Archive for March 11th, 2017

The Rise and Fall of The Roman Empire — Videos

Posted on March 11, 2017. Filed under: American History, Blogroll, Books, Constitution, Corruption, Crisis, Cult, Culture, Documentary, Economics, Elections, Employment, European History, Foreign Policy, Freedom, Friends, Genocide, government, government spending, history, Illegal, Immigration, Language, Law, Legal, liberty, Life, Links, Literacy, media, People, Philosophy, Photos, Political Correctness, Politics, Psychology, Raves, Religious, Security, Speech, Strategy, Success, Torture, Video, War, Wealth, Weapons, Weather, Welfare, Wisdom, Work, Writing | Tags: , , , , , |

Will Durant — Why Rome Fell

The Truth About The Fall of Rome: Modern Parallels

Are We Rome? Ben Powell Compares the U.S. with the Roman Empire

Are We Rome

DECLINE of EMPIRES: The Signs of Decay

The Judge on the Decline and Fall of Roman Empire and Future of America

The 7 Signs Of An Empire In Decline

The Roman Empire – Episode 1: The Rise of the Roman Empire (History Documentary)

The Roman Empire – Episode 2: Legions of Conquest (History Documentary)

The Roman Empire – Episode 3: Seduction of Power (History Documentary)

The Roman Empire – Episode 4: Grasp Of An Empire (History Documentary)

The Roman Empire – Episode 5: Cult Of Order (History Documentary)

The Roman Empire – Episode 6: The Fall Of The Roman Empire (History Documentary)

The Roman Empire – Episode 7: Letters From The Roman Front (History Documentary)

Rome: The Rise and Fall of an Empire – Episode 8: Wrath of the Gods (Documentary)

Rome: The Rise and Fall of an Empire – Episode 9: The Soldier’s Emperor (Documentary)

Rome: The Rise and Fall of an Empire – Episode 10: Constantine the Great (Documentary)

Rome: The Rise and Fall of an Empire – Episode 11: The Barbarian General (Documentary)

Rome: The Rise and Fall of an Empire – Episode 12: The Puppet Master (Documentary)

Rome: The Rise and Fall of an Empire – Episode 13: The Last Emperor (Documentary)

[History] The Decline and Fall of the Roman Empire Volume 1, Part 1, Audiobook

[History] The Decline and Fall of the Roman Empire Volume 1, Part 2, Audiobook

[History Audiobook] The Decline and Fall of the Roman Empire, Volume 2, Part 1

[History Audiobook] The Decline and Fall of the Roman Empire, Volume 2, Part 2

The History of the Decline and Fall of the Roman Empire

From Wikipedia, the free encyclopedia
  (Redirected from Rise and fall of rome)
This article is about the book. For the historical events, see History of the Roman Empire and Fall of the Western Roman Empire. For the historiography spawned by Gibbon’s theories, see Historiography of the fall of the Western Roman Empire. For publication details and chapter listings, see Outline of The History of the Decline and Fall of the Roman Empire.
The History of the Decline and Fall of the Roman Empire
Author Edward Gibbon
Country England
Language English
Subject History of the Roman Empire
Publisher Strahan & Cadell, London
Publication date
1776–89
Media type Print
LC Class DG311

Edward Gibbon (1737–1794).

The History of the Decline and Fall of the Roman Empire[1] is a book of history written by the English historian Edward Gibbon, which traces the trajectory of Western civilization (as well as the Islamic and Mongolian conquests) from the height of the Roman Empire to the fall of Byzantium. It was published in six volumes. Volume I was published in 1776 and went through six printings.[2] Volumes II and III were published in 1781;[3][4] volumes IV, V, and VI in 1788–89.[5][6][7] The original volumes were published in quarto sections, a common publishing practice of the time. The work covers the history, from 98 to 1590, of the Roman Empire, the history of early Christianity and then of the Roman State Church, and the history of Europe, and discusses the decline of the Roman Empire in the East and West. Because of its relative objectivity and heavy use of primary sources, unusual at the time, its methodology became a model for later historians. This led to Gibbon being called the first “modern historian of ancient Rome”.[8]

Contents

Thesis

Gibbon offers an explanation for the fall of the Roman Empire, a task made difficult by a lack of comprehensive written sources, though he was not the only historian to attempt the task.[9]

According to Gibbon, the Roman Empire succumbed to barbarian invasions in large part due to the gradual loss of civic virtue among its citizens.[10] They had become weak, outsourcing their duty to defend their empire to barbarian mercenaries, who then became so numerous and ingrained that they were able to take over the Empire. Romans, he believed, were unwilling to live a tougher, military lifestyle. In addition, Gibbon argued that Christianity created a belief that a better life existed after death, which fostered an indifference to the present among Roman citizens, thus sapping their desire to sacrifice for a larger purpose. He also believed that Christianity’s comparative pacifism tended to hamper the traditional Roman martial spirit. Finally, like other Enlightenment thinkers and British citizens of the age steeped in institutional anti-Catholicism, Gibbon held in contempt the Middle Ages as a priest-ridden, superstitious Dark Age. It was not until his own era, the “Age of Reason,” with its emphasis on rational thought, it was believed, that human history could resume its progress.[11]

Gibbon saw the Praetorian Guard as the primary catalyst of the empire’s initial decay and eventual collapse, a seed planted by Augustus when the empire was established. His writings cite repeated examples of the Praetorian Guard abusing their power with calamitous results, including numerous instances of imperial assassination and incessant demands for increased pay.

He compared the reigns of Diocletian (284–305) and Charles V (1519–1556), noting superficial similarities. Both were plagued by continual war and compelled to excessive taxation to fund wars, both chose to abdicate as Emperors at roughly the same age, and both chose to lead a quiet life upon their retirement. However, Gibbon argues that these similarities are only superficial and that the underlying context and character of the two rulers is markedly different.

Style

Gibbon’s style is frequently distinguished by an ironically detached and somewhat dispassionate yet critical tone. He occasionally lapsed into moralization and aphorism:

[A]s long as mankind shall continue to bestow more liberal applause on their destroyers than on their benefactors, the thirst of military glory will ever be the vice of the most exalted characters.

The influence of the clergy, in an age of superstition, might be usefully employed to assert the rights of mankind; but so intimate is the connection between the throne and the altar, that the banner of the church has very seldom been seen on the side of the people (Chapter Three p. 52).

History…is, indeed, little more than the register of the crimes, follies, and misfortune of mankind (ibid. p. 69).

If we contrast the rapid progress of this mischievous discovery [of gunpowder] with the slow and laborious advances of reason, science, and the arts of peace, a philosopher, according to his temper, will laugh or weep at the folly of mankind (Chapter 65, p. 68).[Page numbers in which edition? clarification needed]

Citations and footnotesen humorous style, and have been called “Gibbon’s table talk.”[12] They provide an entertaining moral commentary on both ancient Rome and 18th-century Great Britain. This technique enabled Gibbon to compare ancient Rome to his own contemporary world. Gibbon’s work advocates a rationalist and progressive view of history.

