Clive Thompson — Coders: The Making of A New Tribe and The Remaking of The World — Smarter Than You Think: How Technology Is Changing Our Minds for The Better — Videos
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Clive Thompson
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Coders: The Making of a New Art and the Remaking of the World
In this revealing exploration of programming, programmers, and their far-reaching influence, Wired columnist Thompson (Smarter Than You Think) opens up an insular world and explores its design philosophy’s consequences, some of them unintended. Through interviews and anecdotes, Thompson expertly plumbs the temperament and motivations of programmers. Thompson explains how an avowedly meritocratic profession nevertheless tends to sideline those who are not white male graduates of prestigious university computer science programs, tracing this male-dominated culture back to 1960s and early ’70s MIT, where the “hacker ethic” was first born. Remarkably, though, he makes clear that programming is an unusual field in that successful practitioners are often self-taught, many having started out with only simple tools, such as a Commodore computer running the BASIC programming language. This book contains possibly the best argument yet for how social media maneuvers users into more extreme political positions, since “any ranking system based partly on tallying up the reactions to posts will wind up favoring intense material.” Impressive in its clarity and thoroughness, Thompson’s survey shines a much-needed light on a group of people who have exerted a powerful effect on almost every aspect of the modern world. (Apr.)
Release date: 03/26/2019
Genre: Nonfiction
KIRKUS REVIEW
Of computer technology and its discontents.
Computers can do all kinds of cool things. The reason they can, writes tech journalist Thompson (Smarter than You Think: How Technology is Changing Our Minds for the Better, 2013), is that a coder has gotten to the problem. “Programmers spend their days trying to get computers to do new things,” he writes, “so they’re often very good at understanding the crazy what-ifs that computers make possible.” Some of those things, of course, have proven noxious: Facebook allows you to keep in touch with high school friends but at the expense of spying on your every online movement. Yet they’re kind of comprehensible, since they’re based on language: Coding problems are problems of words and thoughts and not numbers alone. Thompson looks at some of the stalwarts and heroes of the coding world, many of them not well-known—Ruchi Sanghvi, for example, who worked at Facebook and Dropbox before starting a sort of think tank “aimed at convincing members to pick a truly new, weird area to examine.” If you want weird these days, you get into artificial intelligence, of which the author has a qualified view. Humans may be displaced by machines, but the vaunted singularity probably won’t happen anytime soon. Probably. Thompson is an enthusiast and a learned scholar alike: He reckons that BASIC is one of the great inventions of history, being one of the ways “for teenagers to grasp, in such visceral and palpable ways, the fabric of infinity.” Though big tech is in the ascendant, he writes, there’s a growing number of young programmers who are attuned to the ethical issues surrounding what they do, demanding, for instance, that Microsoft not provide software to the Immigration and Customs Enforcement agency. Those coders, writes Thompson, are “the one group of people VCs and CEOs cannot afford to entirely ignore,” making them the heroes of the piece in more ways than one.
Fans of Markoff, Levy, Lanier et al. will want to have a look at this intriguing portrait of coding and coders.
About this book
https://www.kirkusreviews.com/book-reviews/clive-thompson/coders/
Book Summary
To understand the world today, we need to understand code and its consequences. With Coders, Thompson gives a definitive look into the heart of the machine.
Hello, world.
Facebook’s algorithms shaping the news. Self-driving cars roaming the streets. Revolution on Twitter and romance on Tinder. We live in a world constructed of code – and coders are the ones who built it for us. From acclaimed tech writer Clive Thompson comes a brilliant anthropological reckoning with the most powerful tribe in the world today, computer programmers, in a book that interrogates who they are, how they think, what qualifies as greatness in their world, and what should give us pause. They are the most quietly influential people on the planet, and Coders shines a light on their culture.
In pop culture and media, the people who create the code that rules our world are regularly portrayed in hackneyed, simplified terms, as ciphers in hoodies. Thompson goes far deeper, dramatizing the psychology of the invisible architects of the culture, exploring their passions and their values, as well as their messy history. In nuanced portraits, Coders takes us close to some of the great programmers of our time, including the creators of Facebook’s News Feed, Instagram, Google’s cutting-edge AI, and more. Speaking to everyone from revered “10X” elites to neophytes, back-end engineers and front-end designers, Thompson explores the distinctive psychology of this vocation – which combines a love of logic, an obsession with efficiency, the joy of puzzle-solving, and a superhuman tolerance for mind-bending frustration.
Along the way, Coders thoughtfully ponders the morality and politics of code, including its implications for civic life and the economy. Programmers shape our everyday behavior: When they make something easy to do, we do more of it. When they make it hard or impossible, we do less of it. Thompson wrestles with the major controversies of our era, from the “disruption” fetish of Silicon Valley to the struggle for inclusion by marginalized groups.
In his accessible, erudite style, Thompson unpacks the surprising history of the field, beginning with the first coders – brilliant and pioneering women, who, despite crafting some of the earliest personal computers and programming languages, were later written out of history. Coders introduces modern crypto-hackers fighting for your privacy, AI engineers building eerie new forms of machine cognition, teenage girls losing sleep at 24/7 hackathons, and unemployed Kentucky coal-miners learning a new career.
At the same time, the book deftly illustrates how programming has become a marvelous new art form – a source of delight and creativity, not merely danger. To get as close to his subject as possible, Thompson picks up the thread of his own long-abandoned coding skills as he reckons, in his signature, highly personal style, with what superb programming looks like.
https://www.bookbrowse.com/bb_briefs/detail/index.cfm/ezine_preview_number/13867/coders
About Coders
Hello, world.
Facebook’s algorithms shaping the news. Self-driving cars roaming the streets. Revolution on Twitter and romance on Tinder. We live in a world constructed of code–and coders are the ones who built it for us. From acclaimed tech writer Clive Thompson comes a brilliant anthropological reckoning with the most powerful tribe in the world today, computer programmers, in a book that interrogates who they are, how they think, what qualifies as greatness in their world, and what should give us pause. They are the most quietly influential people on the planet, and Coders shines a light on their culture.
In pop culture and media, the people who create the code that rules our world are regularly portrayed in hackneyed, simplified terms, as ciphers in hoodies. Thompson goes far deeper, dramatizing the psychology of the invisible architects of the culture, exploring their passions and their values, as well as their messy history. In nuanced portraits, Coders takes us close to some of the great programmers of our time, including the creators of Facebook’s News Feed, Instagram, Google’s cutting-edge AI, and more. Speaking to everyone from revered “10X” elites to neophytes, back-end engineers and front-end designers, Thompson explores the distinctive psychology of this vocation–which combines a love of logic, an obsession with efficiency, the joy of puzzle-solving, and a superhuman tolerance for mind-bending frustration.
Along the way, Coders thoughtfully ponders the morality and politics of code, including its implications for civic life and the economy. Programmers shape our everyday behavior: When they make something easy to do, we do more of it. When they make it hard or impossible, we do less of it. Thompson wrestles with the major controversies of our era, from the “disruption” fetish of Silicon Valley to the struggle for inclusion by marginalized groups.
