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Tom Wolfe — The Right Stuff — Videos

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Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

Image result for tom wolf the right stuff

The Right Stuff – The Bell X-1 (with Levon Helm as CPT Jack Ridley)

The Right Stuff (Part 2)

The Right Stuff (Part 3)

The Right Stuff (Part 4)

The Right Stuff (Part 5)

The Right Stuff (Part 6)

The Right Stuff (Part 7)

The Right Stuff (book)

From Wikipedia, the free encyclopedia
The Right Stuff
The Right Stuff (book).jpg

First edition
Author Tom Wolfe
Country United States
Language English
Genre New Journalism
Non-fiction
Publisher Farrar, Straus and Giroux
Publication date
1979
Media type Print (hardcover & paperback)
Pages 436 pages
ISBN 0-374-25032-4
OCLC 5007334
629.4/0973 19
LC Class TL789.8.U5 W64 1979

The Right Stuff is a 1979 book by Tom Wolfe about the pilots engaged in U.S. postwar research with experimental rocket-powered, high-speed aircraft as well as documenting the stories of the first Project Mercury astronauts selected for the NASA space program. The Right Stuff is based on extensive research by Wolfe, who interviewed test pilots, the astronauts and their wives, among others. The story contrasts the “Mercury Seven[1] and their families with test pilots such as Chuck Yeager, who was considered by many contemporaries as the best of them all, but who was never selected as an astronaut.

Wolfe wrote that the book was inspired by the desire to find out why the astronauts accepted the danger of space flight. He recounts the enormous risks that test pilots were already taking, and the mental and physical characteristics—the titular “right stuff”—required for and reinforced by their jobs. Wolfe likens the astronauts to “single combat warriors” from an earlier era who received the honor and adoration of their people before going forth to fight on their behalf.

The 1983 film The Right Stuff is adapted from the book.

Writing and publication

First-state dust jacket, showing initial design never released in a public edition[2]

In 1972 Jann Wenner, the editor of Rolling Stone assigned Wolfe to cover the launch of NASA’s last moon mission, Apollo 17. Wolfe became fascinated with the astronauts, and his competitive spirit compelled him to try to outdo Norman Mailer‘s nonfiction book about the first moon mission, Of a Fire on the Moon. He published a four-part series for Rolling Stone in 1973 titled “Post-Orbital Remorse”, about the depression that some astronauts experienced after having been in space. After the series, Wolfe began researching the whole of the space program, in what became a seven-year project from which he took time to write The Painted Word, a book on art, and to complete Mauve Gloves & Madmen, Clutter & Vine, a collection of shorter pieces.[3]

In 1977 he returned to his astronaut book full-time. Wolfe originally planned to write a complete history of the space program, though after writing through the Mercury program, he felt that his work was complete and that it captured the astronauts’ ethos — the “right stuff” that astronauts and test pilots of the 1940s and 1950s shared — the unspoken code of bravery and machismo that compelled these men to ride on top of dangerous rockets. While conducting research, he consulted with General Chuck Yeager and, after receiving a comprehensive review of his manuscript, was convinced that test pilots like Yeager should form the backdrop of the period. In the end, Yeager becomes a personification of the many postwar test pilots and their “right stuff.”[4] The phrase itself may have originated in the Joseph Conrad story “Youth”, where it was used.

The Right Stuff was published in 1979 by Farrar, Straus and Giroux and became Wolfe’s best selling book yet.[citation needed] It was praised by most critics, was a finalist for the National Book Critics Circle Award, and won the National Book Award for Nonfiction.[5][6]

In the foreword to a new edition, published in 1983 when the film adaptation was released, Wolfe wrote that his “book grew out of some ordinary curiosity” about what “makes a man willing to sit up on top of an enormous Roman candle… and wait for someone to light the fuse.”[7]

Book

The story is more about the space race than space exploration in general. The Soviet Union‘s early space efforts are mentioned only as background, focusing entirely on an early portion of the U.S. space program. Only Project Mercury, the first operational manned space-flight program, is covered. The Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton. Emphasis is given to the personal stories of the astronauts and their wives rather than the technical aspects of space travel and the flights themselves.

The storyline also involves the political reasons for putting people into space, asserting that the Mercury astronauts were actually a burden to the program and were only sent up for promotional reasons. Reasons for including living beings in spacecraft are barely touched upon, but the first option considered was to use a chimpanzee (and, indeed, chimpanzees were sent up first).

Another option considered were athletes already accustomed to physical stress, such as circus trapeze artists. Wolfe states that President Dwight D. Eisenhower, however, insisted on pilots, even though the first crew members would not actually fly the spacecraft. When Gus Grissom lands at sea and exits his space capsule, saving the capsule seems more important to the recovery team than saving the pilot because of the value of the data.

Wolfe contrasts the Seven with the Edwards AFB test pilots, among whom was Chuck Yeager, who was shut out of the astronaut program after NASA officials decided to use college-degreed pilots, not ones who gained their commissions as enlisted men, such as participants in the USAAF Flying Sergeants Program in World War II. Chuck Yeager spent time with Tom Wolfe explaining accident reports “that Wolfe kept getting all wrong.” Publishing insiders say these sessions between Wolfe and Yeager led Wolfe to highlight Yeager’s character, presence, thoughts, and anecdotes throughout the book. As an example, Yeager prides his speech to the Society of Test Pilots that the first rider in the Mercury development program would be a monkey, not a real test pilot, and Wolfe plays this drama out on the angst felt by the Mercury Astronauts over those remarks. Yeager himself downplayed the theory of “the right stuff,” attributing his survival of potential catastrophes to simply knowing his airplane thoroughly, along with some good luck.

Another test pilot highlighted in the book is Scott Crossfield. Crossfield and Yeager were fierce but friendly rivals for speed and altitude records.

Film adaptation

A 3-hour, 13-minute film stars Sam Shepard, Scott Glenn, Ed Harris, Dennis Quaid, Fred Ward, Barbara Hershey, Kim Stanley, Levon Helm, Veronica Cartwright, Pamela Reed, Lance Henriksen, and the real Chuck Yeager in a cameo appearance. NFL Hall of Famer Anthony Muñoz also has a small role, playing “Gonzalez”. It features a score by composer Bill Conti.

The screenplay was adapted by Philip Kaufman from the book, with some contributions from screenwriter William Goldman (Goldman dissociated himself with the film after quarrelling with Kaufman about the story). The film was also directed by Kaufman.

While the movie took liberties with certain historical facts as part of “dramatic license”, criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch’s explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.[citation needed]

This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe‘s book only states that this possibility was considered, not that it was actually judged as being the cause of the accident. In fact, Grissom was assigned to command the first flights of both Gemini and Apollo. Ironically, Grissom died in the Apollo 1 fire because there was no quick-opening hatch on the Block 1 Apollo Command Module – a design choice made because NASA had determined that the explosion in the hatch on Grissom’s Liberty Bell 7 had been most likely self-initiated.[citation needed]

Another fact that had been altered in the film was the statement by Trudy Cooper, who commented that she “wondered how they would’ve felt if every time their husband went in to make a deal, there was a one-in-four chance he wouldn’t come out of that meeting.” According to the book, this actually reflected the 23% chance of dying during a 20-year career as a normal pilot. For a test pilot, these odds were higher, at 53%, but were still considerably less than the movie implied. In addition, the movie merely used the fictional Mrs. Cooper as a vehicle for the statement; the real Mrs. Cooper is not known to have said this.[8]

Wolfe made no secret that he disliked the film, especially because of changes from his original book. William Goldman, involved in early drafts of the script, also disliked the choices made by Kaufman, saying in his book Adventures in the Screen Trade that “Phil [Kaufman]’s heart was with Yeager. And not only that, he felt the astronauts, rather than being heroic, were really minor leaguers, mechanical men of no particular quality, not great pilots at all, simply the product of hype.”[9] Critics, however, generally were favorable toward the film.

References

Citations

  1. Jump up^ Wolfe 2001, p. 143. Note: Wolfe uses this term exactly once.
  2. Jump up^ The Right Stuff.” ABE books. Retrieved: 3 November 2009.
  3. Jump up^ Ragen 2001, pp. 22–26.
  4. Jump up^ Wolfe 1979, p. 368.
  5. Jump up^ Ragen 2001, p. 26–28.
  6. Jump up^ “National Book Awards – 1980”. National Book Foundation. Retrieved 2012-02-21.
    This was the award for General Nonfiction (hardcover) during a period in National Book Awards history when there were many nonfiction subcategories.
  7. Jump up^ Wolfe 2001, Foreword.
  8. Jump up^ Wolfe 1979, p. 22.
  9. Jump up^ Goldman 1983

Bibliography

  • Bryan, C.D.B. “The Right Stuff (review).” New York Times, 23 September 1979.
  • Charity, Tom. The Right Stuff (BFI Modern Classics). London: British Film Institute, 1991. ISBN 0-85170-624-X.
  • Goldman, William (1989). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (reissue ed.). Grand Central Publishing. ISBN 0-446-39117-4.
  • Ragen, Brian Abel, ed. Tom Wolfe: A Critical Companion. West Port, Connecticut: Greenwood Press, 2001. ISBN 0-313-31383-0.
  • Wolfe, Tom. The Right Stuff. New York: Farrar, Straus and Giroux, 1979, ISBN 0-374-25032-4.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 1979, ISBN 0-553-24063-3.
  • Wolfe, Tom. The Right Stuff. New York: Bantam, 2001, 1979, ISBN 0-553-38135-0.

External links

Tom Wolfe

From Wikipedia, the free encyclopedia
Not to be confused with Thomas Wolfe or Tom Wolf (politician).
Tom Wolfe
Wolfe at White House.jpg

Wolfe at the White House on March 22, 2004
Born Thomas Kennerly Wolfe, Jr.
March 2, 1931 (age 85)
Richmond, Virginia, U.S.
Occupation Journalist, author
Language English
Nationality American
Period 1959–present
Literary movement New Journalism
Notable works The Painted Word, The Electric Kool-Aid Acid Test, The Right Stuff, A Man in Full, Radical Chic & Mau-Mauing the Flak Catchers, The Bonfire of the Vanities, I Am Charlotte Simmons, Back to Blood
Spouse Sheila Wolfe
Children 2

Thomas KennerlyTomWolfe, Jr. (born March 2, 1931)[1] is an American author and journalist, best known for his association with and influence over the New Journalism literary movement, in which literary techniques are used extensively and traditional values of journalistic objectivity and evenhandedness are rejected. He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, became a commercial success, and was adapted as a major motion picture (directed by Brian De Palma).

Early life and education

Wolfe was born in Richmond, Virginia, the son of Louise (née Agnew), a landscape designer, and Thomas Kennerly Wolfe, Sr., an agronomist.[2][3]

Wolfe grew up on Gloucester Road in the historic Richmond North Side neighborhood of Sherwood Park. He recounts some of his childhood memories of growing up there in a foreword to a book about the nearby historic Ginter Park neighborhood.

Wolfe was student council president, editor of the school newspaper and a star baseball player at St. Christopher’s School, an Episcopalian all-boys school in Richmond, Virginia.

Upon graduation in 1947, he turned down admission to Princeton University to attend Washington and Lee University, both all-male schools at the time; at Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. Wolfe majored in English and practiced his writing outside the classroom as well. He was the sports editor of the college newspaper and helped found a literary magazine, Shenandoah. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his classes to look at the whole of a culture, including those elements considered profane. The very title of Wolfe’s undergraduate thesis, “A Zoo Full of Zebras: Anti-Intellectualism in America,” evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

Wolfe had continued playing baseball as a pitcher and had begun to play semi-professionally while still in college. In 1952 he earned a tryout with the New York Giants but was cut after three days, which Wolfe blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick’s example, enrolling in Yale University‘s American studies doctoral program. His PhD thesis was titled The League of American Writers: Communist Organizational Activity Among American Writers, 1929–1942.[4] In the course of his research, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[5] A biographer remarked on the thesis: “Reading it, one sees what has been the most baleful influence of graduate education on many who have suffered through it: it deadens all sense of style.”[6] His thesis was originally rejected but he finally passed by rewriting it being objective instead of subjective. Upon leaving Yale he wrote a friend explaining through expletives his personal opinions about his thesis.

Journalism and New Journalism

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957 and in 1959 was hired by The Washington Post. Wolfe has said that part of the reason he was hired by the Post was his lack of interest in politics. The Post’s city editor was “amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted.” He won an award from The Newspaper Guild for foreign reporting in Cuba in 1961 and also won the Guild’s award for humor. While there, he experimented with fiction-writing techniques in feature stories.[7]

In 1962, Wolfe left Washington for New York City, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Clay Felker of the Sunday section supplement New York magazine, encouraged their writers to break the conventions of newspaper writing.[8] During the 1962 New York City newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom car culture of Southern California. He struggled with the article until finally a desperate editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together.

Wolfe procrastinated until, on the evening before the article was due, he typed a letter to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell’s response was to remove the salutation “Dear Byron” from the top of the letter and publish it intact as reportage. The result, published in 1963, was “There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Flake Streamline Baby.” The article was widely discussed—loved by some, hated by others—and helped Wolfe publish his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, a collection of his writings in the Herald-Tribune, Esquire, and other publications.[9]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. More specifically, Wolfe experimented with four literary devices not normally associated with feature writing—scene-by-scene construction, extensive dialogue, multiple points of view, and detailed description of one’s status-life symbols (the materialistic choices one makes)—to produce this stylized form of journalism, which would later be commonly referred to as literary journalism.[10] Of status symbols, Wolfe has said, “I think every living moment of a human being’s life, unless the person is starving or in immediate danger of death in some other way, is controlled by a concern for status.”[11]

Wolfe also championed what he called “saturation reporting,” a reportorial approach where the journalist “shadows” and observes the subject over an extended period of time. “To pull it off,” says Wolfe, “you casually have to stay with the people you are writing about for long stretches . . . long enough so that you are actually there when revealing scenes take place in their lives.”[12] Saturation reporting differs from “in-depth” and “investigative” reporting, which involve the direct interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, “entails a more complex set of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and detached from the people and events reported.”[13]

One of the most striking examples of New Journalism is Wolfe’s The Electric Kool-Aid Acid Test. The book, an account of the adventures of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in its use of onomatopoeia, free association, and eccentric punctuation—such as multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In addition to his own forays into this new style of journalism, Wolfe edited a collection of New Journalism with E.W. Johnson, published in 1973 and titled The New Journalism. This book brought together pieces from Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers with the common theme of journalism that incorporated literary techniques and that could be considered literature.[14]

Non-fiction books

In 1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and Wolfe’s fame grew. A second volume of articles, The Pump House Gang, followed in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used LSD and to have tried marijuana only once[15]) Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: “Radical Chic,” a biting account of a party given by Leonard Bernstein to raise money for the Black Panther Party, and “Mau-Mauing The Flak Catchers,” about the practice of using racial intimidation (“mau-mauing”) to extract funds from government welfare bureaucrats (“flak catchers”). The phrase “radical chic” soon became a popular derogatory term for upper-class leftism. Published in 1977, Mauve Gloves & Madmen, Clutter & Vine included one of Wolfe’s more famous essays, “The Me Decade and the Third Great Awakening.”

Back row – Shepard, Grissom, Cooper; Front row – Schirra, Slayton, Glenn, Carpenter.
The astronauts of the Mercury Seven were the subject of The Right Stuff.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America’s first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to “single combat champions” of a bygone era, going forth to battle in the space race on behalf of their country. In 1983, the book was adapted as a successful feature film.

In 2016 Wolfe published The Kingdom of Speech, which is a controversial[16] critique of Charles Darwin and Noam Chomsky.[17]

Art critiques

Wolfe also wrote two highly skeptical social histories of modern art and modern architecture, The Painted Word and From Bauhaus to Our House, in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art world and its dependence on what he saw as faddish critical theory, while From Bauhaus to Our House explored the negative effects of the Bauhaus style on the evolution of modern architecture.[18]

Made for TV movie

A fictional television movie appeared on PBS in 1977, “Tom Wolfe’s Los Angeles”, a suitably satirical story set in Los Angeles. Wolfe appears in the movie himself.[19][20]

Novels

Throughout his early career, Wolfe had planned to write a novel that would capture the wide spectrum of American society. Among his models was William Makepeace Thackeray‘s Vanity Fair, which described the society of 19th century England. Wolfe remained occupied writing nonfiction books and contributing to Harper’s until 1981, when he ceased his other work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the Bronx homicide squad. While the research came easily, the writing did not immediately follow. To overcome his writer’s block, Wolfe wrote to Jann Wenner, editor of Rolling Stone, to propose an idea drawn from Charles Dickens and Thackeray. The Victorian novelists that Wolfe viewed as his models had often written their novels in serial installments. Wenner offered Wolfe around $200,000 to serialize his work.[21] The deadline pressure gave him the motivation he had hoped for, and from July 1984 to August 1985 each biweekly issue of Rolling Stone contained a new installment. Wolfe was later not happy with his “very public first draft”[22] and thoroughly revised his work. Even Sherman McCoy, the novel’s central character, changed: originally a writer, the book version cast McCoy as a bond salesman. Wolfe researched and revised for two years, and his The Bonfire of the Vanities was published in 1987. The book was a commercial and critical success, spending weeks on bestseller lists and earning praise from much of the literary establishment on which Wolfe had long heaped scorn.[23]

Because of the success of Wolfe’s first novel, there was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book’s reception was not universally favorable, though it received glowing reviews in Time, Newsweek, The Wall Street Journal and elsewhere. An enormous initial printing of 1.2 million copies was announced and the book stayed at number one on the New York Times bestseller list for ten weeks. John Updike wrote a critical review for The New Yorker complaining that the novel “amounts to entertainment, not literature, even literature in a modest aspirant form.” This touched off an intense war of words in the print and broadcast media between Wolfe and Updike, John Irving, and Norman Mailer. In 2001, Wolfe published an essay referring to these three authors as “My Three Stooges.”

After publishing Hooking Up (a collection of short pieces, including the 1997 novella Ambush at Fort Bragg) in 2001, he followed up with his third novel, I Am Charlotte Simmons (2004), which chronicles the decline of a poor, bright scholarship student from Alleghany County, North Carolina, in the context of snobbery, materialism, institutionalised anti-intellectualism and sexual promiscuity she finds at a prestigious contemporary American university. The novel met with a mostly tepid response by critics but won praise from many social conservatives, who saw the book’s account of college sexuality as revealing of a disturbing moral decline. The novel won a Bad Sex in Fiction Award from the London-based Literary Review, a prize established “to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel”. Wolfe later explained that such sexual references were deliberately clinical.

Wolfe has written that his goal in writing fiction is to document contemporary society in the tradition of John Steinbeck, Charles Dickens, and Émile Zola.

In early 2008, it was announced that Wolfe was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Back to Blood, was published in October 2012 by Little, Brown. According to The New York Times, Wolfe was paid close to US$7 million for the book.[24] According to the publisher, Back to Blood is about “class, family, wealth, race, crime, sex, corruption and ambition in Miami, the city where America’s future has arrived first.”[25]

Recurring themes

Several themes are present in much of Wolfe’s writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons as well as several of his journalistic pieces. Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters. Men’s fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in “Sorry, Your Soul Just Died,” one of the essays in Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters’ thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters’ anatomies.[26]

Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (Conrad Hensley and Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical Roman and Greek philosophy.

Law and banking firms in Wolfe’s writing often have satirical names formed by the surnames of the partners. “Dunning, Sponget and Leach” and “Curry, Goad and Pesterall” appear in The Bonfire of the Vanities, and “Wringer, Fleasom and Tick” in A Man in Full. Ambush at Fort Bragg contains a law firm called “Crotalus, Adder, Cobran and Krate” (all names or homophones of venomous snakes).

Some characters appear in multiple novels, creating a sense of a “universe” that is continuous throughout Wolfe’s fiction. The character of Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named Ronald Vine, an interior decorator who is mentioned in The Bonfire of the Vanities, reappears in A Man in Full as the designer of Charlie Croker’s home.

