz’s JATP concerts by 1955. She left Decca and Granz, now her manager, created Verve Records around her. She later described the period as strategically crucial, saying, “I had gotten to the point where I was only singing be-bop. I thought be-bop was ‘it’, and that all I had to do was go some place and sing bop. But it finally got to the point where I had no place to sing. I realized then that there was more to music than bop. Norman … felt that I should do other things, so he produced The Cole Porter Songbook with me. It was a turning point in my life.”[7]

On March 15, 1955[27] Ella Fitzgerald opened her initial engagement at the Mocambo nightclub in Hollywood,[28] after Marilyn Monroe lobbied the owner for the booking.[29] The booking was instrumental in Fitzgerald’s career. Bonnie Greer dramatized the incident as the musical drama, Marilyn and Ella, in 2008. It had previously been widely reported that Fitzgerald was the first black performer to play the Mocambo, following Monroe’s intervention, but this is not true. African-American singers Herb Jeffries,[30] Eartha Kitt,[31] and Joyce Bryant[32] all played the Mocambo in 1952 and 1953, according to stories published at the time in Jet magazine and Billboard.

Ella Fitzgerald Sings the Cole Porter Songbook, released in 1956, was the first of eight Songbook sets Fitzgerald would record for Verve at irregular intervals from 1956 to 1964. The composers and lyricists spotlighted on each set, taken together, represent the greatest part of the cultural canon known as the Great American Songbook. Her song selections ranged from standards to rarities and represented an attempt by Fitzgerald to cross over into a non-jazz audience. The sets are the most well-known items in her discography.

Fitzgerald in 1968, courtesy of the Fraser MacPherson estate

Ella Fitzgerald Sings the Duke Ellington Song Book was the only Songbook on which the composer she interpreted played with her. Duke Ellington and his longtime collaborator Billy Strayhorn both appeared on exactly half the set’s 38 tracks and wrote two new pieces of music for the album: “The E and D Blues” and a four-movement musical portrait of Fitzgerald (the only Songbook track on which Fitzgerald does not sing). The Songbook series ended up becoming the singer’s most critically acclaimed and commercially successful work, and probably her most significant offering to American culture. The New York Times wrote in 1996, “These albums were among the first pop records to devote such serious attention to individual songwriters, and they were instrumental in establishing the pop album as a vehicle for serious musical exploration.”[7]

Days after Fitzgerald’s death, The New York Times columnist Frank Rich wrote that in the Songbook series Fitzgerald “performed a cultural transaction as extraordinary as Elvis‘ contemporaneous integration of white and African American soul. Here was a black woman popularizing urban songs often written by immigrant Jews to a national audience of predominantly white Christians.”[10] Frank Sinatra, out of respect for Fitzgerald, prohibited Capitol Records from re-releasing his own recordings in separate albums for individual composers in the same way.[citation needed]

Fitzgerald also recorded albums exclusively devoted to the songs of Porter and Gershwin in 1972 and 1983; the albums being, respectively, Ella Loves Cole and Nice Work If You Can Get It. A later collection devoted to a single composer was released during her time with Pablo Records, Ella Abraça Jobim, featuring the songs of Antônio Carlos Jobim.

While recording the Songbooks and the occasional studio album, Fitzgerald toured 40 to 45 weeks per year in the United States and internationally, under the tutelage of Norman Granz. Granz helped solidify her position as one of the leading live jazz performers.[7] In 1961 Fitzgerald bought a house in the Klampenborg district of Copenhagen, Denmark, after she began a relationship with a Danish man. Though the relationship ended after a year, Fitzgerald regularly returned to Denmark over the next three years, and even considered buying a jazz club there. The house was sold in 1963, and Fitzgerald permanently returned to the United States.[33]

There are several live albums on Verve that are highly regarded by critics. Ella at the Opera House shows a typical JATP set from Fitzgerald. Ella in Rome and Twelve Nights in Hollywood display her vocal jazz canon. Ella in Berlin is still one of her best-selling albums; it includes a Grammy-winning performance of “Mack the Knife” in which she forgets the lyrics but improvises magnificently to compensate.