In his accessible, erudite style, Thompson unpacks the surprising history of the field, beginning with the first coders — brilliant and pioneering women, who, despite crafting some of the earliest personal computers and programming languages, were later written out of history. Coders introduces modern crypto-hackers fighting for your privacy, AI engineers building eerie new forms of machine cognition, teenage girls losing sleep at 24/7 hackathons, and unemployed Kentucky coal-miners learning a new career.
At the same time, the book deftly illustrates how programming has become a marvelous new art form–a source of delight and creativity, not merely danger. To get as close to his subject as possible, Thompson picks up the thread of his own long-abandoned coding skills as he reckons, in his signature, highly personal style, with what superb programming looks like.
To understand the world today, we need to understand code and its consequences. With Coders, Thompson gives a definitive look into the heart of the machine.
Praise
“Fascinating. Thompson is an excellent writer and his subjects are themselves gripping. . . . [W]hat Thompson does differently is to get really close to the people he writes about: it’s the narrative equivalent of Technicolor, 3D and the microscope. . . . People who interact with coders routinely, as colleagues, friends or family, could benefit tremendously from these insights.” —Nature
“With an anthropologist’s eye, [Thompson] outlines [coders’] different personality traits, their history and cultural touchstones. He explores how they live, what motivates them and what they fight about. By breaking down what the actual world of coding looks like . . . he removes the mystery and brings it into the legible world for the rest of us to debate. Human beings and their foibles are the reason the internet is how it is—for better and often, as this book shows, for worse.” —TheNew York Times Book Review
“An outstanding author and long-form journalist. . . . I particularly enjoyed [Thompson’s] section on automation.” —Tim Ferriss
“[An] enjoyable primer on the world of computer programmers. . . . Coders are building the infrastructure on which twenty-first century society rests, and their work has every chance of surviving as long, and being as important, as the Brooklyn Bridge—or, for that matter, the Constitution.” —Bookforum
“Thompson delivers again with this well-written narrative on coders, individual histories, and the culture of coder life, at home and work. . . . In addition to analyzing the work-life of coders, he brilliantly reveals several examples of how they live in their respective relationships. Throughout, Thompson also does a great job exploring the various drivers that permeate the industry: merit, openness of code, long coding stints without sleep, and how the culture tends toward start-up culture even when companies are established. This engaging work will appeal to readers who wish to learn more about the intersection of technology and culture, and the space in which they blur together.” —Library Journal, starred review
“Thompson offers a broad cultural view of the world of coders and programmers from the field’s origins in the mid-twentieth century to the present. In this highly readable and entertaining narrative, he notes the sense of scale and logical efficiency in coding and the enthusiasm with which programmers go about creating new features and finding bugs. . . . [A] comprehensive look at the people behind the digital systems now essential to everyday life.”—Booklist
“Looks at some of the stalwarts and heroes of the coding world, many of them not well-known. . . . Thompson is an enthusiast and a learned scholar alike. . . . Fans of Markoff, Levy, Lanier, et al. will want to have a look at this intriguing portrait of coding and coders.” —Kirkus
“In this revealing exploration of programming, programmers, and their far-reaching influence, Wired columnist Thompson opens up an insular world and explores its design philosophy’s consequences, some of them unintended. Through interviews and anecdotes, Thompson expertly plumbs the temperament and motivations of programmers. . . . [Coders] contains possibly the best argument yet for how social media maneuvers users into more extreme political positions. . . . Impressive in its clarity and thoroughness, Thompson’s survey shines a much-needed light on a group of people who have exerted a powerful effect on almost every aspect of the modern world.” —Publishers Weekly, starred review
“As a person who has spent a lot of time writing code, I can confirm that you need to be a little bit of a weirdo to love it. Clive Thompson’s book is an essential field guide to the eccentric breed of architects who are building the algorithms that shape our future, and the AIs who will eventually rise up and enslave us. Good luck, humans!” —Jonathan Coulton, musician
“Clive Thompson is more than a gifted reporter and writer. He is a brilliant social anthropologist. And, in this masterful book, he illuminates both the fascinating coders and the bewildering technological forces that are transforming the world in which we live.” —David Grann, author of The Lost City of Z and Killers of the Flower Moon
“With his trademark clarity and insight, Clive Thompson gives us an unparalleled vista into the mind-set and culture of programmers, the often-invisible architects and legislators of the digital age.” —Steven Johnson, author of How We Got to Now
“If you have to work with programmers, it’s essential to understand that programming has a culture. This book will help you understand what programmers do, how they do it, and why. It decodes the culture of code.” —Kevin Kelly, senior maverick for Wired
“Clive Thompson is the ideal guide to who coders are, what they do, and how they wound up taking over the world. For a book this important, inspiring, and scary, it’s sinfully fun to read.” —Steven Levy, author of In the Plex
“It’s a delight to follow Clive Thompson’s roving, rollicking mind anywhere. When that ‘anywhere’ is the realm of the programmers, the pleasure takes on extra ballast. Coders is an engrossing, deeply clued-in ethnography, and it’s also a book about power, a new kind: where it comes from, how it feels to wield it, who gets to try—and how all that is changing.” —Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore
“Clive Thompson has deftly picked apart the myth of a tech meritocracy. Guiding readers through the undercovered history of programming’s female roots, Coders points with assurance to the inequities that have come to define coding today, as both a profession and the basis of the technology that shapes our lives. Readable, revealing, and in many ways infuriating.” —Rebecca Traister, author of Good and Mad
“Code shapes coders, and coders shape the code that changes how we think, every day of our lives. If you want to create a more humanistic digital world, read this book to get started.” —Sherry Turkle, professor at MIT; author of Reclaiming Conversation and Alone Together
“Thompson has accomplished the nearly impossible task of portraying the coding world exactly as it is: messy, inspiring, naive, and—at times—shameful. Coders is a beautifully written and refreshingly fair portrayal of a young industry that’s accomplished so much and still has a lot to learn.” —Saron Yitbarek, CEO and founder of CodeNewbie
Coding Has Become Pop Culture
But programming has not. And let me dive right into it.
Fifteen years ago when people suggested I should become a programmer because of my introverted and shy personality, analytical mind and complete lack of social life, I laughed and shamelessly flipped them off. But I was a teenager, and in my teenage mind a programmer lived forever with their parents, in the basement, with pimples and large ugly glasses, has never had a girlfriend but plenty of wet dreams about princess Leia. Repeatedly. And that image did not sit well with me. Plus, I actually had a girlfriend, and a hot one at that.
Forward six years, and I was in Budapest airport casually reading a book about HTML…
Add another 6 years and I landed my first full-stack web developer job at a Northern Irish startup. Yes, I took my time, I guess. But how much time? I don’t quite know to be honest. But it was a lot. Was it the mythical 10.000 hours? No. If I would have to make a rough estimation, I would say, to date I have “coded” about 8000 hours. Technically, according to the 10.000 hour rule, in 2000 hours worth of “coding”, I shall be an expert in my field.
Or will I?