Gibbon’s citations provide in-depth detail regarding his use of sources for his work, which included documents dating back to ancient Rome. The detail within his asides and his care in noting the importance of each document is a precursor to modern-day historical footnoting methodology.

The work is notable for its erratic but exhaustively documented notes and research. John Bury, following him 113 years later with his own History of the Later Roman Empire, commended the depth and accuracy of Gibbon’s work. Unusually for 18th century historians, Gibbon was not content with second-hand accounts when the primary sources were accessible. “I have always endeavoured”, Gibbon wrote, “to draw from the fountain-head; that my curiosity, as well as a sense of duty, has always urged me to study the originals; and that, if they have sometimes eluded my search, I have carefully marked the secondary evidence, on whose faith a passage or a fact were reduced to depend.”[13] The Decline and Fall is a literary monument and a massive step forward in historical method.[14]

Criticism

Numerous tracts were published criticizing his work. In response, Gibbon defended his work with the 1779 publication of, A Vindication … of the Decline and Fall of the Roman Empire.[15] His remarks on Christianity aroused particularly vigorous attacks, but in the mid-twentieth century, at least one author claimed that “church historians allow the substantial justness of [Gibbon’s] main positions.”[16]

Number of Christian martyrs

Gibbon challenged Church history by estimating far smaller numbers of Christian martyrs than had been traditionally accepted. The Church’s version of its early history had rarely been questioned before. Gibbon, however, knew Church writings were secondary sources, and he shunned them in favor of primary sources.

Christianity as a contributor to the fall and to stability: chapters XV, XVI

Volume I was originally published in sections, as was common for large works at the time. The first two were well received and widely praised. The last quarto in Volume I, especially Chapters XV and XVI, was highly controversial, and Gibbon was attacked as a “paganist“. Voltaire was deemed to have influenced Gibbon’s claiming that Christianity was a contributor to the fall of the Roman Empire. As one pro-Christian commenter put it in 1840:

As Christianity advances, disasters befall the [Roman] empire—arts, science, literature, decay—barbarism and all its revolting concomitants are made to seem the consequences of its decisive triumph—and the unwary reader is conducted, with matchless dexterity, to the desired conclusion—the abominable Manicheism of Candide, and, in fact, of all the productions of Voltaire’s historic school—viz., “that instead of being a merciful, ameliorating, and benignant visitation, the religion of Christians would rather seem to be a scourge sent on man by the author of all evil.”[17]

Gibbon thought that Christianity had hastened the Fall, but also ameliorated the results:

As the happiness of a future life is the great object of religion, we may hear without surprise or scandal that the introduction, or at least the abuse of Christianity, had some influence on the decline and fall of the Roman empire. The clergy successfully preached the doctrines of patience and pusillanimity; the active virtues of society were discouraged; and the last remains of military spirit were buried in the cloister: a large portion of public and private wealth was consecrated to the specious demands of charity and devotion; and the soldiers’ pay was lavished on the useless multitudes of both sexes who could only plead the merits of abstinence and chastity. Faith, zeal, curiosity, and more earthly passions of malice and ambition, kindled the flame of theological discord; the church, and even the state, were distracted by religious factions, whose conflicts were sometimes bloody and always implacable; the attention of the emperors was diverted from camps to synods; the Roman world was oppressed by a new species of tyranny; and the persecuted sects became the secret enemies of their country. Yet party-spirit, however pernicious or absurd, is a principle of union as well as of dissension. The bishops, from eighteen hundred pulpits, inculcated the duty of passive obedience to a lawful and orthodox sovereign; their frequent assemblies and perpetual correspondence maintained the communion of distant churches; and the benevolent temper of the Gospel was strengthened, though confirmed, by the spiritual alliance of the Catholics. The sacred indolence of the monks was devoutly embraced by a servile and effeminate age; but if superstition had not afforded a decent retreat, the same vices would have tempted the unworthy Romans to desert, from baser motives, the standard of the republic. Religious precepts are easily obeyed which indulge and sanctify the natural inclinations of their votaries; but the pure and genuine influence of Christianity may be traced in its beneficial, though imperfect, effects on the barbarian proselytes of the North. If the decline of the Roman empire was hastened by the conversion of Constantine, his victorious religion broke the violence of the fall, and mollified the ferocious temper of the conquerors (chap. 38).[18]

Tolerant paganismast 200 years, and whose most eminent representative is Gibbon. Gibbon had written:

The various modes of worship which prevailed in the Roman world were all considered by the people as equally true; by the philosophers as equally false; and by the magistrate as equally useful.

Drake counters:

With such deft strokes, Gibbon enters into a conspiracy with his readers: unlike the credulous masses, he and we are cosmopolitans who know the uses of religion as an instrument of social control. So doing, Gibbon skirts a serious problem: for three centuries prior to Constantine, the tolerant pagans who people the Decline and Fall were the authors of several major persecutions, in which Christians were the victims. …Gibbon covered this embarrassing hole in his argument with an elegant demur. Rather than deny the obvious, he adroitly masked the question by transforming his Roman magistrates into models of Enlightenment rulers — reluctant persecutors, too sophisticated to be themselves religious zealots.

Misinterpretation of Byzantium

Others such as John Julius Norwich, despite their admiration for his furthering of historical methodology, consider Gibbon’s hostile views on the Byzantine Empire flawed and blame him somewhat for the lack of interest shown in the subject throughout the 19th and early 20th centuries.[19] This view might well be admitted by Gibbon himself: “But it is not my intention to expatiate with the same minuteness on the whole series of the Byzantine history.”[20] However the Russian historian George Ostrogorsky writes, “Gibbon and Lebeau were genuine historians — and Gibbon a very great one — and their works, in spite of factual inadequacy, rank high for their presentation of their material.”[21]

Gibbon’s reflections

Gibbon’s initial plan was to write a history “of the decline and fall of the city of Rome”, and only later expanded his scope to the whole Roman Empire.[22]

Although he published other books, Gibbon devoted much of his life to this one work (1772–89). His autobiography Memoirs of My Life and Writings is devoted largely to his reflections on how the book virtually became his life. He compared the publication of each succeeding volume to a newborn child.[23]

Editions

Gibbon continued to revise and change his work even after publication. The complexities of the problem are addressed in Womersley’s introduction and appendices to his complete edition.