A fictional sexual practice called “that thing with the cup” appears in several of his writings, including The Bonfire of the Vanities, A Man in Full and a (non-fiction) essay in Hooking Up.

The surname “Bolka” appears in three Wolfe novels—as the name of a rendering plant in A Man in Full, as a partner in an accounting firm in Bonfire of the Vanities, and as a college lacrosse player from the Balkans in I Am Charlotte Simmons.

The white suit

Wolfe adopted the white suit as a trademark in 1962. He bought his first white suit planning to wear it in the summer in the style of Southern gentlemen. However, he found that the suit he purchased was too heavy for summer use, so he wore it in winter, which created a sensation.[27] Wolfe has maintained this uniform ever since, sometimes worn with a matching white tie, white homburg hat, and two-tone shoes. Wolfe has said that the outfit disarms the people he observes, making him, in their eyes, “a man from Mars, the man who didn’t know anything and was eager to know.”[28]

Views

In 1989, Wolfe wrote an essay for Harper’s Magazine titled “Stalking the Billion-Footed Beast“, which criticized modern American novelists for failing to engage fully with their subjects, and suggested that modern literature could be saved by a greater reliance on journalistic technique. This attack on the mainstream literary establishment was interpreted as a boast that Wolfe’s work was superior to more highly regarded authors.[29]

Wolfe was a supporter of George W. Bush and said he voted for him for president in 2004 because of what he called Bush’s “great decisiveness and willingness to fight.” (Bush apparently reciprocates the admiration, having read all of Wolfe’s books, according to friends in 2005.[30]) After this fact emerged in a New York Times interview, Wolfe said that the reaction in the literary world was as if he had said, “I forgot to tell you—I’m a child molester.” Because of this incident, he sometimes wears an American flag pin on his suit, which he compared to “holding up a cross to werewolves.”[31]

Wolfe’s views and choice of subject material, such as mocking left-wing intellectuals in Radical Chic and glorifying astronauts in The Right Stuff, have sometimes led to his being labeled conservative,[32] and his depiction of the Black Panther Party in Radical Chic led to a member of the party calling him a racist.[33] Wolfe rejects such labels; in a 2004 interview, he said that his “idol” in writing about society and culture is Émile Zola, who, in Wolfe’s words, was “a man of the left” but “went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not—and was not interested in—telling a lie.”[32]

Asked to comment by the Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that “the universe of blogs is a universe of rumors” and that “blogs are an advance guard to the rear.” He also took the opportunity to criticize Wikipedia, saying that “only a primitive would believe a word of” it. He noted a story about him in his Wikipedia entry at the time, which he said had never happened.[34]

Personal life

Wolfe lives in New York City with his wife Sheila, who designs covers for Harper’s magazine. They have two children, a daughter, Alexandra, and a son, Tommy.[35]

A writer for Examiner Magazine who interviewed Wolfe in 1998 said, “He has no computer and does not surf, or even know how to use, the Internet”, adding, however, that Wolfe’s novel A Man in Full does have a subplot involving “a muckraking cyber-gossip site, à la the Drudge Report or Salon.”[35]

Influence

Wolfe is credited with introducing the terms “statusphere,” “the right stuff,” “radical chic,” “the Me Decade,” “social x-ray,” and “pushing the envelope” into the English lexicon.[36][dubious ] He is sometimes credited with inventing the term “trophy wife” as well, but this is incorrect: he described emaciated wives as “X-rays” in his novel The Bonfire of the Vanities but did not use the term “trophy wife”.[37] According to journalism professor Ben Yagoda, Wolfe is also responsible for the use of the present tense in magazine profile pieces; before he began doing so in the early 1960s, profile articles had always been written in the past tense.[38]

Terms coined by Wolfe

List of awards and nominations

Television appearances

  • Wolfe was featured as an interview subject in the 1987 PBS documentary series Space Flight.
  • In July 1975 Wolfe was interviewed on Firing Line by William F. Buckley, Jr., discussing “The Painted Word”.[44]
  • Wolfe was featured on the February 2006 episode “The White Stuff” of Speed Channel‘s Unique Whips, where his Cadillac‘s interior was customized to match his trademark white suit.[45]
  • Wolfe guest-starred alongside Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode “Moe’N’a Lisa“, which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[46] Wolfe was also used as a sight gag on The Simpsons episode “Insane Clown Poppy“, which aired on November 12, 2000. Homer spills chocolate on Wolfe’s trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath.

Bibliograph

Non-fiction

Novels

Featured in

Notable articles

  • “The Last American Hero Is Junior Johnson. Yes!” Esquire, March 1965.
  • “Tiny Mummies! The True Story of the Ruler of 43rd Street’s Land of the Walking Dead!” New York Herald-Tribune supplement (April 11, 1965).
  • “Lost in the Whichy Thicket,” New York Herald-Tribune supplement (April 18, 1965).
  • “The Birth of the New Journalism: Eyewitness Report by Tom Wolfe.” New York, February 14, 1972.
  • “The New Journalism: A la Recherche des Whichy Thickets.” New York Magazine, February 21, 1972.
  • “Why They Aren’t Writing the Great American Novel Anymore.” Esquire, December 1972.
  • “The Me Decade and the Third Great Awakening” New York, August 23, 1976.
  • Stalking the Billion-Footed Beast“, Harper’s. November 1989.
  • “Sorry, but Your Soul Just Died.” Forbes 1996.
  • “Pell Mell.” The Atlantic Monthly (November 2007).
  • “The Rich Have Feelings, Too.” Vanity Fair (September 2009).

See also

Notes

  1. Jump up^ This was the award for hardcover “General Nonfiction”. From 1980 to 1983 in National Book Award history there were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

https://en.wikipedia.org/wiki/Tom_Wolfe

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Ted Morgan –Reds: McCarthyism in Twentieth Century America — Videos

Posted on November 20, 2016. Filed under: American History, Articles, Blogroll, Books, Communications, Congress, Constitution, Corruption, Crime, Culture, Documentary, Economics, Education, Elections, Employment, Entertainment, Faith, Family, Federal Government, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, government spending, history, Illegal, Immigration, Internal Revenue Service (IRS), Law, Legal, liberty, Life, Links, Literacy, media, Money, Narcissism, Non-Fiction, Nuclear, People, Philosophy, Photos, Police, Political Correctness, Politics, Presidential Candidates, Press, Psychology, Radio, Rants, Raves, Regulations, Religious, Reviews, Strategy, Tax Policy, Taxation, Taxes, Technology, Unemployment, Video, War, Wealth, Weapons, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , |

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QA: Ted Morgan

ploaded on Feb 23, 2010

On this Q&A, our guest was Pulitzer prize winning author Ted Morgan. His 19th book, “Valley of Death: The Tragedy at Dien Bien Phu That Led America Into the Vietnam War,” is the story of a 1954 battle where the French were defeated by the Vietnamese resistance forces, ending French rule in Indochina. That battle ultimately led to U.S. involvement in the Vietnam War.

House Un-American Activities Committee

Committee On Un-American Activities

HUAC Explained (House Un-American Activities Committee)

Venona: A Real-Life Spy Thriller – Decoding Soviet Espionage in America (1999)

The Venona Secrets : FDR with Harry Hopkins, Alger Hiss, Jews, etc….

Glenn Beck-McCarthy and the Venona papers

Glenn Beck INTERVIEWS M. Stanton Evans :: American Hero Joe McCarthy – BLACKLISTED BY HISTORY!!

Joseph Raymond “Joe” McCarthy

Classic Educational Videos – Senator Joseph McCarthy American History Video

The Downfall of Joseph McCarthy (Compare to Donald Trump)

President Trump & Roy Marcus Cohn & McCarthy / FBI Hoover recommended Cohn to McCarthy

Published on Nov 9, 2016

Roy Marcus Cohn, Jewish, ( February 20, 1927 – August 2, 1986)

was an American attorney who became famous during Senator Joseph McCarthy’s investigations into Communist activity in the United States during the Second Red Scare. Cohn gained special prominence during the Army–McCarthy hearings. He was also a member of the U.S. Department of Justice’s prosecution team at the espionage trial of Julius and Ethel Rosenberg.

Born to an observant Jewish family in The Bronx, New York City.

Cohn was the only child of Dora (née Marcus; 1892–1967) and
Judge Albert C. Cohn (1885–1959), who was influential in Democratic Party politics.
His great-uncle was Joshua Lionel Cowen, the founder and longtime owner of the Lionel Corporation, a manufacturer of toy trains.

The Rosenberg trial brought the 24-year-old Cohn to the attention of Federal Bureau of Investigation (FBI) director
J. Edgar Hoover,
who recommended him to Joseph McCarthy. McCarthy hired Cohn as his chief counsel, choosing him over Robert Kennedy, reportedly in part to avoid accusations of an anti-Semitic motivation for the investigations.
(wiki) https://en.wikipedia.org/wiki/Roy_Cohn

In 1952 Senator McCarthy made Roy Cohn the chief counsel to the Government Committee on Operations of the Senate. Cohn became famous for his aggressive style during the Army-McCarthy hearings. After McCarthy was censured in 1954, Cohn went into private practice. Over the next thirty years his clients included Donald Trump, Tony Salerno, and the Catholic Archdiocese of New York.

What Donald Trump Learned From Roy Cohn… (w/Guest: Jamie Weinstein)

Trump’s “Greatest Mentor” was Red-Baiting Aide to Joseph McCarthy and Attorney for NYC Mob Families

Published on Jul 5, 2016

http://democracynow.org – With the Republican National Convention opening in Cleveland in less than two weeks, the party’s presumptive nominee, Donald Trump, is facing a new wave of controversies, from Trump’s tweeting of an anti-Semitic image showing Hillary Clinton against a backdrop of cash and a Star of David to his joke about Mexico attacking the United States. We spend the hour with Trump biographer Wayne Barrett, author of “Trump: The Greatest Show on Earth: The Deals, the Downfall, the Reinvention.” Barrett has been reporting on Trump since the 1970s. We begin by talking about Trump’s close relationship with the late Roy Cohn, who once served as a top aide to the red-baiting Senator Joseph McCarthy.

M. Stanton Evans is the author of “Blacklisted by History”

Joseph McCarthy: Biography, McCarthyism, Facts, History, Legacy (2000)

Firing Line “Should the House Committee on Un-American Activities Be Abolished?”

William F. Buckley, Jr. on the Life of Senator Joe McCarthy (1999)

The Real American Joe McCarthy 2011

Joseph McCarthy Congressional Hearings

Tail Gunner Joe (1977) Full Movie Peter Boyle Senator Joseph McCarthy Ann Coulter Fox TV Treason

Reds: McCarthyism in Twentieth-Century America

Front Cover
Random House Publishing Group, Nov 1, 2004History704 pages

In this landmark work, Pulitzer Prize–winning author Ted Morgan examines the McCarthyite strain in American politics, from its origins in the period that followed the Bolshevik Revolution to the present. Morgan argues that Senator Joseph McCarthy did not emerge in a vacuum—he was, rather, the most prominent in a long line of men who exploited the issue of Communism for political advantage.

In 1918, America invaded Russia in an attempt at regime change. Meanwhile, on the home front, the first of many congressional investigations of Communism was conducted. Anarchist bombs exploded from coast to coast, leading to the political repression of the Red Scare.

Soviet subversion and espionage in the United States began in 1920, under the cover of a trade mission. Franklin Delano Roosevelt granted the Soviets diplomatic recognition in 1933, which gave them an opportunity to expand their spy networks by using their embassy and consulates as espionage hubs. Simultaneously, the American Communist Party provided a recruitment pool for homegrown spies. Martin Dies, Jr., the first congressman to make his name as a Red hunter, developed solid information on Communist subversion through his Un-American Activities Committee. However, its hearings were marred by partisan attacks on the New Deal, presaging McCarthy.

The most pervasive period of Soviet espionage came during World War II, when Russia, as an ally of the United States, received military equipment financed under the policy of lend-lease. It was then that highly placed spies operated inside the U.S. government and in America’s nuclear facilities. Thanks to the Venona transcripts of KGB cable traffic, we now have a detailed account of wartime Soviet espionage, down to the marital problems of Soviet spies and the KGB’s abject efforts to capture deserting Soviet seamen on American soil.

During the Truman years, Soviet espionage was in disarray following the defections of Elizabeth Bentley and Igor Gouzenko. The American Communist Party was much diminished by a number of measures, including its expulsion from the labor unions, the prosecution of its leaders under the Smith Act, and the weeding out, under Truman’s loyalty program, of subversives in government. As Morgan persuasively establishes, by the time McCarthy exploited the Red issue in 1950, the battle against Communists had been all but won by the Truman administration.

In this bold narrative history, Ted Morgan analyzes the paradoxical culture of fear that seized a nation at the height of its power. Using Joseph McCarthy’s previously unavailable private papers and recently released transcripts of closed hearings of McCarthy’s investigations subcommittee, Morgan provides many new insights into the notorious Red hunter’s methods and motives.

Full of drama and intrigue, finely etched portraits, and political revelations, Reds brings to life a critical period in American history that has profound relevance to our own time.

https://books.google.com/books?id=RI3KsN_XOD4C&printsec=frontcover&dq=Ted+Morgan&hl=en&sa=X&ei=h2sVUeyhNOi_0QGtxICYDA&ved=0CEAQ6AEwAg#

Ted Morgan (writer)

From Wikipedia, the free encyclopedia
Ted Morgan
Born Comte St. Charles Armand Gabriel de Gramont
March 30, 1932 (age 84)
Geneva, Switzerland
Occupation Journalist, biographer, historian
Alma mater Yale University
Notable awards Pulitzer Prize for Local Reporting

Ted Morgan (born March 30, 1932) is a FrenchAmerican biographer, journalist, and historian.

Life

Morgan was born Comte St. Charles Armand Gabriel de Gramont in Geneva.

He is the son of Gabriel Antoine Armand, Comte de Gramont (1908–1943), a pilot in the French escadrille in England during World War II. Gramont is an old French noble family.

After his father’s death in a training flight, Morgan began to lead two parallel lives. He attended Yale University (where he was a member of Manuscript Society) and worked as a reporter. But he was still a member (albeit a reluctant one) of the French nobility. He was drafted into the French Army where he served for two years from 1955 to 1957, during the Algerian War, initially as a second lieutenant with a Senegalese regiment of Colonial Infantry and then as a propaganda officer. He subsequently wrote in frank detail of his brutalizing experiences while on active service in the bled (Algerian countryside) and of the atrocities committed by both sides during the Battle of Algiers.[1]

Following his military service, Morgan returned to the United States and won the Pulitzer Prize for Local Reporting in 1961 for what was described as “his moving account of the death of Leonard Warren on the Metropolitan Opera stage.”[2] At the time, Morgan was still a French citizen writing under the name of “Sanche de Gramont”.

In the 1970s, Morgan stopped using the byline “Sanche de Gramont”. He became an American citizen in 1977, renouncing his titles of nobility. The name he adopted as a U.S. citizen, “Ted Morgan”, is an anagram of “de Gramont”. The new name was a conscious attempt to discard his aristocratic French past. He had settled on a “name that conformed with the language and cultural norms of American society, a name that telephone operators and desk clerks could hear without flinching” (On Becoming American, 1978). Morgan was featured in the CBS news program 60 Minutes in 1978. The segment explored Morgan’s reasons for embracing American culture and showed him eating dinner with his family in a fast food restaurant.

Morgan has written biographies of William S. Burroughs, Franklin Delano Roosevelt and Winston Churchill. The last-named was a finalist in the 1983 Pulitzer Prize for Biography.[3] His 1980 biography of W. Somerset Maugham was a 1982 National Book Award finalist in its first paperback edition.[4][a] He has also written for newspapers and magazines.

Selected books

Notes

  1. Jump up^ Walter Lippmann and the American Century by Ronald Steel won the 1982 National Book Award for paperback “Autobiography/Biography”.
    From 1980 to 1983 in National Book Award history there were dual hardcover and paperback awards in most categories, and several nonfiction subcategories including General Nonfiction. Like most of the paperback-award winning books, Walter Lippmann and Maugham were reissues.

References

  1. Jump up^ Ted Morgan, My Battle of Algiers. ISBN 0-06-085224-0.
  2. Jump up^ “Local Reporting”. The Pulitzer Prizes. Retrieved 2013-11-02.
  3. Jump up^ “Biography or Autobiography”. The Pulitzer Prizes. Retrieved 2013-11-02.
  4. Jump up^ “National Book Awards – 1982”. National Book Foundation. Retrieved 2013-11-02.

External links

https://en.wikipedia.org/wiki/Ted_Morgan_(writer)

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Ken Kasey — One Flew Over the Cuckoo’s Nest — Individualism vs. Collectivism — Hillary Clinton is Nurse Ratched — The Big Nurse — Medication Time — Medication Time — I don’t trust you. –Videos

Posted on October 23, 2016. Filed under: Blogroll, Book, Books, Communications, Constitution, Corruption, Crime, Crisis, Culture, Documentary, Economics, Employment, Entertainment, Faith, Family, Fiction, Fraud, Law, liberty, Life, Links, Love, media, Money, Movies, People, Philosophy, Photos, Rants, Raves, Raymond Thomas Pronk, Video, Welfare, Writing | Tags: , , , , , , , , , , , , , |

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 Hillary Clinton Is Nurse Ratched! — Videos

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A Look Inside: One Flew Over The Cuckoos Nest

One flew over the cuckoo’s nest – Trailer – HQ

One Flew Over the Cuckoo’s Nest – Opening Scene – Full HD

One Flew Over The Cuckoos Nest – Randle McMurphy’s Arrival – 1080p Full HD

One Flew Over the Cuckoo’s Nest – The First Confrontation

One flew over the cuckoos nest – ball game.mov

One Flew Over The Cuckoo’s Nest 1975 Best scene

One Flew Over the Cuckoo’s Nest – I bet a dime

May I have my Cigarettes please, Nurse Ratched ?

One Flew Over The Cuckoos Nest – After Party Full Scene – 1080p Full HD

Billy Bibbit Scene

One Flew Over the Cookoo’s Nest – Basketball Game

‘Strangle Scene’.. ‘Nurse Ratched’ gets what she had ‘coming’ to her.. lol😉

One Flew Over The Cuckoo’s Nest – Randal back in action scene

One Floor Over the Cuckoo’s Nest –Juicy Fruit Scene–

One Flew Over the Cuckoo’s Nest – Ending Scene – Full HD

Ken Kesey interview (“One Flew Over the Cuckoo’s Nest”) on Charlie Rose (1992)

Jack Nicholson Wins Best Actor: 1976 Oscars

Jack Nicholson on ONE FLEW OVER THE CUCKOO’S NEST

SISKEL & EBERT MOVIE REVIEW — “ONE FLEW OVER THE CUCKOO’S NEST” (1975)

Spoiler Alert

Hidden Meaning in One Flew Over the Cuckoo’s Nest – Earthling Cinema

One Flew Over the Cuckoo’s Nest” by Ken Kesey [BOOK REVIEW]

One Flew Over the Cuckoo’s Nest Literary Analysis

Hillary Clinton is Evil! (REMIX)

Hillary Clinton / Nurse Ratched ???