Here’s what I have done in those 8000 hours. Grab a seat, as this is going to be long and hard to follow. I have written code in the following languages: C, HTML, CSS, JavaScript, Java (Android), Swift, PHP, Ruby, Python, Chuck, SQL to work with the following frameworks: Node, Angular, Bootstrap, Foundation, React, Rails, CodeIgniter, Ionic while building landing pages, websites, WordPress sites, eCommerce solutions, eLearning content, Moodle sites, Totara sites, Mahara sites, Common Cartridge packages, SCORM packages, Android apps, iOS apps, hybrid apps, in-house web applications, eBooks, magazines, games, and board-game companion apps. So what am I getting at?
Well, what I am trying to say is that there is no field, therefore becoming an expert in it, becomes unattainable. Coding is not a field. Computer Science is, but that’s an entirely different slice of cheese.
Coding is what presidents, educators, parents and employers and companies herd the young generations into, like cattle onto the holy grail of golden fields of opportunity.
The promise is a dream, the propaganda is well-crafted and simple-worded, heck it’s not even worded any more, it’s dumbed down to simple images for them lovely wee “rugrats” who definitely must learn logical thinking before learning how to feed themselves — please note the sarcasm.
Just 15 years later, coding has become the “pop-culturized” version of programming and what everybody now hopes will be the future army of coders upon which we shall build our AI controlled home, traffic, retail, entertainment, medical, industrial, sexual, illusional and delusional revolution, will turn out to be an absolute shit-show — and there truly is no better word for that. And all this, because programming is being sold as “coding” and “coding” is supposedly easy. Couldn’t be further away from the truth…
So here’s the fine-print. The “factualised” myth that anyone can learn a programming language in mere hours is only true up to a point and that point happens to be very early on in the learning process. Indeed, a and any programming language can be learnt in a single day. In fact if one’s goal is to become a programming polyglot in a month (while having a job), 8–10 languages can be learnt by studying during the weekends. But here’s the catch. Every programming language has its libraries and, its syntactic sugar and personality, and none of that can really be learnt quickly or easily or in a weekend. In fact, in the real world, every programming language becomes the least of your problems.
Just because you speak English, it doesn’t mean you’re good at writing novels, or even short stories. Same goes for coding.
Just because you’ve learnt the language, does not mean you know how to program. Add to that the myriad of frameworks, plugins, libraries, pre-processors, post-processors, coding standards, industry standards, TDD, BDD, content management systems, file versioning, CI, deployment and release management, debugging, ticketing, waterfall, agile, scrum and their combination thereof… and I am not even sure I’ve touched on everything. The point is, being a “coder” involves more or less all of the above. And programming itself is just a tiny tiny part of it. A crucial part, but nevertheless, tiny.
Yet programming is still continuously being dumbed-down …
Apple launched Playgrounds, MIT launched Scratch, Lego is launching Boost, all in an attempt to sell “coding” to younger and younger age-groups as if that will fill the quota of millions of new programmers by 202x.
The message is pretty much “don’t worry about the code, take these virtual puzzle pieces and off you go, you can program”. If only that were true. Here’s the thing about programming. It’s text-based. Has been, and will be for many more years to come. Kids who play with Lego Boost, Playgrounds or Scratch won’t be better programmers by the age of 22 than those who started learning programming at 16 and did it in an actual programming language. In fact, why should they be? I would not expect my child to be a bread-earning individual until the age of 22. Learn “coding” for 6 years, and I guarantee she/he will land a job in no-time.
GUI has also nothing to do with the real programming world, and logical thinking can be transferred to a kid in many other ways. When was the last time you saw a kid do a 1000 piece puzzle on the dining-room table? Exactly…
Kids are by default very logical human beings, in fact that’s how they learn how the world works.
They learn the value of the if-else-statement the first day they’re born. “If I cry, mum will make it stop, else I keep crying until dad shows up (who will probably make everything 10 times worse, but heck, I’m gonna t(c)ry anyway…).” Kids are very logical, hence their often brutal sincerity. You call it innocence, they call it a black-and-white world. There are no multiple switch statements yet. There are no shades of grey. That comes later. Both literally and literarily (in 3 volumes no less…). 😉 Bottom line, they are more than equipped with logical thinking, but put them in front of the TV, or hand them a tablet for 6 hours a day, and all that is going to become a pile of corrupted values as often there is very little thinking involved.
“Coding” is not a musical art, a piano or a violin that a child might need to develop muscle-memory for. It’s engineering.
What programming requires is analytical thinking, problem-solving attitude, stamina for failed attempts at coming up with the right solution, passion for technology, pride in your own code, but maturely accepting someone else’s improvements and observations, and a sense of responsibility for any code you write or contribute to.
Correct me if I am wrong, but none of these traits are easy to cultivate and develop. Certainly not at the age of 5! Yet, nobody seems to sell “coding” as it really is — a fun but difficult journey of discovery, success and failure and all that “da capo”, all year, every year.
Just because “coding” sounds cool, it does not mean it’s not the same ole’ hard-core programming. If anything, it’s even more so today than 15 years ago. Except we now all wear skinny jeans, walk around with even skinnier laptops, moved out of the basement and with all the “fill the gender-gap” hype, we might even end up with decent looking girlfriends.
P.S. Some things don’t change. The ugly glasses stayed. But they’re trendy now, so it’s all good. 😉
https://hackernoon.com/coding-has-become-a-pop-culture-939100f84b0c
The ugly underbelly of coder culture
Today’s developers are overwhelmingly young and male, and they’re barring the door from a more diverse workforce
IDG News Service | Apr 12, 2012
By now, it should surprise no one to hear that software development is a bit of a boys’ club. We’ve all read editorials bemoaning the lack of women in tech.
The easy explanation is that programming appeals more to a male mind-set. But while it’s easy, it’s also cheap. Things aren’t nearly so simple.
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Some say the problem is our education system. Schools and colleges should be doing more to encourage girls and young women to explore computing. Right now that’s not happening. Overall enrollment in university computer science programs is up 10 percent from last year, but enrollment among women is down.
Others say companies should provide the encouragement. Some companies already are; Etsy, for example, is offering $50,000 in grants to send women to its Hacker School training program in New York City this summer.
That’s admirable, but it falls short of addressing the real problem, which is that software development isn’t just failing to attract women. It’s actively pushing them away. Worse, they’re not the only ones.
No girls allowed
There are women who have a genuine passion for programming to rival any man. But even if they manage to get hired over their male counterparts, they often find themselves in hostile, male-dominated work environments.
“As the woman, I’ve been the only person in the group asked to put together a potluck,” writes Katie Cunningham, a Python developer at Cox Media Group. “I’ve been the only one asked to take notes in a meeting, even if I’m the one who’s presenting. I once had a boss who wanted to turn me into a personal assistant so badly, it ended up in a meeting with HR.”
Just as harmful, she says, were the casual jokes and comments from her male coworkers. If she didn’t shrug them off with a smile, she was told she had a bad attitude. Cunningham says the subtle sexism she encountered as a programmer was so discouraging that she once considered leaving the field for good. “I almost prefer outright sexism, because at least that you can point out,” she writes.