Verve Records was sold to MGM in 1963 for $3 million and in 1967 MGM failed to renew Fitzgerald’s contract. Over the next five years she flitted between Atlantic, Capitol and Reprise. Her material at this time represented a departure from her typical jazz repertoire. For Capitol she recorded Brighten the Corner, an album of hymns, Ella Fitzgerald’s Christmas, an album of traditional Christmas carols, Misty Blue, a country and western-influenced album, and 30 by Ella, a series of six medleys that fulfilled her obligations for the label. During this period, she had her last US chart single with a cover of Smokey Robinson‘s “Get Ready“, previously a hit for the Temptations, and some months later a top-five hit for Rare Earth.

The surprise success of the 1972 album Jazz at Santa Monica Civic ’72 led Granz to found Pablo Records, his first record label since the sale of Verve. Fitzgerald recorded some 20 albums for the label. Ella in London recorded live in 1974 with pianist Tommy Flanagan, guitarist Joe Pass, bassist Keter Betts and drummer Bobby Durham, was considered by many to be some of her best work. The following year she again performed with Joe Pass on German television station NDR in Hamburg. Her years with Pablo Records also documented the decline in her voice. “She frequently used shorter, stabbing phrases, and her voice was harder, with a wider vibrato”, one biographer wrote.[34] Plagued by health problems, Fitzgerald made her last recording in 1991 and her last public performances in 1993.[35]

Film and television

Fitzgerald shakes hands with President Ronald Reagan after performing in the White House, 1981

In her most notable screen role, Fitzgerald played the part of singer Maggie Jackson in Jack Webb‘s 1955 jazz film Pete Kelly’s Blues.[36] The film costarred Janet Leigh and singer Peggy Lee.[37] Even though she had already worked in the movies (she had sung briefly in the 1942 Abbott and Costello film Ride ‘Em Cowboy),[38] she was “delighted” when Norman Granz negotiated the role for her, and, “at the time….considered her role in the Warner Brothers movie the biggest thing ever to have happened to her.”[34] Amid The New York Times pan of the film when it opened in August 1955, the reviewer wrote, “About five minutes (out of ninety-five) suggest the picture this might have been. Take the ingenious prologue … [or] take the fleeting scenes when the wonderful Ella Fitzgerald, allotted a few spoken lines, fills the screen and sound track with her strong mobile features and voice.”[39]Fitzgerald’s race precluded major big-screen success. After Pete Kelly’s Blues, she appeared in sporadic movie cameos, in St. Louis Blues (1958),[40] and Let No Man Write My Epitaph (1960).[41] Much later, she appeared in the 1980s television drama The White Shadow.

She made numerous guest appearances on television shows, singing on The Frank Sinatra Show, The Andy Williams Show, The Pat Boone Chevy Showroom, and alongside other greats Nat King Cole, Dean Martin, Mel Tormé, and many others. She was also frequently featured on The Ed Sullivan Show. Perhaps her most unusual and intriguing performance was of the “Three Little Maids” song from Gilbert and Sullivan‘s comic operetta The Mikado alongside Joan Sutherland and Dinah Shore on Shore’s weekly variety series in 1963. A performance at Ronnie Scott’s Jazz Club in London was filmed and shown on the BBC. Fitzgerald also made a one-off appearance alongside Sarah Vaughan and Pearl Bailey on a 1979 television special honoring Bailey. In 1980, she performed a medley of standards in a duet with Karen Carpenter on the Carpenters’ television program Music, Music, Music.[42]

Fitzgerald also appeared in TV commercials, her most memorable being an ad for Memorex.[43] In the commercials, she sang a note that shattered a glass while being recorded on a Memorex cassette tape.[44] The tape was played back and the recording also broke the glass, asking: “Is it live, or is it Memorex?”[44] She also starred in a number of commercials for Kentucky Fried Chicken, singing and scatting to the fast-food chain’s longtime slogan, “We do chicken right!”[45] Her final commercial campaign was for American Express, in which she was photographed by Annie Leibovitz.[46]

Collaborations

Fitzgerald’s most famous collaborations were with the vocal quartet Bill Kenny & the Ink Spots, trumpeter Louis Armstrong, the guitarist Joe Pass, and the bandleaders Count Basie and Duke Ellington.