Hillary Clinton is Nurse Ratched

10/05 Hillary Clinton – Nurse for a Day

Social Aspects of Ken Kesey’s One Flew Over the Cuckoo’s Nest

Cultural Dimension: me or we

Classical Liberalism: The Decline and Triumph of Classical Liberalism (Pt. 1) – Learn Liberty

Classical Liberalism: The Decline and Triumph of Classical Liberalism (Pt. 2) – Learn Liberty

Libertarianism Explained: Individualism vs. Collectivism – Learn Liberty

The Fountainhead – Howard Roark speech

G. Edward Griffin: The Collectivist Conspiracy (Full Length)

Ayn Rand on Collectivism

One Flew Over the Cuckoo’s Nest (film)

From Wikipedia, the free encyclopedia
One Flew Over the Cuckoo’s Nest
One Flew Over the Cuckoo's Nest poster.jpg

Theatrical release poster
Directed by Miloš Forman
Produced by Saul Zaentz
Michael Douglas
Screenplay by Lawrence Hauben
Bo Goldman
Based on One Flew Over the Cuckoo’s Nest
by Ken Kesey
Starring Jack Nicholson
Louise Fletcher
William Redfield
Music by Jack Nitzsche
Cinematography Haskell Wexler
Bill Butler[1]
Edited by Richard Chew[2]
Sheldon Kahn
Lynzee Klingman
Production
company
Fantasy Films
Distributed by United Artists
Release dates
  • November 19, 1975
Running time
133 minutes
Country United States
Language English
Budget $3 million[3]
Box office $109 million[3]

One Flew Over the Cuckoo’s Nest is a 1975 American comedy-drama film directed by Miloš Forman, based on the 1962 novel One Flew Over the Cuckoo’s Nest by Ken Kesey. The film stars Jack Nicholson and features a supporting cast of Louise Fletcher, William Redfield, Will Sampson, and Brad Dourif.

Considered to be one of the greatest films ever made, One Flew Over the Cuckoo’s Nest is No. 33 on the American Film Institute‘s 100 Years… 100 Movies list. The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Nightin 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs. It also won numerous Golden Globe and BAFTA Awards.

In 1993, the film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.

Plot

In 1963, Oregon, recidivist criminal Randle McMurphy is moved to a mental institution after serving a short sentence on a prison farm after raping a teenager. Though not actually mentally ill, McMurphy hopes to avoid hard labour and serve the rest of his sentence in a relaxed environment. Upon arriving at the hospital, he finds the ward run by the steely, strict Nurse Ratched, who subtly suppresses the actions of her patients through a passive-aggressive routine, intimidating the patients.

The other patients include anxious, stuttering Billy Bibbit; Charlie Cheswick, who is prone to childish tantrums; delusional Martini; the well-educated, paranoid Dale Harding; belligerent Max Taber; epileptic Jim Sefelt; and “Chief” Bromden, a tall Native American believed to be deaf and mute. Ratched soon sees McMurphy’s lively, rebellious presence to be a threat to her authority, confiscating the patients’ cigarettes and rationing them. During his time in the ward, McMurphy gets into a battle of wits with Ratched. He steals a hospital bus, escaping with several patients to go on a fishing trip, encouraging his friends to become more self-confident.

McMurphy learns his sentence may become indefinite, and he makes plans to escape, exhorting Chief to throw a hydrotherapy cart through a window. He, Chief, and Cheswick get into a fight with the orderlies after the latter becomes agitated over his stolen cigarettes. Ratched sends them to the “shock shop”, and McMurphy discovers Chief can actually speak, feigning illness to avoid engaging with anyone. After being subjected to electroconvulsive therapy, McMurphy returns to the ward pretending to have brain damage, but reveals the treatment has charged him up even more. McMurphy and Chief make plans to escape, but decide to throw a secret Christmas party for their friends after Ratched leaves for the night.

McMurphy sneaks two women, Candy and Rose, into the ward and bribes the night guard. After a night of partying, McMurphy and Chief prepare to escape, inviting Billy to come with them. He refuses, not ready to leave the hospital. McMurphy instead convinces him to have sex with Candy. Ratched arrives in the morning to find the ward in disarray and most of the patients unconscious. She discovers Billy and Candy together, the former now free of his stutter, until Ratched threatens to inform his mother about his escapade. Billy is overwhelmed with fear and locks himself in the doctor’s office and commits suicide. The enraged McMurphy strangles Ratched, before being knocked out by an orderly.

Ratched comes back with a neck brace and a scratchy voice. Rumours spread that McMurphy escaped rather than be taken “upstairs”. Later that night, Chief sees McMurphy being returned to his bed. He discovers McMurphy has lobotomy scars on his forehead, and smothers his friend with a pillow. Chief finally throws the hydrotherapy cart through the window and escapes into the night, cheered on by the men.

Cast

Production

Filming began in January 1975 and concluded approximately three months later,[4] and was shot on location in Salem, Oregon and the surrounding area, as well as on the Oregon coast.[5][6] It was also shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.[7]

Haskell Wexler was fired as cinematographer and replaced by Bill Butler. Wexler believed his dismissal was due to his concurrent work on the documentary Underground, in which the radical terrorist group The Weather Underground were being interviewed while hiding from the law. However, Miloš Forman said he had terminated Wexler over mere artistic differences. Both Wexler and Butler received Academy Awardnominations for Best Cinematography for One Flew Over the Cuckoo’s Nest, though Wexler said there was “only about a minute or two minutes in that film I didn’t shoot.”[8]

According to Butler, Jack Nicholson refused to speak to Forman: “…[Jack] never talked to Milos at all, he only talked to me.”[1]

Reception

The film was met with overwhelming critical acclaim; Roger Ebert said “Miloš Forman’s One Flew Over the Cuckoo’s Nest is a film so good in so many of its parts that there’s a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance.”[9] Ebert would later put the film on his “Great Movies” list.[10] A.D. Murphy of Variety wrote a mixed review as well,[11] as did Vincent Canby: writing in The New York Times, Canby called the film “a comedy that can’t quite support its tragic conclusion, which is too schematic to be honestly moving, but it is acted with such a sense of life that one responds to its demonstration of humanity if not to its programmed metaphors.”[12]

The film opens with original music by composer Jack Nitzsche, featuring an eerie bowed saw (performed by Robert Armstrong) and wine glasses. Commenting on the score, reviewer Steven McDonald has said, “The edgy nature of the film extends into the score, giving it a profoundly disturbing feel at times — even when it appears to be relatively normal. The music has a tendency to always be a little off-kilter, and from time to time it tilts completely over into a strange little world of its own …”[13]

The film went on to win the “Big Five” Academy Awards at the 48th Oscar ceremony. These include the Best Actor for Jack Nicholson, Best Actress for Louise Fletcher, Best Direction for Forman, Best Picture, andBest Adapted Screenplay for Laurence Hauben and Bo Goldman. The film currently has a 95% “Certified Fresh” rating at Rotten Tomatoes with an average rating of 8.9/10.[14] Its consensus states “The onscreen battle between Jack Nicholson and Louise Fletcher serves as a personal microcosm of the culture wars of the 1970s — and testament to the director’s vision that the film retains its power more than three decades later.”

One Flew Over the Cuckoo’s Nest is considered to be one of the greatest American films. Ken Kesey participated in the early stages of script development, but withdrew after creative differences with the producers over casting and narrative point of view; ultimately he filed suit against the production and won a settlement.[15] Kesey himself claimed never to have seen the movie, but said he disliked what he knew of it,[16] a fact confirmed by Chuck Palahniuk who wrote, “The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked.”[17]

In 1993, this film was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in their National Film Registry.[18]

Awards and honors

Award Category Nominee Result
Academy Award Academy Award for Best Picture Michael Douglas and Saul Zaentz Won
Academy Award for Best Director Miloš Forman Won
Academy Award for Best Actor Jack Nicholson Won
Academy Award for Best Actress Louise Fletcher Won
Academy Award for Writing Adapted Screenplay Laurence Hauben and Bo Goldman Won
Academy Award for Best Supporting Actor Brad Dourif Nominated
Academy Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
Academy Award for Film Editing Richard Chew, Lyzee Klingman and Sheldon Kahn Nominated
Academy Award for Original Music Score Jack Nitzsche Nominated
Golden Globe Award Golden Globe Award for Best Motion Picture – Drama Michael Douglas and Saul Zaentz Won
Golden Globe Award for Best Director – Motion Picture Miloš Forman Won
Golden Globe Award for Best Actor – Motion Picture Drama Jack Nicholson Won
Golden Globe Award for Best Actress – Motion Picture Drama Louise Fletcher Won
Golden Globe Award for Best Screenplay Laurence Hauben and Bo Goldman Won
Golden Globe Award for New Star of the Year – Actor Brad Dourif Won
BAFTA Award BAFTA Award for Best Film Michael Douglas and Saul Zaentz Won
BAFTA Award for Best Direction Miloš Forman Won
BAFTA Award for Best Actor in a Leading Role Jack Nicholson Won
BAFTA Award for Best Actress in a Leading Role Louise Fletcher Won
BAFTA Award for Best Actor in a Supporting Role Brad Dourif Won
BAFTA Award for Best Editing Richard Chew, Lynzee Klingman and Sheldon Kahn Won
BAFTA Award for Best Cinematography Haskell Wexler and Bill Butler Nominated
BAFTA Award for Best Adapted Screenplay Laurence Hauben and Bo Goldman Nominated

Others

American Film Institute

See also

References

  1. ^ Jump up to:a b Townsend, Sylvia (19 December 2014). “Haskell Wexler and the Making of ‘One Flew Over the Cuckoo’s Nest'”. Retrieved 13 April2015.
  2. Jump up^ Chew was listed as “supervising editor” in the film’s credits, but was included in the nomination for an editing Academy Award.
  3. ^ Jump up to:a b “One Flew Over the Cuckoo’s Nest, Box Office Information”.Box Office Mojo. Retrieved January 22, 2012.
  4. Jump up^ One Flew Over the Cuckoo’s Nest at the American Film Institute
  5. Jump up^ Story Notes for One Flew Over the Cuckoo’s Nest
  6. Jump up^ “Hollywood’s Love Affair with Oregon Coast Continues”. Retrieved15 June 2015.
  7. Jump up^ Oregon State Hospital – A documentary film (Mental Health Association of Portland)
  8. Jump up^ Anderson, John. “Haskell Wexler, Oscar-Winning Cinematographer, Dies at 93.” The New York Times, December 27, 2015.
  9. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, January 1, 1975
  10. Jump up^ Suntimes.com – Roger Ebert review, Chicago Sun-Times, February 2, 2003.
  11. Jump up^ Variety.com – A.D. Murphy, Variety, November 7, 1975
  12. Jump up^ Canby, Vincent (November 28, 1975). “Critic’s Pick: One Flew Over the Cuckoo’s Nest”. The New York Times.
  13. Jump up^ AllMusic: Review by Steven McDonald
  14. Jump up^ “One Flew over the Cuckoo’s Nest Movie Reviews, Pictures – Rotten Tomatoes”. Retrieved 2010-08-19.
  15. Jump up^ Carnes, Mark Christopher, Paul R. Betz, et al. (1999). American National Biography, Volume 26. New York: Oxford University Press USA. ISBN 0-19-522202-4. p. 312,
  16. Jump up^ Carnes, p. 312
  17. Jump up^ Foreword of One Flew Over the Cuckoo’s Nest, Copyright 2007 by Chuck Palahniuk. Available in the 2007 Edition published by Penguin Books
  18. Jump up^ “U.S. National Film Registry — Titles”. Retrieved September 2,2016.
  19. Jump up^ AFI’s 100 Years…100 Heroes and Villains Nominees

External links

https://en.wikipedia.org/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)

Could Hillary’s smile cost her the election? Twitter mocks Clinton’s ‘creepy grandma’ grin as she smirks her way through presidential debate

With her opponent dogged by accusations of sexual assault, Hillary Clinton had strong odds as she entered the third presidential debate on Wednesday.

Only one thing seemed to threaten her chances of victory: her smile.

The Democratic candidate faced a flood of insults as she took to the stage at the University of Las Vegas, with many viewers confessing they were ‘creeped out’ by her stubborn grin.

Hundreds took to Twitter to describe her smile as ‘scary’ and ‘creepy’.

Hillary Clinton's unrelenting smile at Wednesday's presidential debate made for uncomfortable viewing for some voters 

Hillary Clinton’s unrelenting smile at Wednesday’s presidential debate made for uncomfortable viewing for some voters

Social media mocks Hillary Clinton’s ‘creepy grandma’ grin

Others questioned why, when being slammed with insults from her opponent, her expression did not drop.

‘Hillary Clinton’s smile is the scariest thing I’ve ever seen in my life,’ said one observer.

‘When Hillary smiles she looks like an evil snake,’ another commented.

‘What to do when you don’t have a response? Smile like a chipmunk,’ remarked another.

‘Whoever told Hillary Clinton to smile less since the first debate gave great advice,’ mused a different viewer.

Others, ever-so-slightly more charmed by her cheerful demeanor, likened her to a happy grandmother.

The Democratic candidate beamed as she listened to Donald Trump slam her political record and campaign policies 

Her glee remained written all over her face as Trump continued to slate her, much to viewers' confusion 

Her glee remained written all over her face as Trump continued to slate her, much to viewers’ confusion

Twitter users were quick to mock her expression as they watched the debate on Wednesday 

Twitter users were quick to mock her expression as they watched the debate on Wednesday

Clinton's happy expression became a talking point at earlier debates. It continued to peak viewers' interests at her final showdown with Trump on Wednesday (above) e

Clinton’s happy expression became a talking point at earlier debates. It continued to peak viewers’ interests at her final showdown with Trump on Wednesday (above)

‘Hillary Clinton is so cute it’s something about her I just want her to tuck me in and give me a kiss with her coffee breath,’ one commented.

It was not the first time her facial expression sparked interest among voters.

After the first presidential debate on September 26, political commentators shared some free advice with the candidate online.

‘Who told Hillary Clinton to keep smiling like she’s at her granddaughter’s birthday party?’ said David Frum, senior editor of The Atlantic, at the time.

The discussion had the same hallmarks of bizarre criticisms made earlier this month about Donald Trump’s incessant sniffing.

Viewers were distracted throughout the second presidential debate by the Republican candidate’s runny nose, complaining in their droves about it online. 
http://www.dailymail.co.uk/news/article-3854016/Could-Hillary-s-smile-cost-election-Twitter-mocks-Clinton-s-creepy-grandma-grin-smirks-way-presidential-debate.html#ixzz4Nf3WfCyu

Ken Kesey

From Wikipedia, the free encyclopedia
Not to be confused with Kenny Casey (disambiguation).
Ken Kesey
Born Kenneth Elton Kesey
September 17, 1935
La Junta, Colorado, U.S.
Died November 10, 2001 (aged 66)
Eugene, Oregon, U.S.[1][2]
Occupation Novelist, short story writer, essayist, poet
Nationality American
Genre Beat, postmodernism
Literary movement Merry Pranksters
Notable works One Flew Over the Cuckoo’s Nest (1962)
Sometimes a Great Notion(1964)

Kenneth Elton “Ken” Kesey (/ˈkz/; September 17, 1935 – November 10, 2001) was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.

Kesey was born in La Junta, Colorado and grew up in Springfield, Oregon, graduating from the University of Oregon in 1957. He began writing One Flew Over the Cuckoo’s Nest in 1960 following the completion of a graduate fellowship in creative writing at Stanford University; the novel was an immediate commercial and critical success when published two years later. Subsequently, he moved to nearby La Honda, California and began hosting happenings with former colleagues from Stanford, miscellaneous bohemian & literary figures (most notably Neal Cassady), and other friends under the imprimateur of the Merry Pranksters; these parties, known as Acid Tests, integrated the consumption of LSD with multimedia performances. He mentored the Grateful Dead (the de facto “house band” of the Acid Tests) throughout their incipience and continued to exert a profound influence upon the group throughout their long career. Sometimes a Great Notion—an epic account of the vicissitudes of an Oregon logging family that aspired to the modernist grandeur of William Faulkner‘s Yoknapatawpha saga—was a commercial success that polarized critics and readers upon its release in 1964, although Kesey regarded the novel as his magnum opus.[3]

In 1965, following an arrest for marijuana possession and subsequent faked suicide, Kesey was imprisoned for five months. Shortly thereafter, he returned home to the Willamette Valley and settled in Pleasant Hill, Oregon, where he maintained a secluded, family-oriented lifestyle for the rest of his life. In addition to teaching at the University of Oregon—culminating in Caverns (1989), a collaborative novel written by Kesey and his graduate workshop students under the pseudonym of “O.U. Levon”—he continued to regularly contribute fiction and reportage to such publications as Esquire, Rolling Stone, Oui, Running, and The Whole Earth Catalog; various iterations of these pieces were collected in Kesey’s Garage Sale (1973) and Demon Box (1986).

Between 1974 and 1980, Kesey published six issues of Spit in the Ocean, a little magazine that featured excerpts from an unfinished novel (Seven Prayers by Grandma Whittier, an account of Kesey’s grandmother’s struggle with Alzheimer’s disease) and contributions from such luminaries as Margo St. James, Kate Millett, Stewart Brand, Saul-Paul Sirag, Jack Sarfatti, Paul Krassner, and William S. Burroughs.[4][5] After a third novel (Sailor Song) was released to lukewarm reviews in 1992, he reunited with the Merry Pranksters and began publishing works on the Internet until ill health (including a stroke) curtailed his activities.

Biography

Early life

Ken Kesey was born in La Junta, Colorado, to dairy farmers Geneva (née Smith) and Frederick A. Kesey.[1] In 1946, the family moved to Springfield, Oregon.[2] Kesey was a champion wrestler in both high school and college in the 174-pound weight division, and he almost qualified to be on the Olympic team until a serious shoulder injury stopped his wrestling career. He graduated from Springfield High School in 1953.[2] An avid reader and filmgoer, the young Kesey took John Wayne, Edgar Rice Burroughs, and Zane Grey as his role models (later naming a son Zane) and toyed with magic, ventriloquism, and hypnotism.[6]

In 1956, while attending college at the University of Oregon School of Journalism and Communication in neighboring Eugene, Oregon, Kesey eloped with his high-school sweetheart, Norma “Faye” Haxby, whom he had met in seventh grade.[2] According to Kesey, “Without Faye, I would have been swept overboard by notoriety and weird, dope-fueled ideas and flower-child girls with beamy eyes and bulbous breasts.”[7] Married until his death at the age of 66, they had three children: Jed, Zane, and Shannon.[8] Additionally, Kesey fathered a daughter with fellow Merry Prankster Carolyn “Mountain Girl” Adams and the approval of Faye Kesey; born in 1966, Sunshine Kesey was raised by Adams and Jerry Garcia.[9]

Kesey had a football scholarship for his freshman year, but switched to University of Oregon wrestling team as a better fit to his build. After posting a .885 winning percentage in the 1956–57 season, he received the Fred Low Scholarship for outstanding Northwest wrestler. In 1957, Kesey was second in his weight class at the Pacific Coast intercollegiate competition.[1][10][11] He remains “ranked in the top 10 of Oregon Wrestling’s all time winning percentage.”[12][13]

A member of Beta Theta Pi throughout his studies, Kesey graduated from the University of Oregon with a Bachelor of Arts degree in speech and communication in 1957. Increasingly disengaged by the playwriting and screenwriting courses that comprised much of his major, he began to take literature classes in the second half of his collegiate career with James B. Hall, a cosmopolitan alumnus of the University of Iowa‘s renowned writing program who had previously taught at Cornell University and later served as provost of the University of California, Santa Cruz.[14] Hall took on Kesey as his protege and cultivated his interest in literary fiction, introducing Kesey (whose interests were hitherto confined to Ray Bradbury‘s science fiction) to the works of Ernest Hemingway and other paragons of modernist fiction.[15] After the last of several brief summer sojourns as a struggling actor in Los Angeles, he published his first short story (“First Sunday of September”) in the Northwest Review and successfully applied to the highly selective Woodrow Wilson National Fellowship for the 1958–59 academic year.