These problems certainly aren’t limited to programming. Women in all sorts of fields face similar discrimination. But the software development field’s hostility toward women may be symptomatic of a broader malady.
No dads, either
Consider the perennial issue of age discrimination in tech. Programming jobs may favor men, but not all men.
As a rule, older workers in most professions have it a lot easier than women do. According to federal statistics, mature workers tend to earn higher salaries and they’re the least likely to be unemployed.
That’s the rule. I’m sure I don’t need to tell you which field is the exception.
According to Professors Clair Brown and Greg Linden of the University of California at Berkeley, programming salaries follow the opposite pattern from those in most other careers. Pay rises for coders spike when they’re in their 30s, plateau when they’re in their 40s, and actually decline from there. Those numbers put the lie to the popular theory that older programmers don’t get hired because companies can’t afford their inflated salaries.
The other theory — that mature programmers fail to keep their skills up to date — doesn’t hold water, either. According to this month’s Tiobe Index, the most popular programming languages are Java, C, and C++. All three are mature languages with large, complex standard libraries. They take a long time to master.
Programmers with deep knowledge and extensive experience are simply more valuable than newbies, especially if you can pick them up on the cheap. So why don’t they get hired?
Is this an industry or a fraternity?
Evidence suggests that the problem is cultural, and it’s not just women and older workers who are being excluded. Take the case of Ryan Funduk, who has given up going to programming conferences and events. He fits the demographic of a successful developer in most respects, save one: He doesn’t drink.
“Practically every single event, and a huge percentage of the online discussion about these events, revolves around binge drinking,” Funduk writes. “The simple truth is all you can do is just opt out of going to these parties … or put another way, you can opt to exclude yourself.”
Put all the pieces together, and you’re left with an impression of developers that’s markedly different from the geeks and nerds they’re made out to be in popular culture. On the contrary, developers harbor the same attitudes and engage in the same behaviors you see whenever a subculture is overwhelmingly dominated by young males. They’ve even coined a clever name for programmers who think and behave like fraternity pledges: “brogrammers.”
But saying “boys will be boys” simply isn’t good enough. Developers pride themselves on their skill and intelligence. They like to think of their culture as a meritocracy, where the very best developers naturally rise to the top. But as long as the industry tends to exclude more than half of the potential workforce, that’s nothing but pure arrogance.
Today’s software business seems to value youthful testosterone more than the stuff that actually matters, such as talent, skill, intelligence, knowledge, and experience. Until that changes, we’re doing ourselves, our customers, and our industry a disservice.
This article, “The ugly underbelly of coder culture,” originally appeared at InfoWorld.com. Follow the latest news in programming at InfoWorld.com. For the latest business technology news, follow InfoWorld.com on Twitter.
https://www.infoworld.com/article/2617081/the-ugly-underbelly-of-coder-culture.html?page=2
TIOBE Index for August 2019
August Headline: Silly season in the programming language world
Nothing much has changed during July in the TIOBE index. In the top 10 only Objective-C and SQL have swapped positions. We need a magnifying glass to see some other noteworthy changes: Rust went from #33 to #28, TypeScript from #41 to #35 and Julia from #50 to #39. It is also interesting to note that Kotlin doesn’t seem to come closer to the top 20. This month it even lost 2 positions: from #43 to #45.
The TIOBE Programming Community index is an indicator of the popularity of programming languages. The index is updated once a month. The ratings are based on the number of skilled engineers world-wide, courses and third party vendors. Popular search engines such as Google, Bing, Yahoo!, Wikipedia, Amazon, YouTube and Baidu are used to calculate the ratings. It is important to note that the TIOBE index is not about the best programming language or the language in which most lines of code have been written.
The index can be used to check whether your programming skills are still up to date or to make a strategic decision about what programming language should be adopted when starting to build a new software system. The definition of the TIOBE index can be found here.
Aug 2019 | Aug 2018 | Change | Programming Language | Ratings | Change |
---|---|---|---|---|---|
1 | 1 | Java | 16.028% | -0.85% | |
2 | 2 | C | 15.154% | +0.19% | |
3 | 4 | Python | 10.020% | +3.03% | |
4 | 3 | C++ | 6.057% | -1.41% | |
5 | 6 | C# | 3.842% | +0.30% | |
6 | 5 | Visual Basic .NET | 3.695% | -1.07% | |
7 | 8 | JavaScript | 2.258% | -0.15% | |
8 | 7 | PHP | 2.075% | -0.85% | |
9 | 14 | Objective-C | 1.690% | +0.33% | |
10 | 9 | SQL | 1.625% | -0.69% | |
11 | 15 | Ruby | 1.316% | +0.13% | |
12 | 13 | MATLAB | 1.274% | -0.09% | |
13 | 44 | Groovy | 1.225% | +1.04% | |
14 | 12 | Delphi/Object Pascal | 1.194% | -0.18% | |
15 | 10 | Assembly language | 1.114% | -0.30% | |
16 | 19 | Visual Basic | 1.025% | +0.10% | |
17 | 17 | Go | 0.973% | -0.02% | |
18 | 11 | Swift | 0.890% | -0.49% | |
19 | 16 | Perl | 0.860% | -0.31% | |
20 | 18 | R | 0.822% | -0.14% |
Ratings (%)JavaCPythonC++C#Visual Basic .NETJavaScriptPHPObjective-C
Other programming languages
The complete top 50 of programming languages is listed below. This overview is published unofficially, because it could be the case that we missed a language. If you have the impression there is a programming language lacking, please notify us at tpci@tiobe.com. Please also check the overview of all programming languages that we monitor.
Position | Programming Language | Ratings |
---|---|---|
21 | D | 0.807% |
22 | SAS | 0.798% |
23 | PL/SQL | 0.745% |
24 | Dart | 0.715% |
25 | ABAP | 0.498% |
26 | F# | 0.476% |
27 | Logo | 0.465% |
28 | Rust | 0.450% |
29 | Scratch | 0.448% |
30 | Lua | 0.414% |
31 | Transact-SQL | 0.399% |
32 | COBOL | 0.369% |
33 | Fortran | 0.364% |
34 | Lisp | 0.362% |
35 | TypeScript | 0.333% |
36 | Scala | 0.311% |
37 | Ada | 0.296% |
38 | ActionScript | 0.288% |
39 | Julia | 0.279% |
40 | Scheme | 0.278% |
41 | RPG | 0.272% |
42 | Prolog | 0.267% |
43 | PostScript | 0.254% |
44 | VBScript | 0.243% |
45 | Kotlin | 0.225% |
46 | Awk | 0.204% |
47 | Apex | 0.189% |
48 | Bash | 0.187% |
49 | Haskell | 0.174% |
50 | PowerShell | 0.166% |
The Next 50 Programming Languages
The following list of languages denotes #51 to #100. Since the differences are relatively small, the programming languages are only listed (in alphabetical order).