  • In-print complete editions
    • J.B. Bury, ed., 7 volumes (London: Methuen, 1909–1914), currently reprinted (New York: AMS Press, 1974). ISBN 0-404-02820-9.
    • Hugh Trevor-Roper, ed., 6 volumes (New York: Everyman’s Library, 1993–1994). The text, including Gibbon’s notes, is from Bury but without his notes. ISBN 0-679-42308-7 (vols. 1–3); ISBN 0-679-43593-X (vols. 4–6).
    • David Womersley, ed., 3 volumes. hardback-(London: Allen Lane, 1994); paperback-(New York: Penguin Books, 2005;1994). Includes the original index, and the Vindication (1779), which Gibbon wrote in response to attacks on his caustic portrayal of Christianity. The 2005 print includes minor revisions and a new chronology. ISBN 0-7139-9124-0 (3360 p.); ISBN 0-14-043393-7 (v.1, 1232 p.); ISBN 0-14-043394-5 (v.2, 1024 pages); ISBN 0-14-043395-3 (v.3, 1360 pages)
  • In-print abridgements
    • David Womersley, ed., 1 volume (New York: Penguin Books, 2000). Includes all footnotes and seventeen of the original seventy-one chapters. ISBN 0-14-043764-9, 848 pages
    • Hans-Friedrich Mueller, ed., one volume abridgment (New York: Random House, 2003). Includes excerpts from all seventy-one chapters. It eliminates footnotes, geographic surveys, details of battle formations, long narratives of military campaigns, ethnographies and genealogies. Based on the Rev. H.H. [Dean] Milman edition of 1845 (see also Gutenberg etext edition). ISBN 0-375-75811-9, (trade paper, 1312 pages); ISBN 0-345-47884-3 (mass market paper, 1536 pages)

Legacy

Many writers have used variations on the series title (including using “Rise and Fall” in place of “Decline and Fall”), especially when dealing with large nations or empires. Piers Brendon notes that Gibbon’s work, “became the essential guide for Britons anxious to plot their own imperial trajectory. They found the key to understanding the British Empire in the ruins of Rome.”[24]

and in film:

and in television:

The title and author are also cited in Noël Coward‘s comedic poem “I Went to a Marvellous Party“.[25] And in the poem “The Foundation of Science Fiction Success“, Isaac Asimov acknowledged that his Foundation series—an epic tale of the fall and rebuilding of a galactic empire—was written “with a tiny bit of cribbin’ / from the works of Edward Gibbon”.[26]

In 1995, an established journal of classical scholarship, Classics Ireland, published punk musician’s Iggy Pop‘s reflections on the applicability of The Decline and Fall of the Roman Empire to the modern world in a short article, Caesar Lives, (Vol. 2, 1995) in which he noted “America is Rome. Of course, why shouldn’t it be? We are all Roman children, for better or worse… I learn much about the way our society really works, because the system-origins – military, religious, political, colonial, agricultural, financial – are all there to be scrutinized in their infancy. I have gained perspective.” [27]

See also

Notes

  1. Jump up^ sometimes shortened to Decline and Fall of the Roman Empire
  2. Jump up^ Edward Gibbon (1776). The History of the Decline and Fall of the Roman Empire. I. W. Strahan and T. Cadell.
  3. Jump up^ Edward Gibbon (1781). The History of the Decline and Fall of the Roman Empire. II.
  4. Jump up^ Edward Gibbon (1781). The History of the Decline and Fall of the Roman Empire. III.
  5. Jump up^ Edward Gibbon (1788). The History Of The Decline And Fall Of The Roman Empire. IV. Strahan and Cadell.
  6. Jump up^ Edward Gibbon (1788). The History of the Decline and Fall of the Roman Empire. V. W. Strahan and T. Cadell.
  7. Jump up^ Edward Gibbon (1788). The History of the Decline and Fall of the Roman Empire. VI.
  8. Jump up^ David S. Potter (2006-05-22). A Companion to the Roman Empire. Wiley. p. 100. ISBN 978-0-631-22644-4.
  9. Jump up^ see for example Henri Pirenne’s (1862–1935) famous thesis published in the early 20th century. As for sources more recent than the ancients, Gibbon certainly drew on Montesquieu‘s short essay, Considérations sur les causes de la grandeur des Romains et de leur décadence, and on previous work published by Bossuet (1627-1704) in his Histoire universelle à Monseigneur le dauphin (1763). see Pocock, EEG. for Bousset, pp. 65, 145; for Montesquieu, pp. 85–88, 114, 223.
  10. Jump up^ J.G.A. Pocock, “Between Machiavelli and Hume: Gibbon as Civic Humanist and Philosophical Historian,” Daedalus 105,3(1976), 153–169; and in Further reading: Pocock, EEG, 303–304; FDF, 304–306.
  11. Jump up^ J.G.A. Pocock, “Between Machiavelli and Hume: Gibbon as Civic Humanist and Philosophical Historian,” Daedulus 105,3(1976), 153–169; and in Further reading: Pocock, EEG, 303–304; FDF, 304–306.
  12. Jump up^ Saunders, Dero A., ed. (1952). Decline and Fall of the Roman Empire. New York: Penguin. p. 23 (Introduction).
  13. Jump up^ Preface to Gibbon’s Volume the Fourth in David Womersley ed., Edward Gibbon – The History of the Decline and Fall of the Roman Empire, vol. 2 (New York: Penguin Books, 1994), p. 520.
  14. Jump up^ In the early 20th century, biographer Sir Leslie Stephen [“Gibbon, Edward (1737–1794),” Dictionary of National Biography, vol. 7, (Oxford, 1921), p. 1134.] summarized The History‘s reputation as a work of unmatched erudition, a degree of professional esteem which remains as strong today as it was then:

    The criticisms upon his book…are nearly unanimous. In accuracy, thoroughness, lucidity, and comprehensive grasp of a vast subject, the History is unsurpassable. It is the one English history which may be regarded as definitive. …Whatever its shortcomings, the book is artistically imposing as well as historically unimpeachable as a vast panorama of a great period.