  • From 1943 to 1950, Fitzgerald recorded seven songs with the Ink Spots featuring Bill Kenny. Out of all seven recordings, four reached the top of the pop charts including “I’m Making Believe” and “Into Each Life Some Rain Must Fall” which both reached #1.
  • Fitzgerald recorded three Verve studio albums with Armstrong, two albums of standards (1956’s Ella and Louis and 1957’s Ella and Louis Again), and a third album featured music from the Gershwin musical Porgy and Bess. Fitzgerald also recorded a number of sides with Armstrong for Decca in the early 1950s.
  • Fitzgerald is sometimes referred to as the quintessential swing singer, and her meetings with Count Basie are highly regarded by critics. Fitzgerald features on one track on Basie’s 1957 album One O’Clock Jump, while her 1963 album Ella and Basie! is remembered as one of her greatest recordings. With the ‘New Testament’ Basie band in full swing, and arrangements written by a young Quincy Jones, this album proved a respite from the ‘Songbook’ recordings and constant touring that Fitzgerald was engaged in during this period. Fitzgerald and Basie also collaborated on the 1972 album Jazz at Santa Monica Civic ’72, and on the 1979 albums Digital III at Montreux, A Classy Pair and A Perfect Match.
  • Fitzgerald and Joe Pass recorded four albums together toward the end of Fitzgerald’s career. She recorded several albums with piano accompaniment, but a guitar proved the perfect melodic foil for her. Fitzgerald and Pass appeared together on the albums Take Love Easy (1973), Easy Living (1986), Speak Love (1983) and Fitzgerald and Pass… Again (1976).
  • Fitzgerald and Duke Ellington recorded two live albums and two studio albums. Her Duke Ellington Songbook placed Ellington firmly in the canon known as the Great American Songbook, and the 1960s saw Fitzgerald and the ‘Duke’ meet on the Côte d’Azur for the 1966 album Ella and Duke at the Cote D’Azur, and in Sweden for The Stockholm Concert, 1966. Their 1965 album Ella at Duke’s Place is also extremely well received.

Fitzgerald had a number of famous jazz musicians and soloists as sidemen over her long career. The trumpeters Roy Eldridge and Dizzy Gillespie, the guitarist Herb Ellis, and the pianists Tommy Flanagan, Oscar Peterson, Lou Levy, Paul Smith, Jimmy Rowles, and Ellis Larkins all worked with Ella mostly in live, small group settings.

Possibly Fitzgerald’s greatest unrealized collaboration (in terms of popular music) was a studio or live album with Frank Sinatra. The two appeared on the same stage only periodically over the years, in television specials in 1958 and 1959, and again on 1967’s A Man and His Music + Ella + Jobim, a show that also featured Antônio Carlos Jobim. Pianist Paul Smith has said, “Ella loved working with [Frank]. Sinatra gave her his dressing-room on A Man and His Music and couldn’t do enough for her.” When asked, Norman Granz would cite “complex contractual reasons” for the fact that the two artists never recorded together.[34] Fitzgerald’s appearance with Sinatra and Count Basie in June 1974 for a series of concerts at Caesars Palace, Las Vegas, was seen as an important incentive for Sinatra to return from his self-imposed retirement of the early 1970s. The shows were a great success, and September 1975 saw them gross $1,000,000 in two weeks on Broadway, in a triumvirate with the Count Basie Orchestra.