Unbeknownst to Kesey, who applied at Hall’s request, the maverick literary critic Leslie Fiedler successfully importuned the regional fellowship committee to select the “rough-hewn” Kesey alongside more traditional fellows from Reed College and other elite institutions.[16] Because he lacked the prerequisites to work toward a traditional master’s degree in English as a communications major, Kesey elected to enroll in the non-degree program at Stanford University‘s Creative Writing Center that fall; while studying and working in the Stanford milieu over the next five years, most of them spent as a resident of Perry Lane (a historically bohemian enclave adjacent to the university golf course), he developed intimate lifelong friendships with fellow writers Ken Babbs, Larry McMurtry, Wendell Berry, Ed McClanahan, Gurney Norman, and Robert Stone.[2]

During his initial fellowship year, Kesey frequently clashed with Center director Wallace Stegner, who regarded the young writer as “a sort of highly talented illiterate”; Stegner’s deputy Richard Scowcroft later recalled that “neither Wally nor I thought he had a particularly important talent.”[17] Stegner rejected Kesey’s application for a departmental Stegner Fellowship before finally permitting his attendance as a Woodrow Wilson Fellow; according to Stone, Stegner “saw Kesey… as a threat to civilization and intellectualism and sobriety” and continued to reject Kesey’s Stegner Fellowship applications for the 1959–60 and 1960–61 terms.[18]

Nevertheless, Kesey received the prestigious $2,000 Harper-Saxton Prize for his first novel in progress (the oft-rejected Zoo) and audited the graduate writing seminar—a courtesy nominally accorded to former Stegner Fellows, although Kesey only secured his place by falsely claiming to Scowcroft that his colleague (on sabbatical through 1960) “had said that he could attend classes for free”—through the 1960-61 term.[17]The course was initially taught that year by Viking Press editorial consultant and Lost Generation eminence grise Malcolm Cowley, who was “always glad to see” Kesey and fellow auditor Tillie Olsen. Cowley was succeeded the following quarter by the Irish short story specialist Frank O’Connor; frequent spats between O’Connor and Kesey ultimately precipitated his departure from the class.[19] While under the tutelage of Cowley, he began to draft and workshop the manuscript that would evolve into One Flew Over the Cuckoo’s Nest.

Reflecting upon this period in a 1999 interview with Robert K. Elder, Kesey recalled, “I was too young to be a beatnik, and too old to be a hippie.”[20]

Experimentation with psychoactive drugs

At the instigation of Perry Lane neighbor and Stanford psychology graduate student Vik Lovell, an acquaintance of Richard Alpert and Allen Ginsberg, Kesey volunteered to take part in what turned out to be a CIA-financed study under the aegis of Project MKULTRA, a highly secret military program, at the Menlo Park Veterans’ Hospital[21] where he worked as a night aide.[22] The project studied the effects of psychoactive drugs, particularly LSD, psilocybin, mescaline, cocaine, aMT, and DMT on people.[2] Kesey wrote many detailed accounts of his experiences with these drugs, both during the study and in the years of private experimentation that followed.

Kesey’s role as a medical guinea pig, as well as his stint working at the Veterans’ Administration hospital, inspired him to write One Flew Over the Cuckoo’s Nest. The success of this book, as well as the demolition of the Perry Lane cabins in August 1963, allowed him to move to a log house at 7940 La Honda Road in La Honda, California, a rustic hamlet in the Santa Cruz Mountains fifteen miles to the west of the Stanford University campus.[23] He frequently entertained friends and many others with parties he called “Acid Tests,” involving music (including the Stanford-educated Anonymous Artists of America and Kesey’s favorite band, the Grateful Dead), black lights, fluorescent paint, strobe lights, LSD, and other psychedelic effects. These parties were described in some of Ginsberg’s poems and served as the basis for Tom Wolfe‘s The Electric Kool-Aid Acid Test, an early exemplar of the nonfiction novel. Other firsthand accounts of the Acid Tests appear in Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs by Hunter S. Thompson and the 1967 Hell’s Angels memoir Freewheelin Frank, Secretary of the Hell’s Angels (Frank Reynolds; ghostwritten by Michael McClure).

One Flew Over the Cuckoo’s Nest

While still enrolled at the University of Oregon in 1957, Kesey wrote End of Autumn; according to Rick Dogson, the novel “focused on the exploitation of college athletes by telling the tale of a football lineman who was having second thoughts about the game.”[24] Although Kesey came to regard the unpublished work as juvenilia, an excerpt served as his Stanford Creative Writing Center application sample.[24]

During his Woodrow Wilson Fellowship year, Kesey wrote Zoo, a novel about the beatniks living in the North Beach community of San Francisco, but it was never published.

The inspiration for One Flew Over the Cuckoo’s Nest came while working on the night shift with Gordon Lish at the Menlo Park Veterans’ Hospital. There, Kesey often spent time talking to the patients, sometimes under the influence of the hallucinogenic drugs with which he had volunteered to experiment. Kesey did not believe that these patients were insane, but rather that society had pushed them out because they did not fit the conventional ideas of how people were supposed to act and behave. Published under the guidance of Cowley in 1962, the novel was an immediate success; in 1963, it was adapted into a successful stage play by Dale Wasserman, and in 1975, Miloš Forman directed a screen adaptation, which won the “Big Five” Academy Awards: Best Picture, Best Actor (Jack Nicholson), Best Actress (Louise Fletcher), Best Director (Forman) and Best Adapted Screenplay (Lawrence Hauben, Bo Goldman).

Kesey originally was involved in creating the film, but left two weeks into production. He claimed never to have seen the movie because of a dispute over the $20,000 he was initially paid for the film rights. Kesey loathed the fact that, unlike the book, the film was not narrated by the Chief Bromden character, and he disagreed with Jack Nicholson’s being cast as Randle McMurphy (he wanted Gene Hackman). Despite this, Faye Kesey has stated that her husband was generally supportive of the film and pleased that it was made.[25]

Merry Pranksters

When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.[26] This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey’s unproduced screenplay, The Further Inquiry) was the group’s attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, “The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat.”[1] A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney‘s Magic Trip in 2011.

After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey’s residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.

Kesey was arrested for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend’s car. When he returned to the United States eight months later, Kesey was arrested and sent to the San Mateo County jail in Redwood City, California, for five months where he was introduced to a highly recommended San Francisco lawyer, Richard Potack, who specialized in marijuana cultivation. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life.[27] He wrote many articles, books (mostly collections of his articles), and short stories during that time.

Death of son

In 1984, Kesey’s 20-year-old son Jed, a wrestler for the University of Oregon, suffered severe head injuries in a vehicle accident on the way to a tournament;[11] after he was declared brain-dead two days later his parents gave permission for his organs to be donated.[28]

Jed’s death deeply affected Kesey, who later called Jed a victim of policies that had starved the team of funding. He wrote to Mark Hatfield, “And I began to get mad, Senator. I had finally found where the blame must be laid: that the money we are spending for national defense is not defending us from the villains real and near, the awful villains of ignorance, and cancer, and heart disease and highway death. How many school buses could be outfitted with seatbelts with the money spent for one of those 16-inch shells?” [29]

At a Grateful Dead concert soon after the death of promoter Bill Graham, Kesey delivered a eulogy, mentioning that Graham had donated $1,000 toward a memorial to Jed atop Mount Pisgah, near the Kesey home in Pleasant Hill.[30] Ken Kesey donated $33,395 towards the purchase of a proper bus for the school’s wrestling team to replace the chicken van that fell off a cliff.[31]

Final years

Kesey was diagnosed with diabetes in 1992. In 1994, he toured with members of the Merry Pranksters performing a musical play he wrote about the millennium called Twister: A Ritual Reality. Many old and new friends and family showed up to support the Pranksters on this tour that took them from Seattle’s Bumbershoot, all along the West Coast including a sold out two-night run at The Fillmore in San Francisco to Boulder, Colorado, where they coaxed (or pranked) the Beat Generation poet Allen Ginsberg into performing with them.[citation needed]

Kesey mainly kept to his home life in Pleasant Hill, preferring to make artistic contributions on the Internet or holding ritualistic revivals in the spirit of the Acid Test. In the official Grateful Dead DVD release The Closing of Winterland (2003) documenting the monumental New Year’s 1978/1979 concert at the Winterland Arena in San Francisco, Kesey is featured in a between-set interview.[citation needed]

On August 14, 1997, Kesey and his Pranksters attended a Phish concert in Darien Lake, New York. Kesey and the Pranksters appeared onstage with the band and performed a dance-trance-jam session involving several characters from The Wizard of Oz and Frankenstein.[citation needed]

In June 2001, Kesey was invited and accepted as the keynote speaker at the annual commencement of The Evergreen State College.[citation needed] His last major work was an essay for Rolling Stone magazine calling for peace in the aftermath of the September 11 attacks.[citation needed]

Death

In 1998, health problems began to weaken him, starting with a stroke that year.[2] On October 25, 2001 Kesey had surgery on his liver to remove a tumor.[2] He did not recover from that operation and died of complications on November 10, 2001, age 66.[2]

Legacy

The film Gerry (2002) is dedicated to the memory of Ken Kesey.[32]

Works

Some of Kesey’s better-known works include:[33]

Footnotes

  1. ^ Jump up to:a b c d Lehmann-Haupt, Christopher. “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66“, The New York Times (November 11, 2001). Retrieved February 21, 2008.
  2. ^ Jump up to:a b c d e f g h i Baker, Jeff (November 11, 2001). “All times a great artist, Ken Kesey is dead at age 66”. The Oregonian. pp. A1.
  3. Jump up^ https://alumni.stanford.edu/get/page/magazine/article/?article_id=38411
  4. Jump up^ http://www.theparisreview.org/interviews/1830/the-art-of-fiction-no-136-ken-kesey
  5. Jump up^ http://www.deaddisc.com/GDFD_Spit.htm
  6. Jump up^ Macdonald, Gina, and Andrew Macdonald. “Ken Kesey.” Magill’s Survey of American Literature, Revised Edition (2007): Literary Reference Center. EBSCO.
  7. Jump up^ “Ken Kesey Kisses No Ass”. Esquire Magazine (September 1992).
  8. Jump up^ “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”, The New York Times (November 11, 2001).
  9. Jump up^ Robins, Cynthia (2001-12-07). “Kesey’s friends gather in tribute”.
  10. Jump up^ Christensen, Mark (2010). Acid Christ : Ken Kesey, LSD, and the politics of ecstasy. Tucson, AZ: Schaffner Press. p. 40. ISBN 9781936182107. OCLC 701720769. Retrieved 2014-12-14.
  11. ^ Jump up to:a b “Crash takes second life”. The Spokesman-Review. 101st Year (251). Spokane, WA: Cowles Publishing Company. 1984-01-29. p. A6. Retrieved 2014-12-14. Writer’s son, Oregon wrestler Jed Kesey, dies of injuries
  12. Jump up^ “Top Wrestlers”. Eugene, OR: Save Oregon Wrestling Foundation. Retrieved 2014-12-14.
  13. Jump up^ “2006–07 Stats, History, Opponent Info – University of Oregon Wrestling” (PDF). University of Oregon Athletic Department. 2007-12-03. Retrieved 2014-12-14.
  14. Jump up^ “Hall, James B(yron)”, International Who’s Who in Poetry, 2004, p. 138.
  15. Jump up^ Jeff Baker, “James B. Hall: Writer, teacher”, The Oregonian/OregonLive, May 14, 2008.
  16. Jump up^ Too Good to Be True. Retrieved 2014-12-14.
  17. ^ Jump up to:a b Philip L. Fradkin, Wallace Stegner and the American West
  18. Jump up^ Wallace Stegner. Retrieved 2014-12-14.
  19. Jump up^ Cowley, M. (1976). “Ken Kesey at Stanford”, Northwest Review, 16(1), 1.
  20. Jump up^ “Down on the peacock farm”. Salon Magazine. 2001. Retrieved 2009-06-12.
  21. Jump up^ VA Palo Alto Health Care System. “Menlo Park Division – VA Palo Alto Health Care System”. va.gov. Retrieved 2014-12-14.
  22. Jump up^ Reilly, Edward C. “Ken Kesey.” Critical Survey of Long Fiction, Second Revised Edition (2000): EBSCO. Web. Nov 10. 2010.
  23. Jump up^ “Perry Ave, West Menlo Park, CA 94025 to 7940 La Honda Rd, La Honda, CA 94020 – Google Maps”. google.com. Retrieved 2014-12-14.
  24. ^ Jump up to:a b https://books.google.com/books?id=kaQVAQAAQBAJ&pg=PA66&dq=end+of+autumn+kesey&hl=en&sa=X&ved=0CDoQ6AEwBmoVChMI-bOJ37iWyAIVjKKACh1Y_grf#v=onepage&q=end%20of%20autumn%20kesey&f=false
  25. Jump up^ “11 Authors Who Hated the Movie Versions of Their Books”. Mental Floss. Retrieved 2014-12-14.
  26. Jump up^ “National Museum of American History Collections: Signboard, Pass the Acid Test”. americanhistory.si.edu. Retrieved 2015-04-08.
  27. Jump up^ Lehmann-Haupt, Christopher (November 11, 2001). “Ken Kesey, Author of ‘Cuckoo’s Nest,’ Who Defined the Psychedelic Era, Dies at 66”. The New York Times.
  28. Jump up^ “Letters of Note: What a world”. lettersofnote.com. Retrieved 2014-12-14.
  29. Jump up^ Kesey, Jed (1984). “Remembering Jed Kesey”. Whole Earth Catalogue. Co-Evolutionary Quarterly. Retrieved March 14, 2016.
  30. Jump up^ https://archive.org/details/gd91-10-31.sbd.gardner.2897.sbeok.shnf“. Track 13, starting at about :35.
  31. Jump up^ https://news.google.com/newspapers?nid=1356&dat=19880225&id=D7hPAAAAIBAJ&sjid=CQcEAAAAIBAJ&pg=2381,6211590&hl=en. Missing or empty |title= (help)
  32. Jump up^ Adams, Sam (September 19–25, 2002). “Try to Remember”. Philadelphia City Paper. Retrieved August 5,2015.
  33. Jump up^ Martin, Blank (2010-01-19). “Selected Bibliography for Ken Kesey”. Literary Kicks. Retrieved 2014-12-14.

Further reading

  • Ronald Gregg Billingsley, The Artistry of Ken Kesey. PhD dissertation. Eugene, OR: University of Oregon, 1971.
  • Dedria Bryfonski, Mental illness in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Detroit: Greenhaven Press, 2010.
  • Rick Dodgson, It’s All Kind of Magic: The Young Ken Kesey. Madison, WI: University of Wisconsin Press, 2013.
  • Robert Faggen, “Ken Kesey, The Art of Fiction No. 136,” The Paris Review, Spring 1994.
  • Barry H. Leeds, Ken Kesey. New York: F. Ungar Publishing Co., 1981.
  • Dennis McNally, A Long Strange Trip: the Inside History of the Grateful Dead. Broadway Books, 2002.
  • Tim Owen, “Remembering Ken Kesey,” Cosmik Debris Magazine, November 10, 2001.
  • M. Gilbert Porter, The Art of Grit: Ken Kesey’s Fiction. Columbia, MO: University of Missouri Press, 1982.
  • Elaine B Safer, The contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey. Detroit, MI: Wayne State University Press, 1988.
  • Peter Swirski, “You’re Not in Canada until You Can Hear the Loons Crying; or, Voting, People’s Power and Ken Kesey’s One Flew over the Cuckoo’s Nest,” in Swirski, American Utopia and Social Engineering in Literature, Social Thought, and Political History. New York: Routledge, 2011.
  • Stephen L. Tanner, Ken Kesey. Boston, MA: Twayne, 1983.

External links

https://en.wikipedia.org/wiki/Ken_Kesey

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Robert Ludlum — The Bourne Identity — Videos

Posted on August 24, 2016. Filed under: Art, Blogroll, Books, Corruption, Crime, Crisis, Culture, Entertainment, Fiction, Literature, media, Movies, Music, People, Photos, Politics, Programming, Psychology, Raves, Video, Writing | Tags: , , , , , , , , , |

robert ludlumbourne identity bourne trilogy

Stan Major Show – Robert Ludlum Interview

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Sam Vaknin — Malignant Self Love: Narcissism Revisited — Vidoes

Posted on July 30, 2016. Filed under: American History, Articles, Blogroll, Business, Central Intelligence Agency (CIA), Communications, Congress, Constitution, Corruption, Crime, Crisis, Culture, Documentary, Economics, Education, Elections, Employment, Entertainment, Faith, Farming, Federal Bureau of Investigation (FBI), Federal Bureau of Investigation (FBI), Federal Government Budget, Fiscal Policy, Foreign Policy, Fraud, Freedom, Friends, government, government spending, history, History of Economic Thought, Homicide, Illegal, Immigration, IRS, Law, Legal, liberty, Life, Links, Literacy, Macroeconomics, Math, media, Microeconomics, Money, Movies, Music, Narcissism, National Security Agency (NSA), National Security Agency (NSA_, People, Philosophy, Photos, Police, Political Correctness, Politics, Presidential Candidates, Press, Programming, Psychology, Radio, Rants, Raves, Raymond Thomas Pronk, Religious, Securities and Exchange Commission, Speech, Strategy, Talk Radio, Tax Policy, Taxation, Taxes, Video, War, Water, Wealth, Weapons | Tags: , , , , , |

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PSYCHOPATH NIGHT!

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Mark Helprin — Memoirs From The Antproof Case — Winter’s Tale — Videos

Posted on July 28, 2016. Filed under: American History, Articles, Blogroll, Book, Books, Culture, Entertainment, Fiction, Heroes, history, Law, liberty, Life, Links, Literacy, Literature, media, Money, Movies, Music, People, Philosophy, Photos, Police, Politics, Press, Psychology, Rants, Raves, Raymond Thomas Pronk, Religion, Reviews, Spying, Strategy, Technology, Terrorism, Video, Water, Wealth | Tags: , , , , , , , |

quote winter talememoirs from antproof casewinters tale 2winters talemark-helprin-1-sizedmark-helprin-author-photo-credit-lisa-kennedymark-helprin

This is a photo of Mark Helprin, a novelist, children's book author and editorial writer for the Wall Street Journal. Handout photo. ..OUTSIDE TRIBUNE CO.- NO MAGS, NO SALES, NO INTERNET, NO TV, CHICAGO OUT, NO DIGITAL MANIPULATION...

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Johnny Horton — Videos

Posted on July 7, 2016. Filed under: American History, Art, Art, Blogroll, Communications, Culture, Entertainment, history, media, Movies, Music, Music, Radio, Television, Television, Video, Work, Writing | Tags: , , , , , , , , , , , |

Johnny Horton In Concert ~ The Incredibly Rare Live Performances

21 songs, 55 minutes of rare, live Johnny Horton performances from the 1950s and 1960s. All the hits are here, North To Alaska, Battle Of New Orleans, Sink The Bismarck, Johnny Reb, Springtime In Alaska and early classics as well. Enjoy

Johnny Horton Battle Of New Orleans

Johnny Horton – Battle of New Orleans Lyrics

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Johnny Horton “Sink the Bismark”a

Sink The Bismarck – Johnny Horton

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Self-Driving Technology Proves Fatal With Tesla Crash — No Consistent Sustainable Profits Ever — High Stock Prices Promoted By Wall Street Investment Bankers– Tesla Is Speculation Not An Investment — Drivers and Investors or Buyers Beware! — Videos

Posted on July 2, 2016. Filed under: American History, Articles, Autos, Blogroll, Business, Climate, Culture, Economics, Education, Energy, Entertainment, Environment, Faith, Freedom, Friends, government spending, history, Inflation, Internal Revenue Service (IRS), Investments, Law, liberty, Life, Links, media, Natural Gas, Natural Gas, Newspapers, Nuclear Power, Oil, Oil, People, Philosophy, Photos, Politics, Press, Radio, Rants, Raves, Raymond Thomas Pronk, Resources, Reviews, Television, Transportation, Unemployment, Video, Wealth, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , |

 

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Fatal Telsa crash shows limits of self-driving technology

 DEE-ANN DURBIN

The U.S. government is investigating the first reported death of a driver whose car was in self-driving mode when he crashed. Joshua D. Brown, 40, died May 7 when his Tesla Model S, which was operating on “autopilot,” failed to activate its brakes and hit a truck in Florida.

The crash raises questions about autonomous and semi-autonomous cars, their capabilities and their limits. Here are answers to some of those questions:

___

Q: ARE THERE SELF-DRIVING CARS ON U.S. STREETS RIGHT NOW?