  15. Jump up^ Edward Gibbon (1779). A vindication of some passages in the fifteenth and sixteenth chapters of The history of the decline and fall of the Roman Empire: By the author..Printed for W. Strahan; and T. Cadell, in the Strand.
  16. Jump up^ The New Schaff-Herzog Encyclopedia of Religious Knowledge, vol. IV, eds. S.M. Jackson, et al. (Grand Rapids, Mich.: Baker Book House, 1952), 483–484. online.
  17. Jump up^ Dublin review: a quarterly and critical journal. Burns, Oates and Washbourne. 1840. pp. 208–. JItKAAAAcAAJ. p. 208 image at Google Books
  18. Jump up^ General Observations On The Fall Of The Roman Empire In The West. Fall In The West — The Decline And Fall Of The Roman Empire by Edward Gibbon. At Christian Classics Ethereal Library, Calvin College Computer Science. http://www.ccel.org/g/gibbon/decline/volume1/chap39.htm
  19. Jump up^ John Julius Norwich, Byzantium (New York: Knopf, 1989); Byzantium: the apogee (London and New York: Viking Press, 1991).
  20. Jump up^ Preface of 1782 online.
  21. Jump up^ Georgije Ostrogorski History of the Byzantine State(1986) p. 5 online
  22. Jump up^ Gibbon, Edward (1781). The History of the Decline and Fall of the Roman Empire. 3. chapter 36, footnote 43. If I prosecute this History, I shall not be unmindful of the decline and fall of the city of Rome; an interesting object, to which my plan was originally confined.
  23. Jump up^ Patricia B. Craddock, Edward Gibbon, Luminous Historian. (Baltimore: Johns Hopkins Univ. Press, 1989), 249–266.
  24. Jump up^ Piers Brendon, The Decline and Fall of the British Empire, 1781-1997 (2008) p. xv
  25. Jump up^ Link to notes on the poem here [1]. Excerpt: “If you have any mind at all, Gibbon’s divine Decline and Fall, Seems pretty flimsy, No more than a whimsy… .”
  26. Jump up^ Asimov, Isaac (October 1954). “The Foundation of S. F. Success”. The Magazine of Fantasy and Science Fiction. p. 69.
  27. Jump up^ “Classics Ireland”. Ucd.ie. Retrieved September 8, 2010.

Further readingnd Intertextuality in Gibbon’s Decline and Fall of the Roman Empire (Newark: Associated University Presses, 1999); ISBN 0-87413-658-X.

  • Craddock, Patricia. “Historical Discovery and Literary Invention in Gibbon’s ‘Decline and Fall’,” Modern Philology 85,4(May 1988), 569–587.
  • Drake, H.A., “Lambs into Lions: explaining early Christian intolerance,” Past and Present 153(1996), 3–36. Oxford Journals
  • Furet, Francois. “Civilization and Barbarism in Gibbon’s History,” Daedalus 105,3(1976), 209–216.
  • Gay, Peter. Style in History (New York: Basic Books, 1974); ISBN 0-465-08304-8.
  • Ghosh, Peter R. “Gibbon’s Dark Ages: Some Remarks on the Genesis of the Decline and Fall,” Journal of Roman Studies 73(1983), 1–23.
  • Homer-Dixon, Thomas “The Upside of Down: Catastrophe, Creativity and the Renewal of Civilization”, 2007 ISBN 978-0-676-97723-3, Chapter 3 pp. 57–60
  • Kelly, Christopher. “A Grand Tour: Reading Gibbon’s ‘Decline and Fall’,” Greece & Rome 2nd ser., 44,1 (Apr. 1997), 39–58.
  • Momigliano, Arnaldo. “Eighteenth-Century Prelude to Mr. Gibbon,” in Pierre Ducrey et al., eds., Gibbon et Rome à la lumière de l’historiographie moderne (Geneva: Librairie Droz, 1977).
  • Momigliano, Arnaldo. “Gibbon from an Italian Point of View,” in G.W. Bowersock et al., eds., Edward Gibbon and the Decline and Fall of the Roman Empire (Cambridge: Harvard Univ. Press, 1977).
  • Momigliano, Arnaldo. “Declines and Falls,” American Scholar 49(Winter 1979), 37–51.
  • Momigliano, Arnaldo. “After Gibbon’s Decline and Fall,” in Kurt Weitzmann, ed. Age of Spirituality : a symposium (Princeton: 1980); ISBN 0-89142-039-8.
  • Pocock, J.G.A. Barbarism and Religion, 4 vols. all Cambridge Univ. Press.
  • Roberts, Charlotte Edward Gibbon and the Shape of History. 2014 Oxford University Press 9780198704836
  • Trevor-Roper, H.R. “Gibbon and the Publication of The Decline and Fall of the Roman Empire, 1776–1976,” Journal of Law and Economics 19,3 (Oct. 1976), 489–505.
  • Womersley, David. The Transformation of ‘The Decline and Fall of the Roman Empire’ (Cambridge: 1988).
  • Womersley, David, ed. Religious Scepticism: Contemporary Responses to Gibbon (Bristol, England: Thoemmes Press, 1997).
  • Wootton, David. “Narrative, Irony, and Faith in Gibbon’s Decline and Fall,” History and Theory 33,4 (Dec., 1994), 77–105.

External links

https://en.wikipedia.org/wiki/The_History_of_the_Decline_and_Fall_of_the_Roman_Empire

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Michel de Montaigne — Essays — Videos

Posted on March 11, 2017. Filed under: Blogroll, Books, Communications, Essays, Foreign Policy, Freedom, Friends, Non-Fiction, People, Philosophy, Politics, Raves, Success, Video, War, Water, Wealth, Welfare, Wisdom, Work, Writing | Tags: , , , , , |

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PHILOSOPHY – Montaigne

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Essays – Book 3 by Michel Eyquem de Montaigne – Audiobook ( Part 2/4 )

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Essays – Book 3 by Michel Eyquem de Montaigne – Audiobook ( Part 4/4 )

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Michel de Montaigne

From Wikipedia, the free encyclopedia
“Montaigne” redirects here. For the Australian singer-songwriter, see Montaigne (musician).
Michel de Montaigne
Michel de Montaigne 1.jpg
Born Michel de Montaigne
28 February 1533
Château de Montaigne, Guyenne, France
Died 13 September 1592 (aged 59)
Château de Montaigne, Guyenne, France
Alma mater College of Guienne
Collège Royal
University of Toulouse
Era Renaissance philosophy
Region Western Philosophy
School Renaissance humanismRenaissance skepticism
Notable ideas
The essay,
Montaigne’s wheel argument[1]
Signature
Unterschrift des Michel de Montaigne.png

Michel Eyquem de Montaigne, Lord of Montaigne (/mɒnˈtn/;[3]French: [miʃɛl ekɛm də mɔ̃tɛɲ]; 28 February 1533 – 13 September 1592) was one of the most significant philosophers of the French Renaissance, known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes[4] and autobiography with serious intellectual insight; his massive volume Essais (translated literally as “Attempts” or “Trials”) contains some of the most influential essays ever written.

Montaigne had a direct influence on writers all over the world, including Francis Bacon, René Descartes,[5] Blaise Pascal, Jean-Jacques Rousseau, Albert Hirschman, William Hazlitt,[6] Ralph Waldo Emerson, Friedrich Nietzsche, Stefan Zweig, Eric Hoffer,[7] Isaac Asimov, and possibly on the later works of William Shakespeare.

In his own lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that, “I am myself the matter of my book”, was viewed by his contemporaries as self-indulgent. In time, however, Montaigne would come to be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt which began to emerge at that time. He is most famously known for his skeptical remark, “Que sçay-je?” (“What do I know?”, in Middle French; now rendered as Que sais-je? in modern French).