Later life and death

Fitzgerald had suffered from diabetes for several years of her later life, which had led to numerous complications.[7] In 1985, Fitzgerald was hospitalized briefly for respiratory problems,[47] in 1986 for congestive heart failure,[48] and in 1990 for exhaustion.[49] In March 1990 she appeared at the Royal Albert Hall in London, England with the Count Basie Orchestra for the launch of Jazz FM, plus a gala dinner at the Grosvenor House Hotel at which she performed.[50] In 1993, she had to have both of her legs amputated below the knee due to the effects of diabetes.[51] Her eyesight was affected as well.[7]

In 1996, tired of being in the hospital, she wished to spend her last days at home. Confined to a wheelchair, she spent her final days in her backyard of her Beverly Hills mansion on Whittier, with her son Ray and 12-year-old granddaughter, Alice. “I just want to smell the air, listen to the birds and hear Alice laugh,” she reportedly said. On her last day, she was wheeled outside one last time, and sat there for about an hour. When she was taken back in, she looked up with a soft smile on her face and said, “I’m ready to go now.” She died in her home on June 15, 1996 at the age of 79.[7] A few hours after her death, the Playboy Jazz Festival was launched at the Hollywood Bowl. In tribute, the marquee read: “Ella We Will Miss You.”[52] Her funeral was private,[52] and she was buried at Inglewood Park Cemetery in Los Angeles.

Personal life

Fitzgerald married at least twice, and there is evidence that she may have married a third time. Her first marriage was in 1941, to Benny Kornegay, a convicted drug dealer and local dockworker. The marriage was annulled in 1942.[53]

Her second marriage was in December 1947, to the famous bass player Ray Brown, whom she had met while on tour with Dizzy Gillespie’s band a year earlier. Together they adopted a child born to Fitzgerald’s half-sister, Frances, whom they christened Ray Brown, Jr. With Fitzgerald and Brown often busy touring and recording, the child was largely raised by his mother’s aunt, Virginia. Fitzgerald and Brown divorced in 1953, bowing to the various career pressures both were experiencing at the time, though they would continue to perform together.[7]

In July 1957, Reuters reported that Fitzgerald had secretly married Thor Einar Larsen, a young Norwegian, in Oslo. She had even gone as far as furnishing an apartment in Oslo, but the affair was quickly forgotten when Larsen was sentenced to five months’ hard labor in Sweden for stealing money from a young woman to whom he had previously been engaged.[54]

Fitzgerald was also notoriously shy. Trumpet player Mario Bauzá, who played behind Fitzgerald in her early years with Chick Webb, remembered that “she didn’t hang out much. When she got into the band, she was dedicated to her music….She was a lonely girl around New York, just kept herself to herself, for the gig.”[34] When, later in her career, the Society of Singers named an award after her, Fitzgerald explained, “I don’t want to say the wrong thing, which I always do but I think I do better when I sing.”[16]

Fitzgerald was a quiet but ardent supporter of many charities and non-profit organizations, including the American Heart Association and the City of Hope Medical Center. In 1993, she established the Ella Fitzgerald Charitable Foundation.[55]

Discography and collections

Further information: Ella Fitzgerald discography

The primary collections of Fitzgerald’s media and memorabilia reside at and are shared between the Smithsonian Institution and the US Library of Congress [56]

Awards, citations and honors

Fitzgerald won thirteen Grammy Awards,[57] and received the Grammy Lifetime Achievement Award in 1967.[58]

In 1958 Fitzgerald was the first African American female to win at the inaugural show.[59]

Other major awards and honors she received during her career were the Kennedy Center for the Performing Arts Medal of Honor Award, National Medal of Art, first Society of Singers Lifetime Achievement Award, named “Ella” in her honor, Presidential Medal of Freedom, and the George and Ira Gershwin Award for Lifetime Musical Achievement, UCLA Spring Sing, and the UCLA Medal (1987).[60] Across town at the University of Southern California, she received the USC “Magnum Opus” Award which hangs in the office of the Ella Fitzgerald Charitable Foundation. In 1990, she received an honorary doctorate of Music from Harvard University.[61]

Tributes and legacy

Fitzgerald in 1960 by Erling Mandelmann

The career history and archival material from Ella’s long career are housed in the Archives Center at the Smithsonian‘s National Museum of American History, while her personal music arrangements are at the Library of Congress. Her extensive cookbook collection was donated to the Schlesinger Library at Harvard University, and her extensive collection of published sheet music was donated to UCLA.