A: Yes, but in limited numbers. Various companies, including Google, Ford and Uber, have test fleets of autonomous cars running in specific areas, including Mountain View, California, and Austin, Texas. Right now, those vehicles always have a steering wheel, brakes and a driver ready to take over in case of a problem, but prototype cars without steering wheels are also being developed.

___

Q: HOW DO THEY WORK?

A: A network of cameras, radars and lasers feeds information to the car’s computers, helping to fill in the gaps in the GPS system, which knows how to get the car from point to point. Cameras let the car see what’s around it, while radar senses things in the dark or in inclement weather. Lasers constantly scan the road and give a three-dimensional picture of what’s going on.

___

Q: ARE THERE LAWS ALLOWING SELF-DRIVING CARS?

A: Right now, it’s a patchwork. Eight states — including Nevada, Michigan, Florida and Tennessee — and Washington D.C. have laws allowing autonomous vehicles. Other states have legislation in the works. Later this summer, the federal government is expected to release guidelines for the safe deployment of autonomous vehicles.

___

Q: WHAT ARE THE BENEFITS OF SELF-DRIVING CARS?

A: Self-driving cars have the potential to save lives by anticipating accidents before they happen. Intel CEO Brian Krzanich said Friday that 90 percent of car accidents are caused by human error, and distracted or drowsy driving accounts for some 13 percent of those crashes. The accidents cost about $870 billion a year globally.

___

Q: CAN I BUY A SELF-DRIVING CAR?

A: No. A few automakers offer cars and SUVs with semi-autonomous modes that can perform some functions without help from the driver, including maintaining a set speed, braking, changing lanes and even parallel parking. Semi-autonomous features can be found on high-end vehicles from Tesla, Mercedes-Benz, Infiniti and Volvo. Some lower-priced models have them, too. Toyota, for example, plans to make automatic emergency braking standard on its vehicles by 2017, ahead of a self-imposed deadline of 2022 that most automakers have agreed to.

___

Q: WHEN WILL COMPLETELY SELF-DRIVING CARS BE AVAILABLE TO CONSUMERS?

A: That’s not yet clear. Volvo plans a large-scale test of driverless cars in Sweden next year. Google wants to make cars available to the public around the end of 2019. BMW, Intel and Israel’s Mobileye have teamed up to roll out the cars by 2021.

IHS Automotive, a consulting firm, predicts that the U.S. will see the earliest deployment of autonomous vehicles, with several thousand on the road by 2020. That number will rise to 4.5 million vehicles by 2035, IHS says. But even if the vehicles are on the road, they might not be in your garage. The earliest self-driving cars might be on-demand taxis, employee shuttles or other shared vehicles.

___

Q: WHAT ARE THE TECHNICAL CHALLENGES TO GETTING AUTONOMOUS CARS ON THE ROAD?

A: Driverless cars need detailed maps to follow, and companies are still mapping roads. They also can have trouble staying within lanes in heavy rain or snow. And, as the Tesla crash showed, there will always be scenarios that driverless cars can’t foresee or navigate correctly. Brown’s car didn’t see an oncoming tractor-trailer because it was white against a brightly lit sky. Tesla CEO Elon Musk said the car’s radar is also designed to tune out what looks like overhead signs to prevent false braking.

___

Q: HOW COULD THE TESLA AUTOPILOT NOT SEE SOMETHING AS LARGE AS A TRACTOR-TRAILER?

A: Raj Rajkumar, a computer engineering professor at Carnegie Mellon University who leads its autonomous vehicle research, said computers can’t be programmed to handle every situation. But Tesla may need to adjust its radar, he said.

Tesla would not comment directly on the radar and computer programs, but the company issued a statement saying that it continually advances its software by analyzing hundreds of millions of miles of driving data. The National Highway Traffic Safety Administration is looking at the design and performance of Tesla’s system as part of its investigation.

https://www.yahoo.com/news/fatal-telsa-crash-shows-limits-185423753.html

Tesla has plenty of customers, but still no profit

Tesla is a hot mess—there is no path to profitability

Michael Pento, president of Pento Portfolio Strategies

Tuesday, 3 May 2016 | 1:55 PM ET

Tesla shares got a little pop in after-hours trading Wednesday after the electric car maker delivered an earnings report in line with expectations and an optimistic outlook.

But I think the stock’s run is already over.

The primary reason? Profitability.

Elon Musk

Getty Images
Elon Musk

Tesla stock soared for a few months starting in February following news that pre-orders for the electric-car maker’s Model 3, with a price tag of $35,000, were approaching 400,000 units.

But, as well-known short seller Jim Chanos so perfectly put it in an interview with CNBC: “We have all kinds of questions on the profitability of the business.”

First, the Model 3. This was Tesla’s play for an “affordable” electric car but it appears to be affordable for everyone EXCEPT Tesla.

Tesla loses more than $4,000 on each of its high-end Model S electric sedans; and that model’s cost is between $70 and $108k. With margins like that, one has to assume a $35k Model 3 can’t be the answer to solving Tesla’s red ink.

Tesla’s income statement reveals the company is hemorrhaging cash at a robust clip. Furthermore, according to TheStreet Ratings, they have a net profit margin of -26.38 percent and a quick ratio of 0.49, which means they have 49 cents in available cash to pay every $1 of current liabilities.

Worse than its lousy earnings and cash flow, Tesla is grossly overvalued compared to its peers. Tesla’s market cap is more than $30 billion, compared to Fiat Chrysler at around $10 billion and Ferrari at around $8 billion. Being valued at 3x more than FCAU — an established and profitable company — looks especially absurd when considering FCAU produces annual sales of over $130 billion, while Tesla produces revenue of only $4 billion.

Furthermore, Tesla’s market cap is nearly two-thirds of General Motors‘ market cap. This is despite the fact that General Motors has a history of selling 10 million cars at a profit each year and Tesla sold less than 100,000 cars last year at a loss. They would have to sell 6.6 million cars this year to justify its current valuation. With less than 400,000 cars on pre-order that doesn’t appear likely anytime soon.

In a February interview with CNBC’s Squawk Box, Former GM executive Bob Lutz noted that, “[TSLA] costs have always been higher than their revenue…They always have to get more capital. Then they burn through it.”

First, he pointed out that, on the back of falling oil prices, demand for electric vehicles (EVs) is slowing. Second, there is growing competition that will cut into Tesla’s margins as prices for EVs fall. Tesla has a lot of competition over the next few years. The industry is already awaiting the Apple car with bated breath that is set to launch in four years. And GM’s Chevy Bolt is similarly priced with a similar range and is set to come out this year. And then we have the Nissan Leaf expected to more competitive in the coming months and years. And add to that first generation vehicles like the BMW i3.

And in China, they have the EV Company LeEco, which recently unveiled its very first electric car that includes self-driving and self-parking capability using voice commands via a mobile app. Besides LeEco, there is another Chinese EV auto maker that sold more electric cars last year than Tesla, Nissan or GM, it’s called BYD Co. and is now targeting the U.S. market.

Lutz believes that competition from industry heavyweights like these could “kill” Tesla in the future.

“The major OEMs like GM, Ford, Toyota, Volkswagen, etc … they have to build electric cars, a certain number, in order to satisfy the requirements in about half of the states. Those have to be jammed into the marketplace, otherwise they can no longer sell SUVs and full-size pickups and the stuff that they really make money on. So that is going to generically depress the prices of electric vehicles,” Lutz warned.

Lutz also explained that companies such as General Motors will not be making any money on their “Tesla killer.” They are making these vehicles to appease Washington.

“The majors are going to accept the losses on the electric vehicles as a necessary cost of doing business in order to sell the big gasoline stuff that people really want. Well, Tesla does not have that option,” Lutz said.

But Musk has a strategy for driving down the cost of his electric car that hinges on achieving economies of scale, bringing down the production cost of the battery pack by 30 percent. This hinges on the success of their future Nevada home called the “Gigafactory.”

The Gigafactory is a one-stop shopping in battery-pack production. The company currently buys battery packs through a deal with Panasonicand has partnered with Panasonic in this venture. Production volume at the Gigafactory is anticipated to be the equivalent of over 30 gigawatt-hours per year; this would mean the Gigafactory would produce more storage than all the lithium battery factories in the world combined. The $5 billion dollar plant is as big as the Pentagon Tesla, and Tesla is hoping to produce 500,000 lithium ion batteries annually.

Musk recently laid out his Energy-branded battery ambition in rock star glory. At the event spectacle, Musk declared that his batteries would someday render the world’s energy grid obsolete. “We are talking about trying to change the fundamental energy infrastructure of the world,” he said.

Musk envisions his affordable, clean energy will one day power the remote villages of underdeveloped countries as well as allowing the average homeowner in industrial nations to go off the grid.

But before you sever your ties with your electrical company, it’s worth noting that not everyone thinks Musk’s plans are achievable – at least not in the time frame he envisions.

Panasonic, the supplier of the lithium-ion cells that form the foundation of Tesla’s batteries, and partner on the company’s forthcoming battery factory — calls Musk’s claims a lot of hyperbole.

“We are at the very beginning in energy storage in general,” said Phil Hermann, chief energy engineer at Panasonic Eco Solutions. “Most of the projects currently going on are either demo projects or learning experiences for the utilities. There is very little direct commercial stuff going on. Elon Musk is out there saying you can do things now that the rest of us are hearing and going, ‘really?’ We wish we could, but it’s not really possible yet.”

And far from the grand stage with little fanfare buried in their November 10Q Tesla also sought to tamper investor’s expectations: “Given the size and complexity of this undertaking, the cost of building and operating the Gigafactory could exceed our current expectations, we may have difficulty signing up additional partners, and the Gigafactory may take longer to bring online than we anticipate.”

With a company saddled with debt and cash-strapped, who is going to shoulder the burden of a delay in the Gigafactory realizing its full potential? That would be shareholders through stock dilution or the American tax payer – but most likely a combination of both. There are those who believe that Musk’s real genius is in following government subsidies.

Tesla’s model relies strongly on a “green” administration. According to the Los Angeles Times, all of Musk’s ventures: Tesla Motors, SolarCityand Space Exploration Technologies, known as SpaceX, together have benefited from an estimated $4.9 billion in government support. The figure underscores a common theme running through his emerging empire: a public-private financing model underpinning long-shot start-ups.

The promise is that the Tesla stockholders and the tax subsidizing public will greatly benefit from major pollution reductions as electric cars break through as viable alternative and gain access to mass-market production.

And frankly, I’m not convinced that electric cars are even good for the environment. First, it’s important to note that at this time, these cars don’t power themselves — they are plugged into an outlet in your garage that connects to an electric power plant. Second, there are a lot of environmental questions about the lithium battery itself. In a 2012 study titled “Science for Environment Policy” published by the European Union, a comparison was made of the lithium ion batteries to other types of batteries available such as; lead-acid, nickel-cadmium, nickel-metal-hydride and sodium Sulphur. They concluded that the lithium ion batteries have the largest impact on metal depletion, making recycling more complicated.

Musk may be a genius and a visionary but the truth is that Tesla has an unproven business model and a stock that is massively overpriced. Even if some year in the distant future there exists the charging infrastructure and pricing available to make electric vehicles conducive to supplant the internal combustion engine, Tesla faces an onslaught of competition that will most likely drive its profit margins further into the red for years to come.

So, as far as I’m concerned, the stock is not a buy — no matter what earnings say. The math just doesn’t add up.

Commentary by Michael Pento, the president and founder of Pento Portfolio Strategies and author of the book “The Coming Bond Market Collapse.” His weekly podcast is “The Mid-week Reality Check.”

Disclosure: Neither Michael Pento nor the firm own any positions in Tesla stock. However, several Pento clients own puts on Tesla.

http://www.cnbc.com/2016/05/03/tesla-stock-is-not-a-buy-no-matter-what-earnings-say-commentary.html

 

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They Shoot Horses Don’t They — Videos

Posted on June 11, 2016. Filed under: Art, Blogroll, Culture, Entertainment, Law, liberty, Life, media, Movies, Politics, Unemployment, Video, Welfare, Wisdom, Work, Writing | Tags: , , |

They Shoot Horses, Don’t They?

They Shoot Horses Don’t They 1969

Gig Young winning Best Supporting Actor for “They Shoot Horses, Don’t They?”

They Shoot Horses, Don’t They? (film)

From Wikipedia, the free encyclopedia
They Shoot Horses, Don’t They?
They horses.jpg

Theatrical release poster
Directed by Sydney Pollack
Produced by Robert Chartoff
Irwin Winkler
Screenplay by Robert E. Thompson
James Poe
Based on They Shoot Horses, Don’t They?
by Horace McCoy
Starring Jane Fonda
Michael Sarrazin
Susannah York
Gig Young
Music by Johnny Green
Cinematography Philip H. Lathrop
Edited by Fredric Steinkamp
Production
company
ABC Pictures
Palomar Pictures
Distributed by Cinerama Releasing Corporation (1969, original)
MGM (2004, DVD)
Release dates
  • December 10, 1969
Running time
120 minutes
Country United States
Language English
Budget $4.86 million[1]
Box office $12,600,000[2]

They Shoot Horses, Don’t They? is a 1969 American drama film directed by Sydney Pollack. The screenplay by James Poe and Robert E. Thompson is based on the1935 novel of the same name by Horace McCoy. It focuses on a disparate group of characters desperate to win a Depression-era dance marathon and the opportunistic emcee (MC) who urges them on to victory. It stars Jane Fonda, Michael Sarrazin, Susannah York, Bruce Dern, Bonnie Bedelia, and Gig Young. Fonda, Young and York won awards for their performances.

Plot

Robert Syverton (Michael Sarrazin), who once dreamed of being a great film director, recalls the events leading to an unstated crime. In his youth, he saw a horse break its leg, after which it was shot and put out of its misery. Years later, in 1932 during the Great Depression, he wanders into a dance marathon about to begin in the shabby La Monica Ballroom, perched over the Pacific Ocean on the Santa Monica Pier, near Los Angeles. He is recruited by MC (Master of Ceremonies) Rocky (Gig Young) as a substitute partner for a cynical malcontent named Gloria (Jane Fonda), when her original partner is disqualified because of an ominous cough.

Among the other contestants competing for a cash prize of $1,500 are Harry Kline (Red Buttons), a middle-aged sailor; Alice (Susannah York) and her partner Joel (Robert Fields), both aspiring actors; an impoverished farm worker James (Bruce Dern) and his pregnant wife Ruby (Bonnie Bedelia). Early in the marathon the weaker pairs are eliminated quickly, while Rocky observes the vulnerabilities of the stronger contestants and exploits them for the audience’s amusement. Frayed nerves are exacerbated by the theft of one of Alice’s dresses and Gloria’s displeasure at the attention Alice receives from Robert. In retaliation, she takes Joel as her partner, but when he receives a job offer and departs, she aligns herself with Harry.

Weeks into the marathon, in order to spark the paying spectators’ enthusiasm, Rocky stages a series of derbies in which the exhausted contestants, clad in track suits, must race around the dance floor, with the last three couples eliminated. Harry has a fatal heart attack during one of the races, but the undeterred Gloria lifts him on her back and crosses the finish line. Harry dies as Gloria drags him. Alice, seeing this and at the end of her rope, has a breakdown and is taken away. Lacking partners, Robert and Gloria again pair up.

Rocky suggests the couple marry during the marathon, a publicity stunt guaranteed to earn them some cash, in the form of gifts from supporters such as Mrs. Laydon (Madge Kennedy). When Gloria refuses, he reveals the contest is not what it appears. Expenses will be deducted from the prize money, leaving the winner with close to nothing. Shocked by the revelation, the couple drops out of the competition.

Gloria confesses how empty she is inside and tells Robert that she wants to kill herself, but when she takes out a gun and points it at herself, she cannot pull the trigger. Desperate, she asks Robert, “Help me”. He obliges. Questioned by the police as to the motive for his action, Robert responds: “They shoot horses, don’t they?”

The marathon continues with its few remaining couples, including James and Ruby. The eventual winners are not revealed.

Cast

Production

In the early 1950s, Norman Lloyd and Charlie Chaplin were looking for a project on which to collaborate, with Lloyd as director and Chaplin as producer. Lloyd purchased the rights to Horace McCoy‘s novel for $3,000 and planned to cast Chaplin’s son, Sydney, and newcomer Marilyn Monroe in the lead roles. Once arrangements were completed, in 1952 Chaplin took his family on what was intended to be a brief trip to theUnited Kingdom, for the London premiere of Limelight. During this trip, in part because Chaplin was accused of being a Communist supporter during the McCarthy era, FBI head J. Edgar Hoover negotiated with theImmigration and Naturalization Service to revoke his re-entry permit and the film project was cancelled. When McCoy died sixteen years later and the rights to the book reverted to his heirs, they refused to renew the deal with Lloyd, since nothing had come of his original plans.[3]

When Sydney Pollack signed to direct the film, he approached Jane Fonda for the role of Gloria. The actress declined, because she felt the script wasn’t very good, but her husband, Roger Vadim, who saw similarities between the book and works of the French existentialists, urged her to reconsider.[4]

Meeting with Pollack to discuss the script, she was surprised when he asked for her opinion. She read the script with a critical eye, made notes on the character and later observed in her autobiography, “It was a germinal moment [for me] … This was the first time in my life as an actor that I was working on a film about larger societal issues, and instead of my professional work feeling peripheral to life, it felt relevant.” Troubled about problems in her marriage at the time, she drew on her personal anguish to help her with her characterization.[5]

Warren Beatty originally was considered for the role of Robert Syverton and Pollack’s first choice for Rocky was character actor Lionel Stander.[6][7]

The film is notable for using the technique of flashforwards (glimpses of the future), not commonly used in movies. They are used in the last 18 minutes of the film, as passages appear denoting the fate of Robert, just before the tragic shock ending. Costar Gig Young was noted for his deep characterization of Rocky: he patterned his character after the great show MC/composer Ben Bernie. Young used Bernie’s famouscatchphrase, “Yowza! Yowza! Yowza!,” for the Rocky character in the film.

Soundtrack

The film’s soundtrack features numerous standards from the era. These include:

The ballroom band consisted of several real jazz musicians, all uncredited. The band were led by Bobby Hutcherson and included Hugh Bell, Ronnie Bright, Teddy Buckner, Hadley Caliman, Teddy Edwards,Thurman Green, Joe Harris, Ike Isaacs, Harold Land and Les Robertson.[8]

A soundtrack album was released on ABC Records in 1969. It has never been reissued on CD.

Box office

The film was a box office success, grossing $12,600,000 on a $4.86 million budget, making it the 16th highest-grossing film of 1969.[2]

According to Variety the film earned $5,980,000 in theatrical rentals in North America.[9]

Critical reception

The film was screened at the 1970 Cannes Film Festival, but was not entered into the main competition.[10] In the United States, the film was applauded for portraying the Depression era.

In his review in The New York Times, Vincent Canby said,

“The movie is far from being perfect, but it is so disturbing in such important ways that I won’t forget it very easily, which is more than can be said of much better, more consistent films … The movie is by far the best thing that Pollack has ever directed (with the possible exception of The Scalphunters). While the cameras remain, as if they had been sentenced, within the ballroom, picking up the details of the increasing despair of the dancers, the movie becomes an epic of exhaustion and futility.”[11]

Variety said, “Puffy-eyed, unshaven, reeking of stale liquor, sweat and cigarettes, Young has never looked older or acted better. Fonda … gives a dramatic performance that gives the film a personal focus and an emotionally gripping power.”[12]

TV Guide rated the film four out of a possible four stars and said,

“Although it is at times heavy-handed, They Shoot Horses, Don’t They? is a tour de force of acting. Fonda here got her first chance to prove herself as a serious, dramatic actress … Young is superb in his role, a sharp switch from his usual bon vivant parts … Pollack does one of his best jobs of directing, even if his primary strength lies in his rapport with actors. The look of the film is just right and Pollack skillfully evokes the ratty atmosphere amid which explosive emotions come to a boil … [It] remains a suitably glum yet cathartic film experience.”[13]

In 1996, Entertainment Weekly observed, “Sydney Pollack’s dance-marathon movie has probably aged better than any American film of its time.”[6]

Awards and nominations

Academy Awards

The film won one Academy Award and was nominated in eight other categories.[14]
The film currently holds the record for being nominated for the most Academy Awards (nine) without receiving a nod for Best Picture.