Remarkably modern even to readers today, Montaigne’s attempt to examine the world through the lens of the only thing he can depend on implicitly—his own judgment—makes him more accessible to modern readers than any other author of the Renaissance. Much of modern literary non-fiction has found inspiration in Montaigne and writers of all kinds continue to read him for his masterful balance of intellectual knowledge and personal storytelling.

Life

Château de Montaigne, a house built on the land once owned by Montaigne’s family. His original family home no longer exists, though the tower in which he wrote still stands.

Portrait of Michel de Montaigne by Dumonstier around 1578.

The Tour de Montaigne (Montaigne’s tower), mostly unchanged since the 16th century, where Montaigne’s library was located

Montaigne was born in the Aquitaine region of France, on the family estate Château de Montaigne, in a town now called Saint-Michel-de-Montaigne, close to Bordeaux. The family was very wealthy; his great-grandfather, Ramon Felipe Eyquem, had made a fortune as a herring merchant and had bought the estate in 1477, thus becoming the Lord of Montaigne. His father, Pierre Eyquem, Seigneur of Montaigne, was a French Catholic soldier in Italy for a time and had also been the mayor of Bordeaux.

Although there were several families bearing the patronym “Eyquem” in Guyenne, his family is thought to have had some degree of Marrano (Spanish and Portuguese Jewish) origins.[8] His mother, Antoinette López de Villanueva, was a convert to Protestantism.[9] His maternal grandfather, Pedro Lopez,[10] from Zaragoza, was from a wealthy Marrano (Sephardic Jewish) family who had converted to Catholicism.[11][12][13][14] His maternal grandmother, Honorette Dupuy, was from a Catholic family in Gascony, France.[15]

The coat of arms of Michel Eyquem, Lord of Montaigne

His mother lived a great part of Montaigne’s life near him, and even survived him, but is mentioned only twice in his essays. Montaigne’s relationship with his father, however, is frequently reflected upon and discussed in his essays.

Montaigne’s education began in early childhood and followed a pedagogical plan that his father had developed, refined by the advice of the latter’s humanist friends. Soon after his birth, Montaigne was brought to a small cottage, where he lived the first three years of life in the sole company of a peasant family, in order to, according to the elder Montaigne, “draw the boy close to the people, and to the life conditions of the people, who need our help”.[16] After these first spartan years, Montaigne was brought back to the château. The objective was for Latin to become his first language.

The intellectual education of Montaigne was assigned to a German tutor (a doctor named Horstanus, who could not speak French). His father hired only servants who could speak Latin, and they also were given strict orders always to speak to the boy in Latin. The same rule applied to his mother, father, and servants, who were obliged to use only Latin words he himself employed, and thus acquired a knowledge of the very language his tutor taught him. Montaigne’s Latin education was accompanied by constant intellectual and spiritual stimulation. He was familiarized with Greek by a pedagogical method that employed games, conversation, and exercises of solitary meditation, rather than the more traditional books.

The atmosphere of the boy’s upbringing, although designed by highly refined rules taken under advisement by his father, created in the boy’s life the spirit of “liberty and delight” to “make me relish… duty by an unforced will, and of my own voluntary motion…without any severity or constraint”; yet he would have everything to take advantage of his freedom. And so a musician woke him every morning, playing one instrument or another,[17] and an épinettier (with a zither) was the constant companion to Montaigne and his tutor, playing a tune to alleviate boredom and tiredness.

Around the year 1539, Montaigne was sent to study at a prestigious boarding school in Bordeaux, the Collège de Guyenne, then under the direction of the greatest Latin scholar of the era, George Buchanan, where he mastered the whole curriculum by his thirteenth year. He then began his study of law at the University of Toulouse in 1546 and entered a career in the local legal system. He was a counselor of the Court des Aides of Périgueux and, in 1557, he was appointed counselor of the Parlement in Bordeaux (a high court). From 1561 to 1563 he was courtier at the court of Charles IX; he was present with the king at the siege of Rouen (1562). He was awarded the highest honour of the French nobility, the collar of the Order of St. Michael, something to which he aspired from his youth. While serving at the Bordeaux Parlement, he became very close friends with the humanist poet Étienne de la Boétie, whose death in 1563 deeply affected Montaigne. It has been suggested by Donald M. Frame, in his introduction to The Complete Essays of Montaigne that because of Montaigne’s “imperious need to communicate” after losing Étienne, he began the Essais as his “means of communication” and that “the reader takes the place of the dead friend”.[18]

Montaigne wed Françoise de la Cassaigne in 1565, not of his own free will but by prearrangement and under pressure from his family;[citation needed] they had six daughters, but only the second-born survived childhood.

Following the petition of his father, Montaigne started to work on the first translation of the Catalan monk Raymond Sebond‘s Theologia naturalis, which he published a year after his father’s death in 1568 (In 1595, Sebond’s Prologue was put on the Index Librorum Prohibitorum for its declaration that the Bible is not the only source of revealed truth). After this, he inherited the family’s estate, the Château de Montaigne, to which he moved back in 1570, thus becoming the Lord of Montaigne. Another literary accomplishment was Montaigne’s posthumous edition of his friend Boétie’s works.

In 1571, he retired from public life to the Tower of the Château, his so-called “citadel”, in the Dordogne, where he almost totally isolated himself from every social and family affair. Locked up in his library, which contained a collection of some 1,500 works, he began work on his Essais (“Essays”), first published in 1580. On the day of his 38th birthday, as he entered this almost ten-year period of self-imposed reclusion, he had the following inscription crown the bookshelves of his working chamber:

In the year of Christ 1571, at the age of thirty-eight, on the last day of February, his birthday, Michael de Montaigne, long weary of the servitude of the court and of public employments, while still entire, retired to the bosom of the learned virgins, where in calm and freedom from all cares he will spend what little remains of his life, now more than half run out. If the fates permit, he will complete this abode, this sweet ancestral retreat; and he has consecrated it to his freedom, tranquility, and leisure.[19]

During this time of the Wars of Religion in France, Montaigne, a Roman Catholic, acted as a moderating force,[citation needed]respected both by the Catholic King Henry III and the Protestant Henry of Navarre.