In 1997, Newport News, Virginia created a music festival with Christopher Newport University to honor Ella Fitzgerald in her birth city. Past performers at the week-long festival include: Diana Krall, Arturo Sandoval, Jean Carne, Phil Woods, Aretha Franklin, Victoria Wyndham, Charles Keating, Freda Payne, Cassandra Wilson, Ethel Ennis, David Sanborn, Jane Monheit, Dianne Reeves, Dee Dee Bridgewater, Ramsey Lewis, Patti Austin, Lalah Hathaway, Ledisi, Chrisette Michele, Natalie Cole, Freddie Jackson, Joe Harnell, Roy Ayers and Ann Hampton Callaway.

Callaway, Dee Dee Bridgewater, and Patti Austin have all recorded albums in tribute to Fitzgerald. Callaway’s album To Ella with Love (1996) features fourteen jazz standards made popular by Fitzgerald, and the album also features the trumpeter Wynton Marsalis. Bridgewater’s album Dear Ella (1997) featured many musicians that were closely associated with Fitzgerald during her career, including the pianist Lou Levy, the trumpeter Benny Powell, and Fitzgerald’s second husband, double bassist Ray Brown. Bridgewater’s following album, Live at Yoshi’s, was recorded live on April 25, 1998, what would have been Fitzgerald’s 81st birthday.

Austin’s album, For Ella (2002) features 11 songs most immediately associated with Fitzgerald, and a twelfth song, “Hearing Ella Sing” is Austin’s tribute to Fitzgerald. The album was nominated for a Grammy. In 2007, We All Love Ella, was released, a tribute album recorded for the 90th anniversary of Fitzgerald’s birth. It featured artists such as Michael Bublé, Natalie Cole, Chaka Khan, Gladys Knight, Diana Krall, k.d. lang, Queen Latifah, Ledisi, Dianne Reeves, Linda Ronstadt, and Lizz Wright, collating songs most readily associated with the “First Lady of Song”. Folk singer Odetta‘s album To Ella (1998) is dedicated to Fitzgerald, but features no songs associated with her. Her accompanist Tommy Flanagan affectionately remembered Fitzgerald on his album Lady be Good … For Ella (1994).

Ella, elle l’a“, a tribute to Fitzgerald written by Michel Berger and performed by French singer France Gall, was a hit in Europe in 1987 and 1988.[62] Fitzgerald is also referred to in the 1976 Stevie Wonder hit “Sir Duke” from his album Songs in the Key of Life, and the song “I Love Being Here With You”, written by Peggy Lee and Bill Schluger. Sinatra’s 1986 recording of “Mack the Knife” from his album L.A. Is My Lady (1984) includes a homage to some of the song’s previous performers, including ‘Lady Ella’ herself. She is also honored in the song “First Lady” by Canadian artist Nikki Yanofsky.

In 2008, the Downing-Gross Cultural Arts Center in Newport News named its brand new 276-seat theater the Ella Fitzgerald Theater. The theater is located several blocks away from her birthplace on Marshall Avenue. The Grand Opening performers (October 11 and 12, 2008) were Roberta Flack and Queen Esther Marrow.

In 2012, Rod Stewart performed a “virtual duet” with Ella Fitzgerald on his Christmas album Merry Christmas, Baby, and his television special of the same name.[63]

There is a bronze sculpture of Fitzgerald in Yonkers, the city in which she grew up, created by American artist Vinnie Bagwell. It is located southeast of the main entrance to the Amtrak/Metro-North Railroad station in front of the city’s old trolley barn. A bust of Fitzgerald is on the campus of Chapman University in Orange, California. On January 9, 2007, the United States Postal Service announced that Fitzgerald would be honored with her own postage stamp.[43] The stamp was released in April 2007 as part of the Postal Service’s Black Heritage series.[64]

https://en.wikipedia.org/wiki/Ella_Fitzgerald

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Scott Sigler — Infected — Videos