Golden Globes
BAFTAs
Other awards

Cultural influence

In later years, Turner Classic Movies observed, “By popularizing the title of McCoy’s novel, [the film] gave American argot a catchphrase that’s as recognizable today as when the movie first caught on.”[7] The title has been imitated in various media for topics having little relation to the plot or themes of the original film. Episodes of the television series Happy Days, The Partridge Family, Webster, Due South, Family Matters,Sex and the City, Designing Women, Gilmore Girls, Class of ’96, Sledge Hammer!, Ally McBeal “The Odd Couple” and Gossip Girl have used variations of the phrase for their titles. Humorist Patrick F. McManus titled one of his story collections They Shoot Canoes, Don’t They?. Australian rock band TISM‘s 1990 album Hot Dogma includes a song titled “They Shoot Heroin, Don’t They?”

The Rolling Stones used the film set as a rehearsal space, prior to a pair of shows at The Forum as part of their 1969 U.S. tour.[15]

DVD

They Shoot Horses, Don’t They? was released to DVD by MGM Home Entertainment on October 19, 2004, as a Region 1 widescreen DVD.

See also

References

External links

https://en.wikipedia.org/wiki/They_Shoot_Horses,_Don’t_They%3F_(film)

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Trump Rattles The American Okie Doke Obama Into Stuttering Empty Suit –The Great Pretender — The Truth Hurts — Get Out of Our Lives — Roll It Back To A Full Employment Growing Booming Economy with 67% Labor Participation Rate and Less Than 3% Unemployment Rate — Make America Great Again — Catch Me If You Can — Videos

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Pronk Pops Show 639: March 9, 2016

Pronk Pops Show 638: March 8, 2016

Pronk Pops Show 637: March 7, 2016

Pronk Pops Show 636: March 4, 2016

Pronk Pops Show 635: March 3, 2016

Pronk Pops Show 634: March 2, 2016

Pronk Pops Show 633: March 1, 2016

Story 1: Trump Rattles The American Okie Doke Obama Into Stuttering Empty Suit –The Great Pretender — The Truth Hurts — Get Out of Our Lives — Roll It Back To A Full Employment Growing Booming Economy with 67% Labor Participation Rate and Less Than 3% Unemployment Rate — Make America Great Again — Catch Me If You Can — Videos

-A joke played on someone. Someone getting played for a fool.

-Also, someone who is fake or is a joke.

“I felt like a dumbass when that nigga hit me with the okie doke.”

“I keep it real homeboy. I ain’t no okie doke.”

Psychological projection is a theory in psychology in which humans defend themselves against their own unpleasant impulses by denying their existence while attributing them to others. For example, a person who is habitually rude may constantly accuse other people of being rude. It incorporates blame shifting.

Immigration moderation. Before any new green cards are issued to foreign workers abroad, there will be a pause where employers will have to hire from the domestic pool of unemployed immigrant and native workers. This will help reverse women’s plummeting workplace participation rate, grow wages, and allow record immigration levels to subside to more moderate historical averages.

https://www.donaldjtrump.com/positions/immigration-reform

sgs-empLabor-force-participation-under-Obama the-labor-force-participation-rate-tanked--heres-the-not-so-scary-reason-why 1606-Labor-Force-Participation Participation Rate1 U.S.-Nonfarm-Payrolls

George Carlin – The American Okie Doke

U.S. Labor Participation Rate – Graph of Reagan vs obama

Obama Tries to Trash Donald Trump and Turns into a Stuttering Mess

Obama attacks Trump in Indiana speech but won’t use his name

Obama Busts GOP Economic Myths

Obama takes a victory lap over Elkhart, Indiana’s resurgence

Why doesn’t Obama say Donald Trump’s name?

The Great Pretender Obama Says Don’t Fall For The Okie-Doke

No Help Wanted – Labor Participation Rate Lowest Since 1977 – Fox & Friends.

Labor participation has hit a 38-year low, and that’s a problem

Labor participation rate is down to unprecedented levels

Unemployment and the Unemployment Rate

Types of Unemployment

Top 10 Greatest Con Artists in Movies

Catch me if you can best scenes

Catch Me If You Can Movie- Check Fraud

Catch Me If You Can Trailer

To Tell the Truth: Frank William Abagnale Jr. (1977)

The Real Frank Abagnale, “Catch me if you can” man – CNN Red Chair

Catch Me If You Can: Frank Abagnale’s Story

Frank Abagnale, who evolved from being a brilliant young mastermind of international deception and fraud into one of the world’s most respected authorities on forgery and embezzlement, tells his life story. His intercontinental saga prompted Steven Spielberg to turn Abagnale’s life into the movie Catch Me If You Can starring Leonardo DiCaprio.

The Platters – The Great Pretender – HD (1955)

Data extracted on: June 2, 2016 (4:31:21 PM)

Labor Force Statistics from the Current Population Survey

Series Id:           LNS11300000
Seasonally Adjusted
Series title:        (Seas) Labor Force Participation Rate
Labor force status:  Civilian labor force participation rate
Type of data:        Percent or rate
Age:                 16 years and over

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1980 64.0 64.0 63.7 63.8 63.9 63.7 63.8 63.7 63.6 63.7 63.8 63.6
1981 63.9 63.9 64.1 64.2 64.3 63.7 63.8 63.8 63.5 63.8 63.9 63.6
1982 63.7 63.8 63.8 63.9 64.2 63.9 64.0 64.1 64.1 64.1 64.2 64.1
1983 63.9 63.8 63.7 63.8 63.7 64.3 64.1 64.3 64.3 64.0 64.1 64.1
1984 63.9 64.1 64.1 64.3 64.5 64.6 64.6 64.4 64.4 64.4 64.5 64.6
1985 64.7 64.7 64.9 64.9 64.8 64.6 64.7 64.6 64.9 65.0 64.9 65.0
1986 64.9 65.0 65.1 65.1 65.2 65.4 65.4 65.3 65.4 65.4 65.4 65.3
1987 65.4 65.5 65.5 65.4 65.7 65.5 65.6 65.7 65.5 65.7 65.7 65.7
1988 65.8 65.9 65.7 65.8 65.7 65.8 65.9 66.1 65.9 66.0 66.2 66.1
1989 66.5 66.3 66.3 66.4 66.3 66.5 66.5 66.5 66.4 66.5 66.6 66.5
1990 66.8 66.7 66.7 66.6 66.6 66.4 66.5 66.5 66.4 66.4 66.4 66.4
1991 66.2 66.2 66.3 66.4 66.2 66.2 66.1 66.0 66.2 66.1 66.1 66.0
1992 66.3 66.2 66.4 66.5 66.6 66.7 66.7 66.6 66.5 66.2 66.3 66.3
1993 66.2 66.2 66.2 66.1 66.4 66.5 66.4 66.4 66.2 66.3 66.3 66.4
1994 66.6 66.6 66.5 66.5 66.6 66.4 66.4 66.6 66.6 66.7 66.7 66.7
1995 66.8 66.8 66.7 66.9 66.5 66.5 66.6 66.6 66.6 66.6 66.5 66.4
1996 66.4 66.6 66.6 66.7 66.7 66.7 66.9 66.7 66.9 67.0 67.0 67.0
1997 67.0 66.9 67.1 67.1 67.1 67.1 67.2 67.2 67.1 67.1 67.2 67.2
1998 67.1 67.1 67.1 67.0 67.0 67.0 67.0 67.0 67.2 67.2 67.1 67.2
1999 67.2 67.2 67.0 67.1 67.1 67.1 67.1 67.0 67.0 67.0 67.1 67.1
2000 67.3 67.3 67.3 67.3 67.1 67.1 66.9 66.9 66.9 66.8 66.9 67.0
2001 67.2 67.1 67.2 66.9 66.7 66.7 66.8 66.5 66.8 66.7 66.7 66.7
2002 66.5 66.8 66.6 66.7 66.7 66.6 66.5 66.6 66.7 66.6 66.4 66.3
2003 66.4 66.4 66.3 66.4 66.4 66.5 66.2 66.1 66.1 66.1 66.1 65.9
2004 66.1 66.0 66.0 65.9 66.0 66.1 66.1 66.0 65.8 65.9 66.0 65.9
2005 65.8 65.9 65.9 66.1 66.1 66.1 66.1 66.2 66.1 66.1 66.0 66.0
2006 66.0 66.1 66.2 66.1 66.1 66.2 66.1 66.2 66.1 66.2 66.3 66.4
2007 66.4 66.3 66.2 65.9 66.0 66.0 66.0 65.8 66.0 65.8 66.0 66.0
2008 66.2 66.0 66.1 65.9 66.1 66.1 66.1 66.1 66.0 66.0 65.9 65.8
2009 65.7 65.8 65.6 65.7 65.7 65.7 65.5 65.4 65.1 65.0 65.0 64.6
2010 64.8 64.9 64.9 65.2 64.9 64.6 64.6 64.7 64.6 64.4 64.6 64.3
2011 64.2 64.1 64.2 64.2 64.1 64.0 64.0 64.1 64.2 64.1 64.1 64.0
2012 63.7 63.8 63.8 63.7 63.7 63.8 63.7 63.5 63.7 63.8 63.6 63.7
2013 63.6 63.4 63.3 63.4 63.4 63.4 63.3 63.2 63.3 62.8 63.0 62.9
2014 62.9 63.0 63.2 62.8 62.8 62.8 62.9 62.9 62.8 62.9 62.9 62.7
2015 62.9 62.8 62.7 62.7 62.8 62.6 62.6 62.6 62.4 62.5 62.5 62.6
2016 62.7 62.9 63.0 62.8

Series Id:           LNS14000000
Seasonally Adjusted
Series title:        (Seas) Unemployment Rate
Labor force status:  Unemployment rate
Type of data:        Percent or rate
Age:                 16 years and over

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1980 6.3 6.3 6.3 6.9 7.5 7.6 7.8 7.7 7.5 7.5 7.5 7.2
1981 7.5 7.4 7.4 7.2 7.5 7.5 7.2 7.4 7.6 7.9 8.3 8.5
1982 8.6 8.9 9.0 9.3 9.4 9.6 9.8 9.8 10.1 10.4 10.8 10.8
1983 10.4 10.4 10.3 10.2 10.1 10.1 9.4 9.5 9.2 8.8 8.5 8.3
1984 8.0 7.8 7.8 7.7 7.4 7.2 7.5 7.5 7.3 7.4 7.2 7.3
1985 7.3 7.2 7.2 7.3 7.2 7.4 7.4 7.1 7.1 7.1 7.0 7.0
1986 6.7 7.2 7.2 7.1 7.2 7.2 7.0 6.9 7.0 7.0 6.9 6.6
1987 6.6 6.6 6.6 6.3 6.3 6.2 6.1 6.0 5.9 6.0 5.8 5.7
1988 5.7 5.7 5.7 5.4 5.6 5.4 5.4 5.6 5.4 5.4 5.3 5.3
1989 5.4 5.2 5.0 5.2 5.2 5.3 5.2 5.2 5.3 5.3 5.4 5.4
1990 5.4 5.3 5.2 5.4 5.4 5.2 5.5 5.7 5.9 5.9 6.2 6.3
1991 6.4 6.6 6.8 6.7 6.9 6.9 6.8 6.9 6.9 7.0 7.0 7.3
1992 7.3 7.4 7.4 7.4 7.6 7.8 7.7 7.6 7.6 7.3 7.4 7.4
1993 7.3 7.1 7.0 7.1 7.1 7.0 6.9 6.8 6.7 6.8 6.6 6.5
1994 6.6 6.6 6.5 6.4 6.1 6.1 6.1 6.0 5.9 5.8 5.6 5.5
1995 5.6 5.4 5.4 5.8 5.6 5.6 5.7 5.7 5.6 5.5 5.6 5.6
1996 5.6 5.5 5.5 5.6 5.6 5.3 5.5 5.1 5.2 5.2 5.4 5.4
1997 5.3 5.2 5.2 5.1 4.9 5.0 4.9 4.8 4.9 4.7 4.6 4.7
1998 4.6 4.6 4.7 4.3 4.4 4.5 4.5 4.5 4.6 4.5 4.4 4.4
1999 4.3 4.4 4.2 4.3 4.2 4.3 4.3 4.2 4.2 4.1 4.1 4.0
2000 4.0 4.1 4.0 3.8 4.0 4.0 4.0 4.1 3.9 3.9 3.9 3.9
2001 4.2 4.2 4.3 4.4 4.3 4.5 4.6 4.9 5.0 5.3 5.5 5.7
2002 5.7 5.7 5.7 5.9 5.8 5.8 5.8 5.7 5.7 5.7 5.9 6.0
2003 5.8 5.9 5.9 6.0 6.1 6.3 6.2 6.1 6.1 6.0 5.8 5.7
2004 5.7 5.6 5.8 5.6 5.6 5.6 5.5 5.4 5.4 5.5 5.4 5.4
2005 5.3 5.4 5.2 5.2 5.1 5.0 5.0 4.9 5.0 5.0 5.0 4.9
2006 4.7 4.8 4.7 4.7 4.6 4.6 4.7 4.7 4.5 4.4 4.5 4.4
2007 4.6 4.5 4.4 4.5 4.4 4.6 4.7 4.6 4.7 4.7 4.7 5.0
2008 5.0 4.9 5.1 5.0 5.4 5.6 5.8 6.1 6.1 6.5 6.8 7.3
2009 7.8 8.3 8.7 9.0 9.4 9.5 9.5 9.6 9.8 10.0 9.9 9.9
2010 9.8 9.8 9.9 9.9 9.6 9.4 9.4 9.5 9.5 9.4 9.8 9.3
2011 9.1 9.0 9.0 9.1 9.0 9.1 9.0 9.0 9.0 8.8 8.6 8.5
2012 8.3 8.3 8.2 8.2 8.2 8.2 8.2 8.1 7.8 7.8 7.7 7.9
2013 8.0 7.7 7.5 7.6 7.5 7.5 7.3 7.3 7.3 7.2 6.9 6.7
2014 6.6 6.7 6.7 6.2 6.2 6.1 6.2 6.2 6.0 5.7 5.8 5.6
2015 5.7 5.5 5.5 5.4 5.5 5.3 5.3 5.1 5.1 5.0 5.0 5.0
2016 4.9 4.9 5.0 5.0

Series Id:           LNS13327709
Seasonally Adjusted
Series title:        (seas) Total unemployed, plus all marginally attached workers plus total employed part time for economic reasons, as a percent of all civilian labor force plus all marginally attached workers
Labor force status:  Aggregated totals unemployed
Type of data:        Percent or rate
Age:                 16 years and over
Percent/rates:       Unemployed and mrg attached and pt for econ reas as percent of labor force plus marg attached

Download:
Year Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Annual
1994 11.8 11.4 11.4 11.2 10.8 10.9 10.7 10.5 10.4 10.3 10.1 10.0
1995 10.2 9.9 9.9 10.0 10.0 10.1 10.1 10.0 10.1 9.9 10.0 10.0
1996 9.8 10.0 9.8 9.9 9.7 9.6 9.7 9.3 9.4 9.4 9.3 9.5
1997 9.4 9.4 9.1 9.2 8.8 8.8 8.6 8.6 8.7 8.4 8.3 8.4
1998 8.4 8.4 8.4 7.9 7.9 8.0 8.1 7.9 7.9 7.8 7.6 7.6
1999 7.7 7.7 7.6 7.6 7.4 7.5 7.5 7.3 7.4 7.2 7.1 7.1
2000 7.1 7.2 7.1 6.9 7.1 7.0 7.0 7.1 7.0 6.8 7.1 6.9
2001 7.3 7.4 7.3 7.4 7.5 7.9 7.8 8.1 8.7 9.3 9.4 9.6
2002 9.5 9.5 9.4 9.7 9.5 9.5 9.6 9.6 9.6 9.6 9.7 9.8
2003 10.0 10.2 10.0 10.2 10.1 10.3 10.3 10.1 10.4 10.2 10.0 9.8
2004 9.9 9.7 10.0 9.6 9.6 9.5 9.5 9.4 9.4 9.7 9.4 9.2
2005 9.3 9.3 9.1 8.9 8.9 9.0 8.8 8.9 9.0 8.7 8.7 8.6
2006 8.4 8.4 8.2 8.1 8.2 8.4 8.5 8.4 8.0 8.2 8.1 7.9
2007 8.4 8.2 8.0 8.2 8.2 8.3 8.4 8.4 8.4 8.4 8.4 8.8
2008 9.2 9.0 9.1 9.2 9.7 10.1 10.5 10.8 11.0 11.8 12.6 13.6
2009 14.2 15.2 15.8 15.9 16.5 16.5 16.4 16.7 16.7 17.1 17.1 17.1
2010 16.7 17.0 17.1 17.1 16.6 16.4 16.4 16.5 16.8 16.6 16.9 16.6
2011 16.2 16.0 15.9 16.1 15.8 16.1 15.9 16.1 16.4 15.8 15.5 15.2
2012 15.2 15.0 14.6 14.6 14.8 14.8 14.8 14.6 14.8 14.4 14.4 14.4
2013 14.5 14.3 13.8 14.0 13.8 14.2 13.8 13.6 13.7 13.7 13.1 13.1
2014 12.7 12.6 12.6 12.3 12.1 12.0 12.2 12.0 11.8 11.5 11.4 11.2
2015 11.3 11.0 10.9 10.8 10.7 10.5 10.4 10.3 10.0 9.8 9.9 9.9
2016 9.9 9.7 9.8 9.7

Obama in Elkhart: Voters should beware of politicians ‘preying’ on economic fears

President Barack Obama says people should beware of politicians who are “preying” on Americans’ anxieties about the economy in a bid to win headlines and votes.

Obama isn’t naming names. But he says some politicians are running on anti-trade, anti-immigrant policies in an effort to play to people’s fears.

Obama made the remarks during a visit to Elkhart, Indiana. He’s holding up the manufacturing community as a symbol of the nation’s climb from recession to recovery.

Obama says his administration’s “smart” decisions played a part in helping Elkhart come back. He says he wants to bust “myths” that Democratic policies are bad for the economy.

Indiana’s Republican governor, Mike Pence, says Elkhart had rebounded “in spite of Obama’s policies” and that those policies inflicted onerous federal burdens on Indiana.

To Obama, lingering challenges aren’t enough to forestall a planned victory lap. Arguing that his controversial $840 billion stimulus package was ultimately vindicated, Obama will call on the next president to be willing to spend big to enable further economic growth.

The president is making his eighth visit to the state since taking office in January 2009. Here are details on the visits:

  • Feb. 2, 2009: Travels to Elkhart for his first event outside the Washington area since taking office 13 days earlier and speaks about his economic stimulus plan at Concord High School as Elkhart County’s unemployment rate was about 15 percent.
  • May 17, 2009: Delivers commencement address at the University of Notre Dame in South Bend, an appearance that drew weeks of criticism from many Catholic bishops and abortion opponents. Then travels to Indianapolis for two Democratic Party fundraisers.
  • Aug. 5, 2009: Visits Monaco RV factory in Wakarusa and announces $2.4 billion in grants for electric car production.
  • Nov. 23, 2010: Obama and Vice President Joe Biden both fly into Grissom Air Reserve Base then travel to a Chrysler transmission factory in Kokomo, where Obama promotes the U.S. auto industry revival.
  • May 6, 2011: Travels to an Allison Transmission factory in Indianapolis and speaks about how the hybrid transmissions made there can help reduce the country’s need for imported oil.
  • Oct. 3, 2014: Travels to Millennium Steel Services, a minority-owned steel processor near Princeton, and speaks about the nation’s manufacturing gains and the improving U.S. economy.
  • Feb. 6, 2015: Visits an Ivy Tech Community College campus in Indianapolis to tout his proposal for offering two years of college free.
  • June 1, 2016: Scheduled to speak about the economy at Concord Community High School in Elkhart and then take part in a PBS town hall at Elkhart’s Lerner Theatre.

