Franz Kafka–The Trial–Videos

Posted on June 25, 2010. Filed under: Blogroll, Communications, Culture, government, government spending, history, Language, Law, liberty, Life, Links, media, People, Philosophy, Politics, Raves, Video | Tags: , , |

 

“. . . accused men are always the most attractive.”

~The Trial

 

The Trial 1/5

The Trial 2/5

The Trial 3/5

The Trial 4/5

The Trial 5/5

“The Court wants nothing from you. It receives you when you come and it dismisses you when you go.”

~The Trial

“The whole art of Kafka consists in forcing the reader to reread.”

~Albert Camus, “Hope and the Absurd in the Works of Franz Kafka”

Background Articles and Video

 

The Trial (1962) Trailer

 

 

Anthony Perkins in CABIN FEVER ( The Trial )

Anthony Perkins and Romy Schneider LOVE SCENE ( The Trial )

Anthony Perkins VS Orson Welles : Attractive Guilt


 

The Most Fortunate and Unfortunate of Men

Kafka Biography

“…Kafka’s success may be measured by his presence in popular culture as well – almost every student knows the story of the guy who turns into a bug, and Kafka is one of the few writers to be truly a “household name.” Indeed, he has become the embarrassed father of the word “Kafkaesque.”
It’s a strange adjective, one supposed to express the feeling that something in our great mechanical city is simply not right. In the curvature of the letters we find a labyrinthine line of desks, where the sacred names of people are stamped, shoved into drawers, and forgotten. Somewhere, maybe behind the word or above it, is a distant law telling us that this isn’t the way things should be; but we, unfortunately, are stuck in the middle of it, perhaps between the a and the e, wondering where we’re to go and laughing at our situation – just to be able to laugh at something.
What makes matters even more hopeless is that “Kafkaesque” is so overused, it has become a cliché to talk about how the word “Kafkaesque” is a cliché. When, in Raiders of the Lost Ark, the Ark of the Covenant gets “filed” in a warehouse in Washington DC, we can make ourselves look smart by turning to each other and saying, “Hmmm . . . very Kafkaesque.” And when we find out that the men in black in The Matrix are machines dressed up like pale CIA desk-jockeys, we can dance in circles and sing, “It’s just like Kaaaaaafka….” When we get lost in a maze of tax forms, read about the latest dictator executing people who haven’t done a thing, or just wake up feeling guilty and paranoid, we can tap our copies of The Trial and mutter, “Yup, it’s all in here.” The concept has become so overdone that the word “Kafkaesque” means practically nothing . . . and isn’t that nothing so very Kafkaesque?
Whether we like it or not, Kafka has become an indelible part of our culture. His insecurities are what self-help books have been trying to brush beneath the carpet. His sense of humor shows us how comically mistaken we are. His spiritual quest is ours. The problems he faced in his life and illustrated in his work are the same that we must face today. In Kafka, we have the heart of our humanity beat down into a few slim volumes. It might be beneficial to find out what we’re all about. …”

http://www.themodernword.com/kafka/kafka_biography.html

Franz Kafka

http://www.themodernword.com/kafka/kafka_images.html

Franz Kafka
“…Franz Kafka (German pronunciation: [ˈfʁants ˈkafka]; 3 July 1883 – 3 June 1924) is one of the most influential fiction writers of the early 20th century; a novelist and writer of short stories whose works, only after his death, came to be regarded as one of the major achievements of 20th century literature.

He was born to middle class German-speaking Jewish parents in Prague, Bohemia, now part of the Czech Republic, in what was then the Austro-Hungarian Empire. The house in which he was born, on the Old Town Square next to Prague’s Church of St Nicholas, today contains a permanent exhibition devoted to the author.[1]

Kafka’s work—the novels The Trial (1925), The Castle (1926) and Amerika (1927), as well as short stories including The Metamorphosis (1915) and In the Penal Colony (1914)—is now collectively considered to be among the most original bodies of work in modern Western literature. Much of his work, unfinished at the time of his death, was published posthumously.[2]

The writer’s name has led to the term “Kafkaesque” being used in the English language. …”

http://en.wikipedia.org/wiki/Franz_Kafka

The Trial

“…The Trial (German: Der Prozess) is a novel by Franz Kafka, first published in 1925. One of Kafka’s best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime never revealed either to him or the reader.

Like Kafka’s other novels, The Trial was never completed, although it does include a chapter which brings the story to an end. After his death in 1924, Kafka’s friend and literary executor Max Brod edited the text for publication.

The Trial was filmed and released in 1962 by director Orson Welles, starring Anthony Perkins (as Josef K.) and Romy Schneider. A more recent remake was released in 1993 and featured Kyle MacLachlan in the star role. In 1999, it was adapted for comics by Italian artist Guido Crepax. …”

http://en.wikipedia.org/wiki/The_Trial

 

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