Posted on February 4, 2017. Filed under: American History, Art, Art, Articles, Biology, Blogroll, Books, Chemistry, Communications, Congress, Culture, Entertainment, history, Law, liberty, Life, Links, Literacy, Medical, Non-Fiction, People, Philosophy, Photos, Radio, Raves, Science, Video, War, Wealth, Weapons, Wisdom, Work, Writing | Tags: , , , , , , , , , |

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INFECTED Trailer from the novel by Scott Sigler (Book I of the INFECTED Trilogy)

Scott Sigler: “Rewriting Publishing with Podcasts” | Talks At Google

Scott Sigler Interview

PANDEMIC Trailer (Book III in the INFECTED Trilogy)

NOCTURNAL book trailer, novel by Scott Sigler

Scott Sigler Extended Bonus Interview from Sword & Laser Ep 1

Interview with Scott Sigler at San Diego Comic Con 2012

“The Writing Process” with Scott Sigler (from Joe Rogan Experience #437)

How To Write Your First Novel (So You Wanna Be A Writer #1)

The Big-Ass Binder (So You Wanna Be A Writer #2)

Should You Outline? (So You Wanna Be A Writer #3)

Should You Outline? (So You Wanna Be A Writer #4)

Should You Outline? (So You Wanna Be A Writer #5)

Should You Outline? (So You Wanna Be A Writer #6)

So You Want to Write a Novel

Scott Sigler

From Wikipedia, the free encyclopedia
Scott Sigler
Scott Sigler (4772655043).jpg
Born Scott Carl Sigler
Cheboygan, Michigan, USA
Occupation Author
Nationality American
Genre Science fiction/Horror
Literary movement The Podiobook (Podcast Novel)
Website
scottsigler.com

Scott Carl Sigler is a contemporary American author of science fiction and horror as well as an avid podcaster. Scott is the New York Times #1 bestselling author of sixteen novels, six novellas, and dozens of short stories. He is the co-founder of Empty Set Entertainment, which publishes his young adult Galactic Football League series. He lives in San Diego.

Life and work

Raised in Cheboygan, Michigan Sigler’s father passed his love of classic monster films along to his son. His mother, a school teacher, encouraged his reading offering him any book he wanted.[1] Sigler wrote his first monster story, “Tentacles”, at the age of eight.[2] Sigler didn’t travel far for college having attended Olivet College (Olivet, MI) and Cleary College (Ann Arbor, MI) where he earned a BA in Journalism and a BS in Marketing. Scott has had a varied career path having worked fast food, picking fruit, shoveling horse manure, a sports reporter, director of marketing for a software company, software startup founder, marketing consultant, guitar salesman, bum in a rock band,[3] and currently as a social media strategist. He now resides in San Diego, California with his dog, Reesie.

EarthCore was originally published in 2001 by iPublish, an AOL/Time Warner imprint.[4] With the novel doing well as a promotional ebook, Time Warner was planning on publishing the novel. With the economic slump following September 11, 2001 terrorist attacks, Time Warner did away with the imprint in 2004. Scott then decided to start podcasting his novel in March, 2005 as the world’s first podcast-only novel[5] to build hype and garner an audience for his work. Sigler considered it a “no brainer” to offer the book as a free audio download. Having searched for podcast novels and finding none, Sigler decided to be the first.[6][7] Sigler was able to get EarthCore offered as a paid download on iTunes in 2006.[8] After EarthCore’s success (EarthCore had over 10,000 subscribers[9]), Sigler released Ancestor, Infected, The Rookie, Nocturnal, and Contagious via podcast.[10]

Sigler released an Adobe PDF version of Ancestor in March 2007 through Sigler’s own podcast as well as others. Ancestor was released on April 1, 2007 to much internet hype and, despite having been released two weeks earlier as a free ebook, reached #7 on Amazon.com‘s best-seller list and #1 on Sci-Fi, Horror and Genre-Fiction on the day of release.[11] Sigler is leveraging new media to keep in-touch with his fans, regularly talking with them using social networking sites, via email, and IM. Scott Sigler was featured in a New York Times article on March 1, 2007 by Andrew Adam Newman, which was covering authors using podcasting innovations to garner a broader audience.[12]