In 1578, Montaigne, whose health had always been excellent, started suffering from painful kidney stones, a sickness he had inherited from his father’s family. Throughout this illness, he would have nothing to do with doctors or drugs.[20] From 1580 to 1581, Montaigne traveled in France, Germany, Austria, Switzerland, and Italy, partly in search of a cure, establishing himself at Bagni di Lucca where he took the waters. His journey was also a pilgrimage to the Holy House of Loreto, to which he presented a silver relief depicting himself and his wife and daughter kneeling before the Madonna, considering himself fortunate that it should be hung on a wall within the shrine.[21] He kept a fascinating journal recording regional differences and customs[22] and a variety of personal episodes, including the dimensions of the stones he succeeded in ejecting from his bladder. This was published much later, in 1774, after its discovery in a trunk which is displayed in his tower.[23]

During Montaigne’s visit to the Vatican, as he described in his travel journal, the Essais were examined by Sisto Fabri who served as Master of the Sacred Palace under Pope Gregory XIII. After Fabri examined Montaigne’s Essais the text was returned to its author on 20 March 1581. Montaigne had apologized for references to the pagan notion of “fortuna” as well as for writing favorably of Julian the Apostate and of heretical poets, and was released to follow his own conscience in making emendations to the text.[24]

Journey to Italy by Michel de Montaigne 1580–1581

While in the city of Lucca in 1581, he learned that he had been elected mayor of Bordeaux; he returned and served as mayor. He was re-elected in 1583 and served until 1585, again moderating between Catholics and Protestants. The plague broke out in Bordeaux toward the end of his second term in office, in 1585. In 1586, the plague and the Wars of Religion prompted him to leave his château for two years.[20]

Montaigne continued to extend, revise, and oversee the publication of Essais. In 1588 he wrote its third book and also met the writer Marie de Gournay, who admired his work and later edited and published it. Montaigne called her his adopted daughter.[20] King Henry III was assassinated in 1589, and Montaigne then helped to keep Bordeaux loyal to Henry of Navarre, who would go on to become King Henry IV.

Montaigne died of quinsy at the age of 59, in 1592 at the Château de Montaigne. The disease in his case “brought about paralysis of the tongue”,[25] and he had once said “the most fruitful and natural play of the mind is conversation. I find it sweeter than any other action in life; and if I were forced to choose, I think I would rather lose my sight than my hearing and voice.”[26] Remaining in possession of all his other faculties, he requested mass, and died during the celebration of that mass.[27]

He was buried nearby. Later his remains were moved to the church of Saint Antoine at Bordeaux. The church no longer exists: it became the Convent des Feuillants, which has also disappeared.[28] The Bordeaux Tourist Office says that Montaigne is buried at the Musée Aquitaine, Faculté des Lettres, Université Bordeaux 3 Michel de Montaigne, Pessac. His heart is preserved in the parish church of Saint-Michel-de-Montaigne.

The humanities branch of the University of Bordeaux is named after him: Université Michel de Montaigne Bordeaux 3.

Michel de Montaigne.

Essais

Main article: Essays (Montaigne)

His fame rests on the Essais, a collection of a large number of short subjective treatments of various topics published in 1580, inspired by his studies in the classics, especially by the works of Plutarch and Lucretius.[29] Montaigne’s stated goal is to describe humans, and especially himself, with utter frankness. Montaigne’s writings are studied as literature and philosophy around the world.

Inspired by his consideration of the lives and ideals of the leading figures of his age, he finds the great variety and volatility of human nature to be its most basic features. He describes his own poor memory, his ability to solve problems and mediate conflicts without truly getting emotionally involved, his disdain for the human pursuit of lasting fame, and his attempts to detach himself from worldly things to prepare for his timely death. He writes about his disgust with the religious conflicts of his time. He believed that humans are not able to attain true certainty. The longest of his essays, Apology for Raymond Sebond, contains his famous motto, “What do I know?”

Montaigne considered marriage necessary for the raising of children, but disliked strong feelings of passionate love because he saw them as detrimental to freedom. In education, he favored concrete examples and experience over the teaching of abstract knowledge that has to be accepted uncritically. His essay “On the Education of Children” is dedicated to Diana of Foix.

The Essais exercised important influence on both French and English literature, in thought and style.[30] Francis Bacon‘s Essays, published over a decade later, in 1596, are usually assumed to be directly influenced by Montaigne’s collection, and Montaigne is cited by Bacon alongside other classical sources in later essays.[31]

Montaigne’s influence on psychology

Though not a scientist, Montaigne made observations on topics in psychology.[32] In his essays, he developed and explained his observations of these topics. His thoughts and ideas covered topics such as thought, motivation, fear, happiness, child education, experience, and human action. Montaigne’s ideas have influenced psychology and are a part of psychology’s rich history.

Child education

Child education was among the psychological topics that he wrote about.[32] His essays On the Education of Children, On Pedantry, and On Experience explain the views he had on child education.[33]:61:62:70 Some of his views on child education are still relevant today.[34]

Montaigne’s views on the education of children were opposed to the common educational practices of his day.[33]:63:67He found fault with both what was taught and how it was taught.[33]:62 Much of the education during Montaigne’s time was focused on the reading of the classics and learning through books.[33]:67Montaigne disagreed with learning strictly through books. He believed it was necessary to educate children in a variety of ways. He also disagreed with the way information was being presented to students. It was being presented in a way that encouraged students to take the information that was taught to them as absolute truth. Students were denied the chance to question the information. Therefore, students could not truly learn. Montaigne believed that to truly learn, a student had to take the information and make it their own.

At the foundation Montaigne believed that the selection of a good tutor was important for the student to become well educated.[33]:66 Education by a tutor was to be done at the pace of the student.[33]:67He believed that a tutor should be in dialogue with the student, letting the student speak first. The tutor should also allow for discussions and debates to be had. Through this dialogue, it was meant to create an environment in which students would teach themselves. They would be able to realize their mistakes and make corrections to them as necessary.

Individualized learning was also integral to his theory of child education. He argued that the student combines information he already knows with what is learned, and forms a unique perspective on the newly learned information.[35]:356 Montaigne also thought that tutors should encourage a student’s natural curiosity and allow them to question things.[33]:68He postulated that successful students were those who were encouraged to question new information and study it for themselves, rather than simply accepting what they had heard from the authorities on any given topic. Montaigne believed that a child’s curiosity could serve as an important teaching tool when the child is allowed to explore the things that they are curious about.

Experience was also a key element to learning for Montaigne. Tutors needed to teach students through experience rather than through the mere memorization of knowledge often practised in book learning.[33]:62:67He argued that students would become passive adults; blindly obeying and lacking the ability to think on their own.[35]:354 Nothing of importance would be retained and no abilities would be learned.[33]:62 He believed that learning through experience was superior to learning through the use of books.[34] For this reason he encouraged tutors to educate their students through practice, travel, and human interaction. In doing so, he argued that students would become active learners, who could claim knowledge for themselves.

Montaigne’s views on child education continue to have an influence in the present. Variations of Montaigne’s ideas on education are incorporated into modern learning in some ways. He argued against the popular way of teaching in his day, encouraging individualized learning. He believed in the importance of experience over book learning and memorization. Ultimately, Montaigne postulated that the point of education was to teach a student how to have a successful life by practising an active and socially interactive lifestyle.[35]:355

Related writers and influence

Student taking notes on Montaigne’s Essays at Shimer College.