Obama in Elkhart: Voters should beware of politicians ‘preying’ on economic fears

Psychological projection

From Wikipedia, the free encyclopedia
Part of a series of articles on
Psychoanalysis
Unofficial psychoanalysis symbol

Psychological projection is a theory in psychology in which humans defend themselves against their own unpleasant impulses by denying their existence while attributing them to others.[1] For example, a person who is habitually rudemay constantly accuse other people of being rude. It incorporates blame shifting.

According to some research, the projection of one’s negative qualities onto others is a common process in everyday life.[2]

Historical precursors

A prominent precursor in the formulation of the projection principle was Giambattista Vico,[3][4] and an early formulation of it is found in ancient Greek writer Xenophanes, which observed that “the gods of Ethiopians were inevitably black with flat noses while those of the Thracians were blond with blue eyes.”[citation needed] In 1841, Ludwig Feuerbach was the first to employ this concept as the basis for a systematic critique of religion.[5][6][7]

Psychoanalytic developments

Projection (German: Projektion) was conceptualised by Freud in his letters to Wilhelm Fliess,[8] and further refined by Karl Abraham and Anna Freud. Freud considered that in projection thoughts, motivations, desires, and feelings that cannot be accepted as one’s own are dealt with by being placed in the outside world and attributed to someone else.[9] What the ego repudiates is split off and placed in another.[10]

Freud would later come to believe that projection did not take place arbitrarily, but rather seized on and exaggerated an element that already existed on a small scale in the other person.[11] (The related defence of projective identification differs from projection in that there the other person is expected to become identified with the impulse or desire projected outside,[12] so that the self maintains a connection with what is projected, in contrast to the total repudiation of projection proper.)[13]

Melanie Klein saw the projection of good parts of the self as leading potentially to over-idealisation of the object.[14] Equally, it may be one’s conscience that is projected, in an attempt to escape its control: a more benign version of this allows one to come to terms with outside authority.[15]

Theoretical examples

Projection tends to come to the fore in normal people at times of crisis, personal or political[16] but is more commonly found in the neurotic or psychotic[17] in personalities functioning at a primitive level as in narcissistic personality disorder or borderline personality disorder.[18]

Carl Jung considered that the unacceptable parts of the personality represented by the Shadow archetype were particularly likely to give rise to projection, both small-scale and on a national/international basis.[19] Marie-Louise Von Franz extended her view of projection, stating that “wherever known reality stops, where we touch the unknown, there we project an archetypal image”.[20]

Psychological projection is one of the medical explanations of bewitchment used to explain the behavior of the afflicted children at Salem in 1692. The historian John Demos asserts that the symptoms of bewitchment experienced by the afflicted girls were due to the girls undergoing psychological projection of repressed aggression.[21]

Practical examples

  • Victim blaming: The victim of someone else’s accident or bad luck may be offered criticism, the theory being that the victim may be at fault for having attracted the other person’s hostility.[22]
  • Projection of marital guilt: Thoughts of infidelity to a partner may be unconsciously projected in self-defence on to the partner in question, so that the guiltattached to the thoughts can be repudiated or turned to blame instead, in a process linked to denial.[23]
  • Bullying: A bully may project his/her own feelings of vulnerability onto the target(s) of the bullying activity. Despite the fact that a bully’s typically denigrating activities are aimed at the bully’s targets, the true source of such negativity is ultimately almost always found in the bully’s own sense of personal insecurityand/or vulnerability.[24] Such aggressive projections of displaced negative emotions can occur anywhere from the micro-level of interpersonal relationships, all the way up through to the macro-level of international politics, or even international armed conflict.[19]
  • Projection of general guilt: Projection of a severe conscience[25] is another form of defence, one which may be linked to the making of false accusations, personal or political.[19]
  • Projection of hope: Also, in a more positive light, a patient may sometimes project his or her feelings of hope onto the therapist.[26]

Counter-projection

Jung wrote, “All projections provoke counter-projection when the object is unconscious of the quality projected upon it by the subject.”[27] Thus, what is unconscious in the recipient will be projected back onto the projector, precipitating a form of mutual acting out.[28]

In a rather different usage, Harry Stack Sullivan saw counter-projection in the therapeutic context as a way of warding off the compulsive re-enactment of apsychological trauma, by emphasising the difference between the current situation and the projected obsession with the perceived perpetrator of the original trauma.[29]

Clinical approaches

Drawing on Gordon Allport‘s idea of the expression of self onto activities and objects, projective techniques have been devised to aid personality assessment, including the Rorschach ink-blots and the Thematic Apperception Test (TAT).[30]

Projection may help a fragile ego reduce anxiety, but at the cost of a certain dissociation, as in dissociative identity disorder.[31] In extreme cases, an individual’s personality may end up becoming critically depleted.[32] In such cases, therapy may be required which would include the slow rebuilding of the personality through the “taking back” of such projections.[33]

Criticism

Some studies were critical of Freud’s theory. Research supports the existence of a false-consensus effect whereby humans have a broad tendency to believe that others are similar to themselves, and thus “project” their personal traits onto others. This applies to good traits as well as bad traits and is not a defense mechanism for denying the existence of the trait within the self.[34]

Instead, Newman, Duff, and Baumeister (1997) proposed a new model of defensive projection. In this view, people try to suppress thoughts of their undesirable traits, and these efforts make those trait categories highly accessible—so that they are then used all the more often when forming impressions of others. The projection is then only a by-product of the real defensive mechanism.[35]

See also

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Alan Bennet — The History Boys — Videos

Posted on April 20, 2016. Filed under: Art, Art, Blogroll, Books, College, Comedy, Communications, Education, Entertainment, Faith, Family, Fiction, Films, High School, history, Language, liberty, Life, Links, Literature, media, Movies, Music, Music, People, Photos, Plays, Poetry, Raves, Video, Wisdom, Writing | Tags: , , , , , , , , |

alan bennet reading momentsthe history Boysfilm the history boys

THE HISTORY BOYS FROM STAGE TO SCREEN

The History Boys – Trailer

2006 The History Boys

Theater Talk: Alan Bennett on “The History Boys”

Theater Talk: Actor Richard Griffiths of “The History Boys”; Bob Martin of “The Drowsy Chaperone”

Alan Bennett in conversation: part one

Alan Bennett in conversation: part two

Alan Bennett The Lady in The Van Interview

A Chip in the Sugar – Alan Bennett – Talking Heads

Alan Bennett – Sunset Across the Bay (TV Play 1975)

Alan Bennett – Telegram

Alan Bennett & John Fortune: “Men’s Talk”

Peter Cook, Dudley Moore, Alan Bennett and Jonathan Miller

Oxbridge Philosophy – Alan Bennett & Jonathan Miller

The Lady In The Van – Alan Bennett Featurette – Starring Maggie Smith – At Cinemas Now

The Lady In The Van Trailer #2 – Starring Maggie Smith – At Cinemas November 13

Maggie Smith

Dame Margaret Natalie Smith, CH DBE (born 28th December 1934) is an English actress. She made her stage debut in 1952 and has had an extensive, varied career in stage, film and television spanning over sixty years. Smith has appeared in over 50 films and is one of Britain’s most recognisable actresses. She was appointed Dame Commander of the Order of the British Empire (DBE) in the 1990 New Year Honours for services to the performing arts, and Member of the Order of the Companions of Honour (CH) in the 2014 Birthday Honours for services to drama.

Dame Maggie Smith’s brilliant career

Beyond the Fringe (Complete)

Beyond the Fringe was a British comedy stage revue written and performed by Peter Cook, Dudley Moore, Alan Bennett, and Jonathan Miller. It played in London’s West End and then on New York’s Broadway in the early 1960s, and is widely regarded as seminal to the rise of satire in 1960s Britain.

Take A Pew – Alan Bennett

Richard Griffiths (1947-2013)

The History Boys – Broadway

Almost complete recording of the original production during its run on Broadway. Not mine but thanks for sharing whoever it was🙂

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The Pronk Pops Show 656, April 12, 2016, Story 1: Open Borders Ryan Counts Himself Out — Going, Going, Gone — Trump and Cruz Supporters Want A Trump/Cruz Ticket (1150 Delegates For Trump and 850 Delegates For Cruz = 2000 Delegates! — United We Win, Divided The Establishment Ticket Wins — The Dream Ticket vs. The Corrupt Ticket — Keep Your Eyes On The Prize — The Long Winding Road — Or– The Party’s Over — Videos

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Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 656: April 12, 2016

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Pronk Pops Show 650: April 1, 2016

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Pronk Pops Show 623: February 12, 2016

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Pronk Pops Show 615: February 1, 2016

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Story 1: Open Borders Ryan Counts Himself Out — Going, Going, Gone — Trump and Cruz Supporters Want A Trump/Cruz Ticket (1150 Delegates For Trump and 850 Delegates For Cruz = 2000 Delegates! — United We Win, Divided The Establishment Ticket Wins — The Dream Ticket vs. The Corrupt Ticket — Keep Your Eyes On The Prize — The Long Winding Road — Or– The Party’s Over — Videos

trump and cruztrump ryan cruz16-cruz-trump

House Divided Speech

Springfield, Illinois
June 16, 1858

“A house divided against itself cannot stand.”

~Abraham Lincoln

 

The Green Papers

2016 Presidential Primaries, Caucuses, and Conventions

Copyright www.flags.net/UNST.htm Republican Convention
Presidential Nominating Process
Debate –  Fox – Cleveland, Ohio: Thursday 6 August 2015
Debate – CNN – Ronald Reagan Presidential Library, Simi Valley, California: Wednesday 16 September 2015
Debate – CNBC – Boulder, Colorado: Wednesday 28 October 2015
Debate – Fox Business News – Milwaukee, Wisconsin: Tuesday 10 November 2015
Debate – CNN – Las Vegas, Nevada: Tuesday 15 December 2015
Debate – Fox Business Channel, Charleston, South Carolina: Thursday 14 January 2016
Debate – Fox – Iowa: Thursday 28 January 2016
Debate – CBS – South Carolina: February 2016 (presumably)
Debate – NBC/Telemundo – Texas: Friday 26 February 2016
Debate – CNN – TBD: March 2016 (presumably)
Debate – Salt Lake City, Utah (announced 20 February 2016): Monday 21 March 2016
41st Republican National Convention: Monday 18 July – Thursday 21 July 2016
Republicans
Candidate Popular
Vote
Delegate Votes
Soft
Pledged
Soft
Unpledged
Soft
Total
Hard Total
Trump, Donald John, Sr. 8,256,309  37.01% 757  32.04% 1   0.92% 758  30.66% 757  30.62%
Cruz, Rafael Edward “Ted” 6,319,244  28.33% 533  22.56% 11  10.09% 544  22.01% 529  21.40%
Rubio, Marco A. 3,482,129  15.61% 173   7.32%   173   7.00% 173   7.00%
Kasich, John Richard 2,979,379  13.36% 144   6.09%   144   5.83% 144   5.83%
Carson, Benjamin Solomon “Ben”, Sr. 698,532   3.13% 9   0.38%   9   0.36% 9   0.36%
Bush, John Ellis “Jeb” 257,760   1.16% 4   0.17%   4   0.16% 4   0.16%
Uncommitted 68,374   0.31% 11   0.47% 17  15.60% 28   1.13% 64   2.59%
Paul, Randal H. “Rand” 59,009   0.26% 1   0.04%   1   0.04% 1   0.04%
Christie, Christopher James “Chris” 54,016   0.24%        
Huckabee, Michael Dale “Mike” 48,694   0.22% 1   0.04%   1   0.04% 1   0.04%
Fiorina, Carleton Sneed “Carly” 36,099   0.16% 1   0.04%   1   0.04% 1   0.04%
Santorum, Richard John “Rick” 16,301   0.07%        
No Preference 9,312   0.04%        
Graham, Lindsey Olin 5,689   0.03%        
Gray, Elizabeth 5,455   0.02%        
(others) 3,382   0.02%        
Gilmore, James Stuart “Jim”, III 2,903   0.01%        
Pataki, George E. 2,010   0.01%        
Others 1,586   0.01%        
Cook, Timothy “Tim” 517   0.00%        
Jindal, Piyush “Bobby” 221   0.00%        
Martin, Andy 202   0.00%        
Witz, Richard P.H. 109   0.00%        
Lynch, James P. “Jim”, Sr. 100   0.00%        
Messina, Peter 79   0.00%        
Cullison, Brooks Andrews 56   0.00%        
Lynch, Frank 47   0.00%        
Robinson, Joe 44   0.00%        
Comley, Stephen Bradley, Sr. 32   0.00%        
Prag, Chomi 16   0.00%        
Dyas, Jacob Daniel “Daniel”, Sr. 15   0.00%        
McCarthy, Stephen John 12   0.00%        
Iwachiw, Walter N. 9   0.00%        
Huey, Kevin Glenn 8   0.00%        
Drozd, Matt 6   0.00%        
Mann, Robert Lawrence 5   0.00%        
Hall, David Eames          
(available)   729  30.85% 80  73.39% 809  32.73% 789  31.92%
Total 22,307,661 100.00% 2,363 100.00% 109 100.00% 2,472 100.00% 2,472 100.00%

http://www.thegreenpapers.com/P16/R

 

The Beatles – Long and Winding Road (Plus Lyrics) (1970)

The Long And Winding Road

The long and winding road
That leads to your door
Will never disappear
I’ve seen that road before
It always leads me here
Lead me to you door
The wild and windy night
That the rain washed away
Has left a pool of tears
Crying for the day
Why leave me standing here
Let me know the way
Many times I’ve been alone
And many times I’ve cried
Any way you’ll never know
The many ways I’ve tried
But still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don’t leave me waiting here
Lead me to your door
But still they lead me back
To the long winding road
You left me standing here
A long long time ago
Don’t keep me waiting here
Lead me to your door
Yeah, yeah, yeah, yeah

Olivia Newton-John – The long and winding road

olivianewtonjohn

Liz Wheeler: A Trump/Cruz Unity Ticket?!!

Limbaugh on Trump-Cruz “Dream Ticket”

Full Speech: Donald Trump MASSIVE Rally in Bethpage, NY (4-6-16)Donald Trump Bethpage New York Rally

Sen. Cruz: I am proud to stand with Donald Trump

How Can Trump Turn Things Around Race To The White House Hannity

Donald Trump Vs The Establishment New Found Love For Ted Cruz – Convention Chaos – Hannity

Buchanan: Trump, Cruz will not allow nomination to be taken

Pat Buchanan: Ted Cruz is a Trojan Horse for the GOP establishment

Digital Exclusive: Establishment Shuffle

Paul Ryan on GOP presidential nomination: ‘Count me out’

Paul Ryan – Count Me Out

Why Rule 40b might backfire on GOP establishment

Peggy Lee – The Party’s Over

peggy_lee-02

Peggy Lee The Party’s Over Lyrics

The party’s over
It’s time to call it a day
They’ve burst your pretty balloon
And taken the moon away
It’s time to wind up the masquerade
Just make your mind up the piper must be paid
The party’s over
The candles flicker and dim
You danced and dreamed through the night
It seemed to be right just being with him
Now you must wake up, all dreams must end
Take off your makeup, the party’s over
It’s all over, my friend
The party’s over
It’s time to call it a day
Now you must wake up, all dreams must end
Take off your makeup, the party’s over
It’s all over, my friendIt’s all over, my friend

Pat Buchanan: Let’s face it, a Trump/Cruz ticket would set the country on fire

 

Via Breitbart, the key bit below starts at 6:30. When he says “set the country on fire,” does he mean people literally setting things on fire in rage over how much they hate a Trump/Cruz ticket? Because I can sort of see that. Trump’s numbers are flaming garbage, as you know, but check out Cruz’s numbers from the same poll:

favcdefc

What should we call that? Smoldering garbage? I’m a Cruz backer but I’m also under no illusion about how popular he is and isn’t among the general electorate. (Although the AP data here is from a poll of adults, not likely voters, please note.) Unlike Trump, he really would have a chance against Hillary this fall, but only because her own numbers are a smoking dumpster — and even then, he’ll have trouble flipping any of Obama’s blue states in 2012 to red. There is no ticket involving Trump or Cruz, let alone both of them, that sets the country on fire. There’s a ticket involving Cruz and someone not named Trump that might eke out a close victory if they catch some breaks. That’s your best-case scenario.

Buchanan’s logic here, if there’s any logic behind this, presumably is that a Trump/Cruz ticket would give the party its best chance at unity against Clinton this fall by reconciling embittered Trump fans and embittered Cruz fans. It would, for sure, eliminate the risk of a major third-party effort from one side or the other. But so what? What’s the prize for bringing the party together only to lose with 45 percent of the vote in a two-way race instead of with 37 percent in a three-way one? Trump/Cruz still leaves you saddled with all of Trump’s negatives at the top of the ticket, with all but the most hardcore Cruz-fan conservatives deeply disaffected with the direction of the party. It’s one thing for Trump to win the nomination by piling up votes in the primaries, it’s another thing for him to coopt the party’s leading conservative lights by bringing them onto his team to serve his agenda. Many Cruz fans would be enraged at him, I’m sure, for tossing his principles aside to join Trump, especially after Trump’s boorish nastiness towards Heidi Cruz. There’d still be a #NeverTrump movement, albeit a bit smaller than it is now as some strong Cruz supporters would eventually decide to suck it up and back Trump. How does all of this add up to setting the country on fire? Which swing voters, among whom Trump is toxic right now, are thinking, “No way will I support that buffoon — unless he puts Ted Cruz on the ticket, in which case ‘game on’”?

Buchanan does make one good point, though. If we go to a brokered convention, which seems likely, it’s hard to imagine a scenario in which Cruz agrees to accept the VP slot. Trump will lead on the first ballot; if he doesn’t clinch there, a bunch of votes will shift to Cruz on the second. If Cruz doesn’t lead on that one, he almost certainly will when more delegates become unbound on the third. Once he takes the lead, what incentive does he have to accept the number-two slot? You’d need to see some delegates shift back to Trump on the fourth ballot or fifth ballot, I think, and then have them end up in a protracted stalemate. In that case, Cruz might eventually cave and agree to be VP. (If only because, once there’s a stalemate, the odds of a dark-horse nominee will rise and Cruz will risk being left with nothing.) So long as Cruz maintains a lead among the delegates, though, he has no reason to bow to any other prospective nominee. If you want a Trump/Cruz ticket, it needs to happen with Trump winning on the first ballot.

Exit question: If you’re saddled with Trump as nominee, wouldn’t one of your top priorities for VP be finding someone who’s exceptionally personally likable, whom voters trust instinctively? They could look at the veep and tell themselves that if that person trusts Trump to run the country, maybe he’s worth taking a chance on. Ted Cruz has many good qualities. Being exceptionally likable isn’t one of them.

http://hotair.com/archives/2016/04/07/pat-buchanan-lets-face-it-a-trumpcruz-ticket-would-set-the-country-on-fire/

 

Rep. Paul Ryan’s Immigration-Reduction Report Card

Updated April 12, 2016

MEMBER PROFILE – PAUL RYAN

REP. PAUL RYANWISCONSIN (R)

CONTACT

  1. 1233 Longworth HOB
  2. Wisconsin
  3. PHONE: 202-225-3031

RYAN AT A GLANCE

Rep. Paul Ryan was elected to the House of Representatives in 1998. Since his arrival in the House, he has been regarded by many as a rising star in a new generation of conservatives. However, his voting record as well as behind-the-scenes backing of an establishment agenda, reveals that he is one of the more moderate members of the House Republican Conference.