In March 2014, Executive Editor Mark Tavani at Ballantine Bantam Dell bought World Rights to a science fiction trilogy by Sigler. In the first book, Alive, a young woman awakes trapped in a confined space with no idea who she is or how she got there. She soon frees other young adults in the room and together they find that they are surrounded by the horrifying remains of a war long past … and matched against an enemy too horrible to imagine. Further adventures will follow in two more books, Alight and Alone. The books will be published under the Del Rey imprint.[13] On Wednesday, July 15, 2016, it was announced that Alive made #1 on the New York Times Bestseller list in the Young Adult E-Book category.[14]

Sigler calls Stephen King a “‘master craftsman’, who writes from the ‘regular guy’ strata from which he hails. His older stuff had no pretense, no ‘higher message,’ no ‘I’m extremely important’ attitude, just rock-solid storytelling and character development. He also would whack any character at any time, and that’s what hooked you in – when characters got into trouble, you didn’t know if they’d live, unlike 99% of the books out there that are trying to develop franchise characters.” According to Sigler, Jack London‘s “The Sea Wolf totally changed my views on life”. Sigler saw King Kong (1976 version) when he was a little kid. He said it, “Scared the crap out of me. I hid behind my dad’s shoulder and begged to leave the theatre. As soon as we were out, I asked when we could see it again – that was the moment I knew I wanted to tell monster stories. I wanted to have that same impact on other people.”

Awards

Sigler has been a runner up in both the 2006 and 2007 Parsec Awards. In 2006 Sigler was a runner up for his short story Hero in the Best Fiction (Short) category and for Infected in the Best Fiction (Long) category. In 2007 Sigler was a runner up for The Rookie in the Best Speculative Fiction Story (Novel Form) category. In 2008 Sigler’s Contagious, the sequel to Infected was listed at 33 on the New York Times best sellers list.

In 2008 Sigler broke through and won the Parsec Award for Red Man in the Best Speculative Fiction Story (Short Form) category. He followed up with another win in 2009 for Eusocial Networking in the Best Speculative Fiction Story (Novella Form) category. 2010 saw him continue to win in the Best Speculative Fiction Story (Short Form) category with his podcast, The Tank, and in 2011 he again took out the Best Speculative Fiction Story (Novella Form) category with Kissyman & the Gentleman.

On July 31, 2015, Scott was inducted into the inaugural class of the Academy of Podcasters Hall of Fame at a ceremony in Fort Worth, Texas.[15]

Bibliography

Stand-alone novels

Infected Trilogy

Galactic Football League Series

Generations Trilogy

Other works

  • See the Scott Sigler bibliography page for more detailed information about the above novels and his many other works, including novellas related to the Galactic Football League series, short story collections, other short stories, upcoming projects, etc.

Adaptations

Film

In May, 2007 the novel Infected was optioned by Rogue Pictures and Random House Films;[17] however, the option lapsed in April 2010.[citation needed] The short story Sacred Cow was made into an online only mini-film by StrangerThings.tv and was Stranger Things debut episode.[18] “Cheating Bastard”, a short film about a couple in love with football and their obsession with it, was created by Brent Weichsel and released via Sigler’s RSS feed.

Graphic novel

In 2010 work began on a graphic novel adaptation of Sigler’s Infected.[19] The first issue was released August 1, 2012,[20]but the series was put on hold indefinitely due to delays with subsequent issues.[21]

Recordings

Albums

  • The Crucible (2016) by Separation Of Sanity. Scott’s original spoken word appears on four tracks: The Pact, Pandemic (inspired by his novel of the same name), Bag Of Blood (his major appearance on the album), and End Of Days.

Readings

  • Scott reads Union Dues – Off White Lies by Jeffrey R. DeRego on Escape Pod, Episode 49, on April 13, 2006.
  • Scott reads Reggie vs. Kaiju Storm Chimera Wolf by Matthew Wayne Selznick on Escape Pod, Episode 117, on August 2, 2007.