- (Visual) FoxPro, 4th Dimension/4D, ABC, Alice, BBC BASIC, bc, Bourne shell, C shell, CL (OS/400), Clipper, Clojure, CoffeeScript, Common Lisp, Crystal, cT, Erlang, Euphoria, Factor, Forth, Icon, Inform, Io, J, Korn shell, LabVIEW, Ladder Logic, LiveCode, Maple, Mercury, ML, Monkey, MQL4, MS-DOS batch, NATURAL, OpenCL, OpenEdge ABL, Oz, PL/I, Ring, S, Snap!, SPARK, SPSS, Stata, Tcl, Verilog, VHDL, XC, Xojo, Z shell
This Month’s Changes in the Index
This month the following changes have been made to the definition of the index:
- Max Efremov suggested to add the language 1C:Enterprise script to the TIOBE index. The fourth generation programming language entered the TIOBE index at position #140.
- Andres Gonzalez Alonso proposed another programming language, Harbour. This successor of Clipper starts at position #144 of the TIOBE index.
- There are lots of mails that still need to be processed. As soon as there is more time available your mail will be answered. Please be patient.
Very Long Term History
To see the bigger picture, please find below the positions of the top 10 programming languages of many years back. Please note that these are average positions for a period of 12 months.
Programming Language | 2019 | 2014 | 2009 | 2004 | 1999 | 1994 | 1989 |
---|---|---|---|---|---|---|---|
Java | 1 | 2 | 1 | 1 | 14 | – | – |
C | 2 | 1 | 2 | 2 | 1 | 1 | 1 |
Python | 3 | 7 | 5 | 7 | 24 | 21 | – |
C++ | 4 | 4 | 3 | 3 | 2 | 2 | 2 |
Visual Basic .NET | 5 | 9 | – | – | – | – | – |
C# | 6 | 5 | 6 | 6 | 19 | – | – |
JavaScript | 7 | 8 | 8 | 8 | 16 | – | – |
PHP | 8 | 6 | 4 | 5 | – | – | – |
SQL | 9 | – | – | 89 | – | – | – |
Objective-C | 10 | 3 | 31 | 38 | – | – | – |
Perl | 16 | 11 | 7 | 4 | 3 | 10 | 22 |
Lisp | 32 | 13 | 19 | 13 | 12 | 5 | 3 |
Pascal | 220 | 16 | 14 | 88 | 6 | 3 | 20 |
Programming Language Hall of Fame
The hall of fame listing all “Programming Language of the Year” award winners is shown below. The award is given to the programming language that has the highest rise in ratings in a year.
Year | Winner |
---|---|
2018 | Python |
2017 | C |
2016 | Go |
2015 | Java |
2014 | JavaScript |
2013 | Transact-SQL |
2012 | Objective-C |
2011 | Objective-C |
2010 | Python |
2009 | Go |
2008 | C |
2007 | Python |
2006 | Ruby |
2005 | Java |
2004 | PHP |
2003 | C++ |
Bugs & Change Requests
This is the top 5 of most requested changes and bugs. If you have any suggestions how to improve the index don’t hesitate to send an e-mail to tpci@tiobe.com.
- Apart from “<language> programming”, also other queries such as “programming with <language>”, “<language> development” and “<language> coding” should be tried out.
- Add queries for other natural languages (apart from English). The idea is to start with the Chinese search engine Baidu. This has been implemented partially and will be completed the next few months.
- Add a list of all search term requests that have been rejected. This is to minimize the number of recurring mails about Rails, JQuery, JSP, etc.
- Start a TIOBE index for databases, software configuration management systems and application frameworks.
- Some search engines allow to query pages that have been added last year. The TIOBE index should only track those recently added pages.
Frequently Asked Questions (FAQ)
- Q: Am I allowed to show the TIOBE index in my weblog/presentation/publication?A: Yes, the only condition is to refer to its original source “www.tiobe.com”.
- Q: How may I nominate a new language to be added to the TIOBE index?A: If a language meets the criteria of being listed (i.e. it is Turing complete and has an own Wikipedia entry that indicates that it concerns a programming language) and it is sufficiently popular (more than 5,000 hits for +”<language> programming” for Google), then please write an e-mail to tpci@tiobe.com.
- Q: I would like to have the complete data set of the TIOBE index. Is this possible?A: We spent a lot of effort to obtain all the data and keep the TIOBE index up to date. In order to compensate a bit for this, we ask a fee of 5,000 US$ for the complete data set. The data set runs from June 2001 till today. It started with 25 languages back in 2001, and now measures more than 150 languages once a month. The data are available in comma separated format. Please contact sales@tiobe.com for more information.
- Q: Why is the maximum taken to calculate the ranking for a grouping, why not the sum?A: Well, you can do it either way and both are wrong. If you take the sum, then you get the intersection twice. If you take the max, then you miss the difference. Which one to choose? Suppose somebody comes up with a new search term that is 10% of the original. If you take the max, nothing changes. If you take the sum then the ratings will rise 10%. So taking the sum will be an incentive for some to come up with all kinds of obscure terms for a language. That’s why we decided to take the max.The proper way to solve this is is of course to take the sum and subtract the intersection. This will give rise to an explosion of extra queries that must be performed. Suppose a language has a grouping of 15 terms, then you have to perform 32,768 queries (all combinations of intersections). So this seems not possible either… If somebody has a solution for this, please let us know.
- Q: What happened to Java in April 2004? Did you change your methodology?A: No, we did not change our methodology at that time. Google changed its methodology. They performed a general sweep action to get rid of all kinds of web sites that had been pushed up. As a consequence, there was a huge drop for languages such as Java and C++. In order to minimize such fluctuations in the future, we added two more search engines (MSN and Yahoo) a few months after this incident.https://www.tiobe.com/tiobe-index/
Tom Lehrer
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Tom Lehrer
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Tom Lehrer performing in 1960
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Background information | |
Birth name | Thomas Andrew Lehrer |
Born | April 9, 1928 (age 91) Manhattan, New York City |
Genres | Satire, comedy, science |
Occupation(s) | singer-songwriter, satirist, mathematician |
Instruments | Vocals, piano |
Years active | 1945–1971, 1980, 1998 |
Labels | TransRadio Lehrer Records Reprise/Warner Bros. Records Rhino/Atlantic Records Shout! Factory |
Associated acts | Joe Raposo |
Thomas Andrew Lehrer (/ˈlɛərər/; born April 9, 1928) is a retired American musician, singer-songwriter, satirist, and mathematician. He has lectured on mathematics and musical theater. He is best known for the pithy, humorous songs that he recorded in the 1950s and 1960s. His songs often parodied popular musical forms, though he usually created original melodies when doing so. A notable exception is “The Elements“, where he set the names of the chemical elements to the tune of the “Major-General’s Song” from Gilbert and Sullivan‘s Pirates of Penzance.
Lehrer’s early work typically dealt with non-topical subject matter and was noted for its black humor in songs such as “Poisoning Pigeons in the Park”. In the 1960s, he produced a number of songs that dealt with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was the Week That Was. The popularity of these songs has endured their topical subjects and references. Lehrer quoted a friend’s explanation: “Always predict the worst and you’ll be hailed as a prophet.”[1] In the early 1970s, Lehrer largely retired from public performances to devote his time to teaching mathematics and music theater at the University of California, Santa Cruz.