Thinkers exploring similar ideas to Montaigne include Erasmus, Thomas More, and Guillaume Budé, who all worked about fifty years before Montaigne.[36] Many of Montaigne’s Latin quotations are from Erasmus’ Adagia, and most critically, all of his quotations from Socrates. Plutarch remains perhaps Montaigne’s strongest influence, in terms of substance and style.[37] Montaigne’s quotations from Plutarch in the Essays number well over 500.[38]

Ever since Edward Capell first made the suggestion in 1780, scholars have suggested Montaigne to be an influence on Shakespeare.[39] The latter would have had access to John Florio‘s translation of Montaigne’s Essais, published in English in 1603, and a scene in The Tempest “follows the wording of Florio [translating Of Cannibals] so closely that his indebtedness is unmistakable”.[40] However, most parallels between the two can be explained as commonplaces:[39] as with Cervantes, Shakespeare‘s similarities with writers in other nations could be due simply to their simultaneous study of Latin moral and philosophical writers such as Seneca the Younger, Horace, Ovid and Virgil.

Much of Blaise Pascal‘s skepticism in his Pensées has been traditionally attributed to his reading Montaigne.[41]

The English essayist William Hazlitt expressed boundless admiration for Montaigne, exclaiming that “he was the first who had the courage to say as an author what he felt as a man. … He was neither a pedant nor a bigot. … In treating of men and manners, he spoke of them as he found them, not according to preconceived notions and abstract dogmas”.[42] Beginning most overtly with the essays in the “familiar” style in his own Table-Talk, Hazlitt tried to follow Montaigne’s example.[6]

Ralph Waldo Emerson chose “Montaigne; or, the Skeptic” as a subject of one of his series of lectures entitled Representative Men, alongside other subjects such as Shakespeare and Plato. In “The Skeptic” Emerson writes of his experience reading Montaigne, “It seemed to me as if I had myself written the book, in some former life, so sincerely it spoke to my thought and experience.” Friedrich Nietzsche judged of Montaigne: “That such a man wrote has truly augmented the joy of living on this Earth”.[43] Saint-Beuve advises us that “to restore lucidity and proportion to our judgments, let us read every evening a page of Montaigne.” [44]

The American philosopher Eric Hoffer employed Montaigne both stylistically and in thought. In Hoffer’s memoir, Truth Imagined, he said of Montaigne, “He was writing about me. He knew my innermost thoughts.” The Welsh novelist John Cowper Powys expressed his admiration for Montaigne’s philosophy in his books Suspended Judgements (1916) and The Pleasures of Literature (1938). Judith N. Shklar introduces her book Ordinary Vices (1984), “It is only if we step outside the divinely ruled moral universe that we can really put our minds to the common ills we inflict upon one another each day. That is what Montaigne did and that is why he is the hero of this book. In spirit he is on every one of its pages…”

20th century literary critic Erich Auerbach called Montaigne the first modern man. “Among all his contemporaries,” writes Auerbach (Mimesis, Chapter 12), “he had the clearest conception of the problem of man’s self-orientation; that is, the task of making oneself at home in existence without fixed points of support.” [45]