References

  1. Jump up^ Detrich, Allan (2007-04-01). “Podcasts are a novel idea for Scott Sigler”. Toledo Blade. Archived from the original on April 7, 2008. Retrieved 2007-09-18.
  2. Jump up^ Newman, Heather (2001-12-04). “Detroit Free Press Home Computing Column”. Detroit Free Press Knight Ridder/Tribune Business News. Retrieved 2007-09-17.
  3. Jump up^ “iPublish.com at Time Warner Books unveils third round of authors discovered through online writer community.”. Ingram Investment Ltd. 2001-11-07. Retrieved 2007-09-17.
  4. Jump up^ Weinberg, Anna (2005-08-26). “A Novel Approach to Podcasting”. The Book Standard. Retrieved 2007-09-17.
  5. Jump up^ Angell, LC (2005-03-24). “Fiction author releases ‘Podcast-only’ novel”. iLounge.com. Retrieved 2007-09-17.
  6. Jump up^ Kerley, Christina (2006-08-26). “Access to Supply Powers Demand–and First Sci-Fi Podcast Novel. (Q&A with Scott Sigler)”. CK’s Blog. Retrieved 2007-09-18.
  7. Jump up^ “From Podcast to Paidcast”. PRNewswire. 2006-03-09. Retrieved 2007-09-18.
  8. Jump up^ “Earthcore Podcast Now Pay to Play”. Podcasting News. 2006-02-21. Retrieved 2007-09-18.
  9. Jump up^ Mehta, Devanshu (2006-02-23). “From Podcast to Paidcast”. Apple Matters. Retrieved 2007-09-18.
  10. Jump up^ Newman, Andrew Adam (2007-03-01). “Authors Find Their Voice, and Audience, in Podcasts”. The New York Times. Retrieved 2007-09-16.
  11. Jump up^ “Scott Sigler’s Ancestor Skyrockets to Top 10 of Amazon Best-Seller List on First Day of Release”. PodShow.com. 2007-04-02. Retrieved 2007-09-18.
  12. Jump up^ Ploutz, Morgan (2010-10-22). “Scott Sigler Talks Ancestor and Hard Science Horror Writing”. Dread Central. Retrieved 2010-10-22.
  13. Jump up^ Sigler, Scott (March 19, 2014). “New print deal: Three books with Del Rey”. scottsigler.com. Retrieved 2016-05-30.
  14. Jump up^ “Scott Sigler’s novel Alive (Del Rey) is #1 on the New York Times Bestseller list in the Young Adult E-Book category.”. The New York Times. 2016-07-24.
  15. Jump up^ Academy of Podcasters Awards and Hall of Fame Ceremony.
  16. Jump up^ “Pandemic (review)”. PW. Retrieved 30 November 2013.
  17. Jump up^ Borys, Kit (2007-05-31). “Rogue, Random book ‘Infested'”. The Hollywood Reporter. Archived from the original on 2007-09-30. Retrieved 2007-09-18.
  18. Jump up^ Newton, Earl (2007-03-02). “Episode 01: Sacred Cow”. StrangerThings.tv. Retrieved 2007-09-18.
  19. Jump up^ “IDW Get Infected With Scott Sigler”. Bleeding Cool. Retrieved 13 September 2013.
  20. Jump up^ “PREVIEW: INFECTED #1”. CBR. Retrieved 13 September 2013.
  21. Jump up^ Sigler, Scott. “INFECTED Graphic Novel”. Scott Sigler. Retrieved 13 September 2013.

External links

https://en.wikipedia.org/wiki/Scott_Sigler

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David Ignatius — The Sun King — Videos

Posted on January 7, 2017. Filed under: American History, Art, Art, Blogroll, Book, Books, Business, Crisis, Employment, Entertainment, Faith, Family, Fiction, Freedom, history, Language, Law, liberty, Life, Links, media, People, Philosophy, Photos, Religious, Speech | Tags: , , , , , , , , , , , , , , , |

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The Sun King

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David Ignatius, (The Washington Post)