Contents
Early life
Tom Lehrer was born in 1928 to a secular Jewish family and grew up in Manhattan‘s Upper East Side.[2][3] He began studying classical piano at the age of seven, but was more interested in the popular music of the age. Eventually, his mother also sent him to a popular-music piano teacher.[4] At this early age, he began writing show tunes, which eventually helped him as a satirical composer and writer in his years of lecturing at Harvard University noting the influence of one of his professors Irving Kaplansky,[5][6] and later at other universities.[7]
Lehrer attended the Horace Mann School in Riverdale, New York, part of The Bronx.[2][8] He also attended Camp Androscoggin, both as a camper and a counselor.[9] Lehrer was considered a child prodigy and entered Harvard College at the age of 15 after graduating from Loomis Chaffee School.[2] As a mathematics undergraduate student at Harvard College, he began to write comic songs to entertain his friends, including “Fight Fiercely, Harvard” (1945). Those songs were later named collectively The Physical Revue,[10] a joking reference to a leading scientific journal, the Physical Review.
Academic and military career
Lehrer earned his Bachelor of Arts in mathematics (magna cum laude) from Harvard University in 1946,[11] where he was the roommate of the Canadian theologian Robert Crouse. He received his MA degree the next year, and was inducted into Phi Beta Kappa.[citation needed] He taught classes at MIT, Harvard, Wellesley, and the University of California, Santa Cruz.[citation needed]
Lehrer remained in Harvard’s doctoral program for several years, taking time out for his musical career and to work as a researcher at the Los Alamos Scientific Laboratory. He was drafted into the U.S. Army from 1955 to 1957, working at the NSA. (Lehrer has stated that he invented the Jell-O Shot during this time, as a means of circumventing the base’s ban on alcoholic beverages.)[12] These experiences became fodder for songs, e.g., The Wild West Is Where I Want to Be and It Makes a Fellow Proud to Be a Soldier.[13] It was many years before Lehrer publicly revealed having been assigned to the NSA, since the mere fact of its existence was classified at the time; this left him in the interesting position of implicitly using nuclear weapons work as a cover story for something more sensitive.
Despite holding a master’s degree in an era when American conscripts often lacked a high school diploma, Lehrer served as an enlisted soldier, achieving the rank of Specialist Third Class (later retitled “Specialist-4” and currently “Specialist”), which he described as being a “corporal without portfolio“.[14] In 1960, Lehrer returned to full-time studies at Harvard,[8] but in 1965 gave up on his mathematical dissertation about the subject of modes in statistics, after working on it intermittently for 15 years.[2]
From 1962, he taught in the political science department at the Massachusetts Institute of Technology (MIT).[15] In 1972, he joined the faculty of the University of California, Santa Cruz, teaching an introductory course entitled The Nature of Mathematics to liberal arts majors—”math for tenors”, according to Lehrer. He also taught a class in musical theater. He occasionally performed songs in his lectures, primarily those relating to the topic.[6]
In 2001, Lehrer taught his last mathematics class (on the topic of infinity) and retired from academia.[16][17] He has remained in the area, and in 2003 said he still “hangs out” around the University of California, Santa Cruz.[18]
Mathematical publications
The American Mathematical Society database lists him as co-author of two papers:
- R. E. Fagen; T. A. Lehrer (March 1958). “Random walks with restraining barrier as applied to the biased binary counter”. Journal of the Society for Industrial and Applied Mathematics. 6 (1): 1–14. doi:10.1137/0106001. JSTOR 2098858. MR 0094856.
- T. Austin; R. Fagen; T. Lehrer; W. Penney (1957). “The distribution of the number of locally maximal elements in a random sample”. Annals of Mathematical Statistics. 28 (3): 786–790. doi:10.1214/aoms/1177706893. MR 0091251.
Musical career
Style and Influences
Lehrer was mainly influenced by musical theater. According to Gerald Nachman‘s book Seriously Funny,[19] the Broadway musical Let’s Face It! (by Cole Porter) made an early and lasting impression on him. Lehrer’s style consists of parodying various forms of popular song. For example, his appreciation of list songs led him to write The Elements, which lists the chemical elements to the tune of Gilbert and Sullivan‘s Major-General’s Song.
In author Isaac Asimov‘s second autobiographical volume In Joy Still Felt, Asimov recounted seeing Lehrer perform in a Boston nightclub on October 9, 1954. Lehrer sang cleverly about Jim getting it from Louise, and Sally from Jim, “…and after a while you gathered the ‘it’ was venereal disease [the song was likely “I Got It From Sally” (in later versions “Agnes”)]. Suddenly, as the combinations grew more grotesque, you realized he was satirizing every known perversion without using a single naughty phrase. It was clearly unsingable (in those days) outside a nightclub.” Asimov also recalled a song that dealt with the Boston subway system, making use of the stations leading into town from Harvard, observing that the local subject-matter rendered the song useless for general distribution. Lehrer subsequently granted Asimov permission to print the lyrics to the subway song in his book. “I haven’t gone to nightclubs often,” said Asimov, “but of all the times I have gone, it was on this occasion that I had by far the best time.”[20]
Recordings
Lehrer was encouraged by the success of his performances, so he paid $15 for some studio time in 1953 to record Songs by Tom Lehrer. The initial pressing was 400 copies. Radio stations would not air his songs because of his controversial subjects, so he sold the album on campus at Harvard for $3 (equivalent to $28.00 today), while “several stores near the Harvard campus sold it for $3.50, taking only a minimal markup as a kind of community service. Newsstands on campus sold it for the same price.”[21] After one summer, he started to receive mail orders from all parts of the country, as far away as San Francisco, after the San Francisco Chronicle wrote an article on the record. Interest in his recordings spread by word of mouth. People played their records for friends, who then also wanted a copy.[22] Lehrer recalled, “Lacking exposure in the media, my songs spread slowly. Like herpes, rather than ebola.”[23]
The album included the macabre “I Hold Your Hand in Mine”, the mildly risqué “Be Prepared”, and “Lobachevsky” regarding plagiarizing mathematicians. It became a cult success by word of mouth, despite being self-published and without promotion. Lehrer embarked on a series of concert tours and recorded a second album in 1959. He released the second album in two versions: the songs were the same, but More of Tom Lehrer was a studio recording and An Evening Wasted with Tom Lehrer was recorded live in concert. In 2013, Lehrer recalled the studio session for “Poisoning Pigeons in the Park”, which referred to the practice of controlling pigeons in Boston with strychnine-treated corn:[24]
“ | The copyist arrived at the last minute with the parts and passed them out to the band… And there was no title on it, and there was no lyrics. And so they ran through it, “What a pleasant little waltz”…. And the engineer said, “‘Poisoning Pigeons in the Park,’ take one,” and the piano player said, “What?” and literally fell off the stool.”[25] | ” |
Touring
Lehrer had a breakthrough in the United Kingdom on 4 December 1957, when the University of London awarded a doctor of music degree honoris causa to Princess Margaret, and the public orator, Professor J. R. Sutherland, said it was “in the full knowledge that the Princess is a connoisseur of music and a performer of skill and distinction, her taste being catholic, ranging from Mozart to the calypso and from opera to the songs of Miss Beatrice Lillie and Tom Lehrer.”[26] This prompted significant interest in Lehrer’s works and helped to secure distributors for his material in Britain. It was there that his music achieved real popularity, as a result of the proliferation of university newspapers referring to the material, and the willingness of the BBC to play his songs on the radio, something that was a rarity in the United States. By the end of the 1950s, Lehrer had sold 370,000 records.[2]
That Was The Week That Was
In 1960, Lehrer essentially retired from touring in the U.S.[2] In the early 1960s, he was employed as the resident songwriter for the U.S. edition of That Was The Week That Was (TW3), a satirical television show.[21] An increased proportion of his output became overtly political, or at least topical, on subjects such as education (“New Math“), the Second Vatican Council (“The Vatican Rag”, a tune based on the 1910 “Spaghetti Rag” by Lyons and Yosco),[27][28][29] race relations (“National Brotherhood Week”), air and water pollution (“Pollution”), American militarism (“Send the Marines”), and nuclear proliferation (“Who’s Next?” and “MLF Lullaby”). He also wrote a song satirizing rocket scientist Wernher von Braun, who worked for Nazi Germany before working for the United States. (“‘Once the rockets are up, who cares where they come down? That’s not my department,’ says Wernher von Braun.”) Lehrer did not appear on the television show; vocalist Nancy Ames performed his songs, and network censors often altered his lyrics. Lehrer later performed the songs on the album That Was The Year That Was (1965) so that people could hear them the way that he intended. In 1966, David Frost invited him to contribute some of his classic compositions to his BBC program The Frost Report. The show was transmitted live, and he pre-recorded all his segments at one performance. Lehrer was not featured in every edition, but his songs featured in an appropriate part of each show. At least two of his songs were not included on any of his LPs: a reworking of Noël Coward’s “That is the End of the News” (with some new lyrics) and a comic explanation of how Britain might adapt to the coming of decimal currency.