Before he ran for office, Ryan worked for Republicans Sen. Bob Kasten and Rep. Jack Kemp. He joined Empower America, a think-tank formed by Rep. Kemp and William Bennett, and became legislative director for Kansas Senator Sam Brownback. He then went home to Wisconsin where he won a seat in the House of Representatives at the age of 28. (National Journal)

Ryan positioned himself as a leading conservative voice on fiscal and economic issues during his tenure as chairman of the House Budget Committee. His budget plan, the Path to Prosperity, “called for freezing most domestic spending for five years and repealing the economic stimulus law in the course of cutting spending more than $6 trillion over 10 years, shrinking federal spending as a percentage of the economy to its lowest level since 1949.” (National Journal) The plan proved controversial with Democrats and the media, who took particular issue with the budget’s plan to eventually replace Medicare with a subsidy that used free market forces to drive down the cost while raising the level of care. (National Journal)

In the wake of his budget passing the House and promoting a more conservative roadmap for the nation’s fiscal future, Ryan was chosen by Republican presidential candidate Mitt Romney as his running mate. Ryan was selected with the goal of brining a more conservative approach to balance out Romney’s moderate policies, and provide a more youthful demeanor to challenge President Obama, despite Ryan’s voting record. (Washington Post) While the ticket lost in the general election, Ryan was viewed as an asset to Romney’s efforts, providing substance on the campaign trail, reaching out to conservatives while staying loyal to Romney’s talking points.

After the election, Ryan returned to the House and pursued what was supposed to be a more pragmatic approach to policy, that moved Ryan closer to the center. He said that the presidential election reminded him that “[t]he Electoral College matters. That’s what I learned.” (National Journal) Ryan seemed to be increasingly concerned with creating a more geographically broad base for Republicans and his voting record tracked more to the middle. In December 2013, he helped broker a budget deal with liberal Senator Patty Murray that repealed one of the key conservative victories under President Obama’s reign — the sequester budget caps that helped keep spending in check. The Ryan-Murray budget increased fees, and claimed to reduce the deficit in the final years of the 10-year plan, making it unlikely that said reductions would ever be realized. (FreedomWorks) Simplified, Ryan-Murray was trading real spending cuts occurring at the time, for increased spending and spending cuts in future years, which are unlikely to materialize.

In the 114th Congress, Rep. Ryan became chairman of the powerful House Ways and Means Committee, where he plans to “fix the tax code, hold the I-R-S [sic] accountable, strengthen Medicare and Social Security, repair the safety net, promote job-creating trade agreements, and determine how best to repeal and replace Obama-care with patient-centered solutions.” (The Drive FM) He has announced that he would not run for president in 2016, choosing instead to devote his efforts in the House to leading the Ways and Means Committee. (FoxNews)

Reflecting his recent move toward the political center, Rep. Ryan has earned a poor Liberty Score.

There can be no doubt that some of Ryan’s prominent entitlement reform efforts—such as the introduction of the Medicare “premium support” proposal that garnered national attention during the 2012 election—have helped conservative solutions enter the forefront of political debate. He has similar success in landing a media spotlight on conservative welfare reform proposals, helping to jumpstart a conversation about the untenable state of spending in these areas. Nonetheless, these contributions to the mainstream dialogue do not excuse his often patently liberal votes. While championing fiscal sanity from his perch on Budget Committee, Ryan voted for an extension of unemployment benefits, for a bailout of the IMF, and several times to increase the debt limit with no discernible reductions.

In the pre-Tea Party days of Washington, Ryan quietly but firmly supported the No Child Left Behind Act, the failed big government approach to education policy, as well as the enormous Medicare prescription drug program. He opposes crony capitalism in theory, but this has not stopped him from endorsing bailouts for banks and the auto industry, as well as a failed stimulus package. He continually supports status quo transportation spending, and even led the charge in the House to make amnesty a reality.

Friendly Republicans will defend Ryan’s consistent moves to the middle as “pragmatic,” but the policy results are the same — gains for a big government agenda. (Mediaite) While Ryan may have an eye toward a more conservative governing vision, and would one day like to see that vision realized, it is a mistake to see him as an enemy of Speaker Boehner or the establishment — he simply provides no true contrast to their culture of surrender.

www.conservativereview.com/members/paul-ryan/#sthash.dq7BKFQa.dpuf

How GOP Could Still Steal Nomination From Trump Even If He Wins 1,237 Delegates

Zuckerberg criticizes ‘fearful voices calling for building walls’

 

Facebook’s Mark Zuckerberg criticized the “fearful voices calling for building walls” during his opening remarks at the company’s developer conference Tuesday in San Francisco.

The social media company’s founder and chief executive said the world has become a global community and warned against people and nations trying to isolate themselves — a possible allusion to GOP presidential front-runner Donald Trump, who has heavily pushed a plan to finish building a wall along the Mexican border to limit the influx of immigrants coming to the country illegally.

“We’ve gone from a world of isolated communities to one global community, and we are all better off for it,” Zuckerberg said. “But now, as I look around and I travel around the world, I’m starting to see people and nations turning inward — against this idea of a connected world and community.”
He added: “I hear fearful voices calling for building walls and distancing people they label as others, for blocking free expression, for slowing immigration, reducing trade and, in some cases around the world, even cutting access to the internet.”

Adopting the rhetoric of a politician, Zuckerberg said, “It takes courage to choose hope over fear” and said the company would continue to focus on connecting people.

He did not mention any politician or nation explicitly. But during the speech, he briefly highlighted a number of policy issues including immigration reform, the Syrian refugee crisis, climate change and Ebola.

Zuckerberg has been a vocal advocate for immigration reform, including expanding a visa program for high-skilled immigrants. The Facebook founder’s name has even been invoked on the GOP debate stage as candidates argued over the issue.

Zuckerberg made his remarks during the opening of the company’s annual developers conference. He described Facebook’s 10-year plan, which includes connecting millions of people around the world with basic internet service, as well as making improvements to virtual reality and artificial intelligence technology.

http://thehill.com/policy/technology/275998-zuckerberg-criticizes-fearful-voices-calling-for-building-walls

The Pronk Pops Show Podcasts Portfolio

Listen To Pronk Pops Podcast or Download Shows 651-655

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Listen To Pronk Pops Podcast or Download Shows 617-628

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Listen To Pronk Pops Podcast or Download Shows 400-407

Listen To Pronk Pops Podcast or Download Shows 391-399

Listen To Pronk Pops Podcast or Download Shows 383-390

Listen To Pronk Pops Podcast or Download Shows 376-382

Listen To Pronk Pops Podcast or Download Shows 369-375

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Listen To Pronk Pops Podcast or Download Shows 354-359

Listen To Pronk Pops Podcast or Download Shows 346-353

Listen To Pronk Pops Podcast or Download Shows 338-345

Listen To Pronk Pops Podcast or Download Shows 328-337

Listen To Pronk Pops Podcast or Download Shows 319-327

Listen To Pronk Pops Podcast or Download Shows 307-318

Listen To Pronk Pops Podcast or Download Shows 296-306

Listen To Pronk Pops Podcast or Download Shows 287-295

Listen To Pronk Pops Podcast or Download Shows 277-286

Listen To Pronk Pops Podcast or Download Shows 264-276

Listen To Pronk Pops Podcast or Download Shows 250-263

Listen To Pronk Pops Podcast or Download Shows 236-249

Listen To Pronk Pops Podcast or Download Shows 222-235

Listen To Pronk Pops Podcast or Download Shows 211-221

Listen To Pronk Pops Podcast or Download Shows 202-210

Listen To Pronk Pops Podcast or Download Shows 194-201

Listen To Pronk Pops Podcast or Download Shows 184-193

Listen To Pronk Pops Podcast or Download Shows 174-183

Listen To Pronk Pops Podcast or Download Shows 165-173

Listen To Pronk Pops Podcast or Download Shows 158-164

Listen To Pronk Pops Podcast or Download Shows151-157

Listen To Pronk Pops Podcast or Download Shows 143-150

Listen To Pronk Pops Podcast or Download Shows 135-142

Listen To Pronk Pops Podcast or Download Shows 131-134

Listen To Pronk Pops Podcast or Download Shows 124-130

Listen To Pronk Pops Podcast or Download Shows 121-123

Listen To Pronk Pops Podcast or Download Shows 118-120

Listen To Pronk Pops Podcast or Download Shows 113 -117

Listen To Pronk Pops Podcast or Download Show 112

Listen To Pronk Pops Podcast or Download Shows 108-111

Listen To Pronk Pops Podcast or Download Shows 106-108

Listen To Pronk Pops Podcast or Download Shows 104-105

Listen To Pronk Pops Podcast or Download Shows 101-103

Listen To Pronk Pops Podcast or Download Shows 98-100

Listen To Pronk Pops Podcast or Download Shows 94-97

Listen To Pronk Pops Podcast or Download Show 93

Listen To Pronk Pops Podcast or Download Show 92

Listen To Pronk Pops Podcast or Download Show 91

Listen To Pronk Pops Podcast or Download Shows 88-90

Listen To Pronk Pops Podcast or Download Shows 84-87

Listen To Pronk Pops Podcast or Download Shows 79-83

Listen To Pronk Pops Podcast or Download Shows 74-78

Listen To Pronk Pops Podcast or Download Shows 71-73

Listen To Pronk Pops Podcast or Download Shows 68-70

Listen To Pronk Pops Podcast or Download Shows 65-67

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Listen To Pronk Pops Podcast or Download Shows 58-61

Listen To Pronk Pops Podcast or Download Shows 55-57

Listen To Pronk Pops Podcast or Download Shows 52-54

Listen To Pronk Pops Podcast or Download Shows 49-51

Listen To Pronk Pops Podcast or Download Shows 45-48

Listen To Pronk Pops Podcast or Download Shows 41-44

Listen To Pronk Pops Podcast or Download Shows 38-40

Listen To Pronk Pops Podcast or Download Shows 34-37

Listen To Pronk Pops Podcast or Download Shows 30-33

Listen To Pronk Pops Podcast or Download Shows 27-29

Listen To Pronk Pops Podcast or Download Shows 17-26

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FBI Must Submit Criminal Referral Against Clinton Aides Receiving Classified Emails With No Clearance — Informing On Hillary Clinton — Sources, Methods and Operations Compromised — Busting The Liars Club — Videos

Posted on March 6, 2016. Filed under: American History, Articles, Blogroll, Books, Business, Central Intelligence Agency (CIA), College, Communications, Computers, Congress, Constitution, Corruption, Crime, Crisis, Data Storage, Defense Intelligence Agency (DIA), Documentary, Education, Elections, European History, External Hard Drives, Federal Bureau of Investigation (FBI), Federal Bureau of Investigation (FBI), Federal Government, government, history, Islam, Law, liberty, Life, Links, media, Money, National Security Agency (NSA), National Security Agency (NSA_, Newspapers, Non-Fiction, People, Philosophy, Photos, Police, Presidential Candidates, Radio, Radio, Rants, Raves, Regulations, Security, Strategy, Talk Radio, Technology, Television, Television, Television, Video, War, Wealth, Welfare, Wisdom, Work | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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The Pronk Pops Show Podcasts

Pronk Pops Show 623: February 12, 2016

Pronk Pops Show 622: February 11, 2016

Pronk Pops Show 621: February 10, 2016

Pronk Pops Show 620: February 9, 2016

Pronk Pops Show 619: February 8, 2016

Pronk Pops Show 618: February 5, 2016

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Trump Endorsed By James Bond and Pussy Galore At Trump Rally — I Must Be Dreaming — Trump Should Win New Hampshire With Twice The Number of Votes Than Whoever Comes in Second — Cruz, Bush, Kasich, Rubio — Make America Great Again Movement — Unbelievable — Videos

Posted on February 20, 2016. Filed under: American History, Articles, Babies, Blogroll, British History, Business, Communications, Computers, Corruption, Culture, Elections, Entertainment, Freedom, Friends, history, Law, liberty, Life, Links, media, Movies, Music, Narcissism, Police, Presidential Candidates, Press, Psychology, Radio, Radio, Raves, Security, Spying, Strategy, Talk Radio, Television, Television, Video, War, Wealth, Wisdom, Work | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 620: February 9, 2016

Pronk Pops Show 619: February 8, 2016

Pronk Pops Show 618: February 5, 2016

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Rubio Robotic Repetition Response Ruins Record — Broken Bubble Boy Bursts Bubble — Needs To Borrow Obama’s Teleprompter — Trump and Cruz Win New Hampshire — Bubble Boy – You Get What You Give! — Videos

Posted on February 20, 2016. Filed under: Articles, Blogroll, Business, College, Communications, Congress, Constitution, Corruption, Crime, Education, Entertainment, Philosophy, Photos, Political Correctness, Politics, Presidential Candidates, Press, Radio, Rants, Raves, Strategy, Talk Radio, Taxation, Taxes, Television, Transportation, Unemployment, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 619: February 8, 2016

Pronk Pops Show 618: February 5, 2016 

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Global Economy Goes Into Recession — Today’s 62.7% U.S. Labor Participation Rate Same As February 1978 — 158,000 Jobs Created in January 2016 — Unemployment Rates U-3: 4.9% and U-6: 9.9% — Videos

Posted on February 20, 2016. Filed under: American History, Banking, Blogroll, Business, College, Crisis, Demographics, Economics, Education, Elections, Employment, Entertainment, Family, Federal Government, Federal Government Budget, Fiscal Policy, history, Inflation, Investments, Law, liberty, Life, Macroeconomics, media, Microeconomics, Monetary Policy, Money, People, Philosophy, Politics, Press, Radio, Radio, Rants, Raves, Regulations, Talk Radio, Tax Policy, Taxation, Taxes, Television, Television, Unemployment, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 618: February 5, 2016

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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Cry Babies Carson and Trump Attack Cruz For CNN Mistake — Clue: You Lost Because Your Campaign’s Organization Was Disorganized Or Non-existent — Take Some More Deep Breaths — Videos

Posted on February 20, 2016. Filed under: American History, Babies, Blogroll, Books, Business, government spending, history, liberty, Life, Links, media, Money, Newspapers, Non-Fiction, People, Philosophy, Presidential Candidates, Press, Radio, Radio, Rants, Raves, Television, Television, Video, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 617: February 4, 2016

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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The Results Are In: Cruz and Clinton Win Most Delegates In A Very Close Race — Videos

Posted on February 13, 2016. Filed under: American History, Art, Articles, Blogroll, Business, Communications, Corruption, Culture, Economics, Elections, Employment, Entertainment, Federal Government Budget, Fiscal Policy, Foreign Policy, Freedom, Friends, history, Illegal, Immigration, IRS, Law, Legal, liberty, Life, Links, media, Music, Music, Newspapers, People, Philosophy, Photos, Politics, Presidential Candidates, Radio, Radio, Rants, Raves, Regulations, Religion, Religious, Speech, Strategy, Talk Radio, Tax Policy, Taxation, Taxes, Television, Terrorism, Unemployment, Video, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Project_1

The Pronk Pops Show Podcasts

Pronk Pops Show 616: February 3, 2016

Pronk Pops Show 615: February 1, 2016

Pronk Pops Show 614: January 29, 2016

Pronk Pops Show 613: January 28, 2016

Pronk Pops Show 612: January 27, 2016

Pronk Pops Show 611: January 26, 2016

Pronk Pops Show 610: January 25, 2016

Pronk Pops Show 609: January 22, 2016

Pronk Pops Show 608: January 21, 2016

Pronk Pops Show 607: January 20, 2016

Pronk Pops Show 606: January 19, 2016

Pronk Pops Show 605: January 15, 2015

Pronk Pops Show 604: January 14, 2016

Pronk Pops Show 603: January 13, 2016

Pronk Pops Show 602: January 12, 2016

Pronk Pops Show 601: January 11, 2015

Pronk Pops Show 600: January 8, 2016

Pronk Pops Show 599: January 6, 2016

Pronk Pops Show 598: January 5, 2016

Pronk Pops Show 597: December 21, 2015

Pronk Pops Show 596: December 18, 2015

Pronk Pops Show 595: December 17, 2015

Pronk Pops Show 594: December 16, 2015

Pronk Pops Show 593: December 15, 2015

Pronk Pops Show 592: December 14, 2015 

Pronk Pops Show 591: December 11, 2015 

Pronk Pops Show 590: December 10, 2015 

Pronk Pops Show 589: December 9, 2015 

Pronk Pops Show 588: December 7, 2015 

Pronk Pops Show 587: December 4, 2015 

Pronk Pops Show 586: December 3, 2015 

Pronk Pops Show 585: December 2, 2015 

Pronk Pops Show 584: December 1, 2015 

Pronk Pops Show 583: November 30, 2015 

Pronk Pops Show 582: November 25, 2015 

Pronk Pops Show 581: November 24, 2015 

Pronk Pops Show 580: November 23, 2015  

Pronk Pops Show 579: November 20, 2015 

Pronk Pops Show 578: November 19, 2015 

Pronk Pops Show 577: November 18, 2015 

Pronk Pops Show 576: November 17, 2015

Pronk Pops Show 575: November 16, 2015  (more…)

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4K Ultra HD TV — Videos

Posted on January 28, 2016. Filed under: American History, Blogroll, Business, Communications, Computers, Entertainment, Environment, history, Investments, liberty, Life, media, Movies, Music, People, Philosophy, Photos, Programming, Technology, Television, Television, Television, Video, Wisdom | Tags: , , , , , , , , , , , , |

new-car-2_678x452hdr-tv-ces-1500x10001-1024x683HDR-Cover-120_Century_Fox_SDR_vs_HDR1 HDR-explainedEG960V_Toucan_4KOLED-1-1024x913 firecackers SamsungSUHDTVOfficial samsung-un65hu8550-65-inch-4k-ultra-hd-tv-62 Samsung-UN65JU6500samsung-un65hu9000-65-inch-curved-4k-ultra-hd-tv-a2

CES 2016: Sony’s New 4K HDR TV – X930D (FIRST LOOK)

The Best HDR 4K UHD TVs of CES 2016

CES 2016: THX HDR & 4K UHD Blu-ray Technical Interview

Sony’s NEW 4K HDR TV | CES 2016 | GetConnected

8 Best 60 Inch Televisions 2016

Top 10 Best of CES 2016!

Best 4K Televisions of 2015

BEST 4K TVs 2015

2015 Top 5 4K TV

Top 10 Best TVs 2015

PROS AND CONS OF 4K TV’S

4K UHD TV vs. 1080p HDTV – Side by Side Comparison

4K UHD TVs – Are They Worth It?

Samsung vs LG 4K TVs – From CES 2015

Samsung UE65JU7000 4K UHD TV Review

Samsung 65 Inch Curved UHD 4K LED Smart TV Unboxing & Review!

CES 2015 | Samsung 4K TVs Booth Tour | SUHD Ultra HD TV Lineup | Best New UHD Technology

World’s Best TV? LG 65″ Curved OLED 4K Ultra HDTV: Unboxing & Review

65″ Sony 4K Ultra HD TV Unboxing & Overview (XBR65X900A)

Published on May 22, 2013

PRICING & AVAILABILITY
Sony 65-inch 4K Ultra HD (US) – http://bit.ly/10QeWSg
Sony 65-inch 4K Ultra HD (CA) – http://bit.ly/12N9PlU

Samsung UE55F9000 55 Inch 4K Ultra HD LED LCD TV Review

What Can You See On an Ultra HD 4K TV?

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Capitalism vs. Socialism — Videos

Posted on January 9, 2016. Filed under: Agriculture, American History, Articles, Babies, Blogroll, Business, College, Communications, Congress, Constitution, Crime, Crisis, Culture, Documentary, Economics, Education, Employment, Entertainment, Faith, Family, Federal Government, Fraud, government spending, Heroes, history, History of Economic Thought, Homicide, Illegal, Immigration, Inflation, Law, Legal, liberty, Life, Links, Literacy, Macroeconomics, media, Microeconomics, Money, Movies, Non-Fiction, People, Philosophy, Photos, Political Correctness, Politics, Radio, Rants, Raves, Security, Strategy, Talk Radio, Taxation, Taxes, Technology, Television, Terrorism, Transportation, Video, War, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , , , , , , |

mith marxsocialism capitalism 2capitalism_socialism_communismcapitalism-vs-socialism-vs-communismcommunism-vs-capitalism capitalism-socialism-and-communism-spelled-out-in-their-pros-political-poster   nolan-chart-basicphilosophies