References

  1. Jump up^ Robert P. Amico, The Problem of the Criterion, Rowman & Littlefield, 1995, p. 42. Primary source: Montaigne, Essais, II, 12: “Pour juger des apparences que nous recevons des subjets, il nous faudroit un instrument judicatoire ; pour verifier cet instrument, il nous y faut de la demonstration ; pour verifier la demonstration, un instrument : nous voilà au rouet [To judge of the appearances that we receive of subjects, we had need have a judicatorie instrument: to verifie this instrument we should have demonstration; and to approve demonstration, an instrument; thus are we ever turning round]” (transl. by Charles Cotton).
  2. Jump up^ FT.com “Small Talk: José Saramago”. “Everything I’ve read has influenced me in some way. Having said that, Kafka, Borges, Gogol, Montaigne, Cervantes are constant companions.”
  3. Jump up^ “Montaigne”. Random House Webster’s Unabridged Dictionary.
  4. Jump up^ His anecdotes are ‘casual’ only in appearance; Montaigne writes: ‘Neither my anecdotes nor my quotations are always employed simply as examples, for authority, or for ornament…They often carry, off the subject under discussion, the seed of a richer and more daring matter, and they resonate obliquely with a more delicate tone,’ Michel de Montaigne, Essais, Pléiade, Paris (ed. A. Thibaudet) 1937, Bk. 1, ch.40, p. 252 (tr. Charles Rosen)
  5. Jump up^ Buckley, Michael J., At the Origins of Modern Atheism, Yale UP, 1990, p. 69.
  6. ^ Jump up to:a b Kinnaird, John, William Hazlitt: Critic of Power, Columbia University Press, 1978, p. 274.
  7. Jump up^ from Truth Imagined, memoir by Eric Hoffer.
  8. Jump up^ Sophie Jama, L’Histoire Juive de Montaigne [The Jewish History of Montaigne], Paris, Flammarion, 2001, p. 76.
  9. Jump up^ “His mother was a Jewish Protestant, his father a Catholic who achieved wide culture as well as a considerable fortune.” Civilization, Kenneth Clark, (Harper & Row: 1969), p. 161.
  10. Jump up^ Winkler, Emil (1942). “Zeitschrift für Französische Sprache und Literatur”.
  11. Jump up^ Goitein, Denise R (2008). “Montaigne, Michel de”. Encyclopaedia Judaica. The Gale Group. Retrieved 2014-03-06.
  12. Jump up^ Introduction: Montaigne’s Life and Times, in Apology for Raymond Sebond, By Michel de Montaigne (Roger Ariew), (Hackett: 2003), p. iv: “Michel de Montaigne was born in 1533 at the chateau de Montagine (about 30 miles east of Bordeaux), the son of Pierre Eyquem, Seigneur de Montaigne, and Antoinette de Louppes (or Lopez), who came from a wealthy (originally Iberian) Jewish family”.
  13. Jump up^ “…the family of Montaigne’s mother, Antoinette de Louppes (Lopez) of Toulouse, was of Spanish Jewish origin….” The Complete Essays of Montaigne, Translated by Donald M. Frame, “Introduction,” p. vii ff., Stanford University Press, Stanford, 1989 ISBN 0-8047-0486-4
  14. Jump up^ Popkin, Richard H (2003-03-20). “The History of Scepticism: From Savonarola to Bayle”. ISBN 9780195107678.
  15. Jump up^ Green, Toby (2009-03-17). “Inquisition: The Reign of Fear”. ISBN 9781429938532.
  16. Jump up^ Montaigne. Essays, III, 13
  17. Jump up^ Hutchins, Robert Maynard; Hazlitt, W. Carew, eds. (1952). The Essays of Michel Eyquem de Montaigne. Great Books of the Western World. twenty-five. Trans. Charles Cotton. Encyclopedia Britannica. p. v. He had his son awakened each morning by ‘the sound of a musical instrument’
  18. Jump up^ Frame, Donald (translator). The Complete Essays of Montaigne. 1958. p. v.
  19. Jump up^ As cited by Richard L. Regosin, ‘Montaigne and His Readers’, in Denis Hollier (ed.) A New History of French Literature, Harvard University Press, Cambridge, Massachusetts, London 1995, pp. 248–52, p. 249. The Latin original runs: ‘An. Christi 1571 aet. 38, pridie cal. mart., die suo natali, Mich. Montanus, servitii aulici et munerum publicorum jamdudum pertaesus, dum se integer in doctarum virginum recessit sinus, ubi quietus et omnium securus (quan)tillum in tandem superabit decursi multa jam plus parte spatii: si modo fata sinunt exigat istas sedes et dulces latebras, avitasque, libertati suae, tranquillitatique, et otio consecravit.’ as cited in Helmut Pfeiffer, ‘Das Ich als Haushalt:Montaignes ökonomische Politik’, in Rudolf Behrens,Roland Galle (eds.) Historische Anthropologie und Literatur:Romanistische Beträge zu einem neuen Paradigma der Literaturwissenschaft, Königshausen und Neumann, Würzburg, 1995 pp. 69–90 p. 75
  20. ^ Jump up to:a b c  Reynolds, Francis J., ed. (1921). “Montaigne, Michel, Seigneur“. Collier’s New Encyclopedia. New York: P.F. Collier & Son Company.
  21. Jump up^ Edward Chaney, The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance, 2nd ed. (London, 2000), p. 89.
  22. Jump up^ Cazeaux, Guillaume (2015). Montaigne et la coutume[Montaigne and the custom]. Milan: Mimésis. ISBN 9788869760044.
  23. Jump up^ Montaigne’s Travel Journal, translated with an introduction by Donald M. Frame and foreword by Guy Davenport, San Francisco, 1983
  24. Jump up^ Treccani.it, L’encicolpedia Italiana, Dizionario Biografico. Accessed 10 August 2013
  25. Jump up^ Montaigne, Michel de, Essays of Michel de Montaigne, tr. Charles Cotton, ed. William Carew Hazlitt, 1877, “The Life of Montaigne” in v. 1. n.p., Kindle edition.
  26. Jump up^ “The Autobiography of Michel De Montaign”, translated, introduced, and edited by Marvin Lowenthal, David R. Godine Publishing, p. 165
  27. Jump up^ “Biographical Note”, Encyclopedia Britannica “Great Books of the Western World”, Vol. 25, p. vi “Montaigne”
  28. Jump up^ Bakewell, Sarah. How to Live – or – A Life of Montaigne in One Question and Twenty Attempts at an Answer (2010), pp. 325–26, 365 n. 325.
  29. Jump up^ “Titi Lucretii Cari De rerum natura libri sex (Montaigne.1.4.4)”. Cambridge Digital Library. Retrieved 9 July 2015.
  30. Jump up^ Bloom, Harold. The Western Canon.
  31. Jump up^ Bakewell, Sarah (2010). How to live : a life of Montaigne in one question and twenty attempts at an answer. London: Vintage. p. 280. ISBN 9780099485155.
  32. ^ Jump up to:a b King, Brett; Viney, Wayne; Woody, William.A History of Psychology: Ideas and Context, 4th ed., Pearson Education, Inc. 2009, p. 112.
  33. ^ Jump up to:a b c d e f g h i Hall, Michael L. Montaigne’s Uses of Classical Learning. “Journal of Education” 1997, Vol. 179 Issue 1, p. 61
  34. ^ Jump up to:a b Ediger, Marlow. Influence of ten leading educators on American education.Education Vol. 118, Issue 2, p. 270
  35. ^ Jump up to:a b c Worley, Virginia. Painting With Impasto: Metaphors, Mirrors, and Reflective Regression in Montagne’s ‘Of the Education of Children.’ Educational Theory, June 2012, Vol. 62 Issue 3, p. 343–70.
  36. Jump up^ Friedrich, Hugo; Desan, Philippe (1991). Montaigne. ISBN 9780520072534.
  37. Jump up^ Friedrich 1991, p. 71.
  38. Jump up^ Billault, Alain (2002). “Plutarch’s Lives“. In Gerald N. Sandy. The Classical Heritage in France. p. 226. ISBN 9789004119161.
  39. ^ Jump up to:a b Olivier, T. (1980). “Shakespeare and Montaigne: A Tendency of Thought”. Theoria. 54: 43–59.
  40. Jump up^ Harmon, Alice (1942). “How Great Was Shakespeare’s Debt to Montaigne?”. PMLA. 57 (4): 988–1008. JSTOR 458873.
  41. Jump up^ Eliot, Thomas Stearns (1958). Introduction to Pascal’s Essays. New York: E. P. Dutton and Co. p. viii.
  42. Jump up^ Quoted from Hazlitt’s “On the Periodical Essayists” in Park, Roy, Hazlitt and the Spirit of the Age, Oxford, Clarendon Press, 1971, pp. 172–73.
  43. Jump up^ Nietzsche, Untimely Meditations, Chapter 3, “Schopenhauer as Educator,” Cambridge University Press, 1988, p. 135
  44. Jump up^ Saint-Beuve, “Montaigne”, “Literary and Philosophical Essays”, Ed. Charles W. Eliot, New York: P. F. Collier & Son, 1938.
  45. Jump up^ Auerbach, Erich , Mimesis: Representations of Reality in Western Literature, Princeton UP, 1974, p.311

Further reading

  • Album Montaigne. Iconographie choisie et annotée par Jean Lacouture. Bibliothèque de la Pléiade. Éditions Gallimard, 2007. ISBN 9782070118298.
  • Kuznicki, Jason (2008). “Montaigne, Michel (1533–1592)”. In Hamowy, Ronald. The Encyclopedia of Libertarianism. Thousand Oaks, CA: SAGE; Cato Institute. pp. 339–41. doi:10.4135/9781412965811.n208. ISBN 978-1-4129-6580-4. LCCN 2008009151. OCLC 750831024.
  • The Autobiography of Michel de Montaigne. Comprising the Life of the Wisest Man of his Times: his Childhood, Youth, and Prime; his Adventures in Love and Marriage, at Court, and in Office, War, Revolution, and Plague; his Travels at Home and Abroad; his Habits, Tastes, Whims, and Opinions. Composed, Prefaced, and Translated from the Essays, Letters, Travel Diary, Family Journal, etc., withholding no signal or curious detail, by Marvin Lowenthal. Houghton Mifflin, 1935.
  • No greater mmonster nor miracle than myself. Charlotte Thomas, ed. 2014. Mercer University Press.

External links

https://en.wikipedia.org/wiki/Michel_de_Montaigne

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