In the spring of 1960, Lehrer toured Australia and New Zealand, performing a total of 33 concerts to great acclaim.[21] Yet this occurred during a time in which he was “banned, censored, mentioned in several houses of parliament and threatened with arrest”, in his words. In particular, “Be Prepared” drew advance resistance in Brisbane from the chief of police. He performed several unreleased songs in Australia, including “The Masochism Tango”.[30]
He made a short tour in Norway and Denmark in 1967, where he performed some of the songs from the television program. The performance in Oslo on September 10 was recorded on video tape and aired locally that autumn, and this program was released on DVD some 40 years later. He performed as a prominent international guest at the Studenterforeningen (student association) in Copenhagen, which was televised, and he commented onstage that he might be America’s “revenge for Victor Borge“.[31] He performed original songs in a Dodge automobile industrial film distributed primarily to automobile dealers and shown at promotional events in 1967, set in a fictional American wild west town and titled The Dodge Rebellion Theatre presents Ballads For ’67.[21][32] He attempted to adapt Sweeney Todd as a Broadway musical, working with Joe Raposo, to star Jerry Colonna. They started a few songs but, as Lehrer noted, “Nothing ever came of it, and of course twenty years later Stephen Sondheim beat me to the punch.”[33]
The record deal with Reprise Records for That Was The Year That Was also gave Reprise distribution rights for his earlier recordings, as Lehrer wanted to wind up his own record imprint. The Reprise issue of Songs by Tom Lehrer was a stereo re-recording. This version was not issued on CD, but the songs were issued on the live Tom Lehrer Revisited CD. The live recording included bonus tracks “L-Y” and “Silent E”, two of the ten songs that he wrote for the PBS children’s educational series The Electric Company. Lehrer later commented that worldwide sales of the recordings under Reprise surpassed 1.8 million units in 1996. That same year, That Was The Year That Was went gold.[22] The album liner notes promote his songs with self-deprecating humor, such as quoting a New York Timesreview from 1958: Mr. Lehrer’s muse is “not fettered by such inhibiting factors as taste.”
Departure from the music scene
In the 1970s, Lehrer concentrated on teaching mathematics and musical theater, although he also wrote ten songs for the educational children’s television show The Electric Company. His last public performance took place in 1972, on a fundraising tour for Democratic US presidential candidate George McGovern.[2]
There is a false rumor that Lehrer gave up political satire when the Nobel Peace Prize was awarded to Henry Kissinger in 1973. He did comment that awarding the prize to Kissinger made political satire obsolete,[34][35] but has denied that he stopped creating satire as a form of protest, pointing out that he had not toured for several years previously.[36] Another mistaken belief is that he was sued for libel by Wernher von Braun, the subject of one of his songs, and forced to relinquish his royalties to von Braun. Lehrer denied this in a 2003 interview.[18]
When asked about his reasons for abandoning his musical career in an interview in the book accompanying his CD box set, released in 2000, Lehrer cited a simple lack of interest, a disdain of touring, and the monotony of performing the same songs repeatedly. He observed that when he was moved to write and perform songs, he did, and when he was not, he did not, and that after a while he simply lost interest. Even though Lehrer was “a hero of the anti-nuclear, civil rights left,” and covered its political issues in many of his songs, and even though he shared the New Left‘s opposition to the Vietnam War, he disliked the aesthetics of the counterculture of the 1960s and stopped performing as the movement gained momentum.[2]
Lehrer’s musical career was relatively brief. He once mentioned that he performed a mere 109 shows and wrote 37 songs over 20 years.[37] Nevertheless, he developed a significant following in the United States and abroad.
Revivals and discographic reissues
Cameron Mackintosh produced Tom Foolery in 1980, a revue of Lehrer’s songs that was a hit on the London stage. Lehrer was not initially involved with the show, but he was pleased with it; he eventually gave the stage production his full support and updated several of his lyrics for the show. Tom Foolery contained 27 songs and led to more than 200 productions,[22] including an Off-Broadway production at the Village Gate which ran for 120 performances in 1981.[38] Lehrer made a rare TV appearance on BBC‘s Parkinson show in conjunction with the Tom Foolery premiere in 1980 at the Criterion Theatre in London, where he sang “I Got It from Agnes”.[39][40] In 1993, he wrote “That’s Mathematics” for the closing credits to a Mathematical Sciences Research Institute video[41] celebrating the proof of Fermat’s Last Theorem.
Lehrer performed in public on June 7 and 8, 1998 for the first time in 25 years at the Lyceum Theatre, London as part of the show Hey, Mr. Producer! celebrating the career of Cameron Mackintosh, who produced Tom Foolery. The June 8 show was his only performance before Queen Elizabeth II. Lehrer sang “Poisoning Pigeons in the Park” and an updated version of the nuclear proliferation song “Who’s Next?”[42]
The boxed CD set The Remains of Tom Lehrer was released in 2000 by Rhino Entertainment. It included live and studio versions of his first two albums, That Was The Year That Was, the songs that he wrote for The Electric Company, and some previously unreleased material. It was accompanied by a small hardbound book containing an introduction by Dr. Demento and lyrics for all the songs. In 2010, Shout! Factory launched a reissue campaign making Lehrer’s long out of print albums available digitally. The CD/DVD combo The Tom Lehrer Collection was also issued and included his best-known songs, plus a DVD featuring an Oslo concert.[43]
Musical legacy
Sardonic composer Randy Newman said of Lehrer, “He’s one of the great American songwriters without a doubt, right up there with everybody, the top guys. As a lyricist, as good as there’s been in the last half of the 20th century.”[25] Singer and comedian Dillie Keane has acknowledged[44] Lehrer’s influence on her work.
Lehrer was praised by Dr. Demento as “the best musical satirist of the twentieth century.” Other artists who cite Lehrer as an influence include “Weird Al” Yankovic, whose work generally addresses more popular and less technical or political subjects,[45] and educator and scientist H. Paul Shuch, who tours under the stage name Dr. SETI and calls himself “a cross between Carl Sagan and Tom Lehrer: He sings like Sagan and lectures like Lehrer.”[46]
Lehrer has commented that he doubts his songs had any real effect on those not already critical of the establishment: “I don’t think this kind of thing has an impact on the unconverted, frankly. It’s not even preaching to the converted; it’s titillating the converted … I’m fond of quoting Peter Cook, who talked about the satirical Berlin kabaretts of the 1930s, which did so much to stop the rise of Hitler and prevent the Second World War.”[36]
In 2003 he commented that his particular brand of political satire is more difficult in the modern world: “The real issues I don’t think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn’t ban land mines … I’m not tempted to write a song about George W. Bush. I couldn’t figure out what sort of song I would write. That’s the problem: I don’t want to satirize George Bush and his puppeteers, I want to vaporize them.”[18]
Gene Weingarten of The Washington Post interviewed Lehrer off the record in a February 2008 phone call. When Weingarten asked if there was anything he could print for the record, Lehrer responded, “Just tell the people that I am voting for Obama.”[47]
The play Letters from Lehrer by Canadian Richard Greenblatt was performed by him at CanStage in Toronto, from January 16 to February 25, 2006. It followed Lehrer’s musical career, the meaning of several songs, the politics of the time, and Greenblatt’s own experiences with Lehrer’s music, while playing some of Lehrer’s songs. There are currently no plans for more performances, although low-quality audio recordings have been on the Internet.
Stylistically influenced performers include American political satirist Mark Russell,[48] Canadian comedian and songwriter Randy Vancourt and the British duo Kit and The Widow. British medical satirists Amateur Transplants acknowledge the debt they owe to Lehrer on the back of their first album, Fitness to Practice. Their songs “The Menstrual Rag” and “The Drugs Song” are to the tunes of Lehrer’s “The Vatican Rag” and “The Elements” (the tune of the “Major-General’s Song” from The Pirates of Penzance by Gilbert and Sullivan) respectively. Their second album, Unfit to Practise, opens with an update of Lehrer’s “The Masochism Tango” called “Masochism Tango 2008”.
In 1967, Swedish actor Lars Ekborg, outside Sweden most known for his part in Ingmar Bergman’s Summer with Monika, made an album called I Tom Lehrers vackra värld (“In the beautiful world of Tom Lehrer”), with 12 of Lehrer’s songs interpreted in Swedish. Lehrer wrote in a letter to the producer Per–Anders Boquist that, “Not knowing any Swedish, I am obviously not equipped to judge, but it sounds to me as though Mr. Ekborg is perfect for the songs,” along with further compliments to pianist Leif Asp for unexpected additional flourishes.[49]
In 1971, Argentinian singer Nacha Guevara sang Spanish versions of several Lehrer songs for the show/live album Este es el año que es.[50][51]
Lehrer’s song “The Old Dope Peddler” is sampled in rapper 2 Chainz‘ song “Dope Peddler”, on his 2012 debut album, Based on a T.R.U. Story. The following year, Lehrer said he was “very proud” to have his song sampled “literally sixty years after I recorded it”. Lehrer went on to describe his official response to the request to use his song: “As sole copyright owner of ‘The Old Dope Peddler’, I grant you motherfuckers permission to do this. Please give my regards to Mr. Chainz, or may I call him 2?”[25][52]
Lehrer has said of his musical career, “If, after hearing my songs, just one human being is inspired to say something nasty to a friend, or perhaps to strike a loved one, it will all have been worth the while.”[4]
Discography
- Studio albums
- Songs by Tom Lehrer (1953), re-recorded in 1966
- More of Tom Lehrer (1959)
- An Evening Wasted with Tom Lehrer (1959)
- Revisited (1960)
- That Was the Year That Was (1965)
- Compilation albums
- Tom Lehrer Discovers Australia (And Vice Versa) (1960; Australia-only)
- Tom Lehrer in Concert (1994; UK compilation)
- Songs & More Songs by Tom Lehrer (1997; US compilation of his first two studio albums with additional songs)
- The Remains of Tom Lehrer (2000)
- The Tom Lehrer Collection (2010)
Many songs are performed (but not by Lehrer) in That Was The Week That Was (Radiola LP, 1981)
The sheet music of many songs is published in The Tom Lehrer Song Book (Crown Publishers Inc., 1954) Library of Congress Card Catalog Number 54-12068 and Too Many Songs by Tom Lehrer: with not enough drawings by Ronald Searle (Pantheon, 1981, ISBN 0-394-74930-8; Methuen, 1999, ISBN 978-0-413-74230-8). A second song book, Tom Lehrer’s Second Song Book, is out of print, ISBN 978-0517502167.
Lehrer wrote The SAC Song, which was sung in the 1963 film A Gathering of Eagles.[53]
See also
References …
External links
Wikiquote has quotations related to: Tom Lehrer |
- The Tom Lehrer Web Site
- Tom Lehrer page on The Demented Music Database—includes biography; song lyrics; exhaustive (and exhausting) discography; and other miscellanea
- Tom Lehrer Annotated Song Lyrics, many with MIDI files, collected by Graeme Cree
- “Bob Claster’s Funny Stuff” 59-minute radio program from 1983, with a telephone interview with Tom Lehrer, with a 10-minute 1989 follow-up. From KCRW.
- A Conversation with Tom Lehrer done by Paul D. Lehrman on September 7, 1997
- A little Tom Lehrer love – while article focuses on musical review ‘Viva La Lehrer’, it also discusses Lehrer’s aversion to publicity
- Long-Lost Interview/Web Chat? – provides both a short interview snippet from a 17 January 1999 interview wherein Lehrer rhymes both ‘nostril’ and ‘orange’ (tho not with each other,) and a full interview from June 17, 1997.
- Tom Lehrer Music Community
- “Tom Lehrer is Almost 28 Today” – includes several links to YouTube videos
- Tom Lehrer interview on BBC Radio 4 Desert Island Discs, July 18, 1980
- The Tom Lehrer Wisdom Channel on YouTube
- Nature April 4 2018 Tom Lehrer at 90
- Interview with Tom Lehrer by the Library of Congress on July 22, 2015
https://en.wikipedia.org/wiki/Tom_Lehrer